#he will get his own post in good time

[themarginalthinker]

That Boy Ain't Right: Lost Boys edition:

-David has control issues. David needs to be either in control of his environment, or in control of himself and the people directly around him, which he's managed so far thanks to the Boys being willing to let him be the default leader of their pack. David is a good leader, mind you, but the stress of being one under the pressures of his environment (ie, Max's abuse and control, the Santa Carla territory being a place he doesn't really like, Max holding Michael and Thorn above his head) does get to him, meaning he wants to exert more control to feel safer, and it leads to things like what happened with bringing Michael to a feast hunt, scaring him off. Bad decisions made in desperation to regain lost control.

-Dwayne has codependency issues. Dwayne needs to feel useful and like he's helping, but moreover, he can't function well outside of a group. He doesnt show it outwardly, but he has a hard time without someone beside him to vet or vindicate his movements and ideas. Dwayne was the first in the pack to gain his mate, Thorn, and thus the pair didn't have any other examples of a healthier pairing. Combining that with the fact Dwayne's very introverted, his animal communication abilities, and Thorn's dog form, you have the ingredients for a really, really codependent relationship, that when torn apart by Max, sends Dwayne into an absolute spiral without that constant person at his shoulder to 'allow' or 'disallow' his actions and thoughts.

-Paul. Oh boysie, Paul. Where to even start. First off, it's funny to joke that he's a party boy with an endless supply of whatever gets you high (and yes, that includes a Lot of harder substances) but his substance use is abuse, with no alternatives to help cope with his sensory and psychological issues. Not like he can get a steady prescription of anti anxiety or antidepressants that will work, given the nature of their vampiric bodies. Paul is a man of very high peaks, and very low valleys, with little in between. The movie is mostly depicting him in a manic streak that can last for months, especially in the busy, active time of year for the Boardwalk, but he will drop, and drop like a brick through deep water once it's over. Paul also cannot stand something being in a grey area, meaning he also tends to see the world in blacks and whites. Something that feels good is something he wants to have always, and the moment it stops feeling good, he will do anything in his power to get it out of his sense range or just straight up destroy it.

-Marko. Ironically, for all that the fandom (and my writing partner and I!) headcanon Marko as being possibly the most outwardly aggressive member of the pack, Marko is actually not the one you may be in the most danger around. Marko came from, aside from Michael, the stablest home life of any of the Boys. His parents loved him a lot, he was an only child, and they didn't have many financial or emotional problems. Marko's issues lie more in things the world outside has done to him. A child of first generation immigrants, gay in the 70s and 80s, and it's a small (ha) thing, but Marko knows that he doesn't cut a very imposing figure. Marko has learned that the best offense is a good defense. He goes for the throat before the other person can even think about baring their fangs, so to speak. This unfortunately has led him to the restrictive view of himself as a weapon and incapable of real gentleness anymore.

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[musubiki]

.🖤🔄🤍.

[on-the-clear-blue]

So you know how there is a common fan theory that ghosts go through their death again on their death day? What about Jason going through it?

Feeling angsty crew, prepare yourselves

Trigger warnings: Jason death and all that comes with that, SA implications.

---

The first time it had happened it was in a LOA base, still catatonic and barely speaking, Jason was forced to train through the dark bruises that slowly appeared on his body, from his ribs and chest, to his fingers getting bent and crooked.

His trainers watched, not filled with concern but curiosity, an effect such a this had not been seen in the leauge in some time

As smoke was coughed up from his lungs and as bits of his flesh turned the same ghastly green as the pits, they watched, documenting it, unable to look away as the man boy seized and went still, finally.

---

The second time it happened, Jason was in Gotham, set up in a safe house, sirens and gun shots ringing out into the night, the sounds of his childhood.

He hadn't planned to stay long, only stopping by the safe house to grab a restock of ammo

Then came the phantom pains, tightness around his wrists, a deep, ever increasing sense of dread.

Jason staggered at the first ghostly strike to his head, hands flashing to his guns, scanning the room for what ever invisible foe that had struck him.

The next blow brought Jason to his knees, it hurt, oh God did it hurt, his head was pounding in a way that he barely remembered.

The feeling of his ribs crack robbed him of breath, a bone spur puncturing his lung, then came his hands, finger bones broke one at a time.

Jason curled himself up in a ball, just as he tired to years ago, tears streaming down his face under the metallic hood. The ticking demination of a clock ringing cruelly in his ears.

Then came the explosion, leaving his ears bleeding, eardrums ruptured, brain addled even more than the blunt force trauma caused.

With broken hands, Jason struggled to take off his helmet, as smoke poured out of his already damaged lungs. Smoke that clogged the helmet filters, that trapped it all around his face.

Jason Todd died a third time, the same way as the first two time that night.

---

It was a few years after the first time (that he remembered), that he found himself on a very bad day, he had found out that it always happened on the day he died, and he still didn't know what God had cursed him to relive it over and over again.

