After running from Danny's home dimension he ends up saving a heros kid, he ends up in a comma afterwards. The Hero's see him transform into a being with poined ears and white floating hair hidden in his hair are a pair of small horns that looked to be made of ice. He has glowing like freckles all over his body he has a slim furry tail with ice like spikes. The heros assume that he is an alien next to him is what appears to be a human little girl clutching a bag and yelling at them to stay away from her father.
The Hero's learned from the child named Ellie that they had to run away from there home to keep her and her baby siblings safe the bag that Ellie is holding has 7 orbs called cores that are her unborn siblings. Her father had used up the last of his spare energy to save the heroes kid and keep them all safe and can't wake up because he has no spare energy left.
The Hero's did not want to risk moving him to the space station in case the teleporal can cuse him or the cores harm. And they can only get so much information from Ellie in what they need to survive how to care for the cores and what is safe and not safe for them, they do learn that even though he is in a coma he is still feeding the cores and is proble the reason he dose not have enough energy to wake up.
For the time being they moved him to a human hospital with medical personnel from the space station, until they can finish remodeling a safe house to house him and his children in.
Sadly someone hears about a new alien that has baby's and is in a coma in an hospital and was able to sneak in and steal the cores now the Hero's are trying to track the cores down and being them back to their father before something bad happens to them, they hatch, or there father wakes.
Summary: You were touch starved and didn't mind it. However, not everybody was fine with it. Your mate found it frustrating, especially when this distance caused rumors to swirl.
tags: reader doesn't care about touch, Edward does, rumors, students creating drama, needy Edward
Touch had never been a necessity for you. Even before you were turned, physical closeness felt redundant. You didn’t need to be held or touched to know you were cared for. Love, to you, was a state of being, a quiet understanding, not something proven through gestures or physical contact. The presence of someone you loved—just standing with them in comfortable silence—was enough.
When you became a vampire, this aspect of you didn’t just remain—it intensified. Your heightened senses transformed every little detail into something overwhelming. The smell of a distant forest, the vibrations of life beneath the ground, the heartbeat of a creature miles away, all became vivid. But touch? Touch became unnecessary, intrusive even. Feeling every texture, every pore, every slight imperfection was a reminder of how alien you’d become. Instead of comfort, it brought only awareness of your distance from the human experience.
For a long time, it didn’t matter. When you joined the Cullen family, they learned quickly that casual touch wasn’t your thing. You preferred your own space, your hands often resting quietly in your pockets or folded loosely in front of you. They respected that. Alice, of course, was the exception. Her constant, affectionate touches were something you tolerated, knowing it was how she expressed herself. You didn’t need it, but you didn’t mind it, either. It was Alice. That was different.
But Edward was different too.
Edward was tactile, always reaching out to touch you, needing that physical connection to feel reassured. For him, it wasn’t just affection—it was an anchor, a way to feel grounded in your relationship. He needed the brush of your fingers, the warmth of your hand, the brief press of your shoulder against his. It was how he knew you still loved him, still wanted him. You understood that about Edward, and for the most part, you tried to accommodate him. Even if it didn’t come naturally to you, you wanted him to feel secure.
But over time, your calm detachment, your natural tendency to pull away from physical intimacy, began to stir whispers at school. You had always been composed, quiet, and serene—never one to make a fuss or draw attention to yourself. To the students, your cool distance with Edward was misread as disinterest, something they couldn’t help but gossip about.
"He doesn’t even look at Edward anymore."
"They’re never together—he’s always with Alice. Have you noticed that?"
"I don’t think he’s into him anymore. Relationships fall apart, you know?"
And those whispers, those rumors, fed into something larger. It didn’t take long for people to start trying to test the waters to see if maybe there was truth to the rumors. Jessica Stanley was the first.
"Hey," she had said one afternoon, leaning against your locker, flashing you an overly friendly smile. "If you ever need someone new to talk to, I’m always here."
Her words didn’t register much with you; you'd barely glanced at her. You weren’t irritated or amused—just indifferent. Jessica, like the others, was human. Temporary. It was a passing moment, one that would dissolve as quickly as it came. You saw no need to correct her or give her a second thought. You knew the truth, and that was enough.
But Edward, standing across the hallway, heard everything. He heard the thoughts that accompanied Jessica’s smile, her hopes that maybe, just maybe, she could wedge herself between the two of you. He heard the other students, too—the boys who lingered near you, the girls who whispered when you walked past. It weighed on him more than you realized.
He never let it show but you could feel it. Even if you weren’t one for touch, you could sense the quiet tension building in Edward. He wasn’t just hearing the rumors; he was internalizing them, letting them feed into his own insecurities. His need for physical closeness became a silent plea, something you recognized but didn’t fully understand until much later.
That night, Edward finally spoke.
"Doesn’t it bother you?" he asked, his voice calm, but edged with frustration. You were in your shared room, the darkness outside framing him as he stood by the window, his hands fidgeting with the fabric of his shirt.
