#he can see her life signs

[horsechestnut]

At some point they just gave up on the idea that Geordi doesn’t see the same way a normal human does. Which is a shame, it was interesting.

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[dykedvonte]

I think it says something that Jimmy absolutely destroyed the crew and ship in half the time Curly was captain. Like he couldn’t even get them past 2 full months before breaking down.

Like he really couldn’t be half the man he thought Curly was.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[doesnotloveyou]

"why is my fave actor still in a dumb franchise 😢" there's this lil important thing called CONTRACT LAW where, if you are 22 and you sign up to do say 11 movies in a franchise (*cough* Sebastian Stan), but the contract doesn't say when those movies will release....you could still be stuck in that franchise into your 50's

"oh, they really love the franchise that's why they're still in it 🤡" could be, or could be they signed their life away to it and have little choice. if they rely on the franchise for their income---a number which can go up or down---they better not talk trash

"why would such a good actor pick such a stinker film???"

they read an amazing script, signed up to be in the film, but NO LAW says the studio cannot completely change the script, their character, and everything else about the movie after they've signed

they heard that an actor/director they like will be in it, or were directly asked to join by someone on the project they respect

they genuinely need the paycheck (which CAN be protected by law) the same way other people work at McDonald's

they wanted to try something new (some actors do get bored, guys)

they prefer indies where the managers are dedicated to the craft not the box office lottery

shockingly, their every move is NOT dictated by strangers on the internet, aka fans

[tavysboy]

okay 141 as wardens but what if soap became a warden similar to carver/bethany in where during a fight with darkspawn in the deep roads or even in defense of his home village he ended up catching the blight and the only way to stay alive was to become a warden

[fragmentedblade]

No but even beyond the heathcliffean air of his story as a kid, Nelly scene and revenge fantasies included, and even beyond the identification of the self with the craft, the entire concept of Yingxing is so good.

The glimpse we get of the relationship he has with his master has so much potential. What it says about him, what it says about everyone around them, what it says about the kid.

The fact that already as a child Yingxing was vindictive, as he will be as Blade.

His self-consciousness about being a short life species, and how he is right to be self-conscious about it. How in such a short time, being so young, he's had to deal with enormous tragedy, so that he can even as a kid look the truth in the eye and admit it. Admit that he has to work harder, longer, more obsessively, and that still nonetheless there's little chance to get ever at the level of the long life species that look down on him and take him for granted. How he is able to overcome it.

It's incredible also in the context of Dan Feng. How both struggle with their identities and how they get new ones, but in totally opposite ways. Dan Feng is weighted down by what he is and what he can do, and wants to escape that fate, and dreams of a new life in which he can be something else; and Dan Heng is born. Yingxing takes pride in that which he can do, something he wasn't born into, something he had to work very hard to achieve, and that was the path to overcome the prejudices and undermining gazes he had to bear as a short life species. He crafts his place into the Xianzhou society and becomes the legendary Furnace Master. Even on a more personal level, one could argue this is his way of maneuvering his life, of expressing himself, this is how he deals with things; like his relationship with Jing Yuan having a turning point after giving him his weapon, or how he crafted that jade flask. And then he loses his ability to create and loses himself; he becomes Blade.

The fact that even as an adult, as an exceedingly arrogant craftsman, something of the shy self-conscious kid remains is both endearing and heartbreaking as well. In some ways we still see that in Blade.

We also see echoes of that personality in Mr. Xiao, who worked under him. And that alongside his craftsmanship, his ability to fix and create auromatons even though they are vanishing in the civilian landscape, live on through Mr. Xiao. And die alongside him, for Mr. Xiao too has become but a relic of another time.

The way the other stories of craftsmen enhance facets of Yingxing's is so good too. Mainly in the story of Master Ryan and Chengjie, with the insight we get of the struggles of short life species in the Xianzhou, especially those dedicated to a craft, and how hard it is for them to reach positions of prestige. It also poses the question of how we can transcend time, if it's possible at all, and how the sharing of knowledge, the passing down of skills, the shared loved, is one of the answers. This was all already significant before, but the information gains weight with the existence of Mr. Xiao. I'd argue there's echoes of Yingxing even in Master Gongshu. His love for his automatons, his sincere fondness for them, his pride on his job, his loyalty to his position and duties, the way he is both hard and stern as well as loving with his apprentices, and how he talks about short life species.

