#he did fumble

[jaanii]

can confirm you look so hot ur ex FUMBLED nd u deserve better than him !!

JULES hi love you miss you thank you whattt omg 😳 (i am really bad at taking compliments)

[crumb-crumblet-s-crumbington]

"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"

[dcxdpdabbles]

DCxDP fanfic Idea: Lights and Camera

"There he is," Tim whispered, looking out from behind the library bookshelves. Besides him, Bart, Kon, and Cassie lean over him, stacking each head on top of each other so they can adequately see who Tim is pointing out.

Across the libary, Babs shales her head with a sigh but doesn't call them out. For one, it would be unnecessary loud and another....well, she enjoys having blackmail on her vigilante coworkers and the Young Jutice team climbing on top of each other to stare at a random civilian was the good kind. She turns back to her list of books to stamp and scan back into the system.

Tim had mentioned seeing someone he wanted to recruit for his and his teammates' fake online clothes store. It was the cover the teens had come up with, for an explanation on how they all had such different backgrounds but had still become friends.

The other bats thought it was a mere cover, but Babs knew how seriously Tim took his fake store. It was mostly due to Tim's team making very realistic cosplay outfits that are commissioned to their site. Since they catered to such a nitch community Tim wanted each job to be perfect. (Also he's a nerd like that)

Or maybe it had everything to do with Tim's not-so-secret adoration of photography.

Bart made the clothes, Cassie and Conner modeled and Tim took all the photos. It helped that the speedster was used to making clothes in the post-apocalyptic future, but no one could deny his master of the needle. Cassie and Conner were both rather good looking, and they seemed perfectly fine with showing off this fact.

The thing is, their store is starting to gain traction. If it weren't for the fact, Bart could move as fast as he could, Just Us fashion would be behind orders for months.

Tim was worried someone would catch on and figured they should attempt to hire a co-tailor. They attempted to reach out to fellow heros but no one their age was interested and they seemed rather put off by the idea of asking a adult.

Everyone was still tense from the last time Young Justice asked the Justice League for help.

Tim then decided to attempt to find a civilian who would help them with smaller pieces. Or maybe someone he could throw in front of a camera and pretend Conner or Cassie had taken a step back from modeling to help out with the orders.

His team allowed him to search for someone since they had no idea where to start. Tim scouted through all of Gotham, and ended up landing on Danny Fenton.

Babs had looked into Fenton's background as a favor to Tim and to satisfy her own curiosity. There wasn't much to the boy. Born and raised in a small town in Illinois, Fenton dropped out of high school to get his GED around his junior year. The notes on his file by his English teacher, principal, and school counselor indicated he was bullied out of school.

He passed the exam on the first try and, within a year, moved four states away to join Gotham School of Arts with a major in fashion. His parents were certified geniuses with a family company working in security and "ecto-entities." His sister was going to Gotham University for a physiology major.

The Fentons are a comfortable upper middle class family with no criminal history; the only blemish on their record is Jack Fenton's speeding tickets.

Fenton lived in the better parts of the city, paying his way through college and his own expenses by working as a remote tech support for various companies. It seemed he had inherited a knack for computers from his parents.

Barbara wasn't sure what about Fenton stuck out to Tim. The boy barely participated in public events when it came to his fashion. He only turned in assignments, and unless Tim made a habit of walking through the school of arts, he would have never seen his work.

"Wait, is he wearing-?" Conner whispered, squinting at Fenton, who was tapping away on his laptop. "He is! That's Flame-Flame battle pants!"

"No way." Bart gasps, standing on his toes to lean closer. "They look so good! Where did he get them?"

"He made them," Tim says with a certain lift to his voice that Babs recognizes easily. Aw, her little computer partner has a crush. "He makes all kind of fandom merch that can be worn out in public."

"Tim, we got get him on the team. Look at that Flame-Flames sweatshirt! I need it" Cassie hisses, rocking in place. She nearly causes Conner- who was leaning on her- to tumble over. "Go talk to him."

"I can't"

At that, Babs glances up. She's never heard Tim be nervous to speak to anyone before. Yet that's what she finds as the Young Justice team disappear aroudn the coner surrounding a red face Tim.

"What do you mean you can't? Why not?" Conner asks

"Look, I already tried to recruit him but messed up my pitch." As he admits, Tim kicks his feet, not bothering to look anyone in the eye. When he locked eyes with me, I choked on my spit midsentence."

