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dawnslight-aegis · 6 months ago

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and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

#ffxiv #ffxiv tarot #tarot #ffxiv gpose #had so much fun with this project #I've wanted to do it for years #I'll link this on twitter in a couple days but y'all get it early

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nanamiscocksleeve · 3 months ago

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Natural Breeding Clinic: Patient 1

warnings: MDNI, breeding kinks, use of pet names, piv sex, medical kink, clitoral fingering, nipple play, slight oral (male receiving)

a/n: Here it is. Enjoy ya filthy sluts (said with love). Join the taglist here! Edit: Thank you tumblr for flagging this even though there was nothing wrong with it! guys let me know if there's an issue or you can't read it.

Prologue - Patient 1 - Patient 2

You’re seated awkwardly on the edge of the examination table, trying not to fidget with your hair. Your insides feel like they’ve been tied into knots and your blood won’t stop growing hot in your veins, rushing through your ears so loudly that you feel like you might’ve been at the ocean. After years of trying and failing to find the perfect man, you’d finally given up, content to live as a single woman. But there was one unfulfilled desire you harbored that unfortunately required a member of the opposite sex; a child. After numerous inquiries and health examinations, you finally stumbled across the Jujutsu Fertility Clinic and decided that you might as well experience the entire process of a natural pregnancy.

Your heart is already beating faster than normal, something that Shoko, the kind nurse who had done your vitals, took note of before giving your hand a reassuring pat. “It’s very typical to have a slightly elevated heart rate. It’s all the anticipation. But if you feel like you’re having a panic attack, please don’t hesitate to push your call button. Your doctor will be in soon to start your session.”

Shoko had cheerfully left the room and now you couldn’t help but feel like a horndog, imagining all the different scenarios that might play out today. You were certain you had picked the right doctor. He came off as well-spoken and kind as he’d shared details about himself while also listening to your side of things, taking note of the intimate snippets you told him as though you were discussing the weather that day.

Breathtakingly handsome and highly educated, you knew you wanted him to be the one who would father your child. Each tele-visit had left your panties drenched and you and your Hitachi wand had become better friends recently, locking yourself in your bedroom once the visit was over to run the rounded head of the toy against your needy clit, imagining the day your breeding session would be booked and you’d feel your doctor in the flesh, fantasizing what his cock would look like and how it would fill your cunt as he put a baby into you.

Now the day was finally here. Shoko’s instructions had said to wear whatever made you feel attractive, so here you were, dressed in a demure wine-colored dress that accentuated your boobs, with little bits of cream-colored lace lingerie underneath. You were starting to question your choice of undergarments now, knowing that you were probably already wet, a telltale patch of moisture surely present on the crotch of your panties. What would your doctor think? Or perhaps he was used to this? After all, you couldn’t have been his only patient who got turned on at the prospect of sleeping with him.

Just when the pulsations between your legs start becoming unbearable there’s a knock at the door and your heart skips a beat as you hear your name being called before your doctor enters the room. Tall, with perfect teeth, snowy locks, and aquamarine eyes, he looks at you and gives you a casual smile. The pictures paled in comparison to how personable he looked in real life. He extends a large hand with beautifully long, masculine fingers towards you, and you place your palm on it, feeling the warmth seep into your slightly clammy hands. He presses a kiss to the back of your hand before speaking.

“I’m Dr. Satoru Gojo. It’s very nice to meet you at last. Now, I know that most patients are anxious to start the insemination process right away, however, there are a few more verbal formalities we need to get out of the way before we can actually begin. This portion does need to be recorded, as I’m sure Shoko would have mentioned to you when she set up the camera.” He points towards a small camera and you nod, remembering what the dark brunette nurse had told you.

“I can also promise you that your insemination process will not be recorded in any way. We won’t even be in the examination room as it happens. There have been a few rare instances where the patient wanted to be recorded but it was part of their sexual profile.”

He grabs the clipboard on the desk and gives you a reassuring smile. You, on the other hand, are trying not to salivate all over the floor like a rabid animal, your appetite even more whetted after his appearance in the room.

“To confirm once more, you, F/n L/n, are giving me, Dr. Satoru Gojo, permission to breed you, and were not manipulated or coerced in any manner into making this decision, correct?”

Practicing restraint, you look at the camera. “Yes.”

“You have undergone all the necessary testing as well as physicals needed to assess your body’s condition to carry a baby and were given all the information before you chose to move forward and meet with me correct?”

“Yes.”

“You and I extensively discussed turn-ons, turn-offs, use of toys, and preferences for positions, as well as spoke about kinks in an effort to better understand how your breeding needs can be met. After these discussions were done, we mutually agreed to move forward and set up this insemination, correct?”

You lick your lips and try not to appear too eager. “Yes.”

“Perfect.” Satoru moves over to turn off the camera. “Let’s move to a more comfortable spot shall we?” He offers his hand again and you take it before hopping off the table, letting him lead you out of the room and down the hallway where he stops in front of a different door and starts punching in a code. It swings open and he gestures for you to enter. Your eyes widen as you step inside. It has the look of a posh hotel room, with a large king-sized bed set in the middle. Low-lit lamps made for romantic lighting were scattered across the room as Satoru follows you and the door locks closed behind you with a click.

Your breath catches in your throat as you feel him right behind you, then wraps his arms around you, drawing you against his well-toned chest. “You’re so tense sweetheart. Don’t worry.” He presses a kiss on top of your head. “Just focus on enjoying the process. We’re going to repeat it after all, until your womb quickens with my seed, growing the thing you want the most.” His voice is a deep, sensual purr in your ear, said so gently yet carrying such a dirty undertone that it sent a jolt of pleasure straight into your clit.

“You said you like cuddling prior to your sexual escapades. Shall we?” He glances over at the large bed and you swallow, nodding.

“Yes, Doctor.”

“Please. We’re going to get quite intimately acquainted now. Call me Satoru. Trust me it helps.” Licking your lips, you take his lead and he guides you to the bed, laying you down gently on the pillows before settling behind you, your back pressed to his chest, his long legs brushing against yours, causing every nerve in your body to be on high alert.

Though you had said you enjoyed cuddling which led to foreplay, your body was already sensitized from the knowledge that a sexual encounter was going to happen and you weren’t quite in the mood for cuddling. Still, you allowed yourself to be wrapped up in his arms, inhaling his scent, a kind of fresh, watery musk, and feeling his breath on your ear. His hands entwined with yours, gently flexing your fingers with his in the spaces in between, nuzzling the crook of your neck, making you feel like you were about to spontaneously combust. One of his hands leaves yours and begins to wander down your collarbone, delicately stroking, before dipping lower, tracing the neckline of your dress down to the swell of your breasts, letting his fingertips drag teasingly over an already hard nipple before resting on your belly, playing with the soft squish of it, feeling the way your body reacted to his touch.

Rushes of heat keep darting under your skin, and far too soon, your rounded ass starts to arch back, grinding shamelessly into his thighs, stifling a wanton noise when you feel hardness pressing back against you. A low chuckle, punctuated by a soft nibble on your ear. Unsure, you pause, wondering if you’d somehow done something funny.

“It’s perfectly normal to feel like you need to bring some movement in response to being touched.” Satoru’s hand comes back to stroke your breast over your dress, the light petting sending little erotic skitters along your skin. “Don’t fight it,” he says reassuringly, then slides his hand onto your hip and pulls you against him, subtly thrusting into your plump rear. “Just do whatever you’d normally do.”

A sigh of longing leaves your throat and you start to rousingly roll your hips against Satoru’s erection, feeling a spike in your confidence as he lets out a soft groan. “There you go, sweetheart. Take what you need.”

Fuelled by his encouragement, you roll over to lay face to face, seeing those hypnotic eyes watch you intently, and trace a finger across his jawline, shyly tipping your face up to his for a kiss. He obliges, dipping his head down and capturing your lips, and you revel in the way his mouth feels. You’d been dreaming about it for what felt like ages, and now to finally experience it was a heady rush. Your mouth opens to accept his probing tongue, the wet slip gliding over yours, sampling his taste, feeling the softness of his lips. His hands play with your hair, running enticingly down your back, cupping your ample bottom and pushing, drawing you closer to his heat and growing erection.

