#help i don't want it but just imagine

[snowflake194]

Before Eddie moves back to El Paso, Buck helps him pack—boxing up memories, deciding what to sell, what to leave for the movers. Somehow, they end up on the couch again, Eddie’s fingers tracing the armrest, Buck nursing his third beer of the night.

"Do you want it?" Eddie asks, breaking the silence. "Want what?" Buck looks over, mid-sip. "The couch," Eddie says softly. "Do you… do you want my couch?"

And just like that, Eddie gives Buck the couch—the couch. The only one that’s ever really felt right. The only one Buck’s ever needed.

And it doesn’t come with a girlfriend. It comes with a goodbye.

EDIT: Okay I ended up writing a full fic out of this right here

[yayll]

~ a little something about waking up next to Dazai, and he's unbearable as always ~

"I might just eat you alive..." He mumbles to himself, barely audible. His eyes are half-lidded, and he's barely blinked.

He's been watching you sleep next to him curled up like a kitten for the past hour, way past the time you usually wake up. He's the oversleeper, not you, and it makes him hyper aware of your bodily functions and if they're okay. He hasn't eaten properly in days, but you don't need to know that. He's rabid, and he knows he's being a total freak right now, but who will worry for you if not for him? He must rise up to be the voice of reason, the watchful eye that keeps you on track even if he can barely keep himself alive! He wishes you'd stay forever, where he could avoid his problems and take care of your every single need. He should be everything you need... He hopes. Then you'd never leave, and he would make sure to eat more, just for you. How perfect... selfish.

God, he just wants to crawl inside of you and make you his home, it's almost pathetic. You'd find him vile for the things he would do for you and your happiness, despite you already being so accepting of his dark past... You're simply heaven sent. He takes a deep breath, and lightly runs his knuckles down your jawline, as if carving them out of the precious material that you're made of. You begin to stir, and his pupils dilate instantly as he pulls back with anticipation.

"Mmm... Osamu..."

You murmur sleepily as your chest rises up and down ever so slowly. He's freaking out. It's bad for his health to hear the way you say his name as if it were a healing oath, a spell that only works on him.

"Wakey wakey~"

Dazai's propping himself up on one elbow, a calculating smile plastered on his lips as if he were in on something you weren't. You pop open one eye, and groan softly.

"You're up... early"

"Yes!"

"Why..." You yawn like the silly little thing you are. He gasps in mock offense, clutching his chest.

"Can't a fortunate guy like ME just be happy that we both live to see another beautiful day?!"

He winks, and boops the tip of your nose, this gets a muffled snort out of you that causes you to bury your face into the pillow. He's addicted to the rush of causing any joy in your life, it's disgusting. When you don't lift your face back up, he scrunches up his face, and reaches out to stroke a strand of your silky hair, but his intrusive thoughts win and he tugs on it as payback for possibly falling asleep again. He needs your attention, and you're sleeping? Insanity. You swat at him, blindly smacking his arm away.

Oh, how he loves that you're the only person who truly sees him past his myriad of theatrics.

"Oh my... a slap from you feels wonderful!"

He rubs his arm, and grabs the hand that swatted him, bringing it up to kiss the pulse point on your wrist. Feather like kisses, almost undetectable... until you lift your face up from the pillow, finally.

He gazes at you as he rubs his face onto your hand like a cat greeting its owner, purring as if he were starved for affection. For a moment, his gaze becomes more serious, detached, as if he were thrown back into a distant memory. He can't describe the feeling, but the way your hand feels against his cheek is a warmth he hasn't felt in ages. His eyes sting, and he blinks the wetness away before you can notice as he hears your angelic voice again. He's back to his usual self.

"Osamu... You're being annoying"

"You think I'm just annoying?~"

His voice comes out in a tender whisper, his mouth curled up into a mischievous grin. He's insufferable. He could be anything for you if you wanted it. Especially annoying! He almost drools when you roll your eyes affectionately at him, the coldness in his heart disappears as he leans in just a little, invading your personal space as always, eager to hear your reply.

"Amongst other things, yes..."

You flash him a sweet little smile, and it mends all that is wrong in the world. The pink in your cheeks is starting to turn red, and it sends him to the moon. He hums, slowly nuzzling himself into the crook of your neck, it's his turn to curl up. You run your fingers through his messy hair that tickles you, feeling the warmth of Dazai's breaths against the back of your ear.