Cassie slaps a hand over her mouth, but she is not fast enough to hide the snicker that slips through. The glare she gets from the only regular human could have sent her to her uncle Hades. "I'm sorry, you choked on your spit? Mr. CEO of WE? Mr. Suave? Mr. New Lover, every other Tuesday?"

"Shut up you don't get it! He was dressed in a really cool outfit of the Ninjas of Konoha, okay!? I wasn't prepared."

Barbara glances at Fenton as the team attempts to tease Tim. Rather loudly. It's like they forget they are in a really old building, so the acoustics pick up their voices really easily.

Based on his blushing face and hunched-over form, Fenton can obviously hear them. He keeps sending short glances to the shelf the other teens hide in. Fenton glances at his computer screen before rapidly fixing up his hair and straightening his clothes.

He fixes his scattered papers just as Tim rounds the corner of the bookshelves, looking rather nervous as he scoots to Fenton's desk. Babs watches the remaining young juice team whisper and shout encouragement as Tim stands next to Fenton.

Fenton's face, if possible, go even redder, and much to Babs' shock, he even starts to twirl the end of his ponytail around his figure as Tim starts talking.

This is cute. She thinks, aiming her camera phone at the pair. Taking three different shots, each displaying Tim's fumbling mess and Fenton's obvious interest, she quickly sends it to the bats with an evil smirk. And sort of pathetic.

She gets answers instantly, almost everyone teasing Tim or making "They grow up so fast" comments. The messages make a warm feeling of the family burn in her chest, reminding her of all that they argue about; the Bats truly care for one another.

It's Bruce's thoughts that shatters the chat with a simple text.

Why is Tim flirting with the Ghost King?

Babrbara stares at the words for a long moment before she types

Babs: What do you mean? Who's the Ghost King?

Bruce: That's the Ghost King or his human form. He rules the ghosts and our flip dimension. The Justice League Dark has him marked as a level 15 threat.

Damian: I beg your finest pardon? There are only five other beings on that threat level.

Bruce: Exactly. Tim knows not to speak to him.

Steph: Ugh Bruce none of ous knew that.

Bruce: He was in the yearly safety warning PowerPoint. You all said you reviewed it.

Jason: That thing is nine hours long! Of course, not all of us would actually look through it.

Bruce: I worked very hard on it. :'(

Duke: Guys? Shouldn't we worry about Tim? I mean is the Ghost King going to hurt him

Bruce: No, he's known to be very benevolent. Just as long as you don't accidently insult him.

"I'm not a whore!" The voice cuts through the air like a bullet. Barbara glances up just in time to see Tim backing up with a panicked expression as Fenton sneers.

He quickly gathers his things with a flick of his wrist, having all left in a bright green glow, and pushes by the shuttering vigilante. He stomps his way out of the library with an inhuman growl.

Tim throws his face into his hands with a wail of dispair. "I should have never listen to Dick's flirting advice!"

Barbara slaps a head over her forehead before texting the rest. So Tim may have called the King a whore.

Bruce: This is why I ask you to read my safety PowerPoint.

[flowercrowngods]

who did this to you. part 3

🤍🌷 read part 1 here | read part 2 here pre-s4, steve whump, protective (but scared) eddie. now with robin!

The number rings in his head, echoing off the inside of his skull and sinking lower and lower until his heart strings join the symphony that leaves him shaking as the memory of Harrington’s slurred voice is drowned out by the dial tone that feels harrowingly like a flatline right now. 

Said I’ll go blind. Or deaf. Or just… die.

Eddie doesn’t really feel like his body belongs to him anymore, or like there’s anything left inside him other than panic and fear and that stupid, stupid shaking that he can’t suppress even as he bites his knuckles. Hard. 

The pain helps a little not to startle too much when the dial tone stops and a female voice begins speaking to him. Still he almost drops the phone, cursing under his breath as he pulls his hair to collect himself and get his voice to work. 

“H— Hi, hello, Mrs Buckley? This is, uh. I. I’m. A friend of Robin’s, could you, uh—“ 

“Oh, of course, dear,” the woman says, and Eddie feels his eyes beginning to prick with how nice she sounds even through the phone. 

Does she know Steve, too? Would she worry if she knew? Would she curse Eddie for not taking him to the hospital right away? Would she blame him if anything happened? 