Your kisses grow impatient as he continues to tease you, squeezing and tickling your trapped flesh over your dress, hands slipping just low enough to flirt with the hem but not quite low enough to actually get under it. You whine, pulling away from Satoru’s mouth, and notice he’s observing you, eyes concentrated on your face.

“What is it?” He pushes your hair away from your face, softly brushing his thumb against your cheek. “Are you feeling ok?”

You nod, trying not to let your frustration show, but your clit clenches almost angrily now, the intense need to be splayed open and touched taking over all your rational thinking. Satoru presses little kisses onto your forehead, the tip of your nose, and your now closed eyelids, the soft gestures doing little to cool your aching desire. He drags his tongue along the column of your throat and places open-mouthed kisses as he goes.

The sigh that leaves your throat is full of lust, your hands getting impatient as you finally find the nerve to grasp the fancy knot in his tie and loosen it. A low hum leaves him as he comes back to your face. “There you go. I’m yours for now. Do whatever you want with me.” He draws circles into the skin of your upper thighs, exposed from your wriggling, the skirt of the dress hiked up provocatively. His voice drops to a sultry purr. “After all, we’re here to make sure you’re satisfied. I’m here to ensure you get the maximum pleasure your body needs in order to welcome my seed into your body.”

Gaining courage, you slip the tie off Satoru’s neck, then turn your attention to his buttons, fingers trembling from anticipation as you begin to undo them, revealing more and more of his pale skin, and his toned chest and abs. Of course he is in perfect shape, and your eyes drink in the vision that he is, watching the way his skin ripples as he draws in a breath. Could you have picked a more handsome doctor? It seems impossible. You reach out to stroke his skin and he sucks in a breath before drawing you against the expanse of his body.

Satoru’s mouth drops to the crook of your neck, giving it a gentle nip that sends a hot shiver down your spine. “I think you’d make a great mother.” He kisses along the length of your collarbone before hooking a finger into the neckline of your dress and dragging it down your arm to expose more of your shoulder. “I bet you’d look so cute, with a little round baby bump, your breasts becoming fuller each day, your hips growing wider.” A breathy sigh escapes your lips and he kisses the heated skin, sucking on it hard enough to leave a little red mark.

“Heh. That was a cute sound. You’re so responsive.” He takes advantage of the exposed skin and kisses just at the top of the swell of your breasts and you let your impatience get the best of you, looking up at him pleadingly to take off your dress.

He obliges, finally grabbing the rumpled fabric bunched at your hips and pulling the silky material off your body. When it’s gone, he gazes down at you in your pretty lingerie. “You dressed up for me? That’s so sweet.” He licks at the valley between your breasts pushed up by the tiny strips of lace. Air hits you at various places, and you can feel an unmistakable stripe of wetness seeping from your cunt onto the lace thong you’re wearing. The tiny piece of clothing had soaked through, making the already revealing thong practically see-through. Satoru sweeps a long finger against it, feeling moisture against his digits. “You’ve been wanting to be bred for a while now huh?” He pops open your bra, feasting on the display of flesh. He cups your tender breasts and gives soft squeezes, perking up your nipples even more, gently tweaking and pulling at them.

“Waiting so patiently for someone to finally fuck you the way you deserve. To fill your sweet cunt with enough cum to finally get your body in the mood to grow it. Disappointed by so many cocks.” His crude words accompanied by the erotic stimulation of his hands make you moan. The thought of being filled with this man’s baby, to carry it inside you till it grows was pulling at your primal mating instincts. “Till you met me. Don’t worry. Your body will do everything it can to make sure you grow what I give you. I’ll make sure of it. I’ll push it in real deep, ensure it all goes into your womb.”

Chuckling at the way your expression contorts from his fingers, he admires how hard your nipples are, the way they respond to his touch. He palms the creamy flesh of your breasts, and you feel rushes of heat skittering through your body. “Oh, baby these are gonna get so round and full once I fuck you properly. Bet that milk would taste divine.”

Satoru lowers his mouth and draws an aching nipple into his mouth, drawing a strangled cry from you. The texture of his tongue over the stiffened peaks immediately heightens all your senses, feeling pleasure radiate from the center of your breast, feeling it mirrored between your legs where your clit pulsed and throbbed irritably from the madness of needing to be touched. His free hand rests at the top of your other nipple and pushes it in circles, building up your arousal to a fever pitch.

Your blood is hot and running like whiskey through your veins, throwing a punch of heat into your gut, a dizzy spiral of want floating from your throat down into the wet and awaiting folds of your cunt. Satoru takes his time with you, acutely aware of the way your body is already tingling with the desire of wanting to be taken like a bitch in heat. He sees the need of wanting to be filled, to have those soaked walls stroked with his fingers and cock. This is what he was hoping to see.

Changing nipples, he teasingly bites the other one while his free hand snakes down towards your navel, your muscles tensing under the tickling sensation of his wandering fingers, stroking your belly before finally dipping lower to cup your mound under the flimsy fabric of your panties. With a smooth movement, Satoru hooks his finger into the waistband and drags it off, tossing it away. All your senses become alert, waiting in tortured agony as you feel him part your slick flesh, and his fingers probe the very outer edges of your dripping folds.

A keening moan of want leaves your mouth. His lips leave your moist nipple with a plop as his long middle finger slips to the apex of your pussy, finally giving your needy clit the attention it had been craving. He touches the engorged bud, applying light circles onto it that drive you wild, your sweet noises filling the room. Your legs part so willingly, planting your feet into the mattress, toes curling into the bedspread as he pets your clit tenderly. “Harder,” you manage to choke out, feeling the nub contract. “Please.” The word comes out as a whine as he continues those patient strokes.

“Good. It’s better when you’re so desperate like this. Your body will be more receptive to me breeding you this way. How much harder, sweetheart?” Satoru’s other hand takes over, holding the swollen folds of your sex apart, giving him better access to tease and toy with your delicate bundle of nerves. He increases the pressure of the stroke a fraction, making you squirm but also groan in frustration.

“More. It needs to be harder.”

Heeding your request, Satoru adjusts his hand, slipping his ring finger inside your dribbling hole, watching how it gets sucked in with no resistance, and replaces his thumb on your clit. Pushing down firmly onto the center he resumes the circling motions and brings a jolt of pleasure to your system. “Ooh Satoru…” You croon his name as he gets the pressure just right, each motion now bringing delicious friction into your core. Another finger joins the first, curling up to find that sweet patch inside your gummy walls, alternating with scissoring movements as he prepares you for what’s about to come.

Your body is tense, a bow drawn taut, waiting for the arrow to be let loose. Your hips move on their own accord to match his rhythm, nails sinking into the silky sheets, as though worried you might lose your orgasm if you dared let go. When your body finally gives you release, that pleasurable sequence of delightful spasms, your breath tears from your throat, each wave hitting you more intensely than the last, your core and clit clenching and relaxing as you ride out every last drop of pleasure.

His mouth covers yours as you orgasm, his kiss intense as he feels your spasms calm down on his fingers, pulling them out and inhaling before sucking them clean. “Delicious…” he murmurs before placing his fingers near your lips, which you accept, sucking the lingering taste of your pussy and his skin, watching the way his eyes darken as you do so.

“Perfect. You’re ready to be bred now.” Satoru’s hands go to his belt buckle and undo it, and you hear the whine of the zipper as he pulls off his slacks. You can see the bulge of his erection masked behind his underwear and your mouth waters at the size. The pants are discarded into a corner and he begins to slip out of his final piece of clothing, freeing his aching cock from its confines. The lovely engorged tissue was warm, his mushroom head leaking precum from the hole, impressively long with the veins popping from arousal along the sides. You can’t help yourself as you lean over, giving a teasing lick and hearing his breath strangle in his chest. He indulges you for a moment, letting you taste him, your lips catching the milky beads that form, but when you wrap your lips around his head and bob down, he quickly yanks you off him.