On a sort of ontological way, it's very interesting to see how Yingxing goes from craftsman to tool or weapon, from creator to creation, from subject to object. The potential in the context of Abundance/Destruction is also extremely intriguing, I think. He who created is unmade by a curse of Abundance. He who forged weapons now follows that path of destruction. There's so much going on with Yingxing conceptually around the cycles of death and rebirth, destruction and creation; it's so fitting that now Blade is stuck in such a cycle in the most literal way.

And it's so fitting too that, in all this context, given Yingxing's entire story, Blade's entire being, that which he made unmade him. That which he created and gave him so much pride was the weapon that killed him. And now he wields it himself, his tool of revenge while he follows the path to eternal and irrevocable death.

[shekeepsmeworms]

Had some wine feeling good made a really shitty bowl in ceramics class this morning that I’m really worried has a bunch of air holes in it and had a really crappy therapy session where I didn’t talk too much but was honest about some other stuff which is good overall I guess but now I’m doing drunk crochet and watching the Duggar family documentary and probably going to stop watching soon once they start talking about the awful stuff but yeah day in the life of a woman doing her best I guess

[designernishiki]

I think I’ve said this before on here but. it really baffles and somewhat annoys me sometimes how people hear that a character is in their 40s-50s and immediately assume they should be weak or feeble or less attractive than they are. like. no. i think everyones just been brainwashed to think that attractiveness/health/worth is determined by how young someone is. why is it more understandable to view a teenager as more attractive and capable than a fit 40-50-something year old. kinda wack

[thursdayg1rl]

killing myself in front of the houses of parliament to change their life tragectories forever. and then maybe they will consider trying to make life easier for people in abusive situations

[orcelito]

Oh yeah I finished scene 1 of libero a due (chapter 2) today, with 2.2k words. I'm hoping this is a good sign.

[fazcinatingblog]

page 364 and the main character's mum becomes a Sophia

[tonycries]

The Heir - G.S.

Synopsis. No, your clan leader husband won’t stop until he gives you an heir. No, you don’t think you’ll make it out alive.

Pairing. Gojo Satoru x Reader

Content. MDNI, fem! reader, clan leader! Gojo, established relationship, he’s cray-cray (for you), bréeding - like a LOT, oral (fem receiving), unprotected, creampíe, marathon, séx, running from it, use of “my wife”, overstim, FÉRAL Satoru, absolutely heinous, mentions of kníves and bIood, pet names, swearing.

Word count. 5.3k

A/N. Guess what ya girlie is back with clan leader Gojo hehe.

An heir to the Gojo clan - no matter how small, how weak - could eradicate all three of the big clans before even being born. Much like their father. 

You knew that. Satoru knew that. And, unfortunately for him, so did the stuck-up old toad currently sputtering across from him. 

“I am not asking for permission.” Satoru smiles, deathly calm. “Simply that everyone vacates the Estate. After all, what the madam wants, the madam shall get.”

“But- but young master! It’s madness- An heir can tip the scales of power like never before!” The elder lunges frantically over the meeting room table. “I cannot allow- a-and considering the madam’s lowly lineage-”

Schwing!

They say that the infamous young head of the Gojo clan has a katana as hauntingly beautiful as he is - a blade of pure white, with a sapphire hilt. Though, there wasn’t anyone left to tell the tale - and Satoru wasn’t about to let that change anytime soon. 

The long, deceptively delicate sword glints sharply against Satoru’s humorless grin, and those cold, cold eyes. Unblinking - crazed, as he hums, “What did you say about my wife?”

The man in front of him can do nothing but yelp in fear, “I- it could- the scale of ah-”

“No.” The freezing cold blade presses deeper against skin. And Satoru’s tutting, “Try again.”

“Th-the madam!” Pathetic tears stain those expensive tatami mats below, every shred of previous ego wiped away as the elder’s forced to echo his words. “It is no lie that her b-background is…unsuitable-”

Oh this was why Satoru hated these meetings - and for once in his life he’d been the one to summon it instead of being forced to attend. What a joke. If only this elder had agreed to vacate everyone in the Estate like he’d wanted, then none of this would’ve happened. Seriously, how hard was it to get some alone time with you? 

Satoru sighs, blue yukata rustling as he grips the hilt tighter. “Do you know why you’re here, advisor? Why any of you little council of elders are still here?” And he doesn’t wait for an answer - couldn’t care less about it anyway. Plowing on in that same sweet, dangerous tone - as if scolding a stubborn child, “My lovely wife is kind, you see. Too kind. Doesn’t like for me to get my hands dirty.”

He lets his arm retract slightly, as if giving up on the conversation topic at hand. And oh for all his wisdom, the elder should’ve known better than to let the silence lull into one of safety. Should’ve known better than to let out a breath of relief. Relaxing - ever-so-slightly, to be stupid enough to mutter, “S-see young master. I told- you-”

Because this was Gojo Satoru, and he’s chuckling - and that was never a good sign for anyone but you. “She’d make such a perfect mother, don’t you think?”

---

SLAM!

You startle - there was only ever one person that dared to kick open the doors of the Gojo Estate that way, like he was out for blood.

Eyes tearing from your window towards the now-splintered doorway and-

Oh. Oh shit. 

Your voice dies in your throat as the metallic tang of blood hits your nose - followed very shortly by the realization that this was your husband. Towering figure leaning against the frame, gaze frantic - bouncing off everywhere but you, fingers twitching on the stained handle of his katana, looking for all the world like he’d seen a ghost. 

What the fuck happened?

“Satoru?” you breathe. And the sound of your voice his eyes finally snap to you - widening, like he’d finally noticed your figure standing there. Like he was seeing you after a thousand years. Stepping forward in concern, “Are you o-”

You’ve barely made it two steps before Satoru’s closing the distance in a split-second, dropping to his knees before you with a harsh thump!

You wince at the sound, but if it hurt then he doesn’t show it. Anything but - in fact, looking more blissed out than you’ve ever seen him as he lets his prized katana clatter to the floor, looping two powerful arms around your waist.

And it’s times like this - when he nuzzles his cheek against your stomach, sighing in contentment - that you forget about those blossoming stains of red on his yukata. None of his, you bet. 

Threading your fingers through his soft hair, you repeat, “Are you okay, Toru?”

And oh. 

Oh, it only takes those words - and your sweet sweet voice - before Satoru’s entire body jolts. Taking a sharp inhale, fingers trembling as they clutch onto the fabric of your yukata. “An heir.” Words strained, ragged. Some deep, visceral part of himself peaking up at you through those hazy, half-lidded eyes, “Would you give me an heir, my wife?”

You weren’t making it out alive. 

You’re gasping - partially because of his words, partially because that’s all it takes for him to yank you down. Sprawling you out like such a slut on the floor. “Wha- an heir?”

It’s not something you expected him to even consider - that sleepy, quiet little pillowtalk from earlier today where you’d mindlessly wondered out loud whether your husband was ready for kids. Hell, Satoru was never a morning person, so you didn’t expect him to even have heard the question let alone this. 

Nosing at your racing pulse, whispering, “An heir. You think I’d ever deny you, pretty?” Like he couldn’t believe it himself - sharp canines nipping at your neck, “My heir.”

It’s like it was the only thing he could say - could even think about right now as his lips burned a path down your jaw, into the valley of your breasts. Muffled, “N’ now we have the Estate all to ourselves, so I can ruin you as much as I hah- want.”

And for the second time today, you’re actually registering that this wasn’t the same yukata your husband had kissed senseless in before the meeting. Or, at least, those patches of red were new.

“Satoru…” You pull his face back.

“No- no no please- Come back-” you squeal when he just drags you across the floor by the hips, pressing you up against that massive bulge, back to sloppily kissing the underside of your jaw. “Was jus’ one I swear- m’sorry about gettin’ the fabric dirty.”

“Satoru.”

“Wasn’t gonna break you where everyone could hear right?” 

And fuck he doesn’t wait to hear a response, no - it’s been far too long, and every little scold from you has all the blood in Satoru’s body rushing to his aching cock. His lips are crashing onto yours, so desperate and needy. 

“Sa-toru!” you manage to squeal through the way he sips at your candied lips. Letting out pained, breathless little grunts like each swipe of his tongue against your mouth was driving him insane. 

“Shhh shhh, m’here m’here.” he pants into your open mouth, hands wandering everywhere. Cupping your ass, your breasts, nudging open your jaw to let him suck so filthily on your tongue. “Fuck- m’here.” He’s licking up the drool pooling at the corner of your mouth already, “N’ m’gonna ruin-” One hand makes its way to palm your clothed cunt, “-her.”

But, alas, no matter how many times Satoru’s done this before - it never gets any easier, or as less heavenly of a sight for him. 

With you all disheveled and splayed out for him, your tits almost spilling out of your yukata with the way his hands have been so greedy. So thoughtless. 

Satoru groans, dipping his head forward to peck messily at your lips. “Mmm- ” Pulling back just enough to mutter, “Gonna let me breed this pretty cunt, hm?” 

It’s all you can do to give him a half-delirious little nod of agreement, lower lip wobbling at just how hungrily he was looking at you. Eyes wide, lips curling into a crazed smile, fingers trembling with anticipation as he deftly works on untying your robe. 

“Is my wife gonna give me a pretty baby?” He gasps out, strangled. “An heir?” He presses a sloppy peck to your glossy lips, strings of spit snapping when he breaks apart to whisper. “One to take out all these dumb fucks?” Again, so dizzyingly. And again. “Oh how I’d love to see their fuckin’ faces.” And again and again and again. Kisses punctuated by that little mantra - “An heir. My heir. I need you to give me a baby, pretty.”

And then your yukata’s being pulled down your shoulders, the expensive fabric ripping down the side with the way he was so ravenous. Goosebumps prickling down your skin as fast as Satoru can get his hands on every inch of you.

“Oh, look at you.” his jaw falls slack, palms kneading at your soft breasts. “Fuck- the mother of my kids.” He rolls his thumb over your hardened nipples, rubbing lazy little circles, “I need to- fuck!” 

Before you know it he’s pinning your arching body down onto the floor. One hand easily pinning down both of yours, the other angling your lips back onto his, a knee wedged between your damp thighs. 

You whine at the feeling of Satoru’s thigh rubbing up against your drenched panties.

But he could barely hear - fuck, you didn’t even know if Satoru was breathing with the way he wraps his pretty pink lips around one of your pert nipples. Eyes rolling to the back of his head, cheeks hollowing as he sucks - harsh.

“Need to fill these up- s’gonna be so sweet. So full.” he’s blabbering into your tits, tongue rolling around your sensitive nipples. Incessant, like he was somehow trying to draw out milk. “I can only hope they hah- share, right?”

You buck your hips up, mewling as your throbbing clit catches on the dips and curves of the muscles on Satoru’s leg. “P-please, Toru. Don’t tease.”

And oh, when has he ever denied you? Hell, Satoru would burn down this entire world and himself if it meant giving his wife anything and everything. Especially the future mother of his kids. 

With a final, playful bite, you watch with glassy eyes at the way he dances his lips down. Slow. Teasing. Eyes locked with you all the while like some sort of predator cornering his prey. 

“And this-” Satoru stops halfway down, pressing a deep, sultry kiss onto your bare stomach, “Oh this. Gonna be so round n’ pretty. Absolutely glowing f’me, right? Fuck!” 

Snapping his head down at the feeling of your grinding your hips so sluttily onto his legs, slick seeping through your panties and onto his skin. 

“Oh.” he sighs, awe-struck. More to himself than you at this point, “You can kill me if you’re not with my heir by the time we’re done, pretty.”

A promise.

And with it went whatever was left of Satoru’s poor sanity - and whatever pathetic chance there was of you making it out of this alive. 

Immediately, Satoru fists your flimsy panties in his grasp. So see-through they were practically useless anyway. Reveling in your panicked little gaze as he pulls - rips them clean off your dripping cunt. 

“Oh god- There we go.” he moans, hooking two arms underneath your legs and pushing up, up, up - all the way until your knees were pressing up against your tits. Your lips wobble when Satoru takes the time to admire your pussy, breaths coming out in feverish little puffs to watch the way you glisten and clench at nothing. Licking his lips - salivating even - at the sight of your slick beading through your puffy folds. He runs a thumb along your sopping wet slit, “Better wish her good luck tonight.”

And, usually, your husband was refined - he teased and toyed with your poor cunt until you were begging to have an ounce of friction. But right now, it’s a wonder he doesn’t get whiplash with how fast he’s pushing his face into your pussy.

“Mm-” Satoru’s eyes roll to the back of his head as his tongue laps at your dripping wet cunt. Tipping his head back, back, back to let your sweet sweet juices slide down his throat. “Fuck that. Even luck won’t save you from me- hah-”

“Toru!” you arch off the cool floor as he cards the tip of his tongue between your puffy folds. From the base of your sloppy entrance, all the way up to your throbbing clit. “Hngh- s’too-”

He was going too fast too soon. 

You whine at the palm pushing your unstable hips flat onto the ground, holding you still while Satoru licks all over as he pleases. “Now now, how are ya gonna ngh- fuck so sweet- handle later if ya can’t even handle this, pretty?”

