#he would die for them and be happy

[space-ghost-with-the-most]

Just rewatched season two episode two and my God the LOOK Five gives Luther when Luther tells him to fuck off about the apocalypse, I’m actually in shambles? HE JUST WANTS YOU TO BE SAFE AND LIVE!! Nobody in that family truly appreciates the shit Five went through just for a chance to save their lives. He doesn’t care about the world, doesn’t care about the commission, he cares about his family. I mean shit, Five Hargreeves has loved his family longer than they’ve been alive, and they just don’t realize how profound his love for them is. To know, they have someone who spent forty years alive on hell on earth just for a CHANCE to keep them safe? And to become an assassin and be experimented on, just to see them again??? I’m going to cry, he is truly the most sad character in this show, his whole life has been a cosmic joke and all he ever cares about is his loved ones, he’s the loyalest motherfucker in existence, SOMEONE GIVE HIM A HUG GODDAMNIT

[hinamie]

idk about yall but life is good again

[casualavocados]

…It's nice. You're so noisy. […] Actually, it'd be better if we died together. That way, neither of us would have to suffer the pain of losing the other, right? Shut up.

KISEKI: DEAR TO ME Ep. 13

[a-dumb-sarcastic-bisexual]

Nimona headcanons I wrote instead of sleeping

Sometimes the boys forget that Nimona isn’t human 

Like they’re used to the shifting into animals aspect of Nimona because she does it as often as she breathes

But sometimes she’ll do some really creepy shit like make her arms longer to reach something when she’s too lazy to get up

One time they shifted just their neck to be like an owl so they could turn their head 180 degrees instead of just turning around cause that was “too boring” 

Or he’ll mimic people’s voices without realizing it 

Sometimes he’ll tell a story and suddenly he’s using Bal’s voice 

The first time she did this Bal searched the whole house cause he was convinced that Todd has snuck in

Or she’ll grow an extra arm to hold more shit and they take a moment to realize “oh yeah we adopted a little weirdo” 

They get used to it after a while and the arguments surrounding it are always funny because both the boys will complain and say “I don’t sound like that” and they have to be told “No love you do you really do” 

You know those videos of babies reacting to their parents shaving their facial hair or putting on glasses 

That’s Nimona's reaction every single time the boys change their appearance even the smallest bit they cant shave or wear their reading glasses because if they do he freaks out 

Talking some “help me Nemesis I heard bosses voice but I can’t find him” while Bal was standing right in front of them 

It was the first time he shaved his face in years and he’s never doing it again 

Mostly cause Ambrosius kept telling him he looked like a teenager and it was freaking him out 

I feel like Bal and Ambrosius are those kinds of people who will tell people about the little injuries but neglect the big ones 

Like Bal mentioned that he thinks he sprained his ankle during the fight at the institute but he won’t mention that he’s pretty sure he got a concussion 

(BECAUSE THIS MAN HEAD-BUTTED TWO PEOPLE WHEN HE HAS A METAL ARM) 

(I’m bout to wrap this man in bubble wrap and give him a helmet because wtf) 

Ambrosius will complain the whole day about the fact that he has a paper cut

But will completely neglect to inform his doctors “Oh yeah I can’t move my left arm higher than my waist without pain and I can’t see that well out of my left eye or hear that well out of my left ear do you think that’ll be a problem?” 

It isn’t until Nimona makes an off handed comment about how this super weird that the laser did basically nothing to him that he told both of them

They literally dragged him to the ER because “Who thinks those symptoms are normal Nemesis what is wrong in that pretty little head of yours!!” 

When Bal tells Nimona she’s being a bit of a hypocrite (cause who refers to an arrow as a splinter?) she turns to him and says “I know you’re not saying something Mr. Human battering ram” 

It took literally everything in Ambrosius not to break down laughing

After that she forces them to have frequent checkups with the doctor because these dorks wouldn’t go otherwise

Honestly I'm fully convinced that some people in the kingdom don't know who Nimona is and are constantly confused why they let this little weirdo follow them around 

And finally the curiosity will eat away at them and they’ll finally ask 

Sometimes the boys will give some “normal” answers like “Oh that’s Nimona” and they won’t elaborate at all

Sometimes they’ll give funnier answers like “Oh that’s a raccoon we found in the garage who turned into a person one day” “I don’t know they just showed up in our living room” and their personal best “You see her too?” 

