#having said that go and write your story

[ghost-bxrd]

I think we as a fandom need to have more talks about ✨dramatic✨ Jason running his own AO3 blog where he posts increasingly violent and heart wrenching stories about Robin. (The second Robin. Because he’s absolutely self inserting.)

And the Batfam find out about those fic that have a startlingly detailed layout of the batcave and accurate patrol routes that they choose to investigate (by reading the fics, duh) and growing increasingly upset about how the characters are portrayed.

Especially Robin.

[walruna]

Nullum est jam dictum, quod non dictum sit prius

It's impossible to say something that hasn't already been said

- Publius Terentius Afer

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[danmeichael]

"shen qingqiu is a liar who is lying about his feelings so we can't ACTUALLY tell how he feels about anything"

so you admit that you can tell he is lying and by extension you can actually discern what his true feelings on the matter are and that he's just unwilling to admit to them.

[randomfandomss]

I really don't think that we aren't getting the scene where Armand turns Daniel.

We got Louis, Claudia and Madeleine's turning. We are going to get Lestat's and probably Armand's turning as well. So, what? You think they are gonna leave out Daniel specifically? Why?

Also regarding Rolin's comments about the Dubai set etc. if it's true, it just means that Armand didn't turn Daniel in Dubai. It happened at a later point.

And if it happened later, I refuse to believe Armand turned him out of spite.

Like I simply don't think Armand wouldn't turn Daniel when he is at the peak of his rage but do so later and out of spite?? Nuh huh, that's not gonna happen.

Basically, if it happened in Dubai, there is a chance it might have been out of rage. And if it didn't happen in Dubai then there was definitely some other reason why Daniel was made a vampire.

Assad said right now the question is what happened in Dubai? And of course after watching the episode we all have assumed that Daniel was turned in Dubai. What if the reveal is that it actually didn't happen there???

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[qprpbj]

oh thank god ppl aren’t crucifying me for saying i like it better that darry dropped out of school over just not going at all i feel so vindicated. i think it makes sm more sense for his character and—-

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That

[johanna-swann]

Are some of the Buddie fans aware that they're creating their own feedback loop?

(Some) Fans are really excited about Buddie. So the journalists, some of them Buddie shippers themselves and keen to feed their avid readers (and get their clicks), keep asking questions about it. The actors have to answer those questions in some sort of way, even if only to say that they have a strong platonic bond and amazing friendship. That leads to headlines like "Buck & Eddie closer than ever" and stuff like that. Which gets even more fans even more excited about potential Buddie canon. Which leads journalists to ask more questions about it and write about 911 through the Buddie lense which draws more attention to the Buddie circles online which leads journalists to write more about- You get what I'm saying.

Meanwhile the actors keep talking about the FRIENDSHIP and PLATONIC bond, about Ryan Guzman and Eddie Diaz both having to figure out how not being the tough guy all the time and having a sensitive side DOESN'T mean they're gay or unmanly, about how important and beautiful it is to have that coming out scene between a bisexual man and his HETEROSEXUAL male friend.

But journalists keep phrasing headlines in ways that suggest Buddie canon is almost upon us, even though the words the actor actually said were him doubling down on Eddie being straight and struggling with his (conservative) upbringing for other reasons.

[skyloftian-nutcase]

Man the crazy, silly intrusive thoughts are going bananas today

[acaciapines]

finished my 17776/20020 reread. what am i even supposed to do with myself now.

[literalnobody]

Tumblr insists I compress these down to ugly quality >_>

You can listen to the Prologue and Chapter One if you want to understand what to heck is going on here!

Listening time: 17 mins~

Sound effects used: [x][x][x]

[protect-namine]

I was thinking the other day that man, kokuto neji is such a character and I haven't liked a writer character like this since... shang qinghua?

which naturally led me to this thought: jj fic with svsss-style au where neji transmigrates/gets isekai'd into the world of havenna. as domina, of course.

it's extra fucked up imo because at least when sqh transmigrated in his book, he made up all of those characters and they mostly stayed in the realm of fantasy. like, sure, lbh was kinda based on himself in some ways and mbj was his ideal fantasy, but they still mostly stayed fictional, you know? sqq (sy) had to fix his plots because the characters sqh wrote strayed too far from their original plotlines

but theater makes a fictional world a bit too real and personal, especially when you use real people as inspirations for your writing. with neji, he'd be looking at rukiora and see three different people (mitsuki acting as rukiora; rukiora who was written based on a younger version of neji; rukiora who is her own person in this weirdly real world of havenna). neji would see fugio and to him that is both sou acting as fugio and the fugio who grew up with poison flowers. miguel is both fumi and the guy who ran away from his neshiromi fields. the only constant would probably be chicchi. she is too much like kisa in that... well. neji didn't really have a backstory for chicchi. chicchi is a blank canvas just like kisa is as an actor.

anyway. yeah, very sv-style character arc where neji, much like shen yuan in sv, is forced to humanize the villain. except this villain was his creation and is also tied to a bunch of personal issues for neji that he Doesn't Want To Think About and also he doesn't? really understand the character he wrote tbh?

isn't art supposed to process your emotions for you!! why must he process these himself!!

can you imagine neji, who always casts himself as a seer of some sort (fortune teller, ushinoko) or someone who generally has some control over his future or his "creation" (who is mary if not just another side of neji anyway; she's takihime redux, and takihime is also. neji). imagine this dude being transported inside the play he wrote but he doesn't understand it and he has no control over it and everyone's acting both in character and out of character. he both knows and doesn't know these people. they're fictional but also... real? does he treat them as real people? is domina real? he wanted his actors to imbue parts of themselves into his characters. are these people really just characters from a script? are they his quartz classmates? is he allowed to even hope that that's the case?

it's both THE improv exercise of his dreams and also. a nightmare