#he should of died in the first war arc

[bibibbon]

I just read 426 officially, the todoroki family Endeavor congratulations selection sounded so forced.

"You've also been punished already... Can't you just stop now?" The f*ck? Objectively that's not true, the law hasn't punished him at all.

Many stories have cases of child abusers avoiding jail time (usually being disconnected from the family but whatever). But MHA puts a lot of effort telling the audience that Endeavor is well.. putting the effort and bearing a cross. So, when the obvious case of jail time is never brought up, the context of the dialogue sounds stupid. Especially when most of the chapter is in a jail.

Completely agree anon!!

I have said this before but i will say it again I completely hate how the todoroki family arc was handled and I wholeheartedly believe that enji todoroki shouldn't of gotten either a redemption or an atonement arc at all.

Enji todoroki doesn't actually end up getting any concequences legally speaking that is when he 100% should of gotten them. Enji should of probably ended up in jail at the end of this arc for his history with child abuse and implied marital 🍇 however that isn't the case and he is simply allowed to do whatever Scott free in a retirement home. It also seems that the public don't actually mind enji and may tolerate heck even accept him even after what he did. This probably has something to do with him stepping up and doing his job as a hero so people may of let it slide which ISNT OKAY!!

In the end all that enji receives is karma and no actual punishments at all. Sure his family leaves him but he is free to do whatever and go visit touya which in my opinion is something that he shouldn't be allowed to do.

I have already said this but my preferred route for enji is to have him never be redeemed. I would of liked for him to die as a worthless and abusive father who never got to realise that maybe he should of changed as his own actions have caught up to him in the form of his own son touya. Enjis death in the first war arc would of ended up serving many plot points justice including his and this is by:

Having there be actual pressure for heroes and anyone in the hero industry that there is no number one and that they're all in danger

Give more focus to the todorokis

Give enji what he deserved by having him taste his own medicine (dying by touyas flames would of been ironic)

Also drive the touya and shoto role because when enji dies there will probably be mixed reactions and some would glorify his last actions

Allow for characters to get more agency that was suppressed to humanise enji like the Rei and hawks

Parallel his arc with bakugo which would make bakugos redemption more impactful (if bks redemption is done right that is)

But yeah it's such a shame that a big plot point in the series ended like this and to be honest I feel bad for touya who just has to slowly suffer and die at least Shigaraki had the mercy of a quick death (I still hate both their endings and hori flopped so badly)

[sunderwight]

Scenario where PIDW Bingge had something like the fucked up baby dimension from Fire Emblem: Fates for handling his kids.

For those who haven't played enough Fire Emblem games: in Fates you can hook up various characters who will, once they've bonded sufficiently, get married and have children. Because there is a dangerous war on and nobody has time for childcare, these babies get sent to various pocket dimensions where time moves differently, where they are raised by servants. They then reappear in the story as adults (mostly) who are also just like, barely younger than their own parents. This is of course hilariously fucked up, for even more reasons than what a simple overview can convey, and it's also just kind of shrugged off by the narrative despite the many, many bewildering implications involved.

So I'm imagining Airplane stealing this whole concept and sitting down to write about Bingge sending all of his children away in order to protect them from his enemies or whatever other excuse, creating special nursery dimensions with Xin Mo only to not really spend any time with his offspring at all, resulting in a lot of them growing up extra fast and reentering the story as adults at wildly unpredictable intervals (i.e. whenever Airplane feels like it without having to remember the timelines involved because *waves hand* time passes differently in the different dimensions too). For the daughters, this just gets them married off into alliances (if they're even mentioned at all, because Airplane doesn't want to write incest and there's basically only one reason female characters get mentioned in this story), but for the sons, this usually has them showing up as upstart challengers to their father's throne. With a conclusion, generally, of them getting their asses kicked and then being sent back to their pocket dimensions with their tails between their legs (Binghe killing his own kids would be too reprehensible, after all). Sometimes (rarely) they become loyal generals. One or two have died to fuel revenge arcs. The protagonist halo extends only limited benefits to his kids.

Anyway, Shen Yuan of course reads all of this and absolutely hates it. What do you mean Binghe doesn't even raise his own kids?! What do you mean even their mothers don't?! Shen Yuan understands that Luo Binghe is an important guy with important things to do, but handling it this way makes it impossible to even consistently visit his children on their birthdays! They'd be having birthdays every day because they're all on freaking Narnia time! And of course his sons keep growing up and trying to overthrow him, surely Binghe himself should appreciate that under these conditions, his children are going to see the servants raising them as parents more than some distant emperor they've never met...? Not to mention, if time moves quickly in these dimensions, theoretically Binghe could just stay there with his kids himself and not have to worry too much about things changing in his realm, because only a few months would pass there! He could have it both -- spend plenty of time with his kids and not worry about neglecting his responsibilities! So why doesn't he do that?!

The answer (never actually provided by Airplane) is that Bingge doesn't really feel a strong connection to his children, and because of his reverence for his adoptive mother, he thinks that giving them peaceful lives with simple people to raise and love them is the kindest thing he can do for them. If he could have had an idyllic childhood with his mother in a place where nothing could harm him, he would have never sought power at all.

But of course, Binghe's kids aren't thinking "oh gosh yeah my humble childhood in a magic dimension was much better than starving on the streets!" because that wasn't ever going to be their fate in the first place. Instead they all develop varying complexes about being sent away by their impossibly remote father and his giant harem.

Possible fic ideas involving this setup:

-Bingyuan where Shen Yuan transmigrates into the intended tutor of one Luo Binghe's most troublesome sons. SY arrives in the baby dimension and immediately bonds with the little Luo, gets really mad about the whole situation all over again, and when Bingge shows up for a rare visit, rips him a new asshole about it. Romcom shenanigans ensue.

-Scenario where SV's Shen Qingqiu and Luo Binghe decide they're ready to adopt, and SQQ figures out a back door into PIDW Binghe's baby dimensions and just sort of, ehm, borrows some of the children he knows had really bad times in the novel (not all of the idyllic upbringings worked out, there were instances of the dimensions being attacked and the servants there being killed and etc). Bingge eventually finds out. Dramatics ensue.

-When PIDW Binghe tries to summon a Shen Yuan of his own to the PIDW world using Xin Mo, it accidentally creates some stability issues with the baby dimensions. Shen Yuan get teleported in and out of these dimensions instead, bonding with the kids there to various degrees, only to be swept away every time Bingge tries to use Xin Mo to find him again. A handful of years later, a bunch of new Heavenly Demon scions emerge as adults with the Luo family's Shizun Complex in full swing, right around the same time that Bingge finally captures Shen Yuan. Hijinks ensue.

[thenationofzaun]

Thoughts on Act 1 of Arcane Season 2

The positives:

- The animation is fucking incredible.

- Jinx and Sevika teaming up watered my crops and cleansed my skin.

- Underwater goodbye with Jinx and Silco. That scene was made specifically for me.

- Jinx's voice actress continues to be excellent.

- Loved the designs of all the Chembarons. The glimpse we got of the gang wars was also interesting. Unfortunately, too tiny a glimpse. Which brings me to...

The negatives:

- Too many plotlines. They stuffed the season with too much shit which is why each individual plot gets a much shorter screentime than it should. Smeech is introduced and killed in the same episode. Chembarons' gang wars, a huge issue which has repercussions on the entire Undercity, gets only one musical montage before moving on. And this is coming from someone who loved that montage, as well as the song. My favourite on the soundtrack so far. But musical montages shouldn't come at the expense of the story and definitely shouldn't replace the story. There are just way too many music video scenes in general that feel like a way to condense a storyline into the sparknotes version because they don't have the screentime to flesh it out. And they would have the screentime if they cut out all the extra stuffing. Look I'm happy for the League fans who are excited for the Black Rose and all that, but what the hell is it doing in a Piltover/Zaun show. And with zero foreshadowing in Season 1 too. It would definitely be easier to swallow if they had at least hinted at it in the first season. They could have kept Ambessa's beef with this magic cult for a Noxus show. The P/Z narrative has enough to deal with, enough characters to handle already.

- The new side characters are uninteresting and generic. Maddie and the two other enforcers (we don't even know their names after three episodes LMAO) are bland. We know nothing about their characters or personalities. Maddie looks like a rookie, and one of the dudes is an alcoholic, yet they get chosen for an elite strikeforce to capture Jinx? Isha is pretty generic too - the token cute kid that needs protecting. I get the role she will play in Jinx's arc. But that's the problem - she should be a character in her own right, not just a vehicle for someone else's character development. A good example is Mylo. He died for Jinx's arc, but when he was alive he was a distinct character with his own personality. We had a sense of his insecurities, his goals, who he was as a person. Name a single personality trait of Isha and Maddie other than "generically nice person". That's right. You can't.

- Whatever the hell is going on with Viktor. He wakes up from his coma and immediately rejects Jayce so quickly that it was funny. Apparently disapproves of Jayce using the Hexcore to save his life, but then immediately goes to use the Hexcore to save random Undercity people. Bruh. I also don't really like the way the fridged woman from last season seems to be his motivation so far. Nor the way he seems to have no agency in his Machine Herald arc. Instead of Viktor himself believing in transhumanism and mechanizing himself, Jayce does it for him. Instead of Viktor having an ideological drive and wanting a "Glorious Evolution", he is driven by guilt over Sky. Meh. Also he's not even mechanized, instead he's weirdly fleshy?? In a magical way?? More like The Magic Herald :(

- Vi. Her whole character is a mess. Insanely rushed arc which I find unacceptable for one of THE main characters and one of the faces of the show. She and Jinx are supposed to be the leads, their relationship the heart of the story, but so far only Jinx is a well-written fleshed out chaacter with a believable arc. I have too much to say about Vi so I'll expand more on this on another post.

- So much nuance and detail is missing. How does Heimerdinger feel about his ex-colleagues being killed? Does he care? Does he feel guilt? Relieved that he wasn't in the chamber when the bombing happened? No clue! Let's have comedy Mission Impossible instead! How does Ekko feel about the Council attack? Does he approve of it? Think Jinx went too far? How does he feel that she even survived their fight to begin with? No clue! Here, have him joking around with a Councilor for a bit (someone whom Ekko logically should despise), then he can talk Science with Jayce and all three get sent to another dimension together. Yay. What does Vi think happened to Ekko? The last time she saw him, he was fighting Jinx to the death to give Vi and Cait time to escape. He could be dead for all she knows and she doesn't give a fuck. Doesn't even think about him nor mention him once. It's like the writers forgot they're childhood friends. What does the entirety of Zaun make of Silco's death? I assume they heard about it from Piltover (who heard about it from Caitlyn), but how do they think it happened? His body is gone and to Zaun it seems he just mysteriously disappeared. Are there conspiracy theories? Conflicting accounts and rumours? So much nuance that would give the world and characters more depth, sacrificed so we can pack in more rushed subplots and music videos.

- Caitlyn "Wifebeater" Kiramman. And Caitvi in general. So far Caitlyn has guilt-tripped Vi, manipulated her into joining the enforcers, insulted her and then physically abused her. After Vi sacrificed everything for Cait, wore a badge she hates for Cait, even let Cait kill her own fucking sister (and only intervened when the random kid got involved). Why should I give a shit about such a one-sided relationship lmao. "B-but Cait's mom is dead so she's sad about it", every other fucking character in this show has dead parents. Half the cast has faced unfathomable amounts of trauma and pain that make Cait's pale in comparison. Nothing justifies her hitting Vi. "B-b-but it's a parallel to when Vi hit Powder", a shit parallel then. Because the circumstances are not even remotely comparable. "God forbid lesbians do anything🤪", give me a break with this corny bullshit. Be serious for a second. I'm not even a Vi fan and I think she deserves better than this mess of a relationship. The power dynamic between them makes it worse. The way Caitlyn is one of the richest people in the city and Vi is broke. The way Caitlyn is highly educated and Vi never went to school and spent her entire teen years locked in a box. Did the writers think about all this when writing their relationship? Keep in mind, Vi met Caitlyn like a week ago. She barely knows this chick. She's been out of prison FOR A WEEK. Where she was physically abused every fucking day. Putting her in a relationship with a cop who hits her would certainly be a choice! Do I have faith this show will handle it with care? Not really, no. They already ignore Vi's prison trauma. Most likely they will make Vi forgive Cait way too easily because "muh mummy muh grief".