He’s panting, a sheen of sweat covering those chiseled abs, and shakes his head, his white locks dancing on his face before flashing you a grin. “You’re such a tease. But I can’t risk the insemination by letting you have your way, no matter how good it feels.” He lays back on the bed, beckoning you to lay over him, and you feel clumsy as you crawl over to him, resting a knee on either side of his hips. His arms wrap around you and encourage you to rest on top of him, the feeling of heated skin pressing together adding to your delicate state. He strokes your back and kisses you again, his tongue sloppy as it explores your mouth. When he pulls away, he adjusts his hands on your hips, ensuring you were comfortable laying on him.

“Take a breath.”

You follow his instruction and the exhale turns into a drawn out moan as he guides his cock into your aching wetness. The tip spreads you open followed by his incredible length, your body helplessly sinking onto him, impaled on the column of heated velvet. A long “oh” escapes your lips, his cock seated so intimately inside you, feeling him just shy of your cervix. He’s patient about it, letting you adjust and wriggle, your hands splaying out on his abdomen as you take a few breaths to clear your mind. He felt so good, so hard and manly, his veins pulsing inside you, adding a delicious layer of additional friction as he teasingly drew out. An animalistic growl leaves your throat at his retreat, his tip threatening to slip out of your lubricated core before he thrusts back up into you, the stroke filling the wet channel so satisfyingly.

Lost in the sensations, you allow him to cradle you on his chest, taking his sweet time fucking you, timing his thrusts to your breathing, which becomes shallow as your pleasure builds. Your cunt is dribbling from the heat, the scent of fecundity filling the room, his cock stroking your inner walls desirably. Your pussy clenches, sucking him further into you, pulling him closer to your womb where you needed him. With a moan, you raise up off his chest, using him as support, and start to ride him, his veiny erection slickened from your arousal.

“Oh that’s it my girl. Take it.” Satoru pushes your hair away from your face as you rise and crash down on him, your hips bucking like your life depended on it. His warm hands cup your bouncing breasts, watching your face contort as you use him for your own need.

“Fuck yourself on my cock. You like it huh? Need it in you…want it to shoot all that cum into your womb…” He purrs the words as those magnificent eyes look straight into yours.

The sound of slapping skin fills the room, both your moans mingling in the air. You did need to bred. You had waited long enough. Your mind is a haze of sexual disarray, nothing more important than getting what you need from him. To be bred like the good girl you were, to finally have your most deepest desire fulfilled. Your thigh muscles are tiring, you can feel them quiver in protest but primal instinct is driving you to keep moving, to bounce on his cock until he cums and fills you with his creamy seed…

You gasp in surprise as Satoru’s large hands squeeze around your waist, steadying you, and slowing you down before reversing your positions. He looms over you and has not slipped out with the transition. “Let me do it. You shouldn’t have to work so hard for this.” Angling his hips, he does a few experimental thrusts until he feels his head brush into the spongy knot of nerves inside your body, making you cry out, your eyes squeezing shut, fingernails sinking into the sinew of his perfect ass.

He surges forward, taking care to brush against it each time, his forearms and biceps rippling as he thrusts. Your legs wrap around his waist, wanton noise leaving your lips as you cling to him, feeling ecstatic rushes of delight humming through your veins. He murmurs frivolities into your ears as he sets up a comfortable rhythm, gspot first, followed by a soft kiss of his tip against your cervix. “Pretty mama. Gonna make you so round and full. You’ll be going home with a part of me inside you. I’ll give you enough today to last until your next round. Don’t worry if it drips. It’s just a sign of how well you’ve been bred.”

Your walls clamp down on him, feeling so full of him, imagining the vivid image he’d described, of becoming plump and glowy, growing life inside your body. “I want that so much,” you confess, glancing up at him and he makes a grunt of approval.

“Get ready then.”

His movements become faster, his balls slapping against you as he picks up his pace, panting, sweat forming on both your bodies. His abs are tight as he chases his orgasm, feeling his balls starting to draw up in anticipation. Your mouth is open, lewd noises falling from your lips as you wait for him to give you what you need, then feel the familiar spasms gripping your pussy and lose yourself as your body is rewarded with a second orgasm. Satoru lets out a moan as he finally falls off the edge, satisfied with your climax, and sheathes himself completely into your heat, pushing himself as far in as he can go, letting spurts of his hot cum dribble into you, shooting into your fertile womb. He stills, catching his breath, and to ensure that gravity doesn’t work against you, plugging you effectively until he’s sure enough time has passed before he can safely pull out. Satoru’s cock is semi-limp, as he frees himself with a soft squelching noise.

He draws you against him again, reassuringly stroking your back and smoothing your hair. “You did so well sweetheart. Take some rest now. A nap will give your body a little break and do what it needs to do. Just imagine your next insemination session as you rest.”

His words are a soothing purr in your ear and your eyes did feel heavy and you decide a nap wasn’t a bad idea at the moment. Cozying up to your warm doctor, you sigh against his skin and let yourself fall asleep. You wake up an hour later still snug in his arms. Satoru confirms your next appointment before helping you back into your clothes, and walking you to the reception.

“I hope this journey will give you everything you want,” he says courteously to you before stepping back into the clinic. You follow up with your remaining four insemination sessions, each more satisfying than the last.

Waiting was the hardest part. But finally, you take the pregnancy test, feeling your heart flutter when the double lines show up in the little window.

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tiktaalic · 7 months ago

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s1 dean: it's not gay to suck a dick or three or ten you're just making sure you're not gay

s2 dean: getting notes from my team that sometimes it is gay to suck a dick . i would like to formally announce that i never did that. and i never would.and also i'm masc. i'm masc. i'm literally masc.

s3 dean: too busy with dying to think about being gay i'm pretty sure.

s4 dean: really enjoying that cas is unaware of social norms so that dean can oscillate between preening when he teaches him how to be a man (+1 masculinity for being more of a man than cas +1 masculinity for being so much of a man that you can teach others how to do it) and. taking advantage of the no social norms thing to rationalize his OWN behavior with cas because he knows cas isn't going to call him on it not being normal which MAKES it normal because there is no one to refute that.

s5 dean: much of the same but there are now emotional stakes in play because they Are friends he is now Emotionally attached in a real way to this man he was engaging in one way gay chicken with.

s6 dean: mfw my brother tells me to be normal so i marry a woman. ratchets him all the way back to i have never liked a man and i never will.

s7 dean: very similar emotionally to endverse dean / s14 dean in my mind. kind of in the same place as s6 dean but crucially s6 dean was sad and wet and s7 dean is walled off and apathetic. attraction to men does not factor into his worldview.

s8 dean: he literally was in a foxhole with benny and got a spraytan and had a gay thing. this man begrudgingly puts one (1) rainbow ornament on his christmas tree after sending out christmas cards of him embracing another man while their gay ass dog sits at their feet. the sticking point HERE is "cas doesn't feel stuff like that".

s9 dean: We Cannot Get Into All That but. they literallyyyyyyyyy had to make cas sleep with a woman and get banished forever to sidestep The Implications. which are. dean winchester would fuck the gay angel given the FIRST opportunity. i'd probably fuck cas but my brother is dying so idrc about that rn. etc. this is a man who is conscious of his attraction to 1) men and 2) cas and WOULD act on it given the chance.

s10 dean: this is where it gets love triangle-y with crowley and cas. this is because dean DID fuck crowley and WANTS to fuck cas. textually. this is where he stands. moc dean has sex with men and doesnt care because hes normal. POST moc dean is like. the same sex attraction was a metaphor to show that i was evil and corrupted by the mark.

s11 dean: i'll be honest. i remember fuck all about season 11.

s12 dean: his mom is around which means he will not be out. this is also. iirc? where dabb gets his grubby little showrunning hands on things. which of course. means dabbification. which of COURSE. means destiel eating plain toast and raising a baby domestically. which. of course. translates to dean using cas as a girlfriend stand in. which. imo. is reflected in dean's mindset. like s12 dean is aware that cas is the most important person in his life, and he is not interested in deviating from that formula with a woman at all.

s13 dean: gay man realizing the love of his life is dead and he never said or did anything -> gay man whose love of his life comes back so he doesnt have to grapple with the consequences of never saying anything and they can jump back into pseudo relationship.

s14 dean: this is a gay man coparenting with a gay man and telling his father that he has a family. has accepted his fate as a life long ambiguous bachelor who lives with a man and sometimes sleeps in his bed nonsexually. very much dead inside staring down the barrel of throwing himself on a grenade does not have Time to push the boundaries of his relationship.

s15 dean: too many twists and turns to get into in the stinger of a post.

