#he doesn't have it because he was never given the capacity for it

[overdressedcarp]

I've been thinking for a while about the optional Magatama dialogue in The Cosmic Turnabout where you can prompt Fulbright about what's bothering him, and for both of the wrong answers, he acts like you got it right, and actively leans into the bit. For example, if you suggest that he's exhausted by life, he agrees and claims he's thinking about quitting his job and going to space. (Honestly, mood.)

(AA 5-4 and 5-5 spoilers below the cut)

It's a good line on its own: funny, and definitely relatable. With 5-5's context, though, it brushes up against a deep-seated desire to disappear, to run away and start over, something the Phantom hasn't been at liberty to do in years. He's shackled to a seven-year-old assignment, strangled by loose ends that he can't tie off. For maybe the first time in his life, he has to wake up every day and live with the effects of his actions, made blisteringly real in the form of the people he hurt.

(Do I think he's walking around harboring deep, profound remorse for UR-1? Not really, no. But the self-protective lie of "my choices don't matter because I'm not really a person" only goes so far when you're clocking into work every day to hang out with the guy who's on death row because of you, who's grieving because of you, and suddenly you're the only person he trusts to hear about the monster that ruined his life, and you planned for this but you didn't plan for this and honestly at that point I'd want to quit my job and throw myself into the vast expanse of space, too.)

Also worth noting, during this entire scene, any time Fulbright goes to answer a question or make an assertion about himself, the tinted glasses go up like a shield. Eyes hidden, hand obscuring the lower half of his face. It's something he does pretty regularly throughout the game, but it's egregious here. My man is on the defensive and he's giving absolutely zero ground.

But the big thing for me is the other "wrong" option, where if you claim that Fulbright is troubled by love, the Phantom's knee-jerk "yes, and," response is to tell a story about a carp named Love who ate a bunch of goldfish because he put them all in the same tank.

In the moment it's supposed to be absurd and comical and one more example of how hapless this guy is, but in retrospect, it's kind of telling that when the Phantom tries to conceptualize love in relation to himself, the first piece of Fulbright-flavored bullshit that comes to mind is about a creature that brings pain and death through mere proximity, not out of malice, but out of nature. As though, subconsciously, he's fixated on the notion of a foreign element that's been dropped into an otherwise peaceful space. A fish that seems like it belongs there until it devours the others.

He really could have said anything—he could have made up a story about a bad breakup, or a really sad movie, or a family member who died. He could have jumped to talking about Blackquill, and how he's concerned for his emotional state given the nature of the current case. But instead, his mind instinctively gravitates to a Love that consumes everything around it: a Love defined by its capacity for violence. There was never a world where the carp could exist alongside the goldfish without hurting them.

And idk. I feel like if he wasn't feeling some kind of way about that, then it wouldn't be bleeding into his Olympic-level improv gymnastics routine to convince Phoenix that he doesn't have any secrets and you can put the supernatural lie detector away now, thanks.

[acediscowlng]

it's really weird cause supernatural is a show that is centered around dean. it is deeply concerned with his thoughts and emotions and psyche, but at the same time i feel like these things also just stopped being important at some point.

like. dean is a deeply troubled and flawed character. there's the alcoholism, the abuse, the toxic masculinity and honestly just plain toxicity, him being an active suicide risk. these are all things that the narrative establishes but it never seems to go anywhere with it.

dean kills himself onscreen and there's never any space given to unpack what that means. dean hurts everyone around him but it never actually changes or affects his relationships. dean feels things, but he is not allowed to transforn because of those emotions. and this might make sense because dean is clearly depressed in some way and depression can feel like a thing that will lock you in stasis, but that's just how it feels. i think dean does feel like he doesn't have the capacity to change anymore, but the world itself would realistically go on and leave him behind and that in a way is a kind of change. it's like the story stops because dean does. because his own depression is hindering his growth, the rest of the world has to stop growing too to maintain the status quo and dean's position as protagonist. because otherwise it would reveal what has actually become of dean winchester: a deeply, deeply sad man who at some point gave up on himself and living in the world

okay. season 12 thread. there was a post on the spn subreddit a while back that asked what the worst season was, and season 12 was a pretty unanimous consensus. i am giving it the benefit of the doubt, but i am not coming into this with high hopes.

[shredsandpatches]

probably shouldn't be reading about Doctor Faustus and religious trauma at 1 am but here's some good quotes: the top one is from top from Mark James Richard Scott, "'That’s hard': Christopher Marlowe’s Doctor Faustus and the Trauma of Reprobation" (Early Theatre 23.2, 9-20) and the bottom one is from David Bevington's intro to the play in the Norton Anthology of Renaissance Drama.

[iscdisc]

Anyone who's familiar with my content on Insta / TikTok most likely already knows about this theory (But I guess you could consider it an AU of sorts??) that I have with 2012 Donatello post, "The Power Inside Her" (And yes, the only reason why I drew this / am talking about this is because of my previous post about Za-Naron, okay- Lmao) ! But because I haven't brought this to Tumblr, I'm talking about it again- 👍✨

Before I get into it, I want to preface this whole thing by saying that I fully acknowledge that this all could just be writing issues / faults with the writers and their lack of properly explaining anything or giving prior context to certain relationships / dynamics. I just want to get that out of the way immediately, since I understand some people brushing these things off as one of 2012's many notorious writing issues-

BUT.

I wholeheartedly believe that it's entirely possible that the Donatello we follow after the events of, "The Power Inside Her" is not actually the real Donatello at all and the real Donatello that we have been following before this episode legitimately perished. And let me explain why I say this- 👀

First of all, I want to establish some foundation for this possibility by pointing us in the direction of the episode, "Bat in the Belfry". During this episode, Mikey (Alongside Casey-) end up giving Wingnut and Screwloose temporary sentient life (With this only being temporary given the events of the episode-). Wingnut and Screwloose are previously established in this episode to be comic book characters / fictional characters, they were never real to begin with. Yet despite the fact that they have no prior existence physically or in any capacity of reality, the Aeon's power (Za-Naron's power-) was able to fully give them life and an established sense of self. We see throughout the episode that Wingnut and Screwloose fully believe that they're alive and well, not understanding when Mikey and Casey constantly try to inform them that they are just comic book characters and aren't actually real the way that they perceive themselves to be real. We also see the Aeon crystal / Za-Naron give sentient life to one of the villains from the same comic (Which is why I included a picture of that as well-), and we too can see that this villain acknowledges its existence, since it carries out it's normal activities as if nothing is strange about its situation at all.

I'm laying this as the foundation for this theory, because my main point with bringing this up is that the "fake" (you could say) Donatello would have no reason to question his existence or believe that he is not who he is. You know what I mean?

Another reason why I believe "fake" Donnie wouldn't question his existence is because the Aeon Crystal doesn't exist anymore by the time he comes into the picture "once again", which is another point that I'm going to get into right now.

The only reason why Wingnut and Screwloose became aware of their predicament / fully accepted the fact that they weren't real is because they were exposed to the crystal and its seemingly overwhelming energy. As you can see in the picture I provided, they became very distorted and deranged after being exposed to this. But with this "fake" Donatello, there's nothing Aeon related for him to be exposed to.

During the last minutes of, "The Power Inside Her", we see April use what was left of the crystal (Since she had broken it prior as a means of freeing Za-Naron / freeing herself from Za-Naron's control-) to bring Donnie back into existence. But that's exactly why I have this theory?? Not only is bringing somebody back to life an almost impossible feat, even for April (Which I know the show says that Donnie was simply molecularly scattered and not actually GONE gone, but I don't buy that for a second / I feel like they only said that to make the situation a little more "kid friendly". in my opinion, that dude perished, okay. LMAO), but I don't even think that the Aeons abilities are even capable of something like that. Returning life or performing resurrection is such a complicated issue, and I feel like the Aeons themselves would acknowledge that it's not as simple as just "bringing somebody back".

So because I don't think this is something that falls under the scope of what Aeons are genuinely capable of doing, on top of the fact that we've seen the crystal give sentient life to things that technically did not exist before this episode, I fully believe that the Donnie that we see get "brought back to life" by April is not actually him- Instead, this is a physical manifestation of how April remembers him being or essentially a Donnie that was "created" from her memories of him / experiences with him.

Point number three as to why I think this is not the real Donnie and instead of "fake" Donnie. April's relationship with Donatello drastically changes after this episode (At least, in my opinion-). Going back to when she "brought Donnie back to life", I wouldn't be surprised if she was envisioning all of the more positive interactions that she's had with him in the past and a lot of the attributes that she enjoyed from him, rather than the negative ones (i.e. Him disrespecting her boundaries a lot, him disrespecting her autonomy as a person, him stalking her, him constantly getting in between her and other people /primarily Casey but I digress- /, him feeling entitled to her as a person, him giving her pet names that made her uncomfortable and she clearly expressed that / Which this is kind of a niche example, but during one of the Xbox / PS3 videogame titles for this series, there's a dialogue cutscene where Donnie calls her his, "Chinchilla" for the first time I think?? But April very clearly expressed discomfort with that and asked him not to say that about her. Which it really pisses me off that he does it again in Season 3 when she's UNCONSCIOUS, and this game came out either during Season 1 or when Season 2 was airing- Like it's an old game. 💀 /, etc.), especially given that what caused her to break free from Za-Naron's control was Raph telling April to remember Donnie. During that montage, there were a lot of happier moments with Donatello.

I don't think it would be far-fetched to say that she essentially created her "perfect" or ideal version of him as a person-?? And I feel like this is heavily reflected through their dynamic post this episode.

April's not off-putted by some of his kind / caring gestures (Like the image example I provided above, such as him putting his hand on her back-).

During moments of intense grieving and stress, Donatello is giving her space and not hovering around her like he was more prone to doing in the past (In my opinion-).

Instead of it feeling incredibly forced by the writers, April being in close proximity to Donnie feels like a choice she's actively making or okay with. Prior to this, (to me) it felt like the writers would just put April in the same space as Donnie simply because they were pushing this romantic narrative between them. The numerous times that Donnie would have April in his lab during Seasons 1-2 gave off a vibe like he either pressured her to be there or it just felt difficult for her to decline-? Especially since there was a lot going on with her Father during both of these Seasons, and instead of that feeling like a reason she would want to be there on her own, it felt like an excuse to force her to be there- Does that make sense? Not to mention Donnie always being by her side coming across like he was crowding April instead of her actively wanting him there.

Donnie is more actively giving April her space at the same time too / not reacting when Casey is in closer proximity to her than himself. I'm not saying that this technically didn't occur before the aftermath of, "The Power Inside Her", but it just feels different now- I don't know how else to explain that.

I'm telling you right now, this moment from, "When World's Collide (Part 1)" is the first time I've seen them on screen acting this way. There has never been a moment like this one before, where April is joking around and laughing with Donnie and just being overall silly?? 2012 has never done something like this with these two on screen.

All of these instances lead me to believe that April (unintentionally) created her most ideal version of Donatello as a person. Taking away all the things that she didn't like or (rightfully) felt uncomfortable by, and only leaving the characteristics that she did enjoy about him. Which would obviously result in her having a much healthier / drastically improved dynamic with him moving forward.

There's also was only one moment that I feel Donnie was "weird" towards April again like he was in the past, but it didn't last long at all and it only happened once during Season 5 ("The Curse of Savanti Romero"-).

Another thing that I feel supports this theory is his relationship with Casey. From Season 3 to 4, it really felt like Donnie and Casey were forming a much better dynamic / their friendship had a steady progression. Sure, Donnie would still get annoyed with Casey from time to time, but it felt obvious that he viewed Casey as more of a friend / ally than a rival / "threat". Casey would also actively go out of his way to be around Donnie physically more, which I feel was a good sign of their friendship moving in a more positive direction. But then we get to "Tokka vs. The World", which takes place almost immediately after the events of, "The Power Inside Her" and it suddenly feels like Donnie's friendship progression with Casey just vanishes-?? Their dynamic feels like they're back in Season 2 again, minus the constant arguing about April (At least, from Donnie's perspective-).

A lot of the moments that we get with them during Season 5 kind of reinforce this for me. Donnie's reaction to Casey suggesting they get their hands on a couple of tanks during, "Scroll of the Demodragon", Donnie and Casey essentially arguing about how to deal with Kavaxas during, "The Forgotten Swordsman", Donnie's response to Casey in regards to his ghostbuster rip off inventions and how Donnie went out of his way to say everyone will get one except Casey during, "End Times"- Like, it really does feel as if their relationship regressed after the events of, "The Power Inside Her"- And while that does upset me, since as you all probably know by now I love those two to death, it does make complete sense in relation to this theory of this Donatello being "fake".

All of the progress and dynamic / friendship development Donnie and Casey went through? April was not privy to that. Like, at all. If my theory holds up and April did (unintentionally) "create" or manifest a version of Donatello from her memories of him using the remaining power of the Aeon crystal, then it would absolutely make sense why Donnie is treating Casey the way that he is during Season 5. I'm not saying that April didn't notice or acknowledge that they had a better relationship before the events of, "The Power Inside Her" happened, but she didn't know where that better relationship came from. So if April doesn't know, then obviously the Donnie that she (unintentionally) "created" wouldn't know either- Therefore, there wouldn't be a reason for him to have a better relationship with Casey / there would be no reason why he wouldn't continue viewing him in a similar way to how he did during Season 2. AKA, when he first met him / when Casey first came into their lives.

There are other parts of this theory that are definitely more speculative on my part, such as Donnie not having any memories of events that April wasn't there for- So for example, if the brothers are reminiscing about the Mousers predicament from Season 1, the "fake" Donnie would be confused and not know what they're talking about because April wasn't aware of that situation / probably only heard it through word of mouth if anything- Clearly nothing like this happened in late Season 4 to early Season 5 to support that kind of thing, but there also isn't any evidence to disprove it either. I just think it would be interesting for that to be one of the biggest tells as far as everyone else having their doubts about whether or not the Donatello they see before them is actually the legitimate one-!

This theory also makes me really sad as far as Casey and Donnie goes, because it really does feel like Donnie had to sacrifice one developing friendship for another. Like sure, his dynamic with Casey is all fucked up. but at least he has a better one with April now- 💀 Lmao || There could totally be some holes in this theory, I'm not going to deny that ! But so far, I think it kind of holds up and I just thought I'd share that today- 👍✨ Lmao

(There were so many more screenshot examples that I wanted to give, but I didn't know you can only include 10 pictures in a post- 😭)

[tonalwhiplash]

PROJECT EDEN'S GARDEN SPOILERS!

Chapter 1 spoilers

Theory concerning wolfgang's whole deal

Okay so like. His mom's mega dead, right?

"Whoa! Back up! Where the fuck did you get that from?"

Alright sit down, lemme show you something.

Remember the prolouge?

I sure didn't! So I rewatched it!

Take a look.

Wolfgang freaked out over Wenona claiming that Cara was the aggressor, implying her murder was justifiable.

At the time, Damon along with all of us just assumed he was being a lawyer about it and had put himself on the side of the injured party. But I don't think it was that simple.

I think he was having an episode. The only evidence for this in the prologue itself is the in-game acknowledgment that Wolfgang's arguments had shifted to being based on emotion alone. It's literally used for a tutorial!

And he says himself in his FTEs that he doesn't normally conduct himself that way in an actual courtroom. So his freak out wasn't his standard, but he doesn't give a straight answer for why he acted how he did.

But chapter 1 as a whole gave us what was necessary to start connecting some dots.

Have a look.

The blackmail Damon got. The photo of Wolfgang's parents.

Look at his mom.

Now look at Cara.

By no means are they identical, wolfgang's mother has a mole on her face, which Cara lacks, but I want you to note the hair and eye color specifically. Keep it in mind.

Now let's look at the back of the card.

"Like father, like son"

"Beneath a sheep's skin hides a wolfish mind"

The game sorta hands you a part of this. Wolfgang's father did something bad. Something that, allegedly, Wolfgang either has repeated or simply had the capacity to do himself eventually.

So what did Wolfgang's father do?

That much isn't told to us, but from Wolfgang's hallucination induced meltdown, I have an idea.

I think wolfgang's father killed his mother.

Let's get into it.

Starting with his hallucinatory episode.

When Wolfgang initially sees Diana, I think he sees his mother. The way he talks. The way he apologizes to her and calls himself a failure for not being like her. We learn in his FTEs that his mother is the only other lawyer in the family and his sole reason for becoming one himself.

However, when Diana walks over and takes his hand, he switches and becomes angry and violent. Going as far as to attack her with a knife.

I think, when Diana grabbed his hand, either something she said or something she did caused the hallucination to switch from a vision of his mother to the vision of his father.

Suddenly he's no longer sad when he says he's not like the person he thinks he's speaking to. Suddenly he's smiling at the fact he's "not like them." Because he's talking to his father now.

He wants to be like his mother and never wants to be like his father.

The line "bring her back" implies that his father, the person he was hallucinating in Diana's place, took his mother away from him.

And the reason I think that's it, relates back to his smaller scale meltdown during the test trial.

Wolfgang started talking about how it was inexcusable to kill a woman.

Though that could be chalked up to chivalry or what have you, I think there's a much more personal reason as to why he felt so strongly about it.

Because his father's actions were inexcusable.

They weren't self defense.

And witnessing a dead woman who bares resemblance to his late mother be accused of deserving it may have struck a nerve.

The killer for the mock trial had no identity given, making it all the easier for Wolfgang to project his father, or a man like him, onto that blank stand in.

I can paint a scene

Wolfgang in the courtroom as a child, maybe even a witness to the murder, watching as the defense lawyer for his father makes every excuse in the book for him. Claiming that his mother was the aggressor, that she had a weapon, that his father had no choice but to "defend himself" from her attacks.

While, in reality, Wolfgang had seen a very different situation play out. Whether he spoke up and was dismissed for being "too young" or was unable to properly testify due to the traumatic experience that is simply being in a courtroom at all, he was unable to bring his father to justice.

He was unable to do right by his mother.

I think that'd be a pretty good motivator to practically race into law school as a teenager. To become the ultimate lawyer at 22 years old. So he could make up for his previous failures.

I think Wolfgang has been carrying a heavy burden from a very young age. And to return to the "like father like son" comment, I'm willing to call that a misdirection. I think when Wolfgang is implied to have "a wolfish mind beneath sheep's skin" or " being a wolf in sheep's clothing," the actual truth is that he's a deeply emotionally scarred person who has no choice but to force a facade of stability and confidence to push though it all for the sake of those around him and his goals. Basically, he's masking.

So, technically, just like his father, Wolfgang is a mentally troubled man pretending to be okay. And the kidnappers used that misdirection to imply he had sinister intention for pretending just like his father had pretended to be a man his mother could trust. When in reality, their motivations could not be any more different.

Or maybe I'm just being silly. Teehee! 🧡

And a small side note. The word "wolfish" implies intentions other than violence.

Lust, hunger, and greed mostly. Though, I'm willing to sidestep those options cuz Tozu is absolutely the kind of bitch to reword a common phrase to make it sound more flowery only to unintentionally imply some nasty shit.

Wolfgang gives no tells towards being a creep. Not a single Freudian slip left that man's mouth. Not even in FTEs. Grace would have been the killer for chapter 1 if he was like that. They literally shared a bed. And, despite their cute dynamic, if the two had actually done anything canonically, we'd get more obvious tells in the game. Those walls were shown to be pretty damn thin...

There's a bit more under the hood of this theory, but this post is big enough, and all other supporting information requires enough explanation and red string to justify their own posts.

So stay tuned for:

• Further theorizing about wolfgang

• And the possible parallels between wolfgang's hallucinatory episode and Eva's execution

[456x001]

okay huge essay incoming:

and this is based off a post i saw earlier by my awesome mutual @midnight--sadness (her blog is awesome btw) where she talked about gi hun’s ability to forgive in ho. so i’ll start off by prefacing some of the great points she made about gi hun’s trusting nature and his selfless ability to forgive others:

we’ve seen time and time again how trusting gi hun is even if it’s to a fault. it’s simply in his nature to trust and love and to care about other people in the selfless way he does. given that, i think he could forgive in ho. if he sees in ho actually working to make a change and make things right for the betterment of others that have been wronged by the games (and whether or not in ho will or actually even wants to is what we’ll be getting into later), i believe he can forgive him. despite all the horrible things he’s done, despite the unforgivable, irredeemable mistakes he’s made. he’s more than justified in not forgiving him but i’m just saying he might because if anyone could it’s gi hun. he’s made the point time and time again that he isn’t like the masked men and would never become hateful in the ways they are.

now let’s talk a bit about gi hun’s relationship with young-il. gi hun's worry for young-il during the games is so raw and heartfelt. he’s not just strategizing or playing to survive-he genuinely cares about young-il's well-being, even in a scenario where survival often demands selfishness. his willingness to risk everything to make sure young-il was okay shows how deeply gi hun values connection and loyalty. in ho, as the frontman, watches all of this unfold. seeing how much gi-hun cared for his alter ego “young-il" must have left a mark, even if in ho wouldn't openly admit it.

when the truth comes out that young-il and the frontman are the same person it's going to hit gi hun like a ton of bricks. gi hun will have to reconcile the caring, vulnerable young-il with the cold, calculating frontman. it will once again challenge everything he believes about people and their capacity for change. in ho, for all his control and detachment, won't be immune to this confrontation either. gi hun's unwavering belief in him as young-il could be the thing that cracks his carefully built armor.

this dynamic is so layered with unspoken emotions, unacknowledged bonds, and so much potential for heartbreak and redemption. it’s no wonder they gave us at the edge of our seats. now here’s the crux of the discussion. do we think gi hun’s belief in young-il's goodness, his inherent belief in the goodness of people could be enough to pull in ho back toward redemption?

we don’t know the answer to that yet, but i will say this. we’ve seen the final defying act of the villain sacrificing his life at the end for the greater good many times before. however, redemption doesn't always have to end in self-sacrifice. it could mean in ho finding a way to dismantle the system from the inside or choosing to protect gi hun and others while carving out a new path for himself. gi hun's belief in young-il could serve as a bridge for in ho to reconnect with the part of himself that still values humanity, without needing to face total destruction.

in a show like squid game tragedy feels inevitable but in ho's complexity gives him the potential to break free from that cycle of the self-sacrificial villain. if the writers explore his humanity further, there's room for a story where redemption and survival coexist— where he doesn't have to lose his life to find the good within himself.

it’s okay to hope. even in a world as bleak as squid game. personally, to me that feels a lot more compelling than the trope of self sacrifice that we’ve seen in the past. it gives in ho a chance to truly live with his choices, grow from them, and navigate the complexities of redemption, rather than taking the "easy" way out of a grand gesture. it’s a more challenging story to tell for sure but it would also feel satisfying.

i know it may seem like i’m trying to paint a fairy tale but here’s why i think it could work.

squid game thrives on subverting expectations. taking in ho down a path where he survives, changes, and potentially becomes an ally or disruptor within the system could be far more groundbreaking than another shock-value death. it could challenge the audience to grapple with forgiveness and morality in ways that are more impactful than a tragic ending. gi hun's unwavering hope in humanity could become the key to helping in ho see his own worth and capacity for change. in ho is such a layered character, and his survival would be more shocking in a show as grim as squid game. it would challenge the bleakness and give the story a deep emotional payoff. the shock value of how he survives and redeems himself could carry as much weight as a tragic death.

i really value the complexity and emotional depth in this show gives us in within the narrative and i can’t wait to see how hwang dong-hyuk continues to challenge the bounds of storytelling and reach beyond the obvious in season 3 as he’s done with these past two seasons.

[educatedsimps]

— bonus headcanons, iwaizumi hajime

≪ back to fics masterlist

iwaizumi hajime x gn!reader

a/n: idea dump based on this iwa request (main fic) so this is basically just everything i wanted to put into the fic but i kinda lost the energy and the bandwidth to write everything up to the standard i wanted so now this exists HAHA hope u like this and tysm for reading! :)

headcanons under the cut!

You remember asking him once, "Hajime, why do you do that?"

And he replied "Do what?" with deadass the most confused look on his face.

"Kiss my wrists and palms all the time," You clarified.

"Oh," He stopped. "Yeah, why do I do that-"

ok so basically, Iwa finds the wrists a very delicate part of the body, and given his experience as a volleyball player, and the nature of his job, he takes extra special care of them.

he remembers his coaches always reminding him and his teammates not to injure their wrists during training, which translates to "YOU BETTER HAVE GOOD FORM WHILE SPIKING, SERVING AND SETTING, DO YOU UNDERSTAND?"

anyway, i think he started noticing wrists when he was in high school, especially since he was seijoh's ace and had to use his wrists a lot to spike. he probably injured his wrist(s) once and has always listened to his coaches ever since.

now that he's a professional volleyball trainer he makes sure that his athletes don't injure their wrists either.

so i think all of this adds to why he pays extra attention to your wrists especially.

bonus if your job requires you to use or rely on your wrists a lot, eg. musician (like me), athletes, surgeon, author, artist, etc... idk.

YOU CANNOT CONVINCE ME THAT HE DOESN'T GIVE THE BEST 👏 FKING 👏 MASSAGES 👏 ON EARTH 👏 and at the end of the massage he'll always kiss your hands and wrists and idk why but it just feels so chivalrous. like ofc it feels intimate when you hold his face in your hands and he plants kisses on your wrists/palms and but sometimes it just feels so chivalrous and gentlemanly ykwim?

OMG WHEN HE PROPOSES TO YOU like after he slides the ring onto your finger AND THEN KISSES YOUR WRIST/HAND AND IT FEELS LIKE YOUR HEART COULD EXPLODE 'cause i know mine would actually explode if he did that.

anyway some instances i thought of adding to the fic (but couldn't cuz i don't have the ability or capacity to write them out well) include:

waking up in the morning together or when you hold his face and kiss his forehead (these two are in the main fic linked above!)

when you're cuddling on the couch after a long day and just watching a show together or napping. if you're laying on him and touch his face he'll 100% kiss your wrists/palms

when he hugs you from behind and you reach up to run your fingers through his hair (like when you're cooking dinner together or something) and he'll pull your hand down to kiss your wrist

when you hug him with your arms around his neck and he catches your wrist before you pull away

when you shower together (SFW, DON'T WORRY) and you're facing each other and he's tilting his head / bending down while you wash his hair or massage his scalp and when you're done washing it he'll give your wrists a gentle kiss before returning the favour

BONUS: when he holds your face in his hands and you decide to give him a taste of his (very sweet) medicine. you’d twist your head to kiss his wrist and then his palm and he'd be BLUSHING because he's usually the one who does that AND HE'S SO CUTE he's like, "hey... you can't do that. i'm supposed to be the one doing that for you." while blushing and smiling and getting a lil shy and everything and HE'S JUST TOO CUTE FOR MY HEART 😭😭💕

a/n: ok that's all for the iwa brainrot ... i'm kidding, the iwa brainrot will never end. THANKS FOR READING THOUGH and thank you anon for sparking my two week long obsession with iwa once again

© educatedsimps 2024. do not repost, copy, translate or plagiarize any work from this blog on tumblr or any other platforms. if you do, the simps will hunt you down. likes and reblogs are appreciated!

[honeyhotteoks]

i NEED your thoughts on priest!yunho like.... please, all my mind does is wonder about yunho using his power to bring a girl under his powerful spell... I NEED HIM BIBLICALLY

idk if you remember me but ✨anon is back !!!

oh my gosh hi ✨ anon!! i def remember you, i hope you've been well!

okay so priest!yunho is actually so dear to me i cannot even articulate it i have like sixteen different ideas and i honestly think at some point it will develop into a full fic however.............. further thoughts under the cut

priest!yunho x married!reader drabble; 1.7K words warnings: lots of angst, pining, and blasphemy, questionable use of a confessional, oral (f receiving)

note: okay so here's the thing about priest!yunho, and yunho in general, while i think he deeply has the capacity for very real dom/sub dynamics etc., when it comes to the idea of him being catholic or him being a priest in the fic, i think of him less bringing a girl under his spell and more being brought under a spell and tempted away by reader. certainly that's not an original idea, that's very fleabag-esque and i've mentioned that headcanon before, but i do think that would be very true to him. so given that...................

─ ⋅ ⋅ ⋅ ⋅ ⋅ ──────────────── ♡ ─────────────── ⋅ ⋅ ⋅ ⋅ ⋅ ──

Yunho is new to the parish, and he's still somewhat new to this. A young priest in his early thirties moving to a new place to fill the role of someone who was once a big fixture in the community there. He's admittedly a bit nervous, and he's trying his hardest to get this right. He's had a long and complicated past coming to the vocation, and he feels like he's finally found his path, so he wants to do things the right way.

But despite all of that...... there's you. And you're married of course, you come to church with your husband, but you smile up at him during services and ask after him in quiet moments whenever you volunteer, and there's just something about the way you move in the world that makes him want to follow. But he doesn't, because you're married and for all intents and purposes so is he.

That is until things start to change. You start to miss Sunday services more often and when you are there you seem withdrawn. Your husband no longer sits snugly beside you with an arm around you shoulders, instead you sit side by side with six inches between you. Space that seems to be growing week after week, and Yunho can't help but notice. He can't help but wonder what it is that's troubling you so and driving a wedge deeply into your marriage, and it's not his place and he shouldn't ask..... but he does.

As you leave service one day, he slips a note into your palm, pressing your hand tightly closed so no one can see it and with a pleading expression he bids you not to open it until you're alone. He doesn't know what's happening at home, he can't be sure, but he's worried and if you're unsafe the last thing he's going to do is be the cause of more pain in your life.

It's simple though - a phone number scrawled out hastily next to a note. If you ever need a friend, you have one in me.

It takes you weeks to call, but it feels finally like someone's thrown you a lifeline and you grab onto it with both hands.

It starts simply enough, truly innocent when he offers you coffee and a safe place to sit by his side in the chapel. He's an ear at first, just listening and nothing more. You confess to him how hard things have been at home, how your relationship has grown strained, more like two passive strangers than a committed husband and wife. You admit you've thought about divorce, and you know deep down your husband has been cheating on you. You've seen enough little signs and found enough evidence, and it used to hurt but now it just feels empty, and you've never said that out loud to another person except to him.

He listens and he holds your hand, and he gives you a safe place every few days to just be. And all the while he tries desperately to convince himself that the growing love he feels for you isn't romantic love at all, it isn't deep and intrinsic and as essential to him as breathing.... it's friendship. And all the while you tell yourself that the feelings you have for this man aren't real, they're a product of kind attention, validation and support you're not getting at home.

Things change when the visits turn from morning coffees to a shared glass of something stronger in the evenings. Things change when he casually admits that of course he feels attraction for people, priests aren't blind, but they've committed themselves to a different kind of life. Things change when he holds you close one night, your chest wracked with tears after a particularly nasty fight with your husband, seeking Yunho's warmth and his calm.

When you finally decide to do the unthinkable, really and truly divorce your husband, the day happens around you like a whirlwind. You serve him the papers, and he replies with the most hurtful thing he ever could - an accusation that you and the parish priest have become a little too friendly. People have seen you around town, around the church, early mornings and late nights, and all the little whispers of gossip have made it so that despite having done nothing but yearn for each other, everyone has all but confirmed an affair.

The words exchanged are cruel, and you find yourself stumbling into the confessional with more anger than you've ever felt in your life. and Yunho doesn't understand why you even want to use the booth at first, you've never expressed any real interest in the more traditional aspects of the church, but you're here and your begging him and all he can do is agree.

"Bless me father, for I have sinned," You manage through hazy tears, "I can't tell you how long it's been since my last confession, I don't know, I don't remember,"

"y/n," Yunho's voice is so soft, so tender, approaching you like someone might approach a wounded animal, "you don't have to do this,"

"Stop it, stop it!" Your fists tighten, nails pressing into your palms, "Don't be nice to me right now, I can't... I don't deserve that,"

"You always deserve kindness," He says through the slats and you hear him shift in his seat.

"Not today," You scrub a hand over your face, clearing away tracks of wet tears.

"Please," He shifts again, and you can picture him clearly, leaning towards you with that gentle expression you love so much, "talk to me, I'm here,"

"I've sinned," You clench your hands tighter, sticking to the script that was drilled into you in childhood.

"y/n," He murmurs.

"Father," You cut his words off, "you're not my friend, you're my priest. Are you going to take my confession or not?"

He's silent, so silent you fear for a moment that he's gone, and then you hear a heavy sigh, "I'm listening."

Your hands relax a little, your eyes going unfocused as you try to find the words. You came here in a blaze of anger but here, next to him, in front of him, hearing his breath through the wall, you don't know how to articulate all the feelings roiling deep in your chest.

Your soon to be ex-husband's words loop in your ears - You're a disgrace. You could have fucked anyone like a normal person, but him?

Words tumble from your lips, "I'm a liar,"

Yunho stays quiet.

"I've been lying to... everyone. To him, to my friends, myself, I've been lying to you," Your breath feels thready.

"About what?" He prompts you, "I'm listening,"

You push past it, heat filling your cheeks again, anger curling in your gut, "I've coveted,"

He hums softly, acknowledging your words.

"I left him," You take a sharp inhale, a tight sob caught in your throat.

"What?" You hear him shift again on the other side of the thin wood wall.

"I got an apartment, I found a lawyer, I figured it all out and I... I gave him the papers," You can feel the way your husband pushed you back into your chair, his tone harsh and cutting, the way he told you he'd take you for everything you were worth not the other way around.

Yunho's silent still.

"I tried to leave," You sob, "I tried to be the adult and end it easily, I tried to do the right thing, he's the one who's been cheating, he's been lying. He's been... he's not a good husband, and I... I just..."

"Shh, shh," He shushes softly through the wall, and you can practically feel the tension from him even with the wall between you as he tries to parse through your words, "breathe,"

"He knows about us," The words keep coming now, and you hear his little intake of breath but there's nothing more as you let it all come, "he knows I come here, everyone knows. Everyone. He said it's obvious, that I'm the one who's been cheating, that I... I broke our vows in the w-worst way, that it's an open secret. Everyone thinks I got b-bored, that I seduced you,"

Your heart is pounding in your ears, "And it's a rumor, it's just a rumor, but the thing is,"

You hear him shift again in the confessional next to you, the only sign he's still here.

"I do want you," You drop your head into your hands, "I've lied to you since the start, I wanted a friend, but I've wanted you too,"

"y/n," He's so quiet you almost miss it.

"And if everyone thinks what they think," You're dizzy, blood rushing in your ears, "then it's true, only I never, we never... I've ruined your life and mine and I've never even gotten to really touch you, and it's wrong, I know it's wrong, but you're all I think about. It's killing me, this is killing me, and I can't,"

The door to the confessional is suddenly open, your words dying on your lips as the equilibrium of the little room changes. He's on you in a second, dropping to his knees before you, gathering you close in his arms and his lips on yours like he's done it a thousand times before. He presses up into your space, your legs parting open as wide as the narrow walls allow to slot his body perfectly between your thighs.

You suck in a harsh breath against his lips, tears still caught in your throat, and Yunho shakes his head, his forehead leaning against yours as he breaks the kiss, "Shh," he eases you, "I've got you,"

A sick, hot thrill rolls through you, "Yunho," his name a whine on your lips.

"I'm here," He whispers it like a promise, like he's yours, not God's.

His hands push at your skirt, rucking it up higher on your hips and maneuvering your body until you're slipping forward on the confessional seat with your hips tilted up.

"My sweet girl," He groans against your lips, fingers tugging your panties roughly to the side so he can slip the pad of his thumb over your swollen clit.

It's unholy, it's debauched, it's everything you dreamt up in your deepest fantasies when you touched yourself in bed, but if your life in this little town is really over you need it to have at least been real. You need him to have been real, even once. Just once.

"God," He chokes against your mouth as his fingers sink inside you, finding your slit slick and body trembling, "oh, God,"

It sounds so different on his lips, and you stifle a moan into his neck when he hits a particularly sensitive place inside you.

"Shh," He hushes you again, pressing one more kiss to your lips before he drops lower between your thighs and hitches your legs up and over his shoulders.

His tongue finds your core and you see colors. He kisses your cunt with a desperate, hungry need and you know with perfect clarity that it wasn't all in your mind. He's wanted too, he's needed you too.

His hands are hot on your hips, your fingers knotted in his hair, and you let him consume you, completely and wholly.

You come hard on his tongue, biting down on your lip enough to draw blood to stay quiet, and you think that nothing in the world would ever feel this good if it wasn't sacred.

It couldn't.

[yourtoradorasextendedwarranty]

So...... If we are playing fair then, that means every single person that Biden just Pardoned is 100% guilty, including Milley and Faucci?

I see I see. Btw. I've said this before but I'll say it again. Blanket pardons should not be legal. You should have to define a crime prior to giving a pardon. Unless of course the person is already in jail in which case you can pardon them for those crimes.

However. It is the case that people who were supposedly guilty of trespassing on public property mind you, have been rotting in jail for years while literal pedophiles abusers and want to be dictators roam free. Like Gavin newsom. Who should be guilty of gross negligence given his lack of response and lack of preparation for the LA fires. Or Andrew Cuomo. Who killed up to 15000 people in nursing homes by putting covid positive patients into those places. Along with at least four other governors. And then there's Faucci. A man who literally helped fund gain of function research which has been illegal to fund or participate in for a while now.

Stack that on top of experimenting on beagles by letting flesh eating flies eat their faces after you cut their vocal cords and I would say that it is very possible that this man deserves to be in prison for a litany of things. But, I do not believe in any capacity these people deserve to walk. Because the difference between them and the January 6th people is the fact that a lot of the people arrested and put in prison didn't even do anything wrong. Most got changed with "trespassing" despite never having qualified for that charge. Meanwhile people have done sit-ins in pelosi's office aoc's office and several other locations by storming in and just sitting in. None of them are in jail for freaking trespassing. Same building no less. The only difference is the political leaning. And that's after we found out more regarding the FBI's participation in January 6th. No fewer than 26 agents on the ground mostly people meant to incite as well as informants.

Trump should find a way around the pardons to get Faucci. And it's more impressive to me that the liberals actually want to spare him considering that he's partially responsible for covid since he helped fund it. If nothing else he should be charged for gross and negligence. And a blanket pardon should never be a thing. You should only be able to be pardoned for things that are able to be proposed. And it doesn't have to be "admittance of guilt" it can be, "potentially charged for". But every single state should press charges against Faucci.

[bandtrees]

this has always been one of my favorite lines in this scene it’s so striking to me. i think debating over callum’s level of lucidity and what can or cannot “fix” him is deeply antithecal to what the story is trying to express with him - but the idea that callum is still there and still a person who does have the capacity to love mingus, just not in a way she can ever comprehend or accept, because she can't comprehend or accept anything outside her narrow worldview, is sooooo good.

there is no way of actually knowing if callum is proud of mingus, much less recognizes her at all - but it's added to by the fact there's only so much of that she would accept even if he could. ultimately, she wants validation and power, his prestige, from him, she wants a supportive parental figure she never had - there's only so much of that callum is able to provide even in a world where her stint to fix his memory actually worked. he's like a hundred. he never even MET her. to say nothing of all he's missed in the past fifty-odd years. to say nothing of how his age may have messed with his mind deteriorating even without the pre-existing brain damage.

and mingus' phrasing here implies he doesn't even look at her when she visits - which brings me to the visit that radicalized her: the one after her surgery, where he was watching gingi out the window.

obviously, callum watching gingi is mostly for the thematics of it all, how similar the two of them are in ways mingus refuses to recognize, but theres also the thought of... callum's been sitting alone in that room for over half his life, barely lucid if at all. of course he's going to be drawn to a brightly-colored thing making noises and knocking stuff over outside. if he can't respond to stimuli of the people around him he's at the very least going to latch onto something more visually interesting than Brown Wall and Brown Figure.

but it's not like mingus can think of it like that, because she's internalized so much about her grandfather and built up such a specific, personalized vision of him - she doesn't see him as an elderly man with (a fictional equivalent to) dementia, she sees him as President Callum Crown™, the man she personally has to please and live up to the legacy of and make proud, disregarding the fact that's not something he has the mental capacity to even do - because she's so obsessed with validation and complete control that the only way she can get it is by either subjugating others and forcing it out of them (what she does with her townsfolk), or just completely projecting on someone who, for her purposes, is basically a blank slate.

which is maddening to her in its own way, see how crazy she drives herself trying to restore callum's memory in the first place - but also, would she be happy even if callum could see her for who she is? post-game, when she's working on herself, that's an irrelevant question as she's pushed past that need, but as we know her? absolutely not.

i love the ch3 standoff between norm and mingus as a show of "Okay guys let’s see who can dehumanize this disabled guy harder (via pedestal-putting) and justify themselves for it better" and why i think it is so important that it’s gingi who reads the postcard and ultimately speaks for callum instead of either of them, or even the narrator. they can’t read, and they struggle to, but they manage to get it right even when people are telling them to stop. and the fact they’re able to do it at all, are given the chance to do so, and are ultimately the one to wind down this conflict shows that the world of dialtown, while not perfect, really is how callum would have wanted it.

both gingi and callum are some of the most altruistic and human characters ever, and the crux of their parallels is that they are denied this by close-minded people because they happen to Behave Strangely. it's why seeing mingus act the way she does hits so hard - she loves her paw-paw, yes, but if she were to see him in a vacuum, a one-limbed man who can hardly think, much less speak for himself: or even his younger self, who was struggling to make ends meet with his odd inventions...

...well, the feeling norm's imagining here would probably be mutual. mingus' relationship with bigotry is a very fascinating one, she's very close-minded but views certain oddities (ie her flesh-head) as having earned their place and thus being fine - she's a freak too, by her own admission, but she's doing it for a just and wider purpose, so it's fine. which is, ironically, the ideology callum forced upon himself.

callum was obsessed with helping people, pushing himself to do more and more, because it was the only way he ever found respect. if he didn't help people and have grand visions for the world and make himself "useful" to society at large, then what would he be, if not a freak?

mingus and her paw-paw are very similar people, from their well-intentioned extremism, to their stubbornness and paranoia, to their inability to view themselves as anything more than a vessel for that grand cause they believe in (callum in the dialup, mingus in restoring her paw-paw's memory) - which is funny, because if mingus was able to view callum, and herself, as a flawed human person, she would come to understand how similar they really are.

:(

[theeoriginals]

a Klaus fic with this gem from Ozark “look, I know I kissed you last night but I thought I was gonna fucking die”. Change to fit however you want 😘

the last thing i'd do | klaus mikaelson

author's note; whoever sent this im so sorry it's been in my inbox for seven months

warnings; hybrid!reader, mentions of violence, violence against reader, themes of death, klaus gets crazy :), then there's fluff, a bit of angst still sprinkled in, but there's a happy ending

It's a blood bath, is the thing.

She can't tell what blood is hers anymore, and the ache in her body has done nothing but grow steadily over the past ten minutes. It feels like it's been hours since it all started.

She doesn't remember who threw the first punch, just knows that someone had come at her and she had no choice but to fight back, fight for her life.

There's blood under her nails, and she thinks maybe some in her eyes because they're burning, but it might be the tears shining in them.

It wasn't supposed to be like this. Klaus had, for once, been hoping for peace. He was always braced for a fight, but he'd truly been hoping for a painless, quick negotiation.

Of course, it's turned into the worst fight they've had in a while.

She's always been on Klaus's side of things; fights, family, life. She's always had her place here, carved out by none other than the Original Hybrid himself. She's never understood just what he saw in her that earned her this place, but she wouldn't look a gift horse in the mouth.

Some– most– call her loyalty a form of naivety. Perhaps the sire bond still lingering, despite the fact that she'd broken it years ago. His siblings call it blindness, or ignorance, in their harsher moments. Her friends, the few that happen to be immortal, too, think she's reckless and just asking for him to kill her. Klaus Mikaelson turns on everybody, eventually, they say. The paranoid, hybrid king trusts nothing and no one. He killed his parents, multiple times, and he's kept his siblings in and out of coffins for most of their immortal lives. Why would he ever enjoy the company of one of his sires?

She's never thought he was perfect. That's something people always get wrong. They think she sees no flaws in him, when really she sees them all for what they are, she sees him for who he really is. She still loves him.

Some days she thinks he knows how she feels for him. Sometimes she can't keep it out of her eyes, and he'll catch her looking at him and his eyes will narrow slightly, like he's warning her to contain it.

Other days, she thinks there's no way he knows, because if he knew the capacity of her adoration, he'd surely have to say something. Tell her to move on. Compel the feelings away, possibly. If he were that cruel to her.

She doesn't think he would be. Since that first day he found her in the woods with what was left of her pack, they'd all watched him in fear. Some confused. Angry. But she was mystified. Enraptured by him and the power that radiated off of him.

She spent a long time feeling weak when she was younger. Even after she triggered the curse. But when Klaus told her she could become immortal, be strong, be at his side, she was the first to accept. The only one in her pack to ask him to turn her.

He'd set his eyes on her, something unidentifiably dark gleaming in his blue eyes, and when she latched onto his wrist to drink his blood, he hadn't looked away from her.

When he cupped her cheeks, he'd brushed his thumbs along the curve of her cheekbones and told her he'd make it quick and painless for her, and when she opened her eyes, he'd be there.

He'd kept his word, then. And he'd kept it ever since.

This, though. He'd given her his word, knowing her hesitance to fight, knowing that unless it was life or death, she'd rather avoid conflict. He promised her there would be no bloodshed here today.

It's not his fault, this time. She needs to tell him that. She needs to be at his side to make sure they're still fighting together, like they have for so long, yet so little time.

She throws a vampire off of her, with nothing but his heart in her palm and she quickly drops it to the ground at her feet. Turning, she pushes through the chaos, trying to cross the room to where she last saw him.

"Klaus!"

Her voice echoes over the mess and she sees him turn in the direction of it, and the fire in his blue eyes has her stopping.

He has blood smeared around his mouth and chin and she knows he's torn out more throats than he can count. The numbers are dwindling on both sides, barely anyone left standing, and she goes to close the space between them when a blinding pain stops her in her tracks.

Her choked off grunt is nearly silent amidst the yelling, but to Klaus it's like a gunshot.

He watches the point of the stake stab through her chest and feels his breath stall in his chest, fingers going numb all the way to the tips.

Her hand comes up, trembling as she skims her fingers over the blood blooming on her shirt around the stake. When she looks back up at Klaus, she tries to say his name but it's suffocated by the blood bubbling up in her throat.

Her knees give out from under her and she hears his hoarse voice yell her name as she goes down.

She can't see it, but she feels the pain that refreshes when he rips the stake from her back and throws it into the heart of the vampire that had attacked her.

She can't see it through the blur of her tears, but the sounds of retreat echo in her ears around the waves crashing.

When Klaus speaks again, his voice is closer and she blinks blearily, finding him hovering above her with wide eyes, looking uncharacteristically scared.

Her brows furrow when she sees the look on his face and when his fingers brush hers, she's quick to intertwine them with hers.

He whispers her name, the sound broken with emotion, and she squeezes his hand unconsciously.

"You're alright," He tries, valiantly ignoring the graying color of her skin despite the fact that he got the stake out of her. "You're alright, love. The pain will go away in a minute,"

She frowns, shaking her head against where he has it cupped with the hand that she's not holding. "Doesn't hurt," She whispers, swallowing roughly around the copper in her mouth.

"What?"

She repeats herself. "Doesn't hurt. Can't feel anything,"

Klaus makes a noise that she thinks might be grief. "No, no, it's alright. Here," He rips his hand from hers and his fangs tear into his skin, and he shoves his wrist against her mouth, letting as much blood drip into her mouth as he can before he heals.

She swallows it dutifully, but that numbness doesn't quite go away, and she wonders why he's so worried about it.

"Sit up," He commands her, though his voice is nowhere near as firm as it can get. "Sit up, and I'll help you the rest of the way. We'll go home, and you can rest."

"Klaus," She says his name, smiling around the syllables. "Come here."

He leans down at her request, eyes fluttering shut on a shaky breath when she lifts a blood-smeared hand up to his cheek. He whispers her name and her smile gives way to bloody teeth.

She uses what strength she can to lean up and kiss him, the pads of her fingers pressing into his pale cheek when he inhales sharply but presses back instantly, deepening the kiss.

She lingers as long as she can until she has to pull away, gasping for a full breath that she can't quite reach.

Still, a smile sits on her lips and when she meets Klaus's worried gaze, she doesn't falter. "Thank you,"

Confusion flutters on his face for a moment, but he jostles her when she starts to go limp in his arms, hand falling from his face. "No," He pulls her weight up, lifting her against his chest as her eyes flutter shut. "No. Wake up. Wake up!"

Silence follows his demands, his pleas, and through the blood on her cheek, a single tear falls from his eye, cleaning as it slides down her skin and falls into nothing.

Despite the silence surrounding him, he feels deafened.

────── 

When she opens her eyes again, she can feel her body again in a way she couldn't before. Luckily, she can't feel any pain.

Her eyes go down to her chest where she knows a gaping wound had been, but there's nothing left, not even a scar its wake and she takes a deep breath, relieved that it's not followed by a throttle of blood coming up her throat.

"You're awake,"

The voice startles her, but she isn't scared when she turns her head against the pillow to look at Klaus. A frown sprouts on her face when she sees him sitting in a chair at her side, looking like he hasn't slept in days. It's not always necessary, but they have to take breaks sometimes, and she hasn't seen Klaus look this tired in a long time.

"I am," She says, swallowing a mouthful of spit in an attempt to wet her throat. "I don't think I should be, though."

"I owe many people a great deal of things, so you'd better stay that way."

His voice is dark and she can hear the anger in it, but she's not used to it being focused on her. "You didn't–"

"Do not," He cuts her off, his words nearly a growl that has her eyes widening. "Do not tell me that I shouldn't have saved you."

He leans forward, grabbing her hand in his, and she shrinks with embarrassment when she remembers how she'd touched his cheek and kissed him.

"Klaus," She squeezes her eyes shut, huffing her humiliation out. "I am– so sorry that I–"

"Don't," He cuts her off again, hand pressing pointedly against hers. "Don't apologize if you don't mean it."

She falls silent for a moment, lost as she looks at him. "I just... I thought I was going to die. And I just– I had to have it at least once."

He visibly swallows and she watches that pretty shine light up his eyes again. "You thought you were dying, and the last thing you wanted to do was kiss me?"

She nods despite the toe-curling embarrassment coursing through her.

He cuts a sharp breath out of his nose, shaking his head.

Before she realizes it, he's hovering above her, cupping her cheeks gently. "Silly little thing," He quietly scolds her, not giving her time to argue before he kisses her, ever so softly, softer than she ever thought he could be. Like she'll break beneath his touch if he doesn't treat her like glass.

When he pulls away and she forces her eyes open, she finds herself fighting off a tingling sensation from the top of her head to the tips of her toes. "What'd you do that for?"

He smiles, small and fond. "The next time you kiss me, you don't have to be dying to do it."

"Oh,"

"Don't ever do that to me again," His voice has a warning in it, but she's already smiling too hard to pay attention to it. "You know how I feel about people disobeying my orders."

Her grin is audible when she responds. "Yeah, I do."

[chiimeramanticore]

it's cool if I ramble about yes man unprompted right. ofc it is. i wanna talk about his capacity for violence bc I think it's one of the most interesting parts of his character

yes man is nice. obviously he's nice. but yes man is not a kind character. he helps you, sure, but that's mostly just because he likes you specifically (and even that's debatable depending on how you play). i feel like this is exemplified w his pre-combat lines– "a pulled trigger's a happy trigger!" and "woo! bang bang!" like, he's clearly having fun! he takes glee in killing people, but not because he's sadistic, but because he just doesn't realize the weight of taking a life- or if he does, it just doesn't matter to him.

he was programmed without a sense of morality or an understanding of mortality. to him, violence is second nature. to him, violence is no different from play. he's like a guard dog– he doesn't care who he's shooting or why, he's just excited to do the thing he's good at.

and on one hand, he is a fantastic guard dog. but on the other hand, six must watch how... efficiently he kills, and wonder if they'll ever wind up on the receiving end of it. he wouldn't do it as long as he likes six, of course, but... if yes man was given good enough reason to believe six deserved to die, would he even hesitate? would their history and relationship mean anything to him? or would six just be another target, forgotten about as quickly as a radroach you stepped on?

six can only hope they never need to find out.