[arceus-insanity]

So When Did Things Start Going Down Hill

I don't mean everything is shit after this, but things looking back started getting (steadily) worse starting with. Check bottom for more indept view on each option

A) at first I wasn't going to include this one as it happened before most of what I considered shit started happening, but with how much it blatantly favours this lazy-ass child abuser, how could I not include it. And of course, it shows so much evidence that he hasn't changed at all, like only even offering to teach Midoriya and Bakugo to manipulate his favourite victim Shoto

B) when it first happened I was devastated but expected this to lead to greater change to the hero system and society. But no, just a meaningless footnote to the heroes epic battle

C) literally no one questions how a top hero was just so eager to kill someone, or buy a wife, breed her, abuse & neglect his kids to the point one of them was believed dead. Only citizens whining about how Dabi is bad for them

D) here's this apparently big shot hero from the States we've never heard of before and immediately dies. If they wanted to keep Shigaraki from having too many powers they could of just chalked it up to the heroes interupting the process

E) the Todoroki family all blames themselves, this isn't to go into the complexity of abusive households, but to absolve Endeavor's responsibility and guilt. Despite the fact that as the one who created and was in control of this situation, he should be held accountable for theirs as well. The only backlash for his shit is framed as ohh poor Endeavor, he didn't mean for the child he threw away to create consequences, and now people are being mean to them

F) what was the point of this arc? Deku barely asks a villain three questions before giving up. He learns the HPSC had Lady Nagant acting as a secret assassin against any undesireables for them, covered up her arrest and got a replacement assassin (Hawks who has at least one confirmed extra jurdical murder under his belt). Witnesses an innocent woman get attacked for her appearance and was turned away from multiple shelters for said appearance. Deku: Hero Society is the Best, Nothing needs to change, because not every single apple in this basket is rotten to the core! Looking back he just looks worse for this

G) so this child, who due to his parents mistake was blackmailed under great threat & risk, into giving information to the blackmailer, deserves to be chained up and forced to take further risk by the heroes. Remember Endeavor never faces any consequences, nor does Hawks, but this child, Yuga, gets treated like this.

H) once again what was the point? How does Edgeshot know he can do this? How does he know how to do this? Why is he a top hero who has never interacted with Bakugo before this, sacrifices his appearing to be unharmed self, for a random hero student in the middle of a war? Oh and Edgeshot is revealed to be alive at the end of the manga, because Heroes have no consequences and live in magical fairytail land. Again what was the fucking point!

I) This was originally going to be two points, Oh poor Endeavor, victim blaming part 2 and the hospital battle. But I ran out of options and Endeavor doesn't need another personal option. So we got the whole Todofam blaming Dabi/Touya this time, and Endeavor being a whiney responsibility dodging coward again. Then we see the heroes knew that the villains were going to go after Kurogiri, kept him in a hospital. We see that the people aren't going after doctors or patients just trying to get to Kurogiri, get demonized for it. We have victim blamer/ pick-me Tentacole say that their kids will be attacked for this (already happening), and that it's up to them/ him to inspire the violent quirkests to not constantly attack, assualt, and otherwise discriminate against them, no need for the quirkists to be given any responsibility or consequences for their own actions. Oh and Spinner has major brain damage because how else was Tentacole supposed to win this arguement. Bonus points for Hawks calling for Toga to be murdered, doubling right back down on his previous murder

J) in this already overcrowded 3rd act lets make sure all these background characters get a scene! And despite the fact it took years for Deku to get a powersuit in the epilogue, All Might just randomly gets one, no build up or anything. AFO's backstory is left in the past so no one has to consider anything

K) I had hope going into this, but at every turn they kept on making it worse. Deku only tries punching and attacking, rather than make any attempts to actually talk unlike what Shigaraki has been doing since his introduction. Is randomly able to enter Shigaraki's head, doesn't have to see just how fucked Hero Society is as it gets cut short by moral scapegoat AFO coming in and revealing he orcastrated everything! Oh and he flat out kills Shigaraki. Living up to his name and not his goal. Deku that could my ass

Sorry if this comes off as super negative but I've been wondering this for a while, and well I'm pissed at the ending. Here's some people I want to hear the opinions of:

@moodyvoid @nagitosstolenhand @codenamesazanka @shortstrawberryshake @darkonekrisrewrite @nothingofinterest @itsnothingofinterest @villainsandvictimsalliance

Feel free to @ more people

[yonkokraven]

Horikoshi is a terrible writer

God, I wish I was kidding, these last couple of days I've been analyzing the whole damn manga and I finally understood where this guy is going with it and how it fails.

I'm going to make the post with spoilers and talk in random order about different things that he fail at, because honestly it's unthinkable to make an order in this manga chaos.

The League Without Goals:

I really can't understand how people look at this group and say "they have a plan" or "they're good antagonists" when neither of those things are true.

The league was founded by Tomura wanting to show the world that they live in a false peace, at first he wants to kill All Might for being the symbol that brought this false era of peace...

The claim is fair, I'm not going to lie to you, but after the Stain arc, instead of reflecting on how he can show the danger to society, he goes a step further and decides to destroy all the heroes, and the league "adopts" Stain's mentality with its new members.

You think it could improve, I mean, here they should tell us the reasons of the new members of the league about their mentality towards the heroes, but no, nothing, absolutely nothing.

Dabi introduces himself stating that he's there for Stain, Toga too, Spinner obviously too, but they don't reveal why they agree with Stain.

As time goes by we see glimpses of everyone's personality and past, and the first thing that comes to mind when I think back to the entire history of the villains, is that they don't have a group spirit here, in fact, not even a hint of personalities, Dabi and Toga are serial killers, Spinner is a mutant and Compress is a thief. Twice is a disturbed guy who lost his place in society by no longer being able to control his quirk, but he also has no qualms about kidnapping and killing children and god, Magne, Mudstard, Muscular and Moonfish are forgettable

The league's goal changes from "Show society the false peace" to "Let's do whatever we want" after the liberation army arc, here there is no direct reason, but Tenko says that he wants to destroy everything that breathes.

They show us their pasts but there is not really a more appropriate answer to "these people are crazy"

Spinner, who is the one with his head on his shoulders, should question why but he doesn't, He don't tell us what he wants to do other than "follow Shigaraki", and then in the final war they put him almost into a Nomu and leading an army of mutants without any plan of what to do when the world is his, there are no community plans, nothing, just find Kurogiri and destroy Japan.

Toga was deprived her entire life of living the way she wanted and she wants to do that, but when Twice dies she wonders if the heroes don't see her as a person when she can't even wonder why the heroes would see her that way, she kills people and animals without any shame and is plotting to destroy the world.

Dabi wants dad's attention, that's why he's going to destroy everything dad built including his mother and siblings, but he could go one by one, first Natsuo, then Fuyumi, then Rei, then the "Masterpiece" Shoto, or better yet, broadcast the video of Endeavor after the battle against High-End Hood, but instead he waits for the damn climax of the story to try to detonate himself. Not only could he have saved Twice and didn't, but he also has reasons to follow Stain but still sticks to "let's kill whoever gets in our way"... and that's it.

Tomura already came to this story in an extremist way and has reasons to hate society, at the beginning of the story I thought his motivation was going to be to reveal the imperfections of civilians and heroes, but his motivations grow to commit acts of terrorism to ACADEMY STUDENTS. And they are not even varied, it is the same academy and the same damn class

And when I thought that Horikoshi could not make it any emptier, AFO reveals that he always planned to take his body and orchestrated everything that happened to Tenko. AND THE WORST THING IS THAT HE DOESN'T EVEN REFLECT AFTER THAT, IF IT WERE UP TO HIM HE WOULD DESTROY EVERYTHING ANYWAY.

How do Hori expect me to feel bad about their defeats and deaths? They literally grew up in the opposite way to how they should have, and that's when I realized: Hori didn't want to give this group of clowns any redemption at any point.

Before you ask me "then why did Horikoshi make Midoriya, Uraraka and Shoto want to save them?"

No, here Horikoshi is writing 2 things, but he writes them so badly that the fandom interprets something totally different:

1-A hero is a human being, and villains born in their mistakes: The members of the league, if we look at their origins first, arise from the fault of people (not just heroes

Toga must be one of many who has their biology affected by their quirk, at no time do we have reference to the fact that there are specialized centers to help this type of people, because if that were the case, her parents would have accompanied their daughter in that way instead of repressing her.

Spinner is a mutant, so he hasn't grown up in a conventional way (as we're told, he was always alone). But that's the incomplete picture, being a mutant and following Stain's ideology, you add 2+2 and notice that Spinner suffered mistreatment even from heroes, but it's something he doesn't mention, and Horikoshi didn't delve into either his history or the mutant plot.

Dabi is the son of an arranged marriage (know how to differentiate it from a forced marriage) and that's already a lot to say, but his origin resonates with Stain's words about heroes only seeking fame and power. If the top heroes didn't exist or worked differently, things in the Todoroki family would have been different.

Tomura is the mark of an imperfect society, as his problems are not only his own, they come from generations ago. His grandmother left his father for adoption after his grandfather's death, and there is already a big red flag about the safety between heroes.

Then, his father grows up hating heroes because he never knew about the danger that his mother and he were in. And he hits his son every time he says the word "hero" just because he never knew how to properly deal with his father's death or his mother's abandonment.

And after what happened to his family, people look the other way hoping that a hero might appear, when that is not the job of a hero, it is something that everyone can do. Tomura marks the total and combined result of a society that has made heroes into nothing more than a service instead of people, while people simply go on with their lives.

Society in general after the dawn of power remains the same: discrimination, power and ignorance continue to be the daily life of people.

The biggest problem? is that Horikoshi shows us the league at first wanting to point out these injustices, but little by little they get to "let's destroy everything because Tomura is upset."

2- The origin of true heroes

The arcs that resonate the most with the soul of the manga are Uraraka and Hawks' arcs, two of which in my opinion are the best in the work

Uraraka enters the academy with the wrong intentions, but her heart is in the right place, she wants to help people and little by little she realizes something that many people ignore, that heroes and villains are also people.

Hawks is trained directly in the commission as a human weapon, but he does not fight against this because his desire is to be a hero, as he grows up between so much training and work, he realizes that despite being a hero, he is not allowed to be a person, and this is reflected in all the other heroes thanks to his phrase "I just want a world where heroes have free time"

Uraraka is the one who initiates the change to society by asking the civilians to let Midoriya rest in the academy, the civilians are scared but notice for the first time that the heroes are not in good shape either.

And they are not even heroes yet, they are children who still have the spirit to stand in front of the bullets when they should be crying for what happened, they lost teachers and classmates, in addition to being mutilated by people older than them.

In these epilogue chapters, civilians and heroes began to work shoulder to shoulder after this event and the battle in which Midoriya gave his all to prevent everything known from disappearing, and he succeeded by very little.

In chapter 429 we see a child who escaped from hell, and for the first time a civilian helps someone without having to request support from a hero, and it is the same woman who did not help Tenko years ago who still carries the guilt.

But what is the problem with this point?

Two small details, one being that Horikoshi isn't giving dialogue to those who started this change, and if he did, he did it incorrectly.

Uraraka feels bad for not being able to save someone who didn't want to be saved, when she doesn't reflect on how Toga got to that point of no return, or what made the heroes get to where they are now

Midoriya calms her down by telling her that she's his heroine (which isn't bad at all) but it's a very short dialogue for two characters who saw through all the flaws of this system and fight to change that same system for the better.

and Hawks is in a position to restructure the hero system for the better based on the things he knows, taking a correct step in creating a Top that is defined by the actions in the place of power... BUT YOU DIDN'T ELIMINATE THE OLD TOP? ARE YOU SERIOUS?

And now I know why he doesn't do it, because of someone who has taken up more than enough pages in this work, the damn Katsuki Bakugo, another damn symbol of the old society that glorifies power over heroic actions.

Horikoshi himself didn't know what to do with the character beyond the first tests arc and HE SHOWS IT, because it is so contradictory with this character and everything that surrounds him in a disgusting way and the fandom doesn't want to accept it.

He literally doesn't get any attention when he does wrong, when he attacked Kurogiri with Kirishima, when he acts arrogant at the sports festival, when he hits Midoriya at the final exams and verbally abuses him in front of everyone, when at the camp he ignores Mandalay's instructions.

There is only one consequence for him in the manga, ONE, AND THAT IS THAT HE FAILS AN EXAM AND THAT'S IT.

Then he has a nervous breakdown saying "it's my fault that All Might retired" when he doesn't reflect on the danger he put his teammates in or the way he acts.

Here everyone is useless when it comes to Bakugo; Aizawa lets him go with a pat on the arm when he tries to attack Midoriya, 13 should have reported Bakugo and Kirishima to the principal after Kurogiri, Aizawa justifies Bakugo's behavior to heroes who are obviously outraged by his attitude during the festival, All Might ignores that his disciple bled from a punch from Bakugo and also that Bakugo almost killed him in the team tests.

When he is kidnapped, no one points out that he disobeyed a direct instruction in an emergency like the camp, instead Aizawa grabs a microphone and says "He's a great hero."

And in the provisional license exams, the Commission should have intervened and called him to attention, or at least Aizawa, but NOTHING.

Horikoshi makes him absent for a couple of arcs and then Bakugo reappears at the cultural festival where he doesn't change a cent, he just plays the drums, then he passes the provisional exams making the minimum effort possible while Todoroki, Utsushimi and Yoarashi do all the work with the children, and he tells the leader of the children "don't be an idiot" and that's it.

