#he really doesn't make a big thing of it

[teddybeartoji]

Toji with a S/O who NEVER wears pants around the house.

It's not even as a thing to seduce or flirt, it's more so a thing to do with temperature and maybe even a sensory issue.

They just don't like pants, they'll wear some super loose bootyshorts or just straight up underwear that are comfy and loose and free as much leg as possible.

They'll just rather be cold than hot, rather no pants than pants, they just really can't be wearing pants if they genuinely want to be entirely comfortable and relaxed.

TOJI ADORES THAT!!!!!!!!! i am a big fan of casual nudity and i think that toji is the same. he feels it's very important for the both of you to be as comfortable around each other as possible. he walks around naked a lot too and it's nothing sexual yk? he's just at home so he doesn't feel the need to cover up and he appreciates if you feel the same way!!!!!!!!!! and going with my old man toji agenda i don't think he has a very very high sex drive so i don't think this would be like a crazy thing for him in that sense. ofc there are times where he's just gonna come over and bite your thighs or smth as you're laying on the couch but yeah overall i think he just really likes to see you all relaxed and comfy!!!!!!!!

[lilybug-02]

Dewi wouldn’t hurt a fly…usually.

Bug Fact: The African Cicada is the loudest bug in the world reaching up to 107 decibels (about the same as a car horn).

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Masterpost

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[raiiny-bay]

the kids released a new album

[aerithisms]

i think my problem with this dw season arc accusing the audience of fanbrain for theorising about ruby is that it both feels deceitful and isn't actually that compelling from a character perspective. the season goes out of its way to build up supernatural mystery around ruby and even invokes susan more heavily than ever before in a way that is deliberately trying to get the audience to make those connections. and then it turns around and says you stupid idiot why would you ever try to connect these dots i have deliberately tried to get you to connect.

building up a mystery only for the character to be ordinary is an impossible girl arc redux only this time accusing the viewer of failing to see the humanity of the companion, whereas the impossible girl arc was turning that accusation on the doctor. 7b didn't really blame the audience for viewing clara as a puzzle and in fact several times spells out the fact that clara is perfectly ordinary before the big reveal to give the audience a chance to catch on. as 7b goes on, instead of laying the mystery on thicker, the audience just gets more and more affirmations that clara is a normal human being (rings of akhaten, journey to the centre of the tardis, hide). i found this approach compelling because it was rooted in character, focusing on the doctor's disconnection from humanity/the gendered dynamic of a man treating a woman as his manic pixie mystery to pull him out of grief. s14's meta approach of accusing the viewer feels both unfair, given it has deliberately led the viewer towards theorising, and personally less compelling to me because it wasn't tied into character in any way.

the thing about rey's parentage in tlj is that the reason rian johnson chose to go for that reveal was that it was the only answer that was interesting. none of the theories - rey is a skywalker, rey is a kenobi, and even the eventually canonical rey is a palpatine - were interesting or satisfying because they brought nothing compelling to the table for the story being told. the only satisfaction to be gained from those answers was a fanbrained "omg rey is important because she's related to that guy from the other movie." on top of that, rey desperately wants her parents to have been important, to give her life and her abandonment some kind of significance. so them being ordinary provided the most compelling trajectory for her character because it was the thing she least wanted to hear. it forced her to do the most introspection and growth, as well as tying into the film's themes about the capacity of ordinary people to be special. it wasn't just a choice made to "gotcha" the viewer, it was rooted in character.

i don't think ruby's mother being ordinary accomplishes the same thing. by invoking susan, s14 is engaging with the most egregious example of the doctor's streak of abandonment, which has potential to be very compelling in relation to ruby (and now also the doctor's) own abandonment issues. theories that ruby might be susan, or be somehow related to susan, or somehow related to the doctor, weren't just fanbrained "omg she's related to that guy i know from the classic series." they were theories genuinely rooted in character and the potential to explore both the doctor and ruby's issues with abandonment. and this is something the show willingly led fans towards by invoking susan so much in the first place. so for the show to turn around and act like they were shallow out of nowhere ideas when they were not shallow and were based on potential character conflicts the show itself deliberately invoked, feels misguided.

as well as that, ruby's mother being ordinary does not require that same growth from ruby as it did for rey because it is exactly what ruby wanted to hear. she never wanted her mother to be important, she just wanted to know who her mother was and have a connection with her. so finding out she was a normal woman who still loves her and wants to be a part of her life is everything she's ever wanted. it doesn't introduce interesting conflict for her the way rey's parents being ordinary did for her, because they were written as different characters with different hangups over their abandonment.

tl;dr i don't necessarily dislike ruby's mother being ordinary as an idea but compared to the things it was inspired by - 7b and star wars - it is not nearly as compelling in terms of how it relates to the characters or themes. and the meta angle, while conceptually interesting, doesn't quite work for me because it feels a little manipulative of the audience.