And their favorite that they only started using a couple of years down the line “Oh that’s our kid”

[dykedvonte]

I think a big misunderstanding is the power people give Curly to actually change things about the way the pony express operates or could’ve done things on the Tulpar.

We are talking about a company that docks pay for bad synergy despite mandated psych evals that should tell which staff members would work well together, only allots for 5 hours of sleep despite having literally no other tasks to truly do and locks all resources behind the access of one person. The last one is likely to manage resources and make it easier to justify collective punishment and blaming one person for it; someone needs something in “excess” or the captain gives in? It’s all on them your pay is docked. Instant resentment.

It’s insidious how the company works, it’s by design to distract you from coming after them, to force tensions to line their own pockets. With all the restrictions and forced interactions, altercations are bound to happen. 5 hours of sleep a day, limited sources of entertainment, no real tasks… the monotony alone would cause bad cabin fever, mix that with just only one absolute mediator and you get the exact environment that allows shit like in the game to happen.

The idea he could just complain and try to throw his weight around to get them to dig into their pocket for the crews comfort is laughable and misses the predatory and dehumanizing aspect of capitalism the Pony Express represents. Curly was and is still just another asset to them. Being a top show pony doesn’t mean he’s anywhere close to the actual top. He is the top of the working ladder, not whoever’s in corporate, he wouldn’t even be on the bottom step unlike what Jimmy perceives. The resounding recommendations he would get are almost mocking as they throw him out like nothing just like the rest. Being a shitty fucking company, how much do you bet they’d mean anything anyways, especially since he wanted to leave the field all together.

He made a fuss and they didn’t listen, he says he should’ve done more but you can tell he knows it wouldn’t have changed anything. Jobs like this are willing to make a sacrifice if it means even a penny more. Curly makes a bigger fuss they likely would’ve just found an “unrelated” reason to fire him, hired a more pliable guy or, terrifyingly, promoted Jimmy. The company was failing, going to shut down whether anything happened on the ship or not. But knowing that they were shutting down and that everyone, including him, would be out of a job with this being their last paycheck, he had to factor in not destroying the last bit of their financial stabilities combined with every other issue on the vessel and his own. He gets another cryopod or locks and then he has to break to them that they are not only fired but there will be substantial cuts to their paychecks due to the “upgrades” (things that already should’ve been in place on their part) on top of anything else that could be docked along the way.

You can blame him for saying it so early into the trip but then again, if he mentioned it later who’s to say it wouldn’t have been worse? On the capitalism side alone how would people in a galaxy away from home, out of a job and already stir crazy react? Don’t get me started on how Jimmy would have reacted if he realized he only had two days left to fix what would be a very hard to miss “problem” in his head…

I can’t even consider explaining this as devils advocate because it’s just facts of the world we and they live in and factors that heavily affected the situation. People are just so quick to make claims on the ease of the choices when P.E literally makes it hard to choose to do anything but suck it up.

[zours025]

Theory of FrUk. (in my crazyperson eyes)

[gen4grl]

a nap in the sun

[triona-tribblescore]

Lil thing inspired by something my autistic sis does. Floor time is very much needed, especially when you need a break from a bitch-ass task~

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[gratuiciel]

bad toman timeline + text posts

[acearadiamegido]

@homestuckss pinch hit for @topfsecret !!

Reluctant face of the Alternian revolution Karkat is NOT quite used to having an entire security detail yet, and isn't sure why they're all dressed like sci fi adventure movie characters??

to which I would say, if you're gonna be planning an underground revolution against a spacefaring despot why WOULDN'T you dress for the occasion. c'mon.

[whenuwishuponastar]

I just crave protection for my ball of perfection <3

[mayasaura]

For some reason, the dnd:hat movie has been living rent-free in my head for over a week. Xenk is just rattling around in there right now, having a long talk with Kira about morality, mortality, personal sacrifice, and being a child who saw the Beckoning Death unleashed on their home.

I feel like Xenk would have a lot to say that Kira needs to hear, and be a good listener for the things Kira needs to talk about that she can't tell her dad or Holga. He'd probably benefit from talking to her, too. Kira almost experienced the same tragedy he did when he was her age. It would be cathartic for him to help her through that, knowing he helped save her from ever experiencing what he went through

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[eternity-death]

God… Sunday’s desire for control stemming from his fear of losing what he loves is like… gutting.

