#harp sheet music

[automaticfrenchhorn]

Today's piece is a study on my own compositional process. In my most recent semester at university, I've been working on finding a new process for how I write music. In the past, I've been very analytical, writing with focus and planning ahead, usually for complex contrapuntal ideas, but I've found that the music itself often becomes dry and meaningless, with little to no nuance.

Instead, I've been trying to develop writing from the other extreme; with no planning ahead at all, instead letting the music guide me in how it should continue, or if it needs to continue at all.

This study was written with that process. Elements such as the tonal centre change, melody, harmonics, and the ending just came about in their respective moments, as what I felt to be the most natural way to continue what had come before. As such, there was no backtracking in this writing, adjusting anything that came before. My older style likely would have done this, in an effort to make the piece more symmetrical or proportioned, but today I chose not to, as the spontaneity of how it exists is not only a feature, but an integral support for how its development works.

As always, these pieces are welcome for anyone and everyone to play! All I ask is that you share it with me, because I'd love to hear it done by a live player!

[thomaskong]

partial utsukushii kare soundtrack cover I did a while ago… maybe I will do a complete one eventually lol

[portrait-paintings]

Self-Portrait with a Harp

Artist: Rose Adélaïde Ducreux (French, 1761–1802)

Date: 1791

Medium: Oil on canvas

Collection: Metropolitan Museum of Art, New York City, NY, United States

Rose-Adélaïde Ducreux

Rose-Adélaïde Ducreux, daughter of Joseph Ducreux, portraitist of Marie Antoinette, was trained by her father. Because the family were not members of the Académie Royale de Peinture et de Sculpture exhibiting works at the official Salon was barred prior to the French Revolution. In 1791, the Salon became open to other artists and Self-Portrait with a Harp was first displayed in a joint debut with her father in the Salon of the Louvre that year. It was one of two paintings exhibited by Ducreux.

[modestutopian]

Thirdish pass on my attempt to arrange and come up with fingerings for the first song (besides really easy stuff like Twinkle Twinkle) that I will learn on my harp.

I've been working to arrange "The Day the World Revived" by Mitsuda Yasunori. This piece was suggested to me by Valfreyja and I used her sheet music as a starting point for this arrangement. She is also helping me clean this up and finalize it!

Re-arranging the piece is necessary because my harp is stupid small lol

[your-turn-to-role]

been working my way through the lovm s2 q&as that are on youtube

and like! love them as always, the cast is great, great to hear them talk about this stuff

but also. i took like a year ish hiatus from this fandom before tlovm pulled me back in, and in that time i, among other things, finished my theatre degree

and god does this hit different when you're a week out from the professional opening of an original musical you wrote with like 7 other people, and are also not just a performer in but the music director of

[girls-and-honey]

okay I know I already posted earlier today BUT I was feeling harpy so here's another one

should this be like a troubadour thursday thing? (no I'm not an old timey lyricist but my harp model is called a troubadour so it works)

[knightofbreath]

I found her tumblr account so go follow her

The full cover is finally out! You can also listen on Spotify, iTunes/Apple Music, and other platforms (see video description for links) ✨

[sleepinginmygrave]

sigh marcel grandjany i love you

[automaticfrenchhorn]

Study for harp today, my main goal was to write something I found expressive. It began with the two chords in the right hand, and the tension between them caused by the C natural and C flat. Next came the melody, where my note choices were very deliberate; wanting the tension found in the G flat against the C chord, and G natural against the C flat chord.

For the rhythm, I wanted to subdivide the half notes into two beats, but with a slowdown on every second beat, as if the harpist is waiting a moment longer before the next half note. The quintuplet rhythm came to be my solution, as it let me write in these uneven pauses directly.

As always, these pieces are welcome for anyone and everyone to play! All I ask is that you share it with me, because I'd love to hear it done by live players!

