#happy new year 2018 in advance

[sdmsims]

being annoying and thinking out loud here..

i've been at this for 6 years (or at least, that's how long this blog has been around for) and the way the general culture around modding has shifted is kinda. sad

like i sound like a broken record and many others have the same sentiment, but modding discoveries and advancements from today would've made people in 2018 shit their pants... and instead of it being harnessed for unbridled creativity, it just... sits.

modding has become a job now for people. a community that was built by hobbyists has turned overwhelmingly capitalistic, especially with the rise of SL sellers jumping to ts4 to make a quick buck with no real passion for the game or its community.

when modding becomes a paycheck, it also becomes stagnant. people are afraid to take risks and start things they may never finish and do things out of the ordinary, because that doesn't sell well.

and the most frustrating things is... people keep enabling this. yes, there's more and more people vocally upset about the increasing 'de-hobbyfication' of modding, but the community around the sims is huge, and considering how we see more and more SL brands flocking to get their fill... there's definitely a non-zero number of people who are allowing this to continue with their wallets

the sims 4, for all its flaws, is the most malleable sims game in my opinion. if you have a desire to learn and a goal, you can mold the game into whatever the hell you want - and that's amazing. it's the type of game with the type of freedom to expand on and change whatever that i dreamed about since i was a kid playing mysims. it can be just a dollhouse, a dressup game, a shitpost simulator... but it can also be whatever you want if you have an idea, some time, and patience.

so... despite it all, i encourage everyone to just create. make stupid meme tshirt recolors for yourself and your friend's inside jokes, convert your anime boyfriend's model parts just so your simself can make out with him, dig deeper and deeper into the paths that hobbyists of the past have forged to create something new and weird that caters to nobody but yourself

create what you want to see and what makes you happy, no matter how 'small' it is

[putschki1969]

KALAFINA REUNION 📢IT'S TRUE📢

Why did I even go to bed last night??! Damn it, I lost precious time. Anways, many of you must have seen my post last night about that ominous Nikkan Sports article speculating about a possible comeback of Kalafina. I honestly thought it was fake news since it contained a ton of unconfirmed/uncredited information. However, there was lots of interesting stuff that kept me from dismissing it entirely. I mean, who would go through all the trouble coming up with details such as specific quotes or exact concert details? Turns out they mostly got the dates mixed up but the rest was true. At noon Japanese Standard Time, we got all of our official announcements. Here's the gist of it〈(•ˇ‿ˇ•)-→

Kalafina Staff Posts 1 & 2 on Twitter

Announcement of "Kalafina Anniversary LIVE 2025" Date: Wednesday, January 15, 2025 Open at 17:30 /Start 18:30 Venue: Tokyo Garden Theater Performers: Kalafina (Wakana, Keiko, Hikaru) Music Director: Takebe Satoshi

To everyone who loves and supports Kalafina We have decided to hold a "Kalafina Anniversary LlVE 2025". We want to sing together as a trio again, knowing that you all have always cherished Kalafina, even while we are doing solo activities. We look forward to seeing you there! Kalafina (Wakana, Keiko, Hikaru)

Ticket sales are scheduled for the following dates: ■Wakana/KEIKO Fan Club Advanced Lottery October 10, 2024, 11:00 - October 20, 23:59 ■Hikaru X (formerly Twitter) Advanced Lottery October 25, 11:00 - November 4, 23:59 ■General Ticket Lottery November 9, 11:00 - November 11, 23:59

Keiko Posts 1 & 2 on Twitter & Fan Club Site & Tristone & Instagram post

To all our supporters We have decided to hold a "Kalafina Anniversary LlVE 2025". Through my solo activities and activities with FictionJunction, I have had many new encounters and taken on new challenges, and I am where I am today thanks to the support of many people. This is a personal matter, but the reason I took a break from singing and then decided to sing again was because of Yuki Kajiura's music. And it was the feelings of everyone who has supported us up until now that led to this event. I am grateful for those feelings, and I am simply happy that the three of us can deliver Kalafina's music again. I am truly looking forward to seeing you all next year. KEIKO

Hikaru's Post on Twitter and Instagram

To everyone who always supports us We are happy to announce that we'll be holding a "Kalafina Anniversary LlVE 2025". Even during my solo activities, I always got a strong sense of everyone's love for Kalafina. I'm grateful we are getting this opportunity to sing together again as a trio and to perform all those treasured songs which Yuki Kajiura has written for us. I hope we can raise a new flag together with all of you. I look forward to seeing you there that day! 2024.10.03 Hikaru

Wakana Posts on Twitter & Botanical Land & Instagram post

(We finally have an official statement from Wakana on her Insta) It has been decided that an "Kalafina Anniversary LIVE 2025" will be held on January 15th next year. From 2018 to the present, we have each pursued our own music, but we have decided to sing together again. I would like to express my sincere gratitude to all of you who always think of and love Kalafina. I am very much looking forward to meeting you all.

