#he’s so shaky and I love him

[dazzling-nishi]

the shaky man <3

[lo-cinno]

He’s so cute he brought us flowers I love him pls

[dirt-str1der]

They made hyoga look so much cooler in the anime hes just standing there , in the manga theyre all dripping wet and bedraggled and senku is dying as usual

[nedwardcore]

[shortnotsweet]

1. ANATOMY OF A KITCHEN (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [2] [3] [4]

If you want to know a person, watch how they treat their servers, how they treat their food. Living with them is the second best option. Living with Ray is not Henry’s only option, but it is the best. They don’t even need to watch the other eat; they know each other already.

[ “There is a man in my house. There will always be a man in my house. I will find him even when he is not there. And one day, when I find out there is no man in my house anymore, well—I will go find one and invite him in.” Paraphrased and reappropriated from Catherine Lacey’s “Cut”. The borrowed text refers to the uncanny feeling Henry experiences as an adult reflecting on his childhood relationships. ]

Catherine Lacey writes in her short story “Cut”: “If you're raised with an angry man in your house, there will always be an angry man in your house. You'll find him even when he is not there. And if one day you find that there is no angry man in your house—well, you will go find one and invite him in!” Peggy—a professor—reads this poem, which a female student has placed on her desk, and grapples with a response, to which she is advised, “It’s not your job to save anyone from their life or explain anything to them or even really teach them anything”.

PANEL NOTES

This follows the format of the catalyst stranger approaching the downtrodden protagonist in a dingy bar from behind, backlit by the hazy yellow lights and smoked out shadows. This is not a bar, but a kitchen—the center of any living space.

The borrowed text is tweaked, and excludes the descriptor “angry”, as the theme of the storyboards is not anger.

The use of red is limited and strategic, and scattered throughout like evidence; dusting for fingerprints. It’s tempting to drape Henry’s back in red against the blue background, as if bathed by an overhead lamp, but Ray is the anomaly. Henry is colored by an anxious, slightly melancholic blue (as well as shaky panel borders), while the flints of red signify danger (knock on wood) or non-literal symbolism.

The white wolf is curled around the blue in a protective gesture that also doubles as a stranglehold, snakelike.

Something, something, about wolves and lambs, consumption, and the simultaneous loss and retention of innocence through transformative processes. Note there are three lambs; these could stand either for Henry, Jasper, and Charlotte, or Henry (singular).

[trash-can-sam]

What happens when your coworker kills your other coworker but both of you are in a relationship (kind of) with the same ethereal woman who had an admiration for said dead coworker.

+bonus Evandrey because it’s funny to me (I’m sorry Eva.)

[knickynoo]

Two of my favorite little scenes from BTTF part II are the moments where Marty stops to watch his parents in 1955. I mean, he was only just there living through those events one day prior, but he didn't actually have a chance to soak any of it in or process it. (He'd come flailing into the parking lot just after George punched Biff but hardly had time to appreciate any of it on account of his picture still fading, and then at the dance, he was. You know. Actively being erased from existence up there on stage for a while.)

Even though the stakes are still unbelievably high when he returns to '55 to try to track down the almanac, and he's just experienced what may be the most stressful and terrifying day of his life with all the 1985A nonsense, he makes it a point to slow down enough to watch his parents at the dance. And there's just this look on his face—a mixture of awe and relief and happiness. You can tell. You can tell this is getting permanently etched into Marty's memory. He's taking in every detail. He's holding tightly to these sweet moments of watching his parents (who had been unhappily married most of or all of his life) FALL IN LOVE. A real, true love that he's never had a chance to see them in before.

Not to mention the fact that in the reality he'd just arrived from, his mother had been forced into marriage with Biff, and his father was dead. Marty's just come from a place where his family had been completely destroyed, and now he's watching the very foundation of it coming together. This is the beginning of it all, and it's a reminder of what he's trying so hard to save and get back to.

And it's so very nice that we see him hitting the pause button for a few seconds in this chaos-fest to look at his mom and dad with such love.

[roseworth]

oo who are your top dc picks for rapunzel?!! mine are raven from teen titans, wally west, halo and jason todd (in an unhinged way where he leaves the tower to commit murder)

cass cain is my #1 forever dc rapunzel <333 the way she never got to experience the world outside of the narrow view she was shown by the person who raised her, then got a glimpse of the life she wanted and chose to leave said parent and experience it for herself. soooo rapunzel-coded <3 plus the way she believes in the best for everyone and refuses to see people as evil or irredeemable <33333333 theyre the same character to me

also!!! mia dearden!!!!!!! trapped in a life by someone who claims to love her, then some guy (with a goatee) comes along and makes her realize that theres a life outside her "tower" so she fights the person trapping her then leaves to hang out with the guy that saved her :') obviously not a one to one comparison because i am NOT saying that mia & ollie are the same as rapunzel & eugene since. ollie is her dad. but the idea is there

and im giving rose an honorable mention because shes not as much of rapunzel as the other two but if you don't think about it too hard nightwing #112-115 can be tangled with rose as rapunzel, dick as eugene (PLATONICALLY), and slade as gothel 🥰

anyways thats all i have to say but im using this opportunity to go on a new rose tangent

rose can also be eugene-coded. take my hand. sort of an orphan (both technically have alive fathers but their fathers didnt raise them) that turns to a life of crime because they feel like its the only thing they're good at (and in fairness they ARE really good at it) and they like doing it. theyre selfish and kind of an asshole but they have so much love in their hearts and genuinely want to help people but they look out for themselves first. then theyre given a chance to have a family & leave it behind so they do but no one trusts them bc they've hurt everyone around them before even though they've changed now </3 they also cover up every feeling they have by being an asshole and the only people that get to see their actual emotions are the people close to them. then once they show a genuine emotion then the dam is broken and they can never stop

all this to say. cassrose tangled au now please

[dukeofqueers]

small Straightforward Pawn appreciation video (really just me showing off Alvarus honestly)

Minor/vague endgame spoilers for the last few ones

[gregoftom]

pretty sure i’ve seen romance movies with scenes like this

[anthemofgvf]

the mascara? goodbye.

[callaxe]

i dont remember drawing dis! oddly fitting for the piece though!

[hi-i-just]

Aziraphale has picked up a lot of hobbies and interests and knowledge throughout the years, he's pretty much a quilted patchwork of skills. He does a lot of things Angels don't really do like dance, bake, drive a car, draw etc. And he's got a skill for those things and Aziraphale is also interested in learning French despite being able to speak every language and magic despite being able to miracle the impossible, and he's terrible at them. In a weird way he's Bad at things he's Inherently Good at and he's Good at things he's not Inherently Good at. Like how he's supposed to be Inherently Good as an Angel but messes up a lot when it comes to it. Did I make sense

[sysig]

Without me, who am I (Patreon)

[sillyabtmusic]

it may come as a surprise to you all but im thinking about kingdom rn