#he recognizes real

[frownyalfred]

eye in the sky has captured my ENTIRE brain and i was thinking back to how in an earlier ask you were imagining bruce eventually blowing the watchtower out of the sky like holy shit

bc like for bruce to blow the whole thing up with himself inside, he’s gotta distract the other regime members yeah? like j’onn and hal and diana and everyone - but especially kal. between the super strength, telepathy, super speed, super senses, laser eyes, etc. he Has to incapacitate them or they will be able to physically stop him from exploding the base and duke from escaping.

cause i imagine that after so many years it’s not like bruce can just pull out some kryptonite or lead or red sun lamps or whatever, kal would’ve destroyed those long ago. and now i have this image in my head of superman being weakened for the first time in actual years, unable to reach bruce to stop him, and the two of them screaming at each other over the comms system all of the grievances bruce has been unable to say

bruce (and especially batman) is a character defined by hope and his faith in people, but the hostage situation is so perfect for engineering him losing that faith in clark being so so resentful over all the abuses he and his family have suffered at clark’s hands. he reminds me of that mountain goats line “i hope you die i hope we both die” and it’s making me crazy they are SO unwell in this au

Mhmmm. I’m not sure if it fits but this made me think about what that scene could look like. And I think it would hurt extra special if Bruce managed to capture Kal in a chamber of energy field of some sort in the Watchtower (maybe something he was painstakingly building from scratch pieces over the years in secret) and he starts the detonation sequence and just…locks both him and Kal in the room together, with Kal in the chamber and Bruce sitting with his back up against the wall, holding the remote to trigger the final sequence and slowly bleeding out (maybe he was injured trying to trap Kal? Help the kids escape?)

And Kal is SCREAMING at him. Pleading with him. Begging him not to do this. Because Kal will live — even weakened and in the chamber, he’ll probably survive the explosion. But Bruce won’t.

[pennyserenade]

he’s just like me fr

[poorly-drawn-mdzs]

Dead beat down

[First] Prev <–-> Next

[hinamie]

august

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[j11nko]

what song is he playing

[lesbianrobin]

ok so here is my pitch for my dream buddie catalyst:

eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.

i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.

eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—

and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.

they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—

and maddie says you're his. eddie, you're his.

and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.

meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.

eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.

of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.

finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.

after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.

and maybe they'll ask whether it's even a risk at all.

[gordonfreemanspussy]

benry babies birthed amongus or whatever

[lemongogo]

they should get to kill each other at least twice .i think

[royaltea000]

Al the kinda guy to nut in his pants after a threat

[serpentface]

are the talking crows still around? what are They doing while all this drama is going on around them in the world

Mostly doing their own crow things and not commonly having direct and mutual interactions with other sophonts. They're similar to yotici in the capacity that they have Very different modes of living than most other sophonts, and they generally are not recognized as 'People' in the same sense as humans, elowey, qilik, caelin, and delkhin. However, (given their strategic and intelligent capacity for word mimicry) talking crows tend to be comprehended as unique magical animals or spirits, or are not recognized as a distinct type of entity but rather feed into broader corvid folklore (as they are very difficult to visually distinguish from many common crows).

They make a few appearances in Whitecalf as small flocks of crows trailing the pilgrimage, picking at its food supplies and occasionally scavenging on its dead. This is a family unit of talking crows that has suffered heavily in the drought, with very few of their chicks surviving infancy and even some of the healthiest adults dying of thirst and starvation. They have recognized this mass movement of big two legged people as a source of potential sustenance, and are very persistent and skilled in keeping themselves fed.

In-text they may come off as an ambiguous, possibly magical element (or partially hallucinatory) from the character POVs, due to them going from a mundane presence indistinguishable from common crows to them uttering dire threats in clear and fluent Wardi. This is very unsettling and hard to reconcile for most who witness this, but is actually just a learned method of taking advantage of beliefs in corvids as ill omens to frighten off or distract targets while another crow snatches bits of food or a nice wineskin.

[agentbootyreportingforduty]

okay but in 6x11 how the FUCK did steve misread the course description?? he looked at THIS shit and really said “wow that’s perfect for me and my platonic heterosexual (allegedly) work partner” like let’s be so forreal rn

[calware]

i love how they're all so mean to each other

[sewermageboy]

"Anyone who makes Astarion do the foursome/fivesome is a monster -" shut the fuck up.

He is the one who initiates it. At no point in the conversation did my Tav say that they wanted to do this, until Astarion was the one to suggest going for it.

Now, I as the player know that Astarion isn't going to have a great time here, that he will dissociate, and it'll probably end up as a shit experience in the end. But my character doesn't know that. All they know is that their partner is enthusiastically suggesting that he wants to do this, to reclaim a part of himself, that he wants to try and figure out his own desires after having them be cast aside for so long.

He assures you that he is up for this, that he'll leave if he grows truly uncomfortable. I (as the player) know that he won't, that he'll still go along with it even if he starts to grow uncomfortable, but my character? They're choosing to trust their partner in asserting his own boundaries and telling them if he's uncomfortable, if he needs to leave. To my character, telling him not to do this when he so clearly wants to try feels almost a little condescending.

You can even check in with him during the scene, asking him if he's alright.

To me, this isn't a scene in which one partner pressured the other to do this at all. It's a scene in which Astarion tried something, eager to experience all the pleasures that come with freedom and healing, and it didn't work out because 200 years of trauma and baggage don't just miraculously go away.

But he tried, and he chose to try, and supporting him in those choices matters, too.

[boygirlctommy]

was scrolling through old dsmp videos and saw a person i didnt recognize on a thumbnail. sat there for a second going "who the fuck is that whys this random person on here??' before i realized. guys it was fucking gnf. i fucking forgot about gnf.

[scarefox]

some minority of fans: I see nothing problematic and toxic about this character

Bible 🤝 Li Le: