#has anyone seen that anime?

[honourablejester]

Heart: The City Beneath – Major Abilities

It’s much harder to talk about a favourite major ability for each class in Heart, because the major abilities are more … they’re bigger, they’re what you want your playstyle to be. They’re almost like a subclass? Each class has about five or six options, and you start with one, and getting more requires some big story beats, so they’re fairly defining for you. So when I’m talking about favourites here, I’m talking about how I personally would want to focus a character of that class.

Each major ability also lets you pick a couple of extra minor ones that buff it once you have it, so you can improve your major abilities with minor ones once you get it going.

Cleaver:

BLOODBOUND BEAST. You are accompanied by a ragged cryptid that follows your commands – an ancient stone-browed stag, a razortoothed heartsblood hound or something stranger. You feed it your blood, and it fights for you. You gain the Bloodbound tag on all weapons as you and your companion work in concert.

The Cleaver has five major abilities to choose from, a support option that gives the party skills, a combat option that gives you a great big weapon, a hungry option that leans on the classes core ability to gain skills/domains by eating things, and a transformation option that lets you pay in stress to do more damage. And then there’s this option, which gives you a ragged companion, a strange, rough animal to follow you. If you want a pet, this is the ability for you, and it’s a Heart pet, so it’s weird and offputting and wonderful. One of the minor abilities you can get for this is FAITHFUL UNTIL THE END, which does exactly what it sounds like it does and allows your faithful pet to die in your stead, at which point you’re required to pick a different major ability and you can never take this one again. Which. If you want to smash your character’s heart to pieces? Could be a good narrative shout.

Deadwalker:

ECHOES. You can glimpse the remnants of what has come before. Roll Discern + Domain to witness ghostly recreations of the past in your current location. This will generally show the most interesting or dramatic thing that occurred within recent memory.

Deadwalkers again get five options to choose from, one that lets you hurl yourself into the shadow world faster, one that lets you push through the shadow world to the afterlives beyond, one that turns your death into a poltergeist that helps you out, and one that lets you sacrifice your protection to hit enemies harder. And then there’s this one, which gives you psychometry. And we all know from other games that I just really like psychometry? I like knowing things, I like sensing things, I like weird tools that let me see things I shouldn’t. Although, to be fair, the heaven-exploring option is also extremely tempting.

Deep Apiarist:

UNCHAOS. The Heart is a chaotic place, and you seek to undo that with ancient magic. Roll Mend+Occult to cast this spell. On a success, for the remainder of the situation, you or one nearby ally treats Risky actions as Standard actions (keep the highest rolled dice) as probability coalesces around you and crystallizes at your feet.

Deep Apiarists are about resetting reality. Their five options are one that makes their body inimical to the Heart, doing extra damage to Heart creatures, one that turns their body into a mind healing item for your party, one that takes any mind stress you have and inflicts it on your opponents via your core bee swarm, and one that gives you bonus dice if you roll 6s. And then there’s this. Which is you casting a spell to just make life a fuck tonne easier for you or a party member. You can also buff it to make it a small AOE, though people have to stay right beside you for it to work. But it’s … The reality-bending bees are out here doing the work with this one.

Heretic:

OATH OF SAGACITY. You have learned one of the secret names of Three-Fold Damnou, and when you speak it aloud your enemies are struck senseless by its power. The name of the Goddess functions as the following weapon: (Kill D6, Spread, Debilitating, Maddening, One-Shot).

The Heretics get five major abilities, linking to five of the six Damnic virtues of their faith, which I enjoy. The virtue they’re missing is Grace, and it’s an in-universe doctrinal question as to why that is. Your options are one that gives you and sometimes someone near you physical protection, one that turns you into a divine terminator that takes mind damage if they haven’t killed a worthy foe by the end of the session, one that lets you do more damage/get further if you take and succeed on riskier actions, and one that lets you mystically sense creatures in your vicinity. And you’d think, given the Deadwalker above, that I’d pick that last one. But I just enjoy the ‘knowledge man was not meant to know’ that’s inherent in knowing one of the secret names of a god and speaking it as a weapon.

Hound:

STARE DOWN. You have a reputation as a terrifying enforcer; just looking at some folk is enough to get them to throw down their weapons. Your gaze functions as a weapon (Kill D6, ranged). It only works when your target can see you and if they have the capacity to be scared of you – so criminals are fair game, but heartsblood predators aren’t. You can use this “weapon” in a haven or other landmark without causing a huge ruckus. Your gaze won’t kill people – it’s disheartening, and if you reduce an opponent’s resistance to 0 with it they surrender, try to bargain their way out or trip and incapacitate themselves whilst fleeing.