Sucking on your clit in such a messy, open-mouthed kiss. “Fuck. Shouldn’t have told me about an heir.” he’s murmuring into your cunt. Harsh - rolling his tongue against the sensitive nub in a way he knows will have you crying out so prettily. “Fuuuck you shouldn’t h- oh- Ohhh, look at you, my wife.”, breathing in deep, ragged gasps of air only to go deeper. “Fuck- just look at you. You’re so wet I could fuck you just like this.”

As if to prove his point, he’s urgently bullying the tip of his tongue between your plushy walls. And it was true - so pathetically true. You take him in so easily. 

Somehow, you manage to crack an eye open to spy downwards - only to be met with Satoru’s eyes already on yours. Hazy, curtained by his messy hair, swollen lips curving up to flash you such a devilish grin as he squeezes his tongue past that feeble, first ring of resistance. In and out in and out in and-

“Ohh. Squeezing me so fuckin’ tight.” His jaw grinds deeper, nose flush against your clit. “Ya like that idea? Like the thought of me p-painting ah- slutty pussy white already?”

Your embarrassed little whine isn’t enough of an answer for your husband. No, he’s pressing his fingers - all glossy and covered with a sheen of your slick - onto your pulsing clit. Just barely grazing in a way that has you crying out. 

Making out with your cunt so sloppily, “Tha’s more like it.” Heavy eyes boring into yours - goading, even, for you to give more of a reaction. “Fuck- use those words, pretty. Scream.” Satoru’s fucking into your sloppy hole the way he’s been dreaming to do with his rock-hard cock. “After all, we h-have the Estate all to ourselves, right?”

Faster. Sloppier. 

Pushing and pulling his tongue in a way that has you sobbing, “Yes! Please- wan’- ngh” Thighs squeezing around Satoru’s fervent head, “W-wan you to jus’ breed me, Toru-”

Oh.

Fuck, you might’ve just signed your will away at this point. 

Because in a split-second, you’re cumming. 

Shit, were you glad that there was no one in the house. Sobbing out a broken whine of his name, fingers white-knuckled on Satoru’s hair while you gush all over his pretty face. Just dragging your sloppy cunt all over his mouth - using him through your high. 

And he’s more than happy to be dragged and angled all you please. Greedily lapping up your syrupy sweet juices, just dipping his tongue into your hole to feel the way you clench around him. 

But it’s not long before Satoru’s pulling away. Swallowing a disappointed whine, you gape up at the absolutely feral man looming above you. 

Lips plump and glossy, your juices dripping all the way down his chin, his jaw. Teeth bared, a pretty pink blush dusting over those cheeks - and you have half the mind to wonder how high the kill count actually is. Whether you’d be on it, too. 

“Heh, kill count?” Satoru grins, teeth grazing so dangerously over your racing pulse. Shit, did you say that out loud? “Funny, real funny.” And with that, he’s thumbing apart your swollen folds, biting his lips at the sight of your quivering hole. “Wonder if our- hah- kid’s gonna have your-” Without warning, he spits. Once. Twice. Gliding the pads of his fingers along the thick globs of spit on your cunt, “-humor?”

And oh how ironic it was for Satoru to be groaning out sweet little spiels of what your kids might look like, when his fingers were anything but. 

Stretching out your gummy entrance, having the audacity to laugh - laugh - at how desperately your pussy was trying to milk his fingers. 

“Y-you’re so mean-”

“And yer killin’ me- ohhh you’re gonna be the death of me.” he mutters - strained. Depraved. Hastily pushing apart his yukata. He hisses, “Fuck-”

You can’t help but gasp at the sinful sight before you - Satoru’s blush reaches down his sculpted chest, down, down, down all the way to his painfully hard cock. Curved against his abs, already so angry and soaked with precum. Giving you a pretty little peak of those veins glistening against the dim lighting. 

Before you even know what’s happening, he’s circling his fat, weepy head around your sloppy hole. Slow, lazy patterns to tease your cunt. “Can only pray m’not dead before I see ngh- fuck- my heir.”

It’s like something breaks. And Satoru’s remembering that no, this isn’t just any child - it’s the next Gojo. That grip on the base of his swollen cock tightening when he slips past your pussy lips. 

“Oh! Toru- f-fuck wait s’too big-” you keen, nails digging into where his yukata was sliding off his milky, sculpted shoulders. Hard enough to break skin. “It’s ah-”

“No.” he spits into your sagging mouth. “No no no no- wait fuck- ngh squeezing so fucking- tight.” Hips pushing in quick, shallow little thrusts to squeeze more of his achy head inside. “Fuck- fuck fuck fuck hold on. Need this. Need this so bad- please!”