Look at what he did, look at the lengths he went to, looks at the lengths he was WILLING to go to if we didn’t stop him. And all of it was in good faith. ALL of it was to protect.

Do you guys get it?? He feels that deeply, he loves that deeply— so gravely that he was prepared to sacrifice himself to create a world where no one would ever know suffering or pain again. A world where he would become the ‘strong’ and protect the ‘weak’.

A world where he has control. Because under his control, no fledglings would ever learn what it feels like to plummet. He will become the metaphorical and literal cage that protects it.

[sluckythewizard]

Keep calm, and drink soda

[CW for blood and gore and vomit] takes place a day or two after emizel was sired. just two boys adjusting to a shift in their daily norms. would YOU drink your homies blood? still not used to writing fanfic so any and all advice IS appreciated. i hope u enjoy.

There were very few things that Soda enjoyed more than well, drinking soda. It was a hobby, an interest, a comfort. And by extension there were very few errands that Soda would look forward to more than the occasional soda run.

The gas station closest to the Demons hideout had stopped selling Faygo entirely about a month or two ago, and it was near impossible to find it anywhere else. The closest place was now this janky little Shell gas station, lovingly titled the Shady Shell, that thankfully sold more flavors than any of the other ones ever did.

It made the hour and a half walk here entirely worth it. Even if this side of town made his skin crawl. Normally he would ask someone to accompany him on this daring little quest, but everyone at the hide out tonight just seemed too tired, too preoccupied, too uninterested.

He knew not everyone really got the soda thing, but they were accepting of it for the most part. Soda is something that, clearly, Soda really loves, but he knew not everyone else was into it.

Which was fine, of course. They didn't need to get it. But, still, sometimes Soda found himself wondering how much of it was a bit, and how much was him.

Emizel gets it perfectly though. He would've been the first person Soda would ask to go on this soda run with him, but, well. He's been preoccupied too, with the whole vampire thing.

It's been a bit more than a day since Soda had last seen his close comrade. For a friend that he saw just about everyday, going without him this long left him feeling a little emptier.

That was fine, though. Emizel had shit he was working out, he had things he needed to do. It's not like he could go out in the day anymore, so of course Soda wouldn't be seeing him at all the usual times.

It was a lot of weird and heavy magical stuff, it made Soda think about those superhero shows. Where the hero needs to keep his identity hidden from everyone. Family especially. He knows how much of a piece of shit Emizels dad is, so he hoped that Emizels home life wasn't stirred up all stupid-like over this.

He hasn't told anyone else, about what happened that night. For the last 2 days, Soda would spend time with close friends and not let them know a thing about what happened to Emizel so, so recently. Why he's so suddenly absent, so distant, so.. off…

'Maybe his dad's just giving him a hard time', he would say, hoping to smother their questions. The less questions they ask, the better. At least until this vampire stuff gets figured out a bit more. Should Emizel wear a disguise when he goes out at night now? Just like a superhero? What kind of hero outfit would Emizel have anyways? Soda figured it would be something really cool.

If anyone could figure out a way to balance all this vampire stuff, and all the leaderly responsibilities that come with being the biggest dog in the Demons, it was Emizel for sure. That guy is so seriously cool.

He was sure this rough patch would even out, and they would weather the next rough patch together no problem. There was really nothing to worry about! All Soda has to do is stay positive, and well, drink soda.

As Soda walks quietly down the crumbling sidewalks of this dreary hive of strip malls and shops, he goes to pull his backpack around to his chest, fumbling with the zipper in the dark. Which was a little annoying, considering the tab of his zipper had fallen off forever ago. He really needed to get around to fixing this damn thing. Maybe another ziptie and a soda tab will do the trick.

Humid air hangs heavy in the night, the sidewalks still somewhat warm after a hotter day. The diesel-soaked air provided enough warmth on its own that Soda had considered taking his jacket off a few times, only for the occasional, annoyingly sharp and chilly breeze to brush by, reminding him to keep the thing on.

Tripping only once and only slightly on an uneven sidewalk, Soda manages to pull a bottle of Faygo from his backpack, a smile glowing on his face. Another short fight with the zipper seals up the bag, and he slings it over his shoulder again.

