#harper explains

[cpvnksabm]

i think sometimes rtc fans (fic writers especially) who are aware they aren't disability experts will try to "play it safe" and avoid depicting anything that could end up being offensive or inaccurate, because they'd rather not handle something at all than risk handling it badly. i understand this approach, and don't get me wrong, it's a good thing to want to avoid offending people - and it's also a good thing to be aware of when you don't know enough about something to write about it.

but it's upsetting when ricky is sidelined or excluded because people don't know how to depict him. and "include ricky but avoid going into detail about his disability" isn't a perfect solution either - for shorter fics it tends to work fine, but in longer fics, it becomes noticeable when something hasn't been mentioned. ricky's disability would realistically affect his life in many ways, such that if you're depicting him realistically for an extended period it's likely it will be relevant at some point.

on top of that, sometimes the "play it safe, don't do anything that could be problematic" approach extends to people removing parts of canon* that they think may be problematic. and i'm in favour of improving/ignoring the shitty parts of canon, but this needs to be done carefully and with a good understanding of what specifically needs improving and why, because sometimes it's a fine line between "removing the shitty parts of canon" and "erasing disability representation". there are some issues where, even if canon was flawed in its depiction of something, erasing/ignoring it is actually worse.

*when i say canon i mean the 2016-2018 script. i feel we've all agreed that the ableist 2022 script changes are non-canon for obvious reasons

one example of this is ocean's canonical ableism, and how often it's just ignored by the fandom. i think sometimes people are unsure how to handle it respectfully, or feel like it shouldn't have been in the musical in the first place. and different disabled people have different opinions on how well it was handled in canon, i have mixed feelings myself, but regardless of if it was handled well or not, i don't think making her some sort of Perfect Disability Ally Who Loves Ricky in fanworks is a good solution. because as a disabled person, i don't see ocean's ableism as something trivial that can be easily removed, and when people do casually remove it, i find it to be dismissive & minimizing of a real problem. it makes me uncomfortable.

which is funny because i'm sure, at least some of the time, people go with this depiction of ocean because they don't want to risk making any disabled people uncomfortable by depicting ableism!

basically what i'm trying to say here is: when you're depicting a disabled character, you have to make a lot of choices about how to depict them. and if you're scared of accidentally handling something badly, you might try to set it up so you don't have to make a choice on how to depict it, because it just isn't relevant - because ocean was never ableist in your headcanon, or because ricky's disability never impacts him in the story you're trying to tell, or because ricky barely appears in your fanworks anyway.

but choosing not to make a choice is still a choice. when you can't decide how to handle ocean's ableism, so you just don't acknowledge it - that's a choice! when you can't decide how ricky's disability would affect him beyond what we see in canon, so you just avoid going into detail about it, that's a choice. and sometimes the choices that you see as "playing it safe" and "not offending anyone" are, in fact, making some readers uncomfortable - disability representation is very rarely something as simple as "go with the safe option that cant possibly offend anyone", and avoiding showing disability is not a good approach.

and to be clear i am absolutely not saying i think everyone should have to go into full detail on how ricky's disability (& ableism) affects him in every fic. that would create its own set of problems. i think it's important for able-bodied people to be aware that some stories about the disabled perspective are not their story to tell.

but there's a lot of middle ground between "fic entirely focused on depicting disabled experiences in detail" and "ricky's disability is barely mentioned, his backstory is edited to remove ableism references, ocean is his best friend who was never ableist"! having some exploration of ricky's disability as background info or side details can really elevate representation - some of my favourite rtc fics ever are ones where, even if ricky's disability is never plot-important, it was always handled with care and there were clearly no points where the author could have forgotten he was disabled.

i don't have an easy solution here that makes this simple. but i do have some important advice:

just because something can be depicted badly doesn't mean it's always inherently wrong to depict it. there's a big difference between, for example, "the rtc writers could have done a better job handling ocean's ableism in the musical" and "ableism should never be shown in fiction, it was wrong for them to show it on-stage and we must never show it in-fic". there is really no need to entirely avoid something just because it could be done badly.

