#he deserves so much better than he gets

[heretherebedork]

What a precious boy.

I could cry for him.

[thstarsofsilver]

do you kNOW how close i was to crying when i read this

i love steve so, so much and this is the essence of his character which so often gets overlooked by (mostly mcu) fans

i don’t think it receives enough emphasis that this, here, his infallible goodness and his purity of the heart, and the fact he always just wants to help people and do what is right and kind and good, that is what makes him a worthy hero.

so what ur telling me, is that steven grant rogers, can remember in perfect detail, the look on james buchanan barnes’ face when he fell screaming from that train, and also the look on james buchanan barnes’ face 70 years later when they met on that highway and didn’t even know his own name or who steve was?

cool. cool cool cool cool. thanks, i hate it.

[sebille]

Oh the little change in his expression

[starry-bi-sky]

The first time disciple Shen Yuan/Shen Qingqiu meets Liu Qingge, it is during a Bai Zhan peak raid. And what ends up happening is that Shen Qingqiu gets kicked in the jaw with such force he feels his teeth clack together unpleasantly. And frustrated with his situation, the system, and quite frankly a ton of other little things that have been building up over the course of the last few weeks, he feels something snap in the back of his mind like that of a rubber band after being stretched too far.

What ends up happening is that Shen Qingqiu turns and locks onto the very first figure he can see that is dressed in grey-and-white like a homing missile, and then with the force of a twin-tailed mountain tiger, lunges towards said figure with an equally menacing snarl.

He ends up taking the Bai Zhan peak disciple by utter surprise, and they both collide into the ground in a tangle of angry yelling and limbs. What ends up happening is that Liu Qingge gets the subsequent wind knocked out of him and pinned into the dirt by a Qing Jing peak disciple who is filled with the might and fury of a scholar having their peaceful afternoon interrupted and a once-grown-man re-experiencing puberty.

It is with that might and fury that Liu Qingge meets the wild, frenzied eyes of Shen Qingqiu, with his lips pulled back into a truly ferocious scowl. Shen Qingqiu hisses out, with such force it makes his voice rasp, as if he might as well sink his teeth into Liu Qingge's throat and rip it out; "Get the fuck off my mountain."

Liu Qingge is so shocked by -- well, quite a many things, but most importantly the fact that he has been pinned, and the way the sun is bouncing off this boy's face, -- that his brain needs five seconds to reboot. It's five seconds too long, because by the time he registers what just happened, Shen Yuan has clambered off him and disappeared. Gone and thrown himself into the closest dust cloud scuffling in order to unleash the rest of his fury on the other Bai Zhan Peak kids.

Qing Jing Peak experiences an unfortunate uptick in Bai Zhan disciple visits -- specifically of the Liu Qingge variety. Specifically Liu Qingge, actually. Who very much wants to find the boy that managed to get one over on him and demand a rematch. (Or maybe kiss him.)

[toastysol]

Thinking about how, between him and V, Jackie is by far the more personable of the two. He oozes such easy charisma that it's really hard to actually hate him. He's the one with connections all over Night City. V's best friend who always knows a guy. He hooks V up with whoever they could possibly need. Everyone who's ever met him either loves him, or has great respect for him.

And yet. Despite the number of people he knows and who know him, after he dies, V is the one they remember. "Didn't you have someone with you?" Sandra asks. "You did well, V. You and that... friend of yours." Wakako states. Jackie is the one who got them that job. Or at least that's what the prologue sequence led me to believe. V asks him if Wakako had any tips for the Sandra case. Therefore, Jackie was the one who got them hired. I cant tell if Wakako forgot his name on purpose cause she didn't like him/care enough or genuinely doesn't remember. I know Sandra has good reason not to. She was unconscious.

It's just gut wrenching to me. Jackie put in all this work, prolly called in so many favors, to help V get to where they needed to be, and in the end, no one knows his name. He went out with a bang and didn't even get a footnote. Of course, V can change that after the game if they want I would guess. Use their prestige and respect to spread the word about the bestest friend they ever had in nc. He does get his own drink at the Afterlife, but does anyone know who they're drinking? How colorful and full of life he was? Do they know how he died? What he did?

And I mean, his name seemed to be at least somewhat well-known in the valentinos. But that means about jack squat in the merc world. He was supposed to be a legend, but all he ended up as was a ghost.

What makes this worse in my canon, is that the "Major Leagues" was never even V's dream. It always belonged to Jack. When he chases it, he does so in Jackie's place. For him. Not for V. Sometimes he wishes it were Jackie's name he was using, just so someone would hear it and be filled with hope for the future. Just like Jackie was with Morgan Blackhand, Andrew Weyland, and Adam Smasher. He carries Jackie's ghost on his back, every rung of the ladder, and no one even sees it.

[ganondoodle]

( elden ring dlc spoilers )

(sort of personal rambling post about my feelings about it, not looking for lore discussions)

its so obvious to me that base game radahn and dlc radahn are two entirely different entities really

one is a nigh mindless mess of what remains of a respected and once, and still in a way, very powerful general, like a tragic memory of what once was, even in this zombie like condition you can get an idea of who he was, even if only a little bit, the way he fights in synch with leonard for example

the other a recreation of him but like it was made by someone who didnt know him at all, shallow and surface level, either unintentionally so bc he really didnt know him well (and didnt care to get to know him) or intentionally made into somethign that fit miquellas IDEA of him, who he wanted but not who he really was, it shares name and design traits, to some degree fighting style, but it lacks "him", he has no voice, no shift in expression, he does whatever miquella wants, a perfectly obedient, silent, animated statue (even more obvious in second phase ...)

i mentioned it in a previous post but even his changed designed feels strangely off, basic elements are there (red hair, yellow eyes, golden lion theme) but it lacks cohesion (imo), like an action figure not a real person, its shiny and cool looking but doesnt make sense for him, he even has the sixpack armor thing, and overall a roman aesthetic to him, mulitple braids in his hair (a trait of miquella), useless swords hang around his waist, arms exposed, overall incredibly thin compared to base game radahn (be it just the armor or not), like designed by someone who has no or little idea of how swordfight works, almost .. childishly cliché

and yes, the fact that leonard is entirely missing is significant in my eyes, he is very important to radahn, its one of the few things we actually know about the real radahn, but miquella probably either didnt know or doesnt care, he doesnt care about leonard, of course he isnt here

"promised consort", promised by who to whom? if miquella, perfect little miquella, says it is promised to him, it has to be true and good and no one would would dare suggest hed lie (i dont think radahn would like that title either, ...like even his title in the end isnt about who he really is)

its all about what miquella wants, his perspective is told to you over and over- what radahn wants, his perspective, what he believes in doesnt matter, radahn doesnt matter, the only thing that matters is how he can serve miquella, how this idealized, silent puppet that is nothing of himself apart from basic design traits and name obeys miquella

by rot or by miquella, just a mindless toy whenever you see him

and it just makes me sad and angry ......... its tragic but so much so that it borders on cruelty for crueltys sake, it was never about radahn :(

[elvisqueso]

"Our warriors fought with courage, but none as bravely as Kocoum."

Pocahontas (1995)

long, rambling meta under the cut:

you know i've taken some light dips into the tags looking for content on kocoum and i never see anyone going into depth about him as a character. sure you see the posts that are all "omg he was so hot pocahontas should have picked him instead :p" but that has little to do with his character or his place in the narrative or anything. in fact, it's a further objectification of a guy who is already dehumanized in-narrative, which is so very sad to me. kocoum is a lot more than his looks, which is why they're the first thing about him you're meant to notice. he's handsome, and he doesn't smile. he's a warrior and a stoic kinda guy. but that's all surface-level stuff. he's a very complex person with an intense internal turmoil that circumstances aren't allowing him to deal with properly.

like, you really can't come to an understanding about his character and go on to say "and he should have been with pocahontas" bc the fundamental aspect of their relationship as characters is that they would have been terrible for each other. you could feasibly make an argument that, on some level, kocoum would have been good for pocahontas (the "handsome, sturdy husband" who could ground her), but there is no way in any universe that pocahontas would have been good for him, bc the one who actually needed and wanted a steady, reliable partner is kocoum and pocahontas is the opposite of that (which is one of the reasons she and john smith kind of deserved each other but that's a whole other post).

see, kocoum is like a hemingway protagonist. remember, at the start of the movie, everyone is returning from war; it's important to note how much emphasis the movie places on family as a representation of "the ordinary world." the same is done with the virginia company members at the top of the film. there, they say goodbye to their normal lives and start an adventure. here, the powhatan warriors are returning to theirs. but who does kocoum, the celebrated warrior, have to return to?