His flavor of choice tonight was actually the Red Pop, the tried and true, the absolute classic, one of the best Faygo flavors for sure.

But, this kind wasn't actually his favorite. Normally he would stock up on the cotton candy ones, but something about the last few days had him craving the red stuff.

Securing his backpack all the way, he goes to crack open the bottle. Just the clack and the hisssss of the fizzy drink were enough to lift his mood.

Not that his mood needed lifting or anything. Of course. Sure he missed his friend and sure he found himself wondering what he’s doing and where he is and if he's okay. Maybe sometimes he found himself wishing they talked about funeral plans more.

Emizel talked up all sorts of crazy funeral ideas for himself, usually involving the use of his dead body as an inconvenience for others. Outlandish and hilarious ideas, like filling it with explosives and tossing it into a busy road. But what would he want seriously? What would Soda ever do if he just stopped showing up one day?

He had to swallow down all these unnecessary anxieties, so he took a swig of his soda. Sweet, bubbly, comforting. He felt better already! Just stay positive, and drink soda..

It was a lovely night out, and he didn't come all this way planning on letting it go to waste. There was a place he was heading towards, a particular alleyway in this particular place that led off to a particularly tall concrete ledge.

 It was a run-down little space, littered with trash and shitty trees and those bushes with just too many goddamn ants in them. But the view was fairly nice, overlooking a massive deformed intersection. A particularly stupid one, at that; about 3 times a week you could witness a gnarly crash at this spot. Soda always heard people saying that LA folks can't drive, but he was just starting to figure that maybe no one can drive.

That was the place he really wanted to go to enjoy this soda, and he wasn't too far off from it. Just a few more blocks, and he would be there.

Oh wait, didn't he still have a bag of chips in this backpack somewhere? Hell yeah, he couldn't wait to sit down and relax with a good soda, a good snack, and a good view of the night.

Living as a Demon had its fair share of stresses. He felt lucky to have this life, but he knew well that it could be better. That not everyone has to worry about survival the way they do. That not everyone gets injured on the regular and not everyone has to worry about being sick and never getting better.

Living is hard. But it's finding the small moments of joy that make it all worth it. Dying would be scarier anyway. He didn't want to die, and he felt glad to feel so confident in that nowadays.

The sudden   THUNK  of something slamming into the ground just a block away from him, jolts him out of his thoughts, all his gears screeching to a halt as he freezes in place. What the fuck was that?

It looked like a person, laying flat on the ground with only their head and shoulders peeking out of the alleyway ahead. Fuck. He hated this side of town..

Anxiety churns in his stomach as he debates just turning around, but the way the victim reaches an arm out, attempting to crawl away; it made his heart ache aswell. he's no goddamn fighter, but he couldn't just leave someone like th-

The body is suddenly yanked back into the alley, snatched at a startling speed. It didn't feel exactly real, how could something vanish so fast? It reminded Soda of something from a horror movie, or whatever. What the fuck was that??

His foot takes a step forward, before the rest of his body notices its rebellion and locks down again. Was he seriously going to investigate that? He could just walk away and take another alley. But that was the one he was supposed to turn down! All the other alleys are either walled off or gated off and he wasn't about to go climbing over a damn wire gate. His soda would get too shaken up! Fuck!

Another foot goes in for another step forward. He's gotta get the fuck out of here. He could hear more commotion in the alleyway, a scuffle, a skirmish. He could hear someone cursing through a choked breath. A loud and nauseating crack echoes out from the alley, and yet, Soda takes another step forward.

This was stupid, he shouldn't be getting tangled up in someone else's business. What if something happened to all this soda?

Thankfully, it was that thought that actually got him to pause, and take in a deep breath. It wasn't worth it, maybe he should head straight home.

Atleast, that was the thought his heart and mind were about to agree on, until a particularly familiar grroowwwwlll bleeds out from the alley.

Emizel?

All reason immediately evaporates as Soda makes that connection in his head, stepping right up to the corner of the brick walls, and peering around to investigate.

There was a body on the floor, face down in a puddle of red, head split open in a way that reminded Soda of a smashed watermelon.

But standing over that body, was the familiar, blackened coat, and short blonde hair, of Sodas closest comrade, Emizel.

Despite the carnage on the floor, Soda couldn't help the smile that lights up his face. That was Emizel! That was his boy!