Hounds are so practical. I actually really, really like them? And they have a bit of a wild west vigilante vibe as well. Of their five options, one lets them mark people as criminals which gives them advantages against them, one kind of possesses them with the spirit of trench warfare which gives them better unarmed and bonuses to close quarters, one gives them a Pumpkin Scissors-style berserker state where the more damaged they are the more damage they’re doing back, one gives them the ability to prep for a situation granting themselves and the party a choice of several benefits (and can be buffed), which was extremely tempting. But then there was this. Which is the ability to Clint Eastwood stare somebody into submission. Your stare does actual damage to people. And yes, you can buff it with a minor ability so that it works just fine on heartsblood predators. And, like. I mean you’ve got to pick that, right?

Incarnadine:

KARMIC LEDGER. Once you know what’s keeping someone awake at night, it’s much easier to take advantage of them. Roll Discern+Haven to cast this spell on a target you can see and hear. On a success, you determine their deepest karmic debt: the greatest thing that they’ve taken from someone else (money, valuables, freedom, a son, etc). When you act on this information, roll with mastery.

Incarnadines are about debts and deals and backstabbing, and their abilities reflect that. Sometimes quite literally. They get six potential options. One that lets you literally backstab people for bonuses, one support option that lets you pray to the god of debt to help someone else out, one that helps with NPC interactions that compels them to want something, one that lets you add a haven to your god’s network and get bonuses for it, one tempting one that lets you channel an incarnation of your god to do continuous minor damage to any enemy that can see you, and this one. Which is … I feel like if you’re going to worship a god of debt, it should let you see the biggest debt someone owes? And not in the sense of something they borrowed, but in the sense of something they’ve stolen. Their biggest karmic debt. If you worship a god of ledgers, you should be able to read the books.

Junk Mage:

KISS OF THE DROWNED QUEEN. You have glimpsed the sunken Court of the Drowned Queen, where she slumbers and awaits the resurgence of her line. With a touch, you can conjure salt water in the lungs of those who oppose you. This spell functions as the following weapon: (Kill D6, Piercing.) If the target is at least shin-deep in water, it inflicts D8 damage.

Right. So. The Junk Mage’s major abilities are spells they’ve gotten that call on major powers. There’s four big powers that they draw on: The Red King, The Sky Court, The Drowned Queen, and the Stone Chorus. They have six options, two each for the Red King and the Sky Court, one each for the other two. The Sky Court lets you either induce an orgy and/or the purge, or it gives you hyper adhd for a while. The Red King lets you either smell money and desire, or set things (and people) on fire. The Stone Chorus gives you and your party access to a temple mid-travel to be safe in, which is tempting. But I just like the Drowned Queen. Of the two damage spells, I want the one that drowns people on land. You know?

Vermissian Knight:

AETHERIC FIELD. Your armour buzzes with static that makes your hair stand on end; this discharge can keep you safe from the body-warping effects of the Vermissian. Once per session, activate this power. You gain +3 Echo protection until the end of the current situation.

The Vermissian Knights are very tanky, and their options are quite similar to the Cleaver’s, now that I look at them. Again, five options. One that gives them a great big monster-killing weapon (and a buff that lets them summon the monster in question), one that lets them push their armour to the limits, paying in stress to do more, one that lets them protect their allies, one that lets them pay in stress to do more exploring, and this one. I don’t know if its just the techological vibe, but I enjoy using your armour to create a protective electrical field that wards off weird damage. You can also buff it to create an aoe, and make it rechargeable. I like wards, as a concept. I enjoy this.

Witch:

LAIR. You adopt or create a predatory building and claim it as your own; it still eats people, but it doesn’t eat you. The building in question is no larger than a small shop or study. Inside, the shadows crawl and scurry, the walls creak and whisper and a maddening heart‐beat thuds at the back of your consciousness – perfect for you, but unsettling for anyone else. Any non-witch who enters your lair must roll Resist+Occult and mark D6 stress to Echo on a failure or D4 stress to Echo on a partial success. When you are in a landmark, roll Mend+Occult to summon your lair. On a success, it’s always been here, as far as anyone knows. Your lair acts as a bond (p. 98) – if it suffers fallout, it’s either eaten someone who’ll be missed or been damaged by suspicious locals.