To add even more crap to his shittiest day, he was stuck in Wayne Manor.

The sense of dread was running though him, his hands were shaking terribly as he tried to just get away but his body wouldnt listen, he needed to leave get to his room, any room, hid away from his family, he didnt want them to see him like this didnt need them to be worried for him, he was so stupid, so idiotic to have forgotten what day it was, so wrapped up in having his family again that he forgot his curse.

---

Dick had a smile on his lips as he was about to jokingly throw a gaming controller at Jason, knowing he would likely start something to get his gaggle of siblings to do something together.

Yet it never left his hands, as he noticed Jason's eyes had gone glassy, a distant look in them, and a dull green sheen emanating from them.

Fear wormed it's way through him, Pit episodes had become less and less of a thing with his brother, something he was more than happy to see, but...this didn't seem to be the same thing.

Sending a concerned look to Tim, who has just walked into the room, even though he hoped (he thought they were over these, that Jason was getting better) Dick waved him back, if this was actually a Pit episode, he didnt need Jason to go off on Tim anymore than he had in the past.

Slowly approached his brother, Dick saw his eyes look into the middle distance, lost in his own head, "Littlewing? Jay I-I didnt..." His hand moved cautiously, coming into Jason's space and-

He flinched...Hard. Eyes flashing up at Dick but not seeing him, stuck deep in something else

Dicks heart dropped, Jason hadn't flinched when he had tried to touch him in years, not since a small boy in a ratty red hoodie was in Dicks old room, crying as he begged to not be sent back to the streets for them to "P-please don't t-touch me...I-Im sorry I-ill be good I promise"

But the words that came from Jason were far more haunting than what he uttered in fear, a voice hoarse and small came from him, slurred and heady with pain "Just...just let her go...C-can do anything to me...j-just let mom go..."

Bile, that was all Dick could taste as he held back what wanted to come up, he knew in a second what Jason was seeing, who Dick was to Jason's mind, trapped in memories.

He didn't know when he took a step back, didn't know when he had pulled away from his little brother until his back hit the wall, taking a shaky breath he forced himself back, He needed to be there, be there for his brother unlike...unlike last time.

"Jaybird it's me, Dickie? Jason..." he reached out agian, only to cringe back as his little brother flinch back, curling in on himself, his head tucked between his legs.

Dick didn't know Jason could look so small still, a distant thought bubbling up about maybe that's why he got so big, so he could never be that small again...but yet he was...

And Dick Hated It.

His hands fumbled for his phone, his fingers felt like lead, and all he could do is dial Ina number.

"Dad? Jason needs you..."

---

Bruce tore through the halls of his home with a fervor, his mind spinning with thoughts, from Dick’s description of what was happening this was a Pit episode of some sort, far different than any he had seen before.

The halls of his home never felt so long and never felt so claustrophobic.

Old demons in his mind cackled, bringing back the doubts of himself...if only he was just a little faster, a little less prideful...

Coming into the den, Bruce scanned the room, seeing his eldest kneeling by Jason, trying to be soothing while not touching him.

Dick face was hard and worried when he looked up at Bruce.

They shared a silent conversation, ending with Bruce taking Dick place on the floor, Dick in turn leaving to try and figure what was happening.

"Jaylad, Sweetheart, you have to breath, Jason?" It hurt to see his son flinch as he reached out, but Bruce pressed on, his fingers softly pressing against his son's pulse point on his wrist.

Dread spreads across Bruce's mind as he can hardly find a pulse, pulling his hand back the dread turns to horror as he see red and deep blue bruises start to from across Jason's face.

His eyes were open, dull instead of the bright they should be, his breathing sounded forced and-

It was his nightmares all over again.

Pushing past the fear, Bruce forced himself to pick Jason up, holding his dear boy so...so close to his chest, jaw shaking as he rushed through the halls once again.

He can't let his son die in his arms yet again.

---

Hours later, Bruce watches as Leslie called time of death, they did everything they could but it wasnt enough...his mind is disconnected from his body, a deep dark numbness burns within him and he just can't understand why...

Why the world seems to determined to make his family suffer? What had he done other than try and help, to cure the throbbing cancer that is Gotham? To help his fellow man live better and be happy...

His numbly looks around the med area, his children gathered, Dick is crying onto Cass's shoulder, Cass herself has tears but she refuses to shed them, Duke held his head in his hands, small shakings in his shoulders could only be crying, Stephanie was by Leslie, demanding answers and what happened with emotions think in her voice

Tim wasn't there, he was on the other side of the cave, running through data files, looking for anything that could cure this...Bruce would need to tell him to stop, that it was already over.

And Damian...his youngest just stood there, arms crossed and...politely blank was all Bruce could see, no mourning as the others. Just...waiting.

He was the only one not shocked when Jason groaned, sat up, cursed and promptly fell back onto the bed.

---

Damian sauntered over to where they had placed Todd, all of them still so careful with him, as if he would up and fall dead if someone was to as much as sneeze in his direction.