But before he could get over just how happy he felt to see his best friend, something else caught his eye. Movement, behind the dumpster closest to the vampire boy. A person, rising out from the shadows with a glinting baseball bat clutched fiercely in their hands.

"Oh fuck, look out!" Soda speaks up, and Emizels gaze immediately clicks over to him, silencing Soda with just that startlingly red stare.

He had forgotten just how uneasy those red eyes made him..

The attacker, silent and professional, rushes up behind Emizel and CRACKS the metal bat downwards onto his blonde head, the sound ringing out like a  gun shot  in that dark little alleyway.

Soda cringes from just the sound of the impact, but was amazed to find that the bat had warped under the force of it!

The attacker hardly had a chance to process his mangled weapon before Emizel whips around to retaliate.

It looked like he had just swung his hand at his opponent, so the way a shower of red spills outward from the slash, catches Soda completely off guard. The monster boy had cleaved an excruciatingly massive gash up from the attackers right hip, to his left shoulder, the slice spewing with scarlet.

 It wasn't until Emizel had pulled back his arm, that Soda could process the way it had darkened with more than just blood, distorted into an odd, spear-like shape.

The victim hardly had a chance to yelp before that blade swoops up into his chest at the speed of a snapping bear trap, plunging through meat and bone with disturbing ease, and forcing blood and viscera to erupt outwards. The red patters down onto the concrete behind, the sound similar to rain...

With another low, inhuman snarl, Emizel brings the twitching, dying body closer, until that signature squish of teeth sinking into fresh meat bleeds outward into the space.

What a disgusting sound, Sodas first instinct was to simply avert his eyes, but as the sound persists, he resolves that he has to do something.

He finally steps out into the alley, and speaks.

"Hey ma-"

He could hardly get two words out before Emizel suddenly rips its teeth away from its victims throat, tearing out a hefty chunk of jellied meat, and slamming the remaining fodder onto the concrete floor.

It immediately whips around to stare down Soda, red eyes glowing with reflected light, and with hardly a chance to process the moment-

-It's immediately right infront of Soda.

A gasp lurches from Soda's lungs as he almost stumbles back in shock. How was Emizel so fucking fast?

Other than that single step back, Soda was frozen in shock, his tongue buzzing with the physical pain of such a startling jolt. 'White boy jumpscare' is something that came to mind, but while usually such a thought would evoke some sort of laugh from Soda, this time it offered no such comfort. Okay maybe it did a little.

Emizels snarling face was only inches away from Sodas. Its eyes were wild and unnatural, teeth menacingly sharp and reddened with so much fucking blood. It was everywhere, coating most of his face, smothering his shirt and his coat, and absolutely choking the air with its thick, metallic stench.

Soda would gag if he felt he was safe to even move. He felt like he was locking eyes with that of a creature, something he would only ever see in his nightmares or in scary movies. But it was real. Those monsters are real. And his best friend is one of those monsters. His bestest friend in the world...

His mind was skewered on that unnatural glare, completely frozen with anxiety. Stalling too hard to come to a proper conclusion, Soda instead falls back onto what Soda does best.

"H-hey man... You want some soda?"

He very gently presses the opened bottle of Faygo into Emizels chest.

The two boys stand there for a moment, locked in a tense, silent pause, before the monster boy finally peels its gaze down to the bottle.

It's quiet, for a few seconds, the gears turning in its head. Until the monster blinks, and its eyes clear, and Emizel processes the sight of the bottle.

"Oh, fuck yeah dude, is that the Candy Apple Faygo? Man, that stuffs my favorite!" Emizel smiles as he goes to accept the bottle, and immediately takes a massive swig.

Soda tries to disregard the way his hands were still shaking. "Uh, n-nah man, its just Red Po-"

The words are bit off as Emizel suddenly retches, a heavy flood of red blood and red Faygo spewing out onto Soda, as the vampire boys body entirely rejects the fizzy drink.

The shock of getting fucking projectile vomited on had snapped Soda out of whatever daze he was just in, and it seemed to snap Emizel out of it too. Soda backs up with a groan, looking down at all the blood and bile and pop on his shirt and coat.

"Ohhh fuck dude, what the hell??" He cringes, not even wanting to try smearing any of it off with his hand.

Emizel was coughing, still holding out the Faygo bottle, but hunched over as his body dared to convulse again.