… Witches are weird magic werewolf people, which is a great standing start for fun abilities. They have six options, and they’re all pretty much delightfully weird. One that lets them make the area around them more occult, automatically letting them aid a domain dice to almost everything, one that lets them see omens of what’s to come in a mirror (which lets them warp reality more than see the future), one that lets them attack people using blood as a vector, one that gives them a weird pet that they can channel damage into rather than taking it themselves, one that improves their werewolf form, and then this one. Which just … gives them a cool sentient hungry shop that follows them around and can act as their base in locations? I just. I feel like if you have the option, you should always choose to have your own predatory tea shop following you around?

End Thoughts:

I love that all these classes are so weird and so interesting. And there’s a good selection of play styles that you can work with even within your class.

[chalkrub]

been doodling some bri'ish wildlife - love seeing these guys. because they are the classics aren't they?

[muisley]

my silly babygirl who could never do anything wrong

[front-facing-pokemon]

[creative-clawmarks]

since Tim enjoys chew toys...does he also enjoy the occasional,"good boy" ?? (This literally sounds freaky I don't mean it like that I promise 🙏)

As a general rule if you were to treat Tim like a dog it would upset him. Just because he can take on an animal form doesn't mean he isn't still a person, he's just wired a little differently.

Some things he can find exceptions to. Chew toys have a practical application in keeping The Wolf busy, games like fetch can be fun in the same way playing sports is, and even the most distant of people appreciate physical contact so getting pet now and then isnt a big deal.

But speaking to him like he's a dog, like he can't understand you or you need to patronize him, he hates that. It reminds him of the hospital when a lot of the staff would treat him like he was below human intelligence. So if you called him a good boy he would snap at you that he doesn't need your approval.

(The snag to all of this is that it's different if Brian is saying it.)

(And yes, it is for freaky reasons.)

[benetnvsch]

nasty dog kunikida wip #2 :> refined sketch. next few days will be clean lining coloring and tweening yipppeee

[thereminzone]

"Oh yeah, Agent 4! Uh, who was that again?"// "That reminds me. that boys name... I've forgotten it now."

This wonderful art got me thinking about rgu side order parallels... I'm normal!!

[nonotoff]

Harumi my baby, my gender envy, I have you on a notebook now.

[monstermoviedean]

if you have a good vibe/kind thought to spare and could send it my way. i'd really appreciate it.

[gdn7-dollopole]

I cannot stop thinking about the comparison between BBC Merlin and Smallville.

As the directors of BBC Merlin have said, an inspiration has been taken from the ten long seasons of Smallville, an US TV show I always loved, and literally grew up with, and since a few months back, I also made a re-watch of Smallville, I can’t stop thinking about the potential BBC Merlin could have had, if it actually followed some bits of the storyline of Smallville.

We can already see some of the similarities between the shows:

Merlin wears a red neckerchief with a blue tunic and viceversa, like Clark Kent, and whenever he’s hopeless or sad or angry, he wears worn out grey colours, and as an avid fan of Smallville, I can assure you that Clark Kent wears the same things;

Clark Kent has to hide his powers in a world that would hurt him, kill him, or experiment on him, if he let on his deepest secret, and for that, he not only loses the people he cares about the most, much like Merlin does, which are his father, his friends, his lovers, and almost even his mother, but forbids himself to fall in love, and therefore pursue any kind of relationship;

he’s witty, yes, like Merlin, but also shy and brave and lonely.

But the difference between Smallville and Merlin is that in Smallville, there is the closure I would have liked to see in Merlin:

Clark kent does hide his secrets, and he is good at it, until everyone else finds out about him, all on their own.

We’re talking about everyone (maybe because Clark/Merlin are not as sly as they think):

Lex and Lionel and Luthessa Luthor, Lana Leng, Chloe Sullivan, Pete Ross, Oliver Queen and so many others, either because they already had their suspicions or because someone else showed them.

And this brings the right amount of angst in the show, mixed with the betrayal and the lies and the secrets and the love triangles and the tropes that come out of them.

But where is Arthur in this picture?

Oh, this is the good bit.

For very obvious reasons, apart from the fact that he doesn’t talk as much as her, Arthur is definitely Lois Lane.