kocoum doesn't have a normal life yet. he still belongs to the battle. there's a lot to be said about PTSD as a character motif in this film: it affects a lot of the major characters in different ways. for kocoum, it means he's not allowed to depart from his wartime mindset until and unless he can start a family of his own, and for that he pins his hopes on pocahontas. why exactly he likes her goes unsaid; it's implied they aren't particularly close, but may be familiar with each other. pocahontas being the chief's daughter may be an element, but it may also be that he's harbored an admiration for her from afar for some time. whatever the reason, kocoum has a misplaced idea that being with pocahontas will bring him peace. like a hemingway protagonist, he's taken up with the notion that being with a woman, an angel, will fix him; but the woman he wants is neither interested in doing so nor able to do so, whether or not she cares for him.

and this is why his outburst of emotion when he finds pocahontas and john in the glade is so understandable. he's watching his hopes for the future being ripped apart before his eyes. he'll never get peace, and that breaks him and then kills him.

and when i say he's dehumanized, i'm talking about the way characters talk about him and then how he dies. he's fierce, like a bear. he's handsome, but doesn't smile. he's a tool, an obstacle, and ultimately fodder for both pocahontas's and thomas's character development (mostly thomas's). there's something to be said about how both kocoum and his foil john smith are objectified so differently. where john is the subject of pocahontas's female gaze, kocoum is also objectified through a masculine one (the tension-filled lens that marries fear and admiration for athletic, warrior men and rivals). and then, again, he gets 'fridged for plot reasons because he's also the paris to pocahontas's juliet.

basically what i'm saying is kocoum really needed someone to take care of him, and no one did nor could. and that's why he's so tragic and tbh deserves better treatment by the fans, too.

[y-rhywbeth2]

Wyll is the only character I feel bad about turning down on playthroughs where I'm not doing his romance.

He makes that sad little 'oh' noise and I die inside.

And then he apologises for making you feel uncomfortable so I can feel terrible again. I can hug Astarion and Karlach, but where is my option to hug him? Unless it's been added in which case I retract my statement.

[pushing500]

We built a marble sarcophagus for Brandy beside where the toxic wastepacks get stored. It's a lovely little spot, perfect for nostalgic reflections and a nice private cry.

Speaking of crying... Brandy liked to follow Mechi around while he did jobs, so I imagine he feels her loss a bit more strongly than he might have otherwise. We need a way to vent all this pent-up grief! Fortunately, Kwahu knows just how to get one...

A second diabolus is just what the doctor ordered! We need another signal chip anyway so that we can make the boys cool matching mechanitor gear.

A healthy way to vent emotions, I'm sure. Brandy would be so proud of us. Rest in peace, best girl 💔

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[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[galaxostars]

Do you guys remember the first time you read/watched Harry Potter and thought Snape was responsible for everything only to be hit in the stomach when you found out alongside the characters it was Quirrell all along?

Do you remember reading about Sirius Black escaping jail and wanting to murder Harry and do you remember being ready to throw hands at him? And then do you remember that sinking feeling when you realized he’d been wrongfully imprisoned for twelve years and was painted as the guilty one when it was Peter all along?

Do you remember hearing about the death eater Regulus Black, following in Voldemorts’ footsteps only to be hit with the crushing truth later, that he’d betrayed him and died doing so and no one knew about it and you had, yet again, judged him too harshly?

Do you remember hating Draco and progressively coming to understand the circumstances that led him to that?

Do you remember loving Dumbledore and realizing suddenly how badly he wronged Harry?

Do you ever think about those moments, and how we all judged those characters and fell into the easy trap? Time and time again? How easy it was to gulp down one version and not realize how biased it was?

I feel like if there’s one thing those books taught me it was to never get along with one version of a story. You can’t hear one side and admit it’s the final truth. You can’t judge someone through one lens and not admit it’s skewed. You can’t erase circumstances. You can’t shut out the other side of a story because one is sufficient for you.

If you want to crucify someone for something they did, remember all those times you were ready to crucify Snape, Sirius, Regulus, Draco and so on.

I��m not against holding people accountable for their actions, but I don’t want to get that sinking feeling of guilt that I had with characters on real human beings. And it is inhuman to hold one thing against someone’s head forever—especially when you don’t know the whole story.

We all make mistakes, we all fuck up, and we also, all have our own truth. And we’re also all capable of empathy towards others. 🖤

God knows I hate jkr with a passion but fuck if I love the message that was spread through those arcs.

[m0thlegs]

maybe the real Viktor arcane season 2 character arc were the friends we made along the way

[pimento-playing-hopscotch]

I love this show and it means a lot to me,

and I feel disappointed and a little bit misled tbh by the choices they have made-

These are two thoughts that can coexist btw

[adimouze]

i hope daniel starts racing in some other series next year, i still want to support him as an athlete yk

same nonny! i keep thinking it's alright but now I'm like. that's it. that's truly it. this is the end of daniel's story for f1. i'm glad he's enjoying retirement and im glad he's living out his fratboy dirtbag dreams but. i miss cheering for him. hatewatching isn't fun if there isn't anyone to cheer for. the sport will move on. eventually everyone else will move on. even daniel.

and i will keep missing him forever. it will always just hurt. forever.

[phoenixcatch7]

Just finished oracle of ages!!! Good game, good game. I have Thoughts.

I actually really enjoyed the story and characters! I figured going into the oracle games that it'd be a simple, cliché story, not much nuance or depth, and with Seasons that's basically what I got: din gets fridged in a crystal at the start of the game -> go get her -> you need a set of maguffins to do so -> fight big monster.

Admittedly it was the first game, which meant less story, but even if I hadn't linked (heh) the games for extra end game content Ages just did so much more.

Unlike din, naryu has someone else willing to help her. Ralph (the twinkiest twink to ever twink) was a young man who was her devoted friend (there was a weird crush triangle thing going on with him, Link and naryu, I always felt like I was missing subtext) and, spoilers for a 20yo game?? I guess?

He was the dethroned descendant of the ancient queen Ami. His family definitely still have big money though. He was pretty clearly supposed to be a comic relief character with a twist, but I ended up really liking him! He was over enthusiastic and over confident, but not unintelligent, a decent swordsman (I think) who was incredibly loyal to his friends and held some deep rooted responsibility for the people his family used to rule. Kind, determined, good with kids and people in general, he was terrified but willing to sacrifice his very existence to save the people.

The world building was also great! I don't think I've ever played a zelda game without gorons, but hylians were in short supply. To be expected outside of hyrule, I guess? Anyway, there were also lizard people on an island (tokay!) whose entire deal was.. A bit outdated? Rude, brazen and aggressive to outsiders, they lived in crude huts, worshipped things they didn't quite understand and were generally the old Hollywood stereotype of an isolated jungle tribe.

There was also, like, zora racism? There's a zora village underwater, and one of them was like 'us sea zora are nothing like those river zora 😒' which handily solved both my question of if the river/ocean zora divide was canon or fanon and the relationships between the two. Are they even the same species?? It just makes the rito even weirder but hey lmao. In all honesty I was pretty sick of the river zora at that point too, I swear there were two of them popping up in every screen that had even a sliver of water deeper than the knees and they CONSTANTLY shot fireballs istg they were such a pain. They were literally everywhere and so hard to kill.

On the plus side mermaid suit ^u^!! A dungeon item (the mermaids cave), the item had a desc like 'the skin of the mythical beast' which raised SO many more questions than it answered. The zora were delighted to see a young mermaid! The use of 'maid' implied either a) the zora all thought link was a girl and he didn't correct them (eyo genderqueer androgeny) b) the zora don't subscribe to gender the way humans do (eyo genderqueer androgeny) or c) all fish people look like mermaids regardless of their specific gender (eyo genderqueer androgeny). It literally could have been all three who knows. Maybe one day we'll actually meet a mermaid in zelda.

Also, there's a mini game in Seasons, which I played first, the subrosian dance. It's a pretty popular part of their culture, it's got music, it's got professional dancers. In Ages, you find the gorons doing the exact same dance! Rosa, a subrosian performer you meet in Seasons, is also there, saying her people's dance is better (tbf it is), but if you go to the past you'll find the gorons actually invented the dance first, as part of their love of games and entertainment, and you can talk to two subrosians who are talking about bringing the dance home! It's so interesting to see little details like this, where the travelling subrosians visited their fellow cave dweller lava eating people centuries ago, brought it back home where it exploded in popularity and centuries later became refined as a whole folk dance with spinning and everything, with the people forgetting where it came from, where the gorons keep their dance exactly the same (having to do a rhythm game without rhythm is hard).