#etxt #spnwatch

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croquis-el · 4 months ago

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Well, um, hiya☆

I've come to life a little here and brought you some interesting features in the characters' spoken language

To begin with, let's look at the male trio of main characters: Naruhodō, Mitsurugi, Odoroki (Wright, Edgeworth, Justice)

Some people know it, some don't, but in Japanese there are many options for how to refer to yourself, i.e. "I" can be said with different pronouns and they are all ranked by gender (there are also gender-neutral ones) and the level of politeness.

The first one we have is Naruhodō.

He always, regardless of the situation, uses the pronoun "boku" (ぼく) in relation to himself.

僕 (ぼく)

僕 (boku) is a first-person pronoun often associated with male speakers. It has earnest, polite, cultured connotations. Overall, 僕 (boku) has a softer, less aggressive than 俺 (ore), another common pronoun with masculine connotations.

Naruhodō uses it both in the first trilogy, when he is 24-26 years old, and after the 7-year gap, when he is 33-35. It doesn't matter if he is in the courtroom or talking to friends - he always uses "boku".

言わずと知れた、ぼくだ。若手実力派弁護士として、今年で3年目に入る。

Iwazu to shireta, bokuda. Wakate jitsuryoku-ha bengoshi to shite, kotoshi de 3-nen menihairu.

It goes without saying that it is me. I am a young and talented lawyer, and this is my third year in the industry.

___________________________________________

ぼく････今、弁護士を目指して、勉強しているんです。

boku ima, bengoshi o mezashite, benkyō shite iru ndesu.

I'm studying to become a lawyer.

___________________________________________

いいや。ぼくは、大学は芸術学部だったからね。

Ī ya. Boku wa, daigaku wa geijutsu gakubudattakara ne.

No. I entered the arts department at the university.

___________________________________________

When addressing someone, Naruhodo uses pronoun "omae".

お前 (おまえ)

お前 is a second-person pronoun that's masculine and rough — it's often used for cussing! It could also be a way to show affection to close friends, partners, and family in a very casual manner.

It is curious that he only addresses Mitsurugi this way, while he addresses the others (Mayoi, Odoroki, etc.) by name + suffix (Mayoi-chan, Odoroki-kun).

もしかして、おまえ････やったんじゃないの?

Moshikashite, omae yatta n janai no?

Maybe you... did it?

___________________________________________

そういうおまえだって、捜査の時は証拠品をつきつけまくってたとか。

Sōiu omae datte, sōsa no toki wa shōko-hin o tsukitsuke makutteta to ka.

Even you, who is like that, apparently presented a lot of evidence during the investigation.

___________________________________________

おはよう。思ったより早かったねえ････オドロキくん。

Ohayō. Omottayori hayakatta ne e Odoroki-kun.

Good morning. It was earlier than I thought... Odoroki-kun.

___________________________________________

Next up we have Mitsurugi.

Mr. Politeness uses the pronoun "watashi" when referring to himself.

私 (わたし/わたくし)

わたし (watashi) is quite a common first-person pronoun as it's used regardless of gender, and both in casual and formal situations.It also has a certain elegant, sophisticated feel to it.

It also does not change over time, and is used by him both at 24-26 and at 34-35 years old.

私が異議をとなえれば、裁判長はかならず聞き入れるだろう、と。

Watashi ga igi o tonaereba, saiban-chō wa kanarazu kikiirerudarou, to.

If I raised an objection, the judge would certainly listen.

___________________________________________

私が検事の職をまっとうできるのも、周りの誰かの支えがあってこそ。

Watashi ga kenji no shoku o mattō dekiru no mo, mawari no dareka no sasae ga atte koso.

It is only thanks to the support of those around me that I am able to carry out my duties as a prosecutor.

___________________________________________

礼を言うのは････私のほうだ、成歩堂。

rei o iu no wa watashi no hōda, Naruhodō.

I should be the one to thank you, Naruhodo.

___________________________________________

But he has a special attitude towards the informal address "you". And by the way, it depends on the situation Mitsurugi is in, and not on who he is addressing.

Because he uses at least 4 (maybe more, I couldn't catch them all) options of address!

The first is "omae". We have already discussed it, so I will not repeat myself. But the situation in which it is used is when Mitsurugi tries to be cheeky, when he makes fun of others (most often, of course, Naruhodō)

お前のせいだぞ。成歩堂。

Omae no seida zo. Naruhodō.

It's your fault, Naruhodō.

___________________________________________

異国でも証拠品のつきつけとは、

お前も相変わらずだな。

Ikoku demo shōko-hin no tsukitsuke to wa, omae mo aikawarazuda na.

You're still the same, presenting evidence even in a foreign country.

___________________________________________

Next, the address "kimi".

君 (きみ/キミ)

君 (kimi) is a second-person pronoun with various nuances. Some dictionaries define 君 as a pronoun you can use in a friendly way towards someone of equal or lower status. These days, however, the way 君 is perceived varies quite a bit from person to person.

Outside of hierarchical situations like the workplace, 君 is used a lot to sound literary or poetic.

成歩堂。折り入ってキミに頼みたいことがある。

Naruhodō. Oriitte kimi ni tanomitai koto ga aru.

Naruhodō. There's something I'd like to ask you.

___________________________________________

キミのいない法曹界は平和そのものだったよ。

Kimi no inai hōsōkai wa heiwa sonomonodatta yo.

The legal profession would be at peace without you.

___________________________________________

いや。････････だが、結局キミの力にはなれなかった。

Īya. Daga, kekkyoku kimi no chikara ni hanarenakatta.

No... But in the end, I couldn't be of any help to you.

In the example, Mitsurugi asks Naruhodō for help, so I don't think it's a hierarchy thing. It's more of an equal thing. (Correct me if I'm wrong)

___________________________________________

And then comes the most epic part. Kisama.

貴様 (きさま/キサマ)

貴様 (kisama) is a second-person pronoun that's masculine and rough, it's often in combination with vulgar language!

Although it's associated with masculinity, that doesn't mean it's a pronoun only for men. Even if you don't use 貴様 regularly, it's a great way of expressing your anger.

貴様 can also be a way to show affection in a very casual way towards close friends, partners, and family. In this case, the above example would be playful, rather than showing genuine anger.

Mitsurugi uses it when he gets angry (usually in the courtroom) and sometimes in relation to friends. So, the area of application is justified by its purpose as a pronoun.

キサマの娘が、人を小さなハコに詰め込むというショーをな!

Kisama no musume ga, hito o chīsana Hako ni tsumekomu to iu shō o na!

Your daughter puts people into tiny boxes in a show!

___________________________________________

き、キサマなどに、美的感覚を非難されるイワレはない!

kisama nado ni, biteki kankaku o hinan sa reru iware wanai!

You have no right to criticize aesthetic sense!

And the last one - addressing by name + suffix or without suffix (Mayoi-kun, Naruhodō)

___________________________________________

Next - Odoroki Hosuke (Apollo Justice)

He's a real manly man, haha. He always uses the pronoun "ore".

俺 (おれ/オレ)

俺 (ore) is a first-person pronoun with a strong masculine feel. It sounds "manly" and less gentle than 僕. 俺 is also a pretty casual pronoun and can be seen as vulgar, especially when used in formal situations. In order to use 俺 naturally, the speech style also needs to match the manliness of 俺.

オレは、ここの事務所の所長さんに会いに来たんだよ。

ore wa, koko no jimusho no shochō-san ni ai ni kita nda yo.

I came here to see the director of this office.

___________________________________________

オレも、ちょっとならできるよ。

A odoroki ore mo, chottonara dekiru yo.

