#he doesnt even have to write the script

[dareduffie]

when will christopher nolan write the sequel to inception but it's just arthur and eames being in love

[bunnieswithknives]

OH MY GOD??? HAS IT SERIOUSLY BEEN A MONTH????? I am so sorry guys

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[skrunksthatwunk]

post-forced-extension of that assignment i was losing my mind about tuesday/wednesday i experienced a very familiar "ah.... it's as if the deadline no longer exists....." feeling that has now been replaced with "wait i still can't find the resources i need. and i don't know how to organize this. and i don't know what im presenting on (<- super broad topic and i can't fucking find the information i actually need bc our university doesn't?? give us jstor subscriptions or whatever anymore??? so it's all scholarly stuff i can't read or ppl's blogs which im not fucking using for this and half of them just copy entire paragraphs from encyclopedia britannica. who is saving my ass but whatever)" mixed with "I'll figure it out later 🙂‍↕️" IM PRESENTING IT IN 11 HOURS 💀💀💀

[cantgetworsethanthistbh]

i actually dont even gaf. i dont care if this is old news idc if everyone already noticed it idc if im late on pointing it out idc!!! ive been brainrotting about this for 3 days now and i'm gonna talk about it because oh my god THE IMPLICATIONS I CANT STOP THINKING ABOUT THEM

Okay so TBOB, great book, canonized billf*rd, "stanley couldve made her laugh" and "but then he crossed the line" yadda yadda, we're all here because stan and bill, the two closest people to ford both call him sixer and are thematic narrative parallels and hey thats pretty god damn brocon of you stanford pines to fuck a triangle that parallels your brother in the story and also calls you the childhood nickname your brother and only your brother calls you. and like thats pretty god damn damning enough

why does he go out of his way to write his and bill's conversations using two different scripts

and why does he write bill's dialogue like that when bill's handwriting looks like this

"maybe its just because ford just wants to give bill a unique handwriting when he writes their conversations it doesnt have to match bill's" yeah sure okay

but it sure as hell isnt unique when he's copying stan's handwriting down cold to the god damn letter

BUT HE DOES.

WHY DOES HE DO THAT. why on earth does he do that. is it subconcious. why does he write bill's dialogue (and i DO mean only bill— he never quotes fiddleford directly in tbob, and uses terms like "he explained" whenever fiddleford tells him something) in STAN'S handwriting. his brothers handwriting. for all this flirty ass exchanges, ford is writing it in his own and his brothers handwriting.

they really, REALLY couldve just easily used bill's personal handwriting for this— wouldve been romantic as hell for ford to get bill's handwriting down in all honesty. but its not its his brothers handwriting. ford is writing all that in STANS handwriting. like is that not fucking crazy

like lets not even cover the fact that in universe he knows how to copy stan's handwriting AT ALL and thats counting the fact that atp hes estranged from stan by about a whole decade. like. HELLO? Stanford pines you obsessive freak brocon you are beyond insane

(and for extra reference, mabel and dipper's handwriting + ford not giving fiddleford any unique dialogue and special handwriting.)

[moonferry]

what type of movies the sdv marriage candidates would watch:

so this is just for funsies, but i decided to brainstorm what types of movies/shows all 12 marriage candidates would watch. there will be a mini-drabble assigned to each one, as a treat. sorry i got a little carried away with some of these. i hope you guys enjoy <3

bachelors:

harvey: he loves romcoms. there is literally no denying it.

i picture him on the farmhouse couch, wrapped in his favorite blanket with a mountain of tissues next to him. you walk in and take "your spot" next to him (which is basically as close to him as humanly possible, your head resting on his shoulder). he leans into your body to acknowledge you're there, but he's too invested in his movie. DEFINITELY a movie crier. "why can't she see that he's the perfect guy for her!!!" absolutely inconsolable during the parts where the love interests are fighting, but then when they finally get together he's like "i knew it!!!" harvey would have a variety of snacks, though most of them are things like apple slices with peanut butter and some assorted nuts. happy to share his opinions about the movie and even ask your input on the love interest(s). for example, if the main love interest has a current partner who is definitely not right for them, he'd be like, "so, you see that persons TOTALLY the wrong one for them, right?" he'd also "take notes" and use what hes learned from these movies to plan romantic dates for the two of you.

elliott: let's all be honest here. he also loves romcoms.

he and harvey have a "book-club" style meeting where they watch a movie and discuss it over tea/coffee. of course, he'd invite you, too. being the romantic - and writer - he is, he spends the entire movie critiquing things and going "oh, well, if i wrote it i'd do it this way-" you love him, even if he does talk over the movie. i also think he'd be the one to bring the most AMAZING array of snacks to a movie night - like full on 3 course meal with dessert. a bit overkill, but what else would you expect? elliott probably gets too invested in the storylines and - if its an ending he doesnt like - will write his "own version" with tweaks. yes, elliott is a part of fandom, sue me! he'd definitely show you the finished script and ask for your input. who knows? maybe elliott will direct his own movie one day - with you as the star, of course.

alex: if you guessed sports movies and gridball games... you'd be completely wrong. i think alex enjoys animated movies - it doesn't really matter the genre. alternatively, i also think he would enjoy westerns.

here me out: everyone always assumes he's like.. sport obsessed, and he is, but thats SOOO boring. i think he does enjoy watching sports, yes, but his favorite movie type is animated. im talking studio ghibli animation. he loves howl's moving castle and makes you watch it with him several times a week. honestly, you aren't entirely sure he doesn't have a crush on christian bale, but like, who could blame him? now for the westerns. from my own personal experience of visiting my grandparents, they watch westerns exclusively. i think living with george and evelyn would have introduced him to the western cowboy film genre and he would have instantly loved it. it's mainly a nostalgia thing - when alex was younger, he'd always sit on george's lap and watch the western movies with his grandfather. evelyn would be making cookies in the kitchen and then bring kid alex a heaping portion. whenever he watches a western now, he feels warm and safe. it reminds him of his childhood. of home.

shane: action comedy

i don't really think this would needs much explanation.. shane just enjoys a good action comedy movie. i think he'd laugh way too loudly. personally, i think he enjoys animated action comedies much more than live action ones (though he'll still watch those). i think his favorite would be kung fu panda, just because he sees himself as po in a way. i think he would supply ample snacks - though most so unhealthy and sugary that they'll make your teeth fall out. he's definitely the type to fall asleep during a movie, cheesy dust coating his fingers and his hands still in the bowl you two were sharing. you just shake your head and place a blanket over him. maybe you even fall asleep, too. that's all fun and games until you somehow knock the bowl off in your sleep and cheese balls spill all over your carpet flooring. oops. it's okay tho! 5 second rule. i also think shane is the type to walk into a room where a movie is playing while he was doing something (ie bringing you something, cleaning, etc), stand at the edge of the room with his arms crossed like he's "not interested", and spend 20 minutes watching before finally sitting down next to you.

sam: thriller movies

oh, sam. sammy sam samson. he's another tough one. theres so many good genres that i think he'd like, so hes sort of a chameleon. he's open to watch any and everything, but he LOVES thriller movies. more specifically, dystopian future thriller movies. he loves anything that's exciting. sorry sam fans, but i think he'd be the type to watch movies EXCLUSIVELY on his busted android phone. he'd also laugh loudly at parts and rewind to show you, but it's not like you can see through all the cracks so you're just like "oh, that's hilarious". sam loves sending you youtube compilations of "funny movie clips" and will be like "yoo, did you see that clip i sent you?" even though sam will watch anything, i think he absolutely despises war movies. even though he knows its just a movie, he can't help himself from imagining his father in that situation. war movies are a definite DO NOT WATCH for him. i think he would buy an entire large pizza for the two of you to share but.. im sorry, but you do NOT get any pizza. boy just eats the whole thing in 2 bites.

sebastian: historical movies

controversial, i know. but i feel like sebastian would love historical movies. growing up with demetrius as a step-father, sebastian always loved learning new things. historical movies allow him to continue to learn new things. now, i don't mean that he loves documentaries, i mean he loves historical FICTION movies. specifically, pirate movies. sebastian definitely is a laptop-only movie watcher. it doesn't matter if the tv is three feet from him, he will not watch something unless its on his laptop. i imagine him sitting on your shared bed, leaning back against the headboard with the laptop on his legs. he'd absolutely lose his mind if you joined him - even letting you hold the laptop, if you want. i think he would melt if you laid your head down on his chest and asked him questions about what he was watching - which he'd be happy to answer. he would definitely start playing with your hair if he seemed to be getting bored of his movie, or maybe he'd just do it without realizing.

bachelorettes:

emily: musicals!!

again, no real explanation needed. girlie loves to sing along - maybe even dance along - to the musical numbers. i think she is a musical theatre fanatic, though she really loves movie musicals. because broadway tickets are like so expensive, she prefers to stay home and watch them with you. she knows all the lyrics and has definitely watched them multiple times. during her favorite numbers, she'd pull you up from the couch and convince you to dance with her. you'd be having the time of your life - even if you didn't really know the lyrics. if you did, the two of you would be singing (well, screaming, really) along to every word.

leah: this one was a bit tough, but i think leah would like fantasy movies.

i really think she would enjoy the movie scenery more than the actual plot, though. like the beauty of the nature, you know? you two would be watching a movie where someone is going on a big, exciting quest and leah would be like "oh, gosh, look at those trees. the coloring is just spectacular." you don't mind, though, because she's right: these fantasy worlds always look so breath-takingly beautiful and it's hard not be captivated by them. i think she'd prefer the artistic aspect to the movies, especially if it's an animated fantasy movie. if it was animated, she'd be absolutely speechless and just in awe of how the animators drew something/someone. what she doesn't realize, though, is that you're looking at her the way she looks at the movie. she just looks so breath-taking and you can't help but smile every time she makes a comment about it. "this movie is so gorgeous" and you would think "but not as gorgeous as you."

maru: mysteries!!!

specifically murder mysteries or whodunit's. while she does love scientific documentaries as well, she also enjoys a good mystery movie. and when she watches them, she gets INVESTED. im talking making her own predictions and even asking you who you think the killer is. of course, she's always right. maybe she has some sort of "detective intuition"? you think it's adorable how she clings to your arm and rambles about her guesses. "how could you think it was THAT person? it's obviously this one!" can and will provide evidence on how she's right. makes you think and really dive deep into the movies. it's fun to watch them with her because it lets you view things in a different light than normal.

abigail: i think abby loves comedies.

yeah, everyone thinks she would like horror movies - and she does - but her favorite? comedies all the way. she loves a good laugh. the two of you have a movie theater date, making sure to get the extra large popcorn to share (but you wouldn't be mad if abby ate it all, since she usually does. but she looks cute with her face full of popcorn.) she laughs super loud and everyone else in the theater is .. glaring at you two. i think she would also have "full body" laugh reactions like she would smack the seat, smack her legs, just anything. she's having a good time tho. by the end of the date she is completely covered in popcorn (yes, it even managed to get in her hair, somehow) and you spend a few minutes picking each piece out.

haley: honestly? i think she enjoys horror movies. not because she's overly interested in the horror aspect, but because it gets her closer to you.

she would invite you over for a movie. of course, she would probably be scared out of her mind (or not, depending on the severity of the movie). regardless of if she was actually scared or not, i think she'd still find a reason to cuddle up next to you "for comfort" or "because she was scared". you don't mind, though, and you're happy to have her feel safe in your arms. eventually, she'd just stop trying to watch the movie all together and just cuddle up next to you.

penny: i think she would like dramas or melodramas.

penny, being calm and quiet herself, probably likes these genres of movies because she doesn't express very strong emotions herself. not that she doesn't feel them, she does!, she's just very soft spoken and doesn't like to speak her mind for fear of upsetting someone. when she watches these movies, she can relate to the characters and their experiences. it makes her feel.. calmer? in a way. i think she is the type to watch movies while in pajamas, probably before bed or at a sleep over type setting. she will defend her movie choices (not that you'd insult them, anyway). i also think she would be the type to bring "easy" snacks - peanuts and saltine crackers are her best friends. penny seems like the type to have a movie on in the background while doing something else (cleaning, trying new recipes, etc). if you two had a sleepover, she would definitely try to get you interested in her movie choice and list any possible actors you may know. even if it wasn't really "your thing", you'd still watch the movie because it makes penny happy.

[bdsmrist]

gonna get a bit personal here, but as an actor it hurts me to see how ppl misinterpret a character as layered and nuanced as kim

now u might be wondering: girl wtf does being an actor have to do w lieutenant kitsuragi. well, i believe it to be the case that actors are storytellers. its our job to write in our characters studies what isnt in the script, to fill in the gaps, and portray that to the best of our abilities.

while in school, my professor’s always emphasized that as an actor, 100% of the time its more interesting when your characters motivations are rooted in love, rather than resentment. and i feel like too often i see ppl understand kim’s motivations be fueled by a desire to reject, protect himself, and detach himself from a world he resents.

now; thats not to say that isn’t entirely true. after all it is what the canon tells us explicitly: that he gave up on moralism, religion, etc, because he again and again was disappointed by the reality of elysium. therefore, that must mean that from there on out kim was a lost soul, that when coming to contact with harry’s spark, it lit his ambitions once more

and yes, to an extent, thats true, but its not the whole truth. to imply otherwise is very derivative. one of the things that makes kim such a compelling character is how he never stopped loving the world around him, *before* meeting harry. and even tho he limits how much he allows himself to indulge in it, it still bleeds through the cracks. hence, when he meets harry, he pours his devotion into the case, and in turn, into harry, without even knowing the guy

would a detached character have the patience and compassion he has for harry on day one? absolutely not. the man is borderline coddling to harry despite it all. and you can hear it in the performance!

jullian champenois’ voice is characterized by its mellow, soothing quality. hes gentle about it! and the actor made that choice for a reason! kim is a gentle person! he stands his ground, he sets boundaries, keeps u in course, and is nothing of a pushover. but regardless, his temperament is calm and reassuring. thats his function as a literary device! to contrast harry’s self-hatred and self-loathing with compassion and understanding!

think about it: would a character thats insistent on being a cold wall, sit on the swing-sets with harry for the pure purpose of just being there so harry doesnt have to confront that alone? if kim only wanted to keep people at an arms length, would he insist you two to be the ones to break the news to working class woman about her husband when ur at her doorstep? he said it himself; the precinct couldve handled it fine.

if kims actions were rooted in resentment towards an unfair world, would he be an instrument of justice for the rcm in the first place? kim, who verbatim despises the cops who become cops so they can use policing as an ego outlet?

kim kitsuragi cares. he cares very deeply, and i believe that the walls around him are a result of kim attempting to keep himself *in*, rather than keep others *out*. kim keeps HIMSELF on a short leash, because he knows that otherwise he’d go all in, just like harry.

harry and kim are at the opposite ends of the same spectrum of people that are too passionate for a world that does not reward such earnestness. therefore, harry copes with addiction, and kim copes with restrictions. regardless. its all comes back to love.

[f1nalboys]

hi! may i request headcannons of enemies to lovers with bo sinclair? 💖

LOVEDDDD writing this!!!! i missed writing for bo :(((( (me when al i do is write for this guy) anyways i hope you enjoy and thank you for the request!!!!

Bo Sinclair x GN!Reader

WORD COUNT: 869

WARNINGS: brief mention of stockholm syndrome, brief mentions throughout about bo being an evil evil guy, mentions of the basement/chair/being duct taped to said chair, canon typical stuff. me pushing my bo praising agenda.... also not proofread sorry guys

so this is absolutely how any relationship with bo starts 

youre a victim babe CONGRATULATIONS <3333

so in my own personal (and correct opinion) bo likes someone with some fight in them

i mean, we saw how excited he was when he had to chase after carly

and ive read the script and bo is extra into carly in that script 

anyways, he loves having to Work to break you in

and trust and believe, he will break you in

you would come into town with a group and bo would be drawn to you immediately

not in a love at first sight kinda way (or at least, not like how it is typically LMFAO) but in a ‘interesting…’ way, you know?

anyways, he’d prefer you coming with a group because hes gonna seriously enjoying killing them all off and showing you that youre alone

youre getting strapped to that chair too

(again, congratulations <333)

he will take his time

bo doesnt have the best patience until it comes to you

your fighting or begging would get old but he cant kill you

he doesnt know WHY he cant, but he just cant

which pisses him off to no end.

youd stay in the basment for minimum a month, longer if you hold out that long

now, your time there is not fun by any means, but i dont think it would be the worst

because once Bo decides that for some reason youre different than the others he brought down here, and that he wants to keep you, hes going to break you down by being sweet

it would fuck you up, 100%

one day he’s carving into you and making you wish you were dead and the next hes carefully feeding you some (burnt) breakfast food and cooing at you

he’s also complimenting you whenever you listen to him, firing off those dopamine receptors in the only way he knows how

you dont scream when he walks down into the basement? he’s patting your cheek with that big toothy grin of his telling you how sweet you are.

you dont fight him when he wraps the duct tape around your wrists and ankles? he’s telling you how well youre doing, how hes gonna try and be gentle with you, shushing you gently when you wince, maybe even hinting that if you keep being good for him that he might stop duct taping you to the chair…

he fucks with your head

and he KNOWS hes fucking with your head

he can see the way you stop yourself from smiling when hes kind to you, how you get a flash of confusion or even anger when you and he are getting along

it gets him off fear to say

anyways, im saying all this to say a true enemies to lovers with bo is stockholm syndrome but he makes it sexy so…

you know youre pretty much in the clear when he takes you up to the house

first few times is only to feed you and then back to the garage you go

its just to get a feel for how youre feeling towards bo

ANY whiff of you trying to run or trick him and youre dead

sorry to say

but if you are a little scared and just want to stay on his good side, youre totally good AND hes gonna be soooo proud of you

sorry im feeling faint thinking about bo praising me….. ok sorry back to what i was saying

the first night you stay in the house with him hes on high alert

he might pretend to sleep in the bed, but hes not

hes holding his breath and waiting for you to try and kill him in his sleep 

once youre at the point where youre living in the house with him and hes giving you some responsibilities, you have that man hook line and sinker

he is obsessed with you, had been from the start, but he is showing it way more now

and hes CLINGYYYYYY ugh im giggling

hes standing in the doorway watching you do the dishes he got dirty and hes like ok….im heading to the garage…………if you finish you can join me………or you can finish the dishes later….maybe……whatever i dont care…

like ok liar ill come watch you be a slut bent over a car

he doesnt ever really ask you to be his partner but its kind of obvious with how he acts? like idk how to describe it, he just treats you like hed treat a partner without asking you

because lets be fr what would you do? say no?

anyways once youre his partner he has eyes for no one else

hes not gonna stop the killing or the nefarious shit he gets up to in the garage with victims, but like… he doesn't like them the way he loves you <33 

yeah maybe its me being insane but i dont think bo would be the worst slasher to date

weird circumstances get you to that point but once youre past that then youre kinda set

hes whipped like idk what to tell you and you cant prove me wrong

[archivedblog16]

i stopped giving a shit or having any faith that val and angels dynamic would ever be subtle or well written when the playbill stated that the VERY FIRST porno angel starred in was called.. "my cousin and me." maybe if the writing wasnt so obsessed with making sex jokes that almost always portray sex as a gross thing, we could actually explore the "subtley" vals voice actor claims their relationship has or had, by having it slowly get worse over time, going from having the pornos be something that val and angel bond over at the start of them meeting, due to them both being in hell for awhile and having sexual experience in lots of different ways, on top of it being a point of sexual tension that makes their relationship more, "exciting," THEN eventually devolve into nasty shit angel doesnt want to do, but has no choice but to do, since hes under contract. (even the pilot doesnt really have this problem, at least angel starring in a film called, "well, okay!" doesnt make a joke at the expense of his suffering like the majority of HH's jokes do in the series.) but no. isnt incest in pornos so funny? isnt it so funny that val is making angel pretend to be into incest? isnt it so fucking funny that val wants angel to star in a "donkey show" and has him raped on screen for two hours straight, (which is canon as stated in the "pure boy" script that someone somehow managed to translate from episode 4,) and that val waterboards angel as a kink? isnt that funny, guys? why arent you laughing yet? but also - theyre super duper deep, actually! buy the 300 dollar print first, and then wait for the story to ruin i mean explore their past later! eventually!

They did Angel Dust dirty in the playbill. Imagine being a new Angel Dust fan, wanting to learn more about him and all the information you see is about Valentino’s creepy pornos about incest and nothing else. 💀🏃‍♂️I don’t blame you for not caring anymore about it.

The cool aspect part about Valentino and Angel’s dynamic, you can imagine anything and how they met. Like you mentioned, Anon, the two bonding over their sexual orientation/experience then it gets worse over time. Another example is Valentino potentially meeting Angel Dust at a club where he is wearing drag. Valentino being the first to see Angel Dust’s potential and they hit off smoothly.

But at same time, I wouldn’t be surprised if Vivziepop straight up stole again from a different comic Raph did regarding Valentino and Angel Dust.

[calamarispiderart]

hello hello!!! random question before i get started on work haha

how do you come up with dialogue for ur hms comics? the back n forth of them feels so heavy and realistic. especially the casualness paired with the bleeding-brooding (alliteration for fun) violence makes everything just. hit. in a tragic and hopeless way imo. it’s so neat :0

i’ve been trying that kind of writing out a bit lately too. this is what i’ve managed with my iambic pentameter gang (hms but rain world iterator). MiND is being threatened by the rage pent up inside himself. and, strangely enough, it has the voice of HeART.

constructive feedback is welcome ^_^!

once again, hello hello! sending good wishes and all :]. i love ur work ^_^ 💛

oooo hmm... this isnt something ive ever really thought about trying to explain, thank you for the question! big fan of the posing in the piece youve added here btw, i like the alliteration in 'heliocentric heathen' B:•∆

honestly the way i go about writing them isnt something i feel i can put into words with a clear structure of process... often with my comics it starts with me simply having a vague idea of 'i want to make a comic today', and drawing what feels right to lead into it. the words typically link in with the actions as well - i usually draw something, draw the next thing, write a bit of dialogue, draw the next thing, write more dialogue.... not in that exact order but the words always feel to be a reaction to the actions and the actions are a reaction to the words (and/or, words and actions work in tandem). people rarely talk in a vacuum, especially when theyre having the conversation in person, so i find it helpful to see the actions as part of the dialogue and vice versa.

occasionally ive scripted out dialogue beforehand (always with actions included within the script.) but even with a script what actually is said needs to adjust with whats been drawn. when i dont write with a script (which is the norm), its often while im drawing the next frame that im thinking over whats being said. typically i just go over and over a sentence mentally, adjusting bits until it feels right, looking at it once its written on the page and adjusting it more if necessary.

perhaps a bit vague? apologies! i do have certain mental rules i try keep in mind for each of the threes characters while writing. 'how would heart respond, how would he word this? mind? i cant word it this way because i know he doesnt do this...' <subconscious questions and thoughts but they are important to keep in mind. i find it the most helpful to keep the core traits i personally see in them in mind, and let those traits kind of... guide what is said. if i think of how that collection of traits and facets would respond to something, the vague concept that creates can then go through the filters of dialogue traits i have in mind for them. ...ehhh, put more simply... 'what is the general response this character would have to this situation' and then 'how would they structure that response through words and/or actions?'.

i, being who i am, cccc being what it is, am somewhat naturally inclined to writing grim and bleeding-brooding (nice word) things. i also consider myself to be quite a grounded person, which i hope comes through in my work! however, natural inclinations aside, cccc itself is quite a bleeding-brooding album (at least it is to me). its one about depression and self hatred and it really doesnt pull many punches in that respect. or at least, thats my read on it! as a result, that becomes reflected in my interpretation of hms. however, id also note that cccc is silly at times, theres humor in it. all good grim things need a bit of levity to really make it feel Real... people joke in the worst of times, not just the best, and it really helps in writing serious things to have just a little bit of joke to it, even if its not immediately noticable... this is hard to really give examples of honestly but it is relevant i promise. im unsure if youve read much of my writing aside from my comics, but theres just a bit of absurdity and humor in both my cccc pieces that would make the writing feel sorely lacking without in my opinion. notable with how violent and tense both those pieces are.

lots of words now! hopefully helpful ones B:•] or at least interesting! ill try write out some of the core traits and details i keep in mind when writing hms so as to give better reference points to all my prior words:

heart: reactive, not instigative. he doesnt start fights, he finishes them. he also doesnt need an insane amount of prompting to get going... but he does need prompting. apathetic, a bit fanciful. hes depressed, and not in a cute way. he talks casually but he uses serious words. no point in simplifying his language - he wants to be taken seriously, and while he makes himself look small and weak at times he is Not weak and he is Not small. hes just as much of a wordsmith as the other two. he covers his mouth when he speaks sometimes, and he puts his hand over his chest... a bit defensive? muffling his own input, but notably he still speaks. lies by omission or by twisting facts - if full honesty helps his case, thats what he uses. if a white lie works better... i personally see him as a bit of a planner too. sometimes his reaction to things is built up to; it never comes out of nowhere, even if it may seem like it.

mind: instigative, less reactive. he still reacts to things but hes generally the one starting shit and hes honestly very bad at Not talking shit. uses contractions. <this is a small one but mind says 'dont' and 'cant' and i dont think ive ever heard him Not use contractions to any notable degree. kind of weak! hes proud of himself, very proud of himself, and even in the moments of the album where theyre getting along he cant drop his superiority complex. hes bad at making compromises that put him as the lesser one. hes also quick to point blame and to lie (even if hes a bit roundabout abt it). hes also not That smart - or at least, hes not any smarter than the other two. he Thinks hes smart and hes quite confident about that but that doesnt actually mean hes right lol. aggressive verbally, passive physically. hypocritical.

both of them tend to see soul as an afterthought, or as something to benefit from. note the 'something', not 'someone'. imo, they dont really see him as a valid living entity in the same way they see themselves. speaking of soul...

soul: hes difficult. hes a difficult and complicated guy. vague, fanciful, depressed, suicidal, tired... i personally see him as quite passive. both passive and active... hes violent, towards himself and towards the others. just as they dont see him as an individual, i believe hes too apathetic and burnt out to see them as individuals either. when he threatens to hang himself, thats a direct threat to the two if them as well - and it functions as one, seeing as they are all linked in that way! his suicidality isnt purely self destructive in the way it would be in other story contexts which i find important to remember. i see him as someone who sleeps a lot... and as someone who is treated more like a tool than anything else. but he is, simultaneously, idealistic. he hopes for the best and would do anything (Anything.) to try and achieve it. he wants things to Get Better or to Stop. most of the time when i write or draw him its within the 'Stopping is the only option to Get Better' stage of things. hes tired and he doesnt want to deal with things but he has to and he doesnt want to and hes at the end of his rope. honestly within the album he feels a bit like a ghost. hes granted a similar level of personhood as the shadow of what could be, which is both more and less than mind and heart get.... hes confusing! hea a difficult guy. honestly you can take a lot of my notes and thoughts on his character with a grain of salt because hes always been such a puzzle to me haha. i find him easiest to convey in art... OH yes one last thought/trait is hes a bit... arrogant? hes tired and hes careless. listen to me or fuck off and die. arrogant. what a guy.

ahaaha this kinda became me just rambling about my reads on the three but.. hopefully helpful!! this is all stuff i try keep in mind when im writing and drawing them. theres certainly nuances ive missed and things i havent worded as well as i could, but you get the idea i hope! all of that informs how i write them and... in a way they almost lead me through the piece.

also! this isnt something i often think about because its just a natural part of the process, but sometimes i end up scrapping stuff! entire paragraphs, panels and poses, because it hits a stasis where i cant find any way for one or the other to continue the interaction - theres a distinct difference between this and the interaction hitting its ending point. if ive written one person saying or doing something and none of the parties involved are able to respond in any way at all, thats a sign that ive conveyed their characters wrong and i need to go back. people *always* have a response to something, whether thats continuing the conversation or leaving or anything. if none of them can come up with a response that feels like them, ive messed up somewhere. dont be afraid to go back and rewrite things.

ummm yeah thats all i can think of to say now! thank you for the question, and thank you for the nice words!! B:•∆ im very happy my comics come off the way youve described, and very happy youve enjoyed my work enough to want to ask me about it!! means a lot to me B:•] your rainworld iterator hms concept sounds swag as hell, id just say to keep at it!! from what youve shown here youve already got a great start B:•∆ thank you again! hope you and anyone else reading this has a good week!

[strangegardendelusion]

andres dumb plan hinges too much on the idea of "stolas will come save blitz because he loves him and then hold himself accountable so i can take his legions! obviously!" when theres like. no implication that anyone really knows what blitz and stolas's relationship is, or that they even care about each other, especially not when stella said, "he finally realized that filthy little beast was only using him to gain access to his grimoire", like, what about that implies that stolas would give a shit if anything happened to someone who was "using him"? thats right - it doesnt! if andres plan had been properly executed in the stupid ass way he set it up in the episode, then blitz wouldve been executed, and fuck all wouldve happen to stolas after. if anything, hed be treated like a hero who was used unfairly by some low life, who was then slaughtered on tv to remind the lower citizens of hell not to fuck with the upper crust. imagine if that had happened, forcing stolas to go back to his home by himself; no stella since they divorced, no via since shes turning 18 soon, and no blitzy, ever again. maybe they shouldve just done that tbh, that way he could take over the show completely, since thats obviously what viv wants so damn bad. (also, stolas possible redemption arc when he realizes his actions actually DO have consequences!) or, i dunno, if she had the maturity to let other people look at her 3 year old script without surrounding herself with yesman, she mightve realized that she couldve kept EVERYTHING she wanted and still had the same ending, at the price of having stolas do the bare minimum and say, "he didnt force himself onto me, i.. forced myself onto him." the ending with all the imps hating stolas would make sense (because they know hes a rapist), blitz being able to even acknowledge any care he has for stolas might make more sense if he'd even SAY what he did wrong to blitz in front of EVERYONE important in hell, being a way to make up for his manipulative behavior and him hiding his face at ozzies, especially if stolas said, "i'm so sorry, blitz. for getting you into this mess, for everything ive done to you.." after blitz says thank you when they return home. (thats just the way i'd write it, because i cannot fucking stand that blitz says, "thank you, stolas, for saving my life," when blitz, at minimum, has saved stolas's life 3 TIMES AND HAS NEVER GOTTEN A THANK YOU ONCE BEFORE THIS POINT and was even INSULTED over saving him the best he could, because blitz needed to be there for his DAUGHTER first like a good dad, which is obviously something stolas has never comprehended since his sacrifice and willingness to die for his former forced sex slave in mastermind proves that, but stolas saves blitz twice, the second time being when hes holding himself accountable for his own actions that nearly got his "lover" killed to begin with? oh, heres a gold star, a thank you from the guy you forced to have sex with you to keep food on the table for his family, and a free imp to wash you just like when you were 12 i mean a totally not trauma bonded bf!)

Honestly, anon, interesting points all around! I didn't even think about all you said before you mentioned it.

Now, having blitz died is a very interesting idea

I mean, it would be very cool to see how each character reacts to his death, like having loona experience her sadness by turning it into anger and having millie and moxxie grieving with each other the best they can.

It would also be very interesting to see stolas hitting the deep end as he realized how his life is falling apart

I could see stolas trying to reach out to everyone blitz knew, and nobody wanted to do anything with stolas

From then on, the series would follow stolas as he deals with everything

[sporesgalaxy]

updated a little flashback Vladlence script thing that I started writing in like 2020. some of you may remember this comic

Smile :)

•••

[The year is 1990-something-- before Vlad betrayed and temporally displaced Silence that one time. Vlad and Silence (in human disguise) are at some kind of businesspeople shindig. They've stepped outside for some air and are basically alone. Vlad has a glass of wine.]

S: Lord. I'd forgotten how tedious these are.

V: They're really not worth it unless you can drink. It was so much worse when my parents would drag me to these as a child.

S: Hm. I didn't mind my father's business functions, but my ex-husband's were insufferable.

V: [chokes on wine] "Ex-husband?"

S: Well... "Ex" in that my untimely departure left him a widower, yes.

V: ...is he a--

S: [rolling eyes] NO, he is not a ghost.

V: Still! How have you not mentioned him once?

S: [shrugs] It didn't come up.

V: That isn't fair! I've spilled my guts to you for your research. You HAVE to tell me something!

S: You're being ridiculous.

V: ...That's it. I've decided.

S: Decided what?

V: The favor you owe me for bringing you along as my plus-one tonight!

S: Oh, please! All I've learned this evening is that you're still capable of being intoxicated by normal amounts of human alcohol.

S: Now, you've learned that I had a husband once, a very long time ago. I'd say we're already even.

V: [pouts]

S: Why does it even matter to you?

V: .........if I say, will you tell me more about your human life?

S: I--! Oh, fine. Whatever. Yes.

V: Because marriage is--! It's--! Marriage is everything! It changes your whole life! You finally have someone to always be there for you, in sickness and in health and all that.

V: How could you just...[mimes swatting something out of the air with his free hand] move on, after that? It makes no sense!

S: [tuts, rolls her eyes] You're insufferably romantic, you know that?

S: Marriage is not "everything." My marriage had everything to do with finances, and precious little to do with anything else.

V: ...Oh.

S: That's less common these days, I'll admit, but forgive me if I still feel you're overselling it.

V: ...Well...Still, he was there, right? At least you had someone.

S: [annoyed] Sure. Can we talk about something else now?

V: Did you have a family? [leans against the balcony, resting his chin on a hand, smiling expectantly]

S: [frowning] ...Not the change of subject I was hoping for.

V: [just keeps looking expectantly]

S: [sighs heavily] [trying to be annoying on purpose] Well, I had a mother and father, two siblings-- both of which died in infancy-- and on my mother's side, my cousins--

V: [impatiently] I meant with your husband!

S: [twitches] ...No. It was just he and I, and then I died.

V: Oh.

S: [snarky & bitter] ...Then, he remarried a nice young lady who got to keep all of our money. They, I believe, had several children together.

[Silence is quiet in a sort of uncomfortable angry way. Vlad, oblivious, gets lost in his own thoughts.]

both: .......

V: [CLEARLY thinking about Maddie. a bit dreamily] ...do you ever wish that you could do it all over?

[Vlad is looking at the sky, and doesnt see the judgemental, incredulous look Silence immediately shoots him]

V: That you had more time to make it work?

S: [humorless laugh] HAH! No!

V: [snapped out of his reminiscing, looks at her, surprised] No?

S: [like its an uninteresting, obvious fact] My life didn't have anything worth going back to.

V: [disgust directed at the percieved failure of the faceless husband figure] He was that bad?

S: [waves dismissively] No, no. Our marriage wasn't bad. It just wasn't--

S: ......well, it wasn't much of anything, I suppose.

V: [furrows eyebrows] Hm.

S: [after a short pause] I much prefer this.

V: [for some reason, his heart skips a beat] This?

S: [a bit frantically] My research! In the Ghost Realm. The achievement, the influence, you know. Much more fulfilling.

V: [nods, a bit spacey because of a weird inexplicable feeling he's having] Ah. I see.

[st4r-bby]

hi!! this is my first req but i was wondering if you could write something about jack champion having feelings for actress!reader who plays as his love interest on scream? like everyone knows he likes her but her and he doesnt know what to do because they are best friends? just lots of fluff

AMAZING IDEA ANON!

movie : none really but they both play in scream 6 together

character / person : jack champion

pairing : !shy-ish jack x !actress reader

contains : fluff, lots of fluff, fluff that rots your teeth, jack being head over heels for the reader, reader being oblivious.

both y/n and jack were actors in the new scream movie, jack played ethan landry and y/n played (whatever name) as his love interest. one of the scenes in the movie is when y/n has to kiss jack. jack tells mason and now they're yelling at each other in jacks trailer.

"but mason!" jack squeaks, "i don't wanna hear it. it's just a peck anyways." mason says, "but it's y/n! i'm her best friend, she's mine, i have a crush on her, she doesn't have one on me! it's going to crush me when we kiss!" jack starts whining. mason rolls his eyes, "come on, it's not that big of a deal." jack clears his throat dramatically, "yes it is! and you do not tell jenna about this or i'll stab you in real life too."

mason gives him a confused look. "i read the whole script." mason rolls his eyes again. "jenna already knows you like y/n, everyone does!" jacks eyes widen and he yells, "WHAT?!" mason covers his ears slightly, "yeah!" jacks jaw drops, he looks flabbergasted. "EVEN Y/N??" mason laughs, "everyone expect y/n. somehow." jack lets out a huff of relief. "good, i don't want y/n to know.." they hear the door to jacks trailer open and shut. "you don't want me to know what?" y/n says, confused while carrying a box of dunkin donuts.

"oh and i brought dunkin." she opens the box showing all kinds of donuts. while jack is sitting there shocked at her timing, mason runs to the box and grabs a chocolate one, praising y/n for it. y/n smiles at mason then looks at jack, waiting for an answer she tilts her head. any other person would've moved on, but jack, jack thinks that was one of the cutest things she's ever done.

"oh.. uhm.. well.. you.." jack rambles, not finding the right words to say. y/n laughs, making his heart skip a beat. she grabs his favorite kind of donut, walks up to him, and shoves some into his mouth to shut him up. "okay, okay pretty boy. i get it, you don't want me to know. just eat the donut." after she calls him that, he feels blood rushing up to his face already. he eats the donut she shoved into his mouth and she smiles. "good boy!" she pats his head.

mason looks at them both and smirks, he grabs two more donuts and leaves the trailer silently. y/n sits down on a chair and messes with things in his trailer. "interesting trailer, j." she spins around. "you know why i'm here right?" he shakes his head, not being able to speak after those names she called him. "we have to rehearse the kiss scene remember? the directors changed it up a little and said it shouldn't be a peck and it should just be a longer kiss." he curses at the directors in his head but just nods.

she gets up and walks up to him, "so it goes a bit like this.." she grabs his hands and puts them on her waist then she takes her own hands and puts them on his cheeks. "and then we kiss for like five seconds." she smiles. jacks heart skips a bit and he thought he stopped breathing for a while but they both pulled in and they kiss.

y/n would consider it amazing, jack considered it being on cloud 9. they pull away after five whole seconds and she smiles at him. "wow jack, i didn't expect that to be as great as that was." somehow jack gained the confidence to speak again, "can we.. do it again?" he gets embarrassed and y/n realizes what's going on. "jack.. if you want to kiss me as y/n and not (characters name) you could've just said so." she smiles and they pull in for another kiss, and many more after that.

okay i admit this was kinda good- BUT THE BEST IDEA CONGRATS ANON

[eddiediazismyhusband]

These people will never experience the pain hearing from the causal viewers and THE SR that we who view those characters as queer, are delusional. We were told, it’s in “our heads” and what you see “is your interpretation” NOT what’s on the script. OH CANT FORGET MY FAVORITE, “go write your own SHOW”. Imagine for 6 years viewing buck as queer coded and told you were dumb and “it’s never gonna happen”. For 6 YEARS!!!! It literally took them ONE EPISODE AND MOVING TO A NEW NETWORK for bibuck to happen. And these people think this couple who ONLY HAD 3 dates (1 of them a failed one), and 2 kisses is endgame? 💀💀💀imagine your ship not having any depth to where they stopped caring about them after making buck bi💀💀💀. Where are their scenes? Oh it’s “enjoy it while it lasts”. It’s them having barely 20 minutes of screen while the “non ship” has x2 has much in 10 episodes. Did they forget their fav said this💀💀💀💀

💯no notes agree with everything you said 👏👏👏

and also even that lfj quote pissed me off when it came out bc i was like “how are you gonna stand here and tell me to be grateful for a relationship that came out of left field with no chemistry?” like even if it does lead to buddie i will still hate that whole arc because it could have been handled SO much better and without bringing back a racist character, played by a problematic person, ON TOP of causing the biggest shipping controversy to ever hit this fandom… that man has given me the ick since day one of s7 and when the cameos started and he started encouraging his fans and egging on the bullshit i was done w him.

it pisses me off bc they act like buck has to go through some sort of “queer bootcamp” before he can date eddie and im like…. no he doesn’t?? he doesn’t need some sort of “gay yoda” or whatever they called t-rex in the beginning bc there is no rulebook to being queer… so the whole notion of “working out the kinks” (which is an extra level of icky coming from someone like lfj, and looking back after the daddy joke in 7x10) never sat right with me… and the whole “what if buck got with eddie and didn’t like it?” if he meant that literally as “what if buck didn’t like it” my brother in christ theses are fictional characters, they’re not sims, the writers have full control over literally everything that happens… why would they write them if buck “wasn’t gonna like it” (which is bullshit bc we all know he 1000% fold immediately if eddie kissed him)… if he meant “what if the fandom didn’t like it” (which is an odd way to word that question if this is what he meant) WDYM IF THE FANDOM DOESNT LIKE IT EVEN HALF THE BT SHIPPERS HAVE BEEN SHIPPING BUDDIE FOR ALMOST SIX YEARS????

the whole situation drives me up s wall bc not only have we simultaneously gotten so close yet so far to getting buddie, we also now have to deal with these wack-ass fans policing people, calling queer people homophobic, sending death threats and violent hate speech to people who don’t like their ship, actively talking bad about oliver bc he clearly isn’t a fan of lfj or the way this storyline was handled, on top of having to deal with the show’s retconning of typhoid’s character and trying to brush his shit under a rug using queerness as an “excuse” and thus enabling these people to use the “homophobia” rhetoric when someone doesn’t want a boring ass rewash basic ship.

[theygotlost]

ok hopefully my phone doesnt die while i write this review of kung fu panda 4

bottom line is dont watch it its not good. all rhe dialogue is bad. as in both the actual words written in the script and the way the actors deliver their lines. there isnt a single sentence that doesnt come out extremely awkward and stilted. even jack black sounds like he doesnt want to be there and the thing about jack black is that wherever he is hes always happy to be there.

also i hope we can track down the person who decided awkwafina should be in every animated kids movie ever from now on and have them shot. and then also kill awkwafina i hate the sound of her voice more than anything.

honestly the movie is just really boring. its mostly expository dialogue for a majaority of the runtime and then the big fight at the end was pretty cool and i forgot that i hated the movie for a second cause at least it was entertaining.

i know this movie is literally for babies but the jokes are all EXTREMELY unfunny and feel a million times dumber. sometimes movies for kids can still be witty and genuinely funny to watch as an adult but this movies sense of humor was for 6 year olds and nobody else

somethings i liked:

there was PANGOLIN voiced by ke huy quan which would have been awesome if he was actually a good character

po's goose dad and bryan cranston panda dad were kind of yaoi. no they werent who said that

tai lung was resurrected to serve cunt for 30 seconds and then died again

[thejackalxi]

Watching "Kahmunrah Rides Again" for the FIRST TIME like...

(Final thoughts and disclaimers at the end, so hold all questions and comments for the end, please. For all my rantings and ravings, I do take a breath and anaylize this fairly and even have my own epiphany.)

Seeing "Kahmunrah Coming Soon" poster made me laugh like the immature boy that I am.

The voice acting is not great. No one sounds even remotely like the original actors, including the way they speak, their natural flow and line delivery doesnt feel beliavble, except for the Ricky Gervais sound-alike who actually was pretty close.

Worse than the voice acting is the dialogue itself. The writing is atrocious!

The scenes with Larry and Nick felt genuine and were actually written pretty nice, immediately followed up with a terrible clunky scene with Larry and his ex-wife.

Inconsistancies ABOUND! There's no Rebel Wilson character and Dr. McPhee doesn't know about the museum coming to life, and with the inclusion of Laa, yes, the script confirms that this takes place after the events of the 3rd film.

The candy bar scene got a chuckle out of me before the badly out of sync Teddy Roosevelt jumpscare. The animation itself is not...awful, that one shot just was sync'd weird.

Seriously, the scenes of Nick sharing dialogue with his dad are the best written bits, it's like being able to come up for air while otherwise drowning in a sea of stupid. I actually got a small chuckle out the Tokyo bathroom joke.

I really hate that Kahmunrah doesn't have his speech impediment...and looks nothing like Hank in NATM2.

WH-what is this voice he's doing? It's super inconsistant. He has an accent, then he doesn't have an accent, his voice is all over the place. At this point I'm completely convinced there was little to no vocal direction and Disney execs didn't care, they just wanted the tracks recorded and mixed by the end of the week. "This is all so bad."

"Ohh, it IS bad, and DON'T interupt me!" The movie is aware, heard my critique, and agrees 🤣 This was the hardest laugh I got out of watching this thing so far...