[brainrotfm]

the world put you in front of me and we aligned

pairing: ryomen sukuna x reader

word count: ~1.5k

short description: the king of curses has never been asked for comfort before, but that doesn't mean he won't indulge you.

notes: no beta barely edited probably ooc; no content warnings just the fluffiest lil thing you'll ever get from me, mwah! manga credit used for header image [nsfw, 18+]!

"Tell me what you need, little one, while I still feel patient."

"Well I-I... I don't know how to ask for that," you reply sheepishly, ducking your head to hide the flush that was starting to prickle across your cheeks at your own discomfort. Two fingers caught your chin, evading your retreat into yourself, tilting doe eyes back into the intense, scarlet-hot gaze of the man towering over you still, not one to back away from an uncomfortable situation so easily.

"Use your words, brat," Sukuna purrs cheekily in return, gravelly and low but warm like molasses, trying to lure you out of whatever self-conscious spiral he was watching you fall into - it wouldn't work. Not when he was willing and able to catch you.

The way he touched you, the way he looked at you, the way he spoke to you: it would sound silly if you tried to say it out loud, but there was no other word that came to mind but reverence. Utter devotion or nothing at all, there was no in between with someone like him. Were you projecting? Did the passion between you two feel too good to be true, not because of him, but because of you?

Because you couldn't handle being seen by him, could you?

It wasn't easy, but it was familiar; you didn't, couldn't, ask for help, because you didn't have the vocabulary to explain what you needed help with, exactly. No one could snap their fingers and make all your problems go away; if they could, you wouldn't ask for that, because a charmed life had no real value. And yet... no matter what you said, there was an unflappable feeling in your gut that Sukuna would scorch the earth to give you whatever you desired, the closest thing to a god you may ever see.

"I just want you to hold me," and the words sounded silly as soon as they left your mouth. He was a CURSE for god's sake, or at least, he was one. By all accounts, he was a monster, a being of the lowest morale, and there was nothing that would make him to succumb to the petty whims of the human he just so happened to have a dalliance with. A blip on his cosmic radar, a temporary satisfaction in an endless lifetime. He didn't have the time to waste, the capacity to care, the attachment to give --

Except as soon as the words left your mouth, the smallest of smirks twitched the sides of his lips. As always, you yielded when given a command, and he was always filled with a silent pride by your willingness to succumb for him. Without a word, Sukuna scooped you from the couch bridal-style, earning him a startled yip that turned his smile wider. You felt the echo of his chuckle rumble deep in his chest as he carried you into the bedroom, a protest on your lips that this isn't what you meant, not everything was a code for sex... "Sukuna, I..."

The complaint died in your throat though, not having time to manifest as you squeaked instead; Sukuna had kneed his way onto the bed, still not dropping you as he set his back against the headboard and gingerly, with all the tenderness in the world, set you down across his lap. It would've brought tears to your eyes, if you hadn't been so bewildered by this side of your lover, one who got you both off thanks to his penchant for sadism, but this time...

This time, he used his immense reach to grab the comforter, pulling it over your bodies. This time, he used the hand still wrapped around your back, propping you up, to begin tucking in the seams of the blanket, bounding you tightly against him. This time, the heat of your combined body warmth overpowered your cyclone spin of anxiety. This time, his free hand came up to cup your cheek for a moment, looking into your watery, hazy hues before placing the most delicate kiss against your forehead. This time, you would even call him chaste, not a word you ever imagined using in reference to Sukuna. This time, he looked for nothing more, wordlessly pulling your face into his chest as the arm around your back tightened its hold. This time, he really did just... just hold you.

It was too much.

By the time your cheek had pressed against heat of his skin, you were a goner. Maybe you were just that obvious - maybe he saw how pathetic and hopeless you felt, and knew that no amount of his usual teasing would cajole you out of your reverie. You're not sure he could feel sadness; you're not really sure he ever had, but you appreciated this act of softness from him. (He could, though rarely, and he did, though oftentimes only because of you, or in this case, for you). Shaking like a leaf in the wind, you curled as far into him as you possibly could, and with a heave, an onslaught of tears began to leave your body like the damn had broken at the end of a wet summer.

Where did he learn comfort like this? A large palm rested against your lower back, splayed open and anchoring you to his lap, not letting you budge an inch, even if you wanted to. His other hand had curled around the side of your neck to its nape, pressing you against him, silently insisting you stay as near to him as possible, to ride out whatever anxiety had taken you so far from him tonight. He would wait. You had only asked to be held, so he remained silently, trying not to focus on the way your pathetic little hiccups would make his heart squeeze, or why the white-hot lick of anger curled beneath his skin at seeing you in this state.

The more you succumbed to your sadness, though, the worse it seemed to get; the riptide of emotion had grabbed you by the ankle and sought to drown you in its depths tonight. Sukuna noticed immediately when your breaths had grown panicked and short, hiccups faltering into staccato sobs, and your heart began hammering out of rhythm with his own.

No, no, that would not do. You were supposed to be soothed. You couldn't see his brow furrow sullenly, confusion flickering behind maroon eyes, a sound akin to a growl unfurling in his chest. His exasperation with your befuddling human emotions was short-lived. The growing rumble in his chest had finally moored all your senses to the same shore, grounding you in tandem with the anchor points of physical touch.

Once he realized you liked it - and he should've realized you'd like it, you often enjoyed his primal sounds in other scenarios, too - well, of course he continued, your emotional fulfillment his main concern at the moment.

You must be dreaming. That was the only thought in your head as your hiccups waned into pitiful sniffles, doe eyes sore and half-lidded in the shelter of Sukuna's chest. "R-ryo...?" you managed to bleat, softer than he'd ever heard his name on your lips before, and the use of his first name had your lover purring again with a low timbre hum, giving your entire form an encouraging squeeze to signify his attention.

"Don't go... please, don't go," you whined, barely above a whisper, and something in chest shattered at your unwillingness to be without him, now that you had let him in to that tightly locked room he'd call your heart. If he had thought dominating your physical body had been pleasurable, there was an absolute intoxication that came from you being this kind of vulnerable with him; where he had always assumed he'd feel disgust, he felt a dizzying delight in pacifying you this way, still a dance of your bodies, just with different choreography than he'd ever known before.

"Oh, little one," the king of curses assuaged in a tone of equal measure, his whisper husked as he ducked to kiss your forehead again, reveling in the enchanting sigh he earned from you at such a simple affection. With that, he began to rustle you into place for sleep, more delicately than he'd ever handled you before; though, it could be noted that he was still a selfish man, and didn't give you any room to move or curl away from him, intent to keep you tucked against his chest for the rest of time if it meant witnessing you like this, at your most docile.

Your pretty face was folded into the juncture where his chest met his neck, and he could feel your breathing settle into dreamy sighs, comforted and cared for exactly the way you'd asked, so trustful that you would dare to sleep in his presence, the sweetest of lambs curled up and comfortable in the middle of the lion's den. He could kill you, right there. He would kill for you, right then.

"There is nowhere I could go that I could not take you," Sukuna promised softly into the darkness of your room, hoping you'd hear his promise in your dreams. Now that he knew this, he never wanted to know anything again.

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[livwritesstuff]

It’s late in the day when Sam Owens first approaches Eddie.

Eddie is sitting in a lawn chair on the edge of Joyce and Hopper’s backyard in Hawkins, Indiana, and sort of trapped there ever since his and Steve's daughter Moe had dozed off in his lap a little while ago.

For the record, Eddie and Steve don’t live in Hawkins. They’d have to be insane to stick around after everything this hole of a town put them through, never mind willingly choose to raise a child there. No, Hopper had bullied them into making the trek home to celebrate Moe's first birthday (Jesus H. Christ, she's one) and by the looks of how crowded the yard is, he'd done the same to practically the entire rest of the Party too.

Eddie isn't actually trapped either. It's true that he doesn't really want to tempt fate by waking Moe up from a nap that he and Steve had sort of resigned themselves to skipping that day, but he could get up if he wanted to. He's a whole sap in his big age of thirty-six though, and extremely aware of how quickly Moe’s first year of life had flown by. He'd be a damn fool to not relish in these moments, when Moe is a baby still, when she's little enough to fall asleep in his lap like this.

So he's sitting and he's letting his mind wander down whatever rabbit-holes it ventures upon because he's not just a sap these days, he's getting retrospective too.

Twenty years after all the shit that went down in his Hawkins, Eddie considers himself a secondary character in it all (even though it hadn’t felt like it at the time – that’s for fucking sure). 

Honestly, he'd really only been involved in about five days out of several years of that shit – not in the know yet for the first part, and unconscious for the end of it – secondary character stuff, in Eddie’s opinion (and as a two-time published novelist, he’d be the one to know).

It's probably for the best, to be honest. He barely survived even the secondary stuff — with a mostly-full picture of everything that happened over those three years he feels pretty positive that if he’d gone through anything more he wouldn’t have been so lucky. 

