#he has been a favorite of mine
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calig0-verne · 2 years ago
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MIGUEL O’HARA BETTER HAVE THEM FANGS OR IM LEAVING.
On a side note, He better have his sick shades.
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shoplifting · 2 months ago
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Your silent protagonist doesn't have to use sign language btw. They don't have to write things down, either. They don't have to use language at all. Not every single person who doesn't talk can use words the same as you, or use them at all, so your favorite silent character shouldn't have to use what you consider a grammatical language to communicate in your fanart and fics. AAC exists. Drawing exists. Gestures and body language exist. Btw.
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fantasykiri5 · 4 months ago
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you said bribes?? :> 40 whole seconds ago??
and i do love smallidarity so win-win! (love boat boys too, but i'm an ethubs shipper till the end) speaking of ethubs... could i request something fluffy with Etho and Bdubs? whatever you're in the mood for with 'em! romantic or platonic!
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Pick up your lanky ass minecraft-boyfriend bridal-style! Why? Well, it’s quick, it’s easy, and it’s free!
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curiositymemes · 8 months ago
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STICK SEASON: WE'LL ALL BE HERE FOREVER.
taken from the 2023 album by noah kahan. trigger warnings for mental illness, trauma, medication, references to suicide, and the exquisite agony of life in rural new england. feel free to change wording and pronouns and provide context as necessary. do not add to this list.
northern attitude.
how you been? 
you settled down?
you feelin’ right? 
you feelin’ proud?
you settle in to routine.
what does it mean? 
i’m not how you hoped.
you’re gettin’ lost.
scared to live, scared to die. 
you’re feelin’ lost.
stick season.
you must’ve had yourself a change of heart.
now i am stuck between my anger and the blame that i can’t face.
it’s half my fault, but i just like to play the victim. 
i’ll dream each night of some version of you that i might not have but i did not lose. 
i thought that if i piled something good on all my bad i could cancel out the darkness i inherited from dad. 
i miss the way you laugh.
you once called me forever now you still can’t call me back.
that’ll have to do.
my other half was you.
i hope this pain’s just passin’ through, but i doubt it. 
all my love.
how have things been?
well, love, now that you mention it.
i’m sayin’ too much, but you know how it gets out here.
now i know your name, but not who you are.
it’s all okay, there ain’t a drop of bad blood.
you got all my love.
if you need me, dear, i’m the same as i was.
what i’d give to have you out of me.
i still recall how the leather in your car feels.
and at the end of it all, i just hope that your scars heal.
i swear i was scared to death.
i smiled stupid the whole way home.
you said, ‘i’ll never let you go.’
she calls me back.
there was heaven in your eyes. 
everything’s alright.
look at me and don’t you lie.
don’t you hold your head up high.
for bullshit, i do not have time.
do you lie awake restless?
why am i so obsessive?
this town’s the same as you left it.
the radio is taunting me.
i don’t get much sleep most nights.
i’m seeing you in every dream.
if only i could fall asleep. 
i’ll love you when the oceans dry. 
i was too afraid of living life in your footsteps.
come over.
it was there when we got here, will be there when we leave.
you won’t have to guess who they’re speakin’ about.
i’m in the process of clearin’ out cobwebs. 
i was takin’ the wrong meds; feels good to be sad.
my house is just barely big enough for my family.
my mouth was designed for my foot to fit in it.
i promise you, darlin’.
you won’t ever go back.
i know that it ain’t much.
i know that it ain’t cool.
you don’t have to tell the other kids at school.
someday i’m gonna be somebody people want.
new perspective.
makin’ me nostalgic.
we were kids; but that don’t make this less hard.
if i could fly i doubt i’d even do it. 
i’d probably get high and crash or somethin’ stupid.
gave me your word.
i can’t pronounce it.
no thing so sure that i can’t learn to doubt it.
everywhere, everything.
would we survive in a horror movie?
we trust everyone we meet.
we’re littered with scars from our preteens.
i wanna love you ‘til we’re food for the worms to eat.
‘til our fingers decompose, keep my hand in yours. 
i know every route in this county.
maybe that ain’t such a bad thing.
i’ll tell you where not to speed.
it’s been a long year.
orange juice.
honey, come over.
it’s yours if you want it.
we’re just glad you could visit. 
feels like i’ve been ready for you to come home for so long.
i didn’t think to ask you where you’d gone. 
why’d you go?
my heart has changed and my soul has changed.
you just asked me to hold you.
it made you a stranger and it filled you with anger.
my life has changed.
the world has changed.
don’t you find it strange that you just went ahead and carried on?
are we all just pullin’ you down?
strawberry wine.
darling, speak to me.
don’t you say a word.
you thought you were cursed?
i’m in love with every song you’ve ever heard.
if i could lose you, i would.
all the time we used to have.
the things i miss but know are never coming back. 
no thing defines a man like love that makes him soft.
growing sideways.
finally found some middle ground.
i said, ‘i’m cured.’
i divvied up my anger into thirty separate parts.
i’m still angry at my parents for what their parents did to them.
it’s a start.
but i ignore things and i move sideways ‘til i forget what i felt in the first place.
i know there are worse ways to stay alive.
everyone’s growing and everyone’s healthy.
if my engine works perfect on empty, i guess i’ll drive. 
i forgot my medication, fell into a manic high.
now i’m sufferin’ in style.
why is pain so damn impatient? ain’t like it’s got a place to be.
if all my time was wasted, i don’t mind. 
i’ll watch it go.
it’s better to die numb than feel it all.
halloween.
the dawn isn’t here, the sun hasn’t rose.
they got money to make and children back home.
i worry for you, you worry for me.
the bridges have long since been burnt. 
i’m leavin’ this town and i’m changin’ my address.
i know that you’ll come if you want.
i’m losin’ myself.
i’m seein’ my life on a screen.
i know that you fear that i’m wicked and weary.
i know that you’re fearin’ the end. 
i only tell the truth when i’m sure that i’m lyin’. 
homesick.
are you bored yet?
the weather ain’t been bad if you’re into masochistic bullshit.
this place is such great motivation for anyone tryna move the fuck away from hibernation. 
time moves so damn slow i swear i feel my organs failing.
i stopped caring ‘bout a month ago, since then it’s been smooth sailing. 
i would leave if only i could find a reason. 
i got dreams, but i cant make myself believe them. 
i’ll spend the rest of my life with what could have been. 
i will die in the house that i grew up in.
i’m homesick. 
still.
i don’t wanna say goodbye.
it only falls into place when you’re fallin’ to pieces.
you miss something that you can’t place but you can’t deny it. 
you can’t stay here.
it’s hard to face and it feels too ugly.
it’s like i’m still here with you. 
can i fix what is broken?
the view between villages (extended). 
for a minute, the world seems so simple.
i am not scared of death.
i’ve got dreams again.
there is meanin’ on earth. 
i feel so far from it.
it’s all washin’ over me. 
i’m angry again. 
the things that i lost here, the people i knew.
they got me surrounded for a mile or two. 
i found a town big enough for anything i want.
i’m not a city girl, by any means.
it still has a lot of meaning to me.
i grew up there. 
your needs, my needs.
you ain’t gotta tell me what it means.
i promise to be there this time. alright? 
you were a work of art.
that’s the hardest part.
i’m naming the stars in the sky after you.
dial drunk.
i promised to forget you.
i ain’t takin’ any fault.
am i half the man i used to be? i doubt it.
forget about it, whatever.
it’s all the same anyways.
i ain’t proud of all the punches that i’ve thrown. 
for the shame of being young, drunk, and alone.
i gave your name as my emergency phone call.
i’d die for you.
from charmin’ to alarmin’ in seconds.
i’ll let the pain metastasize.
i beg you, sir, just let me call.
let’s wait, i swear she’ll call me back.
son, are you a danger to yourself?
fuck that, sir.
son, why do you do this to yourself?
paul revere.
this place had a heartbeat in its day.
nothin’ was the same.
it just ain’t that simple, it never was.
one day i’m gonna cut it clear.
i’m not from around here.
i’ll leave before the road crew’s out. 
i’ll turn up the music and i’ll forget.
i’m not ready to let go yet.
i’ll just pretend i didn’t hear.
it’s typical, i fear.
folks just disappear.
if i could leave, i would’ve already left.
no complaints.
i thought i had something and that’s the same as having something.
i get mad at nothing.
i pull no punches, then feel bad for months.
thought i was raised better, tried to fake better.
now the weight of the world ain’t so bad.
i saw the end, it looks just like the middle.
i filled the hole in my head with prescription medication.
who am i to complain?
now the pain’s different. It still exists, it just escapes different.
yes, i’m young and living dreams.
i’m in love with being noticed and afraid of being seen.
call your mom.
oh, you’re spiralin’ again.
don’t you cancel any plans.
stayed on the line with you the entire night ‘til you let it out and let it in.
don’t let this darkness fool you.
i’ll drive all night.
i’ll call your mom.
oh, dear, don’t be discouraged.
i’ve been exactly where you are.
if you could see yourself like this.
you’dve never tried it.
stayed on the line with you the entire night ‘til you told me that you had to go.
throw a punch, fall in love, give yourself a reason.
don’t wanna drive another mile wonderin’ if you’re breathin’.
won’t you stay with me?
you’re gonna go far. 
this is good land, or at least it was.
it takes a strong hand and a sound mind.
it makes me smile to know when things get hard, you’ll be far from here.
pack up your car.
put a hand to your heart.
say whatever you feel.
be wherever you are.
we ain’t angry at you, love. 
you’re the greatest thing we’ve lost.
the birds will still sing.
we’ll be waiting for you, love.
we’ll all be here forever.
we spent so long just getting by.
that’s the thing about survival; who the hell likes livin�� just to die?
you told me you would make a difference.
it won��t be by your own volition if you step foot outside this town.
it’s all we’ve had for always.
you’re gonna go far.
if you wanna go far, then you gotta go far.
forever.
let’s drive for no reason.
you look fine in the evening.
honey, it’s starting to storm.
used to wish i meant anything to anywhere, to anyone.
i’m glad i get forever to see where you end.
i won’t be alone for the rest of my life.
i’ll meet a girl in the heat of july.
i’ll tell her so she knows.
i’m broke, but i’m real rich in my head.
when i hold her close, i might loosen my grip, but i won’t ever let her go.