FROM THIS MOMENT ON, SPOILERS AHEAD FOR THOSE WHO HAVEN’T WATCHED SMALLVILLE:

Lois Lane makes her appearance as a main character in the later seasons, after Clark understands that he has officially lost Lana, and starts working at the Daily Planet, in the same office as Lois.

But, unlike Arthur, Lois loves Superman (or The Blur, as he’s called for the entire ten seasons of Smallville, because he’s always caught on camera, but just as a blur). She talks to him in secret, and Clark masks his voice through the phone, he helps her and she helps him, he saves her innumerable times (does this remind you of anything?), and each time Lois compliments The Blur, Clark gets angry, because it’s his alter ego who gets the praise for a job well done, and not him, the clumsy idiot of the Daily Planet, much like everyone else in Merlin’s life has always got the credit for saving Arthur’s life, instead of him.

But what they should have given us in Merlin is what they gave us in Smallville, and it would have honestly made for the biggest magic reveal:

once Clark needs to fend off another enemy of the year, and thinks he’s going to officially die, he goes to say goodbye to his friends and his most loved ones, Lois included (“I’m happy to be your servant, until the day I die”).

Although, unlike in Merlin, where Arthur is a sweet himbo, who doesn’t inspect, and who doesn’t suspect anything, Lois had her suspicions, given that she and Clark had not only started falling in love, but now worked together too, and since she cared a whole lot about him, she follows Clark.

In the Smallville TV show, Lois hides behind a building from where, minutes later, Clark falls from. Lois believes he’s dead (Clark is immortal, and this begs the questions again: does he remind you of anyone?), and notices that he’s been stabbed in the chest with a blue crystal (context: the blue kryptonite removes Clark’s powers, and renders him human, and therefore mortal, unless the kryptonite, much like the green one, gets away from him). Following her guts, and sad and desperate that the man she loves the most might die, and believing in her suspicions and instinct, Lois pulls the crystal from Clark’s body, but the moment she hears some clutter, probably thinking they’re the enemies, she runs away, and goes back hiding.

And there, she sees him.

Clark grunts, gets up, completely safe ad healthy, sees that the crystal may have fallen by itself, or simply disappeared (and actually asks himself how that could have happened) and runs away:

by using his super fast power.

And Lois sees him.

Now, what could have been perfect was, if Arthur did the same.

After an attack gone wrong in the woods and losing sight of Merlin, he goes searching for the idiot, yelling something very along the lines of, “Where’s that useless buffoon?”, when he’s actually worried sick, and finds Merlin stabbed in the middle of a clearing.

Now, Arthur despises magic. He loathes it, he doesn’t trust it, yet, bless him, he still tries to understand it. This could have happened after Uther’s death, the moment Arthur’s reign begins.

He watches Merlin.

Arthur’s alone and shocked and scared and sick, so he drops to his knees next to him. He does not cry, he does not scream, he does not faint, that’s not really him at the end of the day, right? (Lois is the same. She grew up in a strict household with a strict solider father, and has lost her mother, and she had to be the parent to her older sister… Very, very much like Arthur). Or that’s what he thinks, and out of pure desperation, and something that sounds a bit like love, just like Lois Lane, since Merlin flinches, when he should be dead, for goodness’ sake, and out of instics and probably destiny, Arthur pulls whatever has stabbed Merlin out of his abdomen.

But as soon as he does, and as soon as he hears the knights coming close to him, and not to alarm anyone, and because he does not want them to see him in this sort of shocked state, Arthur hides behind a tree.

And there, he watches as Merlin, half dead and half alive, calls for Kilgharrah.

And Arthur has the same reaction of the finale.

He does not act on what he just discoveres.

At first, he’s sceptical, once Merlin comes back like he always does (and now he knows why and how), so he avoids him, he makes awful jokes, or hints about magic and about how powerful and dangerous it can be.

But once he’s sort of gone over this phase, noticing that Merlin hasn’t done anything with his big powers, like showing him off or anything of the likes (because Arthur has always known, magic or not, that Merlin would have never hurt him or Camelot), Arthur becomes… Curious.

And here comes the part that aligns with Smallville (we can also add the sexuality/gender identity/coming out metaphor):

much like in Smallville, and with magic and superpowers, and like in real life, someone does not force this information out of people, but Arthur, like Lois, is dying of curiosity, and just wants Merlin/Clark to trust him/her and tell him/her his secret, because he/she already knows of it.

So Arthur starts doing what Lois did.