Satoshi Takebe Tweet 1 & Tweet 2 & Tweet 3 (deleted)

Today I had a meeting with some artists I truly respect and had a beer in the middle of the day 🍺 We had a fun afternoon. I hope there will be lots of fun things to do next year too. I can't say anything yet, but I'm already working on some exciting projects!! (Tweet 1)

I believe that my mission is to support artists. It is never my intention to betray or hurt people. That is the one thing I have always stayed true to, and I will continue to do so. It may sound naive, but I believe that sincerity and passion are what motivate people. (Tweet 2)

Due to confidentiality obligations, I cannot explain the situation. However, Kajiura-san is an artist I respect, she's a wonderful musician, and I am a fan of the music she creates. I would like to support the three members with the utmost respect. (Tweet 3 - deleted)

Tweet by Yuki Kajiura & Tweet 2 & Tweet 3

Regarding Kalafina I've received some inquiries in relation to the most recent announcement of an upcoming Kalafina Live Concert so I'd like to use this opportunity to clarify that I, Yuki Kajiura, will not have no involvement whatsoever in this concert. Furthermore, I have not received any advance notice or explanation from the organisers or any of the group members. Given the situation, I am therefore unable to answer any questions. I apologise, but any future inquiries regarding Kalafina should be directed at the organisers and official agencies of the group members.

I believe the members of Kalafina have decided to step away from me as their producer to go on a new path that is not related to me. I had been searching for a way to work together again in the future to create new Kalafina music but that will no longer be happening. It is very unfortunate but this is the road that each member has chosen. We are all individuals searching for our personal musical path so things like this happen.

As you all know, the three of them are truly wonderful singers so I have no doubt that they will continue to deliver amazing vocals and music to their fans. I would like to express my sincere gratitude once again for the privilege and happiness of having been able to create music together with them for nearly ten years, and I wish Kalafina continued success in the future.

Yuki Kajiura (Tweet 1)

I hope for a great success regarding the upcoming concert, and that's all I can say about this. I hope to continue making music in a cheerful and fun way in the future (^^). (Tweet 2)

This may be an unnecessary remark, but… there's no way that Kalafina will no longer be able to sing their past songs just because one producer has left, and I personally don't wish that upon them.

I'm sure they'll create a wonderful harmony at their live show in January, so I hope you'll give thunderous cheers and applause to Kalafina's singing and to the musicians who support them on stage. Once again, I wish them all the success in the world. (Tweet 3)

───── ⋆⋅☆⋅⋆ ───── ───── ⋆⋅☆⋅⋆ ────────── ⋆⋅☆⋅⋆ ─────

Wow. All of this is wild. I don't even know what to say. I can hardly believe it. On one hand, I am beyond happy and excited. There's no way I will not be there for this concert and everything beyond that. But on the other hand, all the announcements make this feel a little bittersweet. The personal statements by Wakana, Keiko and Hikaru don't necessarily feel disingenuous but they sound a bit flat and forced. Sadly, there's no personal statement from Wakana yet. Obviously, the elephant in the room is Yuki Kajiura's statement and her exclusion from the entire project. The way her statement is written comes off as quite bitter, passive aggressive and honestly a little petty which doesn't bode well for the future (maybe her manager Mori asked her to phrase it in such a way to make the organisers look bad. And I can understand why she would feel frustrated at being excluded like that). Mostly, I interpret her standoffish attitude as a knee-jerk reaction or as a way to strongly distance herself from the whole thing and not so much as an attempt to bash the members (the latter half of the statement would indicate that at least). Also, she already seems to regret posting such a harsh statement and posted a couple of follow-up tweets. I truly do not understand what is going on behind the scenes to cause so much hostility between Yuki Kajiura, her management and whoever is pulling the strings for this Kalafina reunion (presumably Space Craft's management). My best guess is that Space Craft is at least somehow involved in this project since both Wakana and Satoshi Takebe are able to participate (Takebe is not affiliated with Space Craft but he's been in charge of almost all of Wakana's solo work so maybe there are some ties to the agency).It looks like Space Craft are adamant about not working together with YK (same old childish attitude). Then again, Satoshi Takebe has enough influence in the industry to organise a project like this without the help of Space Craft. Maybe Sony is also involved? I have no idea. Hope we are getting more details once the ticket lotteries start. A new Kalafina website (still being developed) has popped up and it's run by Space Craft so that's probably proof enough that they are one of the main players in all of this.