"Hmm, do I look like a pillow to you?"

He can hear the smile in your murmur, and he pulls back from your neck briefly, peering at you through his messy bangs, those intense hazelnut eyes demanding your attention, and his voice drips with an aching devotion that oozes like honey. he moves his lips to your ear, and whispers.

".. You look like an angel to me."

He watches you self destruct at his painfully smooth delivery of a compliment, and secretly rewards himself for once again giving you another reason to never leave. He's got it all!

Romance, self deprecating humor, an inability to properly process his emotions and grief, but more importantly, an undying commitment to stay alive against all odds so that he may see another day of you in his arms... or you helping him change his bandages... or-

He's cut short by you grabbing the sides of his face and pulling him into the most sinfully delicious kiss known to man, and he could swear that despite all his efforts, this might be what ACTUALLY kills him.

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[senseearly]

For a moment, imagine yourself in Mithrun's brother shoes.

Your brother - stronger, prettier, more charismatic, but also distrustful and disdainful of everyone especially you - is to be sent to the Canaries. It is the rule, it is the duty of all noble houses. But you know what goes on there, Mithrun knows what happens there. Yet you see him off, bidding a temporary farewell as you do, because someone from the House has to go and it won't be definitely you. Mithrun knows this, you know this. And you wonder, very briefly, if Mithrun hates you now more than he does already.

Your brother - powerful, agile, a good soldier just as he is as an heir, if he could only be an heir - suddenly disappears. The unit he belonged to suddenly disappeared. And you're speechless because - how? why? No one wants to answer you; they will instead try to bring back a body, they promise to you. But that is not what you want. You grieve for your brother. but your own family doesn't grieve with you. Wasn't Mithrun family too?

Then you found out: MIthrun is alive.

Your brother - now weak, despondent, his eyes always looking for something that is not here nor there - is to be sent home where people can take care of him. It is not your first choice, you want him home. But he is - sick. Not quite there. He needs someone who can look after him and you look at yourself - your gait, your constitution - and you know it can't be you. So, you follow the advice of your family and pour out all your resources to find him the best of healers and caretakers. You ask yourself, almost daily, if Mithrun would ever return to who he once was.

Your brother - strong, pretty, uninterested of anything and anyone else aside from what he calls 'the demon' - is now better. He can walk on his own now, eats without throwing up on himself. The color on his skin is back and the scars of his injuries have faded into thick bumps and discolored skin. But he still isn't quite there; still needs help and probably will for the rest of his life. And you can live with that. You can provide that. Just as long as he comes home.

But doesn't. Your brother - now a husk of his former self, and you hate thinking of him that way, but you can't help yourself, the Mithrun you knew is gone - runs straight back to the Canaries. His mission is not over, he says. He doesn't care how long it takes, he says. And you see him off, again, because someone from the House has to go and it still can't be you. Mithrun knows this, you know this, and you can't help but wish, very briefly, if things would've been different if you went instead of him.

[that-butch-archivist]

Making a birthday cake for a friend tonight (something I haven't done for a while), and I forgot how much I love baking & cake decorating. I'll post pics when I'm done, I'm very excited. 🥰

[rawliverandgoronspice]

re: sympathetic ganondorf vs evil for evil’s sake ganondorf, i think this is misrepresenting and underselling what’s actually offputting to people

“i’m evil because i’m evil” or “i’m evil because demise is evil” and the associated lust for power simply for its own sake has always been lame and low effort. there’s a reason it’s “shit tier” on the classic “villain motive tiers” thing

“i’m evil but there’s enough nuance to make the player at least somewhat sympathetic to me even if i’m still ultimately a bad guy” is a good thing that people like? i’ve never personally interacted with a zelda player who thinks windwaker ganondorf ruined the character or anything - he’s generally regarded as the gold standard of villain writing both in and out of zelda. this is roughly “high tier” on the tier chart