The day after everything is well, and Lois now certainly knows about Clark’s superpowers, and the fact that he is The Blur, she goes to work, until Clark arrives too, and tells her that he must be quick for something, and needs some documents for a research. Lois stalls, and pretends she’s being SUDDENLY clumsy and a bit of an idiot (this would go perfectly well with Arthur, because he is an idiot, and he is also smitten with Merlin), and let her pen fall under the desk, to see what Clark would do.

And he uses his powers.

So imagine a wild Arthur in his natural habitat (his chambers), bored like no one else, and on the verge of imploding, because his manservant and best friend and love of his life he’s being stubborn and an oaf and an idiot and a toad.

He lets the apples or the sword or the belt fall under the table, pretends he’s keen to an act of kindness, and picks up the items himself, instead of letting Merlin do it, while he instructs said servant to do something else in the meantime.

Shocked at first, but following through with the orders, Merlin does as he’s being told, after throwing several sceptical looks at his prat of a king, and as soon as Arthur gets up from his crouched down position on the floor, the bed is already done, and the clothes are already folded, and Arthur goes mad, because, oh, he was right, and what else can Merlin do?

The curiosity gets him as much as his developing feelings for the cretin, with apparently super magical powers, who could also break a neck with a flick of his eyes, if he wanted to, and Arthur starts pretending to be even more of an idiot to see more magic, without Merlin knowing that he’s actually showing Arthur his abilities.

And the best part of it all?

The magic reveal.

I love Smallville, because the way Clark confesses his secret to Lois isn’t anything grand or majestic.

Yes, Clark does take Lois flying; yes, he also shags the living brains out of her, IN THEIR FARMS IN THE MIDDLE OF NOWHERE (I must do this again but, does this remind you of ANYONE/ANYTHING IN PARTICULAR?), but he’s just built and hot and intelligent, but also very, very shy and a bit silly.

That’s why I love Clark the most as the best version of Superman, and Merlin as the best version of the famous wizard.

So Clark calls Lois to meet him in one of the Daily Planets departments, where documents and papers are stashed and kept there, on the last floor of the building, and where no one ever goes, and he fidgets a bit with his fingers, and he stammers a lot, and Lois is about to lose it, because still, after all these years, and our love? And how can Clark not tell me? Does he not trust me? Does he not want me like I want him? And all these emotions are well encompassed on her face, because Clark fails to tell her, and he says that he’s sorry, he can’t lose her, he can’t take that risk, he has lost so many loved ones already, and what does Lois do?

She understands, because she loves Clark, and she does not want to force him.

She gulps her tears, she miles brokenly, she nods, she tells Clark that it’s fine, but when she’s about to turn on the elevator, Clark realises that the love of his life is about to slip away from his fingers, and just blurts his secret out like a bloody moron.

Much like Merlin would do.

“I’m The Blur.”, he says, and Lois smiles, she turns around, and she runs to him, and literally jumps him, until they both fall back together, and laugh and stutter out their words and yes… They end up snogging.

Now, I want you to imagine a wild Arthur standing on one of the towers or balconies in the Camelot castle, while Merlin is being the usual insecure, oblivious man Arthur’s known for over ten years, and he turns around at the confession, and he runs to Merlin, and he pulls him to him, and while in this version, Arthur gives Merlin a concussion, as he hits the stone floor (because they are romantic, but also more stupid than Lois and Clark, since they’re, you know, a bloody gay disaster), he snogs the shit out of him too, and they start working together, and getting rid of the enemies together, and form a bond that is even deeper than the one they had before already, and Arthur meets Hunith’s mother as someone else entirely, while the chaos ensue, and so do the messy feelings:

like it happened in Smallville, but did not, because Lord forbid the gays, happened in BBC Merlin.

The knights of The Round table are the other DC superheros, and Guinevere could either be a superhero of her own or the wise and smart counsellor, who would be the journalist in Smallville, and Morgana is still Arthur’ sister, good or evil, it does not matter (she could either be after Merlin or after him, the options are innumerable).

Morgana is basically the obnoxious sister Lois’ has always had, who even gets a fake crush on Clark/Merlin to manipulate the two (these TV shows are too similar, I swear).

But I’m not done.

Oh, no, I’m not.

