#he hates them idk why

[tvgals]

miguel hates candles.

-

“jesus, why does it smell like that in here?” you groan, walking into your shared bedroom where miguel was typing away at his desk. “like what, querida? it doesn’t smell like anything?” miguel looks at you in confusion, looking around the room for the mystery smell you’re talking about.

“exactly. light a candle in here or something, baby.” you say, ruffling his hair and walking into the bathroom connected to you two’s room. miguel grumbles under his breath about you messing up his hair, and he stands up to go get a candle. he goes through your pile of bath and body works and grimaces at the smell of each one. it’s not like they smell bad, they were just…strong?

“jesus, y/n.” miguel mumbled, smelling one candle, cactus blossom, and immediately scrunched his face up. this was a smell he recognized, something you always used while washing up, he doesn’t mind it much. “hm.” miguel hums, grabbing a lighter off of his desk and lighting it, placing it onto the dresser.

-

miguel doesn’t like candles, but he loves cactus blossom.

[stars-obsession-pit]

Following an accident, Danny wakes up in Gotham City in a DC universe. Lacking any forms of ID or possessions beyond the clothes on his back, he’s forced to commit some crimes to survive. Minor crimes, but still.

And then he gets caught.

During the court proceedings, they come to the mistaken conclusion that he’s a Meta suffering from some psychiatric issues such as Cotard’s Syndrome (a real rare condition where a person holds the delusional belief that they’re dead/don’t exist/etc).

Thus, between his “need for mental treatment” and the concerns about housing someone with his unique physical traits, he is sentenced to spend time in Arkham Asylum. He’s under pretty low security aside from the anti-Meta stuff and has more freedoms than some other inmates, but it’s still not a great experience. Even at the best of times, Arkham is hardly a nice place.

Some of his fellow residents are decently chill all things considered, but lots very much aren’t.

[stimtfil]

. . .

[angel-fruitcake]

okay...... is it just me or was Jensen suuuuuper lovey dovey with Misha during this panel? and even during other recent panels, too. he's just been openly showering Misha with praise and affection for the past few months.. what is going on??

they make it impossible to not be a heller

[x]

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[cheesomancer]

What are you waiting for? I'm totally ready, I tell you.

Full art (with close up!): twitter, bsky

[tanglepelt]

Dc x dp idea 13?

Danny just gaslighting the JL and JLD.

They summoned the ghost king obviously Danny shows up cause i love that for him. He’s in human form. He does that on purpose.

Must ppl assume they messed up send him back and leave it at that. Nope not these people.

Constantine is checking the summoning circle again. Just tells Danny he won’t fall for his disguise and that he knows that he’s ghost king. And says he wants to make a deal.

Danny knows this man sells his souls more then his parents claim they want to tear phantom up molecule by molecule and he has no use for a soul anyways. So Danny just says if i was a king i wouldn’t be failing high school. He wouldn’t even go to high school.

Then Danny goes on about how he has a bully so obviously he couldn’t be a king. Not to mention his human non royal parents. They were mad scientist and ghost hunters but that’s as interesting as they got. Also hello he is alive what did Constantine think he was secretly a ghost.

Danny then walks around the circle just pointing at the total correct symbols going are you sure it’s meant to be a crown. What if this king is a queen and has a tiara. Like who are you to assume it’s a king if you’ve never met them.

John isn’t falling for it at all. Now everyone else is doubting him. Batman pulled up Danny on the computer a perfectly normal human child. So Danny is gonna pull out the big guns. Looks at him and goes if i step out will that prove I’m not currently the ghost king.

It’s one of the other JLD members who says he wouldn’t be able to if he was king. It was warded to keep the king in. So Danny who is currently human just steps out.

See he’s totally not the just king. Currently.

Turns out they needed someone to deal with the box ghost. Danny just say oh i got that. He soups him and goes i did say my parents were ghost hunters

Danny failed to realize once he stepped out of the circle they couldn’t send him back that way. So now he is stuck being questioned but hey at least he is in space.

[justaz]

merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[artkaninchenbau]

Egghead chibs lesgooo ✌️✨ [Shop]

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[oceanwithouthermoon]

yk when i think about it, especially when im watching the anime with people who havent read the manga, the reason a lot of people who only watch the anime and didnt read the manga misinterpreted saikis character so badly is definitely in part because of how damn fast paced the anime is 😭

like that little smile and eye shine frame is there for not even half a second in the anime, so its easier to miss it and assume that he really did only finish those workbooks to get coffee jelly ☠️ its much more clear if you get a good look at how he reacts here that hes just a silly little tsundere and a fucking liar

[conflagrazione]

Near (from death note) is a character that makes me so insane even after like six years since the first time I read the manga because. Imagine.

You're an orphan that grew up idolizing a person you never even spoke to and you liked him even more when he said that "he's a cheater that doesn't like to lose" and you found out that is not the embodiment of justice but just a man like you that liked to solve puzzles. You two even look so alike! And then he dies. And your rival/foster brother/ guy with whom you have this weird religious coded tension says that you're better suited for the job anyway, you've always been smarter than him anyway, and leaves you alone at THIRTEEN to solve the world's most dangerous case. And you don't even hate said guy, you kind of respect him and want to work with him but he makes his life purpose to beat you at this game. And you're the younger in this case but you're the less childish (emotionally speaking) and you are probably the character that expresses more vocally his dislike of Kira, that has not even a little bit of admiration for his intellect or motivation, and that's the reason why you're the one destroying his pathetic ass in the wharehouse. And then you spend years of your life alone because your "rival" put aside his fatal flaw and decided to die (knowing he will die) to save you and your team, because winning didn't make sense if he couldn't wait for you on the finish line. But they are the martyrs, and you are the one that put together their merits. So you let your hair grows like L's and you try to solve every case like he would, fulfilling the role of a dead person. Keeping L's and Mello's dolls with you even years after everything ended.

I always get annoyed when people accuse Near of being less smart than L ,of "not caring" about the Minoru case, of being a "bad copy" because he and L are identical. Babe. That's the point. He's not L, and he's not superior to him unless him and mello cooperate. Near himself aknowledges that the case was solved because of him and mello. Of course he doesn't do a big move (like shutting down sakura tv) to stop Minoru. That's something L (or even more, Mello) would do. Of course adult Near and L look so similar, he's trying to be him!!

(Honestly I wonder if him saying he wasn't very L- like in the C- Kira oneshot was the moment in which he chose to follow his own path, since in Minoru oneshot he doesn't seem as worried about acting like L as in the C-Kira oneshot or in the original series)

He is a bad copy. He's also just a half of the whole. He's not a copycat, he is haunted.

[blackbatcass]

listen I know it’s kind of corny and inaccurate to act like every single person in the dc universe knows each other and is besties but it IS endlessly funny to me to follow the web of connections and see how many degrees removed from each other everyone is.

like look at the arrowfam okay. ollie and dinah are together, ollie is homoerotic best friends with hal, dinah is homoerotic best friends with babs. roy is dating dick, has a kid with jade, and is basically an adoptive father to both grant emerson and rose wilson. connor is dating kyle and is constantly followed around by eddie fyers. mia is friends with a lot of the second gen teen titans kids, had an on-again-off-again thing going on with steph for a while, and is currently dating sienna. emiko is besties with courtney and some of the other recent teen titans. sin has a small army of protective aunts from the birds of prey. the real question is how far does it go before ollie puts a cap on the number of people who are invited to family brunch on sundays

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.