[zodiacsea]

okay but how different is playing a lyre from like a guitar or ukulele. they’re all zithers. i can probably play the lyre if i had one

[whiteeyes-is-a-mad-scientist]

Caterpillar music

Ok I love these new Everlux fellas but I think it would be cooler if they were like instrument makers. I love a good book wyrm but I feel aethers already accomplished that. Imagine a mama Everlux teaching her grub how to make and play tunes

Also totally bias cause I love the harp horns and think it would have been so cool to have more instrument traits (eclipse too omg that one is so lovely)

Overall love them tho

(Also ignore how big I drew these fellas lol I completely blanked on the fact they are tiny until I was done with the background 💀)

small edit: NEW IDEA, keep the whole book wyrm thing but make all the books about music. They hid away in sheet music and write each other songs of love and friendship. They record information through song. omg the book wyrm can still fit with the music vibe

[portrait-paintings]

Portrait Of Sarah Harrop As A Muse

Artist: Angelica Kauffmann (English, 1741–1807)

Genre: Portrait

Date: 1780–1781

Medium: Oil on Canvas

Collection: Princeton University Art Museum, Princeton, New Jersey

Angelica Kauffmann’s portrait of the renowned singer Sarah Harrop (Mrs. Bates), arguably the artist’s masterpiece in portraiture, is a rare representation of a self-made woman, the great Handelian performer Sarah Harrop (1755–1811), by one of the very few professional women artists of the period. Kauffmann, one of two female cofounders of Britain’s Royal Academy, shows Harrop seated in the wilderness, a lyre at her side and a rolled sheet of music in her hand. The mountain, Mount Parnassos, is the home of the Muses, and the waterfall issues from the Hippocrene spring. The lyre most likely identifies Erato, the Muse of lyric poetry, and while the instrument is based on ancient types, the sheet music grounds the portrait in the eighteenth century, for it is recognizably an aria from George Frideric Handel’s opera Rodelinda, Queen of the Lombards (1725).

The picture, first exhibited at the Royal Academy in 1781, dates from around the time of Harrop’s marriage in 1780, a marriage to which she brought a substantial personal fortune made through her talents as a performer. The music hints at a personal meaning. The aria "Dove sei, l’amato bene" is sung not by Rodelinda but by her husband, whose longing words must have been chosen specifically for their personal significance in what was almost certainly a marriage portrait. That Kauffmann the artist was also married at about this time, to a fellow artist of more pedestrian talents, Antonio Zucchi, only deepens its resonance.

[readychilledwine]

hello!! please could i request one where the reader is an OG member of the IC and very close to azriel (she knows that he’s her mate, he doesn’t) and sister-like to the rest of the IC. once feyre and her sisters come about, she often confides with feyre so they’re also close.

anyway, there’s an important event for the reader on day and she expected the rest of the IC would join her (she invited them?) but no one turned up and she’s absolutely exhausted, emotionally and physically, by the end of the day.

when she’s back, everyone is together at the house having fun and one of them notices she so dressed up but looked exhausted. maybe someone says something snarky and there’s an argument. azriel defends the snarky person so reader and azriel have an argument (hurtful words towards the reader) and that’s when the mating bond snaps for az and he’s regretful. things happen but happy ending for the reader, az and the IC. thank you 🫶🏼💗

Odd One Out

Summary - After 500 years of friendship, the last thing you ever expected was the Inner circle to miss one of your symphonies. But you know what they say, time changes people.

Warnings - I warned you all to watch out for angst, right? Elain being catty, reader feeling lonely, Azriel being an idiot

A/N - I promise Bound by Fate is still coming. I'm just constantly rereading it and not happy with where it's at. It's probably because I needed this out of my system. I hope this is close enough to what you were looking for! It wrote itself, so I'm worried it may stray too far from the ask! Please let me know if it did.

✨️ Azriel Masterlist✨️

Odd One Out pt 2

Maybe you had asked too much again. You looked to where the empty seats for the Inner Circle and Archeron sisters sat one last time before moving forward. You had worked too hard on this symphony to let this stop you. You were the last to go on stage, the conductor in her gorgeous sparkling gown and heels. You were the picture perfect face of composure as you bowed before turning and raising your hands.

You were introduced to Rhysand at a young age, and the two of you were quickly friends, so when he became High Lord, a place at his side was handed to you without question. You were eloquent, elegant, and kind. You were perfect for the position of emissary, and you single handedly won him friendships and alliances among every court aside from Spring.

He had never stopped you from pursuing passion, though. Your father had forced you into harp lessons from the tender age of 4 until his untimely death. He sat by your side for hours, teaching you to speak through letters written on a sheet that so fee could truly understand. It was an escape that turned into a career. One Rhysand specifically built the amphitheater you currently stood on for. The music you wrote woke emotion on the High Lord and all of Velaris, quickly making you one of the most popular females in the City of Starlight.

No one enjoyed your music more than Azriel's shadows, though. Nor did anyone enjoy you the way they did. How they knew you two were mates while he sat clueless and doting on Elain would never make sense to you, but the shadow turning your sheet music for you tonight was at least a small comfort, even if your family, mainly his master, was not here in their resevered High box seats.

You were exhausted when your arms lowered for the close of the show. You stood to the side, plastering a small faked smile on your graceful features as you held your arm to the orchestra, signaling for their bows before taking your own and leaving. You were the last one there, sharing thank yous and goodbyes as you musicians left. You chose to be alone for a while on the harp that sat in your sound room at the theater. You had a song in your mind, and you needed to let it speak before it left. Even if it was created from a place of raw emotion. It was near midnight when you finished, leaving the new composition to sit until you returned tomorrow.

You could hear the drunken laughter the second you walked into the old Riverhouse, the one you and Azriel made home as the mates of the Inner Circle began occupying the other houses, and signed as you removed your heels and picked them up into white tipped manicured nails. "Y/n!" Cassian's booming drunk voice slammed into you as he did. "Where have you been, baby?"

It was Nesta who gasped, looking at the clock on the wall before whispering a soft oh no as she saw your dress. Nesta who covered her mouth, eyes beginning to water as she shook her head and stared. Nesta who glared to Feyre.

"Why do you look so dolled up?" Rhys had a slight flush to his face, a wide smile as he took you in. "Hot date?"

You couldn't help but stare, shaking your head as your throat tightened. "You all seriously don't remember." Rhys knitted his brow thinking, and his face slowly fell.

"Y/n Darling, I am-"

You put your hand up to him before he could finish, shaking your head as the tears actually fell. "Save it. Spare me your lies and excuses." Cassian looked to Nesta and then Rhys, his own face falling next as he remembered.

"The symphony."

"Was beautiful, regardless of my support system deciding wine and board games were more important than the first live art performance in Velaris since our high lord was captured." Your voice was shaking as you looked up, avoiding Hazel eyes that were wide in shock as every single ounce of heart ache you felt hit him.

The bond finally snaps, his shadows hissed. We've been reminding you all day. And now you've hurt our mate. Ours. We went. Where were you?

"Maybe if you were actually good at writing music, we would have remembered." Mor's glass of wine hit the floor as your breath stilled. Rhys felt his hands fall from Feyre's lap as she audibly said Elain's name in an insulted tone. Amren was immediately held back by Varian. "Obviously, if the people who you claim you're so important to did not see making time to go a priority, we did not miss much."

Cassian heard your breath shutter. You stared to Azriel, waiting for him to come to your defense and not realizing his silence was due to shock from the bond and Elain's sudden cattiness. "Very well. I see I am no longer wanted, and I will not stay where I am not wanted," the whisper was all anyone could hear as you turned and walked away. The door shut behind you, and as if the Mother truly hated you, rain began falling softly, and you made your way back to the amphitheater.

Azriel had never shoved someone off his lap as quickly as he did Elain in that moment. But it was Rhysand who spoke, "How. Dare. You." The High lord went to stand, grabbing his jacket. "When your sister was dying, I sent her y/n's music. The mobile you play for our son every night, is y/n's music. The music that plays in Hewn City is y/n's music. She is an essential part of my circle, my family. How dare you tell her that her passion, her joy, and her career mean nothing to us."

Azriel backed away from Elain. "Your true colors disgust me, Elain Archeron." He studied her, truly studied her for the first time as the door slammed shut following Rhysand's exit. "That is my friend, my closest friend. You just hurt her like it was nothing. Cut her so deeply you will never be able to repair it."

"Well, if she mattered so much you all would have remembered."

Feyre spoke then, between heavy sobs, "I wrote down the wrong date. I wrong down tomorrow night for opening night. We were going to take her to dinner. It was supposed to be Nyx's first concert. This is my fault."

"Again, proof it didn't matter." Elain sipped her white wine as if Feyre had all but solidified her opinion.

"Get out," the growl from Azriel took everyone by surprise. "Get out of my home. You are no longer welcome here."

He was out the door, running to catch up to Rhysand in the rain, but missing the High Lord. He entered the amphitheater drenched and in silence, sitting next to where Rhysand was in the dark.

You were on stage playing violin as you always did when your heart was breaking. Every stroke of the strings had the bond growing tight before you dimmed it on your end, as if each movement of the bow, each note, was you whispering goodbye. "She told me she is leaving," Rhysand rubbed his face next to Azriel. It was then he saw the tears staining the perfect features of the High Lord. "She said this is my last performance before she leaves for Dawn."

"There's nothing we can do then?" Rhysand shook his head at the question before his head fell into his hands and his shoulders wrecked into sobs. "She's my mate."

"I know," Rhysand looked to the stars. "I've known for years. She never said anything, and now she never will. What little piece we had left is gone. Her light had been blown out by Elain's statements."

"Let me-"

"Just please stop talking and let me enjoy this."

It was the song he had sent Feyre under the mountain. A score that read of hope through pain.

And hope was all Azriel could hold on to as you stood and bowed, winnowing away as soon as you were finished.

General Taglist:

@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects

[oliversrarebooks]

The Rare Bookseller Part 65: Alexander's Lesson

Previous > Masterlist > Next

tw: kidnapping, branding, body control, blood drinking

December 1815

Lex was glad that he'd made it out the door early, especially since Anders wouldn't stop badgering him about where he was heading on such a cold night. He'd made up some excuse about an errand, but he seriously doubted his ability to keep this secret from Anders for long. Maybe once he'd had a lesson or two with this teacher and made up his mind about whether he was going to stick with his instruction, he'd tell his friend. Master Laurent wouldn't approve, but what he didn't know wouldn't hurt him.

It was somehow even more bitterly cold than it was the previous night, and Lex dearly wished that he were back home by a fire. He wasn't fond of the idea of spending the next several hours in the company of the frigid and imposing man who'd glared at him for his entire practice. Still, if he was such a fine and exclusive vocal teacher, beyond even Master Laurent's skill, this would be worth his while.

He arrived at a manor as icy as its occupant. It was surrounded by a wrought iron gate, and inside was a stone courtyard covered in snow, with no living plant in sight. The windows were all shuttered and there was no sign of any light. Anxiety sat like a stone at the bottom of his gut, urging him to turn back -- but he could hardly tell Master Laurent that he was like a child, spooked by the thought of a haunted house.

He picked up the brass door knocker and rapped on the door.

The door opened right away. A stiff and pale looking man in a well-kept suit beckoned him inside. "You must be Alexander. My master is expecting you. Please enter."

"Good evening," said Lex as he stepped in, trying not to flinch as the door shut behind him. There were a few gas lamps flickering on the walls, barely enough to penetrate the gloom. In the dim light, he could see that the entrance had oppressively patterned wallpaper and objets d'art in every nook and cranny. It looked more like a museum than a home anyone actually lived in.

"This way," said the servant, leading Lex down a foreboding hallway. The servant's manner of walking was odd and unnatural, almost like a puppet on strings. He thought he saw a pair of eyes peer out at him from one of the darkened rooms, but it disappeared as soon as he turned.

Just a music lesson, Lex reminded himself to soothe his heart. He's an old and eccentric music teacher, nothing more.

At the end of the hallway, the servant opened the door to a room far better lit than the rest of the home, the most extravagant music room Lex had ever seen. His fear was forgotten for a moment as he admired the wide variety of perfectly kept and cleaned instruments lining the floors and walls. Polished horns glistened on their stands, stringed instruments were hung perfectly straight in brackets on the walls, and one corner was occupied by a beautiful gilded harp. The center of the room was dominated by a grand piano. It was a much older sort than Lex was used to, but in ideal condition, and his fingers ached to play it.

To do that, though, he'd have to get past the man who stood from the piano bench to receive him. He was dressed all in black, as he was the previous day, and his piercing gaze was all the more impossible to ignore when Lex was the only other person in the room. There was something oppressive about his presence that gave Lex a senseless urge to turn and run.

Oh, how he wished he were already by the fire with Anders, laughing about this whole thing!