I can do it a little bit magic too.

___________________________________________

But he doesn't bother with addressing others, and always addresses them by name + suffix (Naruhodo-san, Minuki-chan, Garyu-kenji, Mitsurugi-kenji)

成歩堂さんが弁護士をやめたのって････

Naruhodō-san ga bengoshi o yameta notte

Naruhodō-san quit being a lawyer...

___________________________________________

(みぬきちゃん。片付け始めたぞ････)

(Minuki-chan. Katadzuke hajimeta zo)

(Minuki-chan, you're starting to clean up...)

___________________________________________

P.S.

I hope this will clarify the characters a bit and give you a new perspective on them.

One day, I'll do the same with the main female characters (because it takes a lot of time, but I bless those who post screen recordings and screenshots, thanks to them I can quickly find the right moment).

There may be errors and typos, don't be afraid to point them out to me

#ace attorney #gyakuten saiban #naruhodou ryuuichi #phoenix wright #miles edgeworth #mitsurugi reiji #odoroki housuke #apollo justice #omg i did this #time to rest a little #😴#naruhodo ryuichi

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yumeka-sxf · 9 months ago

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Japanese Linguistic Observations in Spy x Family - part 1

This is a post series I've been planning for a while and I've finally had the time to complete part 1! 😃 I may have mentioned here before that I got my B.A. in Japanese/East Asian Studies, and even though I'm not fluent, I know the linguistics of the language fairly well. So I thought it would be fun to examine the interesting aspects of the Japanese version of the SxF manga that aren't reflected in the English translation. It might also be an informative experience for those who don't know any Japanese to learn a bit about the language through SxF! I'll try not to get too technical with the linguistics and keep my explanations at a beginner's level.

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Part 1 - Twilight's "honne and tatemae"

One of the main themes in SxF is how many of the characters have secrets they want to hide, so they act a certain way in front of others in order to mask their true selves. Japanese has a word for this phenomena called 本音と建前 ("honne and tatemae").

I remember learning about the concept of "honne and tatemae" during my Japanese college studies – a quick google search will yield a lot of publications on the topic and its relation to Japanese culture in particular. While the idea of hiding one's true intentions behind a fake facade can exist anywhere and is not something unique to Japan, it is enough of an occurrence in Japanese culture that there are specific words for it. The Wiki article has a basic but good definition of honne and tatemae, to quote:

A person's honne may be contrary to what is expected by society or what is required according to one's position and circumstances, and they are often kept hidden, except with one's closest friends. Tatemae is what is expected by society and required according to one's position and circumstances, and these may or may not match one's honne. In many cases, tatemae leads to outright telling of lies in order to avoid exposing the true inward feelings.

Sounds very much like the characters in SxF, doesn't it? Twilight especially, because unlike other characters like Yor and Anya, who simply have secrets they need to keep but don't create fake personas for themselves, Twilight does – the cheerful, friendly Loid Forger is a different person from the cold, calculating Twilight after all. Also unlike Yor and Anya, who speak the same way consistently no matter who they're talking to, Twilight uses different speech levels depending on which persona he's using and who he's talking to.

There are many different levels of speech in Japanese, ranging from super formal to totally crude. These speech levels are distinguished mostly by the pronouns the speaker chooses to use for themselves and who they're speaking to, as well as how they choose to conjugate the words they use. For example, 座ってください (suwatte kudasai), 座って (suwatte,) and 座れ (suware) all mean "sit," as in, telling someone to sit down. But the tone being conveyed is different: the first one is polite, the second one is casual, and the last one could be seen as rude if you're not using it with a close friend/family member.

As Twilight, he uses casual speech with the masculine and less polite pronoun 俺 or オレ (ore). This is the speech he uses when talking to a fellow spy like Fiona, and for his own inner thoughts.

As Loid Forger, he uses the polite 敬語 (keigo) speech, which is basically comprised of using the -ます (-masu) conjugation for verbs and the "to be" verb です (desu). He also uses the pronoun ボク or 僕 (boku), which is the standard male pronoun and more polite than "ore." He uses keigo to address pretty much everyone who doesn't know his true identity. When talking to a higher-up like Sylvia, he'll still use "ore" but will use polite speech instead of casual speech.

Anya is an exception to this: with her, he uses his most casual speech, the same as he uses with Franky.

I discussed a bit about this in part 24 of my Twiyor analysis posts, but this could be because Anya is a little kid, so he doesn't feel the need to put on any airs with her (same with Bond, whom he also uses casual speech with).

An interesting side note is that, as a child, Twilight used the pronoun "boku" but then changed to "ore" as soon as he became an adult/soldier.

Another aspect of keigo, besides using the more polite forms of pronouns and verb conjugations, is putting the honorific さん (san) after people's names. Twilight does this all the time with Yor, as she does with him. However, he switches to casual speech and drops the "san" part in her name when addressing her in front of people who (supposedly) believe they're a real married couple, such as Yuri and Fiona – because it would be weird for a real couple who have been married for a year to address each other in such a formal way, especially the husband. In the below panel when Fiona visits them, he's calling her "Yor" instead of "Yor-san" and using casual speech instead of keigo.

Oddly in these situations, while he uses just "Yor" when addressing her directly, he still calls her "Yor-san" when talking about her. During Yuri's first visit for example, he calls her "Yor-san" when telling Yuri how much Anya loves her (talking to someone about her) but then calls her just "Yor" a few moments later when telling her that he'll clean up the spill (talking to her directly). It's strange to me that he wouldn't just consistently use "Yor" whether he's talking to her or about her in these situations...I'm honestly not sure if he does this intentionally or if he just slips up since he's so used to using "Yor-san" in her presence.

*UPDATE* Thank you to @dentedintheworld-blog for enlightening me with the below reply about this!

"In Japanese, when speaking to your spouse's family about your spouse, you address her/him by attaching "san" her/his name out of respect for her/his family. This is also to show her/his family that you respect your spouse. That's why Loid calls Yor with san when he talks about how much he loves Yor to Yuri."

That definitely makes sense for why Twilight switches between "Yor" and "Yor-san" in these situations.

Regardless, this is why the scene in chapter 86 is so significant – when Yor isn't present, there's no reason for him to refer to her as "Yor-san," especially in front of a fellow spy like Fiona who knows he (supposedly) shouldn't have any feelings for her. Yet, even after he just called Yuri by his full name "Yuri Briar" a moment before, he doesn't do the same for Yor and continues to call her "Yor-san" here, much to Fiona's dismay.

In the same chapter, it's also significant that he uses "ore" when addressing Yor directly in his thoughts. Even though he's not speaking out loud, I believe this is the first time he's speaking directly "to" her as Twilight and/or his true self and not as Loid Forger.

But despite all this, I think that both Loid Forger and Twilight are tatemae…they're both masks to hide the person he truly is. The person who fondly talked about his mother to Yor on the park bench, the person who genuinely expressed gratitude for her sacrifice when leaving the resort island, the person who refused to kill Yuri in a life-or-death struggle because he knew it would hurt her…that's his actual honne. But of course, the ongoing conflict of the series is that he has yet to realize this. He won't even show his honne to his closest friend, Franky. Seems like it mostly comes out in dribs and drabs during his interactions with Yor...no surprise there, lol. The man is certainly a work in progress. When he finally starts letting his "honne" show, I'm curious what form of speech he'll adopt.

-----

Continue to Part 2 ->

#spy x family #sxf #spy family #spyxfamily #loid forger #twiyor #sxf spoilers #sxf manga #sxf manga spoilers #sxf analysis

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crimson-and-clover-1717 · 1 month ago

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Stede Bonnet and the Subversive Shirt

In season one, despite the colours, lace, and detailing, Stede’s dress is mostly conformist in cut and style. His shirts are high-buttoned, cravated, and do not show much flesh below his chin. Coupled with the pantaloon and waistcoat, Stede’s wearing the clothes of traditional masculine presentation of his era.

There are times Stede’s clothing becomes less formal. During the sword practice with Ed in 106, Stede’s shirt is open and the cravat loosened. Again, in 107 we see Stede in his open nightclothes wandering on deck. During evening story hour, his jacket is removed. Stede usually seems more relaxed during these moments too.