as i said at the start, it is a good idea to be aware of when you don't know enough about something to write about it accurately. but this doesn't mean you can never write about it, it means you can learn! research is super important and super helpful, and a lot of strictly factual stuff (i.e. the effects of neuromuscular disorders) can be found on a quick google search. writing advice specifically can be harder to find, since it's more opinion-based, but i find you can find a lot of general posts on tumblr and other social media

If you've tried doing research but there's something you don't understand, or you want to depict a really specific situation that nobody has made a general post about - you can ask! my asks are open for this exact subject! another knowledgeable person in the fandom, @icepoptroll , also has asks open and has given me permission to @ them

if you ever DO accidentally come across as ableist or just misinformed... it's not the end of the world. you can receive criticism, and you can listen to that criticism. this happens to everyone because nobody is perfect. you can apologise if necessary, you can go back and edit your own work to make it more respectful if you see a need to do so! while cyberbullying & harassment in fandoms does happen sometimes, most people aren't looking to "cancel" you, and most people will be understanding when you make mistakes.

so if you tend to sideline ricky, or write around his disability, because you're not sure how to tackle it and you're afraid of getting it wrong - please reconsider. there are things you can do to better equip yourself! ricky doesn't have to be a main character, nor does disability have to be the main subject of a fic, but it shouldn't be ignored entirely.

go forth and be brave in your depictions! thanks for reading!

[varpusvaras]

How Dick actually found out:

Roy: Thank you for coming over, I really needed the help since my partner is out of town

Dick: It's okay! You know, you have to introduce us at some point, since- is that my sweater?

Roy: Uh

Dick: It is! My Gotham U sweater! Okay, it was Bruce's at first and I stole it, but he hasn't asked for it! I thought Jason stole it from me!

Roy: Uhh

Dick: Yeah, Jason definitely stole it, it even smells exactly like him! I knew it was him- why is it in your house?

Roy: Uhhhhhh

Dick:

Roy:

Dick: *looks around, sees all of the things that are definitely Jason's all around the house*

Dick: Are you kidding me?

Roy: Dick I can explain

Dick: Explain what? That you are dating my brother??

Roy: ...yeah, exactly that

Dick: ...get out

Roy: what-

Dick: I said get out!

Roy: This is my house!

Dick: Wrong! This is my brother's house, since he lives here, and I'm telling you to get out of my brother's house!

[mysterycitrus]

if you have the time and are feeling up to it, i hope you can grace us with some roy and lian for father’s day 🤲

it’s a lil late but…. having charged but age appropriate conversations with ur emotionally intelligent eight year old …. beloveds…..

[blackbatcass]

Dickroy is truly about the PLEASE DON’T LEAVE ME versus PLEASE DON’T ASK ME TO STAY. it’s the I LOVE YOU IT’S OKAY IF YOU DON’T SAY IT BACK versus DON’T LET ME GET TOO CLOSE I’LL RUIN YOU. PLEASE DON’T SAY YOU LOVE ME. PLEASE DON’T MAKE ME SAY IT BACK. YOU KNOW YOUKNOWYOUKNOW. I CAN’T LOVE YOU THE WAY YOU DESERVE. the WHY CAN’T YOU STAY STILL LONG ENOUGH FOR ME TO LOVE YOU versus I’LL DO ANYTHING FOR YOU BUT BEING LOVED HURTS TOO MUCH.

PLEASE DON’T GO. versus. PLEASE DON’T LET IT BE MY FAULT

I LOVE YOU. ILOVEYOUILOVEYOU

[tiger-in-the-flightdeck]

.... Roy, you're supposed to be explaining why people think Connor's gay, not why they think you're gay.

[iotsketches]

stills from yesterday’s post

watch the video here

more stills under the cut

[booasaur]

Gotham Knights - 1x12

[strangesmallbard]

"The Cub and the Crow.” Sounds like a cautionary tale. As it probably should. ↳ BALDUR'S GATE 3 — JAHEIRA, TORLYNN, AND AN OLD INSIDE JOKE

[nyoomfruits]

... thinking about dad!oscar/dj!lando again.....