Lex bowed, and he felt almost as stiff as the servant (who had already fled the room). "Good evening…" He realized that somehow he'd completely neglected to get his new teacher's name.

"When you are here, I am your Maestro. You may call me that, or sir," he said.

"Yes, sir," said Lex. No greeting, apparently.

"Come. I wish to hear your talent." He gestured to a stand with sheet music arranged on it.

Lex stepped forward and took a look. The music was handwritten but impeccably neat; the piece was complex and the lyrics were in a language he was not familiar with. "What language is this, sir?"

"Irrelevant."

"I'm going to need to know how to pronounce it."

"You will learn."

Lex scowled. This Maestro's style couldn't be more different than Master Laurent's. Master Laurent was stern and critical, but not harsh like this man, and the things he asked of Lex were always reasonable. He could already tell they would be butting heads.

Well, if he didn't like the instruction, he could always turn down future lessons and give his apologies to Master Laurent.

"I'm going to need to warm up first, sir."

"Very well. I will observe how you go about it."

Lex sang a few notes, loud and soft, up and down the scales, all the while conscious of the Maestro's gaze upon him. Lex couldn't help but think if he was going to be so nakedly judgmental of Lex's warm-ups, he could offer instruction on how to improve them. Wasn't that what he was here for? Instruction?

As he warmed up, he scanned the music to get a sense of it. The difficulty must be to test him. He wasn't about to shy away from a challenge, especially where music was concerned. No doubt the Maestro wished to see if he was actually a prodigy in vocal skills, or yet another mediocrity propped up by his family's wealth.

He finished his preparations, and he sang.

The acoustics of the room were excellent, and Lex's voice rang out clear and pure. He stumbled over a few of the unfamiliar words, but the notes he sang were true.

It was objectively an excellent performance, given the circumstances, and yet his new teacher sat there stony-faced without a glimmer of a reaction.

"Again," he said, a moment after Lex finished.

"Sir, before I sing again, I'd like to know how to properly pronounce some of these words."

"Again."

"You said I would learn how to pronounce them. I can't learn that if you don't teach me."

"I will teach you much before we are through. But now I am ordering you to sing again."

Frustrated, Lex was even more determined to put everything he had into it. Surely there must be some level of effort and talent that could budge this man. Now that he'd sung the song once and had a feel for it, he was able to sing without hesitation, not caring how he pronounced the unfamiliar words as long as the sound fit the melody.

The Maestro may as well have been a statue throughout Lex's virtuoso performance. "Again."

So he sang it again. And again. By the fifth time, he'd lost his patience.

"With all due respect, sir," Lex said, "I came here for instruction, and so far, you haven't offered any."

"You are mistaken. You came here to see if you are worthy of instruction. Most men, even those who imagine themselves to be musicians, can produce sounds little better than the barks of dogs. I don't wish to waste any more time than necessary in the company of such men."

"Surely my voice is better than the barks of dogs."

"Again."

Lex was burning with irritation now. He knew very well he was in possession of a temper, one which he preferred to keep under check, so that his classmates and teachers found him patient and easy-going. This man, however, was determined to fray his patience to the breaking point.

He certainly wouldn't be coming back. He'd have to tell Master Laurent that the so-called instruction wasn't worth the frustration, and hope his teacher would be forgiving.

This time, he sang the song with the passion that was boiling over in his heart, determined to either provoke a reaction from the Maestro or at the very least know for certain that he had done his best.

The Maestro stood from his place on the piano bench at the end of this rendition, walking over to Lex, who couldn't help his defiant glare. Let him find fault with that, if he could.

"One hundred and sixty."

"Excuse me?"

"One hundred and sixty mistakes."

He was certainly just trying to get a rise out of Lex. "There aren't even that many notes in the song."

"I'm well aware," he said with that insufferable glare. "The mistakes begin even before you open your mouth, with your breathing and posture." His eyes swept over Lex, analyzing. "Stand up straighter. Eyes forward. Chest full. Deep breath from your chest. Allow your lungs to inflate fully."

To Lex's surprise, he felt himself following the instructions automatically, his back and neck straightening to the point of stiffness, taking in a deep breath. He felt strangely out of control, almost as if the Maestro had some sort of unnatural hold on him.