Stede’s style changes properly on the second leaving of Bridgetown. What Stede is wearing openly as he drags the boat to sea is a rather romantic poet-pirate look with billowing shirt and sash. The look has links with future nineteenth-century Romantic freethinkers, championing individualism, revolution and liberty - including sexual liberation.

The open-neck shirt was popularised by Byron and Shelley a hundred years later. It was a deliberate choice of styling in opposition to enforced gender presentation and monogamous heteronormativity. The fashion of the times, similar to the 1700s, was high collars and neck-wrapping in order to force the holding of the male head in a stately and erect manner. It’s all about rigidity…

For an English gentleman of the eighteenth and nineteenth centuries, to have his shirt open and loose in public, was a sign of effeminacy. It was women who showed their décolletage in society, who were allowed a softer presentation; this new style hinted strongly at sexual and gender nonconformity. Women were viewed as more animalistic, men as cultured. Cultured people cover up. Softness, looseness - these are aspects of female sexuality, a bit bestial. And women are also a little bit insane. Why would any man, especially a man of status, want to present as feminine and lesser? And what does it say about patriarchy if some men actively choose to relinquish their privileged status by presenting more effeminately? It’s dangerous.

By today’s standards, Byron was pansexual and polyamorous. Shelley’s sexuality is less clear, but he was viewed as a subversive atheist and disinherited. Both might consider themselves nonbinary today. Shelley especially seems to have had a strong gnc presentation. Both left England for more liberal Europe.

I feel the costume department must’ve made a very deliberate and informed choice regarding Stede’s shirts post season one, but I don’t feel it’s the one some people think it is. I know part of DJenks stated aim was to ‘make Rhys Darby as sexy as possible’, but it’s not about appearing more masc. just because he’s showing more flesh. It’s about appearing more Stede. Stede is expressing a new-found confidence in his sexual identity and gender expression, by choosing a more freer, less structured, less traditionally masculine way of dressing, associated rather presciently with future Romantic liberalism. It seems poets and pirates have more in common than we realise. And both were considered dangerous for questioning the system.

However, Stede is also an individual in flux and he circles back to a part of his former self. The Red Suit is a sort of hybrid male/female costume. The cuffs, detailing and shirt itself are femme. But there are elements of traditional masculinity which are quite toxic. The epaulettes reinforce the inverted masculine triangular shape. Anyone who grew up in the 1980s will remember their mothers feeling forced to wear exaggerated shoulder-padding as they entered male-dominated workspaces. They also enforce military rank. Stede thinks he needs this imagery to ‘be the Captain’. He doesn’t. The exaggerated coattails are also absolutely synonymous with upper class male power. It’s masculinity as performance and power-play. Stede needs to let all of this cursed patriarchal nonsense go.

As so often’s the case in OFMD, external struggle, this time with the crew over the Red Suit, could also be a manifestation of Stede’s internal conflict and shifting identity. It’s a final letting go of patriarchal ideas, especially around captaincy. The crew certainly don’t want it. Stede is (more than) adequate just as he is. At the end of all the pushing and pulling, Stede keeps the most relevant bit of the outfit - the shirt. It’s the least restrictive part, the more feminine and therefore, the more subversive on a male body. It’s a sartorial representation of a changing Stede.

The three shirts worn in series two are deliberately opened-collared and low-cut, showing more and more of Stede’s chest. This is a traditional feminine aesthetic which historically on a man, at least in the anglosphere, was considered subversive and dangerous. And Stede couples his shirts with a different sort of masculinity, a leather trouser. Class-wise, this is a traditional working man’s garment. Through his new choice of clothing, Stede is rejecting entirely his previous role within patriarchal hegemony, both the imposed status and imposed gender norms.

This was in my drafts a while but inspired to try and pull it together by @celluloidbroomcloset posts here and here

#stede bonnet #textiles #signifiers #poet shirt #anti establishment #antinormative #queerness #lord byron #percy bysshe shelley #romanticism #liberalism #ofmd

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jello-chennie · 1 year ago

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relationship hcs!

✧ pairing izuku, katsuki, eijirou, shouto w/ fem!reader

✧ genre/tw fluff ˚ʚ♡ɞ˚

✧ a/n check out my masterlist!

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ izuku ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

isn't at all sure about how he pulled you

but he did and he isnt complaining

would absolutely love a kind soul in his partner

he swoons anytime you do little things to take care of him like if you know he has a pretty busy day, even if you're busy too, you go out of your way to make him a cup of coffee or tea and you always seem to get it just right

or whenever he's super focused on something the past few days and starts getting a little scatter brained, he'll forget to eat

if you're in ua, you'll share your lunch with him (which he will deny at first, but when you start pouting at him, he cant say no)

if he's a pro-hero and working, you take him out to lunch on his break

doesn't matter how far into your relationship you two are, he's always getting flustered by you

despite that, he's always trying to make you laugh (even if it means dying inside from embarrassment)

izuku cannot formally confirm or deny whether or not he may or may not be intentionally getting a few extra bumps and scrapes just so you can take the time to gently and lovingly bandage his wounds

loves it when you cut his hair for him!

even when you mess up (his chest will hurt a little with embarrassment whenever he's out in public, but only a little bc you did something for him, and he loves that more than anything else)

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ katsuki ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

totally would end up in a relationship in which you are his polar opposite

everyone is confused

but it totally works!

you're super shy and sweet, and hes audacious and a little abrasive

he pulls you out of your shell and makes you become less of a doormat, you reign him in a bit and round out his sharper edges

when he takes you to meet his parents, it doesn't fly past him that the two of you have a dynamic that reminds him of his parents

which pisses him off to no end bc that means he truly is his mother's son

he's become his mother

bakugou doesn't form close relationships easily, and is definitely an all or nothing kind of guy

once you're in, you're locked in

it doesn't take him very long to start fantasizing about marriage and kids once you officially become a couple

he is you're personal chef

and once you both enter the workforce, he takes extreme pride in making your lunch for you

can and will enter a silent competition with the significant other's of your coworkers for who can make the best bento

probably makes a social media page dedicated to making cooking videos in which he posts aesthetic af videos of him making meals for you

"pro-hero dynamite is famous on the internet for also being a gourmet chef!"

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ eijirou ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

kirishima would definitely fall for someone super fem presenting

he works out all the time and has all these muscles solely for the purpose of carrying things for you

and carrying you

afterall, that's what a real man does

will stop and buy all the pretty things he sees in store that remind him of you

likes it when you stick some of your cute stickers you make him take you to the mall to go buy onto his gear

is tickled pink by headlines that show up the next day like "red riot big sanrio fan?"

has matching sanrio keychains on his phone case with you

loves to sit and watch you do your makeup

will sit next to you and ask you to explain it to him

kiri will never say no when you ask to put it on him

after all, what kind of man would have his masculinity threatened by a little makeup?

besides, it's not like he can say no when you look up at him with those big, pretty eyes, and the cute, hopeful, little grin on your face

that would be just wrong

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗ shouto ˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

one of the types of people i see shouto falling for is someone who is a bit of a spitfire

someone who is caring, compassionate, and understanding

someone with endless amounts of kindness in their heart, and a little wise, but relentlessly brazen

he both loves and admires them, and falls for their personality

i see shouto taking little bits and pieces of his partner's personality, and they are ultimately responsible for shouto becoming a little more outspoken

shouto is someone who would become a teeny bit obsessed with his partner

you officially have a shadow once you get together bc he will have no problem following you everywhere, and wanting to hangout with you all the time

isn't at all nervous about having you meet his dad, bc shouto knows that if endeavor starts pissing you off, you'll find a way to respectfully tell him to fuck off without missing a beat

you're also super smart and emotionally intelligent, so when his family life starts to become particularly messy at the moment, you're right by his side helping him navigate

shouto loves you for being his lover and his confidant, constantly there for him with open arms and advice that's strangely wiser beyond your years

once shouto's dad stops being crummy, endeavor actually comes to respect you

shouto's mom and sister love you, and the three of you gossip like school girls

which makes shouto a little jealous when he feels left out

shouto's the kind of bf to get jealous of the cat that he wanted but ended up liking you more

won't say anything, and will spend all day pouting in a corner some where

you have to give him ton of affection to make it up to him

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four-loose-screws · 3 months ago

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Hi! I’ve seen people people say that Dimitri speaks in an informal rude manner in Japanese so him being super polite in English is weird changes his character a lot, but I’ve also seen people say the localization is just fine. Could you clear up please? Thank you!

This ask has been in my inbox forever, and I know other ENG/JP bilingual FE fans have weighed in on this topic before. But exploring the nuances of Japanese formal vs. casual speech is always super fun, so I want to share my own thoughts too. There's always a chance there will be more to learn with each new person's input on the same topic. Plus, I discovered some things even I didn't expect! So, I'll still offer everything I have to say!

First, I'll explain the full background this ask is referring to. Japanese has 2 major distinct speaking styles - casual and formal. I was taught to call the formal style "distal" - because it is more about respecting distance in social standing than being formal specifically. But formal is the more common term, so I tend to stick with saying formal most of the time.

The distinction between casual and formal is made with pronoun choice, word choice, and other factors as well, but the fastest way to differentiate the two is to look/ listen for the use of desu and masu at the end of someone's sentences. Formal uses them. Casual drops them. This concept is entirely foreign to English speakers!

Dimitri drops desu and masu most of the time. His "I pronoun" is also ore, and his "you pronoun" is omae - both casual, blunt, and masculine choices. But does speaking casually to most of the cast make him rude?

Short answer is... no, not at all! There's 2 major reasons for this.

Reason #1 - the rules for casual vs. formal speech are a bit different in reality vs. fiction:

Partially, Dimitri speaks casually because he is showing his personality. He's got all those traits most standard FE protagonists share - he's strong, straightforward, and wants to connect directly on a personal level with everyone he meets. He tries to convince several characters that they can speak casually with him, because he sees people as people, and doesn't want social status putting distance between them.

Fictional characters generally speak more in-line with their personality more often, rather than following the socially acceptable speaking rules of the real world. (Though don't get me wrong - casual real Japanese people will speak casually in more circumstances than the average Japanese person.) This is simply the style that Japanese writers largely choose. And I think it is one of the great benefits of Japanese - anyone can start to pick up on a character's personality archetype almost instantly, thanks to their speaking style!

Reason #2 - Dimitri is a prince, making him of high social rank:

Here's the second nuance to this - it is absolutely standard for a superior to talk to their subordinates in casual style.

In modern times, this is shown in the workplace. Bosses and those in other leadership positions will frequently speak casually with the staff in a lower-ranking position than them. The president of the office I now work at is Japanese, and he speaks very casually with me - I have to be formal in response though, because he's at the top!!

But in the past, this would have been a distinction made between lord/ royalty, and those beneath them. Which is the case that is relevant in Fire Emblem's setting.

Dimitri can also speak casually without coming off as rude, because he is one of the highest ranking people across all of Fodlan.

Okay, so that's the answer in broad strokes - but let's get a bit more nuanced, go down Dimitri's support partner list, and confirm whether or not he always speaks casually!

Group #1 - Dimitri and the other citizens of Faerghus (8 other Blue Lions + Gilbert)

Dimitri has a multi-layered relationship with all of the other 8 Blue Lions. They are citizens of the country he is a prince of, therefore he is ranked very highly in social standing above them. But they are also his friends, classmates, and later, war allies; placing them on the same social level in that regard. So the way they speak to him comes down to a little bit of column A - personality, and a little bit of column B - which aspect of their relationship with Dimitri they feel is the "main" one.

Gilbert is also here in this category, as another person from Faerghus.

Dedue: Dimitri speaks casually, Dedue speaks formally, as they have a lord/ servant relationship. Dimitri wants Dedue to be a very close friend to him though, and wants Dedue to speak casually with him - this is a major source of tension in their supports. In the end, being able to mutually speak casually with each other and be friends, is a place they may reach one day. With other characters, Dedue speaks casually.

Felix: As royalty above Felix's noble house, Dimitri speaks casually. Felix is Felix, so he speaks casually too. I imagine he sees Dimitri quite literally as more of a wild boar than a human being, much less royalty.

Ashe: Dimitri speaks casually, Ashe speaks formally. However, pretty much the whole point of their supports is Dimitri attempting to get Ashe to speak casually with him.. Ashe tries in earnest to switch, but in the end sticks with speaking formally, otherwise he feels too uncomfortable. His view of Dimitri as his prince is too strong for him to let go and speak casually.

Sylvain: Dimitri speaks casually, and Sylvain speaks casually more often, but actually switches to desu and masu more than once. When a relationship is "in-between" higher/lower social standing and friendship, it's not uncommon for at least one person to switch back and forth between casual and polite speech, depending on which side of the relationship they are appealing to more at the moment. This happens in real life too as people shift from strangers, coworkers, etc. to friends.

Mercedes: They both speak casually. In Mercedes' case, I think she's speaks more in-line with her personality rather than paying attention to social status.

Annette: Both speak casually, but Annette is well aware that there's something a little wrong with that - her father would never let her get away with it if he knew!

Ingrid: Dimitri speaks casually, Ingrid speaks formally. But I think Ingrid speaks formally with everyone.

Gilbert: As you can probably guess based on my comments in Dimitri and Annette's analysis, her father most certainly speaks formally with Dimitri! He is very formal and takes social heirarchy very seriously. Dimitri, as the prince above him in social status, speaks casually.

Group #2 - The other characters at the monastary:

Since the remaining characters are not from Faerghus, Dimitri is not their prince. They'll be more likely to view him through the lens of a different relationship than royalty/ subject.

Catherine is originally from Faerghus yes, but she has cut her ties from her homeland completely to serve Rhea, so she fits into this group now.

Raphael: Both speak casually. I think Raphael treats everyone like a life-long friend!! He at least attaches san or sensei (teacher) to the names of his instructors, but that's about it for formal language for him.

Marianne: Dimitri speaks casually. Marianne speaks formally, as she does with everyone. I think she even attaches san to everyone's name, conveying how much she keeps her distance from people, trying not to form close relationships.

Flayn: Dimitri speaks casually. Flayn speaks formally, as I think she does with everyone.

Hapi: Both speak casually. I think Hapi speaks casually with everyone.

Alois: Now *here's* where things get interesting! At this point, I really thought I would discover that Dimitri speaks casually with everyone. But alas, he does NOT! Dimitri speaks formally with Alois, while Alois speaks casually to him. Why? Well, while Dimitri is a prince, he's also a student at Garreg Mach (in Part 1 of course). In this way, he is below all Garreg Mach staff and professors in social standing. So it makes perfect sense that he'd speak formally and Alois would be casual in this case.

Catherine: Same situation as Dimitri and Alois - as someone who serves as an instructor at Garreg Mach, all students like Dimitri are below her in status at the monastary. So Dimitri speaks formally, and she speaks casually.

Byleth: I left Byleth for last, because while Byleth is a professor at the monastary... Dimitri speaks casually with them. I imagine this has more to do with Byleth being the self insert than anything. Everyone bonds to Byleth on a deep level faster than magnets stick together.

And that's all I can think of to say for now! This is a super fun example of how nuanced Japanese's casual vs. formal language can get, and showcases one of the many reasons why Japanese has such a high barrier of entry for anyone learning it - including young native speakers! You don't get all this desu and masu stuff, until finally you just do.

Let me know if I missed anything, or if anyone has any follow up comments to make!

I apologize it took me so long to respond to this one! Thank you anon, and all readers, for waiting! I hope it helped explain even more of the trickier nuances of Japanese.

#fire emblem #fe #fire emblem three houses #fe3h #fire emblem 3 houses #fe three houses #dimitri #dimitri alexandre blaiddyd #switch #nintendo switch #japan #japanese #translation #localization #fire emblem support conversations #support conversation #fe 16 #fire emblem 16

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imustbenuts · 3 months ago

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nuts reading trigun in japanese 3 - "weirdo" and vash's pronoun switching

disclaimer: my jp reading posts are all for triangulation purposes and nothing else. scanlating mangas is tough work. @-@ i know this.