[disco-troy]

Roy is Red X confirmed

[covertblizzard]

Teen Titans Chronology

Era 1: Superhero Names & Funky Nicknames

The Brave and the Bold (1955) #54 The Brave and the Bold (1955) #60 Showcase #59 Teen Titans (1966) #1-20 The Brave and the Bold (1955) #83 Teen Titans (1966) #21-22

This is the peak silly era. Goofy nicknames, (mostly) goofy one-off villains, occasional team-up, etc. As far as I'm aware, none of their real names are ever mentioned within their own title and it's just their superhero names.

It starts with Robin, Kid Flash, Aqualad (in the first Brave and Bold), with Wonder Girl being the first addition when they are officially first called the Teen Titans (in the second Brave and Bold), so I'm counting the Fab Foursome (Cool Quartet? Fantabulous Foursome?) of them as the starting point. They're a team up to #18 with occasional guests from Speedy (#4 - with notes that there were an "avalanche of mail" asking for his inclusion, #11), Beast Boy (#6 - rejected by the Teen Titans and apparently previously the Doom Patrol for not having a guardian's permission slip, interesting note that he already had movie offers here), and Starfire (#18 - definitely not who you're thinking of and instead a Russian boy).

Issue #19 is when they become "Fab-Four-Sometime Five" where Roy joins and Garth takes a break, so the main four changed. There are then two more team ups with Jericho (#20 - also not who you're thinking of but some boy name Joshua) and with Hawk and Dove (#21).

I think only Mad Mod became a long-term villain (?) but the list includes: Mr Twister, the Astounding Separated Man, Beast-God of Xochatan, Akkuru, Ding Dong Daddy Dowd (Demon Dragster), Diablo, The Ant (less villain and more blackmailed by Mr Krask), Mr Baltzer, Mad Mod, Honey Bun (and a spy Karl Larner), Captain Tiger, The Scorcher, The Gargoyle (who makes a reappearance in #35), Captain Rumble, The Dimensional Caper (from Dimension X), Le Blanc, Punch (Sylvester Sepastopol), Fat Cat.

Era 2: Real Names, New Teammates, Mr Jupiter, and Solo Storylines

Teen Titans (1966) #22-31 The Brave and the Bold (1955) #94 Teen Titans (1966) #32-34 World's Finest Comics #205 Teen Titans (1966) #35-39 The Brave and the Bold (1955) #102 Teen Titans (1966) #40-43

This part of the story starts to have a bit more personality and it is a lot more character-driven as opposed to (short) plot-driven stories. Their real names are finally used and they're shown to hangout as civilians and not just superheroes.

This starts at the end of #22 when Donna Troy is given a name, a backstory (one of many), a new apartment, a roommate Sharon, and a makeover. Dick and Wally was previously named in #83 of The Brave and the Bold, but Roy gets named in #24. In a way, this makes Donna feel very much like the living center of the Titans for me, her development begins with the Titans and she's intrinsically tied to it very personally (and this also feels reflected in how Garth views Donna as the "TITANS FOREVER" among all of them). After all, at this point, there's no separate comics she is in unlike the other 4 main titans. She is also the only single character that appears in every single comic with no exception (other than the very first, but they weren't known as Teen Titans then either).

There aren't so much guests as much as two new permanent members - Lilith who joins right before Mr Jupiter comes into the picture in #25 and Mal who joins right after in #26. During this time, 6 of them are mostly all there and are led and trained by Mr Jupiter. The longest disappearance is when Dick goes to college (from #25-32 except for a single appearance in #28) and occasional disappearance when they stay behind to take care of Mr Jupiter's lab (sometimes it is unexplained but I chalk most disappearance up to this). From #26 onwards, all but 6 issues are not related to Mr Jupiter (#28-29 led by Garth, #31 led by Wally, #34 and #42 led by Donna, and #43). This era also seems to establish Wally (and Donna) as de-facto leader when Dick is not around.

All other guests are really more part-time members such as Hank and Don who do their summer stint from #25-#30, Gnarrk who first appears in #32-33 and comes back in #39, and Garth who appears in #28-29 and #40.

For the first time (as far as I'm aware), a known villain gets brought into the story - Ocean Master (Orm) and an alien leader Mofo in #28-29 with Garth going after him. This part also established the easy-to-get-into-fights, easy-to-get-out-of-fights (among themselves) dynamics that I associate with the Titans. They start to place more importance on their insecurities and friendship.

There are also 2 main "friends get brainwashed" (for extended period) type storyline during this period of time (which later seems to become quite commonplace among the Titans): once with Donna (#34 which Wally doesn't see) and once with Garth (#40).

This is also the only era which has quite a lot of additional separate solo storylines. It start with Donna if you count "The Origin of Wonder Girl" in #22 (although it's kind of more like an additional story where everyone appears), and then Wally and Garth (with Tula) in #30. Garth (#30, #35, #36, #38) and Lilith (#36, #38, #41, #43) have the most with 4 each, Roy (#35, #38) and Hank&Don (#31, #39) have two each, and Mal (#35) and Dick (#36) have one each (like Donna and Wally). Superboy (young Clark) actually also has two - one with Dick (#36) and one with young Ollie (#37) that doesn't even have any of the Titans in it.

Crucially, contrary to how modern comics love to portray Batman and Robin's view on the Teen Titans, Batman actually fully supports the Teen Titans in the original and has never been shown to do otherwise almost at all. In fact, he is the one with the most team-ups with the Teen Titans and the team-ups almost always happen because he needs helps "relating to the teens" and he specifically calls on them, with full respect for them (even purposely allowing Wally and Donna to punch him real hard that one time to solidify their cover). The only mentor who does show disapproval is actually Aquaman (in Era 3), who does so because Garth gets mysteriously sick which he blames on the Teen Titans (sort of half-correctly).

Interestingly, up to this point there are actually more team appearances of what I'm calling Alternative 5 or Alt5 (Wally, Donna, Roy, Lilith Mal) than of Fab5 (Dick, Wally, Donna, Garth, Roy). In fact, up to this point there were 12 appearances of Alt5 over 5 appearances of Fab5. This is mostly because Roy and Garth actually have very little team-ups because Roy became a permanent basically the same time that Garth stopped being a permanent member.

Titans Villains (other than Ocean Master hat one time) in this era: Hell's Hawks, Harry Tout, Dr Pauling, Councilman Buckminster (Santa Claus), Demoness possessing Magda Drachwyck (Miss Wickersham), Calibano Della Loggia (x2), Four Horsemen of the Apocalypse, Black Earl of Moray, Captain Barstow's Phantom, Lord Beetle

Era 3: When Fab5 was Defined, More Teammates, Teen Titans West, and Splitting Up

Teen Titans (1966) #44-53 The Brave and the Bold (1955) #149

There was a more than 3 years gap from the last issue #43 in February 1973 to issue #44 in November 1976 which translated to a 2 year in-comic hiatus of the Teen Titans. There's also a change of regular writer from (mostly) Bob Haney to Bob Rozakis. All this culminated in a change in tone of the characters being a bit more aggressive and antagonistic towards each other, especially with Roy (note: Snowbirds Don't Fly happened in 1971 so it's not because that occurred in between the break since it actually happened before the break). They fight a lot more this era and the storylines are longer and bleed more into one another.

Another obvious change is that Wally is shown to be way more into Donna than before (in his thoughts especially) instead of their more casual flirting. Wally does eventually confess to Donna who rejects him in this era. The other "official" relationships are Mal/Karen and Lilith/Gnarrk (funnily because Mal/Lilith was a thing for a bit).

In story, Mr Jupiter decides to close shop (unknown reason) and so they broke up, with Mal taking care of the labs and the rest pursuing their individual careers instead as they agreed upon (but Mal is unhappy about). This... doesn't really make sense because I'm not sure what "individual career" Donna has, but never mind.