It must be his imagination. He complied with the instruction so quickly because he was intimidated by that icy glare, nothing more.

"Now, sing a scale."

Lex did so, and it sounded improved from his usual, and he hated that it did.

"A passable result, for an untrained voice."

"I've trained with Master Laurent for years, sir."

The Maestro scoffed. "You would never achieve perfection with him."

"While music is my passion, I don't think it's reasonable to aim for perfection. That's an impossible goal."

"So you aspire to mediocrity, then, as does the rest of humanity," he said. "Very well. The choice has been taken from your hands. I have made my decision. I will train you."

At this point, Lex hardly cared if he was the finest music teacher on the green Earth, he didn't want to spend another moment with this man's constant insults and sour look. "I've made my decision as well, sir. I appreciate your time, but I'm afraid I have to turn your offer down. I will not be training with you."

The fleeting ghost of a twisted smile appeared on his face. "Is that so?"

"Yes, sir," said Lex, backing towards the door. "Now, if you'll allow me to take my leave, it's getting late and it's very cold outside tonight, so I'd like to return to my dorm as soon as possible."

The Maestro gave no response as Lex turned and started towards the door.

And froze.

His eyes went wide with terror even as every other muscle in his body tensed, caught mid-step. He tried to take another step, to move his arms, to even make the smallest movement of his fingers. No part of his body would respond to his most desperate entreaties, completely paralyzed except for his pounding heart and ragged breathing. He couldn't blink, couldn't shout.

"I did tell you that the choice had been taken from your hands," said the Maestro.

Slowly, methodically, Lex's body was turned around against his wishes, even as every instinct was calling on him to flee. He began to walk forward to where the Maestro was sitting on the piano bench, helpless as a sleepwalker as he drew closer.

It must be a nightmare. He'd been anxious about this lesson and the strange man who had been at practice yesterday, and he'd fallen asleep by the fire, his mind turning a man into a monster. He would wake soon and tell Anders of his nightmare to make him laugh.

Lex was stopped just before the Maestro, and was dropped into a kneel, his knees hitting the wooden floor with uncomfortable force. His head was forced into a bow as his arms were arranged behind his back, the very picture of a submissive servant.

"How are you doing this?" said Lex, as soon as he realized that control of his mouth had returned to him.

"All humans must obey me, just as the ocean must obey the moon," said the Maestro in an incongruously melodic voice. "It's a simple, unchangeable fact."

"What are you? Are you a demon?"

"Some might consider me a demon, but no." He reached down and tilted Lex's head upward by his chin, and Lex was looking into his eyes, as cold and hard as stone. "I'm a far more miserable creature, a lonely thing that must rely on the blood of inferior beings in order to survive. In short, a vampire."

A vampire! Lex had never believed in such things, thinking that they were superstitions of the uneducated. But if this wasn't a nightmare or a fit of madness, then he had been very much mistaken. There was little doubt in Lex's mind that this man was exactly what he claimed to be.

And that meant that he was going to die, wasn't he? An undignified whimper emerged from his throat. He was only just a man, with many winters and summers yet ahead of him. He hadn't even finished his education or courted anyone. To die here, in this dreadful place, to feed a monster…

Icy fingers traced over his jaw. "It's exceedingly rare to find such exquisite blood, especially paired with musical talent of even meager promise. Perhaps I have the unwise hope that your company will please me."

Lex's throat felt as though it'd been coated in sand. "Are -- are you going to drink my blood and kill me?"

The placid, unreadable look did not leave the Maestro's face as he slapped Lex lightly across the cheek. "Idiotic child," he said. "Did I not already tell you that I will be training you? In exchange for instruction, you will provide me with your blood and your service."

So he wasn't to be killed, but would be a slave instead. It might well be a worse fate -- but one with some possibility of rescue. "My classmates and teachers will notice I'm missing," he said, hoping to sway the vampire into freeing him.

"Yes, so they will."

"My parents will be informed," he tried. "They're going to search for me. They'll surely get the police involved, as well."

The Maestro gripped his chin, leaning further into his face. "They will not find you," he said with stern finality.

"But what --"

"And if they did find you, how do you suppose mere humans will deliver you from a being that can control their bodies with the slightest effort?" He dropped Lex's chin. "Instead, you should wish for them to forget you, rather than perish by my hand."