I HATE HATE HATE this writing and the line delivery *screams into hands, and notices there's still 50 minutes left to watch* Gotta keep going...maybe it gets better??

Personal nit pick, but if my handsome beefcake daddy Kah with massive biceps has superstrength in this cartoon pushing over a whole ass stone column, what sick character designer gave him pool noodle arms??? I mean, are you for real??? LOOK AT THOSE THICK TREETRUNKS, MAN! What sick monster drew him in this cartoon- whatever, it's fine. It's fine. It's just a cartoon, it's fine.

No, it's not fine! Listen! Kahmunrah's entire design in this animated movie is offensive and it deeply bothers me, I recognize that it shouldn't bother me, but it does, and it's wrong and I don't like it...Ill tell ya how I really feel, I don't particularly care for this cartoon....*takes a breath* Moving on...

Ugh...and the poster of Merenkare looks NOTHING like Ben Kingsley either *sigh* Im kind of glad Ahkmenrah is M.I.a. from this film because I'm sure the character designer knew they couldn't replicate Rami Malek's angelic beauty and perfectly capture his face, so they just didnt bother.

stop...this dialogue is so unfunny and delivered so baddddd *cries*

"Technically he was never a pharaoh because [insert badly written quick exposition]" FALSE!! First of all, Teddy, you weren't there, so shut your goddam moustachio'd mouth. Second, if the writer of this thing had watched ANY of the movies or done any research into this franchise (they clearly didn't, who am I kidding), Kahmunrah WAS passed over and the throne given to his little brother Ahkmenrah who, after only a year on the throne, was violently murdered by Kahmunrah and reclaimed his rightful place on the throne for 17 years before he passed. Did anyone on this production think to ask the original writers or Shawn Levy for creative consultation? Of course not, because it's Night at the Museum now owned by Disney, they don't care to fact check...or even glabce at the original source material 😒 (Turns out yes, they did and they just forgot their own established canon. Don't you be tryin to take away my man's title of Pharaoh, how very dare!)

Yet, they included Joan of Arc who appeared in a NATM spin off junior novel following Nick. Kinda disappointed she's not voiced by Nicole Sullivan 🤣 jk, this actress is good for Joan, Im just a sucker for Clone High.

"Let's dance." Kahmunrah draws khopesh (hot)

"No dancing, just swords." Joan replies. I actually giggled, that was cute, until,

"Silly girl, that was a metaphor! A metaphor is not literal-"

Dammit movie!! Stop killing your own jokes by pointing out why the joke is meant to be funny! Stop! Let me just TRY to have a laugh! This dialogue is just bad. Please don't follow up your jokes with, "See, that's funny BECAUSE-" Stop! We get the joke, it's annoying! I get they were trying to match the improv comedy tone of NATM, but they failed so hard doing so!

*Kahmunrah talks more*

BRO, PICK A VOICE! PICK JUST A SINGLE TONE, PICK A LANE! PICK ONE ACCENT AND STICK WITH IT! One minute you sound like if Hank Azaria was on ALL of the drugs, a Mark Hamill's Joker-esque tone, then you sound insanely British, now you have an American accent, some sort of demented gremlin voice, and now sound like Jafar?? PICK A VOICE, MAN!! And of all these voices, still no teeth lisp. A crime.

"Don't eat me, or this will be a very short movie!" Please do, a fourth wall joke doesn't work for Kahmunrah, that really should be Teddy Roosevelt's shtick.

Also REALLY bothers me that they made Jedediah a freckled red head.

"Let gho of me you Phillestines!" And now Kahmunrah is Mark Hamill? Why...did he deliver that line like the Joker?

"I need backup, the ULTIMATE backup." Now he's what, Haas Delgado? What are these vocal choices his actor is doing?

Also, not the voice actors fault here, but why is Kahmunrah's khopesh sheethed in the back inside his tunic like that? Is his blade nestled in his ass crack? 😂 Why animators did you make such a terrible choice??? He could've had a sheath at his hip, but...why in the back like this???

There's still 40 minutes left, HOW???

And again, just when I feel like we've settled into an American scary guy voice for Kah, he slips into the Joker again. brah....brah...come on.

Seth's accent isn't very tight or consistant either, but I'm so exhausted by the insanity of Kahmunrah's vocal deliveries to really care. Speaking of which, he alives a Scorpion statue and his voice COMPLETELY changes tone and delivery style... again. I know I could just stop watching, but Ive made a comittment to see it through.

"Is it really bad?..." Teddy asks, Nick and I happen to say at the same time, "Yeah, it's still really bad." (Though we're clearly not talking about the same thing) 😂

Seriously, the khopesh is like RIGHT down the crack of his ass!!

"I smell Kahmunrah's musk-" YOU SMELL WHAT?! You know his SCENT?

"Fire burn." "I know the feeling." DAMMIT JOAN! 🤣 Ya got me on that one.

Aw, this scene building Nick up, this was nice. A breath of air before Im sure it goes back to shit quickly...

A fart joke, yup. Sadly I was right.

Yup, and then the movie reminds us that Robin Williams would've had a funny improv bit as Teddy, except it would be actually funny and naturally paced, and the other characters would be chuckling and trying not to bust up laughing, and not a phoned-in unfunny delivery like it is here in this cartoon where the characters are annoyed and critisize Teddy's reminiscing. I miss Robin so much. He was such a light on this world.

"We have an hour left before sunrise, come on!" Well, once again the franchise doesn't seem to understand how short an hour actually is. You're two hours deep into Ancient Egypt, you still have to stop Kahmunrah, leave the portal, get through the Art Museum, back on the Subway to get to the Natural History Museum...all in the span of an hour...Sure (Yes, they find a way to get home in time, that's the point, I know).

Jedediah shouts, "Don't forget to swallow!" I have died!

"Once I insert my tablet into the sarcophagus-" ...*slowly raises eyebrow* Once you insert WHAT now??? "My army will RISE!" ...sir... I hate your voice, I despise so much of the dialogue throughout this movie, but THAT line *slow clap* truly a masterpiece, *chef's kiss* Thank you to whomever wrote that line for me.

"We can't let that bully win." "Bully!....I mean, yes I agree." Oh now with less than 20 minutes I'm mildly enjoying myself.

And the "heiroglyph" of the 2nd chord to the combination in the MIDDLE of the tablet looks like :===

This cartoon has turned SUPER innuendo-y all of a sudden 🤣

HELL YEAH! A jackal army is WAY COOLER a birdmen army in my personal opinion. Damn, if only the voice actor had actually tried to sound like Hank (or if the vocal director didn't at his job) and Kahmunrah's design wasn't so awkward, I'd say that's insanely hot...Imagining Hank Azaria's Kahmunrah commanding a muscled canine-man army is one of the sexiest sounding things I could imagine...too bad it only exsists in this cartoon without Hank and not live action WITH Hank (obviously) 🥲

"Yes, my minions, ATTACK!" Now, imagine that line said in a commanding English accent and a forward lisp, while pointing with a big muscular arm....HOT!

UGHHH Why...why was he drAWN WITH STICK ARMS? *personal breakdown for the hundredth time watching this hour and 10 minute cartoon movie*

"Fine, then leave Son of Larry..."draws sword, "to me!" delivered in what I can only describe as freaky goblin voice. Why...? This...this would be so sexy, except everything is wrong.

That's it, I'm transcribing every bit of his dialogue and recording what he SHOULD sound like, and y'all will agree, they should've brought Hank back for this!

This weird goblin voice...this is the voice he's settled on now I guess, er...nope, nope, apparently we're going back to sounding like Jafar. Good god, just let this movie end.