“I’m sorry? What did you say your name was?” she asks, repeating herself by the sound of it. 

He blanks, for a whole five seconds, before he spots a note stuck to the fridge saying Don’t forget to eat, Eddie :-)

“Eddie,” he croaks. “Uh, Eddie Munson.”

“Alright, Eddie Munson, I’ll see if I can grab Robin for you. You have a good day, dear, yes?” 

No. “Thanks.” 

The hand clenched in his hair pulls tighter and tighter until the tears fall and he can pretend it’s from pain and not from— whatever the fuck is happening. 

He waits, phone pressed to his ear with a kind of desperation he’s never really felt, and never wants to feel again. He doesn’t even know what to tell Robin; what to say. It’s not like they ever hang out or have anything to say to each other, so why would she— 

“Munson?” Robin’s voice appears on the other end, a little too loud for Eddie’s certain state, and he does drop the phone this time, scrambling to catch it and only making the situation worse as it dangles by his knees. 

He drops to the floor, pulling his knees to his chest and reaching for the phone again. 

“Hi.” 

“What do you want? How’d you even get this number? I swear, if you—“ 

“It’s Blue. I mean, Steve. Harrington.” 

That shuts her right up, and Eddie clenches his eyes shut for a moment, hoping to keep the tremor out of his voice if only he takes a moment to breathe. 

The moment stretches. And Robin’s voice is wary and quiet when she speaks again. 

“What about Steve.” 

Eddie rubs his face, leaving more dirt and grime to fill the tear tracks, and clenches his fist before his mouth. 

“Eddie,” Robin demands, dangerous now. Nothing left of the rambling, bubbling mess he knows her to be on the school hallways. “What. About. Steve.” 

“He… He’s hurt.” 

There’s a bit of a commotion on the other end, before Robin declares, “I’m coming over. You tell me everything.” 

“You— I mean, he’s in the hospital with my uncle, so—“ 

“I am. Coming. Over,” she says, enunciating every word as though she were making a threat. Maybe she is. But the certainty in her voice helps a little, anchors him the same way that Wayne’s calmness did. “And you tell me everything.” 

Eddie finds himself nodding along, knowing intuitively that there is nothing that could stop her now. Knowing that he doesn’t want to stop her. 

“‘Kay.” It’s a pathetic little sound, all choked up and tiny. She doesn’t comment on it. 

One second he hears her determined exhale, the next she’s hung up on him and Eddie is greeted by the flatline again. He lets out a shuddering breath and leans his head back against the wall. 

Breathing is hard again, but it’s all he has to do now, all that’s left to do, so he focuses. Inhale. Hold. Exhale. Hold. His lungs are burning and there’s something wrong about the way he pulls in air and keeps it there, desperately latching onto it until the very last second, his exhales more of a gasping cough than calm and controlled. 

It takes a while. Longer than it should. But with Harrington’s blood still on his hands, with his heartbeat in his ears so loud he can’t even hear the words Wayne used to say about breathing in through the mouth or the nose or… or something, he— 

He’s fine. He’s home. Wayne’s got Blue, and Buckley is on her way, and… He’s fine. 

People don’t just die. 

They don’t. 

He’s fine. 

Eventually, Eddie manages to breathe steadily, the air no longer shuddering and his hands no longer shaking. It’s stupid, really, being so worked up over someone he doesn’t even really know. Sure, everyone knows Steve fucking Harrington, and everyone sees Steve fucking Harrington — whether they want it or not. He has a way of drawing eyes toward him even if all he does is walk the halls with his dorky smile and that stupidly charming swagger he’s got going on. Always matching his shoes to his outfit.

Eddie can relate.

Always reaching out to touch the person he’s talking to; clapping their back or shoulder, lightly shoving them in jest, ruffling their hair or chasing them through the halls, moving and holding himself like teenage angst can’t reach him. Like he belongs wherever he goes. Like he’s so, so comfortable in his own skin. Like the clothes he wears aren’t armour but just a part of him; a means of self-expression. 

Again, Eddie can relate. He can relate to all of this. 

It’s almost like the two of them aren’t so different after all. Just going about it differently. 

And now he’s… Bleeding. Slurring his speech. Wheezing his breath. And Eddie feels protective. Eddie feels responsible. Like he should be there, like he should get to know more about him. About Steve. About Blue. 