Lilith is no longer in the main team (later explained that she settled in the West Coast with Gnarrk which is very contradictory to her last statement in #43 that the Teen Titans is her family). Garth comes back from #45 when he is mysteriously summoned by Mal's horn and it's like he never left. He wants to resign in #51 because his insecurities making him physically sick, but he agrees to finish the mission and they all ended up disbanding anyway. Karen appears first in #45 as Mal's girlfriend and joins as Bumblebee in #49, but Duela joins the team first in #46. Because of these lineup changes, Fab5 appearances started to catch up to Alt5 until eventually Alt5 (15 appearances) just barely edges out Fab5 (13 appearances). Interestingly, Dick-Wally-Donna-Roy-Mal actually end up appearing most (17 appearances).

They (it's honestly mostly Dick, Wally, and Donna) discuss the idea of a new headquarters first suggested by Donna in #45 (like I said, she's very much the living centre of the Titans). Dick makes the decision (because he is Leader-Man and Bruce is funding it) to have their headquarters as a restaurant front, Gabriel's Horn (named after Mal's horn given by the angel Gabriel in #45), run by Mal and Roy (the jobless duo apparently) in #46 and they set it up in #49. Mal and Roy also started forming the rock band The Great Frog (a job!) in #45 which plays in their restaurant.

Teen Titans West first meet up and is established in #50 with some familiar faces (Gar, Hank, Don, Lilith, Gnarrk) and some complete newbies (Bette, Ch'al) to the roster. Issues #51 and #52 have the East and West team up, resulting in basically every Titans ever joining with the exception of Tula (but then again, at this point she only appeared in Garth solo story and never in the main storyline). At the end of which, they have a big feast (sponsored by Dick) and decided to part ways to improve and work towards eventually becoming the future Justice League (as they were always meant to).

The final story #53 establishes their origin and formation story which includes Roy, but had Roy basically saying he wanted to be involved only whenever he wanted and not permanently (ahem commitment issues), establishing Fab5 as the clear founders of the Teen Titans in the last issue.

There is a third "friends get brainwashed/used" (for extended period) type storyline with Lilith (#50-52), except she's not evil, but her powers are manipulated for evil. With Duela, there is also the first instance of villain's children in the Titans (in future there is Joey and Rose most prominently), setting up the stage for Titans raising villain's children. They actually brought Two-Face in to visit Duela at least once (right after a crime too???) which is... interesting?

This era has many more appearances of known villains including Dr Light, The Fiddler, Two-Face, and Mr Esper (Captain Calamity). The final issue is where Antithesis first appear (he is a recurring villain or at least comes back in future issues), and the remaining unimportant ones are: The Wreckers, Flamesplasher (x2), Sizematic (x2), Darklight (x2), and Rocket Rollers led by Brian the Brain.

Finally, there are some unexplained mysteries. Where the hell did Mal's horn go since it went missing in #49? Who is the blonde "Little Queen" that Garth meets from #36 (because I don't think it's Nirka McDuff from #40)? Who are Lilith's parents? What's up with Mr Jupiter? Is he Donna's dad (#35)? Do they ever make use of the possibly haunted mansion and fortune they inherited in #43? Why did Mr Jupiter not bother to make Roy, Wally, and Lilith face their fears (#38)? Does he think redheads have no fears? Are we going to address the fact that Lilith is apparently Juliet reborn (#35-36) and decided to give up Romeo (who she was very enamored by for a while) for Gnarrk?

To be continued~

Some Statistics (For Fun)

Most to least appearances, we have:

Donna (60) - only missing from the very first story before they were coined the Teen Titans

Wally (58) - missing from 3 stories all during Mr Jupiter era (twice unknown reasons and once because he is watching the lab)

Dick (54) - missing from 6 issues for his college

Roy (41)

Garth (37)

Mal (28)

Lilith (22)

Mr Jupiter (12) - not a Titan but I was curious so I counted him

Hank and Don (11)

Karen and Duela (8)

Gnarrk (5)

Gar (4)

Bette and Ch'al (3)

Tula (1)

Most to least trio appearances (within Fab5):

Dick-Wally-Donna (50)

Wally-Donna-Roy (38) - the love triangle lmao

Dick-Donna-Roy (33)

Dick/Donna-Wally-Garth (32)

Dick-Donna-Garth / Dick-Wally-Roy trio (31) - DWDG and DWDR limiting factor

Wally/Donna-Garth-Roy (14) - Roy/Wally-Donna-Mal/Lilith have more than this (25, 23, 19, 18)

Dick-Garth-Roy (13) - Fab5 limiting factor

For quartets, Dick-Wally-Donna-Garth (DWDG) quartet (31) ends up exactly equal to Dick-Wally-Donna-Roy (DWDR) quartet (31).

