#he knew what he would have to do

[uncleandnephew]

no wonder he was so stressed...

[poorly-drawn-mdzs]

It's just guys night talk! Don't worry about it!

(Read Tiger Tiger and shake this man awake so he can finish that thought!)

[morganbritton132]

Eddie tells Wayne everything. They’re very open and honest with each other. Always have been.

Steve, on the other hand, does not talk to his parents unless he absolutely has to. If they asked him what his favorite song was, he’d lie.

So, it’s a bit of a shock when they’re back in Eddie’s bedroom, making out. Things are getting heated and Steve can hear Eddie fumbling one-handed in the drawer of his nightstand right before he mutters, “Shit.”

Steve asks, “What?”

“Nothing,” Eddie says, pulling back a bit. “Just give me a second.”

Steve watches him slide off the bed, throw open the door, and practically shout, “Hey Wayne, do you got any condoms?”

Steve is so mortified that he dissociates for a second and then leaves out the window so he doesn’t have to pass Wayne on the way out.

[happypeachsludgeflower]

I’ll never understand why He Xuan had to go through with his elaborate revenge plot against Shi Wudu the way he did. He already had the perfect revenge set up. Murdering Shi Wudu might have brought He Xuan momentary satisfaction, but seducing the man’s precious little brother and rubbing the relationship in the water tyrants face every single day is eternal.

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[claraoswalds]

#mrs flood who are you: time lord edition

[phoe-ix]

Generation Loss: Season 2: yaoi loss or smth like that.

[team7-headquarter]

HE WAS SO MAD

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[flamingpudding]

Drake's family secret

A/N: Another story idea I had and I probably will keep working on. I kinda want to continue on it I just have no idea how or with what yet.

Tim had a secret. Well, he had many secrets but this was one he had kept closed off for a very long time now. It was one of the reasons he fabricated a fake uncle to avoid getting adopted. After all, if you were put into the system how could you possibly get found or find your last living blood relative? His family didn't know and he never intended for them to know anyway. It was a secret well-kept of the Drake family, one that even the public didn't know about. His parents hadn't thrown around money to keep anyone involved silent for nothing after all.

But Tim had had vague memories as well as found the last remaining documents years ago. The problem had been that he hadn't been Robin yet at that time and couldn't do research like he can now. Tim had often wondered if one of the reasons he had followed Batman around back then was to see if he could help him with that matter too, yet he had never brought it up to Bruce nor any of his other siblings.

In a way it made Tim feel guilty now as he looked over that old piece of paper. The only hint he had until now.

He looked over the security video of Wayne Enterprise again. Watching that group of high schoolers that was there on a school trip visit. His eyes tracked one specific student among them. If things were different Tim would joke about how the boy looked like perfect Bruce adoption material. But as it was, Tim was not going to make that joke.

Because as much as the boy fell into the stereotype of Bruce's adoption problem, the boy had facial features that looked very much like one Jenet Drake. Tim could honestly see it, sure his memories were not the best in regards to his parents but he had kept at least some photos for references. But recognizing that threw in a whole other set of problems.

For one he would need to find a way to make sure the Drake Family secret doesn't get exposed to his family too soon. Second, he needed to find a way to approach the boy without looking suspicious. Third, he was on a time limit, according to what he found the school trip the boy was on lasted for a week. Once the boy was out of Gotham it would be even harder to find a passable excuse to approach him. Fourth, he would also need a blood sample. As much as the boy's looks alone could make Tim believe it, the rest of his family was paranoid and if he was completely homestead, he also would need it for his reassurance that he wasn't wrong. Which again he kind of doubted even with this little amount of evidence. The fifth problem in this was, how was he going to break it to the rest of his family.

Because the best kept Drake's Family secret, he was pretty sure he was the last remaining person in the know, was that Tim had a little brother. A brother that was born when he was around 3 or four years old. A little brother who had never gotten to grow up with him because Jack and Jenet Drake had used their constant traveling as cover so the public wouldn't know about him. They already had an heir with Tim, they didn't need a second child. So the moment his little brother had been born he was given up in a closed adoption. Never to be seen again and never to be connected to the Drake family.