I wonder if this was a spur of the moment thing once they realised how much hype there still exists for Kalafina after that "ring your bell" performance at the FSN event...Overall, the timing is so weird, Why now? I mean, this doesn't sound like it has been in the making for a very long time based on the fact that Yuki Kajiura didn't even know about it. Keiko and Hikaru literally collaborated with her a couple of weeks ago so how did this topic not come up even once???! Wonder how it will affect future collaborations between Yuki, Keiko and Hikaru? They still have the Asia tour dates coming up in November so I can imagine it would be kinda awkward to work together after this bomb has been dropped. Will they still be covering Kalafina songs? Either way, I refuse to believe tha there has been a real falling out between any of them. It comes across like a series of unfortunate events. Maybe some miscommunication and rushed action but nothing that couldn't be cleared up with a proper conversation.

One thing I'm also curious about is whether or not Satoshi Takebe will take on the role as producer for future music (if they are even planning to go down that route?? It does sound like they might have new projects/releases in store for us...I do feel a little conflicted about that since Yuki Kajiura is such an important component of Kalafina. This is basically what I thought would happen back in 2018/2019. With someone else coming in to take charge of the music production. Back then I wasn't completely against the idea since I was convinced the girls could make it work (especially with the help of someone as established and competent as Satoshi Takebe) but it certainly wasn't my preferred option. Ughhh, I will remain open-minded for the time being. My love for Wakana, Keiko and Hikaru goes beyond anything so as of right now, I feel happy and excited. The live in January will be a celebration of Kalafina so there's no way I'm not going. If they continue to hold "tribute" concerts like this, it will mostly be a nostalgic cash-grab but hey, I'm the target group for that. They can have all my money. And I can definitely see myself supporting them in future projects even with Yuki Kajiura out of the picture. Takebe has been engaging in some surprisingly frank one-on-one discussions on Twitter and so far, it looks like certain confidentiality agreements keep him from going into detail in the matter but his involvement as of right now is limited to being a director/producer for the concert on January 15.

It goes without saying that I will not tolerate any hate towards the girls on this blog! If you are bitter that Yuki Kajiura is not involved, that's your prerogative, I'm sure this will antagonise quite a few hardcore YK fans. But please, don't shit on the members for making this decision. I'm sure they put a lot of thought into it and felt like this course of action was in everyone's best interest. They are clearly thinking about the fans, their own passion/love for Kalafina's music and obviously their careers within the industry.

[captaincorgi128]

On Christmas Day of 2018, I received a paperback copy of George Orwell's 1984. I was 12 years old.

I remember the adults - aunts and uncles, parents, grandparents, looking at me cautiously, as if they had handed me a live bomb rather than a book. "That's a very intense book, okay?" my father told me. "If you want, we can talk about it after you read it." 12-year-old me, with only a dim idea of what fascism actually was and an insatiable appetite for books, only nodded.

While my younger cousins and sister played with their new toys, I sat on the couch and read the book in one sitting. When I finished, I looked up to see the adults staring at me with a strange sort of fascination. "Do you want to talk about it?" my father asked.

"No." I shrugged and turned away.

The truth was, I had been expecting a happy ending. Winston Smith was the good guy, wasn't he? Why didn't he win? Evil governments always lost in the end, didn't they? How could Winston have been brainwashed into believing such an evil, awful dictatorship was truly great? After all, when my middle school history teachers talked about dictatorships, those of Hitler and Stalin, it was obvious that they were the worst of the worst. No one actually agreed with them, did they?

Then I remembered my fourth grade class talking about the upcoming election, laughing about how obviously stupid Trump's wall idea was, and how strange it felt to hear someone say Clinton was worse. I don't remember his reasoning, but I distinctly remember thinking it was dumb because what could be dumber than a giant wall around Mexico? I remembered my grandmother arguing against vaccinating children, and I remembered flat Earthers I had seen online. That day was the first time it clicked for me: people believe what they want to believe.

The years passed. I read 1984 again, and again, and again. I watched as Trump shut down the government for sake of a temper tantrum, as he was impeached, as he told Americans to inject bleach, as he politicized a pandemic and let thousands die. I didn't know about his SA scandals. I didn't know he had called Mexicans "thieves and rapists." I just knew he could not be allowed to be president again.

