#have I mentioned how much I love this art style?

[sweaterkittensahoy]

When I started crocheting regularly as an adult, it was in 2004 when "Not Your Grandma's" was supposed to be the height of coolness, and it pissed me off so much and still does because I learned from my grandma. Every stitch I make is my grandma's. Why is it so fucking important to disconnect my grandmother from my art? And why are we trying so fucking hard to instill the idea that our grandmother's way of stitching was less cool or interesting or engaging as how we do it?

Sean's grandma passed this year, and I am now the very proud owner of some really lovely embroidery and crochet pieces for the house. They're not uncool or silly or stupid. They're useful items that were made beautiful by the patience, care, skill, and talent of a woman. Who was younger than I am now when she made at least some of them (there's a whole set of table runners that just scream hope chest).

And these items are USEFUL to boot. That blanket? Keeps you warm. Those doilies? Keep grime from building up under the lamp and sticking to the table.

I'm not immune to the "Huh, silly thing people used to do" take, for the record. I've only recently realized that maybe our grandmothers' (and parents' in my case bathrooms) have fuzzy toilet covers and fuzzy floor mats because it catches all the goddamn toilet paper fuzz in the air, and it's faster to vacuum the fuzzy toilet lid cover and rugs than it is to dust all that goddamn paper fluff off surfaces and then sweep it up and hope half of it didn't end up back on the shelf.

But also, all of the crafts mentioned in the article were about making a home more beautiful. The home was the woman's sphere, and it was her job amongst many to make it an attractive and nice place to be. And in treating fiber arts like you must get away from your grandmother's influence, you are treating the home she built for herself and her family as dismissible and not worth respect.

In the end, it comes down to the dismissal of skilled labor because it was a woman doing it at home. Even if that work kept the family fed (lacework has saved a lot of lives in particular). Even if it kept the family warm (slippers, blankets, jackets, sweaters, mittens, scarves, hats), even if it kept the family house neater (how much dust did those doilies soak up so it was easier and faster to clean the whole house?), even if it kept the family looking respectable (my grandmother once darned my mother's canvas band shoe than buy her a new pair; favorite story). Even if it kept the family safe (potholders and hot pads).

Because this skill was used to help a family and done up in popular styles of the time, it's devalued and ignored. When, in fact, all it takes for any of those items to be of the moment again is usually just a color update.

This all day long … Elena Kanagy-Loux's article is right-on. I myself have made it a point in recent years not to share any content that glibly uses the phrase, "not your grandma's " because it's a) lazy and b) dismisses the real fact that grandmothers and older textile artists have worked hard to keep craft traditions alive and evolving, not to mention their immense skills. We should be thanking them and looking to them for inspiration, not mocking them. via @hyperallergic ❤️

[drchucktingle]

I watched the 2004 Klaus Nomi documentary and his story reminded me of how you talk about creativity and being genuine. The interviewees talked about how the first time he performed with the persona Klaus Nomi at a vaudeville-style variety show in NYC in the 70s, everyone was stunned. Several of the people describing this event mentioned how the show was meant to be ironic, everyone was doing nudge-wink joking acts and goofing around, the audience/scene was apparently very cynical, but he got up and took it seriously. He was earnest, he was himself, and after a frozen moment of silence, everyone went crazy.

THANK YOU yes this is very reminiscent of what the journey of my career has been like, and this particular trot makes me very proud. all of the buckaroos who mean a lot to me artistically, from the andys (andy kaufman and andy warhol) to the davids (david byrne and david lynch) have had similar ways from 'strange' outsider to legend.

was talkin with some buds about how i think there is possibly a connection between this and my autism trot. there is a sort of ability to see a path that nobody else takes but say to yourself 'that makes sense to me, i do not really care if nobody else takes this path'. others can be bogged down with the 'right' way of doing something

so really being ridiculed like i have is this beautiful artistic TROJAN HORSE, where initially very few people take you seriously but they still let you in. they let you trot around in their brain for a while and very slowly they start to get it.

i think it also goes to show how much art is in PERCEPTION of the creator (i talk on this a lot already but this is very good example). look at something like SPACE RAPTOR BUTT INVASION getting nominated for hugo award. EVERYONE said some variation of 'this is obviously a joke and making fun of gay people and autistic people and erotica itself' and on and on. buds on the left said this, buds on the right said this. it was VICIOUS. and all the while i said 'no this is real serious art and i am doing something that goes outside of the way you see the medium itself' and that just made people MORE MAD.

but now looking back, when i presently have award winning best selling books from major publishers and so on, it is easier to see that the erotic tingleverse, as a whole, is a valid piece of art and expression that resonates with a lot of people.