But he can’t. And he won’t. So he gets up with a groan that expresses his frustration and the need to make a sound, to fight the oppressive silence that only encourages his thoughts to run in obsessive little circles, and he hangs up the phone that’s been dangling beside him all this time. 

He needs a smoke. 

He needs a smoke and a blunt and a drink and for this day to be over and for time to revert and to leave him out of whatever business he stumbled into by opening the door to the boathouse and, apparently, Steve Harrington’s life. 

But unfortunately, the universe doesn’t seem to care about what he needs, because just as he steps outside and goes to light his cig, he catches sight of a harried looking Robin Buckley, standing on the pedals of her bike as she kicks them, her hair blowing in the wind to reveal a frown between her brows. A wave of unease overcomes Eddie, an unease he can’t really place. Maybe it’s the set of her jaw, or the tension in her shoulders, or maybe it’s the worry and anger she exudes. 

It never occurred to him before that Robin Buckley might not be a person you’d want to set off. And not because of her uncontrollable rambles. 

“Munson!” she calls over, carelessly dropping her bike in the driveway and stalking toward him. 

Almost as if summoning a shield, Eddie does light the cigarette. Pretends like the smoke can protect him. 

She doesn’t stop at the foot of the steps, though, climbs them in two leaps and gets all up in his space with that unwavering look of determination — so unwavering, in fact, that it almost looks like wrath. Cold. Eddie wants to shrink away from it, not at all daring to wonder what could make her look like that upon hearing that Steve’s hurt. 

I don’t wanna die, Munson. I never… I didn’t. With the monsters or the torture.

But those are the words of a semi-conscious teenage boy beat to a pulp, they can’t— There’s no way. Eddie misheard him, or Steve was talking about some kind of inside joke, using the wrong terminology with the wrong guy. It happens. It happens when you’re out of it, really! The shit he’s said when he was shot up, canned up, all strung out and high as a kite… He’d be talking of monsters, too, and mean some benign shit. 

But the way Harrington looked, none of that was benign. The bruising all over his face, the blood still dripping from the wound by his temple or his nose, the way he held himself, breath rattling in his lungs, or— 

“Hey!” Buckley demands his attention, giving him a light shove; just enough to catch his attention, really, and just what he needed to snap out of it. Still the smoke hits his lungs wrong and he coughs up a lung, further cementing his role of the pathetic little guy today. 

“Hey,” he says lamely, his voice still croaking as he crushes the half-smoked cigarette under his boot. “Sorry.” He doesn’t know for what. But it feels appropriate. 

She shakes her head, rolling her eyes at him as she crosses her arms in front of her chest. 

“Tell me,” she says at last, and even though there is a tremor in her voice, she sounds nothing short of demanding. “I want the whole story, and I want it now.” 

And so he does. He tells her everything, bidding her inside because he needs the relative safety of the trailer even though the air in here is stuffy and still faintly smells blue. He pours them both some coffee and some tea, because asking what she wants doesn’t feel right in the middle of telling her how he found her supposed best friend beat to shit in the boathouse he went to to forget about the world for a while. 

She stills as she listens to him, staring ahead into the middle distance somewhere beneath the floor and the walls, her hands wrapped around the steaming mug of coffee. Eddie stumbles over his words a lot, unsettled by her stillness, her lack of reaction. She doesn’t even react to his fuck-ups. People usually do.

He wants to ask. Where are you right now? What have you seen? What’s on your mind? What the fuck is happening?

But he doesn’t ask, instead he tells her more about Steve. About how he seemed to forget where he was. About the pain he was in. About the smiles nonetheless. The way he reassured Eddie. 

That one finally gets a choked little huff from her, somewhere between a sob and a laugh. 

“Yeah, that sounds like him alright. He’s such a dingus.” 

There is so much affection in her voice as she says it that Eddie can’t help but smile into his mug. 

“Dingus?” he asks, hoping for some lightness, hoping to keep it. 

But the light fades, and her eyes get distant again. Eddie wants to kick himself. 

“Just a stupid little nickname. An insult, really.”

“Oh.” He doesn’t know what to do with that. If he should ask more or if he should say that he has a feeling Steve might appreciate stupid little nicknames. Especially if they’re unique. Especially if they’re for him. But what right does he have to say that now? What knowledge does he have about Steve Harrington that Robin doesn’t? 