Then the Endeavor arc, he sneaks into Midoriya and Todoroki's internships and disrespects half the world, again without consequences and his appearance in this arc is to justify the disaster of power increase in the next arcs, wasn't it that he had already mastered his quirk? wasn't he a prodigal?

Then there's the war and he only serves as a human shield, receiving a lethal wound and SURVIVING to then wake up in the hospital and ignore that everyone is injured or in mourning and start screaming.

Then in the Dark Deku arc he mocks Izuku who is at his lowest point and makes the emptiest apologies I've read in a manga, with an apology comes a change and HE doesn't change.

His death and resurrection is totally useless to the plot other than to nerf (not kill) Edgeshot, who turns from a paper man into a surgery man to repair his heart and vital organs that are shown to have EXPLODED BY SHIGARAKI'S PUNCH.

He gets up and fights All For One at his weakest point and eliminates him, which has no real value because AFO then possesses Shigaraki anyway. And to make this more regrettable Bakugo KILLS KUROGIRI WHO WAS ON HIS SIDE.

What makes me the most angry is that Izuku is losing OFA and HE IS THE ONE CRYING

At this last point Midoriya has already completely lost the spotlight because Horikoshi never tires of inflating the Gary Stu that is Bakugo. And God forbid Midoriya to do even a little of what Bakugo did.

Midoriya at the end of each arc has no recognition, in fact, the recognition that Horikoshi gives him is reduced as the arcs go by

The story started with Midoriya saying that this would be like him "he became the greatest hero" and in the last arc he changes it to "we all became the greatest heroes" and it doesn't feel like a true victory once they achieve it, because Midoriya is not even the shadow of what he was.

With Horikoshi's decision to preserve the previous Top of Heroes it is obvious that he will give it to Bakugo, it is a worthless title because it is not defined by heroism, but by statistics that come from power and solved cases.

and this last one ruins Endeavor's ending even more

Speaking of Endeavor, he doesn't have his family anymore, he already lost his position, he's disabled and his money won't be his anymore, since he's going to put it at the disposal of his children. I was wondering if Horikoshi would make him face something legally but with everything that's happened I think it would have been the same result, with him paying monthly damages to his family.

and his family, god, what a family.

Rei needed more introspection and perspective on the situation, especially with Shoto and Touya if she was going to be included in the final battle. And yes, she stays with Endeavor, good for some and bad for others, but I want to know what led her to that, Horikoshi didn't justify it.

Fuyumi was fired not because of Endeavor's abuse, but because of the things Touya did. Again, this information is useless without a proper explanation. What information do you want to leave me with, that she got a new job? Will she work at the UA library or what?

Natsuo will be a Kotaro 2.0 because of his attitude, and honestly I never really liked him, especially because he didn't put any energy into getting to know Shoto or trying to reconcile with Touya after the final battle.

Shoto... poor Shoto, it feels like he was orphaned after the last family talk. In fact it feels disconnected from the story since the Dark Deku arc.

Well, I only have to talk about Eraser, because I already pointed out everything, empty villains, Midoriya's lack of introspection, Bakugo Katsuki's superfluous character... and there's this incapable who must be Horikoshi's self-insert.

Shouta Aizawa, aka Eraserhead, underground hero and the worst teacher in the known universe.

This guy never knew what he did, and just like Horikoshi, he tipped the scales towards Bakugo in every situation he could. He forced his students to give their all, but he didn't help at any time in the evolution of their powers... WHILE HE WAS TRAINING SHINSO.

He's not a teacher, he's just a security measure in case a quirk gets out of control, nothing more, and he even does wrong, he ties up students with his capture weapon and attacks them with his quirk threatening expulsion in any situation that bothers him

Present Mic points this out and many other things but is continually silenced by Aizawa and the fandom, even worse

The Fandom ships them.

and since we're mentioning the fandom, this is one of the worst fandoms in the universe.

90% of them seem to have gotten the story wrong and don't have a cent of criticism towards Bakugo or the league, and don't value the moments of the manga in the proper way.

There can't be a second without them believing that this is Shoujo, because they focus on Bakugo and Deku in the same panel and take it completely out of context (a bad habit that Rukasu created by translating the leaks absolutely wrong on purpose).

Now everyone is angry with Horikoshi not because he wrote a story in the most absurd way possible, but because the league of assassins did not have a happy ending and they just discovered that this was never a shojo.

Horikoshi was right to fear that the manga would be cancelled, because he clearly excels at drawing, not writing. Now we're getting a fan-made Attack of Titan Requiem 2.0 of Bakugo and the league making this twenty times worse than it already was.

I've also noticed that there are some creative people who are writing arc by arc either on tumblr or ao3, which gives me some faith that this nightmare is bearable.

Well, I read opinions, but not from fans of Bakugo, BKDK or the League of Villains.

[wangxianficfinder]

Fic Finder

Nov 14th

~*~

1. Hello, I am looking for a fic that I think is wangxian. It was based on the ballad The Highwayman, and it ends tragically. It should be a complete work. Thank you!

Found by asker as a Star Wars fic -

Nov 14 #1 requester, I think I’ve found it but it’s a Star Wars fic. If a wangxian version exists, I’m happy to have it, but I think it’s solved. Always fun separating out the fic memories from a fandom obsession transition period…

~*~

2. I hope you can help me find this one. It was a Twitter threadfic. In that LWJ proposed to WWX but WWX said no because he didn’t believe in marriage. They go to a wedding and the groom gets cold feet but LWJ helps him. Seeing that made WWX want to marry him but by then it was LWJ who changed his mind and WWX was heartbroken .

~*~

3. There was this fix where wwx was a funeral arranger? Or something like that and lwj and wwx established relationship but then madame yu and her husband died and it focused on like grieving and stuff, there was also yanli and jiang Cheng and showed like the sibling bond I can’t find it I been trying for ages now

FOUND? grave goods by luckymarrow (E, 28k, WangXian, Grief/Mourning, Minor Character Death, Modern AU, mortician!wwx, Angst with a Happy Ending, Established Relationship, Accidental Baby Acquisition, Marriage Proposal, abrupt tonal shifts, Tragicomedy, Comedy, Romance, Angst and Fluff and Smut, Adoption, Implied/Referenced Abuse, for lan parents, it’s not described and is all backstory, Family Bonding, Family Dynamics, Married WangXian, brief daddy kink, the barest hint of consensual non-consent, Anal Sex, Oral Sex, BDSM)

~*~

4. Hello! I'm looking for a couple of fics I lost sight of a long while ago!

A) The first one took place during the Cloud Recesses Arc: all the swords are stolen at night by 'Wei Wuxian' who is later found badly injured in the forest. He had been attacked by the future Wei Wuxian/ Yiling Laozu.

B) The Second One took place after the Siege, and I'm pretty sure the spirits of the Wen Remnants attacked others? I don't remember much about it, I'm sorry.

Thank you in advance and I appreciate your service a lot

4A)

FOUND? For the Dust and the Dirt by Nyxelestia (M, 63k, WIP, WangXian, Canon Divergence, Time travel Fix-It, Cloud recesses study Arc, It gets worse before it gets better, WWX Whump, Hurt/comfort, Angst, Eventual Happy Ending)

~*~

5. Ok hi sorry can’t remember much but school in tilling WWX is teacher there LWY moves there to teach also become friends a misunderstanding make WWX not speaking to LWY after LWY follows a Yao and finds WWX fighting it on a rooftop they defeated the Yao and LWY asks WWX “you’re wearing crocks?” WWX is that what you are going with …, or something like that

As always THANK YOU for all that you do for us 😁 @bkpmystinen

FOUND? An Unscheduled Stream by trippednfell (M, 68k, WIP, WangXian, Modern AU, Modern Cultivation, Misunderstandings, BAMF WWX, BAMF Wen Popo, WWX cultivates resentful energy but keeps his golden core, WangXian Get a Happy Ending, Presumed Enemies to Lovers, Not Yunmeng Jiang friendly, Time Skips, Dual Cultivation - Not the Sexy Kind but ALSO the sexy kind, POV Multiple, Hurt/Comfort, Horny wound tending) I'm not sure about the crocs bit, but WWX and LWJ definitely end up fighting yao on the roof of the school.

FOUND? Roadside Attractions by Bodldops (T, 10k, WangXian, Teacher WWX, Teacher LWJ, The power of organized aunties)

~*~

6. Heyy! I'm looking for two fics:

A) Omegaverse, modern au, wei ying is an omega and jc is an alpha and wy lives w the jiangs and i think there's this sort of expectation that he's gonna marry jc or atleast that's what jc wants, but wy gets pregnant by lwj and moves out after a fight then yeras later lsz and jl go on a date and that's how wy and jc meet again, cos jc's there when wy goes to dinner to meet jl's parents and uncle and turns out its the jiangs obviously, and basically jc's really stalkery and jealous after that but lz protects him.

B) modern au, omegaverse, lxc goes to pick up lwj from school and finds out a kid jc is his mate. he's disgusted and goes away for a while. when he comes back jc is older now. i don't remeber much but wy and lz are the side couple and wy is a beta as far as i can remeber, and there's a scene where jc wakes up in the hospital and wy and lz are kisisng and jc's kinds like fucking finally yk but yea!

Thank you! Love you guys!!

@body-inabyss-heart-inparadise

6A)

I recognise the fic though I can't remember the name. The author deleted all their works from AO3 a few months ago, if I recall correctly. I know it's also been on other fic finders.

FOUND? 6a is Meant To Be (But Not That Way), dm me ~dripping-moonlight

~*~

7. Hello,

Ficfinder request.

Modern but with magic or cultivation. LWJ is a magical creature(?) hunter working for some kind of agency to protect humans.

The rest of the sects(from my memory) are families of magic creatures(?) but WWX has some kind of ‘half-breed’ status so when he goes through the magic/darkness detectors at LWJs work he doesn’t set them off.

Much of the fic is from LWJs pov but there is a great chapter from WWXs pov when he fully lets his powers out and we get badass WWX.

I feel like it was mdzs+ some anime but i don’t know which anime. 🥺 @empiresprince

FOUND? our reflections as seen (when the water stills) by chatonnerie (E, 121k, WangXian, XuanLi, Modern, Tokyo Ghoul Fusion, Blood, Canon-Typical Violence, This is a ghoul au, but everyone is also in university, so dumb energy is peak, Gore, Body Horror, Anal Sex, Anal Fingering, Biting, our reflections as seen (when the water stills) [PODFIC] by Opalsong) OHHH 7 IS THE TOKYO GHOUL AU IT’S SO GREAT AND ALSO THERE’S A PODFIC WHICH IS ALSO ABSOLUTELY AMAZING (I was too excited sorry for a million replies, but) It’s so good that there’s absolutely no tokyo ghoul knowledge needed, reads like a fun creature!modern!au kinda this way, has been one of my comfort listens for several years now

~*~

8. Hello, I am looking for a fic, where Wei Wuxian runs away from Lotus Pier, right after he was brought there and Jiang Cheng kicked him out and threatened with dogs (when they were children). I think that Wei found his father? Not sure, but I have a feeling that this fic was found here and I forgot to save it. Thank you in advance.

FOUND? 🔒 the world wags on by justdoityoufucker (T, 5k, WCZ & WWX, WCZ & LQR, WCZ/LQR, canon divergence, pre-canon, not everyone dies au, not Jiang friendly, past child abuse, canon Jiang family relationships, parent-child relationship, not YZY friendly, pre-relationship) has elements of the world wags on but it isn't a perfect fit.