And you can’t do anything but arch into his touch, scrambling up onto your elbows to- shit, that was a bad idea. 

Because one look at the sight of your poor cunt, all bulging and stretched out on Satoru’s massive cock was enough to have you running away. 

You’d barely made a movement to escape, feet flattening on the floor to buck your hips because shit it was too much. And it was a useless effort, anyway, because Satoru’s dragging you back so easily, pulling your limp body deeper down his swollen cock. 

“Need this. Need this need this so bad, pretty.” he groans, barely even halfway in yet. Still pushing, still relentless. “Need to breed this cunt so bad.”

Some tiny, useless part of Satoru’s rationality knows that he should slow down - maybe give you a second to relax. To maybe even breathe. But he was out of control now, hips stuttering and wrenching forwards like he couldn’t stop. 

So he’s simply gripping onto your shaky thighs harder, sure to leave neat little indents of his nails to admire tomorrow - or, whenever he gets back his sanity, that is. 

Satoru hisses at the way you’re so pliant below him. Limp, letting him rest your legs on his muscled shoulders. “Think I needa manhandle ya more often, pretty.” Pressing down, down - all the way until you were folded in half beneath him in such a mean mating press. “Can’t- can’t stop-”

The change in angle makes you scream out Satoru’s name - and it makes him bottom out. Finally. 

Fuck, you weren’t making it out alive.

“Oh.” he grunts at the feeling of his heavy balls smacking against your ass, his fat, leaky tip kissing against your cervix. God, if Satoru was any less of a man he thinks he could’ve cum just from the feeling of you trying to suck him up already. 

“Oh- oh my god-” you gasp when he presses down about halfway down your stomach, Pressing down for that bulge, hard. “You’re in s-so deep ngh- S’like you’re pushing into my ngh- lungs.”

Fuck, if you talked any more with that pretty mouth then Satoru was bound to pass out. Blindly, he’s feeling for your pouty mouth, kissing and nibbling at your wobbling lips like a subconscious apology. For what was to come, that is.

Because Satoru Gojo spares no apologies when he starts moving - finally. Finally fucking you the way he’s been dreaming of all throughout that droning meeting. 

And he says so - a little over fifteen times, in fact, while he splits you apart on his cock. 

“-n’ when I was negotiating those ngh- c-clan deals. N’ when I was at that meeting-” he gasps, shoving your legs so far apart it burned. “S’all I could hah- think of. Everything - don’t give a fuck if I got a contract wrong.”

Each word was punctuated by a rough, harsh ram of his cock, stretching out your gummy walls so far apart like he wanted to make his mark there. Pushing - even when he could feel his aching tip nudging at your cervix.

So merciless - violent even - with the way he’s slamming back into you. Molding your plushy walls to every ridge and curve of his massive cock. It was impossible to even form coherent sentences with his harsh pace. 

A large hand flattens beside your head as Satoru’s thrusts get deeper. More purposeful. You almost sob at the sheer pressure when he dances his fingers down to rub quick, methodical little circles on your clit. “Toru-” you moan, like a prayer. “M-more.”

But it wasn’t enough.

“More.” Satoru breathes, more to himself than anything. And shit at that very moment you almost understood why even the most hardened of clan leaders feared to even look at Gojo Satoru wrong. Because he was giving you a sopping, fucked-out smile, eyes widened, voice trembling, “You want more?”

And of course this was the strongest. Of course, he was ruthless. 

Of course, it takes him exactly two seconds to pull out of your heavenly cunt and flip you onto your stomach. One hand coming under you to angle your hips up until you were on all fours - like some ragdoll. The other feverish, distracting on your clit while he bullies his achingly hard cock past your sopping entrance once more. 

“Fuck!” your voice is hoarse when you scream. Teeth gritting because fuck the stretch was too sinful and Satoru’s hips were too harsh. Too hellbent on fucking into you like he’d lost control. “O-oh please, Toru-”

He doesn’t waste time easing you into it this time, picking up where he left off with that maddening cadence. And you were glad he had an arm on your hips because your knees were weakening with each thrust, slowly sliding down the floor before-

“Aw, my poor girl.” you hear Satoru coo from above you. Muscled chest rubbing up against your back, “S’alright. M’gonna take care of it. You jus’ hafta take it- jus’ take it like the good lil’ wife you are.” his body bows into yours, strands of white sticking to his forehead. “N’ I’ll take fuck fuck fuck- care of everything.” So sloppy with his rhythm, pushing you further and further up the floor with each movement - only to reel you right back so easily. “I’ll wash ‘em and hah- clothe ‘em n’ t-teach ‘em to take over this godforsaken society. To protect their momma.”