Actually, there was so much political fantasy drama going on in the past?? Like, you've got the childless queen taking care of her people, a budding village and a few more settlements across the kingdom. Early in her reign she tried to build a tower to act as a beacon to her fiancé lost at sea, which is a romance story all on its own, but it was cut short (maybe because of funding?). Centuries in the future, it's just ruins. You've got people living on an ACTIVE VOLCANO starting a symmetry cult around a artifact called 'tuni nut' which, presumably, stabilises the volcano? And it's entirely cut off from the outside world. The goron elder is crushed under rocks and their economy is failing. The zora king got poisoned and he's about to die without an heir because a witch turned the fairy queen into an octorock, but the man in charge of the only cure refuses to hand it over until someone passes his tests.

Most of it is solved relatively easily by link and a copious amount of time travel, but the thing with the ruling queen only gets worse. When the evil witch invades the kingdom, she possesses the oracle of ages, naryu (who's a little implied to be the Actual Creation Goddess Naryu reincarnated) and travels back to the past to bring about an age of despair in the present. She does this by slipping into the royal court and befriending the queen as a serving girl, rising up the ranks to become her closest advisor and corrupting her (pretty sure mind control magic is used a li'l). She convinces her to restart the black tower project, pouring all of her and the towns resources into it - forcibly conscripting every able bodied worker and working them to the bone, all while monsters start to circle the tower. With all the fear and resentment, it quickly becomes a beacon of dark energy, a perfect focal point to perform black magics.

Link (and Ralph) end up in the past and get hauled in front of the queen, with possessed naryu at her side, who basically jeers at them and ensures the queen won't listen to their untrustworthy lies. The townsfolk are getting increasingly stressed as their village fills with rubble and their men are worked to the point of collapse. Armed guards start to appear to keep the workers under control. Eventually, Ralph uncovers a hole in the guard rotation, and he and link sneak into the palace through a secret entrance Ralph oh so casually knows about. Link and naryu fight, but with stupendous timing the queen walks in to see naryu collapsed on the floor, Link standing over her with a sword. She calls for the guards, but before anyone can react, the witch, banished form her first vessel, leaps into the queen herself instead. Ralph shoves past the arriving guards and into naryus arms, while link moves in from of them. The queen orders the guards to attack, but naryu, reawakened, pulls them back to the present in the nick of time. In the present, the black tower is magically growing, reaching higher and higher into the sky, terrifying the people of the city.

Then! Ralph, who at this point is suspiciously invested now his actual goal is completed and naryu is safe, vows to go back into time again, away from naryu, to live under the now evil queen and bring protection and comfort to the villagers as a direct act of resistance, because the witch is feeding on their sorrow to power an unknown ritual (link knows. Link, canonically, has told nobody). So this teen in fancy robes and cape goes back to the oppressed, poverty stricken town under the thumb if someone who wants him dead and lives there for weeks if not months dedicating himself to supporting the village and bringing people's hopes and spirits back up, presumably while living out of someone else's wooden hut. In the middle of a literal depression inducing miasma that's sapping everyone's joy and will to live.

That just. Takes insane strength of character. That's a feat of pure, distilled, compassion as anarchy.

Link's off bouncing between past and present doing dungeons and solving easier issues through either sword or magic item, but Ralph is out here doing the long hard slog for little reward.

Link finally returns to the black tower completed, affecting even the people of the present, and, preparations complete, rushes to the past. Ralph is nowhere be seen. Talking to the villagers reveals several have a crush on him, but an old man saw him running for the tower, sword drawn. There's a man pacing by the entrance, who saw the kid run in, tried to stop him. He said Ralph said that he no longer cared what happened to him. That the man realised that Ralph had quietly succumbed to the same curse of despair they all were under. Link fights his way up to the top of the tower, where Ralph confronts the evil queen, sword at her heart, but every step she takes into it, he steps back. The witch laughs. She asks him if he's really willing to write himself out of existence - being the queens descendant, and all. Ralph leaps back, into links chest. He's shaking and stuttering, but he lunges, and is knocked out in one blow. The queen now asks link the same question: is he willing to erase Ralph? If he strikes her, kills her, the queen will die, childless, and he will never live. She leaves, and link rushes to Ralph. He's awake but unresponsive, defeated. With a heavy heart, Link leaves him to chase the queen. It's naryu who finds him, brings him out of the tower.

When the witch is defeated, the curse is lifted, and Ralph is once more energetic and kind. He's a little quieter now, though, sticking close to naryu. For all he was a loud and headstrong kid, I gotta say I was very impressed.

He would have made a good king.

[theswedishpajas]

The man truly can’t take a genuine compliment 🙄