“actually TWIST i’m not evil at all, it’s the good guys who were evil all along, i’ve done nothing wrong and i’m completely justified in my righteous quest against the status quo, you’re the real secret true villain for being complicit in preserving it” is technically regarded as “elder god tier” on the motive tier chart but i would personally label it as “oscar bait tier”. these things *can* be compelling in conversation with the existing landscape, but often it comes across as a deliberate effort to subvert the audience’s expectations for the sake of being unpredictable (or worse, for the sake of proving you’re the smartest one in the room). in separate works where this conversation/critique is the entire point (eg. Watchmen or The Boys), that’s not necessarily a bad thing, and the audience sets their expectations accordingly. in an established, long-running franchise, however, this almost always reads as dripping with contempt for the audience, like walking into a room and going “you morons like this shit? let me, a person much smarter than you, explain what it’s Actually about, because you’re an idiot if you’ve been a fan of this series before now”

on top of that, in the context of a series like zelda, this type of story feels myopic and disrespectful to the future of the series. “welp i burned down the 20+ years of lore behind this character so i could do a deconstruction, good luck using them in any capacity in the future, sounds like a you problem”

all this is to say, i think it’s a bit disingenuous/strawman-y to suggest that people put off by this want ganondorf to have 0 depth at all. there’s a lot of room for different kinds of depth, it’s just that the trend of the last decade has been for “depth” to mean “condescending deconstruction”

Hey!

Thanks for taking the time to write this ask, I think it warrants an interesting conversation. To me, there's like, a lot of things about what you're saying, and tbh I do see where you're coming from --in part.

First thing first... No yeah unfortunately some people Are hostile to even WW Ganondorf. It's been a rising trend in the fandom since TotK was released --people being very against the concept of any additional complexity to the character, either not getting it or considering anything he says pure manipulation that doesn't even warrant a conversation, literally making fun of people who were intrigued by this and wanting more out of this particular thread. This position not only absolutely exists within the fandom --less so on tumblr, I'll agree there-- but it's not even hard to stumble upon as a pretty regular opinion that gets tossed around. I had some interesting asks thrown my way, let's say. The idea that Ganondorf is a remotely interesting character that deserves more thought than what he gets is very much Extremely not the norm, and the very fact that you, as a fan, likes him as a guy is perceived as weird and missing the point by a lot of people. Like a lot a lot of people.

So I'll just... I guess I haven't clarified my position in a while, so I will reclarify my position on our favorite evil dude: I do like him perfectly fine as a villain, I do not want him to be "redeemed" by the narrative, I think he works fantastically as an ongoing threat, I think they could make him even scarier and more offputting and that would be super fun and thrilling... and I also think he already is complex. Like, inherently. Everything Nintendo has been putting into him since his first appearance is complicated --even their attempts at flattening him back in TotK do not fully work because they can't scrub him of the extremely loaded ideas they injected into him from the get-go. Nobody forced Nintendo to do a Mega Orientalism when inventing him, nobody made them write the NPCs to have this super weird antagonistic relationship to the gerudos in OoT, nobody made them have all this lore of the one man born every hundred years, raised by twin witches --and then nobody made them press on that tension point in Wind Waker explicitely, and then, in a more subtle fashion, in TP too. Nobody forced their hand when it came to having the strange "round ear" situation, suggesting (confirmed even, in additional canon) gerudos are born unblessed. The fact of the matter is: everything to make the relationship between Hyrule and the gerudos complicated has been there since 1998. There's no need for a Switcharoo to prove that anyone is smarter than the audience: everything messy has always been baked within the worldbuilding itself. It's in the cartridges already!!

Perspective on it is what could change, though --because, except in Wind Waker, we never get even a hint of a sense that we should think, as an audience, that Hyrule's super weird relationship to the gerudos is maybe questionable. Worth thinking about at least. Which, given the optics, is wild to me that to bring this particular can of worms up is still very largely considered crazy talk within the fandom (that, or the Sheikah situation across the series, also insane in many ways). And yes, it would perhaps lead to themes that are a bit heavier than what Zelda has been overtly dealing with (though, again, Majora's Mask exists --and I do find a lot of unpacked ideas in the Wild Era, like the very unquestionned gerudo bridal pipeline, very uhhh unfortunate already if I'm being honest --even moreso because it is unquestioned). But Zelda, when well handled narratively, can do wonderful things with evocative subtext, open doors never fully crossed, a lynchian pressure on what should feel offputting. We don't even need a sad monologue about it. It doesn't even need to be handled explicitely. But I think the pressure point is just better when understood and incorporated in some form, instead of being denied so hard the world itself start to feel incomplete and unlived.