And these days, in July of 2002, he’s feeling pretty lucky too. 

“Doc,” Eddie nods as Owens takes the empty chair beside his own.

Owens is another one of these secondary characters in everything. Owens is…Eddie isn’t sure who Owens is, to be honest. A doctor in some capacity, he's fairly certain, and also a scientist too in some capacity given how he’s still in Hawkins doing research on all that shit — and he roped Dustin into it too (though as far as Eddie can tell, Dustin is a more-than willing victim in it and goddamn thrilled to be taking over his work someday too).

Someday soon, Eddie would wager, because Owens is well and truly reaching retirement age – he probably should have retired already, honestly, but Eddie can also sort of see why it might be difficult to step away from the kind of work he’s spent his life doing.

“Mr. Munson,” Owens greets him in return. Eddie watches his eyes flick down to Moe for a moment, “Or is it Pops these days?”

“That’s Steve, actually,” he replies, tipping his head in the direction of Steve, who’s standing at the grill with Hop (they’re listening to Dustin ramble about something and wearing matching beleaguered expressions).

Owens seems to understand the implication, because his only response is another one of those wry smiles and an exhaled laugh.

“Well, congratulations either way. I was very happy for you when I heard the news about the adoption.”

“Still keeping tabs on us after all these years?” Eddie asks, mostly joking because he knows the answer is yes. He knows they’ll have eyes on them for the rest of their lives for one reason or another (which he’s nearly made his peace with by now).

“Well, old habits die hard,” Owens replies somewhat tiredly, “Or something to that effect.”

Eddie doesn't really have anything to say in response, so he opts to say nothing, instead running a hand over Moe's hair — it's getting long these days, not quite long enough to style yet but long enough that she shakes her head to get it out of her eyes and knocks herself off-balance which is so so cute.

“I’ll admit," Owens continues after a while, "When I first met you, this isn’t where I thought you’d end up.”

“Yeah, you and me both, Doc," he laughs, because it's true.

“What I mean to say," he pauses, "It suits you.”

Moe chose that moment to finally stir, snuffling a bit as she lifts her head and looks at him with those beautiful brown eyes of hers.

"Good nap, bug?" he asks quietly.

She responds with a bleary, "Dada" (which she had only just started saying a few weeks ago and it goddamn kills Eddie every single time) as she nuzzled her cheek against his shoulder.

He hears Owens let out a soft chuckle.

“You’re really milking this, bug," Eddie says as presses a kiss onto the top of her head, "I think he gets it.”

[luxlightly]

Thoughts on Omeluum vs the Emperor

I love that Omeluum exists as a character for many reasons. It's a fantastic character, even given the very small role it plays in the story. It gives us a context that sets up the reveal of the Emperor later, the idea an illithid can (and would likely want to) escape from the Grand Design. It's also just a good person who genuinely wants to help people and cares deeply about his research (and implied possibly romantic) partner, Blurg. But, unlike the Emperor, it is very distinctly illithid. It doesn't behave in a human manner. It doesn't speak in a human manner, it doesn't emote in a human manner. It doesn't feel in a human manner. But it is a good person. It doesn't need to be at all human to be a good person. It is undeniably illithid in everything about it, but it defies the social structure that Elder Brains impose on illithid and therefore does not reflect the values we might expect from an illithid. It's not manipulative. It's not dishonest. It never hides who or what it is or what its intentions are. It's not selfish. In fact, it will try to convince you to save Duke Ravengard in the Iron Throne, at the expense of its own life, because it knows the Duke has more of a capacity to help people than it does. But it never becomes more "human". It doesn't need to. Because it doesn't have to be human to be a good person. Compare that to the Emperor, who constantly insists how different he is from other mind flayers, who constantly compares himself and the player character. He speaks, emotes, and acts very human. He still considers himself to be the same person he was before his ceremorphosis. But he is a bad person. He is manipulative. He is dishonest. He lies to the player character constantly, never giving them the whole truth and, when lies don't work, he resorts to threats, then outright violence. And he is, more than anything, selfish. He cares more about preserving his own life than anything and will betray even those closest to him in order to do so. He kills first and rationalizes it afterwards. Despite not being a slave to an Elder Brain, he is everything the Grand Design desires that illithid should be, save for obedient, though he's more than willing to submit to the Absolute the second he feels like his life could be in danger from not doing so. It gives great insight to him as a character and the way that, in basically all things, he acts the way that benefits him, then finds a way to justify it afterwards, both to others and to himself. He didn't tell you he was a mind flayer because you would have killed him. Except that, from your interaction with Omeluum, he could have clearly seen you wouldn't have. He insists that his constant manipulation is just his nature, yet we clearly see with Omeluum that that nature is not set in stone and does not have to be manipulative to the point of maliciousness. It's not being a mind flayer that made Balduran this way, it was his own personality. Which is why he desperately wants the player to make the same choices he did, to agree that they are the same. He's convinced himself he was forced into every horrible decision of his life or that it was inevitable. Which is why he gets so upset when you deviate from the path he himself took. Because you, like Omeluum, prove that it wasn't nature that made the Emperor, it was conscious choices that he tries to retroactively justify. Ironically, if you don't buy into his lies, he eventually tells you he'll resort to force to make you "accept your potential". He needs so badly to believe you would make his mistakes that he'd force you to.

[prettyboykatsuki]

wyll, in my opinion, gets the standard fare treatment for characters that are unequivocally good. i.e. people think he's boring and uninteresting. standard fare might be kind actually given the level of racism and unexplained slander (which is often just more thinly veiled racism). his reputation about being boring is not helped by the very blatant neglect of his storyline post his rewrite and release. as a wyll enjoyer i am hyperaware of the sorry state of his current story in all three acts

despite all of that and the glaring flaws - i still believe that wylls storyline is worth of being engaged with and explored.

one of the reasons (not the most major one, but one) i think wyll experiences so much neglect as a companion stems from a wider idea that "goodness" is always the uncomplicated, easy choice.

it's something i see a lot. wyll is boring because of his archetype as a princely and universally righteous guy. and this is interesting, because it always seems to functions under the assumption that wylls moral character is innate. that his heroic and righteous actions are in some capacity, uncomplicated.

uniquely among the male origin companions, through the course of wylls story - there is never a point in which he is at risk of making a truly 'bad' choice. both gale and astarions story have them at risk of making choices that are ultimately bad for them and others (especially tav when each character is romanced). gales godhood and astarions ascension are their in game moral failings. they are the result of having not broke the cycle and are 'bad' choices for the individual character.

wylls main choice is however his pact and the choice to break that pact. notably - wyll is never at risk of making a bad choice, only a selfish one.

from the critique i see of wyll - it seems like this is the element of him people find most egregious. he's too smooth, not rugged enough, not gritty enough. but i don't think wyll's character needs grit, necessarily.

if you take any time to dissect wyll at all, based on dialogue and character interaction, many of his choices put himself at the forefront of sacrifice. the game strips wyll of a lot of agency, but wyll also always abides by and sticks to his core belief. so often towards his own detriment.

not only does wyll bear the consequence of being turned into a devil (stripping him of the last remaining shred of identity he's ever had and one of the most important things in his life), he bore the burden of being banished when he made his pact, and was willing to do the same for the sake of his father when he is taken to moonrise.

and unlike gale (who i adore, to be clear) who's concept of self-sacrifice stems mostly from a low self-worth - the belief that dying is the best he can do - wyll truly views that it's better him than them.

wyll does not think twice about allowing himself to be the one to take the fall. he can play any part, take any role, even when these choices haunt him so obviously. wyll claims that he forgives his father, but opens up to you about fearing his feelings of missing him are one-sided. he believes that making his pact was the right choice, the one he would make again - but doesn't deny the obvious pain and solace that came along with being a wandering traveler and banished son.

wylls goodness is so deliberate. he is so staunch in upholding and acting on his beliefs that it is always narrative to his own detriment. when you view wyll like this , and view his choices with regards this character attribute, it is imo very hard to hate him.

wyll's goodness is his double edged sword. it makes him heroic, brave, fearless. and it makes him scared, uncertain and lonely. again, the story itself is bare bones and i understand that - but it is so very beautiful to me thinking of him and tav or just his general romance.

as wylls romance partner, encouraging wyll to break his pact is as tragic as it very beautiful. tav is wylls one selfish thing. one of the only reasons that would move him to not give himself up. one of the only reasons he is okay with forgoing his beliefs. he loves tav enough to break his own oaths, and make choices for himself and no one else. not as the blade, or as a ravengard - but just as wyll.

and that aspect of him is in my opinion, enforced, by the mindflayer tav ending. in which wylls monster-hunting and morals are made exceptions with / for tav. my enjoyment of hero corruption might be speaking for me, but i digress.

in every way though - i truly love wyll as a character. and while im well aware of the critical flaws in his in game story state, i think it's both unfortunate and unfair that people call him boring. to me he is anything but