"Ohhhhhh fuck, ohhooohhh fuuuuucckkk" he grumbles towards the floor "Fuuuck I’m sorry dude, I don't know what fuckin- oohhhgg shit,” He coughs and groans,  offering the bottle back to Soda.

Soda was still staring at his messied coat with a displeased grimace, but looking up to meet Emizels eyes...

There was a guilt on Emizels face that Soda didn't see too often, and it helped wash away that irritation he felt. This sucked, but Emizel was probably going through a lot more. 

“It’s, uhm.. don't, don't worry about it, man..” Soda decides to reassure him, offering a sympathetic smile, and a hand on Emizels shoulder, as his comrade spits out the remaining blood and bile.

"Fuckin hell… I’m uh, I'm sorry about your shirt, man."

"What? Nahh it's okay man, don’t worry about it." Soda shrugs, taking the Faygo bottle back. "I mean, are you okay man? That uh.. looked like a pretty crazy fight."

Emizel was rubbing his eyes, smearing more blood across his face as he seems to be collecting himself. he spares a glance back at the carnage behind him.  

"Ah.. yeah.. I thought I uh.. I thought I saw that one fucker from uh. That one night. Yknow, the one that uh.." He snaps his fingers, as if trying to summon back the memory. "Vampire bitch... Anyway after that I just kind of, uh.."

He seems to space out again as he looks around. It was as if he was just woken up from a deep sleep, like he was certain he had just known what he was doing, but found the dream escaping him. "I guess I just.. went crazy on these guys. I dunno, they're Fangs anyways." he finally shrugs it all off, but Soda still felt unsatisfied by the answer.

"Oh.. huh…” is the only response he manages to scrounge together. Sure they were Fangs, but did they really deserve.. all that? It just seemed a bit brutal, even by Emizels standards.

He found his eyes wandering over to the split-open head. It was mostly red and bloody, but even in the dark, he could still make out some of the finer details of the gray jelly seeping from the gash. A human brain. He wondered if his own brain looked the same on the inside..

“So what are you doing out here, man?” Emizels question helps Soda pull his eyes away from the gore, instead looking over to his bloodied comrade.

Emizel looked messy and even exhausted, but his drowsy gaze was focused on Soda with a worried expression. 

“Oh, uh, yknow, just a soda run. Decided I would stock up on some Faygo from the Shady Shell.” Soda shrugs, his eyes flickering down to the opened Faygo in his hand. The top was covered in regurgitated blood. unnaturally blackened blood…

“Are you.. okay, by the way? Other than the whole..” Soda gestures vaguely at the gruesome crime scene. “Are you hurt?”

The question has Emizel pausing to consider. He straightens his back and stretches his arms, as if trying to detect any pain from any possible injury. Nothing seemed to be bothering him though, and after a second, he decides to shrug.

“Nah, I'm all good.”

“Oh.. That's good, I uh…” Soda found himself looking over Emizel aswell, searching for any wounds the monster boy might be simply disregarding, as he often does.

There was a fairly gnarly gash on his shin..

“Hey uh, I was actually gonna go hang out by the ledge down that way. Yknow, the one with the funny intersection.” Soda says, gesturing off towards where he intended to go. “Wanna come with?”

Emizel looks back that way, before turning back to Soda with a big smile on his face. 

“Oh hell yeah I do! I love the funny intersection!” he starts to walk down the alley, about to step over the body of the broken skull, when Soda speaks up.

“Uh, hey, shouldn't we uh.. Do something about the.. uh..” He waves a hand over towards the bodies, trying not to look directly at them. 

Emizel spares the corpses an inconvenienced glance, and a sigh, but ultimately shrugs them off. “Ehhh I'll just dump 'em in a dumpster again.. That's what I've been doing anyway.”

“And you're not worried about, like, anyone finding them?”

Soda anxiously watches on as Emizel paces around the body with the torn-out throat, licking the blood from his own mouth. Was his tongue always that long and pointed? That's neat, and normally Soda would point it out, but he was a bit.. preoccupied right now 

“Nahh not really. I haven't had anyone bother me at least.. Anyone been bothering you?” Emizels eyes finally flick back over to Soda. 