I do want to say... I get what you mean with the whole "oscar bait" thing. There has been, historically and in recent years, a tendency to be driven by an external, almost panicked sense of morality rather than by the internal drive of a story, its internal thematic logic. I also do think it can feel very corporate, very "Disney looking back at its own movies and scrubbing off everything Buzzfeed deemed problematic in 2014 while making everything glossy and lifeless and awful" and it's not that great!!! and tbh I can't say I would trust Nintendo to handle any appreciation for the fact that the story of an eternal golden kingdom cheering on beating the evil outsiders who want to corrupt everything good and pure and blonde about that perfect inherently good place, is like, extremely not neutral. It absolutely is a delicate thread to weave, and I agree that putting a definitive end to Hyrule is probably not the smartest IP move to do. But, Hyrule doesn't have to be condemned as Bad, it can be merely complicated. And ongoing, regardless. To keep on with the Disney parallel: The Lion King would feel weird if we started to peel off the internal politics of the hyenas, it's just not the right place for it, when everything about this story revolves around the Righteousness of the Divine Right to Rule. But if the Lion King was an ongoing series that had been looping on itself for a while... wouldn't it make sense to figure out how to achieve majesty by studying other angles too, eventually? Is it that strange to suggest the exercise is like, possible? That it can be handled with artistry and soul?

I feel like... Yes, to acknowledge Ganondorf's humanity --not even to coddle it, just to acknowledge it-- implies taking in everything that makes him who he is, and that might rattle some foundational ideas about why this ancestral fight is even happening in the first place. I also do not think it means that he must be Good now. He can still punch a child and cackle maniacally, he can still be unredeemable --he can still destroy himself and others out of the most unconstructive spite ever, and we can still see the purpose in defeating him while basking in the "yea....." left in his wake (Wind Waker did that!!! Wind Waker did that and then we had more Zelda games!! crazy how that happened). This is hardly undoable. It does take some narrative skill, and some commitment to taking a bit of a risk, but Ganondorf is genuinely unmanageable as a character if you insist on your refusal to acknowledge his foundations --and I think it's partially why TotK's story is such a mess. He sells a TON, but you can't have him breathe slightly too loud without risking the entire world falling apart. They did try in TotK, so very hard, and to me they still failed--as insane as he behaves, Hyrule still doesn't come out of this looking good or particularly justified, because the very central core of Ganondorf's character is to be subjugated, and then rebelling in a destructive and brutally selfish, uncompromising manner that ends up robbing him of humanity --and the discomfort of that premise will therefore always haunt the conversation. Nintendo dug themselves into that mess. I feel like a lot of the Ganondorf fans I know merely... point at that. At the mess. And I feel like the longer the games avoid this mess, the more coats of spinach green they slather ontop of his skin, and the more nonsensical characterization they pile up, and the more Ganondorf will become a parody of who he once was, and what made him compelling to begin with.

And to top it all off, as if he wasn't contentious and complicated enough to handle already, they leaned into the internet turning him into a sex symbol for some fucking reason??? Yeah I genuinely have no idea how Nintendo will manage this dude moving forward, because to me, he is, at best, an endless source of (very lucrative) headaches, and at worst a ticking time bomb. I'm not sure how long they can get away with that TotKification strategy, is what I mean.

(Also: I tried to not overdwell on all the incredibly complicated conversation re: race and orientalism, but it's borderline impossible to have this conversation without acknowledging that I have never seen a major pop culture villain receive more pushback against "woobification" than him, and I don't think it's a complete coincidence let's say :) )

[mewkwota]

An unusual phenomenon where everyone is now a baby. (Well at least those who can be so.)

I'm not really going to expand on this, but I found this dynamic between these human(?) and non-human duos to be really funny.

[queerofthedagger]

One thing I think about a lot is that when Nargothrond falls, it is heavily implied that as good as everyone perished or, if not, got captured. Like, unlike with the Fall of Doriath, there is no mention at all of any refugees removing to the Mouth of Sirion - and yet, I assume that is very likely where Celebrimbor, at least, went? I definitely think he would have fought, but clearly he survived and neither Doriath nor Gondolin really were an option for him, and I doubt even more that he would have gone back to his family.

