#he calls her beautiful

[sassypantsjaxon]

Also Sabaody reunion frobin because they are so married

[bishy437]

tgcf au where everything is the exact same except HC loses his Cool Guy persona in front of XL and becomes a stuttering Mess

[egophiliac]

new chapter 7 installment dropped how we feelin????

YOU DON'T UNDERSTAND

THAT'S HIS DAD

[atelier-melvalda]

The girl that loves night orchids

[azfellschild]

you must know, right?

you must know I'm not that evil

or: crowley holding the last and only feather from his angel wings that didn't turn completely black 💔

[ryllen]

x

[hipsterfrankcastle]

justified series 1 is a hilarious comedy of errors about a beautiful simpleton who must follow one rule: don't shoot people. except every day he's forced into situations where is quite literally compelled to shoot people.

walton goggins is also there.

[immediatebreakfast]

Mina, and Jonathan experiencing the actual social expectations of married victorian couples by the cultural pressure of having four different men who are well comfortable in their position within the cultural/social victorian hierarchy, is truly the lowest point in their relationship so far.

Mina is getting desperate to have even a single crumble of information after compiling what is basically their holy manuscript about vampires while going "This is absolutely fine :)" only to stop herself from pushing further because she doesn't know what to do without actual support.

It is strange to me to be kept in the dark as I am to-day; after Jonathan's full confidence for so many years, to see him manifestly avoid certain matters, and those the most vital of all. 

Mina knows that this is wrong, she knows that Jonathan not speaking at all to her about what he is doing in these missions is not the kind of dynamic they thrived in before joining forces with the others. This is not their solemn duty to one another, but what can Mina do exactly when she is currently residing in an asylum? She calls herself a silly fool for expressing what might as well be grief because of the loss of their communication. Mina still expresses that maybe someday Jonathan will tell her fully all of the information again (implied how in that future some day they are away from the others), so she has to keep her journal going. Moreover, Mina being utterly alone with her self deprecating thoughts made her spiral more because now she thinks she has to bottle up her feelings as to not worry Jonathan.

Meanwhile, Jonathan got invited to what I can only describes as a "good ol' lads only" mission where he almost had a panic attack in three different instances because being there in the Count's territory again activated his ptsd almost instantly.

I daresay it will be difficult to begin to keep silence after such confidence as ours; but I must be resolute, and to-morrow I shall keep dark over to-night's doings, and shall refuse to speak of anything that has happened. I rest on the sofa, so as not to disturb her.

On top of being utterly baffling to see him express these hards notions of misogyny for the first time in the whole book after it. This is not to say that Jonathan is not sexist because that would not align with his comments on the Weird Sisters; his line of thinking is more focused on the sexist idea that women are noble, nurturing people as a default despite him looking up to them. So, to see Jonathan repeat the whole "women are fragile beings made of glass which any kind of fright can shatter" in this robotic manner reads more as if he is repeating this to convice himself that leaving Mina out of the investigation was a good idea, and that he needs to push any discomfort with this new arragement "for them" because he is The Husband now.

All of this is the perfect opportunity for the Count to strike, and take down Mina specifically. Which he did not waste any time in doing for what we read on the entry.

[orangerosebush]

Artemis will disassemble and clean a fountain pen with the same level of intensity as Butler disassembling and cleaning one of his guns.

[chessb0r3d]

i cracked the code.

[an-eldritch-peredhel]

You are the daughter of an angelic faerie and an elven king. You have grown up inside the only magical safe-haven of an increasingly apocalyptic land outside. You have wanted for nothing, essentially leading the perfect life, suffering and death playing little role beyond the abstract. Your father will never die, and your mother will never leave, but for tradition you are still crown princess and are educated as such. You love to dance and to sing.

You meet some kind of monster inside your mother's borders, a monster not of her or your making. It stumbled across you, dancing in the forest, bloody and travel-worn and weary and wide-eyed as it stares. You are stronger than it, but you run rather than lunge for the kill. You feel pity, more than fear. And something about him makes the part of you that you inherited from your mother sing.

He tries to follow you, for a year and a day. You are stronger, and faster, and stealthier, and you let him see you sometimes anyways. You are not convinced that he is not a monster, but nor are you convinced that he is.

Spring blooms again to the tune of your song, and you let him get closer than before until you run.

But you hear him speak for the first time. He is a speaker, and perhaps to him you are the monster. You do not run, and you do not kill.

He calls you "Tinuviel"

He calls you nightingale- a little songbird, plain and brown, with a lovely voice. They are your mother's creation, but he does not know this.

He calls you daughter of twilight- perhaps for your skin and eyes and hair, but perhaps because that is when he has seen you most.

He calls you singer- creator of the very fabric of the universe, skilled enough to deserve the title.

You are the most beautiful creature the world will ever see, the daughter of an angel and a king. He does not call you beautiful, or angelic, or princess. He calls you a singer, plain and brown, dark and distant as the approaching night.

He is bloody and travel-worn and weary and wide-eyed as you dare to step closer.

He called you nightingale.

You don't know what to call him, but you hope to find out.

[apotelesmaa]

I don’t think ppl give enough credit to rui for his dedication to fucking with people (outside of tsukasa of course) like. Knowing & acknowledging that nene wants nothing to do with him and Tsukasa on her first day of second year and deliberately following tsukasa to loudly ask if she’s getting along with people (just to be a jackass)? Implying his gift to akito will explode even though it won’t bc he wants to bug akito? Like I think rui at his core is full of love and a desire to make ppl smile but I also think he’s 200% committed to the bit first and foremost. If something will be funny he’s going to do it regardless of the consequences. Guy filled with zero social anxiety & a never ending desire to embarrass his friends.

[sysig]

Congrats on your promotion (Patreon)

[ladyantiheroine]

I will never not find it hilarious that not one but two of Batman's main canonical love interests are criminals.

Like, Bruce "I am justice" Wayne over here fighting outlaws while whoring himself out to women who have committed multiple felonies.

Batman: "I am a crime-fighter dedicated to putting all criminal scum behind bars!"

*Selina Kyle and Talia al Ghul laughing in the background*

[my-name-is-apollo]

Wikipedia edit history can be a funny place sometimes

[skunkes]

thinking about any/all pronouns al