Because imagine all of this, imagine Smallville, but as a literal crossover with Merlin:

a fanfic where Merlin is the apparent imbecile employee at the Daily Planet, who actually has so many super powers, and he’s invincible, and his boss is Arthur Prat Pendragon, who is sceptical of superheroes, and his father Uther haunts them down, and is the owner of said Daily Planet, and loathes Merlin, because he talks about superheroes in his newspapers, and about his dad, because sodding fucking hell, he could control dragons.

Imagine the mess as these two fall in love, even if Merlin thinks he hates the rich, twat boss, whose order he has to follow, while Arthur treats him like a servant, rather than a journalist; Gwen could be either Chloe or Lana Leng, the best friend or the past lover, and Lancelot becomes Guinevere’s Jimmy or Oliver Queen, and Pete Ross is Will for Merlin, and Uther, is still the mad man they have to defy.

Merlin could have had so much potential, and a plethora of ways to have the magic reveal happen, and yet it was not used, and yes, if you didn’t notice, I’m still so mad over it.

I cannot fathom the amount of happiness I would have felt if they actually merged two of my favourite TV shows ever together, a good crossover between Smallville and the Arthuriana, in this case, BBC Merlin in particular.

[soosoosoup]

Do you have more headcanons about your critter trolls?

There's not much to it really, I just give them animal habits that I find cute lol.

Well first off they do make animal-like sounds. Purrs when content, in love, sometimes when a they're in pain. Growl when angry. Trollings make really high pitched squeaking sounds to voice a want/need.

They're more fluffy!!! Have a more condensed tuft on fur on their chests bc why not. When frightened, hair and fur puff out to appear bigger. Give baps on the head when upset (not serious) like a cat lol.

Scruffing I feel like is done more by older siblings or relatives that aren't the parents. Parents still predominatly use their hair. But they can scruff if their hands and hair are full. It's seen as a little childish (not in negative way), since it's big sibs that usually scruff (bc it's fun)!

Nests, love to sleep in a pile of blankets and pillows. Naps are a great way to bond w/ loved ones. A pretty special step for a new couple to take. Grooming too is important, reserved for parent & child, or between partners.

That’s all I can think of :)

[theultracharmingladynoire]

appreciation post for Yuuri's eyes. [and his glasses]

(insp.)

[astralleywright]

the thing is, like, imogen is blunt, and indecisive, and impulsive. she's cynical, angry at the world, and seemingly much less interested in doing good than in holding on to her loved ones. she's hypocritical, incredibly violent one moment and horrified at the prospect the next. she's passive aggressive, on occasion. she's overly critical. she's scatterbrained.

and all of that stuff is very fucking fascinating, and so fun to watch, and core to what makes her her. but not only are those things not the totality of imogen as a character, they're very much inextricable from the things that make her sympathetic.

imogen has spent much of the last decade of her life in pain, and isolated because of it. when she wasn't alone she couldn't relax, having to keep tight control over her mind so as to not get overwhelmed or invade the privacy of others. because even through all that pain and loneliness, she still bore the responsibility not to impose on other people's minds. and when she fails or slips up or gives in, all of the distrust and suspicion she recieves regardless is suddenly viewed as justified.

which is not to say imogen is not responsible for her actions, or the harm she causes others. of course she is! no one is saying she isn't! but, just like literally every other person, her actions don't exist in a void but within the context of both her past and present.

analyzing that context and coming up with explanations of her behavior that consider it is not excusing her actions or refusing to acknowledge her flaws. it is not coddling imogen to sympathize with her even when she's fucking up. these are pretty standard ways to discuss a character you enjoy actually! it's weird that having a nuanced perspective on a character's actions is being treated as an issue!

[sukibenders]

The way people are becoming anti-children nowadays is really sad. And I'm not talking about people not wanting to have kids of their own, that's fine and something that shouldn't be shamed nor up to someone else to debate. No, I'm talking about the people who adamantly hate these little humans for simply existing, wanting to ban them from spaces due to them having emotional reactions that they are still learning to understand (you know, the kind of lessons that everyone had to learn and figure out at one point). It's gotten to the point where I've even seen these types of people genuinely support children being harmed and deny their hurt under the consensus of "Well then maybe they shouldn't be there," in your average public space. Like, imagine thinking hating on children, people who need assistance and guidance, is something to be proud of.

[skapediem]

fly me to the moon your poster might look fake but you will always be real TO ME!!!!

[aiai-cafe]

seeing discourse pass by on the periphery is so crazy like what do you mean a majority of the fandom hates kabru?????? that boy is the most character ever?? hello??