#he doesn't want the end of the world

[dearmyloveleys]

RE: the absolute fascination (and adoration) I have with the symbolism of Zhu Yan's and Li Lun's weapons, how it reveals their respective characterisations and the discussion of humanity

There are so many aspects that I love about FoF but I still believe how the show represents LiYan's relationship + worldview through their weapons is one of the best uses of visual storytelling and literary/visual devices I have seen in recent years. (long text ahead!)

A Gift and A Curse

Where did their complications start? The exchange of gifts. Why do we gift another presents? For affection. It's so ironically simple, free of malice and at its basis so, so human. For a demon like Li Lun who claims to not understand humans, he reciprocates the moment of kindness Zhu Yan shows him - the rattle to make him happy, and him giving Zhu Yan the umbrella to shelter him from rain.

There is something so beautifully ironic about two great demons eventually using ordinary, human household objects as their weapons. And items given to each other at that. When they first receive them, both the umbrella and rattle are just simple objects with no meaning attached to it, except for the goodwill of friendship. There is no inherent ill-intention and it is pure. Yet.

Li Lun ultimately only understands reciprocation, and not truly the innate kindness and affection which Zhu Yan demonstrates. Zhu Yan gave Li Lun the rattle to have him understand why he finds humans wonderful: Can any of our demonic powers have the ability to make someone happy just like this rattle does for a child? Li Lun gives Zhu Yan the umbrella because Zhu Yan gave him the rattle and made him happy. Li Lun understands the action, and does not grapple with its underlying intentions. He consistently struggles with this throughout the story, especially when actions do not match up with the speaker's reasonings.

Dissonance in character is an extremely human trait, and the understanding of this is where Zhu Yan and Li Lun’s stories and similarities diverge. Zhu Yan on one hand, understands the complexity of humans and is at terms with it. Li Lun on the other hand, never understands the ability to be complex and paints humanity black. Their gifts are still turned into weapons that will eternally curse them of their once-there closeness, because of each other and their inability to reconcile their ideologies. How they use the umbrella and rattle from here on, represents their differences in their views of humanity.

Double Edged

When watching any fantasy/wuxia/xianxia cdrama, everyone who is written as a fighter usually has an offensive weapon used and made for injuring and killing. But not when it comes to Zhu Yan and Li Lun - they are two individuals who will certainly be masters in weaponry if they wielded a sword or blade. But they don’t.

In the Wilderness, from what we see, none of the demons use weapons. Even Cheng Huang uses an hourglass. Both Li Lun and Zhu Yan do not own any weapons before gifting each other the rattle and umbrella, and these aren’t even supposed to be used as weapons. There is such an underlying innocence to demons that instead of choosing a blade to take as a weapon, they choose these essentially harmless items instead. Though, this innocence ends here. The concept of weapons is a human creation. The concept of making an item specifically just to harm others is an especially human conception. By adopting the identity of weapons onto their gifts, the multifaceted nature of weaponry and thereby humanity seeps into their characters. Weaponry is both ironically and ironically human, and their weapons represent both sides of human nature that Zhu Yan and Li Lun believe in.

A weapon is only causes harm in one's hands if you make command it to. Do you protect or do you do harm with it? I find it so telling and intriguing that Zhu Yan and Li Lun run off in either directions with the purposes of a weapon. Zhuyan has always been fascinated by the human world versus Lilun having apathetic views of the human world, and they reflect this in how they use their weapons.

Zhu Yan uses his umbrella to always shield his team, protect and deflect harm, while the harm he inflicts on others comes from his innate spiritual energy (one word spells). He protects this simple umbrella and preserves its goodness, indirectly making sure to not sully the goodness of humanity. Instead, he chooses to use himself as the offensive weapon. On the other hand, Li Lun turns his rattle into an offensive weapon, changing its tip into a dagger. Before it is destroyed, all his attacks are summoned from strikes against the rattle. He doesn’t care, and humanity is trash, therefore he treats this object of innocence with irreverence and violence.

Though, there still is Li Lun’s favourite question: Is it better to be a demon or human? He chooses human. Which at the very least, is interesting.

Who You Wish To Be

The thematic concern of LiYan's relationship is very much defined by this question they often pose or have been asked by others: Is being a human or a demon better?

On an even deeper level, the juxtaposition between Li Lun's use of the rattle and what he says, being a human is better, is even more encompassing of his character — driven, conflicted obsession. The same way he keeps trying to break Zhuo Yichen and Zhuyan, but manages to maintain somehow civil and emotional conversations with them, his treatment of his rattle but the fact he thinks being human is better, and his one-time statement “maybe the human world is interesting after all” are contradictory. He is never at peace with himself and cannot accept things the way they are. He is very much a child, misguided and believing that things are one-dimensional (all humans are bad, Zhuyan how could you hurt me for them) while things in reality are complex. Even his best intentions, from his line “I, Li Lun, will never run away from things (…)” is innocently one dimensional. He will never be the human he wants to be until he comes to terms with this. And most importantly, it's not even about being human. It's never about titles or names, it's about who he wants to be. Li Lun once again is fixated on surface levels that he doesn't grasp the depth of reality.

"Whether one is a human or demon, it's only a matter of titles. Just be whoever you want to be." - Zhu Yan, Ep 26.

Zhu Yan is the stellar opposite of Li Lun. He doesn’t sully Li Lun’s gift to him and uses it the way Lilun initially gave it to him for: to protect. And his answer to the Demon or Human question as written above is telling of his character, compared to Li Lun's set-in-stone answer. But despite everything, what makes everything so tragic is what started it in the first place: affection. One keeps that affection as a weapon to spread the same to others, while the other keeps and weaponises that affection to regain it all back.

Just like how he uses his rattle to relentlessly pursue revenge, Li Lun is so insistent on what should have been, that he doesn't see what can be, and it curses him. Zhu Yan sees the possibilities of everything, wants to protect the good, and it curses him. Perhaps its this inevitability of their separation and also the sliver of hope that they can reconcile, trapped in their shared respective curses, that troubles them deep down.

-

Their weapons symbolise both their ideologies, and serve as physical reminders of their intertwined past. Regardless of how they use their weapons, they use a reminder of the other as defense and offense against the world. A diverged path still has met once before. The sharpest blade is still one crafted from the torment of memory.

On Visual Story-Telling

The use of these unusual objects in c-drama land as weapons is such a stroke of genius on the production team and writers' part. It gives so much more flavour and uniqueness to these characters instead of the usual sword or spear. Such small, precise, details with large implications on characterisation.

[poorly-drawn-mdzs]

The dog days are over.

[First] Prev <–-> Next

[batcavescolony]

Bruce is immortal until Tim Drake says so, oh you wanna kill Bruce Wayne? Nope Tim will do anything in his power to stop you/drag Bruce back to life, he pulled that emotionally complicated, depressed, piece of shit back from the edge and only HE gets to kill him.

[merakiui]

a plot in which skully's portrait is kept in ramshackle. there's more legend and lore to the king of halloween than there are actual facts. you've always been curious about what kind of person he is and what sort of life he lived before he was traveling the world. there's so little documentation on him. it's a shame you'll likely never know the real story, but that's where fantasy can fill in the blanks! skully looks so devious in his portrait—with that sinister smile and extravagant pose. he's a mystery you've tried to solve with very little luck.

every morning on your way out, you pass his portrait in the hall and say the same farewell: "i'm off, mr. skully! i'll see you later!"

ramshackle dorm is no stranger to haunts. you adore the ghosts. they liven up your quiet, run-down dorm whenever they materialize in front of you for a lighthearted spook. sometimes you can sense them when you walk into a cold spot or you hear phantom sounds late at night. sometimes your face or your hands feel cold, and there's a disembodied smooching sound that follows the drop in temperature. it's all just part of ramshackle's paranormal charm.

on halloween morning, you stand in front of skully's portrait and wish him well. this time, though, you stand up to reach his face and press your lips against the canvas. "have a happy halloween, mr. skully. i'll see you later tonight!"

and then you're off to classes with grim. a pair of orange eyes follows your movements until eventually you're out of sight. the door shuts and then ramshackle is quiet.

when the halloween king reaches out, his hand goes through the canvas. he falls out of his frame and lands in a heap of lanky limbs with a thwump. peculiar. this has never happened before. he tries to climb back into his empty portrait, but it's no use. he can't return.

is he truly back in the world again in a corporeal form? :O !!!! oh, how exciting!!!!! there's so much he's wanted to do! he must find you first, though! he's been dying (lol) to meet you in the flesh. :)

[wispythreads]

It's interesting seeing the dichotomy between Mordin and Garrus while trying to recover Jack. Garrus immediately clocks that this is an extortion rig and that the warden's motives aren't as pure-of-heart, good-for-the-galaxy oriented as he claims, but still believes that these people deserve what they get for being scum of the earth. Even with no proof that everyone here has done something worth their imprisonment. Even after the warden's heel-turn attempt to imprison Shepard.

Mordin meanwhile is just absolutely horrified at the level of cruelty surrounding him and believes in the possibility that anything disturbed these prisoners may express while we're here could've been a direct result of their treatment at this facility.

I just find it interesting since Mordin has been so-far described as cold, calculating, and ruthless. He (seemingly, at this point, it's very clear later that this is not really the case no matter how much he wants it to be) has no regrets in his part of continuing a horrible genetic disease that is slowly but surely dooming a species to extinction. But he clearly does have a lot of empathy, wants actual good done rather than theoretical good.

Meanwhile Garrus has always been a hot-headed renegade that has been very loud about how he wants good done in the world, even if it isn't done the right way. But at the same time, he very quietly follows the structure and abides by the rules. He follows the idea that the ones in charge are doing the right thing. It takes his own background knowledge of a situation and being physically or metaphorically blocked by the authority from doing what he believes is right in order for him to not just instinctively believe in it. Idk I'm just rambling again.

[the-force-awakens]

Still not used to this life or death situation stuff. That's good, 'cause I'm not either. You never get used to it.

[bread-wizards]

I think that Orym actually does doubt Imogen, but this isn't a thing that is unique to Imogen. Orym doubts all of them to an extent, because paranoia is something he struggles with (and this is continuously reinforced by the story).

It's not a 'good' thing that he should never get over, nor is it an immoral character flaw that proves he actually hates Imogen. However it's also not something I think he can get over as long as the threat of having to possibly fight his friends exists.

"I have all the faith in the world in you guys, all of you. And I have also spent time thinking how to neutralize each of you."

[antirepurp]

delivering controversial takes to the "the gang plays minecraft" discussion

[slime-sandwhich-nom]

Personal headcanon is that gumball as an adult is like the more goofy version of his mother

[dawnthefluffyduck]

Crazy issues that come up when a character is written a little too well

[ryllen]

Please don't crucified me if this headcanon is deemed unrealistic in real life. (´；ω；`) More notes / detailed notes:

stayed & travelled with the Figs for awhile -- after being found, before finally dropped of to an institution, as the Figs think their travelling life style is not really suitable to raise a child

quickly picked up civilization as he is an intelligent child (that's why he is a ravenclaw)

exchanged letters with the travelling Figs during his time at the institution / orphanage

was a really helpful child during his time at the institution / orphanage that he is close with the staff

he thinks of befriending people is a way of learning & by helping them he gets to experience a lot of different things

a mellow temperament child in general (just like how it is ingame)

likes exploring (bcs damn! we really going places in that game)

picked the silly 'Alex Xander' name himself, maybe he heard a mother called her child with that name once and he is obsessed with that name ever since.

he always writes Xander as his 'family name' to show that he is complete even without a family

actually a bit older than his classmates, as he went through extra few years to catch up to civilization as a feral child

blank template [x]

#anyhow i really love our barn owl; she's so beautiful but with a face like biscuit

[ruvviks]

PLEASE DO NOT TAG AS YOUR OWN OC.

Vincent spends all his life searching for himself, searching for his spot in the world. He lives in the past and what will never be, longing for everything he has missed out on and everything he will never have. It is not until he learns he is dying that he comes to realize he has to live in the present, to enjoy life as it comes.; and despite his confusion, fear, and his regrets, he tries to live the rest of his life to the fullest, knowing very well he is living on borrowed time. OC WEB WEAVE SERIES: VINCENT "V" MAYER.

charles bukowski, pulp // by wiissa0 // loneliness for love; lovelytheband // louise glück, from 'unpainted door' // by biryuza // summer farah, i could die today and live again // tobia photographed by su yang // wake up; run river north // ruhlare // by julykings // lemonade; twin xl // ryan walker photographed by ryan pfluger // mary oliver, from 'marengo' // still not dead; dreamers // by lovelyopalite // by geloy concepcion // lemon drop; raynes // chris abani, ritual is journey // 'die milchstrasse', cover detail // louise glück, averno // i like cars; caroline kole // by cruellesummer // frances molina, o’death

[poorly-drawn-mdzs]

If Jin Ling is bald because WWX cursed Jin Zixuan then why are Jin Guangshan and Jin Guangyao bald🤔🤔

Jin Ling was always going to be bald, Wei Wuxian's curse was just an accidental prophecy that will haunt Jin Zixuan for exactly one month.

[vaguely-concerned]

Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.

G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.

An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........

[borgialucrezia]

RODRIGO BORGIA + his beloved sons

"I remember the joy of holding [Juan] in my arms. A brother for little Cesare at last."

[secriden]

Everything about Style is just driving me feral with want to have THK right now, immediately.

The way he's all big, bold gestures and confident swagger; the way his introduction includes a literal arms-wide-open welcome. The overalls unbuttoned until nearly the middle of his chest and how he's the only one in the main cast to be (literally) this uncovered (everyone else has 2-3 layers on).

I wonder if this hints to how vulnerable his character is, narratively speaking: how he potentially is the one that starts out with the least information (apparently Kant doesn't tell him who Fadel and Bison are when he makes that deal with Style?); how he may be the least physically familiar with violence because he's just a mechanic (vs Kant's background with crime/the police. Also the way in the trailer Style is constantly in shock when Fadel does something violent around him); how he chooses with his heart even after he finds out the full truth about Fadel ("You know I know everything").

When he describes his life, it's so... innocent? We get a snapshot of what he thinks his life is about and it's: fixing cars, collecting vintage cars, bowling and hanging out with his best friend. Every other character's answers are layers of subterfuge and double meanings but Style's answers create such a contrast by being so unfiltered. This is a character that (at least at this point) is guileless and without agenda.

I'm so excited to see Style pursing Fadel. I'm so excited to see Fadel try to remain stoic and unmoved in the face of Style's unabashed interest and enthusiastic flirting. I'm excited to discover why Style goes from attraction to being willing to risk it all for Fadel.

But also -- in a very different way than what Kant will doubtless be to Bison -- I'm excited to see how Style will become an escape for Fadel. Fadel, who just wants to sleep for 25 hours (he's so exhausted) and live a normal life, maybe open a restaurant that isn't just a front and a cover for the illicit job he maybe no longer wants, who enjoys solitude but wants to find someone to spend it with (he sounds so desperately lonely, my heart breaks for him).

Someone uncomplicated, who lives life fully, who isn't afraid to go for what he wants and who wears his heart on his sleeve.

In less than 5 minutes, this interview shows us the ways they could fit together like missing puzzle pieces, and I am so, so excited to see it fall apart and come together.