So he bites his tongue and drinks his coffee, cursing the silence that falls over them as Robin mirrors him, albeit slow and stilted, like she doesn’t know what to do either. Or where to put her limbs. 

“Wayne’s got him now. I took him here, after the boathouse, because I didn’t know what to do. He said he didn’t want the hospital, said there’s…” He trails off. 

Robin looks at him, her eyes wary but alert. “Said there’s what?” 

It’s stupid. Don’t say it. 

“Eddie?” 

With a sigh, he puts his mug on the counter and stuffs his hands into his pockets. “He said there’s monsters. In the hospital, I mean. He said that.”

Instead of scoffing or at least frowning, Robin clenches her jaw and nods imperceptibly, her eyes going distant again. Eddie blinks, the urge to just fucking ask overcoming him again, but with every passing second he realises that he doesn’t actually want to ask. He doesn’t want to know, let alone find out. 

He just… He just wants to go to bed. Forget any of this ever happened. But he can’t do that, so he continues. 

“Brought him here and Wayne took one look at him and convinced him he needed a doctor. And, Jesus H Christ, he was right. I’ve never… I mean, those things don’t happen,” he urges, balling his hands into fists even in the confined space of his pockets. “Right? I mean… Shit, man.” He bumps his shoe into the kitchen counter; gently, so as not to startle Buckley out of her fugue like state. 

“You’d be surprised,” she rasps, staring into the middle distance again and slowly sinking to the floor. There is a tremor in her shoulders now, barely noticeable, but Eddie knows where to look. Without really thinking about it, he grabs two of his hoodies he’d haphazardly thrown over the kitchen chairs this morning while deciding on his outfit and realising that it was altogether too warm for long sleeves today. But now, right here in this kitchen, the air tinged with blue, they’re both freezing. 

Because fear and worry will take all the warmth right from inside of you and leave you freezing even on the hottest day of the year. 

She barely looks at him when he holds out his all-black Iron Maiden hoodie to her, freshly washed and all that, but she takes it nonetheless, immediately pulling it on. It’s way too large on her, her hands not showing through the sleeves, her balled fists safe and warm inside the fabric. It would make him smile if only it didn’t highlight her stillness, her faraway stare, and the years he has on her. She’s, what, two years younger than him? Three? 

It seems surreal. Everything, everything does. 

Robin Buckley in his home, sitting on his kitchen floor, swallowed by a hoodie that is a size too large even for him, but it was the last one they had in the store and he doesn’t mind oversized clothes, can just cut them shorter when the need arises or layer them or declare them comfort sweaters for when he wants to just have his hands not slip through the sleeves on some days. And now Robin is wearing his comfort hoodie because her best friend was bleeding in his car earlier and then on his couch and now in his uncle’s car, and they never even talk, but he knows that Robin’s favourite colour is blue, but not morning hour blue because that makes her sad; only deep, dark blues. 

Her favourite colour. Her favourite person. 

It’s so fucking surreal. 

He drops down beside her, leaving enough space between them so neither of them feels caged, and mirrors her position: knees to his chest, chin on his forearms. Staring ahead. 

And silence reigns. 

“Your uncle,” she says at last, finally breaking the silence that’s been grating on Eddie’s nerves and looking at him, really looking as she rests her cheek on her forearms crossed over her knees. “Tell me about him.” 

There is a gentleness to her voice now despite how hoarse it is. Maybe she’s just tired, too. And scared. At least the shivering has stopped. 

Still Eddie frowns, confused as to why she should be breaking the silence to ask about Wayne when everything today has been about Harrington. About Steve. About deep and dark blues. 

“Uncle Wayne?” he asks. “Why?”

“Because,” she begins, and sighs deeply, works to get the air back in her lungs. Eddie wants to reach out, but instead he just clenches his fingers a little deeper into the fabric of his hoodie. “My best friend is hurt very badly and the only person with him is your uncle, and I need to know that he’s in good hands. Or I swear to whatever god you may or may not believe in, and granted, it’s probably the latter, but still I swear I’ll give into my arsonist tendencies and burn down this city, starting with your trailer if you don’t tell me that your uncle is a good man who will do anything in his power to make sure that boy gets the help and care he needs. And deserves.” 

Her jaw is set and her bottom lip trembles, but it doesn’t take away from the absolute sincerity in her threat. 