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thefrsers · 2 years ago
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OUTLANDER| 4.01 -“AMERICA THE BEAUTIFUL”
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quantifiableme · 18 days ago
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as a retrospective, it is a kind of tame cruelty what the writers did with Lance as a character
because I have, and will, talk again about they set him up as the perfect protagonist in the first episode. after the prologue, he’s the first character we hear speak, which is a good writing technique to imply his importance in the story. they perfectly establish his arrogance (main character flaw), and how it effects his actions. (They fail the mission because, although he had the skills to lead the team, he gets cocky and crashes the plane.) after they crash, the drill sargent guy IMMEDIATELY chews him out and brings up how Lance was only there because Keith dropped out.
i’m not saying he has to be your favorite character, but the first five minutes of the episode are like a crash course in how to write a complex protagonist. He’s charming, he’s arrogant but IMMEDIATELY faces the consequences for it, and he’s only arrogant because he’s trying to prove himself to the people around him. That’s nuance! That’s good writing! And all of it is done through Lance’s actions and the consequences of those actions.
(We could also talk about how he is the only character who has a genuine and unique relationship with ALL the other cast members, which also makes him a perfect POV character for an *ensemble show*. That’s why Zuko is the FOIL for Aang, but Aang is the main character.)
On top of this, it worked! Audiences LOVED Lance, and they related to him. He’s insecure and want’s to prove himself, which is a goal a lot more relatable than anyone else’s. The popularity of Langst, or fics where Lance was put through extreme situations to test his perserverence, or have other characters appreciate him more, is a good signal that audiences want more from this character. It’s like the kid that imagines his own funeral to think about how people would miss him. It’s fucked up, but its something a lot of teenagers who feel ignored or under appreciated do. (It’s STRONG EMOTIONS)
So, with the knowledge that this is the audience that relates to this character: teenagers who struggle with identity and validation. Teenagers who feel like they always have to help others, but feel abandoned in the process. Teenagers who struggle with insecurity, but are ultimately ambitious, even though no one sees them as capable. What do you do with this character?
You take away all of his lines, give him a love story with a character who spends the entire show making fun of him, kill her, and then make him a hermit.
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bibliosims · 1 year ago
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benjamin "benji" dawoud-hughes
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ozlices · 1 year ago
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nintendo het baiting w sidon and his fiancee only to pull the gayest shit ive seen in a While by having sidon renew his vows w link (they got married at the end of ruta’s quest in botw. obviously. clearly.) and giving him a power that lets him ‘stay by his side forever’. i see you husbands i am so glad your marriage is thriving. good for them. good for them. they also both have two hands for anyone who wants to pull any nonsense im js. there is room for yona she just has to understand link has held sidon’s heart for years first.
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kareofbears · 8 months ago
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watching two dozen interviews of wes ball talk about how he made the maze runner movies is genuinely such a pleasure to watch. it's so so clear that he deeply loves the content of the maze runner books while still understanding that they're fucking insane and makes next to no sense. the vision he has for the movies are unparalleled, the way he slims down the books while still upping the character moments is so impressive!! he was able to capture the heart of the series while still making it really accessible to a general audience. it has a clear trilogy feel to it, which a lot of trilogies do NOT have. and the best part is the cast LOVES him, you can tell just by the way they describe and poke fun of wes that this project would NOT work without him. also the way the cast NEVER talks about dashner is so fucking good. they're like 'omg there's wes, the genius, doing a one man show haha so silly, ily wes' and then it hard cuts to someone being like 'james is on set a lot.'
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rocicrew · 2 years ago
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THE EXPANSE 6.04 REDOUBT
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leosgreyfringe · 10 months ago
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"It's always nice to help your team, especially if it is the winning goal."
LEANDRO TROSSARD for Sky Sports
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autodiscipline · 1 year ago
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蜉蝣
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gnomeniche · 1 year ago
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nate d. stevenson fucking loves childhood friend drama and you know what. so do i
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wayfinderships · 1 year ago
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I hate S.anji so much (Has literally had S.anji as an f/o for years)
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yuridemon · 7 months ago
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watching calvins from the fog series and i be like YAAAY CREATION!!!
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sensitivedead · 8 months ago
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wish me luck im trying to convince my dad to give me the family wii (original one we preordered before launch, works phenomenally)
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