#help is this how it works

[tears0fsatan]

ㅤㅤㅤㅤㅤㅤ⊹ ༺ COMMISSION ♱ ANNOUNCEMENT ༻ ⊹

thank you for the past year and a half. i can't say it enough. turning this blog into what it is today has changed my life in a myriad of ways that i am forever grateful for. its made me realise that maybe my silly ramblings are worth writing and that there are folks out there that actually like the string of words my brain puts together.

as a gift from me to you, in honour of my (late) year anniversary and 700 followers, i've decided to open my commissions. at the moment, i can only guarantee a total of 10 slots before my brain starts to turn on itself. if this goes well, i'll consider opening comms again in the future and increase the slot amount :)

once again, thank you so so much for continuing to support me throughout this past year, it's been a joy to share my work with you lovely people. the love i get on every one of my writings is one thing that keeps me going and motivates me to continue.

ᓚᘏᗢ . . more info under the cut !

status - open !

‧₊˚ ✩ SLOTS AVAILABLE : [10/10]

— PRICES

500 words : $3 / IDR 44K / AUD 4.50

1500 words : $5 / IDR 73K / AUD 7.40

2000 words : $8 / IDR 117.5K / AUD 12

2500 words : $10 / IDR 147K / AUD 15

anything longer is negotiable though i don't go over 4k

if i exceed the word limit, i won't charge extra (think of it as extra love from me ^_^)

if you cancel while i'm halfway done, there will be no refunds.

i do not offer revisions after i'm done writing a piece and if you would like to make changes, please message me at most up to a week after our initial conversation.

i can only accept payment through ko-fi unless you prefer directly sending the money through paypal.

i will only start working on your commission after i've recieved the payment.

please check out the carrd before filling out the google form.

— FANDOMS

you can see the main characters i'm open to writing for on my rulez page ⎯ it also includes the things i am not okay with writing.

★ ₊˚ additional medias i'm comfortable writing for include;

omniscient reader's viewpoint

trash of the count’s family (platonic & familial)

honkai: star rail

good omens

★ ₊˚ under no circumstance do i write about minors unless it is for a familial commission of; obey me, omniscient reader’s viewpoint, trash of the count’s family, or honkai: star rail, nor will i age up any characters for nsfw content. if that is what you are looking for, my service is not for you.

— RULES

i only write x readers and character x character(s). poly ships are okay as long as they aren't incest or pedofilic.

hard nos are listed out in my rulez page but i would like to emphasise that i do not write pregnancy, this includes creampies and breeding.

either no or specific descriptions of appearance (up to you). i will need details on your appearance and your personality, everything that you feel is necessary for your piece.

your commission doesn’t have to be canon compliant and can be an au or canon divergence. continuations of works that i've posted are also okay.

if there are works that you would like me to reference or base my piece on, don’t feel shy to send them to me.

works will be shared as a pdf through email or discord. if you would like it shared as a different medium through different means, do inform me in our initial conversation.

while i am open to accepting sfw commissions for those 17 and under (hopefully no one is younger than 16 ㅠㅠ), i won't take any nsfw commissions. this is not negotiable. i don’t feel comfortable with doing so and it is illegal for me to sell sexually explicit content to minors.

for nsfw commissions : please specify what anatomy (either afab or amab) or simply put 'gender neutral / gn' if you'd like me to keep it vague, as well as the dynamics between the characters. you must provide a picture of id along with your url / name written on a piece of paper beside it. as long as i can see your date of birth, everything else can be blurred out.

₊˚✧ if you are interested or have any questions, my dms here, and discord are open at all times. however due to timezones, i can't guarantee i'll answer immediately but i will get back to you as soon as i can.

feel free to check out the carrd & kofi i've created, it's highly appreciated <3

please please please don't feel like you have to buy me a coffee or ask for a comm to show your support!!! a reblog (on this post or any of my works really) and likes already make me feel luvedddd <33333

i would also like to reiterate that it is illegal for me to sell and distribute explicit content to minors and if you are underage you may not commission a nsfw piece ^^

that's all for now, if i get commissions i'll def prioritise those but i'll do my best to occasionally pump out a thirst or a drabble here and there ^^; (might even finish off the joongdok fic i have hidden in my docs on ao3..)

thank you for the amazing support over the past year,

一 juno /ᐠ - ˕ -マ

[werewolf-transgenderism]

keep seeing undergrads on social media saying “oh if a prof has a strict no-AI academic integrity policy that’s a red flag for me because that means they don’t know how to design assignments” like sorry girl but that just sounds like you’ve got a case of sour grapes about not being allowed to cheat with the plagiarism machine that doesn’t know how to evaluate sources and kills the environment! I have a strict no-AI policy because if you use AI to write your essays for a writing course it’s literally plagiarism because you didn’t write it and you’re not learning any of the things the course teaches if you just plug a prompt into the plagiarism generator that kills the environment, hope this helps!

[thesaltyace]

Y'all I did NOT know this about Harris, and I think it's really critical that we all listen and understand as we approach this election. Video at the end.

