gog i still can't get over minish cap vaati's Everything. He is So Fucking Stupid (affectionate)
Like. This guy's establishing character moment is, in order:
he's introduced as having won an entire tournament to get to touch a magic chest and get a cool sword, which was the prize for said tournament
turns around and does a goddamn evil soliloquy TEN FEET AWAY FROM THE GUARDS who were about to hand him his macguffin on a platter
(like this man fucks up his own horribly planned daylight heist because he cannot keep a lid on the dramatics for FIVE FUCKING MINUTES, IN PUBLIC)
(THE BAR WAS ON THE FLOOR VAATI, FUCKING GANONDORF PLAYS THE PIPE ORGAN FOR HIS OWN BOSS INTRO AND HE STILL KNOWS BETTER THAN THIS SHIT)
proceeds to fight the guards (it is, admittedly, a curbstomp for him, but it still clearly wasn't his plan, because otherwise why bother with the tournament)
gloats evilly
opens chest, unleashing a whole bunch of monsters
exposits out loud about Zelda's powers like a nerd while she is actively charging up her magic powers to kick his ass
RECOGNIZES and IDENTIFIES said magic as the special power carried by the female royal line
completely fails to recognize it as the light force he is currently trying to get his hands on (he spends like 99% of the game not figuring this out.)
petrifies her
(i have no idea if link could have deflected this spell if he had managed to get the right angle with his shield but i like to think somewhere there is a very short and very funny alternate timeline where it happens)
(more importantly: no part of vaati's original presumed plan would have involved doing this. he 100% created this situation for himself by being an dramatic idiot and picking a fight for no good reason.)
looks in the chest
there's no light force
considering his stated goals he might be as confused as you are about the monsters tbh
uhhh
evil laugh
teleports the fuck out
He then proceeds to spend the rest of the game trying to figure out where the light force is and ends up having to wait for Ezlo and Link to figure it out first because he was, as far as I can tell, GENUINELY stuck on this part. He fucking kidnaps and impersonates the King, not for access to Zelda, but to… send guards to go look for the Light Force, presumably because he was either running out of ideas or genuinely thought that would work.
None of the guards even had any idea what he was talking about. He's not even good at impersonating the King. He's already sent like twenty people to the dungeon by the time you get there and it hasn't even been a week. Somehow the game spins this as a cunning plan and clever manipulation or something.
(Meanwhile the guards are just. Poking around in random bushes and shit hoping to find the light force. One of them asks you what you think it might look like.)
Zelda is literally right next to the throne and Vaati does not figure it out until you find an actual honest-to-goodness LORE TABLET spelling out that the Light Force is Stored in the Zelda, at which point he's like "ahahaha you've done my work for me this was definitely my plan all along" and takes over the castle and throws a bunch of monsters at you to stall for time while he figures out how to extract the force from her. Somehow he still doesn't think to actually lock the fucking door.
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I'm so sad the only Charles blogs left is people with schizophrenia like you, they keep posting your shit on twitter and laughing are you insane? Drivers are not allowed in board meetings. Because board meetings are for board members. You sound 12. *ourrrrrrhhhh I know Charles raised hell in there* Ferrari would lynch him. Ferrari dealt with 7x champ Schumacher who actually had half of Ferrari in his pocket, you think Charles who has less wins than Schumacher had championships is going to be mouthing off to BOARD MEMBERS? OF FERRARI? THE BOARD MEMBERS WHO HAVE A HIGHER NETWORTH THAN MULTIPLE COUNTRIES? THEY'D LITERALLY DUMP HIS BODY IN A SHALLOW DITCH YOU PEOPLE ARE MENTALLY UNDERDEVELOPED
can i use “you people are mentally undeveloped” as a chapter quote in my thesis thanks xx
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I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)
SO do you have any favorites among the paintings that represent this story??
OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS
I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).
Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀
Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.
(Photo. Marie-Lan Ngyuen)
(Photo. Museo Claudio Faina)
Also the one in the Theoi.com archives is a real classic - perfect energy.
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Genuinely intrigued by the potential of Peri and Irep's dynamic but only in a platonic way so I end up not vibing with the fandom's portrayal of it 😔😔😔
(No but listen LISTEN they were kinda-almost-friends when we last saw them in FOP, yeah? Now they're enemies, with both actively fighting each other, and Irep going so far as to try and kill Peri's parents. What happened? When? What influenced it? Did they ever become friends, or did it nosedive the moment the cameras turned off? What about Sammy? How do Irep's parents factor into this? Could it ever be fixed? There's just so much we haven't seen, and romance just feels like too easy a solution to me. Let their friendship be easy to break, fragile. Let them have to work to keep the connection. Fairies and Anti-Fairies are literally made to be opposites, so what happens when two genuinely and truly become friends?)
((and yeah I guess a lot of this could factor into a romantic angle but ALAS the fandom seems to be leaning heavily into the funny toxic yaoi angle 😔 I don't mind it! By all means, please have your very harmless fun! But it ain't my jam :P Perhaps I'll have to write a oneshot myself...))
(((see tags for more rambles i guess. whoops a bitch spoke too much in there as he always does)))
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Fic-to-Art #34: The development of Sokka and Azula's relationship
When you move to a whole new country, that's when your patrons are going to vote for the prompt that makes you want to go completely bonkers and that you would draw ten years worth of art for. Yep. So you try to condense that impulse into something you can finish in... 1 week? Sorta?
I honestly barely know how I managed to do it that fast, but hey, made it on time for the end of October, so here goes! A little walk through the history of these two and the evolution of their relationship in Gladiator.
The first GIF is mainly about Part 1, the second one's first two pieces are Part 2, the third piece is Part 3. The last two GIFs, of course, are both meant to be Part 3, with the final GIF being meant as a symbol of hope in many regards. I'm guessing some of you guys will pick up on a funny little hint about just what kinds of hopes we're talking about here...
Anyway! Now I hope you guys enjoyed these crazy artworks! It's a Halloween miracle that I finished them on time, haha. If you'd like to be part of the creative process behind these pieces, a 1$ pledge on Patreon is enough to make you eligible for suggesting prompts and voting on polls, as well as reading Gladiator snippets 6 days before the next chapter goes live!
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(throws them into a modern AU)
So since Ymber wouldn't be a deity there are some things he lacks physically - such as no pointed ears and no bright blue undertones to his hair. Just the basic blue. (does he dye it in a modern AU ? who knows) Also while he doesn't have a collar to symbolize his servitude to humans I still think he should have a choker.
I had some help a while back brainstorming how there would be some form of "superior" dynamic could still exist and I really liked the idea given that he's a famous architect. (he does design all constructs for his city as a deity so it checks out - he likes buildings) And Deacon just admires all the guy's works and never expects to run into him but of course they do! Gotta have a very awkward "oh it's you I'm going to melt into the earth" and "I have no idea who you are but we should hang out".
Sooo Deacon still just really admires Ymber and feels like they're on totally different levels and doesn't understand why Ymber would want to associate with him since he's just a "boring human".
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