Yet, when 2020 rolled around, I was only 14 years old and could not vote. I settled for watching anxiously as the votes came in - I didn't know much about Joe Biden, but he was clearly a better alternative. He actually believed the COVID-19 pandemic was real, for one. So I sighed in relief as the results came through four days later: Joe Biden had been elected president of the United States.

I kept watching. I watched as Trump incited insurrection, as terrorists stormed the Capitol. I stared in horror at the TV. How could this have happened? How were so many people so delusional?

In December 2021, for my sophomore year English class, I read 1984 again. I thought of January 6th.

My classmates thought it boring, confusing, stupid. It didn't make sense. What did it matter? Who cared whether or not we knew the significance of the character of O'Brien?

I kept watching. The summer before my junior year of high school, just before I entered a relationship with my now-partner, Roe v. Wade was overturned, and I felt a sinking pit in my stomach. Six months later, a friend of mine read 1984 for that same English class, and he loved it - we had a few intense study hall discussions about the nature of doublespeak, of totalitarianism, of a surveillance state. My partner agreed, reading it with a terrified fascination.

I kept watching. I realized I was nonbinary, and I watched in horror as the Republican Party made their creeping advances to eradicate trans rights. Idly, I reread 1984. What the right wanted did seem a lot like Oceania's government, didn't it? I wondered if I'd ever be able to marry my partner, who, despite also being trans, was still the same sex as me. If Trump ran again, he'd probably win, and then what would we do?

Then, 2024. Trump won the primaries in a landslide. I turned 18 and registered to vote. In the meantime, I skimmed Project 2025's bits about banning pornography and thought of 1984 and its carefully curated sexless society, created to achieve perfect complacency. I went off to college and voted absentee, carefully bubbling in the circle next to Vice President Kamala Harris's name. I woke up on Wednesday, November 6th to see Trump had won the presidency.

It has been one week. Again, I watch as Trump proposes a Department of Government Efficiency, which sounds euphemistically horrific. I watch as he suggests Musk to head it, a man known for being as inefficient as possible. I think of the Ministry of Truth and how its entire purpose was to disseminate lies. I watch as people celebrate, mocking me and many others who had desperately voted against a fascist, a rapist, a convicted criminal, a man who would kill us and spit on our graves if he was elected to office. I think of Parsons and duckspeak, the practice of simply spitting out the "correct" propaganda the same way a duck quacked. People really did believe what they wanted to believe, didn't they? I realize Trump won because, deep down, people hated minorities more than they loved democracy.

I hope my loved ones and I will survive another Trump presidency. I hope those in Gaza and Ukraine will survive it too, along with so many others - Jews, POC, immigrants, students, disabled, Muslims. At the very least, I hope to live long enough to watch as the bigots are forced to eat their own words and come to terms with the fact they gleefully voted in their own downfall.

At the end of the day, 1984 taught me something I could not have comprehended at age 12, 14, 15, or 16, but can understand now: democracy dies not with a bang, but with a whimper.

[magicalgirlsandcerulean]

Boueibu VA comments (Happy Kiss vers.)

Original comments here. Also see the student council, Defence Club VAs' and Goura/VEPPer's comments.

Naoyuki Shimozuru [1] (Kyotaro's VA):

This is Naoyuki Shimozuru, who plays Kyotaro Shuzenji.

Congratulations on the 10th anniversary since the broadcast of the anime series and the announcement of the movie Binan Koukou Chikyuu Boueibu ETERNAL LOVE!, Chikyuu Boueibu series! Also, this time I'm very honoured to play my role alongside my LOVE! upperclassmen in this new work.

HAPPY KISS!, the anime which began airing in April 2018, has always been close to me from the beginning of my voice actor life and has also made people feel love for 10 years. I'm happy to be related to this kind of amazing work!!!

I want to support the Chikyuu Boueibu series, which has continued to give and spread love, forever and ever, even though my help may not be much.

Everyone, let's bask in Boueibu at the theatre!!!!!!!!!! [2]

Ryoga Komata (Ryoma's VA):

Are You HAPPY???

This is Ryoga Komata, who plays Ryoma Kirishima.

Congratulations on the 10 year anniversary, Chikyuu Boueibu series!!

Boueibu is a work which I have a lot of memories of at the start [of my voice acting career].

Boueibu, which was the first audition I received as a voice actor.

Boueibu, which gave me ma---ny first experiences.

And! My first! Movie [role]!! Is also Boueibu!!

