#he sells too well

[ryllen]

no, but pinecones is really beautiful isn't it ?

[justmoveyourhand]

Counter theory: maybe they DID die, and their restored selves are just a new form of Sleeper.

I'll be honest I'm kind of desperately hoping that's the case. I can't stand the idea that Phyrexia is just....gone. One of the oldest evils in the multiverse, in their cannon and ours, gone with...what, ONE named death in Jaya? Frankly I think the Pruning should have been literally that. Don't just despark, trim the roster. Let there be consequences, let there be loss. Let. Characters. Die.

WAR had the same problem, but it at least had the virtue of a MAJOR death. Dack was a beloved one-off, but he got a lot of attention leading up to his death in the novel. Enough insight that even if you didn't know who he was, it was sad to see him go. Gideon had been one of the front lines for...what, a decade at that point? He was effectively co-leading the Gatewatch with Jace, and their ham-handed attempts to ship him with Chandra, Magics Leading Lady in modern, throughout the Gatewatch era cements that they knew he was important. They spent time making you understand how he'd changed, he was still growing out of his old self, how important he was...and THEN they took him from you. The beautiful irony of the Indestructible Man being the casualty. The damage it did also became a new character angle for Liliana. She felt like she didn't deserve to live through it, had consciously decided to sacrifice herself to fix the mess shed helped make...and they she had that choice taken awake. Guilt, anger, loss of a friend she'd finally admitted MATTERED to her.

Gideon's death cost us an interesting future, sure. I would have loved to see a storyline where the Blackblade corrupted him, turning him into a self-righteous tyrant who still believes himself a beacon of hope (and bolstering our increasingly shrinking Villians roster), but what we got had consequences. It changed thing.

Now let's look at the Aftermath of Aftermath. Sure, we have a lot fewer Planeswalkwers. That could be interesting. Maybe we won't ever see them except on their homeworlds again...expect they created Omenpaths. So they can still logically get anywhere. So it doesn't matter.

But all the corrupted walker! Surely there a lot there. I mean, Nissa was a torso with snake-spine body. And now she's...back to normal but with a new haircut. Vraska and Jace became a twisted murder couple...and now they're settling down on Ravnica. Nahiri (my beloved) could have become an even fiercer villian (since that's clearly the only direction they're interested in taking her), could have applied her lithomancy to the living metals and ivory grandeur of Elesh Norn's basilica, trying to retake her place when things ended...but instead she's right back where she was during Zendikar Rising.

Just...reset. Nothing mattered. No consequences. Most of the corrupted Walkers are OLD characters, ones who you could easily argue had run the gauntlet, had their arc. Nissa, and Ajani specifically...they were Lorwynn 5. That would have felt impactful, the ending of an era. They could have been let go. We have SO many new faces that could have taken their place. But no. We can't take risks. We can't risk alienating the people who love these characters, right?

It just makes me sad.

Can we talk about this art for a second? Tinfoil hat conspiracy theory time: I think Nissa and Ajani were supposed to die in March of the Machines.

As it stands, the art is “people who are important to Chandra”, but it would make a lot of sense if it was originally supposed to be “people Chandra has lost”.

But that’s just a theory. A GAME theory.

[suzuberto]

You got booped by Panini the wanderer frog

He likes you very much and wishes you good booping day

(or only day if you aren't into booping)

He also documented it on his little journal

Image ID

A photo of a green and white belly hand knitted frog wearing a lavender hat and yellow hoodie carrying a little crossbody bag and booping to the camera (frog + clothes are bought but handmade from local ladies, the bag is made by me)

The same frog as before but with an upper photo. He's holding a pencil on his left hand and a journal over his little legs that has a frog hand with "1 apr 2024" and "boop" written on the left page and a "today i booped strangers on tumblr ♡" with a little self portrait below on the right page. At his left side there is a pen holder with other pens and a calendar, and oh his right a plate with cookies and an empty mini cup, he already got his morning tea!