“T-Toru-” you squeal as he only gets more erratic. “I’m…”

“Hm?”

He didn’t even have to ask - he could feel the way you were squeezing so hard around him, like you were trying to suck the fucking soul out of him. The way the only thing you could get out was his name. 

His perfect wife. 

Sobbing out, “Close! So close. Wan’ cum- Ah! Please-”

He was losing his fucking mind. 

Biting down so hard at the crook of your neck to keep himself from cumming before you, he moans deliciously, “Then cum. Fucking cum. Please- wan’ you to cum on my cock.” Wrists aching with how desperate he was moving, “Cum- yeah yeah yeah fucking- cum- Cum for your husband.”

Oh, if heaven was real then whatever was left of that part of Satoru that could still form coherent thoughts knew that this was it. 

Watching you fall apart like such a slut all over his cock. Not even realizing it at first - just that your eyes are rolling to the back of your head, swollen lips falling slack, letting out such a pretty cry of his name that he can’t help but cum, too. 

You don’t know who’s more far gone - you, with your head spinning, a lewd little ah! ah! ah! leaving your mouth each time Satoru fucks you through your high. 

Or him, gushing out in thick, hot ropes of cum that overspill from your snug cunt. 

“So muchhh.” you whine, heavy head being held up by your husband. “S’too much.”

And he knew what you were talking about - because Satoru was cumming and cumming and cumming so hard it was like he couldn’t stop. Didn’t want to stop. Because he was mesmerized by that creamy trail of white drooling down your folds, forming an obscene ring at those tufts of white at his base. 

“Too much?” Satoru hisses. “Too much?”

You can only give a barely-lucid nod, whimpering when he doesn’t ease up. Not one bit, in fact, Satoru was only abandoning the hand playing with your ravaged clit to press down on your abdomen. Hard. 

“There we hah- go. Better now?” The hand supporting your head forced you to look down below, at the sticky mess of white covering your cunt. Slobbering all over Satoru’s cock - even down to his thighs. “Now we got fuck- more space.”

You don’t even realize you’re scrambling away until Satoru gasps, panicked, “No no no- we’re not done, pretty. Fuckkk we’re far from done.” Fingers tightening around your neck to pull you deeper down his cock, holding you in place. Just dragging you along his length. “Gotta make sure it takes. Why else d’you think no one in the Estate will be back until tomorrow?”

He doesn’t wait for a response - not that you could give one, anyway, with how you were being fucked dumb on his cock again. 

A strong, powerful leg hooks around yours, pushing you down with his body weight. “So that we ngh- h-have enough time to prepare for my heir.” Weeping head grazing all those sensitive spots so expertly. “T-to plan and and- ruin you and- fuck you feel so good. They’ll be the most powerful- hah- jus’ watch. Those fuckers better w-wait and see.”

So debauched and fucked-out that you don’t even know what he’s running his mouth about now, just heavy, urgent words slurred into your neck while he fucks you just as sloppily. 

“Don’t know?”

Fuck. You said it out loud again. 

And the embarrassing realization has your eyes screwing open, gazing tearily back at an amused Satoru. Well, as amused as he could be when he was just as wrecked as you. 

Kissing your sweaty forehead, hips reeling back all the way until your cunt was missing the stretch - bucking traitorously against the fat mushroom tip grazing your entrance. Making a mess of precum down below.

“S’alright, pretty.” he groans, sandwiching his cock between your puffy folds. “Because you just have to sit there n’ ngh- take- it.”

If you thought that Satoru was broken before then he was absolutely ruined now. 

Because there was no reason or rhythm to his actions now - just mindless, feral movements to milk his cock as much as he physically could on your pussy. Running only on pure need and the thought of you round and so full with his kid. 

“Ah!” you’re startled out of your reverie by something wet. Whirling sluggishly to catch the tears of overstimulation brimming at Satoru’s heavy eyes - shit, you wondered if he even knew what he was doing at this point. “T-Toru…you- ngh- o-okay?”

The only response you get is an unsteady nod. 

“-the best.” he whispers, twitching balls squeezing so painfully with each slap against your ass. Faster. Absolutely soaked with the sinful concoction of your juices and his cum. “We’ll be the best parents- ngh-” And fuck it was so much - too much. Too good. Painful pleasure.