"Tt, Honestly it is as if they don't know this happens every year..." His own reliving of his deaths was far less dramatic.

Todd had the gall to look at him with confusion, and it took a moment for Damian to realize what his look ment "You never told them did you, Tt...Typical" shaking his head, Damian sat next to Jason's has-been death bed.

"Not all of us brought back from the dead suffer so spectacularly as you do Todd, as Jon would say...I believe this is a *Skill Issue*? Hashtag get good?" He didn't use the lingo lightly,

And of course, instead of being offended as he should, Todd just stared dumbly at him "This is when you banter, or has your repeated blunt force truama to the head bludgeoned you into stupidity?"

Shaking his head, Damian tutted "Clearly I have to do everything in this poor excuse for a social interaction" clearing his throat Damian put on a deeper voice as to mimic Jason "Shut it Demon Brat. I do truly hate that nickname. Oh woe is me why am i just a little bitch that can only suffer. Worry not dearest fuck up of a human being I can help you. Oh glory be you, you turly the greatest Robin. Oh only you say it now~"

Damian gave a dead pan stare at Todds slackjawed look, "Shut it, Jon is rubbing off and me and i cant for the life of me make it stop...but honestly if you wish to know more, seek out Phantom, though...you look pathetic enough that he might just find you first."

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[goth-emrys]

Just once i want arthur to look up from seeing a spear fly out of nowhere, hitting a target about to get him, and instead of seeing merlin on the ground (where he has used magic to save him) he sees merlin standing tall and shrugging like he got lucky with that throw. JUST ONCE I WANT MERLIN TO HAVE THIS CREDIT.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[deoidesign]

And my girlfriends?

yeah.

they smoke weed.

(original post) (sometimes a copypasta fits your character so well...)

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[playingitup]

I recently read a fic that unlocked a previously undiscovered interest of mine, and i cant seem to find any other fics like it, so you guys get to watch me spiral (again)

This came from the Talia al-Ghul is Jason Todd's adopted mom pipeline, and the fic was a very short blurb where someone offered Jason the Joker's death as a courting gift, as according to the League of Assassin's tradition had to ask for Ra's blessing as the head of his family, and Damian tranqued Batman to let this happen, because 'this has nothing to do with you, Father, this is al-Ghul family business' and aaaaaa

Just, the League having its own culture, traditions.

I know its Ra's assassins club, but he is old as fuck. There have probably been families that are part of the League for generations. This amounts to not inly courting traditions, but customs, manners, holidays, all with a different twist that came with time in this isolated society, and i just want to see more fics that explore this.

Damian being cut out of his culture completely, no idea why no one responds the way he expects, not because of trauma and 'why is no one punishing or praising me', but genuine 'i told Drake i could demonstrate my skills with a blade for him, and why didnt he offer to show me how he fights with his staff??? He didnt even say he already knew how to use blades, is he implying that i am not sufficiently trained to be capable of teaching him? Does he think i am not worthy of being in this family, and thats why he refuses to train with me??'

(Meanwhile Tim firmly believes he just got threatened to be shish-kebabed by a 10 yo and is shook. Of course, Damian just wanted to spend quality time with his new family member the way he knows how to, but tim doesnt know that, and Damian doesn't know thats how tim understood it either)

And Jason being a part of the al-Ghul household, too, is very interesting. I love the concept of Talia sending him on his way to Gotham as Red Hood partialy to make the city safer for when Damian went over, Hood putting the fear of god into criminals so that the Demon Prince could walk through the city of his father with less fear and apprehension. Jason and Damian celebrating League holidays and traditions together (of course, jason only does it so the little guy can have this confor of home and family, he did promise T that he would take care of him, its not like he enjoys quality time with a family member he never tried to kill, or that he misses the conforts of the league and dinners with the al-Ghuls, of couse not).

Anyways, thank you for listening to my ted talk

[zend-pixie]

you guys ever think about how Emma was so elated to see Paul during "inevitable" that she didn't notice his heart wasn't beating. cause i think about that a lot

[allthatmay]

So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."

And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.

Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.

In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?

(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)

This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.

If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?

Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[eshithepetty]

So I never did tell you guys about this AU I had where Mob runs away from home after the new years incident, eventually being found my Tsuchiya and brought into Claw, where they ruthessly try to train and manipulate the kindness and pacifism out of him, until one day it just all gets too much and he explodes, destroying the whole facility, which brings Mob to Shou's attention and he decides he Needs Mob by his side to defeat his father, and they basically become worsties (Mob not wanting to fight at all and fearing his powers more than ever, and Shou being. the opposite of that), until they succeed, which causes them to split basically out of the trauma of Mob truly fucking killing someone, and Shou realizing maybe he didn't want his dad completely gone after all, and then Mob basically becomes even more homeless and completely alone, until he meets Reigen who's working at a flower shop and beefing with Minegishi and their flower shop business, and tada, he has a child now I guess.... did I? Anyways-