And there are a lot of implications to all that, but maybe the one that keeps me up most is that this means he would have likely been there when the refugees of Doriath arrived, when they told of what his family did. That his father is dead. What would he have been thinking? What would the survivors of Doriath been thinking? Like, I know there were technically several different camps to some extent, but I doubt they would have been wholly separate, especially upon arrival. What kind of horror to find someone who looks just like one of those guys who just slaughtered your friends and family. What kind of horror to look like someone who just committed such horrors.

He also would have been there when the third kinslaying occurred, or at least very close to it. What an experience, to end up on the other side of it. To see exactly what might have become of him had he not foresworn his father years ago, and also to see yet again what became of his family. Like yeah, everything before/during the Nargothrond Disaster would have already been formative for him and his future choices, but I do feel even being in the vicinity of all of that would have been such a dire reinforcement of all those convictions and reasons that made him disavow them in the first place. And especially in terms of the third kinslaying, it's also why I personally really doubt that there is a chance at any kind of reconciliation with any of the brothers, whether it's his father or I don't know, Maedhros or Maglor. Like, I just don't think there is any coming back fromt hat, really, if there ever was.

[fisheito]

emotional support wolf meets too-shy-to-live sneetah

[quilleth]

Bioware made a mistake bringing Isabela back for da4 because like hell she wouldn't tell the entire da2 crew about what's happening with Solas which means they'd all show up ready to curb stomp him about Varric. Even moreso if hawke was left in the fade. That's two of their number down because of this fucker. Also Merrill should get to deck him specifically while also being like "what, like it's hard?" about fixing the eluvian that was blighted and cost her two of her closest childhood friends (potentially), her place in her clan, and her home. Again, going back far enough, because of him.

I just miss them 🥺

[akkivee]

[crow-with-a-pencil]

One year anniversary of the kelp blorbo who changed my brain chemistry forever

Happy birthday Beetle :)

[somegrumpynerd]

I read your post about if nightmare gives up his boys & my heart was aching so badly ;w;

Dadmare want what's best for his boys 😭

He does!! As much as he hates to admit it, they mean the world to him and he wants them all to be happy. Not only because of what they've done for him in helping him not hate the world anymore, but after all they've been through themselves.

Even if it meant he wouldn't see them anymore, he couldn't stand the idea that he was hurting them by keeping them trapped with him y'know? If you love somebody you have to let them go and be free. But also, maybe he could come and visit sometimes if they moved out? Or they could visit him? Please 🥺

Thankfully it doesn't come to that though, they like staying outside the castle sometimes for a little break but none of them plan on leaving, it's what they all consider home <3

Or, as Dust would put it if Nightmare asked, "we haven't paid rent in like 6 years, what kind of idiot would move out??"

[scificrows]

The Roombabot Diaries

"Even without full scan function, I still had my dark vision filters and my own mapping data, so with the fixed point of the corridor hatch, I could retrace my steps to the ramp. It just looked awkward and stupid because for the first part I had to navigate like a floor-cleaning bot." - Martha Wells, System Collapse (Video and audio description below the cut)

VIDEO ID:

An animated video of Murderbot, in a full environmental suit (featuring a little 'Perihelion' logo on its chest and an opaque helmet).

Murderbot is wandering around a dark space, the sound of its footsteps on the stone floor are audible. It walks in a straight line to the right until it hits a pillar with an audible 'thunk' noise and stops. A grumpy smiley face appears next to it.

It recalibrates, making little chirping calibrating sounds, then turns and moves towards the viewer until it seems to hit the camera (again with a 'thunk' noise and a little frowny smiley face next to it) and recalibrates again.

It turns its back to the viewer and starts walking again, this time seemingly hitting the wall in the back. It recalibrates again, then turns to the right and starts walking again. After a few seconds it stops briefly, two exclamation marks appear next to it along with a beeping noise, then it quickly walks out of frame.

[morelikesin]

"Welcome t' Paradise, dolly - what're ya fixin' for? I make a mighty fine sex on the beach; I make good cocktails, too."

-

Two versions of one piece because I'm nothing if not two things: indecisive, and head over heels for this dog in heels.