They're using a poster of the natural history museum to get back while they're in a painting at another museum...I don't think that's how that would work, but I don't...I don't care, I want this to just be over.

Teddy, why are you not freezing with Texas-? Augh, who cares?

So Shawn Levy AND Chris Columbus produced this??? How much of a hand did they really have in this, because it was a nightmare.

*Does some Googling*...The AUTHOR of the original Night at the Museum children's book that the franchise is based on was one of the screenwriters? Did NOT see that one coming!

All in all, this movie got a few chuckles out of me, and the plot is pretty much a re-skinned version of Night at the Museum 2 Battle for the Smithsonian. It's not a bad concept, just a little weak as a final installment to the franchise.

My biggest issues come from the predominantly awkward dialogue, the joke murdering, granted it's hard to translate that vibe and live action comedic improv that leans more mature into a cartoon movie for a younger audience. The writers were bound to their screenplay and didnt have the luxury of improvizational comedy gold from the likes of the original NATM cast. With what they were constrained to, they tried their best, sometimes jokes worked, but most of the time it just didn't.

Some of the character designs were wonky, but I didn't mind the art style itself, Im just nit picky about the choices in Kahmunrah's design and his overall color palette.

But above all, the voice acting was ROUGH in places! Some performances were great, Joan was solid, Jed surprised me in the end when he finally started to sound like Owen Wilson, the Ricky Gervais sound-alike was decent enough, and Joshua Bassett as Nick was pretty decent as well, but Teddy Roosevelt, do I need to say it? No one will ever be Robin Williams, but Disney could've found a sound-alike.

And FINALLY, my guy, Mr. Joseph Kamal...what were you doin, man?

I mean, I tried to keep an open mind, and I am all for a voice actor putting their own spin on a character performance, but my man, this was not good, and I'm really disappointed.

*RESEARCHES Kamal's IMDB page* SOooo, in...SOME fairness, this was only his 2nd ever voice acting/voice over role. He's only ever done minor acting roles in serious television dramas or soap operas.

That being said, as a freelance voice over artist and voice actor, voice acting is NOT easy, especially when you have BIG BIG BIGGG shoes to fill from long time crazy-talented voice actor Hank Azaria. I just think Kamal was simply miscast into a role that was too much for him to take on. And I also blame whoever was in charge of vocal direction. Sometimes for voice actors, without a strong director, in a big vocal performance, the choices made in a delivery are too vast, like throwing darts into the universe while blind folded. You just kinda throw a variety of deliveries out there and ultimately it's up to the director and the editor which takes to go with.

Maybe that was it! Kamal did multiple deliveries of lines with varying styles because again, lack of strong direction, and the editor ultimately just threw these unfitting takes together making Kahmunrah sound batshit insane in not a good or well executed way...I wanna give this guy the benefit of the doubt.

3/10 There were ideas here, but this movie was painful to get through.

[laststandx3]

I'll be bitter for a minute and say it: i think the terror for how good it is, is also very partial on crozier on being #1 mister only good colonizer in the arctic, and i sort of hate it because the change happens only because he sobers up. and sure alchool makes people cruel, but sobering up doesnt make them perfect. he went from let silna be left on the ship without protection/kick her out for the tuunbaq if she doesnt help us/ rip the guy that died to get me a bottle of whisky, anywayy to peace and love on planet earth lets us all take this walk together while i share words of wisdom and love with this other colonizer who's also very sorry he didn't do anything good with his life. Crozier started the journey at least as a heavy day-drinker and i understand how that's different from heavy alcholism but at the same time i can't imagine all of crozier's faults being the consequences of whisky alone. and having him overcoming his alcholism and wising up immediately after being clean for a few weeks is FOR ME a terrible writing choice that paints him as being naturally good and his 'bad' behaviors coming ONLY from the alchool. yes he sees blanky getting hurt and that's starts his sobering up path. but that's not enough for me. the people (other characters state aloud for the audience) he loves more than god loves them are dying left and right. and i really dont care if corzier cares about the crew or not but if he cared he should have cared about them even when he was drunk and not remembring about their wellbeing AFTER he got clean. i'm not saying you cant enjoy crozier. i just believe his character development isnt earned and that he got it only because he's the designed good character that canonically survives in the book. i dont think that him shitting himself for a few weeks while sobering up can count as having the emotional development to go from one extreme to the other. especially because everyone else is also there sufferring physically and psychologically even more than him due to the fact that their all stranded in the arctic and dying of scurvy and no one else in the crew could have the time off work, privacy and attentions to heal. crozier being the 2nd on command and then captain used his power to become a drunk and later to clean up. and i just dont believe that a man who abused his position like that from the beginning just becuase he was pissed he couldnt marry the woman he wanted suddently stops abusing his position because he's now clean and pure. TO ME it's a bad writing choice that is also force-fed to the audience with the line 'more than god loves them' so that you get it for sure that he's the good guy who cares about people not like those others evil characters who would do anything to survive like killing innocents and being racist (the good guys could never. except they canonically did- but wait, not in THIS continent so it doesnt matter) and eating people (which is a sign of being naturally evil, no matter the circumstances) or following a religion in a desperate last chance of survival (again no one on the good guys side would put religion above good sense and the safety of fellow human beings. in this continent?? maybe? ugh)

in summary i think the main flaw i find in the terror is how much it still tries to draw a line between good and evil. instead of just trying to portray the human disperation for their mortal condition. how much having to come face to face with tuunbaq must destroy all of those men convinctions on what life/afterlife are (for what i remember it just addresses it for tozer AND in the SCRIPT) nobody else gets a life shuttering experience. it's either the devil, then good christians should be safe, or it's a different religion, then what?? what do you do when your life looses its meaning? and the answer for most of the charactes was 🤷‍♀️guess we'll think about it after this awesome party we're about to throw. i dont want this to be about religion, but these men are wrecked in every way, there's nobody to save them and everyday they're a little more in pain than the one before. there shouldnt be a camp of the good men lead by the strong and wise one who take care of their sick and lets the dying die peacefully with morphin. while in the bad guys camp they eat people and have evil laugh competitions and kill their sick with knifes bc giving them poison might make them unedible. and specifically those evil guys where also the reason why the expedition happened to hurt the locals, the good guys have nothing to do with it.

i dont think there's nothing wrong (narratively) in doing anything to survive. even if it's something cruel, because those men are at the end of the world alone, it's at least realistic that they'll try everything to avoid death. crozier(and jfj even if offscreen) gets to be cruel at the beginning of the story but by middle point they're shown to be sad (about unrelated things) and spend the last few episodes being kind and brave (and forgiven by the narrative) while their chance at character development is uniquelly given by their ranks. in the meantime the consequences of those cruelness (only hickey, because we dont get to see survivors of jfj trip to China, if he left any) dont get the chance to heal and change because hickey's position of subordiante never allows him to be really safe, and because his torture was public, automatically making every witness taking the side of the perpetrator. hickey's never given weeks off work to recover because he got lashed because of his own actions. hickey doesnt get words of wisdom from a companion because in his mind everyone agreed with crozier in him deserving the lashes, (except maybe tozer? but even that isnt that clear cut) hickey, manson and hartnell also magiaclly heal from the lashes after a few weeks (even when ANYOTHER character cant heal because of scurvy) so the narrative can't held crozier accountable for the pain he caused.

the good guys and the bad guys' actions are treated differently by the show. even when the good guys actions should have consequences and the bad guys' shouldnt. the narrative has already decided which sins will be forgiven and which will be punished. and it's a bit annoying to me because for how wonderful the terror is, i cant help but feel like i'm being spoonfed a narrative about morality when at its core the story is about humanity.