I'm very happy to be involved in this work.

Even now, you've given me love and happiness, everybody.

Everyone who has given me love and happiness from the beginning, I hope you enjoy this work!! [3]

Takahide Ishii (Nanao's VA):

Are you happy? This is Takahide Ishii, who plays Nanao Wakura. Congratulations on the 10 year anniversary, Chikyuu Boueibu series!

To me, Boueibu is a work which I have a very deep emotional attachment to because it was a big step forward in my voice actor life. I'm very honoured to also appear as Happy Kiss in the movie that's meant to be commemorating this work's 10 year anniversary. Thank you. Also, I'm happy to portray Nanao again...!

This is also the first time I've played a character for so long. It's to the point that it's an indispensable work for me!

How will [the Happy Kiss characters] interact with their LOVE! upperclassmen...?! Please look forward to the movie's release! Thank you in advance!

Rikuya Yasuda (Taishi's VA):

I would like to formally congratulate Boueibu for the 10 years.

I was happy to be involved with Boueibu again and that I could be recording with the same cast from 6 years ago. Please look forward to watching this work, which is crammed with more than enough love.

Because it's a rare opportunity, also watch Happy Kiss or rewatch it and then please be sure to go to the theatre! If you watch 4 minutes a day, you'll make it in time for winter 2025. [4] Let's start today.

Shota Hayama (Ichiro's VA):

Congratulations on the 10 years, Boueibu!!

I'm very honoured I could participate as one of the lowerclassmen who is continuing the series, which is connected by the staff and upperclassmen's [5] love. Like the movie title literally says, this is a tale spun from eternal love [6]. When the movie is released, dash! dash! dash! to the theatre [7], then please watch Chikyuu Boueibu on the big screen and receive the big love. ⭐︎

Make no mistake - everyone will be happy by the last scene.

Takuya Eguchi (Karurusu's VA):

Congratulations on the 10 year anniversary! The days of recording Boueibu were irreplaceably fun times. I was happy I could play Karurusu for the first time in a long time!

Hikaru Midorikawa (Ata's VA):

The Chikyuu Boueibu series, which agitated the world back then - it's already been 10 years since it was broadcast????? That was already a long time ago, huh? (sarcastic laugh)

Making a movie to celebrate the 10 year anniversary of the series is an expert move!! (LOL) Also, I'm happy I can participate in it. m(_ _)m What scenes have been prepared for us to be in? Look forward to it♪.

Personally, I'm looking forward to a big screen transformation scene!!!!! Even seeing it in TV size, it's cool, but if it's a movie, it's cool on cool! Right? (LOL)

Everyone, look forward to it too, right? (LOL)

By all means!! If you understand that, please enjoy it to the fullest♪.

Kosuke Toriumi (Taiju's VA):

This is Kosuke Toriumi, who plays Taiju Unazuki.

This unexpected movie! A considerable amount of time has passed since the anime's airing, so it was really unexpected to have a movie. While I'm thankful I could be part of this unexpected movie, everyone, by all means! I think you're waiting expectantly for it. No~, nevertheless, this unexpected-[The rest is omitted.]

Yoshitsugu Matsuoka (Maasa's VA):

First off, congratulations on the 10 years! It was interesting to be able to play a role I really hadn't played in a long time. Also, please look forward to the surprising contrivances in the content!

The no. 1 problem is if my voice will come out perfectly. Until the day [of release] arrives, I'll be nervous, alright? (LOL) However, everyone, I think we've made an interesting work which you can support, as you always have. Until the day [of release], please await it in anticipation!

[T/N 1: Over the years, I've gone backwards and forwards on the exact spelling of Shimozuru's name, but the page from his talent agency Rush Style says "Shimozuru", so that's what I'm using now.]

[T/N 2: This might not be clear in a translation, but the Japanese word for "bask in" is also the verb used for taking a bath or shower. Also, that's 10 exclamation marks.]

[T/N 3: 1) Not sure if it was intentional, but Komata's comments were left justified to a slightly unnatural degree, so I've tried to replicate that in the formatting by having each sentence on its own line. 2) This last part was a bit of a double-up in the Japanese, so I had to replicate that in the English.]

[T/N 4: For those coming from the future, these comments were made on Binanshi in October 2024, so if you watched 4 minutes of a Happy Kiss episode a day from that day, you'd take 72 days to complete the series or until January 7th 2025.]

[T/N 5: As you may have gathered from the comments before this one, "upperclassmen" (senpai) in this particular case refers to the LOVE! generation and thus "lowerclassmen" (kouhai) are the Happy Kiss generation.]