"Weirdo"

the word 'weirdo' in 2024 english carries connotations of neutral-bad or positive depending on the context of the speaker. depending on how one curates their internet space, weirdo often leans more positively with the same meaning as eccentric, but not always.

however, but in JP, "weird" is more specific and often negative. there's the well known, hentai 変態 (ie. deviant, pervert, freak, extremely negative in tone), and in this case, kimochi warui 気持ち悪い (gross, off-putting, bad vibes). eccentrics are more as 変人 henjin and carries a more neutral tone.

in this panel here papa nebreska uses 気持ち悪い in katakana キモチワルイ in reaction to vash busting his ass saving people and putting out of harms' way. vash's vibes are so off putting to this wanted man he's actually creeped out.

this is particularly interesting to me bc the english translation didn't end up portraying how utterly weird vash's mindset is fully. it wasnt until wolfwood points out how flawed vash's pacifist mindset do i get a proper frame of reference of norms in this world, but i might be having skill issues in english comprehension. ;w;

Pronoun switching

quick. 俺 Ore! 僕 Boku! 私 Watashi! they all mean "I", and there's 2 spectrum of expressions going on here thats commonly believed. 1st being Masculinity to Femininity. what's the 2nd?

the answer is... Rudeness/Assertiveness to Politeness. and gosh does vash switch a lot between Boku and Ore in the first 4 chapters of this manga lmao.

(to be clear, while i am aware of trans hc thats very popular in the fandom, im not at all diminishing or talking about gender expression specifically. im talking about what vash is presenting himself as in context.)

so to perhaps oversimplify this, in JP the idea of politeness and hierarchy is so super duper important, its very built into the language itself. and Japanese is a very high context language. if someone of a higher or equal standing uses "Ore", its totally fine. but if someone of a lower standing uses "Ore", they've committed a social faux pas.

as an obvious example, if a fresh new employee approaches his Boss with "Ore", he's potentially getting dressing down in the company. maybe in front of his coworkers. if this employee forgoes polite speech (keigo) and uses a too Assertive and Casual speech, they've Really Fucked Up and are one foot out the door.

this is also tied up in gender to some extent, hence why girls using Ore is incredibly uncommon, but guys would use Watashi in certain contexts such as talking to their Boss. (woo woo the forces of hierarchy/patriarchy... or something.)

so. vash switches his pronouns for the same effect. when he uses Ore, he's making himself sound more assertive and confident. when he uses Boku, he's often making himself sound less threatening, smaller, open, and trying to avoid conflict.

sound familiar?

bc if you translated all of that into a character design instead of relying on just jp pronouns, we'd get TriStamp Vash.

slight spoilers, but this is even true in one of the tensest moments between vash and wolfwood, where the latter provokes vash and tears into his pacifism ideology. vash sticks with boku in this scene as he says his piece.

if he ever uses watashi, it's bc he wants to be polite straight out of the gate with an air of formality. (this is japanese manners and the proper approach to talking to strangers. mainly to get a feel for each others standing without offense until context changes.)

i also wanna point out maybe something obvious here but.

real life pronoun switching in japanese is a COMMON thing. no one ever really sticks to 1 pronoun bc of Good Manners and the aforementioned hierarchical systems in place. it is only mostly in anime/manga and video games where characters overly prefer 1 due to this being a good shorthand for characterization. this being how rude or polite they are, and in some cases, Gender.

#trigun #trigun meta #trigunbookclub #vash the stampede #somehow this post wont appear in the search or on my dash like its shadowbanned and im sad

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redr0sewrites · 9 months ago

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Hi! I'd like to make a request if you're still open for then. It's more like two, actually. I got my nails done the other day, and I've been excited to show everyone since it's the first time I've ever done this! I was wondering if I could get one for the hazbin Hotel men and how they would react to them. For the second one I was hoping for the same characters being with a chubby reader?

Specifically, I'm curious about husk, vox and angel dust but I also wouldn't mind the rest like Adam and alastor. Just no Valentino obvi

(Romantic pls! Preferably sfw for both requests)

Thank you so much!!!

YESSSSS OFC OFC!!!! i made the pt2 w chubby!reader hcs in a separate post and linked it ♥️

🥀Cw: none, mostly fluff

🥀Pairing(s): Husk, Vox, Angel Dust, Lucifer

Husk

husk is 100% a supportive boyfriend and he admires you whenever you get your nails done

while he may not be super up to date on modern technology, he will TOTALLY take super aesthetic nail pics for you and do his best to make sure you and your nails look fabulous

if its your first time getting your nails done and your a bit nervous, husk has no qualms about accompanying you. toxic masculinity be damned, he'll sit beside you the whole time and chat with you and your nail technician about whatever

he gives great advice when it comes to colors and styles, and if you ever came to him for advice on what nails you should wear, be prepared for an entire formal slideshow on what colors he thinks would look best on you

husk loves when your nails tap against hard surfaces, the soft clicking is very soothing to him. his ears always twitch towards the sound of your fingers drumming against the bartop counter when your sitting with him while he works

he loves how your nails feel combing through his fur, and will absolutely PURR when you scratch his ears with them but will deny it to no end if you tease him about it

Vox

vox is pretty perceptive, and notices almost immediately that you changed your nails. he'll ask to see them, and will definitely praise you because of how stylish they look. vox knows you have good taste, your dating him after all!!

vox would probably show off your nails to others, and would offer for velvette to post about them on her sinstagram. or, he'll just post about you on his own account. maybe he'll take a photo of you and him with your nails in view, "casually" mentioning how lovely they look and drawing viewers attention to your lovely nails. he loves it when you both receive attention, and he wants people to know he sees you as a masterpiece

vox knows getting your nails done can take some time, and while he can't always be there in person, he'll make sure to call you or text you to make the wait more bearable. expect a lot of questions about when you'll be home, or how much longer the appointment will take

vox would probably start buffering and short circuit if he saw that your nails matched his color scheme. he LOVES the idea of you both matching through your nails, and might subtly suggest that you get blue and pink nails next time

Angel Dust

angel dust is practically your hype man! the second you tell him you're going to get your nails done he offers to accompany you, and will get a set that matches with yours!!! he loves holding your hand and admiring the way your nails match, and will randomly ask to hold your hand for the entire time you have your new nails

i'd say that angel has definitely gotten his nails done before and is probably pretty used to it, so he'll definitely calm any nerves you have. he looovessss showing off your guys' matching nails and will take a bunch of cute aesthetic nail pics with you!!!!

considering he's a celebrity, he would LOVE it if you got nails inspired by him!!!!

you two would totally have spa dates where you would go out and have full selfcare days, and get your nails done together. imagine just chilling with angel in a nail salon, relaxing as your nail technician works on your hands while your lover rambles aimlessly beside you. its a very affectionate and soft date that the two of you enjoy, and you end up going out with angel to get your nails done quite frequently

Lucifer

lucifer would 100% offer to accompany you if you were getting your nails done!!! he would love just getting to sit with you and chat while he watched you get your nails done, and would probably ask a lot of questions

once your nails are officially done, he showers you in compliments!!! he adores everything from the colors to the design, simply because you chose it

if you got super long nails or acrylics, lucifer would absolutely offer to do simple tasks for you. fumbling with a necklace clasp because your nails are too long? here, let him do it for you! can't pick up a tiny item? he practically teleports to your side! struggling to type?? here, just tell him what to say and he'll type every word for you!!!!

lucifer loves kissing your hands, and he loves doing it even more once you start getting your nails done. he'll press a kiss to each nail, traveling up to kiss your knuckles and then all the way up your arm to kiss your face

IVE NEVER GOTTEN MY NAILS DONE SO I TRIED TO BE AS ACCURATE AS POSSIBLE!!!!! APOLOGIES FOR ANY MISTAKES 😭 this was also my first time writing for husk + angel dust, which is actually shockers considering they're literally two of my favs

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