“Nah, I'd say things are actually more lax than usual. Anything that would end up being trouble’s been pretty much crushe- er, killed- destr- stamped out, by uh, by you.” Sods was cringing with every attempt to find a word that didn’t make his stomach turn, but Emizel didn’t seem to notice or mind.

Emizels eyes were currently a bit more focused on the body laying before him. He had that weird look on his face again… 

“Uhh, yeah, yeah that's good that uh, no troubles coming back to you guys…”

There’s a moment of quiet between the two as Emizel stares at this corpse, and Soda was about to open his mouth to fill the silence, but Emizel speaks up instead.

“Hey uh, why don’t you go ahead of me? I’ll uh, I'll meet you at the place.” He suggests, pointing vaguely off down the alley, but not removing his eyes from the kill. 

Soda certainly hesitates, his eyes narrowing before he even forms a thought. He opens his mouth to object, but then his eyes flicker back towards the body.

“Are you gonna eat this one too?”

The question leaves Sodas mouth as soon as it comes to mind.

Emizel pauses, and considers, before giving a shrug. “I don't see why not. Perfectly good blood.” He reaches down to grab his kill by the shirt, the one with the split open head. As the corpse rises from the concrete, gray matter drips and sloughs from the crack in its skull. Once again, Soda felt the need to look away, and yet his stupid eyes remained fixated on the horrendous sight. Emizel looks over the spilling brain of his meal, licking his lips curiously. “Dude, what do you think would happen if I ate his brain?” Emizel asks, looking back over to Soda with a wild, bloodied smile. Something about that look made Soda shiver, but.. Not really in a bad way… “Uh, I.. Dunno…. Eating a persons brain is how you get like, mad cow disease right? But you might also be immune to disease.. Are you immune to disease?” “Uhhh, I don't know yet actually. I'm still figuring out how much of this is like video games,” Emizel says, rubbing the back of his head as he idly sways the body of his kill around, watching the blood and gore drip and drop from its broken head. “Eh, I'll chance it later.” Without another word or thought, Emizel goes to sink his teeth into the shoulder of his kill, a pleased growl radiating from him as the blood gushes around the bite. More fresh blood upon less fresh blood upon old blood upon older blood. Just so much fucking blood. Soda thought he was used to seeing blood, but this… this was just egregious. Was he really starting to get used to this? It’s just blood after all, and it’s not from his comrades, so it's… fine… He finally manages to pull his eyes away from the gruesome sight of Emizel feeding, but his eyes instead wander down to the blood on his own shirt. Emizels blood was strange, darker than usual, and carrying a different scent. Something about the smell of his blood was more savory, more appealing than the standard metallic miasm. His shirt was smothered in it, his jacket was coated in it, and his opened bottle of Faygo was also splattered with the deep red ichor. Ink swirls within the bottle of red fizzy, spreading out into all sorts of odd patterns. It was a lot of blood. He was certain a lot of it came from however many people Emizels been feeding on. With how much hes been terrorizing the Fangs in just the last few days, and with how nonchalantly he feasts on his kills, who knows how much blood hes actually ingested… Soda swirls the bottle, watching the blood inside thin out into strands, dancing within the bubbly soda as they gradually dissipate, fully assimilating into the drink. A bad idea chews at the back of his head… The sound of ripping flesh once again knocks at Sodas head. He doesn’t look up this time, but he knew Emizel was just playing with his food again..  Did blood taste good to a vampire? Did some blood taste better than others? What did Sodas blood taste like? What did Emizels blood taste like? There's a visceral snap of something among the chewing and ripping, very clearly a bone or a joint snapping out of place. It made Soda shiver a little. When did his heart start pounding? There's an animal standing only 8 feet away from him, feeding on its kill. That animal is a person, and so is its kill. He wanted to know what vampire blood tasted like, but he already knew what human blood tasted like. It hung so densely in the air, he could feel it forming a vile film over his tongue. The blood of a person just like him. Eaten by an animal that eats people.  All this stress was no good. This bile rising to his throat was no good. This creeping anxiety was no good. He's friends with an animal that eats people. Would it eat him? This weird feeling was no good. Maybe it will never eat him. But it needs to eat people. This worry was no good. He needed to wash this awful taste from his mouth, replace it with something sweeter. He needed to keep his head clear enough to be there for Emizel when he needed to be. He needed to hold a light to these shadows. And he needed to stay positive, and drink soda. He takes a swig of the open Faygo bottle.