[T/N 6: "ETERNAL LOVE!" is in English in the movie's name, but Hayama says it in katakana to explain it to the Japanese audience.]

[T/N 7: Reference to Ichiro's character song.]

Update: Missed a music note.

[drdemonprince]

thanks for your response to my question about knowing what you want. that's broadly what i've been trying to do, though dealing with long covid and being very conscious of not getting it again makes in-person stuff... tricky. i've been trying to do something nice just for myself for my birthday (in kind of a reclaiming manner, as it was a very much not good day for most of my life) and was completely blanking on the question. (i have a lot of difficulty imagining things i've never done/experienced for some reason.) guess i'll keep on taking baby steps and hopefully figure this out better sometime

It's *very* common for Autistic people to have trouble imagining themselves doing something they have never done before. I once had a HUGE meltdown at the doorsteps of a haunted house because I had no idea what the floorplan would be, when actors would be jumping out at me, how long the experience would be, or anything else to expect. I NEVER went to half of the gay clubs in town until someone I was seeing finally brought me, and I finally learned what to expect of going to a bar on my own. I truly did not conceive that public spaces were "for me" just as much as they were for anyone else. I experienced most of the world as this shadowy, forbidden world that I could not understand and did not have permission to access until pretty recently, in the grand scheme of things. And I certainly felt immensely guilty having a birthday and DARING to want to do anything for it, especially not something everybody would like.

But there is a way out of this! One of the ways is to simply try new things - there is no true self inside of us with hidden true desires and habits that we can just magically find and unlock, rather the self is an active becoming, a process of trying new things that sound appealing or that we simply wish to learn more about, and potentially becoming the type of person that does them (or, conversely, learning something about ourselves in the process if we try something and find we do not like it).

If you cannot imagine yourself experiencing joy, happiness, belonging, you can probably at least be curious about something. This was how I became a furry: I was intrigued by the idea of Furfest, and so I went. I didn't consider myself a furry when I went. I didn't put any pressure on myself to enjoy it or to belong there. I considered myself something of an anthropologist studying a cool subset of human culture when I first attending in 2018. While I was there, I also decided that trying on some antlers in the dealer's den might be interesting. It turned out I liked it, and I grew closer with other people in that community too. Eventually through repeated adventures and trials it became a thing I enjoy. Most of my hobbies and passions have evolved similarly -- I wrote a short story because I was bored, and then years later I had lots of writer friends and a career, I attended a local comedy show because I had nothing to do, and then I tried out for one, and then I was in the comedy scene.

We are what we do, and that means that who we are can always change. It can always expand and deepen. If we cannot currently access much joy or genuine passion, we can find it -- by pursuing new things and taking an interest in life, in whatever ways we can. And of course, if you are Autistic, I do recommend doing research and googling about various spaces and subcultures and social mores in advance, so you know a little bit more of what to expect, which will help the concept of going to crystalize more in your mind. But there's nothing quite like trying it!

Let me know what you decide to try as a birthday adventure for yourself. Good luck!

[mariacallous]

California Gov. Gavin Newsom signed a bill Monday aimed at advancing the restitution of Nazi-looted art, as well as personal property stolen during the Holocaust and other eras of political persecution.

The legislation is a response to a court ruling that allowed a work by Camille Pissarro to remain in a Spanish museum instead of returning to the heirs of its original owners. The 1897 painting, called “Rue Saint-Honoré in the Afternoon, Effect of Rain,” belonged to Fritz and Lilly Cassirer, a Jewish couple who sold it under duress to escape the Nazis.

The painting by Pissarro, a French Jewish impressionist, now hangs in the Museo Nacional Thyssen-Bornemisza in Madrid. The museum has claimed ownership of the work under a “finders keepers” law of property ownership that is unique to Spain.

In January, the Ninth Circuit Court of Appeals was instructed to decide the case according to California state law. But it ruled that, even according to California, Spain’s legal system took precedence. “Rue Saint-Honoré,” according to that decision, belonged to the museum.

The new California law, signed at Los Angeles’ Holocaust Museum, clarifies that California law should take precedence in local Holocaust art restitution cases. It allows Californians “to bring an action for damages or to recover artwork or personal property, as defined, that was stolen or otherwise lost as the result of political persecution.”

According to the law, “California substantive law shall apply in actions to recover fine art,” and that “the true owner cannot be divested of ownership without actual discovery of their rights in, and the location and possessor of, the artwork.”