Special note that because of Lilith separation in Era 3, even though Garth is brought back, the Rebirth "OG" line up (Fab 5 + Lilith) actually only has 3 appearances together. On the other hand, Alt 5 + Dick have 9 appearances (but no Garth). World's Finest line up (Fab5 + Karen) have 7 appearances but only 4 of which Karen is actually Bumblebee and fighting with them, while the Silver Age Final line up (Fab5 + Mal) has the most with 10 appearances.

Ultimately, Lilith does still make more sense to me than Karen to balance the team with more girls, because she definitely was there earlier, had more appearance than Karen, and also doesn't have the additional association of joining because of Mal since she predates Mal. That said, the girl with the most Fab5 teamup might actually be Duela who also has 7 appearances with Fab5, all of which she is on their side (although half their issue was trust which wouldn't make so much sense if she was with them from the beginning). The person with most Fab5 teamup is unquestionably Mal though (10). It's curious to see what is more "valid" but my personal opinion is that there is no point in making a Fab6 just let leave it be and acknowledge it as product of its time.

If you want to have a look at the data out of curiosity, it's here.

[cpvnksabm]

Things I Think RTC Did Well In Disability Rep (in 2016-2018 scripts)

exactly what it says in the title. i'm not touching on the pre-2016 scripts because i dont know enough about them and i'm not talking about the 2022 script changes for obvious reasons.

disclaimer, this is all my own opinion as one disabled person, other people may feel differently and that's fine.

Ricky's disability in general

Ricky is a young person who uses mobility aids. He can't talk, implicitly due to dysarthria. He has a degenerative disease, specifically a rare disease which is heavily implied to be neuromuscular. And it's stated outright that his disease is lifespan-limiting and that he's dealt with his own mortality in life.

And all of these things are very underrepresented!

I'm not going to claim that all of these things were explained perfectly or explored in detail in the canon. But just having them on-stage, in my opinion, is a big deal in itself. And it's also a big deal that Ricky is a main character, who has the same character depth as the abled characters, when so many characters like him are reduced to ableist props for other characters' story arcs.

I understand there's been some confusion about the specifics of ricky's disability, in the fandom. And I know part of the confusion comes from the fact that the script didn't explain everything, and glossed over most of the details. But honestly? The fact that so many RTC fans didn't initially understand parts of his disability - such as the fact that it's likely neuromuscular, or the fact that his inability to speak is implied to have a physical cause - just makes it more important that these things were represented on-stage in the first place. They're so underrepresented, little-known, and poorly-understood that many people don't pick up on them even when they are represented!

Just showing these underrepresented disabled experiences on-stage has potential to help a lot of disabled people feel seen, which matters.

Ricky as a victim of ableism

Okay, this one might be controversial, but i'm speaking from the heart here.

Ableism is a huge part of Ricky's backstory and character - the whole Zolar thing is stated to be a coping method to deal with isolation & cruelty. Throughout the musical Ocean infantilizes him in dialogue, and in her song she argues point-blank that he has no reason to be alive due to his disability. The rest of the choir aren't perfect either - sure, nobody else says anything ableist, but they're all bystanders to Ocean's overt ableism, nobody really holds her accountable or acknowledges that what she's saying is fucked up. On top of that, Ricky says after his song that nobody listened to him while he was alive which, combined with the whole choir being shocked upon learning about his deeper thoughts, pretty clearly implies that they all ignored him previously.

And it's so fucking realistic.

Look. I'm not saying that Ocean's ableism was ever handled perfectly in canon. I am saying that when I saw a post-2022 production with the able-bodied Ricky script, I got a sinking feeling in my gut when we got to *that* part of WTWN and I realized the ableist lines had been removed/replaced. Because facing ableism is a huge part of my disabled experience that I barely ever see even acknowledged in media, let alone represented accurately, and the more I face ableism in real life the more I feel I can relate to Ricky, and that is so important to me.