“So, please,” she continues, her voice breaking just a little bit. “Tell me. Tell me about your uncle.” 

Tell me about your favourite person. 

Eddie swallows, and mirrors her position once more, so she can see his eyes and know he’s sincere. Because he’s learned something about eyes today, about how much in the world can change if only you have a pair of eyes to look into. 

And he nods, looking for somewhere to start. “He’s the best man I know. He’s the best man you’ll ever meet.”

She clings to his eyes. Searches them for the truth, beseeching them not to lie. He lets her. 

“Took me in when I was ten, because my dad’s a fuck-up and my mom’s a goner. Took me in again when I was twelve after I ran away. Makes me breakfast and I pretends the dinner I make him is more than edible.” He smiles a little, because how could he not? “He’s my uncle, but still he’s the best parent anyone could wish for. Writes those little notes that he sticks to the fridge, y’know, the one with the smiley face? Tells me to eat, because I forget sometimes. I tell him to drink water, because he forgets. First few years, he’d read to me. And the man’s a shit reader, has some kind of disability I think, and at some point I learned that he wasn’t reading at all. He was telling me stories all the time, conning me into thinking that the books were magic, and that every time I’d try to read the book for myself, the story would change.” 

There’s a lump in his throat now, and his eyes sting again. But Robin doesn’t seem to fare any better than him if her wavering smile is any indication. 

“There’s no one,” Eddie continues, “who will make you believe in magic quite like uncle Wayne. Or in good things. And d’you wanna know what he told Blue when he said he was scared of going to the hospital?” 

Sniffling, Robin shakes her head. 

“He said, Okay. Then we do it scared. And all of that after he just… with that patience he has, told him everything that was gonna happen. And that he’d be there with him through it all. That he knew the doc and wouldn’t let anyone else near him, and that there’s no need to be scared at all.” 

He sighs, breathes, stills. Swallows, before looking back at Robin. 

“So, if there’s one person who’ll make sure that boy gets the help and care he needs and deserves…” 

“It’s uncle Wayne,” Robin finishes his sentence, her voice still hoarse, but Eddie likes to think it’s for a different reason now. 

“It’s uncle Wayne,” Eddie says, nodding along as he does. 

There is something like understanding in Robin’s eyes now, and Eddie hopes it’s enough. Enough to calm the spiking of her nerves, enough to settle the coil of freezing nausea that must reside in the pit of her stomach, enough to let the next breath she takes feel a little more like it’s supposed to be there. 

He wants to say something more, wants to reach out and reassure her that everything will be okay, but he can’t know that. He doesn’t feel like it’s entirely true, let alone appropriate right now. 

There’s something in Robin’s eyes, in the way she holds herself, like she’s waiting for the other shoe to drop. Like she accepts his words at face value but doesn’t really believe them. Like she’ll only rest when she’s got her best friend back in her arms and hears the story — the whole story — from him. 

And Eddie doesn’t fault her, because the thing is, he doesn’t know what happened. Steve said that Hagan came at him, but that’s really all he got out of him before he started talking about death and shit, and Eddie really didn’t want to ask any more questions then. 

So they sit there for a while, the silence oppressive and unwelcome, clumsy and awkward; Robin’s mouth opening and closing a lot, like she wants to ask questions but doesn’t dare to ask them — and Eddie doesn’t know if he’s glad about it or not. Doesn’t know if he wants to hear the kind of questions asked with that kind of stare. 

It is only after a long while, when Robin’s shoulders start shaking again and she buries deeper into the hoodie and her own spiralling thoughts, that Eddie breaks the silence again, replaying in his head the last moment between him and Steve. 

“He’s not gonna break,” he tells her, aiming for gentle and reassuring. 

What he doesn’t expect is the minute flinch, the jolt shooting through her body and the pained expression it leaves her with. What he doesn’t expect is what she says next. 

“You know,” she begins, her voice as far away as her eyes, and it’s like she doesn’t even know she’s speaking. “Sometimes I wish he would.” 

What?

Eddie blinks, swallowing hard.

“Just for, just for a break. Just so he can rest. Let the rest take over for a while.” 

That… He doesn’t— What the hell does that even mean? 

“Like maybe then the world would… snap back.” She snaps her fingers, just once. This time it’s Eddie who flinches. “And everything bad would disappear. But it won’t. And he won’t.” She swallows. Then quietly, almost inaudible, “He won’t break.” 