The legislation could send the decades-long ownership dispute over the Pisarro painting back to the courts — and award the painting to the Cassirers’ descendants.

“As a Holocaust survivor, the proudest day of my father’s life was in 1947, when he became a U.S. citizen,” David Cassirer, grandson of Fritz and Lilly Cassirer, told the LA Times. “He would be so happy, and grateful, that the people of the state of California have taken action to ensure the return of looted art to its rightful owners.”

Spain is one of the original 44 international signatories of the Washington Principles, a 1998 framework for restituting artwork stolen during the Holocaust. In 2018, Stuart Eizenstadt, the Secretary of State’s special advisor on Holocaust issues, named Spain as one of five countries that fell short on its commitment to the Washington Principles.

Authorities in New York City and around the world have made renewed efforts in recent years to restitute art that was sold under duress due to Nazi persecution. Earlier this year, 21 countries agreed to new standards in art restitution at a conference marking the 25th anniversary of the Washington Principles.

“Restitution is important, not just to get people their property back, but because it is a way to examine the true realities of the Holocaust and keep those facts in the public consciousness,” Sam Dubbin, an attorney representing the Cassirer family, told the Jewish Telegraphic Agency. “It’s stolen property. It’s the Holocaust, which makes it 1,000 times worse, but it’s still fundamentally stolen property. And no one should be able to keep stolen property.”

The oil painting was bought directly from Camille Pissarro by German Jewish industrialist and art collector Julius Cassirer, who passed it down to his son Fritz and his wife Lilly. Lilly was forced to sell the painting under duress in 1939 for about $360 at the time in order to obtain an exit visa for England. The money was then deposited into a bank account that she was not permitted to access.

The painting made its way around the world over the next several decades, eventually landing in the collection of Baron Heinrich Thyssen-Bornemisza, a Swiss art collector and the heir to a German steel fortune. Thyssen-Bornemisza sold his collection to the Kingdom of Spain in 1993, which established a foundation and museum in Spain in his name.

The Museo Thyssen did not respond to a request for comment.

After he learned of the location of the Pissarro painting, the couple’s sole heir, Claude Cassirer, sued for its return in 2005. He died five years later, and now his son David, his daughter Ava’s estate and the Jewish Federation of San Diego County are handling the case.

“For survivors of the Holocaust and their families, the fight to take back ownership of art and other personal items stolen by the Nazis continues to traumatize those who have already gone through the unimaginable,” Newsom said Monday. “It is both a moral and legal imperative that these valuable and sentimental pieces be returned to their rightful owners, and I am proud to strengthen California’s laws to help secure justice for families.”

[thebibliosphere]

Hi Joy! I know you’ve likely written about this before, but I couldn’t find the exact information I was looking for.

Could you please explain how the Kindle Unlimited pay works, when you’ve got the spoons? Is it still paid per page the person reads? And if someone borrows the book again and re-reads it, does that result in a new payout/royalty?

A friend who has a KU subscription had recently heard that authors are only paid for the first time someone reads a book, which didn’t sound right to us, even with the diminishing returns Amazon has had over the years. And I thought you’d be the best source to ask, since you’ve been so open and transparent about this.

Thanks in advance! Lots of love to Holly mop and ETD and a happy Halloween 🎃

Happy Halloween! 🦇

Unfortunately, your friend is correct--or they were as of 2018. It could have changed (I doubt it), but the author only gets paid per page read once per account.

So, if you read something once on your KU account, it registers that you've already read it, so if you rent it again, the page reads don't count, and the author doesn't get paid again.

It's why many authors put their new releases into KU, hoping to get the payout from page reads but to also generate enough interest that people might want to buy it outright for future re-reads.

Again, it could have changed, but I haven't heard anything to that effect.

[ultra-violet-heart]

THE 2018 DENGEKI BUNKO INTERVIEW WITH 86--EIGHTY-SIX AUTHOR ASATO ASATO

Disclaimer: This translation is made by me for fandom purposes only. This interview, conducted in 2017, gives major insights on how the sci-fi mecha series 86--EIGHTY-SIX was conceived and written before it eventually won the Dengeki Novel Prize back in 2016.

Please ask my permission and credit me+this post if you will be re-translating this to other languages. PLEASE DO NOT REPOST ON YOUTUBE AND TIKTOK AND PLEASE DO NOT REPOST THE IMAGES ON THIS INTERVIEW. Please take the fan translations here with a grain of salt. 

Credits to @Yashamise from Twitter for copies of this Dengeki Bunko Kono Light Novel ga Sugoi magazine.