Depicting bigotry in fiction is always difficult to do right - it's a rough balance between "this is not okay and we should not imply that it is" and "many people believe this is okay, wrongly, and that needs to be shown accurately". Sure, you can make it so the antagonist character is overtly ableist and every sympathetic character explicitly says "I do not agree with your ableist views!" and that way it's 100% clear that the ableist actions are wrong. But real ableism isn't just like that. Sometimes real-world ableism is a group of perfectly nice people who just never think about the disabled kid, or how he's doing or whether someone should talk to him, because they've been taught to ignore him. And sometimes it's a girl who swears to God that she's a good person, who considers herself an ally, whose voice stays sweet and kind as she switches between talking to her disabled classmate like he's 5 years old and claiming he doesn't deserve to live.

I think the brutal honesty of ableism in RTC is important. Yeah, it's pretty fucked-up when you think about it - Ocean openly sings about why Ricky shouldn't live, every ableist character is presented sympathetically, nobody is ever actually held accountable for ableism on-stage - and that's just like real life. I'd like to think that it could act as a wake-up call to some abled fans, who are similar to Ocean (+ others) and who could learn to understand the flaws in their worldview when they realize you're not supposed to agree with what she says in WTWN. But even more importantly than that... it makes me feel seen, in a way that I couldn't feel if Ricky's experiences with ableism weren't shown so realistically.

SABM, like, all of it

Do I even need to explain this? Disabled person has a whole furry-themed musical number. That's cool as fuck. God I wish that were me.

Okay, seriously. I think SABM is wonderful and important for a number of reasons. Like all of the character songs, it's important for expanding Ricky's character - not only is it a main glimpse into his interests, but it sets up for us to learn more about his personality and the selflessness that would later lead to the touching Savannah scene. It shows us his deep internal thoughts - it confirms that he has deep internal thoughts - and explains how he's been coping with the ableism he faces.

SABM is weird. I like that. I like that Ricky gets to have weird interests and a weird self-insert fantasy, while being disabled - I like that being disabled isn't treated as his "weird" trait, such that giving him weird interests as well would be "too much". Because that happens a lot! Disabled people are expected to be completely average in every other way to "make up" for our disability. And, yeah, SABM is kind of horny - and that makes sense! Ricky is a teenager, he's in his final year of high school, most people his age do have sexual fantasies. Other characters also reference sex in various ways so it makes sense that Ricky would. And I think it makes sense for SABM to be weird because part of Ricky's backstory is being ignored and isolated due to his disability - that's the sort of thing that, long-term, can leave people without a clear reference point for 'weird' and 'normal', or just leave them having no reason to care about being 'weird' because they're ignored anyway.

But also, if I may get analytical for a moment. Throughout the musical until SABM, Ricky faces a lot of ableism from Ocean, which isn't really commented on - she infantilizes him, both by assuming he's incapable of deeper thought/understanding and by being shocked at the idea that he might talk about porn or sex, and she also argues that he doesn't have a reason to live with his disability. Ocean is a flawed character and an unreliable narrator, but for the first half of the musical, you could be forgiven for thinking maybe you're supposed to agree with her and view Ricky as some pitiable child.

And then in comes Ricky's introduction, followed by SABM. And clearly Ricky isn't mentally a child, in any way - he's developed a whole complex story with deep worldbuilding so that he can imagine himself having sex with alien catgirls. But it also makes it clear that Ricky does have valuable ideas to contribute and, heck, just things he enjoys - which feels significant to me when a few songs ago it was being argued that there's no reason he should be alive.

As I said earlier, the ableism Ricky faces is extremely realistic and relatable to me. And SABM makes it clear that Ocean's ableist views about him are untrue and harmful, without breaking the realism for her to turn directly to the audience and say "By the way, you aren't supposed to agree with most of what I say about Ricky - I'm an unreliable narrator speaking due to my own biases!"