FOUND? In Another Life by SingingInTheRaiin (M, 21k, wangxian, time travel)

~*~

9. Hi, I’m looking for a fic where after wwx is found during the sunshot campaign Jiang Cheng pretends his demonic cultivation is just the Jiang clan’s secret technique and uses that to keep the other sects off their back. I’m pretty sure it was from jc’s pov, and compared wwx, jc, and jyl to different bodies of water at the start of it (though I could be wrong about that part)? Thank you for the help

FOUND? Three kinds by apathyinreverie (T, 7k, wangxian, JC & WWX, canon divergence, protective JC, twin prides of yunmeng dynamics, soft WWX, smitten LWJ, worldbuilding, fix-it, golden core reveal, fluff, siblings) 

~*~

10. Hello! I'm looking for a wangxian reality TV fic. It's a dating show and lwj is a participant while wwx is his camera man. They try to keep their relationship a secret but by the end the crew discovers them and has wwx brought in as lwjs partner. I think lwj proposes to wwx at the end and that Mo xuanyu was involved as the participant who stayed the longest

FOUND? After the Final Rose by azurewaxwing (E, 55k, wangxian, modern, reality show au, secret relationship, fluff & angst, happy ending, bachelor LWJ, cameraman WWX, smut)

~*~

11. Hello! I'm so sorry to bother you but I've tried doing all my own searches and just can't find it. There's a fic series where Madame Yu cut off Wei Wuxian's hand before the fall of lotus pier and the Wen siblings took him in to help him recover. He ended up leaving the Jiang sect and starting his own and he and Wen Qing became amazing at making spiritual prosthetics. I know it's a series and I know I loved it but I can't find it anywhere! Thank you for your help! @queerlyloud

FOUND? 🔒 a star called sun by thelastdboy (E, 120k, wangxian, SL/XXC, JC & JYL & WWX, JYL & LWJ, WWX & WN & WQ, JYL/JZX, Canon Divergence after Xuanwu Cave, Fall of Lotus Pier, But worse!, Power Imbalance, It Gets Worse Before It Gets Better, Not Everyone Dies AU, Implied/Referenced Child Abuse, Canon-Typical Violence, Sunshot Campaign, Miscommunication, Heavy Angst with a Happy Ending, Slow Burn, Major Character Injury, Loss of Limbs, Chronic Illness, Seizures, WWX’s Three Months in the Burial Mounds, Wēn Remnants Live, Wēn Remnants Deserve Better, WWX Creates a Sect | Yílíng Wèi Sect, Additional Warnings In Author’s Note, Hurt/Comfort, Selectively Mute LWJ, Service Animals, Crows)

FOUND? 💖 from the other side of sorrow by Sour_Idealist (E, 127k, JC & WWX, JC/WQ, JC & WWX & JYL, JYL & WQ, WangXian, WWX & JYL, JYL/NHS, LXC/JGY, JGY & NMJ, JGY & WQ, Canon Divergence, Golden Core Fix-It, Golden Core Transfer, canon-typical family dysfunction, Torture, secondary character death, Canonical Character Death, Comfort Sex, Femdom, Choking, Cock Slapping, Cunnilingus, Series Context Provided, Under-negotiated Kink, Mentions of canon-typical violence, Clan Leader JYL, Sunshot Campaign, JYL POV, spiritual weapons, Sect Leader WQ, Biased Narrator, Slow Burn, sect politics, Trauma, D/s elements, Reconciliation Sex, Reconciliation)

FOUND? 🔒💖  in payment, a hand series by justdoityoufucker (M, 10k, wangxian, not jiang friendly, amputation, injury recovery, self reflection, abusive YZY, families of choice)

~*~

12. Hello! I started reading a Tangled x MDZS fic which I remember being pretty long. It was with lwj as Rapunzel and wwx as Flynn Rider. I started reading it but then decided I don't want to and now I regret it 😭. The part that I read was exactly like the start of the movie, with wwx complaining about how his wanted poster looked and all that jazz.

FOUND! we sit in the sunset glow by moonsteps (T, 36k, WangXian, Tangled AU, Fairy Tale Elements, Strangers to Lovers, Slow Burn, Curses, Sharing a Bed, Minor Violence, Traveling, Falling In Love) for the tangled AU, it sounds like it could be it starts just like the movie with Wei ying complaining to lil apple abt how he looks in his wanted poster😂

~*~

13. Hey buddy, Hope you are doing well!

I'm searching for a fic. The only thing I remember is just a scene. The cloud recesses is hosting lectures and and guest disciples from all sects are visiting. I think it is after the war with the wens. It's a cannon divergence I think. The scene I'm referring to is, two of the disciples are from Su She's (Su Minshan, I think the full name is) and the sect heir is just a kid below 10. At some point others makes fun of him and his sister when they present gifts at the beginning of the lectures and LWJ kinda defends them, I think....

That's all I remember. Thanks in advance! @grrumpywoof

~*~

14. Hello , I am looking for a fic where Jang Cheng dies instead of Jang Yanli at nightless city. Then she moves back to Lotus Pier and becomes sect leader, and lan wangji ends up living there too. Also, wei wuxian is brought back to life earlier, and by xue yang. lan wangjis back takes longer to heal.

Thank you!

FOUND? picking up the pieces by KouriArashi (M, 111k, JYL & LWJ, WangXian, Canon Divergence, Alternate Canon, Grief/Mourning, Angst, Regret, Family, Kid Fic, Families of Choice, Emotional Hurt/Comfort, Politics, Emotional/Psychological Abuse, Canon-Typical Violence, canon typical political bullshit, Eventual Happy Ending)

~*~

15. I'm in search of two time travel fics: A) WWX has traveled back to CR. LXC hears him playing dizi (wangxian among others) and recognizes it as something LWJ composed (possibly same fic, though I may be conflating details, he realizes in lessons WWX is pretending to be less skilled at the dizi than he actually is). B) LWJ travels back in time from right after the 30 lashes and ends up in the burial mounds early w/the wens, still seriously injured and bleeding through his robes. Thank you guys! @moku-youbi

15B)

FOUND! The Cottage Amongst the Gentians by Enigmatree (T, 5k, WangXian, LXC & LWJ, Time Travel, LWJ and WWX time travel from post nightless city to before jin ling's celebration, or, I give WWX back to 13-years-grief LWJ like he deserves, Hurt/Comfort, Feat. LXC being a good brother who'd love to know what the fuck is happening, WWX goes to Gusu with LWJ after time travel; the fic, Domesticity) maybe?

~*~

16. Hi I'm looking for a arranged marriage fic where lwj and wwx both are in love with each other but the marriage is arranged by their families. On the wedding day wwx overheard a conversation between lwj and his best friend who also have initials of ww the best friend had found a letter addressed to ww written by lwj confessing his love and think lwj is in love with him and he is trying to convince lwj to not marry and give him a chance. Their married life is full of misunderstanding.

FOUND? A Marriage Story by DeviyudeThoolika (E, 38k, wangxian, NMJ/LXC, married wangxian, but there are some complications, because it’s marriage, Sex is complicated, Angst and Pining, Pining while fucking, Mature elements, Mutual Pining, HEA, Arranged Marriage, Sort Of, Misunderstandings, of epic proportions, One True Pairing, Good Sibling JC, Good Parent YZY, Fluff and Angst, in that order, Slow Burn, Angst with a Happy Ending, Everyone Loves WWX, Angst and Hurt/Comfort)

~*~

17. Hello! I would like to ask for help in finding a wangxian fic:

Modern with magic

I remember that Wei Ying got injured in Xuanwu cave together with Lan Zhan. In the Lan hospital he was denied help because he was fired (?) from the Lan org and later received a bill to pay for expenses.

He is saved by Wens.

Few years later Lan Zhan and Lan Xichen seek his help in some kind of case. Wei Ying says something along the lines of "I don't work with Lans".

Later Lan bros find out it was Su She's fault in how WY was treated.

I would really appreciate your help in finding it! ❤️‍🩹 @popugaj-ara

FOUND? 🔒 Wish I could forget the taste of your skin and the feel of your hands pinning me down by KizuKatana (E, 63k, wangxian, WQ & WWX & WN, Modern Cultivation, weapons-grade thirst, Getting Back Together, Trying REALLY hard to not still like your Ex, but failing, BAMF WWX, BAMF LWJ, Canon Divergence, Case Fic, LWJ’s canonically big dick, sort of a ‘thirsting for your co-worker ex’ vibe, it eventually gets worked out, Mutual Pining, Guest-starring LWJ’s canonically poor communication choices after romantic cave encounters, novel canon relationship dynamics, basically this fic is about escalating sexual tension)

~*~

18. hi there thank you for finding fics for us

there is a fic where WWX is a teacher in Yilling and LWJ accepts a teaching job at the same school, they become friends and then a misunderstanding (not uncommon btwn them) WWX ignores LWJ LWJ follows a trail of a yao sees WWX fighting it on top of the school roof when landing he sees is WWX and then asks "Are you wearing crocs?" I think WWX tells him is a comfortable wear

please/thank you @mysticalyunique

FOUND? An Unscheduled Stream by trippednfell (M, 68k, WIP, WangXian, Modern AU, Modern Cultivation, Misunderstandings, BAMF WWX, BAMF Wen Popo, WWX cultivates resentful energy but keeps his golden core, WangXian Get a Happy Ending, Presumed Enemies to Lovers, Not Yunmeng Jiang friendly, Time Skips, Dual Cultivation - Not the Sexy Kind but ALSO the sexy kind, POV Multiple, Hurt/Comfort, Horny wound tending) I'm not sure about the crocs bit, but WWX and LWJ definitely end up fighting yao on the roof of the school.

FOUND? Roadside Attractions by Bodldops (T, 10k, WangXian, Teacher WWX, Teacher LWJ, The power of organized aunties)

~*~

19. hi this is for the fic finder! i remember the fic so well but i fear it may be deleted bc i just can’t find it in my bookmarks? so wwx after dropping off the face of the earth due to Wen Drama is a folk punk (?) musician along with wen ning and they live in a van, and jingyi is a huge fan, he drags sizhui to a show where they realize this guy might be lwj’s long lost best friend <3 call lwj over and they reunite, lsz is actually wwx’a bio child whom lwj adopted, they get to know each other etc

FOUND? your heart is a muscle by howodd5ever (E, 47k, WangXian, Modern AU, Pacific Northwest, folk punk, Adoption, WWX is LSZ's Parent, as in bio parent, WQ is LSZ's bio mom, brief mention of past wwx/wq hook up, chosen family, ljy and lsz are best friends, wwx is a folk punk singer, wn is a folk punk singer, Getting Together, Eventual Smut, fan boy ljy, protective big brother lxc, Happy Ending, I promise)

~*~

20. Hi! This is fic finder. A ghost WWX after the first burial moubd sige. His ghost is in YMJ. JWY makes WWX to teach. WWX trains JL. And then there are a conference in lanling where WWX goes too. Thats all i can remember. Thanks! @idontknowwhattowriteforusername

FOUND! Death of a Ghost by Gotcocomilk (E, 107k, Family Bonding, Fluff and Angst, Eventual Happy Ending, Canon-Typical Violence, Canonical Character Death, Mutual Pining, Parental WWX, BAMF WWX, he is a beast and I love him so much, Hurt/Comfort, Emotional Hurt/Comfort, Canon Divergence, Ghost Sex)

~*~

[stillness-in-green]

Not-Really Chapter Thoughts BNHA 424

You know, I really think there should be a point at which Deku rushing in with no plan and doing whatever he thinks feels right should become Heroic Malpractice.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and try to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have.[2]

And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

1: Dabi surely would have preferred to fight Endeavor from the start, and it probably would have been the more "just" choice if it had to be one or the other, but Shouto is the nominal focal character between the three of them, so, critiques of the broader Hero-side decisions aside, Shouto's arc has to come first. This is one of those places where you can clearly see how much the decision to let Endeavor survive where Horikoshi originally planned for him to die hurts the shape of the later story.

2: Obviously ultimately if Dabi dies, it's going to be because his family and Team Hero made repeated choices to ignore and neglect him, culminating in the entire family swearing to deal with Touya together only to passively accept a battle plan that involved splitting them all and letting the kid who knows Touya the least be the one to fight him. But like, in the context of that fight, Shouto isn't the reason Dabi takes all that hurt.

Uraraka may or may not have had much of a plan, but at least the words she said to Toga reflected that she had been seriously thinking about Toga in the here and now, what Toga's told her, what Toga needs. If Toga dies, it will be because Toga chose to give Uraraka an unsupervised blood transfusion with no intention of stopping it. (With the same general caveats as in Footnote 2.)

But Deku? From the very beginning, Deku has been valorized by the manga for how much he doesn't plan. All Might tells him specifically that it's a sign of greatness shown by future "top Heroes" that, in some crisis situation, their bodies moved before they could think. Bakugou's Rising chapter is defined by him reaching that same state.

Deku claimed he wanted to save Shigaraki; he's sad in the latest chapter that he couldn't save Tenko's[3] life. But did he ever have a real plan to do that? With all the quirks he had at his disposal - both his own and those who would be in the flying coffin with him, or classmates whose presence he could specifically request - did he think hard and come up with a technique that would let him stop Shigaraki without harming him? Did he try to connect with the Shigaraki right in front of him by citing to the future?

3: And I have nothing but scorn for Deku's insistence on that name when "Tenko" goes out very pointedly calling himself Shigaraki Tomura.

Well, no. Deku obstinately yelled at the phantasms in Shigaraki's mindscape that he had no plan whatsoever. The only plans we saw him carry out were ones handed to him by the OFA collective that involved "breaking" Shigaraki's psyche; the only plans he came up with himself involved more efficiently breaking Shigaraki's body.

Way back in Chapter 130, Nighteye harshly scolded Deku by saying that his way of thinking was arrogant. He said, "Go after him haphazardly and he'll slip through our fingers. You're not so special as to be able to save who you want, when you want. (...) This world is not so accommodating that you can act the Hero because you feel like it."

It felt like something that Deku should have taken to heart, a lesson to be learned and applied later, but I never much got the feeling that he did. Nothing he did in that moment, in that arc, or anywhere else in the series afterward indicates that he thought Nighteye was right. He just chose not to talk back, and the arc ended with Nighteye dead and no longer around to pose objections to Deku's mode of heroism.