[starflungwaddledee]

offering three cookies 🍪🍪🍪

(<< part 1)

[front-facing-pokemon]

[commsroom]

honestly, i wonder a lot about eiffel's past relationships, when 1) the way he describes his relationship with kate gives the impression it was intense and burnt out quickly (though i can definitely imagine they were very on-again-off-again for quite a while as well), 2) if we go by gabriel urbina's estimate that he imagined anne was about ten by the end of the show, eiffel was about 23 when she was born. they broke up before anne was born, and i don't think they were ever together again after (i would imagine kate was probably adamant about that, and about prioritizing anne's well-being), but eiffel was obviously still in her life, in some capacity, until kate got full custody.

eiffel's got that line in a matter of perspective: "i've been awake for twenty-six hours straight, half of it because i've been sitting by the phone waiting for a call that never came. it's like my teenage love life played out on an intergalactic scale." and while it's a self-deprecating joke, it's probably not... entirely untrue about his dating life in general? we know why his relationship with kate was toxic (the implications of "things get real sid and nancy" speak volumes), and eiffel strikes me as the kind of person who prefers emotional intensity to casual indifference, even if it's terrible for everyone involved. i don't like to lean too much on things the writers have said - not least because gabriel urbina has been very clear that nothing that isn't in the show is strictly canon - but this is all speculation anyway, and the idea that eiffel was a "tv is my parent" kid who grew up unsupervised has always explained a lot about him, to me.

kate is his most significant ex because she's the mother of his daughter, obviously, but i'd be surprised if there were many other people he was that involved with for... a long enough period of time. like, don't get me wrong, i think eiffel has had plenty of hookups, one-or-two-dates, and even ex-girlfriends, but these aren't people who stay in his life; he comes on too strong for casual and doesn't have the day-to-day stability for someone who wants commitment. he's a lonely, stimulation-seeking person - he was a teenager who didn't have luck in love, and then a young adult who made a lot of bad choices (and didn't maintain any stable friendships), and then just... kinda a guy with a lot of baggage. a lot of things just kind of fizzle out because he assumes disinterest from people who don't meet him with that immediate intensity, or, otherwise, he says he's fine keeping things casual, but then he hooks up with someone once and he gets weird whenever he sees her from then on like, wow, crazy that you're here and i'm here... just two people who are both here... hanging out... like friends do. yup. and he tries to put his arm around her and she blocks his number.

[crabsnpersimmons]

Who has the other pair of his shoes. I don’t believe you can buy a red and black pair

good question! i hadn't thought about it until you asked so here's the answer i came up with:

he got them at a discount at the thrift store

the cashier just saw his excitement and couldn't bear to charge him the full price

they aren't even the same style of slides, this silly guy just marches to the beat of his own drum

[salemontrial]

Why the FUCK didn't Sasha apologize to Quinni.

[hamartia-grander]

I'm a real tragedy enjoyer but Luis's death is no longer narratively enjoyable for me, now it just feels like an insult. I'm tired of characters having to die to be "redeemed". It's not their death that is the redemption, it's the fact that they were willing to die in the first place; it's the intent of sacrifice. I much prefer a narrative where Luis survives and is forced to every day atone for his past mistakes. I much prefer when characters don't get the respite of death, when they have to live with their demons, when they have to face their past and maintain their growth. And it's especially maddening when the only reason Luis dies is because he did in the original. They'll change his character so much to give him substance but they won't change his fate? I don't want that.

[gay-robot-boyfriends]

How X feels about Iris? She's dead or someone brought her back to life?

Zero wasn't in real trouble because X loves him too much. Axl obtained the information by questioning Zero while they were on a mission.

Zero is sheepishly waiting for "the talk," which never comes. Only X has the privilege to handle him this way without having his head blown clean off.

[tvckerwash]

thoughts on wash's fighting style and his position in pfl because I can (utc because it's really long lol):

wash is very unique among the freelancers for a variety of reasons, one is that he doesn't specialize in one specific area of anything, he's a jack of all trades who is able to fill in for other freelancers if necessary. for example in s9 when york was supposed to be unavailable for lock picking/infiltration duty, carolina immediately went to wash (and we are ignoring that york is not shown to be good at lock picking!) if she trusted wash to fill in for their specialist in one area, I feel it's not a stretch to imagine that he can do so in other areas as well.

need a snipper but north and wyoming aren't available? wash can cover. need someone to get into the enemies' computer systems in place of ct, south, or york? wash can cover. need someone for stealth or reconnaissance in place of florida? wash can cover. etc etc.

wash's combat style reflects that jack of all trades, master of none thing very well too, as the way that he fights is very grounded and pragmatic when compared to the rest of the freelancers. a lot of people like to portray wash as less skilled than the other freelancers, but in truth I believe that wash being able to keep up and compete with the other freelancers despite his lack of dramatic flare is a show of just how competent and skilled of a soldier he is. wash is so good at doing what he does that he doesn't need all that extra bullshit to get the job done. sure, he might not look as Cool and SexyTM as the others while doing it, but completing the mission and surviving to live another day takes precedence over all else.

another way of looking at it is that wash fights in the same way that the odst's do, that is to say that he fights like a human who cannot plow his way through the battlefield in the same way the spartans can. wash's style of fighting is one that employs careful planning and targeted hit and run tactics—this is most obvious in recovery one and s6 whenever he's fighting against the meta.