(frog + clothes are bought but handmade from local ladies, the bag + journal is made by me, the other thingies are from sylvanian families sets)

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[sandwichsapphic]

“very amusing sir” DO NOT ENCOURAGE HIM. your boyfriend is making jokes during the apocalypse this is NOT the time

[carnivalcarriondiscarded]

wondering about Frank and insects but specifically about how it looks like the WH insects are highly stylized, so does Frank even know anything about real butteflies/insects?

& if he saw a real one, would he recognize it? are all of the species names he applies to the WH bugs real, or are they all made up like "Vibrant Eyespot" or "Fluttering Heartwing"?

and then there's the question - does the neighborhood have some of the more 'undesirable' bugs like moths, worms, roaches, spiders? does it have bugs outside of the generic groups of beetles and butterflies? like are there mantids? leafbugs? dragonflies? weevils? or are those too specific/complex/not-cute for the Playfellow Workshop to have included?

and then there's the question of what are the bugs? props? puppets? are they alive or do the neighbors just perceive them as such? Do they even exist outside of art, storybooks, and animated segments? I highly doubt they're alive like the neighbors are, since in the gif of Frank's head spinning, the framed butterflies' wings are moving. which is kind of horrifying if you think about it for more than a second.

just... the critters Frank loves so so so much being a complete fabrication... every piece of knowledge he prides himself on / delights in knowing being utterly Untrue... oof

[breizhbaguette]

True Story

Me in a french book shop, wanting to read stuff about Tim in a legal way (because I realised I never read anything about him): Excuse me, do you have any comics with Tim Drake as the main lead ?

The seller : *laugh a little*

Me : ?

The seller : I'm sorry but you won't find anything anywhere.

Me: What do you mean ?

The seller : There's no translation of any of his story in french.

Me *confused* : Nothing ? No Red Robin ? No Young Justice ?

The seller : Nah, nothing. Maybe I can find you Batman comics with Tim as Robin but that's it. *take 5 batman comics out of tons of Batman comics* There's those ones, but all the others it's either Dick or Damian. Sometimes Jason.

[multiiocular-mushroom]

Going back to that silly little Madoka AU for The Terror, and it's finally Hickey time :D

(bits of lore and another pic under the cut)

As a magical girl:

Funnily enough, out of the original cast he resembles Sayaka the most, up to fighting at very close range. Makes his deal with Kyubey soon after the flogging, which is why he is aware of the whole "you are now a Soul Gem piloting your former body" thing pretty much from the start and sees it more as a blessing. Considers trapping Tuunbaq and using its energy instead of merely killing it (think Alina Grey and her entrapment cubes). Also he's the one who takes down witch!Goodsir.

As a witch:

In those of Jopson's timelines where Hickey has the time to witch out before Tuunbaq shatters his gem, he becomes Эван Сесил, the elusive witch with a mirror for a face.

The inside of its barrier vaguely resembles London, every house window an empty grave. The witch is followed around the barrier by blinding light, making it even harder to analyze its appearance or movements. Its minions roam the premises on wooden horses, an attempt to still have the mutineers by its side. This witch exhausts you with chases until you slow down and are swallowed up by the ground/walls or stabbed by a minion.

One who fights this witch must convince it that it never existed in the first place.

[ganondoodle]

(this went on to be a longer ramble, talking about shrines and the abilities in totk i had more thoughts about the overworld repetition but im putting this into a separate post)

something i havent seen anyone mention before is also that it is a problem that you can skip nearly any puzzle in the totk "temples", some of which just by climbing walls ... and that wasnt possible in botw bc the titans were made of the same material as the shrines and prevented you from climbing on them, which feels like they knew making them climable would reduce the amount of puzzle you had to do and make it even less impactful, surely there are some glitches or movement tech that can make it easier, but at least you had to think about it a little?