But Nighteye was right. Three hundred chapters later, Shigaraki is dead because Deku could not be arsed to plan for how he could stop Shigaraki without killing him. Because he let Gran Fucking Torino give him the intellectual out that killing someone could be a means of saving them. Because he followed his gut instincts of prioritizing the phantom Crying Child that he always saw as more valid and real than the human being standing in front of him.

Because he haphazardly acted the Hero and let his body move without thinking.

And he wants to act sad about it now? I hope Nighteye materializes in his bedroom to sneer at him every night for the rest of his life.

--

Incidentally, fuck All Might, seriously. "Wow, Deku and Bakugou, you two are the greatest Heroes ever. Fuck me and everyone else who fought tooth and nail, arm and leg, eye and earjack, life and death, to contribute to the pile of damage that was necessary to kill and/or save Shigaraki and All For One. You two got the last blows in, so you're the only ones who get the credit for it in my eyes. Hero Society is definitely going to be different and better with you two around."

[bonefall]

It’d be interesting to have the whole “kits die commonly” thing be important too. Like Bristle died a war hero and will be remembered, but rowankit was just another young death in the grand scheme of the clans, which means dovewing probably faced cats saying “oh that happens all the time, it’s just how life is out here”

so Ivypool trying to relate would probably set her off

There's also an angle here where it's clear that the other Clans are ready to brush off Rowankit's death as "just a sickly kit" when THEY had no losses. Like the whole world wants to treat her son like he was born doomed instead of a preventable tragedy.

TigerHeartstar was sounding this alarm for MONTHS before the epidemic hit. Everyone knew stocks were low, and they were rolling their eyes like it was a future problem. It was only when people got sick that they sent a patrol out to fetch catmint. There were so many moments where, if they'd treated the situation with the urgency it required, Rowankit would still be here.

But instead, her son is dead, and people try to tell her it's not a big deal because in like 40 cat years she can look foward to also being dead, so she can spend eternity with a permanent baby who will never have a chance to grow up.

It's like the only ones who actually understand Dovewing's grief is her family..... except Ivypool. And that should hurt.

So for BB,

I still need to wait for the ASC arc to wrap up before I rewrite it (S O O N) but, this whoooole situation is going to be a LOT crazier even with JUST the changes I made to BB!TBC.

In BB!TBC, Bristlefrost dies twice. First, she's executed by the Impostor early on for being in a relationship with Rootspring. Then, at the end of the arc, she dies knocking Ashfur out of heaven to burn him up in orbit. Both times, Ivypool failed to protect her daughter even when she'd vowed to do so.

I plan to use this SE as a major opportunity to get into Ivypool's head again, and explore how she's dealing with that. I've also been hanging onto an idea for a few months now; that Rosepetal will actually be Squirrelstar's first deputy, but die either on this mission, or during ASC.

I need a couple more books to come out before I start cooking, but the ingredients smell reaaaal nice right now.

[echos-gal]

ok i'm rapidly losing hope that Tech is still alive, and this sucks because it was basically the top thing i desperately wanted from this season. i wanted to see him survive. so here's my exhaustive and embarrassingly long list of reasons why he SHOULD still be alive, and if he isn't, why it was a missed opportunity. obviously no hate to the writers or anything, i love them dearly for creating this show!!!

(if you're a "Tech should stay dead for the stakes/so someone in SW stays dead for once/i hate delusional Tech stans" person, kindly keep scrolling, this ain't for you)

SEASON 2:

right from the start, Romar connects with Tech and calls himself "a survivor." HELLO???

in this same arc, Tech breaks his leg in a fall which he survives. he continues to walk on it, fighting off troopers to save Echo & Omega, showcasing his persistence and grit.

one of Phee's first lines is "better late than dead," and we know she shares a connection with Tech. she flirts with him later in this scene. it would be a shame not to reuse this line, i'm just saying....

Cid still owes Tech for racing for her in Faster. we see Cid looking miserable as she betrays the batch in Plan 99, so her playing a part in his rescue/comeback would be a nice way to show her growth. (i'm afraid there isn't enough time for this, though- as much as i thought a Cid redemption was on the horizon!)

Phee and Tech's departure is awkward, and although we have some context from season 3 (they talked more than we realized), the scene would do best if reconciled in person imo. it felt like it was setting up for something, and feels weird to leave hanging.

"don't go running off with any pirates or smugglers" could not have just been a throw away line. it set up for him to do exactly that. how fitting would it be if pirates or smugglers actually did manage to pick him up before the empire made it to the railcar crash site?

Hemlock's retrieval of the goggles shows that he sent a team to look through the wreckage. he thought there was a chance Tech survived, and may have him.

i won't go into the logistics, but big falls ARE survivable. in star wars especially. we have no idea what was below the layer of clouds/mist Tech fell through.

SEASON 3:

this is mostly CX-2 centric. their armor is very similar: the jaw/mouth shape, the hexagons over the ears, the rectangles on the chest, and the pouches/pockets.

"domicile." that is all.

CX-2 uses technology more than the other operatives we've seen, and he gets past the encryption on Phee's ship with ease.

"who are you?" was enunciated in the exact same way Tech says it to Trace and Rafa, which i definitely think was intentional.

CX-2 stops to use his rifle scope in the exact same spot where Tech and Phee stood to let down the ladders in the sea surge on Pabu.

he survives a waterfall plunge on Teth, which appears to have fooled Rex's group into thinking he'd died. the writers could have killed him off there and sent a new operative, but they chose to stick with CX-2 pursuing them to Pabu.

it's worth noting that while this CX is designated as "2," Tech's CT number is CT-9902. he is associated with the number even on a visual level: he's a dual-wielder, he wears goggles, he salutes with two fingers.

FROM A STORY PERSPECTIVE:

firstly, i am sorry and i LOVE the writers, but if you want people to accept a character's death, you've got to show his family and friends' grief. we saw no reaction from Crosshair or Phee, no tears from Hunter or Echo. it feels like fans were sadder about Tech's death than the characters in the story.

Tech seems to have been mentioned more in the second half of season 3 than the first half, which works if they want to bring him back in the finale.

the finale is called "The Cavalry Has Arrived." i really don't think you can have the cavalry (aka the bad batch) arrive without every member present. i also don't think it would feel right to play their theme without Tech there. idk, that feels incomplete!

we saw no body, and Hunter received Tech's goggles not from a trusted ally or friend, but from Hemlock. this calls into question the legitimacy of his claim that the goggles were "all he could salvage."

Tech alive and being held on Tantiss would provide a nice parallel to Echo in the first mission where we meet the batch, in TCW. and [ep 14 SPOILERS] we see that Echo is currently looking more like his TCW self, with his earpiece removed.

feels kinda sour that a character who a lot of people related to as neurodivergent representation would die just a few episodes after having a deep conversation with his sister about it.

likewise (and as a white woman i can't speak for WOC), from what i have seen, Black women are rarely the main love interest of a series! Phee is the ONLY love interest in this whole show, and it would suck to just cut off that romance before it could really become something. a lot of people wanted to see TechPhee become canon.

CX-2 is the one who destroys the marauder. it works well storywise for its pilot to have been the one to do that- the person who worked so hard modifying it, flying it, and teaching his sister to fly it. i'll be lowkey pissed if it turns out some random dude blew it up.

it's also CX-2 who invades and sets fire to Pabu. this is emotionally gripping on its own, but if he is Tech, it's even more so.

we have no idea what the operatives go through. Crosshair isn't telling, but it clearly put him in a really bad place. if Tech underwent this conditioning in his post-fall injured state, there's a chance he could come back from it. Emerie is probably the key to this, if they take the CX-2 route.

this show is all about a family trying to stay together as the Empire desperately tries to rip them apart. seeing the whole family together again - even if not everyone survives - in the finale is the satisfaction that the show ideally would go for. the last time they were all together was the season 1 finale. that was about 2 years ago in the show's timeline.

leaving Crosshair and Tech's final interactions be where they parted on the Kamino platform also feels off. Tech was the one who really vocalized the need to rescue Crosshair in season 2's finale. Crosshair, in the meantime, has changed significantly as a person. Tech's comment about Crosshair being "severe and unyielding," and unable to change this facet of his nature, is incorrect. leaving Tech dead would mean that he never gets to see this change in Crosshair, which makes me feel like a deflated balloon.

FROM MY SELFISH PERSPECTIVE!!!

give me Tech with cool scars and slightly disheveled longer hair. this is such a good opportunity for the creators to give him a sweet new look!

we never got to see Tech without his goggles on, despite Phee constantly referring to his eyes. he definitely doesn't have them right now (they're in the Archium), so we could get Mister Big Brown Eyes if he's alive. it's another missed opportunity if not, imo!

the goggles being placed in the Archium was a beautiful scene that makes me tear up whenever i think about it. it's symbolic, it's bittersweet, and it's exactly where the goggles belong. but was it closure for me? not really.

Tech is a character who became a LOT of people's favorite in season 2, including my own. why kill off a fan-favorite with an entire season to go?

yes, i desperately want a Rex and Echo series. yes, i want the batch to cameo in it, and yes... that includes Tech. making up for lost season 3 Tech content 😎

the finale will feature the zillo beast, and Tech loves the zillo beast. FREE HER! REUNITE THEM! he would love to witness her rampage.

FROM A "SURPRISE!!!!!" PERSPECTIVE

it seems like most people think Tech is either CX-2 or dead. it would be a great finale twist if we DID get CX-2's identity, it's NOT Tech, the audience loses hope, and then he shows up. i think this is actually plausible given the other assassin schematics Hemlock was looking at in Point of No Return. Tech might be in Hemlock's grasp, but not an active operative. having an enhanced clone to toy with is something Hemlock would want to keep under wraps. we see him step out of the assassin chamber at the start of that episode - if Tech is anywhere on Tantiss, i think it's here.

i think the writers have expected us to have all lost hope by now, so his finale reappearance would ideally come as a shock. the finale is almost guaranteed to be a very long episode, so we really might have quite a bit of time to explore his return, if it happens.

secret 16th episode: i know, i'm putting my clown makeup on as i type this. but the previous 2 seasons each had 16 episodes, with a two-parter finale. season 3 is just 15, with a single episode finale. TBB formally ends may 1st, so what if we get a may 4th surprise episode detailing how Tech survived? (that or an epilogue leading into a new series, which i think is more likely actually!)

[bumblebeehug]

That's a very good point! Although I guess you could argue that we already had Natsu thinking Lucy was dead in the Alvarez arc? (And in GMG he literally watches a version of Lucy die.) I suppose the responsibility part would be different as you mentioned (especially if it's Ignia. Or! Lucy could die in the process of saving Natsu). But I also wonder if the 'one wish' is a fakeout plot. And if we can truly trust Elefseria. I mean who is powerful enough to grant a wish? Any wish? That's some karmic justice Genie shit type beat. (Thank you btw, for answering these asks)

(In regards to this https://www.tumblr.com/bumblebeehug/763935002780172288/ive-been-thinking-about-that-too-or?source=share )

I'm a firm believer of the fact that natsu needed all the different stages of Lucy dying. First time around it was a "fake" Lucy, the one from the future. It's the fist time we reallsery see Natsu in that broken anger, but he doesn't go insane. He's still very Natsu, no END-mode or anything, because there's still hope in his mind that he can save his Lucy (plus another bunch of factors that makes it so he doesn't activate demon mode).

The second time is during their war against Alvarez. This time he's quite involved with the whole END thing, he knows he's riding a fragile wave and that he can succumb to the demon stuff soon, so losing Lucy tips him over. At the time, he's ready to die (see shiiro's suicidal-natsu post https://www.tumblr.com/shiiro-arts/764022215033389056/is-natsu-sucdal?source=share for better insight) and he doesn't really consider a life without Lucy. He didn't think he'd make it out of that war alive, because Lucy (in his mind) wouldn't.

He naturally didn't expect her to be alive, or for him to snap out of the demon-mode, so when they all somehow made it out the other side, I think a small, thin string of hope deveoped in Natsu's heart. The bad thing is that it completely relies on Lucy's life. He can't afford to lose her again, because as far as he's concerned, he can't blame his next strike of insanity on being a demon. But he'll go completely insane if Lucy dies. He'll turn into a demon, or at least a monster, stopping at nothing until he's burned everything. An earth where Lucy dies isn't an earth worth existing.

The one wish being a fakeout plot is absolutely something I could see being true. Maybe it isn't even on purpose, Elefseria could have a scewed idea of what he's capable of, hence the reward that should be amazing in theory. It's also possible that Elefseria won't make it out alive of the 100yq. Mashima is sadly not above taking the easy way out of the corners he writes himself into. I just hope that isn't the case, cus I also know that if Mashima puts some effort into his plots, they can end up as masterpieces (Tartarus for example)

[david-talks-sw]

I was watching the Clone Wars featurette about the Holocron arc and Dave talks about the scene where Bane threatens to kill Ahsoka. He says "we're seeing a dark side of Anakin, and in a very clear illustration of why Jedi should not have attachments, we see that attachment get exploited." So clearly at what point in time he understood the whole attachment thing. What happened?

Unlike Karen Traviss, I think Dave Filoni actually understands what "attachment" means, in Star Wars. Apparently, it's the Star Wars theme that he and George spoke the most about.

"The biggest area of the Force and the Jedi [that] George and I have gotten into discussing the whole deal with attachments. And, arguably, that's what Anakin whole life is hinged on, is this - like you've mentioned - he has a lot of attachments to Artoo and how how right or wrong is that? Is it that the Jedi have made themselves dispassionate, that they are actually deceived by the Sith and they fall apart?" - Dave Filoni, Rebel Force Radio, 2012

What I've noticed is that, while understanding the meaning of attachment... Filoni doesn't seem to agree that the Prequel Jedi embody the concept of compassion.

He has acknowledged sometimes that "attachment is bad" is the theme of Anakin's story (but question if it's really so bad, unlike Lucas who says it's understandable but bad) but disagrees that the Prequel Jedi represent the obvious counter-theme, "compassion is good."

If you read what Filoni says, he argues that:

The Jedi have lost their way, taken the "rid yourself of attachment" rule and pushed it to an extreme where they've rid themselves of any empathy and thus compassion. They've focused so much on being selfless that they've forgotten how to love.

All except for Qui-Gon, who is the only one that truly knows how to love without getting attached, to love selflessly.

And personally, that strikes me as a coping headcanon, a way of reconciling the theme and feeling the Jedi like Mace, Ki-Adi, even Yoda and Obi-Wan are stoic, unlikable and too different from Luke.

Sure, they're not perfect, but nowhere in the films is the Jedi's stance on love framed as "bad" by the narrative. The narrative agrees with their philosophy, and George echoes it.

In fact, among 772 collected George Lucas quotes, I've never seen him state that theme while adding the asterisk that "of course, the Jedi of the Prequels have forgotten how to be compassionate, except for Qui-Gon who was the true Jedi."

And of course he doesn't do that. Because doesn't that muddy the waters so much?

Supposing Qui-Gon truly is the only character that embodies the concept of "compassion"... doesn't killing him off in the first film confuse a targeted audience of children?

Bearing in mind that the Prequels are about how greed makes people and institutions become the very thing they swear to destroy, and Star Wars as a whole is about being selfless instead of selfish:

In one corner, we have Anakin and the Senate showing what you're not supposed to do.

In the other, you got Padmé, Shmi and the Jedi, showing you what you should do instead.

Simple. I can see a kid getting this (and I did). But according to Filoni, that second point is incorrect. Instead, it's:

In the other, we have... Qui-Gon, who is one of the first film's four protagonists that dies at the end, without openly stating anything about the trilogy's theme. Theoretically, there's the Jedi who state and address the theme, but they don't themselves embody it so they don't count. So really... in this corner we have nobody (?)

That seems overly complex, a whole lotta hoops to jump through. Doesn't make sense. But hey, good luck learning the lesson, kids.

So yeah, Dave Filoni gets what attachment means. He just doesn't think it's as bad as Lucas' films frame it as, and disagrees on the Jedi narratively embodying the concept of compassion.

And I think it's coping. It's connecting non-existent dots, Always Sunny-style, to justify not liking characters that weren't meant to be developed much, due to their calm, collected nature and secondary/tertiary role in the story.

Coping and coming up with headcanons are what any irritated Star Wars fan does when they're confronted with something they're unable to make sense of.

“I care because I passionately believe that important stories ought to make sense.” As well you should—and when a story does not, you apply that passion to finding a way to make it make sense. [...] When a rational and inquisitive mind is confronted by the engaging yet irrational, it often responds in this manner. This process is not usually appreciated by those undergoing it; the most common reaction is a deep irritation. But isn’t that always how pearls are formed?” - Don DeBrandt, Star Wars on Trial, 2006

Unless they choose to make documentaries and click-baity YouTube video where they decide to spew hate and get angry pointlessly. Which I'd argue is still worse.

[goblins-riddles-or-frocks]

If fighting vampire nazis, gore and guns wasn’t the focus of hellsing, what do you think the actual plot/main conflict could have been? I came across a post where you said alucard is wasted potential so … what kind of plot would show his potential? Also, what kind of a character arc do you think he should have had in a better and more thoughtfully plotted hellsing

Well I wouldn’t say the story isn’t thoughtfully plotted out :C

Like yes, it’s an over the top, campy, gorefest that makes no sense, but it succeeds in what it’s trying to do basically. I think it is genuinely, astonishingly good in a few ways. Hirano is fantastic at pacing and using his panels to give the impression he wants— when he bothers. And it’s surprisingly sound when it comes to structure and thematic motifs? The external plot is bonkers, but the way it handles these characters dealing with/being consumed by their pasts, and the way it uses vampirism/monstrosity as a metaphor is really solid.

Hellsing’s main thematic argument is one of comparing monstrosity and humanity, and pitting them against each other.

All the relevant monsters in Hellsing are presented to be unmoored, destructive, and unable to cope with the present in a meaningful way. They are defined by being incapable of moving beyond their pasts, so they seek out as much destruction as they can until they finally find something that can destroy them in turn. (This is consistent throughout the series but most clearly stated in volume 9)

All the monsters presented in Hellsing grapple with the inability to move on. Explicitly, Millennium’s entire raison d’être is bringing about a final “glorious” war they can die in because the modern world has no place for them anymore. They fight with fucking zeppelins. They’re relics.

Seras’ fight with Zorin hinges on a flashback, digging up all the trauma she never confronted. Walter and Alucard’s final battle is entirely about their history, and it has both of them looking like they did during the Dawn era.

Meanwhile, when Anderson uses the Nail of Helena (directly following the unraveling of Iscariot, and the death of Maxwell, who may as well have been his son), that is him refusing to cope. That is what drives him to monstrosity, to self destruction. That’s why he dies.

And Alucard, as the de facto protagonist, has spent the entire plot with the single motive of finding someone worthwhile to defeat him. He has no personal motivations outside of doing whatever Integra/Hellsing tells him to, and just… killing things for the love of the game until he eventually, finally dies. And his past hangs heaviest on the series. The entire present state of the series basically hinges on the shit he did as Dracula. The one thing we know about this guy is that if he could, he would very much like to die while killing things lol.

Anderson is meanwhile his main foil and most strongly represents the past/the siren song of death to him. He’s suspiciously similar in appearance to Van Helsing in the Bela Lugosi movie (despite Van Helsing looking different in the series itself) Meanwhile each encounter with him is immediately followed by a flashback, and then in that final fight Alucard ends up confronting his past human life.

And he almost gives up during that last fight, until Seras (a representation of the present and future) rouses him out of it. That’s his first real choice to move on. But it’s also established that eventually his past is going to catch up to him, and outweigh his future. It’s treated as a foregone conclusion, even if he’s not to that point yet.

So the Schrodinger thing at the end is really interesting. Because bullshit anime logic or not, the point is that he explicitly has to kill every single familiar he’s accumulated over the centuries, in order to exist in the present. Even then he’s “everywhere and nowhere” (lmao. whatever) which basically gives him the option to fizzle out of existence? So the epilogue existing at all, despite my various annoyances with its writing choices, is an interesting culmination of his arc! He chose to come back to his silly little found family when he really didn’t have to! I like that as an arc.

And in any sort of restructure I would want that preserved, even if the entire plot isn’t conveyed through boss battles. Anyway I’ve said for ages that I would want a monster of the week version of the series, so probs something like that.

Something with like the BTVS (or Supernatural lol) classic structure of small fry enemies per episode that culminate in a season arc/big bad. The ideal tonal and stylistic comparison would be X Files, but their overarching narratives famously sucked lol. Anyway I just would’ve liked a procedural vibe like that. I think the implications of Integra taking over the Badrick situation in the first volume is really interesting. And Seras being a police officer who was super not in the know— when higher ranking people are— was something that could’ve been explored in much more depth. I would’ve loved to see her as a recurring character in their like procedural episodes who keeps brushing up against this weird paranormal leaning stuff she doesn’t understand, until she finally gets involved in something that goes wrong and has to be turned into a vampire (ostensibly to save her life… but maybe to keep her quiet)

I also would love more intra organization drama that doesn’t result in immediate blood shed lol. We’re told that Iscariot and Hellsing have clearly mapped out jurisdictions based on majority religion, and treaties and diplomatic relationships, however strained. Maxwell going “fuck your treaties” is apparently a new thing, so like how does that go! What are the repercussions! What brought this on! And like are there any other similar organizations abroad? Are there team ups? I would like there to be team ups.

Meanwhile the existence of the round table implies that… the entire UK government.. is a sham? That they’re actually living in a secret feudal society? I want to know about the families and the politics and the very likely cartoonish degrees of corruption! The original Studio Gonzo show, very poorly, implemented a plotline where Hellsing became too much of a liability and the Queen specifically decided (lol) to have them publicly labeled as a terrorist organization and arrest everyone involved, pretending that they never had any government ties. That was fun! I would like a good version.

Or like it’s set in the 90s, let’s talk about how much harder it’s going to be to keep the supernatural quiet with the rise of technology, and the Internet. Like idk there’s room for a lot! I would basically just love to see a more sprawling version of this story and world.

My main issue with Alucard also is just that he’s so overpowered physically, that it seems like a waste to always put him in fights where he is 100% no question going to win. Putting him on a ship because the plot simply wouldn’t happen if he was there is 😭😭😭 I think we can have some boss battles, gore, and body horror, bc that is fun. But he just needs more restraints. I’d put more focus on him answering to Integra, who in turn answers to the slow moving machine that is bureaucracy, and just not let him do as much, and with severe consequences if he gets too out of line to maintain some stakes. Meanwhile, having a more mystery procedural approach would’ve balanced things out a bit more imo!

[littleeyesofpallas]

So I guess this is a good time to do a recap of some old Ukitake posts: [1][2][3][4][5][6]

Ukitake[浮竹] Juushirou[十四郎] actually has one of my favorite names in the series as it feels like it says a lot about his core concept beyond what we're really given in canon. The family name reads uki-[浮]: "Floating" and take-[竹]: "Bamboo." That same "floating" is part of the word fuurou[浮浪]: "vagrant/vagabond" and a few other colloquial terms, a generally circling around a homeless person or a drifter. (In fact the other half of that compound word, [浪] is the "wave" in ronin[浪人]: "wave man/person" as in a masterless samurai.) Bamboo being a staple lumber in Japan of course but also notorious for its fast and rampant growth, as it is quick to spread and choke out other plants in an environment. The idea of "floating..." or "vagrant bamboo" gives an impression of being plentiful and common, even excessive.

The personal name, Juushirou[十四郎] just reads "14(th) Son" which always implied he came from a large family. A profile in the back of vol. 18 long ago confirmed he had brothers and sisters, but curiously all younger than him. The implication seemed clear that as a sickly person from a big family, he was poor and that there were 13 prior children who died before him, which is really the only reason you'd name a child the way they did. This feels like it works in tandem with the family name to again emphasize a family of many, but also almost expendable. The big family is also why he's got an affinity for children

That said it always felt to me like the backstory should have been more grim? Like rather than just praying to a god to save his life, it seemed more like he should have been a sacrifice made to ensure the family line continued. Like first 13 kids died, they were afraid he was their last chance, but he was sickly, so they sacrificed him to basically ensure the next ones would come out alright. Hence the kids younger than him surviving in spite of the ominous past implied by his name.

(Also the "shiro" phonetics in his name as a homonym with shiro[白]:white point to his hair. Kubo makes an explicit joke about this as Toshiro, also white haired, shares a similar wordplay, his name Toshirou[冬獅郎] meaning "Winter Lion Son.")

Then there's his shikai, Sougyo-no-Kotowari[双魚理] which reads "PairFish's Reason/Logic/Natural way of things." (sougyo-kyu[双魚宮] is the Japanese name of the constellation Pisces.) It appears to be an allusion to daoism/onmyodo, and the yin-yang diagram of balance, and this theme gets built upon by other contextual information like the zanpakutou arc's designs borrowing from onmyoji, and Ukitake's presence in conjunction with fish imagery and metaphor in the Jaws of Hell arc.

The little preamble to that chapter, about the two fish in balance until one dies and then the other grows bigger, is itself synonymous with sougyo-no-kotowari: The Natural Order of Two Fish.

The release command [波悉く我が盾となれ]: "All Waves be my shield," [雷悉く我が刃となれ]: "All LightningBolts be my blade" is fairly straight forward and just evokes the image of a stormy sea, which actually seems to have surprisingly little to do with the rest of the themes in play? I mean sure, waves and fish and floating, but when the floating and fish are less than literal the waves and lightning without any additional reading feel kind of out of place?