I also feel it's important to note that wash is not a cqc fighter, he can handle himself if he gets into a cqc situations but his primary weapon is the battle rifle—which is a mid/long range weapon. if I'm being honest wash's way of fighting makes waaaaaaaaay more sense if you look at him not as someone who is trained to primarily fight against other humans, but as someone who is trained to fight against 8ft 2 ton aliens with plasma weapons that can slice through the hulls of UNSC battle cruisers (ships designed to travel through space!!!) like a hot knife cuts through butter and have the technology to raze entire planets to the ground in a matter of minutes.

I also personally believe that wash has the most military experience out of all the freelancers right behind florida, wyoming, and maine (who I hc as a spartan iii). we know that wash did his basic training in the leonis minoris system (a canonical halo system) and that system had two of the three planets glassed by the covenant in 2537, and wash directly references these events in the washed hands interview in the fan guide and the way he says it implies that he likely completed his basic training that same year. now I have some grievances with the timeline given in the book when it comes to the events depicted in the freelancer saga because it's just kinda weird, but everything prior to that bit is actually fine (though I hate the way that they decide to number the timeline lmao).

now in halo canon the human/covenant war ended in 2552, and according to the timeline in the rvb fan guide that was 1 year after alpha was sent to blood gulch. project freelancer is first cleared for funding 7 years BBG (before blood gulch), and recruits the 50 freelancers 5 years BBG. doing some math we can determine that pfl was cleared for funding in the year 2544, and the freelancers are recruited for pfl in 2546. so assuming wash finished his basic training in 2537 that would mean that he was in the military for 9 years before he joined pfl, and while wash is addressed as a corporal (e-4) in the washed hands interview he was most likely demoted to that after he was court martialed, and he was possibly going to be dishonorably discharged from the military because of his disorderly conduct.

using the current standards used by the us marine corps when it comes to rank progression, wash was most likely a sergeant (e-5) who was very close to being promoted to a staff sergeant (e-6). wash as a sergeant would've essentially been the assistant manager/co-leader of the platoon he was in while his staff sergeant was the manager/leader, and that would explain why he was able to even get into an argument with his CO in the first place. I believe wash held a similar position in pfl, as it's kind of implied that he did some management stuff in pfl (talking with internals/upper brass, him feeling comfortable with openly questioning carolina about whether york should be allowed on the sarcophagus heist, and of course he shows the ability to direct and somewhat lead south in recovery one, and him leading church, caboose, and the reds in s6, and him taking charge of the meta in s8).

even if wash wasn't a sergeant as a corporal he would've been in a position to be the leader of a fire team, so basically wash isn't some rookie who had no clue wtf he was doing as many in the fandom like to characterize him; he is an experienced and battle hardened soldier by the time he joins pfl no matter how you look at it.

to put all of that into context, carolina is born 29 years BBG, which would be 2522. so during pfl she's in the 24-28 range and she wouldn't have joined the military until 2540. I actually personally head canon that wash is the same age as carolina, but that he illegally enlisted at 15 because of a crappy home life, but ignoring my head canon and assuming that he joined the military at 18 instead, he would've been born in 2519.

[mayasaura]

I see a lot of meta talking about how the John Verses are John telling the story of the leadup to the apocalypse with the most sympathetic biased self-justifying gloss to make it sound like nothing was his fault, and I guess that's why so many readings go for a hardline worst-faith interpretation of them, but.... I don't really see it.

When he tells about how he murdered everyone who had a gun, he could have played up the self-defense angle. He could have claimed he was scared, and he did it to protect everyone. He could have emphasized that he was killing cops, instead of emphasizing the civilians. He could have stuck with the story he told at the time, that he freaked out and made a mistake and hadn't meant to kill them all. He doesn't. He admits to mass murder, and he admits to having done it because he was angry. And he admits to still not regretting it one bit.

The story John tells just doesn't paint him in the best possible light. He does include all of the justifications he used at the time, he does explain why on earth any of this ever seemed like a good idea to anyone, and he does want to be understood, but he doesn't really try to sell it as having been right.

I really don't see the verse chapters as being John's justification. They're his confession. That's why they feel so good to condemn.