You looked up from your book, your expression placid, as always. "What do you mean?"
"The students," Edward continued, pacing slowly. "The rumors. They think we’re falling apart, that you don’t care about me anymore."
You tilted your head. "They’re just rumors. Why do they matter?"
Edward’s golden eyes flashed with a frustration you weren’t used to seeing in him. "It’s not about them. It’s about us. They think I’m losing you. That I’m not enough. And then, when I see them trying to—”
"You know that’s not true," you interrupted, your voice soft. "You know how I feel."
"I do," Edward murmured, running a hand through his hair, his movements sharp with tension. "But hearing it—hearing them think about taking you, seeing how you pull away when I reach out—it’s like I’m losing you. Like you don’t need me."
You exhaled slowly, realizing how deeply this had been bothering him. You loved Edward deeply, more than anyone else, and you believed that your bond would be enough. Hell, he could read your thoughts—how they never strayed far from him—and yet, even that wasn’t enough. He needed to feel it, to experience it in a way you had always found unnecessary.
"I don’t need touch to feel close to you," you said gently. "But I understand that you do. And that matters to me."
Edward’s shoulders loosened slightly, but you could see the residual tension in his posture. "It’s just…I need to know that you still want me. That I’m still important to you."
"I’ve never stopped wanting you," you replied, stepping closer, your calm, steady presence meeting Edward’s anxious energy. You slowly reached out, brushing your fingers along his arm, letting the touch linger, even though it wasn’t something you needed. But you knew Edward did. His eyes closed for a brief moment, and you could see him relax under your touch.
"I’ll try," you said softly. "I’ll try for you."
The next day, at school, you made an effort. You didn’t flinch or pull away when Edward’s hand brushed yours in the hallway. At lunch, when your shoulders touched, you didn’t lean away. It wasn’t dramatic, just subtle adjustments. But Edward noticed, and so did the students. Jessica’s glances faded, and the other boys who had started to hover around you backed off.
For you, the need for touch would always be secondary. It wasn’t how you measured your love, and it never would be. But for Edward, it was everything. And for that reason alone, you would keep trying.
k still don't know how im gonna post the videos (YouTube? unlisted?someone please help) but I can't sleep so I thought it'd write down whatever I remember happening!
(edit: here's the full recording! )
Becky and Joe walked on stage wearing sunglasses and red leather jackets and threw 3 of the trio plushies into the crowd. didn't get one unfortunately but it's really cool some people got free plushies :)
they made this robot child called the Inspiration Child, who's clearly meant to be a nod to ai (can learn from our show and generate it's own content!)
they explained how they met (and had some dodgy animated retelling), and how they started with small projects like commercials and music videos, until they came up with designs of the trio (and a mysterious fourth fella)
they made the designs first, then made the set, then the song and finally wrote the script for creativity. red guy was just a red mop head with legs at first ("alien squid thing") but Joe put the red guy head on for shits and giggles once and Becky thought it was hilarious so they kept it in the show
they were really not expecting it to blow up, and when Sundance called because they wanted to show creativity Becky thought it was a scam caller lol
they talked about the kickstarter and the credit card fraud kid. the mailed him saying "hey maybe dont do that" but the kid didnt know how to undo it cuz he just found a website full of credit card information and went ham, so Becky and Joe had to contact kickstarter because people were pulling out of the funding because they thought the project was overfunded (kickstarter was very difficult to contact)
they also made (lighthearted) fun of nsfw fluffybird art ((no padlock 😔) "using OUR characters to act out their SICK FANTASIES" - Becky) and theorists, especially because most if not all of the webseries is just them fucking around.
Inspiration Child also says something along the lines of "wow what a cool show with a great message of how corrupt the media is. I hate the media!"
Becky and Joe had these rules to make the show as vague as possible (no pop culture references, no names, no swearing and way too much detail put into small things)(the duck guy drag queen absolutely obliterates the no swearing rule lol)
they talk about the pilot, how they focused too much on the story because they felt like they had to due to it being on the big screen now, and how it ended up ruining the atmosphere and such of the pilot. they did show the entire thing sped up but my phone sucks ass so I could not get it to focus correctly. I'll see what I can salvage so you people can dissect frames of your blorbo you're Legally Not Allowed To See (which is also the official reason we don't get the pilot)
also pilot concept art showed that Mean Steve is in fact just called Key
they showed a whole post-it wall full of ideas for the tv show. don't know how much I got on footage, but what stood out most to me were 2 episodes called Money and Christmas. Joe mentioned "clock in a wheelchair" specifically
also really fun fact. Becky made the Lesley suit during covid, and pretty much threatened Baker into writing a human character into the show to wear it. concept art also shows Lesley with a mask made out of the same fabric, don't know if this was part of the original suit tho
they showed Warrens old models (?). he was gonna be a wayy more ugly looking silicone pug-worm thing y'all got lucky with the bald fuck
lily and todney were directly based off of some cancelled show about two porcelain doll children with panda parents. do not for the life of me remember what it was called but Becky and Joe were very enthousiastic about it (UPDATE: Candy and Andy!)
international release of the show soon!