And the way she says it… It was reassuring before. And now it feels like a burden. A curse. 

Who the fuck are you, Steve Harrington? And you, Robin Buckley. 

Eddie shudders, knowing he doesn’t want the answer to that anymore. He doesn’t want the questions either. So he buries his face in his hands, closes his eyes, and breathes. The adrenaline has worn off by now, the repeated panicking that added fuse to the fire has ceased now, leaving him worn out and strung out, tired and exhausted. He pulls up the hood, burrowing into the warmth. 

And then he stills. His usually twitching, fumbling, fiddling body falling entirely still beside Buckley. 

It’s like time stops for a while there, even though Eddie knows that it’s dragging ever on and on. He’s inclined to let it, though. He’s too tired, too exhausted to really care about what time may or may not be doing. 

“Why’d you call me?” 

It takes a while for Eddie to realise that Robin’s spoken again, asked him a question out loud, the cadence of it different to the endless circles of questions Eddie’s got stuck in his head since the early afternoon tinged in blue against crimson. 

He lifts his head, tucking his hands underneath his chin, and looks over at Buckley. Her hair is dishevelled now, her mascara smudged and crusty. Her lipstick is almost all gone, with the way he sees her biting and chewing on her lips. 

“I… It seemed like the right thing to do, y’know? He kept repeating your number. In the car, it was like… Sounds dramatic, but it was like his lifeline, almost. Repeated it so often it kinda got stuck.” He shrugs. “Seemed important, too.”

Robin frowns; a careful little thing. “How’d you know it was me?”

“Well, he just talked about you. Y’know. Tell me about your favourite person, I told him, because that’s the thing you gotta do to keep people, like, talking to you. Not shit about what day it is, or what. Just, y’know. Let them talk about things they like. Things they’ll wanna tell you about. ’N’ he talked about you.” 

She’s quiet for a while, letting his words sink in. And Eddie wonders if she knew. That she’s his favourite person. If he ever told her. If maybe he took that from him now. It’s a stupid thing to worry about, really; the boy was bloodied and bruised on his couch just an hour ago, there are worse things at hand for Eddie to worry about. But now he wonders if he just spilled some sort of secret. Some sort of love confession. 

“Did you, I mean… Are you guys, like, dating? Did I just steal his moment?” 

Robin huffs, but it’s more like a smile that needs a little more space in the room, a little more air to really bloom. It’s fond. She shakes her head, her eyes far away again, but closer somehow. 

“Nah,” she says, and the smile is in her voice, too. Eddie kind of likes her voice like that. “We’re platonic. Which is something I’d never thought I’d say. Not about Steve Harrington, y’know?” 

And the way she drags out his name… Eddie can relate. Like it means something, but like what it means is nowhere close to reality. Nowhere close to what it really means. Nowhere close to Blue. 

Robin sighs, the sound more gentle than it should be, and leans her head against the cabinet behind her. “We worked together over summer break. Scoops Ahoy.” Her voice does a funny thing, and her eyes glaze over as she pauses. Eddie waits, his lips tipped up into a little smile, too; to match hers. 

“What, the ice cream parlour?” 

Robin hums, her smile widening at what Eddie guesses must be memories of chaos and ridiculousness. “I wanted to hate him,” she continues. “But try as I might, he wouldn’t let me. Or, he did. He did let me. Just, it turns out, there’s no use hating Steve Harrington, not when he’s so… So endlessly genuine. There’s nothing to hate, y’know? And then he…” 

She stops, her mouth clicking shut as her eyes tear up a little. The Starcourt fire. Eddie remembers the news, remembers the self-satisfied smirk when he’d heard about it, remembers sticking it to the Man and to capitalism and to the idea of malls over supporting your friendly neighbourhood businesses. 

Guilt and shame overcome him as he realises that they must have been in there when it happened. 

“He saved your life?” 

Robin’s eyes snap toward him, wide and caught, and Eddie raises his hands in placation. 

“In the fire? Were you there?” 

“Y—yeah.” She swallows hard, avoiding his eyes. “The fire. He saved me. Yeah.” 

Eddie nods, deciding to drop that topic right there; to lay it on the ground as gently as he can and cover it with bright red colours so he never steps on it ever again. 