This creator's video describes how progressive Harris was as a prosecutor -- actively going against the grain to the point she was accused of being soft on crime. Accused of being a social worker, not a prosecutor. She calls it being smart on crime. She's pushing for systemic changes to give real pathways to reintegrate incarcerated folks back into society and prevent their past from continuing to haunt them moving forward.

"Kamala's a cop" is a catchy dismissive response usually used to shut down conversation rather than add nuance. But this kind of reform is ESSENTIAL to work towards a present and future that treats incarcerated people with value.

I fell for it in 2020 and have thought "Kamala's a cop" without further inspection since - and I'm sobered by the realization that (you guessed it!) I'm not immune to propaganda.

A better system only follows liberal democracy, because library democracy allows for exploration of better systems. If authoritarianism takes hold, it will not allow for the exploration of better systems. We will have to fight tooth and nail just to try to get back to liberal democracy, and I suspect we could not achieve it in our lifetimes.

Harris isn't perfect. But she's a hell of a lot better than many leftists have led me to believe. Don't let perfection be the enemy of good. Don't let perfection be the enemy of harm reduction.

We can either help elect Trump and usher in authoritarian fascism, or we can help defeat him and pull things back in the direction we want to go. Not liking the choices doesn't absolve you from participating and doing the most good you can with the options available.

I'll link the original video in the replies. The original video has captions if you need them.

[thruflames]

the ineffable husbands as that meme

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[herssian]

i don’t know where the notion that if you don’t give big bucks to an artist then you’re not really supporting them came from, but when people say even a tiny bit of monetary support saves an artist, it’s not for the aesthetic or the gesture of it all. i’ve been able to have actual drinking water on days i’ve been incredibly broke simply because someone bought a brush pack for 2 euros. in the most actual, literal way i could possibly convey this: the SMALLEST amount counts. in practice counts. people-get-to-eat-today counts. especially in this age of everyone and their mother being out to deplatform artists. there’s value in the tiniest of ways

[courfee]

oby jeggy is a different kind of dsfkdsf so here is them from the first fic in that series, i will touch you with my mind by my love @itsjaywalkers

[beybuniki]

alternative universe where there are TWO epic fail sons in the todoroki familiy

[solardrake]

Delivering mail to the furthest corners of the server ✉✈

[hinamie]

domain expansion

[gatoburr0]

Hehe hiii samurai shiver Hii um!!

Also yes I designed the tattoos from scratch and I still gotta do the one on her back 😪

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[druid-for-hire]

hawkeye and trapper get fake septums

(id under the cut)

[image id: a three-page digital comic about characters from the TV show MASH, illustrated by "druid-for-hire." On page 1, frank burns squints at Hawkeye from a short distance, who is next to Trapper, who is reading a newspaper that obscures his face. "Pierce," Burns asks, "what's on your face?" Hawkeye turns to face him, revealing a septum piercing. "what's what, Frank?" he asks. Shocked and affronted by this breach in army regulations, he shouts, "I can't!! Believe you!! It's not enough for you to disagrace the army uniform by being out of it all the time? You have to go and--and do that! You look like a punk! Or a cow!"

On page 2, Hawkeye, unbothered, replies "Y'know, Frank, I'm finally living up to the Pierce name. I was thinking about going for some ear tag earrings. Maybe I can get a nurse to pull my udders." Frank howls, "That's disgusting!" Turning to Trapper he shouts, "Did you have anything to do with this, McIntyre?" Trapper pulls down the newspaper to reveal that he's wearing three septum rings and says, "I sure did! He stole my look!"

On page 3, Frank says "You're both terrible. Both of your butts are going on report!" while Hawkeye takes out his apparently fake septum ring behind his back. "Report for what, Frank?" he asks; Frank turns to see that the piercing is now missing. "Yeah, what's the matter, Frank?" Trapper says, whose piercing is suddenly missing as well. Frank storms off, yelling "Neither of you can pull the wool over my eyes!! Just wait until General Barker hears about this!" Some time later, Frank is standing next to General Barker, pointing at Hawk. "General, I'm telling you, the hole is THERE!" he shouts. "Go and take a look in those nostrils for yourself!" There is a long and awkward pause. The General did not like that. Hawkeye remarks, "Gee Frank, take a girl to dinner first." end id]

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[nemkero]

[barges into ur inbox looking harried with blood on my face] i’m dying and the only way to save me is by talking about ur self indulgent zuko time travel bs

[i cradle you gently in my arms] no... stay with me.... [places this into your chest]

i think the dynamics would be so funny between these 3 in particular with 16 y/o zuko being pitiful and emo, 19 y/o or post-comic zuko being more silly and getting into his groove and looking up to his older self a Lot, and 28 y/o zuko acting all cool and stoic to try and impress his younger selves when in reality he tripped over his robes the other day and fell into the turtleduck pond

[electrozeistyking]

"She's Gone"

This bad boy was started on the third of November, and finished on the seventh. In total, there are thirty panels (all of which were drawn separately).

A good chunk of N's dialogue near the end came to me after I did some improv to figure out what he should say. I have since dubbed it "N's Failure Monologue."