Enough that all it takes is another, sloppy thrust before he’s seeing stars behind his eyes again. Cock twitching wildly inside your cunt as Satoru shoots load after load of cum to paint your pussy white. 

So warm with his cum - him - that Satoru’s body moves before his mind. Pooling the mess down below to nudge back into your cunt. “C’mon, pretty, c-can’t get ngh pregnant if ya don’t oh- cum.”

And it’s so embarrassing how that’’s all it takes for you to reach your high with a strained, barely audible moan. Voice shot, your own orgasm nothing but a few tingles that have your thighs fucking back into Satoru’s. 

“Satoru- Satoru Satoru Satoru.” you mewl, big fat tears streaming down your cheeks. Birds of a feather, they say. 

Hypnotized. Drunk off the feeling.

And, evidently, Satoru was, too. 

“Pretty…” his voice rings in your ear. Tinged with a tone you know didn’t bode well for you - or your poor, overfilled cunt. Bloated and dribbling already. “Are- sure- ngh-” 

And with a jolt, you realize he’s still moving. Still pushing and pulling in languid, slow strokes. Thighs shaking as the fatigue wears on him. 

If anyone saw Satoru like this, they’d have a heart attack. Flushed your favorite shade of pink, the lower half of his body well covered with a sheen of your obscenities. Eyes teary with sensitivity, cock still twitching and so angry as he clears his throat and tries again, “Are we- hah- sure it took?”

“Wh-what-” you gasp, breathing in big, deep inhales. “Yes- yes yes- oh my god it’won’t-”

“It will.” Satoru’s interruption almost comes out as a whine. And he’s more sluggish, dazed when he flips you over onto your back again - not too difficult, with the way you were practically splayed out already. “Th-this pussy is made to take it, right? T-to be bred by me?”

It’s almost like Satoru was begging for confirmation, plugging back in the excess of what was leaking out of your abused pussy. It was spreading in a lewd little pool now, seeping into the non-existent space between you two.

But oh how Satoru loved it. Couldn’t tear his eyes off of it, in fact as he noses at your neck. Barely even thrusting anymore, just raw grinds, “Right? Gotta make sure- ngh- heir. Oh-”

He’s darting his tongue out to lick at the beads of tears streaming down your cheek. The salty taste on his tongue having Satoru’s hips stuttering forwards. Again. And again - alternating, not on purpose - between hitting your cervix and that bruised g-spot. “Gonna give me an heir? Ohhh fuck fuck fuck- lemme breed this cunt?”

You’re using up every bit of energy left in your body to give that slow, shallow nod. Which is all the time it takes for the pool to spread even wider. For Satoru’s fingers to stumble their way back to play with your clit. 

Rolling his thumb over in a harsh, uncalculated pattern - if you could even call it that, just jerky, obscene movements to get you off. 

And it works. Hell, the two of you are barely in the state of mind to even feel it. But he’s finally cumming again, and so are you. 

“Ngh- Fuck-”

With a loud, pained cry Satoru tightens his grip on your body like a vice. Raw, sensitive, overusing his cock until it felt so empty. Until you felt so bloated it was like you could explode - or maybe that was your own orgasm. “Toru- c-cumming.”

You’re not sure, anymore. And you don’t know if either of you could bring yourselves to care at this moment, not when your eyelids grow heavy. Vision tinging with black in the corners, and the only thing you could see was your husbands face - sweaty, eyes almost closed, kiss-bitten lips moving in a soundless whisper.  “-the best- momma.”

A/N. CLAN LEADER GOJO SAVE MEE. Oh yeah the “can’t get pregnant without the momma cumming” bit was based on this old tale I’d heard where people used to gen believe that. 

Plagiarism not authorized.

[relicsongmel]

Just spent over an hour searching for the static Ho-oh in the overworld and suddenly Ryuji taking literal years to reunite with his family makes sense to me now

[designernishiki]

I feel like whatever was going on with majima/mirei/katsuya in the early 90s was some sort of complicated bisexual love triangle situation. like majima is majima and katsuya’s handsome and eloquent and absolutely doesn’t seem straight to me, but on top of that it feels like there was some sort of confusing tension between katsuya and mirei, not sure if it was romantic or one-sided or what but. SOMETHING. I don’t know what the hell was going on with those three really but no way in hell do I believe the romantic/sexual/??? depth ends with majima and mirei