“He must be your favourite person, too, then, hm?” he steers the conversation back away into safer waters. 

“He is,” she says, sure and genuine and true. “It’s just. I don’t think I’ve ever been anyone’s favourite. He has a lot of people who care about him, you know? A lot of people he cares about. Even more numbers memorised in that stupidly smart head of his.” She huffs again, burrowing deeper into Eddie’s hoodie, pulling the sleeves over her hands some more. “It’s stupid, to be so hung up on this. Is it stupid?” 

“I don’t think it is,” Eddie says, scooting a little closer to Robin. “Like, I don’t even know that boy, right? But even I know that he’s got some ways to shift your focus or something. Give you a silver lining, or something to take the pain away even when he’s the one who… I don’t know, that’s probably stupid, too.” 

“Nah,” Robin says, scooting closer to him, too, until their sides are pressed together and she can lay her head on his shoulder. “It’s not stupid. You’re right; that’s Steve for you. ’S just who he is.” 

It is, isn’t it? 

You’re so blue, Stevie. 

She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.

Blue. ‘S nice. 

Yeah. Yeah, he is. 

Eddie lets his thoughts roam the endless possibilities and realities that is Steve Harrington, the depths he hides — or won’t hide, maybe, if you know how to ask. Where to look. 

Maybe he’ll find out, one of these days. Not about the terrible things that leave him scared of the hospital, not about the horrible things that have him speaking of death and dying like he’s accepted them as a possibility a long time ago. 

He swallows hard and shakes off these thoughts, because things like that just. They don’t happen. They don’t happen to blue-smiled boys who trust you to be kind even when they’re beaten straight to hell. And they sure as hell don’t happen when uncle Wayne’s around. 

Nothing bad has ever happened when uncle Wayne was around. 

And he wants to tell Robin, wants to make that promise. But part of him can’t bear the thought of being wrong. So he keeps his mouth shut and just sits with her, their heads as heavy as their hearts as they wait. 

The sun is long gone when the phone above him rings again, spooking and startling them out of their timeless existence. 

“Yeah?” he answers, his heart hammering in his chest. “Wayne?” 

“Hey, Ed,” Wayne’s voice comes through the phone like a melody. Calm and steady. Robin is scooting closer, and Eddie shifts the phone to accommodate her so they can both listen. Somehow, they ended up holding hands — and holding on hard. “We’re coming home now.” 

🤍🌷 tagging:

@theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 @annabanannabeth @deany-baby @mc-i-r @mugloversonly @viridianphtalo @nightmareglitter @jamieweasley13 @copingmechanizm @marklee-blackmore @sirsnacksalot @justrandomfandomstm @hairdryerducks @silenzioperso @newtstabber @fantrash @zaddipax @cometsandstardust @rowanshadow26 @limpingpenguin @finntheehumaneater @extra-transitional (sorry if i missed anyone! lmk if you don't wanna be tagged for part 4 🫶)

[wherethemothsgrow]

Kevin is stronger than me. If my celeb crush and my ex situationship fell in love and it was my fault, I’d crash tf out

[pedropcl]

OLIVER STARK as EVAN 'BUCK' BUCKLEY

9-1-1 | S08E06: Confessions

[collectingavenuesmwue]

I’d grow a beard and join a fighting pit if I lost a baddie like Viktor or Caitlyn

[russellsblvd]

britney spears now has 39 years of fumbling and being fumbled under her star studded belt

[what-have-i-unleashed]

orion is failboy bisexual disaster because he fumbles both d-16 AND elita.

[klanced]

“Keith is not a tsundere he just sucks” you know and understand more than a simple mortal mind could ever dream

i feel like a quintessential part of understanding keith's character is realizing that he is generally okay at socializing with people (he just doesn't like dealing with strangers), but there is something very specific about lance that makes keith fumble every single interaction they have

[chasiufan]

Some ssilky doodles that I slapped color on I have not been drawing -_+..

[evilkaeya]

HOSHIKAWA VERLAINE

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[socks-nb]

Thinking about McGucket hours. Bro left his wife and kid for this man and Ford still chose the nightmare demon from hell over him

Fiddleford’s crash out was deserved tbh. If I was put second place to evil trigonometry by the guy I wrecked my life for I’d start a cult to

[charbroiledchicken]

jayce @ viktor and salo right now

[sugurugayto]

suddenly i get why satoru was acting like that