He could picture it all too vividly, his parents coming to his aid, become frozen in place as he was, and swiftly cut down. Lex didn't doubt for a moment that this monster would do it, either. There wasn't a trace of fear in his eyes. He seemed used to this, almost bored with the business of kidnapping -- of course, if he lived off human blood, he would have to be used to it, wouldn't he?

As Lex trembled in fear, turning over his desperate position in his head, the Maestro stood up. He pulled a small metal object from his pocket, and began to heat it in the flame of one of the lamps. As Lex watched in horror, his arms were released from his back, and he felt himself unbuttoning his shirt, removing it…

He tried to scream, but he had been silenced once more, a prisoner in his own body.

The vampire's power held him completely rigid as the dreadful brand neared his chest, pressing into his skin with a sickening noise and smell. Lex would have wailed if he were able, or vomited, or fainted dead away, but he was held fast in the vampire's spell. His vision blurred, his reason leaving him, as all he could think about was the intense pain and fright.

"It has been a very long time since I've had truly satisfying blood," said the Maestro, sitting down in front of Lex once more. "I'm loathe to indulge myself in the pleasures of consumption, but even I cannot ignore my earthly needs forever."

Perhaps it was a mercy that Lex was already driven from his mind as the Maestro dug his fangs into the place where his neck met his shoulder. With his rational thoughts gone, he was left to the primal parts of his mind, screaming within him to remove the predator from his flesh. Yet none of this inner turmoil was allowed to surface, as he was kept perfectly still for the vampire to drink his blood at leisure.

As his blood was drained and his head further fogged, foreign and unwelcome emotions invaded his consciousness. He was drowning in it, pitch-black waters closing in above him as he sank into the depths. It was a quiet, lonely, empty place, numb and freezing, a vast expanse of despair.

Lex was barely aware as he collapsed into the Maestro's waiting arms, the spell over his body finally lifted now that he was too weak to move. He shivered violently and gasped for air, wanting to push the vampire away but unable to lift his arms to do so.

"I will take you to your chambers now," said the Maestro, picking him up as though he were a doll. Lex tried to summon up the will to fight as he was lifted, but as soon as he began to stir, he felt his limbs unnaturally shackled once more.

Defeated, he fled into the recesses of his mind, where a chair by the fireplace and a stack of books waited for him. Anders would notice his absence when the hour grew late, and Lex fervently wished that he would not investigate, lest he find himself in this same hell.

If he were fortunate, his dear friend would never find this place, even if it meant Lex would never see him again.

Lex was carried into an austere chamber and placed upon a cold, firm bed. The Maestro removed his shoes and placed them by the bedside, then placed several rough, wool blankets over him.

"You will sleep," the Maestro said.

Lex couldn't imagine being able to sleep through the agony and terror racking his body, but then the vampire placed a hand on his forehead, and his eyes began to drift shut against his will. The sleeping spell did nothing for the pain, and so he sank into an unnatural, agitated sleep full of nightmares that he could not wake from.

Previous > Masterlist > Next

Lex would rate this experience one star.

Next week, Fitz is doing extremely okay.

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[automaticfrenchhorn]

Little harp piece today, in the form of a slow, gentle dance or lullaby. This study could have been longer, with another variation or development on the theme, but instead I felt that the material here would be best expressed through brevity. The resulting form has an elegnace to its simplicity that I quite like.

Harmonically, this study is based on the little two chord oscillation seen at the beginning. The two chords use the same four tones, but voice them very differently, such that there is still a strong harmonic motion between them. It's hardly a new idea, but I see this as proof that the voicing of a chord is just as, if not more important than the notes that it is constructed from.

From there, I simply wrote a melody that works overtop, then let the melody develop and have the harmony follow it. I had the melody doubled up an octave so that it would be heard more clearly (as the "original" melody actually exists in the alto voice, with the soprano voice above it). However, this produces an interesting effect; the convention with harp playing is to arpeggiate or roll every chord, which results in the two octaves of the melody sounding at slightly different times, like a very subtle delay effect.

As always, these pieces are welcome for anyone and everyone to play! All I ask is that you share it with me, because I'd love to hear it done by live players!