Tim only knew about him because he had vague memories about his mother's pregnancy and also had later found the papers in his parents' office when he was around ten. He remembered how upset he had been at the discovery but also how he hadn't been able to do anything about it. Though it was back then that he had also decided that the moment he could he would do everything he could to find him. Things only started to change when he became Robin and then Red Robin. Now he had the resources and knowledge to find the little brother he had never gotten to grow up with.

But too much time had passed and his parents had been thorough when covering their tracks, which resulted in Tim having been unable to find that little brother of his. Having no name and no idea who adopted him, didn't help either. But Tim had had less to work with before, yet the search had given him massive troubles, to the point that he HAD contemplated getting the rest of his family in on it.

But now that wasn't necessary anymore, there was an actual chance again.

Thankfully he had come in late today, if he hadn't he wouldn't have seen the group of High School students on a school trip in the Lobby waiting for their tour guide. He wouldn't have seen the group of teens that lacked behind their fellow students a bit. But most importantly he wouldn't have seen that kid that looked like adoption bait for Bruce. That then by closer inspection had so many facial similarities to his mother that Tim had first thought he was hallucinating.

Now he was sitting in his office, watching the group of High Schoolers getting a tour through the building through the security cams while trying to come up with the perfect plan that didn't look too suspicious as he watched the boy who could be his blood-related little brother. Oh, Damian would throw a fit if he learned about having another brother, Tim mused for a moment as he noted down the boy's, Danny's, excitement about their aerospace department. He had already decided, if Danny was not living adequately he would pull all the strings he could to get his little brother home.

So far Tim had found out that the boy's name was Danny Fenton. He would dig into that later more. He would also make sure that if Danny was his little brother, he saw to it that he was getting treated right. He had noticed how his little brother appeared overly tired and there was a bandage hidden below his shirt plus through the security camera footage, he had also seen that there was a hint of scarring on his left arm.

For now, though he had sent a message to the tour guide to end the tour in his office, for something like a surprise introduction to Tim Drake-Wayne. He would continue to build up his plan of getting to know and confirm his little brother's status from there.

[garashir]

feeling normal about this

[nelkcats]

Roomba

Honestly Danny would be the first to admit that trying to overshadow anything after the Technus incident was a bad idea. But he was also a very bored teenager, visiting a strange city at the request of his older sister so, can you blame him?

It had seemed like a fun idea to the halfa the moment he saw a small roomba in a store window in Gotham. It didn't look like many wanted to buy it but it was there anyway.

So yes, Danny could admit that it was all a strange combination of his boredom and lack of sleep because before he knew it he had overshadowed the damn roomba, causing the light above it to glow bright green.

It was just luck that some of his powers worked, because he made it through the store window with no problems, and had some fun chasing the denizens of Gotham all over the place.

It wasn't so much fun when he realized he was stuck inside the roomba; or when some people started to look at the machine curiously, trying to catch it.

He managed to escape with some luck and set about being a real nuisance to anyone he came across, including the clown laughing like a maniac and the live scarecrow, because well, what other option did he have besides waiting for it to sort itself out?

It wasn't long before the bats heard the report of "a roomba on the loose" in disbelief. Dick wondered if Alfred would appreciate them bringing the machine to the mansion to help him with cleaning.

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[lossisyours]

i think part of what makes blair waldorf such an exceptionally written character (at least at the beginning) is that there's endless layers to her. she's the casually cruel bully who pressures teenagers to drink and thrives off of control, manipulation, and winning. she's the girl who just wants her mom to love her. she's the girl whose father loved a male model more than he did her, because he broke their family and moved to a different country from her. she's the girl who needs to be useful and productive and has made it her identity. she's the girl who wants her first time to be special, who rewatches the same audrey hepburn movies, who wants her life to be a fairytale. the same girl who lost her virginity in the back of a limo - who enjoys raunchy sex, but only had it because a boy who isn't nice to anyone else was nice to her. the girl who just wants to be seen. the one who will do anything to be seen, who doesn't know how to handle not being seen, who doesn't know (and doesn't like, can't stand, won't tolerate) who blair is if she isn't The Blair Waldorf™. her mom raised her as a mannequin; she never forgets the necessity of her brand.

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.