Basically - SABM is a subtle deconstruction of all the ableist things said to/about Ricky throughout the musical. It's an incredibly important part of the musical and an important way to represent a disabled character. And it's also a fucking bop.

Why this is important

Representation matters. That's a concept that has been explained a lot, by people who can articulate it better than I can - I won't fully explain here, just google "why does representation matter".

Look - over the years, many aspects of RTC's disability rep have been criticised in various ways. And a lot of that criticism is completely justified. Many topics were handled confusingly, not fully explained, and not properly explored like they could have been; erasure was pretty much baked into the script, with Ricky becoming able-bodied in the afterlife, and while some productions have tried to alleviate this by retaining his mobility aids nobody has found a workaround for his inability to speak in a genre where it's important for him to sing; and in recent years his disability has been entirely erased from the script, in an incredibly ableist way.

I'm not saying RTC is perfect; far from it. But if I thought there was no value in RTC's disability rep, and Ricky was just some offensive caricature, I wouldn't be in the fandom.

In fact, it's because I love Ricky and see him as valuable disability rep that I think it's important to criticise the parts of the musical that aren't handled well & the issues with disability erasure. RTC had good disability rep - that's why I think it should be improved, why it can be improved, and why i think we should fight against erasure. That's a big part of why I hate the 2022 script changes! Because they erased something that was important to me!

A lot of the things I loved about RTC in the first place are things that I frequently see glossed over, or downright erased, in fanworks. I think sometimes people don't realize the significance of these details, so I wanted to share why I think it's important! Some of these details really need more exploration and more love!

Overall, I think it's important to understand that media can't always be sorted neatly into "good representation" or "bad representation". And that talking about the good things and criticising the flaws can both be important. I really wanted to share my perspective on this topic. Thanks for reading!

[rebouks]

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Ivan: What, I ain’t even allowed t’talk about it no more? Bruno: Not when there’s nothing new to say. Ivan: Well, it’s alright for you, y’already got one! Bruno: [sighs] He’s not really-… Ivan: He’s biologically yours, B! You’re his dad, he’s gonna come t’you for advice, t’learn shit-.. n’ whatever else. Bruno: He’s gonna have you for that too. Ivan: It ain’t the same. Bruno: That’s a bit dismissive. Ivan: You’re the one being fuckin’ dismissive! … Ivan: I’m gonna say somethin’ I’ll regret if you don’t get y’ass back inside. Bruno: I need-… Ivan: I’ll bring your precious truck back before mornin’, don’t worry. Bruno: Look.. I’m sorry my past is getting in the way of what you want, but yours isn’t exactly much better. Ivan: I ain’t blamin’ you. Bruno: It sure feels that way. Ivan: I just wish y’wouldn’t-… Bruno: Be realistic? What do you want me to suggest? We can’t adopt, we can’t foster, we can’t afford a surrogate-.. so, unless you wanna go n’ find someone you can knock up the old-fashioned way, I don’t know what else to say! [Ivan scoffs, staring at Bruno incredulously] Bruno: I wasn’t saying-… Ivan: Are y’seriously tryna goad me into fuckin’ someone else? Bruno: No, I just meant-… Ivan: [snorts] Whatever. Bruno: Ivan, wait-… [Ivan slams the truck into reverse, two tracks of crumpled flowers left in his wake as he turns around and speeds off] … Bruno: He’s not angry, he’s just.. passionate. [Jacob fussing] Bruno: We like that about him though.

[averlym]

miscellany (again),, tags in the last image by @pyrotechnicarus

[sbd-laytall]

"When you get right down to it, there's nothing especially difficult about detective work."

I want you to say that to Dick’s face, Roy.

Action Comics (1938) #637

[ilikemicrowaves]

Weasel of the Rainwings (Winn Harper)

Weasel is a 5 year tall Rainwing. They live with their aunt in Sanctuary and attend an all tribe school. The "hair" is feathers, btw, I hc Rainwings can have feathers that look more like hair.

+ Size chart

Also, Winns family is never mentioned in the show, so they live with their aunt. If we get season 2 and Winns family is revealed then, then I'll change it.