but i guess that went against their newly adopted "more freedom equals better" way of thinking .. but then ..

the thing that i find confusing is that the shrines interior in totk are once again, NOT climable, but similar sonau buildings in the overworld ARE climable, they even restrict how you can use the tech in shrines, so ... they arent actually against restrictions? but then dont restrict anything else? not even in the main dungeons?? its kinda inconsistent and conflicting (like everything else lmao)

and that kinda extends to the abilities too, both the ceiling jump and ultrahand make alot of puzzles obsolete bc theres always a way easier way to skip everything; i know they kidna based it around people doing crazy thigns in botw, but there it felt like you were actually kinda missusing the mechanic of stasis for example in a smart way, YOU came up with that and it felt rewarding creating your own solution to shrine puzzles bc there were multiple ways to do it in this engine (like isntead of aligning blocks to lead electritiy to one end to the other you put out your weapons and place them there instead, and it WORKS) it felt more non intended, even if they had thoguht about it, it still FELT like you just came up with that, and sometimes it really was the only way your mind worked with and everyone had their own way of thinking

while in totk, they kinda tried to encourage that way of thinking, but it doesnt feel like your own idea anymore really, and, while its not every single one, in alot of totk shrines .. or even overworld puzzles you were just .. literally given the puzzle pieces for you to put together, but the pieces were like .. in parts of 6 at most so putting together the picture was both obvious and also kinda boring, like you were treated like you are a 4 year old and they were giving you 4 piece puzzles over and over- and fine you CAN just glue the two fans together and stand on them to fly high enough to just glide over to the end instead of building the flying thing they gave you the pieces for BUT its still .. expected, like you dont feel like you are working on it your way but seeing what the devs obviously planned for and then knowingly circumventing it i dont think its good either that in combination with the ceiling jump you really can just skip almost anything, take out a fly thing and fly near the end to spam the jump until it works, instead of using the building blocks they gave you for the obvious solution you build some platform and just ceiling jump to it, theres a rocket here? fuse it to your shield and fly high enough to glide to the end, its both too easy and obvious for the intented way and then you can even entirely skip that too, and you dont even feel smart about it bc it doesnt feel like you came up with it on your own and instead feel like a child that is way too old for the toys its given and the adults giving them to you stare at you while they wait for you to solve the puzzle- and alot of the solutions were either build something with these three pieces or fight something with these pieces-

i still remember that one (or more?) botw shrines were it lead you to a button to press and once you stand on it the wall slides open and reveals some fun and unexpected challenge, over and over- there was a hallway you had to glide through but there were big moving spiky metal balls hanging from the ceiling, maybe one has a normal rope on it and you can shoot it down if you notice it but the others dont so what do you do, stasis them so you can avoid it in time, grab it with magnesis to make it swing harder and then hope for the best as you fly there or dont do anything of that and just jump in- the one were a spiked wall was chasing you and as you run more obstables are put in your way right before you get to it, you stand on a button and the wall opens greeting you with an immediate guardian laser to the face? it felt more creative and fun to me, tho granted i havent done all shrines in totk bc i grew too tired of the everything to play more

(at least thats how i felt like, like i was treated like i was stupid for alot of totk, not just in the shrines sometimes .. which were one of the more enjoyable things in it, but also in the story .. like you dont have to think at all to get everything before its said to your face over and over)

and that thing with the abilities and the tech also makes the world less like a world and more like a playground bc you can just skip to every point of interest, you dont have to walk or climb or fight your way anywhere really bc you can just go up and fly to whereever you want, the new weird ass towers only make it worse bc .. of course youd make use of them to get everywhere even quicker, its also kinda in the combat, they might give you the tools to be creative (with arguably very simple things .. like a wheel, a rocket a fan and flamethrower arent realyl that interesting to begin with) why would you build a laser firing tank maschine to fight some bokblins you can just .. clobber like you usually do way quicker and easier