Of note: the onymoji was a prestigious class of sort of advisor in the japanese imperial court was at its peak in the Heian period, the long standing era of peace in ancient Japan that came just before the descent into the civil war of the Sengoku period. (Subsequently the onmyoji lost most of their power and clout during the waring states period as power shifted from the imperial court to the shogunate.) They were associated with and consulted for a wide range of things from medicine, to architecture, to city planning and meteorology, and divination, and perhaps most well loved by media, as exorcists. This ties into things like his beyond bankai form in Bleach Brave Souls where they opt for a more shinto purification theme, in either case making him fit something of a paragon role as Shinigami as ""cleansing"" hollows rather than destroying them.

Actually those shinto motifs all link to the recent addition of shinto themes in Mimihagi pretty directly, but I'll get to that in a bit...

It's worth noting that with Kyoraku's emphasis on a leisurely city life in the capital(Kyoto), and the onmyo mystic themes of Sougyo-no-kotowari, Kyoraku and Ukitake appear to both represent aspects of the Heian period, and thus cultures that predate the Sengoku period, and the rise of the samurai, lending to their role as two of the most senior members of the gotei 13.

People often forget but technicaly Ukitake was the first captain we were introduced to, well before Byakuya showed up, the Captain title just wasn't present at the time. When Rukia has her flashback to a then uncertain event while Ichigo fights Grandfisher, it's Ukitake she's hearing speak and that we catch just a brief glimpse of the back of the head of. Like I said there were no captain ranks in the story a that point, so he just appears as long flowing white hair over an all black shihakusho. I think his hair was always meant to help him embody an element of balance between black and white, and thus the very series title: Bleach.

I think there was always an implicit siniste quality to the idea of "Balance" underlying the shinigami that Kubo tried to gesture towards with the general vibe of the Soul Society -v- Rukongai dynamics, the Shibas, that flicker of a twist in the Fullbringer arc that Ichigo just ignored, and even with a lot of the loose and ultimately unfulfilled themes he set up for the TYBW arc with Yhwach's plans for a new world and Juugram's Balance schrift.

Oh I forgot the whole MIMIHAGI bit, despite teh being the whole subject of this week's episode:

東流魂街七十六地区『逆骨』に伝わる単眼異形の土着神。

An indigenous God of Grotesque/Suspicious Single-eye passed down in East Rukongai 76(th) zone "Sakahone(Reverse Bone)"

太古の昔、天より瀞霊廷に落ちて来た霊王の右手を祀ったとされるもので、自らの持つ「眼」以外のすべてを捧げた者に加護をもたらすと言い伝えられている。

(In)Ancient Times, From Heaven to the Seireitei the fallen right hand of the Rei-Oh is said to have been enshrined.

浮竹の行った『神掛』は、体内に宿るミミハギ様の力を全身の臓腑へと広げる事で、全ての臓腑をミミハギ様に捧げ、その依り代になる儀式である。

Ukitake's performed "Kamikake(God debt)" was, the power of MIMIHAGI dwelling in the body spreading to the whole of the viscera/entrails, offer up all of your entrails to MIMIHAGI-sama, it is a ceremony/ritual to become a Yorishiro*

『神掛』を成功させた浮竹は、霊王の右腕そのものとなった。

Ukitake succeeded at/with "Kamikake", he had become the right hand of the Rei-Oh.

*i don't have a more concise way to translate this... the translation listed run something like "object representative of a divine spirit"/" object to which a spirit is drawn or summoned"/"object or animal occupied by a kami​" and it's specifically a shinto thing.

When you see big deified trees with the shimenawa ropes and shide paper talismans, those trees are yorishiro. or rather they're Shintai, because a Yorishiro is a thing capable of being host to a kami, the Shintai is after they've been deified. (And technically when you do that to a person it would be called Yorimashi, not Yorishiro. I don't know if that's meant to specifically dehumanize Ukitake or if its a broad enough term that it doesnt really make a difference. Although if you really wanted to stretch it you could argue that Ukitake is an object and not a person because he did die from his illness and the thing deified wasn't a "living" person it was a corpse. Which would very curiously position him as an inversion of Ichigo, who was human, "died" in that his soul was deliberately severed from his body, but continued to operate as nominally human while getting to dip a toe into the shinigami powers and the spirit world.)

These little eye catch data cards really aren't giving us anything new huh?

[darkcomets]

God I was not ready for that 😭

MAJOR SPOILERS LOL

BAKUGO’S DEATH HAD NO RIGHT BEING THAT GOOD, GOD DAMMIT-

Boy don’t I love seeing my favourite character die

I love his character and development, and while I know that he’s coming back, I’m still crying over this. Well done MHA, you’ve officially broken me for life

Bakugo started off as an absolute asshole of a kid, a product of society. Because of his quirk, he was always complimented and encouraged by his classmates, which helped inflate his ego. He was bratty and aggressive, mainly thinking of himself, constantly trying to beat down Midoriya because of his own insecurities.

But because of the newer environment at UA and all of the villain attacks and events that forces high schoolers into situations they shouldn’t have to handle yet, Bakugo has been forced to see that he isn’t the strongest person around, and that he isn’t the centre of the world. A fact that he eventually has to accept. And we can see that it works. Bakugo and Midoriya’s relationship throughout the series is one of the most important ones (in my opinion) for both of their characters and perhaps the storyline too. It starts off with a bully and victim, two people who have been stuck with each other for basically their entire lives. Bakugo bullied and abused Midoriya for his quirkless mess to make himself feel superior, and once they got into UA, the bullying died down because of the new environment they’re in that won’t enable Bakugo’s behaviour, but their relationship was still strained. After being forced to work together time after time again, they eventually start to learn to work together. Then Camino happened and Bakugo basically broke down in front of Midoriya, expressing his frustrations and anger at his weakness and Midoriya’s newfound strength, and the two of them fought. The fight ended pretty quickly (I think), but by the end of it, the two seemed to have gained a better understanding of each other.

In the movie, Heroes Rising, we can see the two now being able to work together. Izuku is at a point where he is able to trust Bakugo with giving him One For All, and Bakugo asks him ‘What about your dream?’ He is literally thinking about Izuku in this moment, and his future, and sounds like he is almost worried. While he doesn’t remember anything afterwards, it was a hell of a fight, and their relationship has continued to evolve.

In Season 6, during the first war, Bakugo literally sacrifices himself for Midoriya. His body ‘moved without thinking’ so it was an instinct to protect Midoriya, someone he used to despise and constantly shit on. And during Deku’s vigilante arc, he not only stood in front of Class 1A and somewhat led them in the search for him, he apologises to Midoriya for everything he had done. Of course, an apology can’t undo everything that he had done to Deku in middle school and before that, but it is a huge development in his character. Because the Bakugo that we started off with would never have ever apologised once. Bakugo is calm throughout the entire apology, and not an inch of anger or aggression is shown in his expression, this is pure and genuine emotion. He admits his weaknesses and his reasons for his actions towards Midoriya, acknowledging them as something he should not have done. He knows that an apology doesn’t change what he has done, but Bakugo is willing to change. He is starting this change by calling Midoriya ‘Izuku’ instead of Deku. Bakugo using his first name shows how their relationship has grown immensely and that they really have gotten closer. It’s a huge moment for the two of them, and what ultimately causes Izuku to finally relent and falls into Bakugo’s arms. And now in Season 7, during the battle against Shigaraki, Bakugo reflects on things with Shigaraki’s words. And most of those thoughts is Izuku. And right as he’s walking up to Shigaraki, ready to fight again, he is thinking of Izuku. He thinks about All Might, and admits himself that he was ‘kind of a brat’ when they first met (slight understatement, but still). And right as his body falls onto the ground, the All Might card he opened with Izuku falls next to him. He kept it, after all those years. Something he opened with Midoriya. Personally, I see it as some kind of significance that it’s Izuku losing a key part of him. They started this journey together, and now one of them has fallen, and two has become one. I am not ready to see his reaction oh my god-

That’s just how I see things. I might be a bit biased as a bkdk shipper, and I probably got some things wrong since I haven’t watched the anime in a short while, but that’s my view on this. Bakugo isn’t a saint for apologising and calling Izuku by his actual name, but I think that’s the whole point of his character development. Going from an absolute asshole who looks down on everybody around him and thinks himself better than those around him, to someone who knows that he was wrong for his previous actions and has started to learn to work with the people around him. Someone who still has his flaws but is learning to get over them, acknowledging his own weaknesses. Bakugo isn’t an amazingly kind person like Izuku, but he has still made amazing development in character. And that’s what makes him one of my favourite

Damn this is long 😭

Tell me if I got anything wrong or missed anything out

[hestzhyen]

Chapter 66 Trepidation Posting

Well, dear void... I begged for Seitei War lore and a finger curled on the monkey's paw. Where to even begin?

Rough TL of the editor's notes:

First Page: 封じられた記憶… [fuji rareta kioku...] "Sealed memories..." Last Page: 妖刀も妖術もなくただその剣技で- [yoto mo yojutsu mo naku tada sono kengi de-] "No enchanted blades, no sorcery, just swordsmanship-"

Iori Lore and Dad Stuff

What a cute creature.

Her fake last name is Yoshiura (吉浦): 吉 (yoshi) for good luck/joy and 浦 (ura) for bay/creek/inlet. Nothing particularly interesting or exciting about it but it has a nice sentiment.

I'm in a better headspace now so I can do some thinking that needed to be done last week. Let's take some notes about the current arc and it's continued focus on one of Kagurabachi's key themes: Daddy Issues™.

Chihiro: lost his dad through tragedy, memories haunt and drive him. Was loved dearly and loved his father back in return. Acting on his grief in violent ways.

Hakuri: lost his dad through abuse, let go of his memories and found closure on that front. Was loved dearly then discarded but never stopped loving his dad.

Iori: lost her dad through his own guilt, trying to recover her memories of him. Was loved dearly and seemed to love him back in return. The memories she had with him were so upsetting that she passed out when she got them back.

Hiruhiko: mostly unknown right now, but clearly special to John and spoiled a bit by him. Surprisingly wholesome relationship despite how unhinged he is. If he was truly adopted like many fans think then John was probably a doting dad from the start.

So the "similar" traits based on what we know are...

Lost Their Dad: Chihiro, Hakuri, Iori

Dad Murdered/Killed: Chihiro, Hakuri

Dad Deliberately Abandoned Them: Hakuri, Iori

Were Always Loved by Their Dad: Chihiro, Hiruhiko, Iori

Dad was Burdened by Guilt: Chihiro, Iori

And the "unique" traits are...

Abused by Their Dad: Hakuri

Clings to Memory of Dead Dad: Chihiro

Dad Forgot About Them: Iori

Spoiled Brat Thanks to Dad: Hiruhiko

Chihiro and Iori are the ones being directly compared right now. They both lost their fathers, but Samura's a real piece of work compared to what we know about Kunishige. He chose to forget her in order to protect her whereas Kunishge went into hiding to stay with Chihiro. One child forgotten on purpose, one clinging to memories because that's all he has left.

Yeah, Samura's not winning any "Best Dad" awards any time soon- but it's hard to blame him when we see what the family was enduring because of his reputation after the war. Any half-decent parent wants their kid to grow up without having to see that kind of stuff. Samura just let guilt have too much influence over his choice on how to manage it, in my opinion. Kids should have a bit of say in how they're raised too. Not a lot but at least enough be able to feel seen and heard.

As for the other two, Hakuri and Hiruhiko are in pretty good shape. Hakuri's still smarting over the loss of his dad most likely, but he got the catharsis he was craving when Kyora finally acknowledged him right before he died. That particular wound can start to close up and heal as Hakuri moves on through the story, unlike Chihiro and Iori's at present. And Hiruhiko seems to be in the best spot out of the four as John's special little guy who can do whatever he wants. Spoiling kids isn't being a good parent but Hiruhiko's in a pretty good state all things considered- probably the best out of the four. We have plenty more to dig in with him so this'll get revisited once development happens or new information drops.

But yeah. Chihiro being rightfully angry at Samura for deciding to sever the parent/child bond so lopsidedly tracks with his unresolved trauma. Of course he thinks he wouldn't want to change a thing about living with his father. He's still deep in mourning and floundering in the morass of grief he uses to push himself forward. I wonder if we'll get commentary on this at some point... it's such a core aspect to his personality and the story that it might be saved for the end.

Iori's choice is left for another chapter but I have a feeling she'll agree with Chihiro and keep the memories despite the pain and danger they bring. Samura's guilt needs to be addressed and the daughter he chose to forget should have the biggest part in confronting him about it! The story can become an escort mission of sorts to keep Iori safe until that happens, which leads to easy action so hooray for us.

Perception and Being Perceptive

Yeah, he is. But that's not all.

And here we go, we're back to how people look at Chihiro and judge him without knowing the truth. Samura, Kunishige, and the other Bearers are "heroes" who seem to have some rather serious crimes buried in their pasts. Chihiro is a "murderer" stricken with grief killing those who try to destabilise society. Simple, no-frills parallels between guys drowning in guilt that anyone can pick up on.