really the only thing that changed was the perception of ME as a creator

anyway. i am proud of my art and where i sit in the world of artists. i like being a sort of chaotic queer punk rock force. so i cannot complain really

i will say this though. this is all a PERFECT example of how queer and neurodivergent artists have to go above and beyond to even get basic respect from both the left and the right

the years of saying 'i am serious. i am real' the years of taking vitriol, or being constantly made fun of are PERSONALLY okay with me. i am a tough buckaroo. in a strange way, that story is kind of part of the art in itself. HOWEVER we still have to acknowledge that a straight neurotypical person would NEVER have to constantly prove themselves like i have.

i dream of a world where queer and autistic artists are not harassed by one side and gatekept by the other, and believe it or not i think we are moving in a good direction. there is still a LOT OF WORK to go though

fortunately, i think there are easy ways to help. you can support outsider artists you like by reading or listening or just buying their art and puttin it on your shelf (PREORDER LUCKY DAY BY CHUCK TINGLE HERE). but ALSO, if you are an outsider yourself JUST CREATING IS SO POWERFUL. build and craft and speak your unique way into the universe. FILL THIS SPACE WITH YOUR UNIQUE WAY. THAT is how we prove love is real.

see that path that makes since to you but nobody else is willing to try? take it

[anbaisai]

redrew a couple of his expressions from the magical archives for fun! (the first one made me wonder "why is he like this" the entire time)

[stitchposts]

This is so obvious it's almost petty to talk about, but it keeps happening so I am increasingly faced with needing to decide to bring it up. Can everyone who advocates for not reposting art and for crediting artists start bringing that same energy to photographs of traditional art? Especially fiber arts and sewing related things, due to very prolific scraping accounts that repost things from elsewhere on the internet here to tumblr and a few years ago stopped crediting the artists at all. They never asked permission, but credit has just dried up entirely and it's galling to see.

I know non fiber artists don't really have the experience to see this, but just like visual arts, fiber artists develop pretty clear styles. So if a blog is posting elaborate pieces of infamously time consuming arts that cover a wide range of styles, once or twice a day, with no credits or discussion of themselves as an artist - that shit's stolen as fuck.

It feels like I'm going insane sometimes because thousands of people who otherwise yell all day about how artists need to be credited, just think that sewing related photographs pop into existence without needing to be linked to the person that made them.

[alexitheslayer02]

The aaaangst! Also... *strong desire to punch LBD* How dare she treat the boi like that 😡

Is the one who asked about MK joining the torment

How would Chief and LBD treat their little champion?

How would he have met the monkeys?

Who was the most active parent and who the msot absent?~

Pfhaha- alright, I gotchu, but be warned, my ideas get crueler the more you ask. >:]

Trigger Warning for (implied?) Torture

Of course they make sure neither Wukong nor Macaque would be close, not wanting to risk anything. In truth, any genuine nurturing or parenting would come from Mac and The King. LBD would see such tasks as beneath her, and the Mayor, with his disdain for simians (MK included), would want little to do with him—after all, MK was Wukong and Macaque’s son.

There are many ways to approach how MK would have met the other two, but my love for angst simply pushes me towards the more disturbing route. :]

LBD quickly realized that if Wukong and Macaque had a child, they could create an immensely powerful being—perfect for her plans.

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[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[canisalbus]

Just wanted to say I really enjoy following you and seeing posts on my feed of your oc's! Here's a quick sketch of Machete I drew as I find his design to be amazing

.

[lunarharp]

more phoenix wright situations

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[all-my-ocs-are-evil]

Grojband, but as a band from an early 2000s shoujo manga

[unriding]

EVIE !!!!!

I SAW U USE MY ART AS UR THEME SO I WANNA DO A REMAKE !!! mostly cause the other one was full of mistaks hurrrrr orz

keeping the color palette the same so itd still fit + use softer shading so convey how soft u are + moze is now IN UR HAND !!!! >:3

oh nick :’)

[nebbbula]

What a fantastic image

sibling moments: teasing and complaining

[lazy-b1rdy]

Y'all, me half losing interest in one of my fav fandom for the past 2 years is gen going to be my downfall.

This week, i have gone through, no joke, 10+ fandoms and none of them have stuck 😔

(REALLY big rant in the tags in case you want to read how my brain is getting rewired every few hours)

[sluckythewizard]

OOOH MORE WIPS UPON YYEEE i amm gonna crawl outa this artblock even if it KILLS ME! and speaking of killsing. whats with THIS dead guy huh??? its chip jrwi baby yeaaah its undead chip baby yeaaaahh its chip n hes fucken dead and rotting and gross and OOHHH IM SO PROUD OF HIm(for being dead)

[cursedseabunny]

I think that my nutcracker, seeing Fritz running away, would simply try to show concern for the nutcracker by trying to give him a chance to rest

He'd appreciate the concern and the chance to rest, he has a spot in the Manor where he goes to relax and take a breather

[wereh0gz]

I keep flip-flopping between loving my current art style and wanting to go back to how I used to draw things and I haaaaate it