i do like the abilities in botw more than in totk too, but its got multiple reasons, like the world felt built around it without putting it into your face all the time, and the shrines were more built around giving you fun challenges, or just .. a fun experience, with often more subtle puzzles and not always forcing you to make use of the shiekah stone runes, plus the totk abilities feel more like the same thing .. or less interesting? fuse and ultrahand really are one and the same thing but separated into two for .. some reason, the time reversal is like stasis but with less ways to apply and use it (and kinda clunky how everything freezes in place when you prime it), and both it and the ceiling jump are a skip button from one location to the next (even tho we already have the fast travel) so you dont even need to climb, like those weird towers in the underground i thoguht looked cool and interesting when i first saw them only to realize its just a way to get to the surface via ceiling jump and nothing more .. you could fast travel up with the same amount of loading time, and more often than not it wasnt even in an interesting spot or somewhere you couldnt get to otherwise; the autobuild too even lets you skip building!! the thing thats the supposedly focus! i know its annoying to build something for a long time with its clunky function but isnt it yet another skip button

... another random ramble, much more incoherent too, again i want to mention im not trying to hate on everything, jsut kinda communicate or ... spill out my thoughts and feelings; i do absolutely agree that ultrahand is a very impressive mechanic and i did have fun with all the abilities for a while ..... i still like botws more bc its more diverse and is more restricted (which i LIKE) while also having more ways to use them

[waldensblog]

I was remembering that old "best friend is next to you in jail" meme from the late 00s/early 10s and I knew exactly who would be who in a Hogwarts legacy version.

[silver-dragonborn]

I don't know what I'm going to call my fanfic where the Greens lose and Criston runs away to Essos with Alicent and Aegon in exile where they're forced to sell mangos for a living.

Mango Craze

Mango Dreams

Mangogate

It's supposed to be pure crack but also has a lot of serious moments where the "victims" of Rhaenyra's "tyranny" come to the startling realization while selling fruit for a copper that if they had just stayed in their lanes, they wouldn't be in this situation.

[resident-gay-bitch]

little rich boy sirius who gets disowned and can barely survive without his expensive brands and the basic human need to eat at least once a day meeting the entirely too generous james potter who just falls for the vanity and sincerity of the reformed rich boy and decides that once sirius stops caring about brands and status and rich boy things and just cares about what matters in life he decides to spoil his boyfriend to pieces because he’s secretly sitting on a fucking fortune

[g0nta-g0kuhara]

So I went to Ikebukuro again. Peace and love on planet earth

[telesodalite]

Sort of a ramble, sort of me just writing my thoughts out while I'm stuck with writer's block, but I keep thinking about how Fulcrum was in stasis for roughly 3 million years??

Like, that's a long time, even for Cybertronians. Not a really long time, not an entire lifespan. But still, it's a large chunk of a normal lifespan just gone. Poof.

One second you're crawling across the pockmarked terrain of an alien planet, surrounded by the sound of gunfire, and the shouting and screaming before and after each earth shuddering impact of another k-con hitting the ground. And then it's quiet. You're not there anymore. You're drifting somewhere between not alive and just asleep. Preserved somewhere in the background of a doomed body, ignored by time and space, still here, but also not.

And then there's sound. Not gunfire. Not shouting or screaming. Not the sounds that'll haunt you till your dying days, your own death sentence pounding in your head. No. Just voices, talking, standing out against a silent, dead world. Wondering. Joking. Bickering. Familiar. Just, not familiar to you. And you're awake. Pulled back from the nothingness you've been frozen in, consciousness tugged forwards with the yank of a fuel pump and the nearness of life.

These two moments are roughly 3 million years apart, but only minutes, maybe even seconds, to him. From a hectic harrowing battlefield, to an old silent graveyard in one blink.

How long did it take to really sink in? I mean, he seems to just roll with it. He doesn't seem particularly bothered. But like, what happened outside of what we see? How did he really feel?