What else is going on here? Well, those who were saying the hotel was inspired by John Wick are almost certainly correct with sorcery and fights being forbidden within it's walls. The Manager and his staff/followers enforce this with his own sword technique: Reigen One Sword School/Style (no relation to Reigen Arataka of Mob Psycho 100 fame). 礼 (rei): salute, thanks, gratitude, etiquette 玄 (gen): mysterious, occultness, profound

How... polite?

No, that's not Kumeyuri, and anyone who asks gets a bonk on the head for not paying attention.

Small note that wasn't kept in EN: Hiruhiko refers to Toto as "Toto-san", which is cute. He respects her and/or she's older than him.

Of course Toto summons Hiruhiko in so he can begin his own training arc by facing off against the hotel's staff. The bloody pin being used to tie his hair back will definitely not inspire a ton of fan art, trust me. It will be a Hiruhiko-free week everywhere (RIP my feeds). But Hiruhiko's really racking up the service industry experience between being bonded to Kumeyuri with it's geisha spirits and learning how to fight from hotel employees using a polite sword fighting technique.

Other than that, it's not clear if Kuguri's in this hotel or not but chances are extremely good that we'll get more hot-blooded action next chapter as Hiruhiko and Chihiro both learn by doing. Maybe they'll meet again, maybe not. The only guaranteed thing is that Sumi and Moku are wasting their time by prepping the seal on the roof because Iori's not going to want it even if it's finished before another dramatic escape is made.

Desperate cope theory while I'm here: maybe we can see Hakuri again soon since he and Hiruhiko have that "what is friendship, anyway" thing going on with Chihiro. That cut from Hiruhiko yapping about battling to the death as "equals" to Hakuri on the page turn in chapter 54 is still eating at my brain, yes. And Chihiro just reminded us that he feels inferior to Hakuri (he's gonna become his samurai it's canon no one can take this from me). Depends on how the next chapter plays out but I'm hoping. Dying. I'm dying without Hakuri. Please I miss him so bad just one new panel is all I'm begging for.

"Truth"?

OK. Time to let the brain worms squiggle freely over about two pages' worth of Seitei War information.

So, first... a translation note (sigh). The subject of how the war ended will probably come up now that the beginning of it was given to us (or at least, a particular version of it).

Chapter 9, if you forgot. Thank you Hella for catching this when I was all set to yap about the implications of an armistice vs. other ways to end a war.

How the war ended is still a mystery but it might not have actually been an armistice as implied by the English translation of the signboard. The word used in Japanese to describe it is 終戦 (shuusen), simply "end of war/cessation of hostilities" in a formal and pretty final way. The method could have been anything: surrender, peace treaty, and so on. An actual armistice would use 停戦 (teisen - temporary ceasefire for negotiations), 休戦 (kyuusen - a short-term truce/suspension of fighting), or 偃武 (enbu - mutually laying down arms but without the finality of shuusen) to describe both sides agreeing to pause the fight. So there might not have been mutual feelings that the war needed to stop for both sides' benefit like an armistice would imply, leaving a lot of room for the losing side to build up resentment.

Of course we all know that peace treaties coming from armistices can do the same thing if they are crafted poorly- The Treaty of Versailles used to end WWI is probably the most well-known example in the West. But the ambiguity exists in Japanese and should have stayed in English in my opinion. Folks who remember this signboard from early in the manga might be confused if it turns out the end of the war wasn't so peaceful or mutual after all.

With that out of the way, I want to talk about how fucking suspicious the story of how the war started is.

Keep in mind that Chihiro, Iori, and the Masumi don't know the truth of what actually happened- they're only recounting what they were taught or read about.

"But that all changed when the Fire Nation attacked" this is not.

小国 (shokoku): small country. NOT the actual name of the place, just describing it for what it was. "Twenty-two years ago... a 'small island nation' appeared in the south-east seas..." would be more accurate. (Thanks as always, Hella.)

So, right out of the gate, a whole damn country appearing out of nowhere full of people using magic rocks to attack the mainland sounds like something straight out of a child's fairy tale. You're telling me that Japanese Atlantis rose out of the ocean and became hostile right away, completely unprovoked? That's the kind of framing used to justify showing a foe no mercy. It's an essential part of successful propaganda- dehumanise the enemy, make them seem unknowable, monstrous, and imminently threatening.

The datenseki bit is especially interesting. How did these undersea people have natural compatibility with a stone named as if it came from a meteor?

雫 (da) - drop, trickle 天 (ten) - sky, heavens 石 (seki) - stone

And in such quantities that they could wage a war with it, despite it being rather scarce? (Only 250kgs exist per Sojo in chapter 11; same weight as nearly 12 average-sized countertop dishwashers in Freedom Units.) I suppose a giant meteor could have dropped in the ocean on their territory, or they could have mined it from the seabed, but I don't believe this conveniently simplistic version of events for a second. Not after so much emphasis was put on how shady the Kamunabi is and that they are hiding a lot of shit from the general public.

I doubt an island rose out of the sea as the story claims at all, honestly. While Japan does sit on the Pacific Ring of Fire and sees little islands pop up then vanish back beneath the waves all the time, one big and stable enough to have a whole nation's worth of people on it would not have gone undetected for so long. It beggars belief that the mainland didn't know they had a whole bunch of people living off the coast underwater unless they were using sorcery to hide from sonar and exploratory/research missions.

My bets are on this "invading" nation to have been a populated island that existed for a while and for some reason -probably related to the datenseki- war broke out between them and the mainland. Classic grab for resources, discontent with the mainland rulers vs. the island's own government, everything's still on the table. Maybe they were a long-lost fragment of society that tried to reintegrate, who knows?! But does anyone really think a war that started with such one-sided aggression out of the blue would have the population reacting to the people that saved them like this?

Not exactly a "hero's welcome".

"Disappear", "Atone for your sins", and "mass murderer" painted on the side of someone's house with garbage dumped in front is not reflecting the sentiments of people who are happy that the threat to everything they know and love was dealt with. That's outrage! Probably something to do with how the enemy was "wiped out" (JP:掃討 [soutou], cleaned up/swept clean/mopped up, specifically of enemies.) Sounds like the so-called invaders from Japanese Atlantis were thoroughly eliminated...

Iori is very young here, probably elementary school age. So this is a few years after the war in an unknown location- there's a chance this was on the enemy's island, but why would he live among the remaining enemies? He doesn't need more guilt than he already has, seriously. Also, since he was reputable as the fastest swordsman alive when the blades were being handed out, he most certainly wasn't a defector from the enemy's side. Thus I believe this scene takes place on the mainland.

It seems to me like it wasn't all sunshine and rainbows after the war so the Kamunabi came up with a publicity campaign and squashed the truth somehow. But that doesn't erase the memories of the people involved, either as participants or witnesses. I'm extremely curious as to how other members of the war generation remember things. The blades themselves were only used in empty fields (according to Azami, ch. 9) so the Kamunabi could spin that any way they wanted and likely did. But if that was the case, then who saw what and told others to kick off the harassment campaign? Are there mainlanders who dissent to the Kamunabi's rule because of that information not being completely suppressed and thus help out the Hisaku- like Kyora and the Sazanamis were implied to be doing? Remember, Kyora wasn't quite manipulated as thoroughly as Chihiro recounted to Uruha in chapter 48. He definitely had some personal and/or political sympathies with our favourite group of silly bad guys:

Chapter 22. "Dissidents" aren't business rivals or competitors- they're specifically political opponents against the current regime. The term used in Japanese (異分子 [ibunshi], outsiders/alien elements) has slightly different connotations but can mean the same thing.

This is what I meant by the monkey's paw curling at the start of this post. We got crumbs that only really raise more questions instead of answering anything. For now I am still clinging on to the theory of the Seitei War being a civil war... mostly because I don't know if the author intends to tell a story with blunt commentary on the misdeeds of Imperialist governments.

Possible Real-World Influences

Hakuri has nothing to do with this, I just miss him.

So, I know a lot of people have Attack on Titan's swerve into "What the Hell, Author?!" territory still fresh in their minds and I do too. What Hokazono-sensei's setting up here has some eerie similarities with a corrupt government hiding a lot of shit and the mysterious enemies being more sympathetic than they should be... I just hope we don't take the same route of "both sides were bad, so the military needs to protect us all and destroy the worse evil" that seems to happen a lot in these WWII allegory stories.

Not to get political about an action manga, but the discussions in Japan over how to teach younger generations about what went down in the WWI and WWII eras are pretty tense right now. A great deal of emphasis is put on the suffering of the people that happened after Japan was nuked twice -which was a tragedy- but the real story is lost in the debates about what and how much to teach. There's a lot of folks who want to minimize and omit lessons about the war crimes the nation committed in China, Korea, the Philippines, and the rest of the Pacific. There are even a handful who vociferously defend them as "necessary" things that happened during wartime.

I see a lot of this reflected in Kagurabachi's arc right now. We've been told several times that the Kamunabi's version of events can't be trusted and that there's something awful that was covered up. The Hishaku want some secret to come to light and it will almost certainly have hugely negative impacts on the Kamunabi, the Bearers, and likely Kunishige too. Chihiro needs to know what happened as a core part of his character arc, and it will probably come with the realisation that the conflict he's embroiled in is much more complex than a simple revenge mission can solve. Whatever the truth of the situation is will shatter his worldview.

Where Attack on Titan failed in executing this sort of plotline was making the Titans a genuine threat that needed to be put down after revealing what they really were. You don't set up obvious real-world parallels to groups that have suffered greatly in the past just to say they were a real threat all along. You don't downplay a government's corruption and cruelty with "well the other guys weren't great either". But this isn't an AoT blog so I'll stop there.

I don't see a reason to be nervous about Kagurabachi making the same mistakes right now after the sensitive writing around difficult topics from previous arcs. I'm paying close attention to where the Seitei War information crumbs lead us, though. I'm interested in most things the author has to say if it's well-told but I'm not going to stick around for justification of jingoist ideology. I also hope that the author will be able to tell the story he wants even if it happens to go against the government's prevailing sensibilities.

We don't know yet where this will go so I'll just wait and watch with a bit of trepidation. I trust Hokazono-sensei to not repeat mistakes other authors have made, but he could well make new ones as an author writing his first-ever serialisation. I just want whatever comes of this plotline to have something interesting to say like the others before it...

We'll leave it here for today, dear void. Thanks for reading all this if you got through it and let's sit tight for some awesome hotel fight action next week! Say something nice about yourself once a day in the meantime. Every other or even just one day is fine if that's all you can manage too- we all start somewhere.

[alliwantistowearcomfypants]

I'm not gonna lie, I think mandalorian should have ended at season 2. It just buttoned up so well, and the message was incredible. It was touching and sad. And then, like a month later, it didn't matter. Season 3 was so disappointing to me, and I think a big reason for that is because it lacked that simplicity the first 2 seasons had. The show was just about a damaged man finding his humanity and helping various people along the way. I know that not everyone loved the simplicity, but I think it was the best thing the show had going for it. Star Wars often suffers from stuffing so much crap in the story that it forgets to add character arcs.

The first 2 seasons are super character focused. The plot is so intertwined with Dins' character growth that it doesn't focus on the big picture. But in s3, Din barely has any growth as a character. There's stuff happening left and right, but Din doesn't really have any emotional stakes in it. Him trying to get his mandalorian status back feels hallow because we literally just watched 2 whole seasons of him breaking away from it. One of the biggest character moments for him was taking off his helmet for grogu. He's telling grogu that he matters more. That he would give it all up for him. It's so touching and feels like his character's natural progression. And then we're supposed to care when all of a sudden he wants back into the morally questionable pseudo cult he broke away from for his baby? I don't care! That plot point also resolves itself in like 3 episodes with little to no confluct, so now what. He wants to help Bo Katan. Ok. Why. No idea. He's kinda just there, watching things happen around him. There's no inner conflict or tough decisions he needs to make. His character arc is over, and you can tell the writers didn't know what to do with him.

The show is honestly focused more on bo katan than din. Which, no hate to her, but I'm not here for her. She's treated like a wronged princess, not like a deeply flawed terrorist who saw the error of her ways way too late. She literally aided in getting her planet overrun by crime leaders and sith. And the show just brushes past that. They don't even mention Satine, which could have been a great way to humanize Bo. Have her struggle with the fact that she got her sister killed. Have her wanting to restore mandalor for her sister, who died trying to protect it. It would have been so much more impactful if Bo Katan's motivation was out of guilt for getting her sister killed and planet overrun. She could have slowly opened up about her complicated relationship with her sister. She could have had an obi wan kenobi type arc. Learning the only thing she can do is move forward. Try to right her wrongs. Restore Mandalore in the name of her flawed but deeply devoted sister. I do not understand why they didn't at least touch on Bo's personal ties to the planet. She feels so one dimensional, and they could have easily made her more interesting. Or at least motivating.

My biggest problem with the show is that I didn't really care. I didn't care about Bo Katan's goals or Din's. And I think the biggest reason is because the show forgot to add character moments that tied them to the things they want in a personal way. Also, Din's baptism thing was stupid. Just cut that out entirely. No one wanted that.