Inspiration Child talks about what he's learned and sings a little song, then generates his own dhmis inspired content of a cult meeting in a forest at night. the dhmis Discord server called this "potential new content" but I doubt it
3 cultists walk on stage, face the screen backs to the crowd, drop their cloaks and boom! drag queens!!!
they were not mentioned on the site or during earlier parts of the show at all so they were a complete surprise. I asked Becky about it later during the night and she said she really wanted them there, so she asked and they were excited to! hope this means more official content with them soon I love them
they dance to There's Three Of Us, then Duck lipsings the shredder song which turns into a techno remix while Red and Yellow dance during the background
then Duck and Yellow make out while Red tries to undress to the instrumentals of the Fucked Up Part of Creativity but can't get out of his suit on time before the song ends
the drag queens, Becky and Joe and the Inspiration Child walk around during the meet and greet later and I got signatures from all of them! except inspiration child he didn't have thumbs
the drag queens were so fucking funny. Duck adopted inspiration child and loudly yelled at everyone to "GET AWAY FROM MY FUCKING CHILD" (their duck voice is sooo good). yellow stood in a corner staring at a wall for like 10 minutes and red was constantly awkwardly hovering just outside the frames of pictures (and also could not see shit lmao)
Becky liked my shirt! (the one with the melting trio heads) said she handdrew it
I'll post the signatures and some more stuff tomorrow because it is. 5 am
edit Heres the signatures! yellow guys is Italian I think? and means hi I love you :)
(the liyskaen is duck trying to spell my name. they got pretty close)
people coming out of alien romulus with the opinion that it didn't make sense that the characters would act so stupid is so funny to me. don't make me point at the sign.
do you want to know the most horrific thing about them?
the lords did nothing to make them the way they are.
yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.
it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?
the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.
doing my anatomy study is fucking torturous bc every time i read some shit like “birds dont have a diaphragm” my brains like “hmmmm…… birdperson…..” and then i end up thinking abt him instead of studying
||. finally going to bed thinking about lore - keeper asgardians . thinking about how intelligence and wisdom are one of their favored traits. thinking about how thor is the best of every asgardian ideal . thinking about how he is wise . thinking about his street - smarts . thinking about how he is also knowledgeable in legends , lore , and folktale. he is adaptable . he takes this knowledge , adapts to it , and crafts himself into something stronger. he is ever growing , and one of those ways is how he seeks out knowledge , and knows well to keep a sharp mind on the tales told by word of mouth or written on a page.
sometimes i think about my spn oc and how i rewrote everything about amara to interact with the story i was trying to tell about her. there were some really neat ideas in that i need to recycle for something one day. like, in the show proper, they just let amara take over a human baby and that’s fine, but amara’s not Meant To Be Here. this entire universe is one constructed in her absence. saying she can possess a human body should be like saying if you took a person and sent them to a universe where 1+1=3, they could just figure out how to function within that.
which in story took the form of Amara being something that could not be Understood, only Rationalized. a force locked outside the narrative who could only get inside and destroy things if given a role within it. by the Winchesters as A Monster To Face. by Chuck as Wayward, Unreachable Sister. and by miss oc as. simultaneously a projected creature to be saved, an amalgamation of injustices done to herself (and others) that would never be righted but could be made up for by being a part of this. and as something impossibly powerful that could be both protection and purpose.
and the Darkness wasn’t any of those things, really, but to have agency in her own story required new shackles, but ones she was always straining against. she wouldn’t fit inside the confines of a human mind, let alone a body, at least not well enough to leave it Intact. like lucifer burning through nick, but Worse. because the burns were an expected outcome of skin not strong enough to hold him. humans were built for angels, some were built better and some worse, but they’re meant to work. putting amara in human skin should disconnect the skin and mind and soul from the reality her brother built itself, i think. slowly. bit by bit.
and at the same time, i’d gone and written the kind of wild scenario you really can only write for your thirteen year old mary sue, given that spn oc the part of herald/high priestess/failed vessel. which she pursued with wild abandon like that would fix anything wrong with her <3
in the end, running alongside the borrowed family theming of the original show was my own theme of “how much self-annihilation will you accept to make your point. are you accepting it, really. or are you seeking it.” not just physically, in letting something unmake the base components of what you are as it tries to fit inside you or in it constricting and suffocating itself beyond self-recognition to get inside in the first place, but, obviously, it’s supernatural, how much selfhood do you cede to your family. is it worth it.
it was interesting, if nothing else. let thirteen year old me cook. she had ideas.
someday i'm gonna write something about how futurama is such a rich series from a "literally all three protagonists are disabled in some way and parts of this show are such a disability power fantasy" perspective