Also, his body aged without him. While his mind preserved itself, freezing him as he was right then, his body was left to weather Clemency for all those years. No wonder it crumbled to dust when he jumped off the world sweeper. It's probably a miracle of some kind that it didn't just fall apart each time someone leaned on him.

And even after they rebuild him, give him a better, newer body. His spark, it's casing, all the irreplaceable core bits that make up their inner bodies, it aged in the time without him. Does he feel it? Does it make his body even more foreign to him?

Then he's also a technician with information that's 3 million years out of date. Lucky him that the scavengers probably weren't working with top of the line material. But still it's gotta be weird when faced with anything brand new, because a lot can change and progress in 3 million years, and now some of the knowledge he once prided himself in is obsolete.

Besides those things, his view of the galaxy, of the war, of their kind, of other kinds, is one of the few things actually pointed out when it comes to him being stuck in the past. So, how often were his old views challenged? Facts of life he held close proved to no longer true? There's 3 million years worth of new science, new beliefs, new words, new terms, new views.

And sure, some of it can be familiar, because they're an ever evolving kind, and they have patterns, core beliefs, repeating behaviors, but a lot of it's gonna be unfamiliar at the same time, because it's 3 million years worth of catch up, it's not like missing last week's trend.

In a way, it makes him a living relic of a bygone era for Decepticons. It would've been really interesting to have had that explored a little more.

[carnivalcarriondiscarded]

Do you mind if I share some speculations on our favorite bug man?

I think you're right in that Howdy has caught onto something being off about their world. But he can't just jump up and tell everyone that they are living in a simulation. So he has to watch and wait for everyone else to realize it in their own time.

But

In his heart, he is a lovable asshole. And an asshole he will be!

Sally got close to figuring out that the food are props, but it hasn't clicked yet. Until then, the lable on the "mashed potatoes" is just a marketing ploy.

And sure, Howdy knows the blowing balls are made of foam, but Eddie doesn't know that! So Howdy sends him off, watching him struggle to carry something that weighs next to nothing.

Maybe if they interact with enough props, they'll catch on, too? In the meantime, Howdy is gonna have fun messing with everyone.

ohhhh i Do like this interpretation! where he's actually trying to clue them in, not just going "well. this might as well happen". and doing it his own... uh... Special way....

[polysyndetonaddictsupportgroup]

for the megumi and the world's most inconvenient custody battle, i just head canon geto and gojo screaming at each other in front of kfc (AGAIN) and the conversation goes something like:

Geto: I HAVE MORE EXPERIENCE I HAVE TWINS AT HOME ILL BE A BETTER PARENTAL FIGURE THAN U!

gojo: THATS MY BABY I CHANGED HIS DIAPERS! HE CAME OUTTA MY WOMB! GIVE HIM BACK!

megumi and the kfc workers are so so done someone get these gay men couple therapy pls

i have so normal feelings for ideas i totally dont think about them every single day.

The funny thing is that Megumi actually have no awareness of Gojo at all during the custody battle due to the intricacies of the binding vow (there's a clause where Megumi has to kill himself if Gojo intervenes at all during the span of the agreement. Geto wanted the clause to be that Megumi has to kill his sister, but Megumi threatened to kill Geto and then himself if he made that the clause. Geto doesn't actually want to make Megumi kill himself, it's just a dead man's switch to keep Gojo from swooping in and ending the entire thing prematurely. There's nothing Geto can do to actually stop Gojo, but he can deter Gojo with the consequences of a binding vow which even Gojo cannot break, and he knows Gojo won't actually risk his son, so he'll let the entire thing run it's course naturally). So it's just:

Megumi: *very grumpily going ice skating with Geto's twins because he's under binding vow to play nice and cooperate with the cult members during the terms of the vow*

Geto and Gojo, squatting behind a vendor's cart: *having the world's quietest and most hostile divorcee bitch fight*