Erratum: This interview was conducted and printed in 2017, but this Kono Light Novel ga Sugoi magazine is dated 2018 as an advance issue of sorts. This interview has been summarized here. My apologies for the title.

I’m posting my Ko-Fi here as currently, I’ve been having financial trouble regarding my medicine, so if anyone can donate, I would be much grateful for the help, thank you very much.

AN INTERVIEW WITH 86--EIGHTY-SIX AUTHOR ASATO ASATO

“I wrote what I liked, in the way I liked them,” this author says. This tale is filled with the grief from war, the ugliness of racial discrimination, as well as the romance of mechas and of garter belts! In this interview, she reveals to us everything about its roots and its appeal! 

Text and Composition: My Street 

Illustrator: Shirabii

Translator’s Note: For purposes of this interview translation, the interviewer will be labelled as “MS” for My Street, since they layouted and probably conducted this transcribed interview. Also, for words that have brackets or parenthesis:

{} = implied by context                             

() = given emphasis/given parenthesis in the interview itself

[] = included in the footnotes/translator’s notes

A robot lover as far as she could remember

MS: Thank you very much for your time today for this interview. It was surprising to learn that the author {for 86--EIGHTY-SIX}, Ms. Asato, is a woman.

ASATO: I get that a lot (haha). My family says the contents of my work is just “the usual {for Asato}” though. I think my Afterwords have the impression they’re written by a woman, and I never hid that in particular (haha).

MS: This year {2018}, 86--EIGHTY-SIX placed first in the New Works category and second in the bunkobon {paperback} category overall. How do you feel about this now?

ASATO: I’m very happy. I knew of KonoRano’s existence [1], so I was hoping {86--EIGHTY-SIX} might be listed there somewhere, but it was a surprise that it placed higher than expected. As I said in this interview’s foreword: “I wrote what I liked, in the way I liked them.” I’m thankful that many readers found it interesting.

MS: For readers who haven’t heard of 86--EIGHTY-SIX, can you give us a summary of this work?

ASATO: It’s a lively, filled-with-clanks story of the protagonist Shin, his merry band of thieves, and their remotely-working-class-president Lena. [2] (LOL)

MS: 86--EIGHTY-SIX is your debut work. Can you tell us about the time you started writing this work?

ASATO: I’ve been writing ever since I can remember, and I started with writing manga {scripts}. I switched to writing novels around before I started junior high school and have been writing them ever since.

MS: You’ve been interested in robots and military-related things ever since elementary school, is that right?

ASATO: Yes, that’s correct. My mother liked {Space Battleship} Yamato [3] and Gundam, and as I have a younger brother, I got into watching and reading anime and manga targeted at boys. I was rarely exposed to anime and manga targeted at girls. We had the Mobile Suit Gundam movie trilogy [4] at home (which I’ve seen many times), and I also watched The Brave Police J-Decker [5] and The Brave Express Might Gaine [6], as well as other shows in The Brave [7] series. The only anime I had watched that is {targeted at girls} is Magic Knight Rayearth [8], which is another story with robots fighting in it (haha).

MS: I reckon such an environment led you to writing 86--EIGHTY-SIX. Can you tell us about your writing process?

ASATO: I originally submitted {works} to the Kadokawa Beans [9] Bunko Newcomer Awards. I avoided the Dengeki Novel Prize as it was rather {too hard to enter} due to the large number of entries [10] there. The novel entry I made on the 21st year of the Dengeki Novel Prize (2014), however, was totally not aimed at women at all, so I didn’t have any other choice but to submit that to said contest, as it has the closest deadline. It was a sci-fi fantasy work, with a theme of redemption, set on a time before and after {a} revolution. At that time, I thought, maybe I can go past beyond the 3rd round of screenings and unexpectedly, maybe placed on a good spot? However, the evaluation I got from the judges were “This is a 100% a work targeted at girls” and “Next time, we hope you will submit a work that should be Dengeki Bunko-like”. As Dengeki Bunko [11] is an all-kinds-of-genre publication, I didn’t know what ‘Dengeki Bunko-like’ even meant. I thought about it a lot but couldn’t figure it out, so I just kept on writing and finished my next entry, which is 86--EIGHTY-SIX.

MS: How did you come up with the idea and structure of 86, a war drama where unmanned drones and “unmanned manned drones” battle each other?

ASATO: I once read a newspaper article whose main message was “It won’t be good if a country sends its citizens to war, but it shouldn’t be a problem if they made an army of foreigners fight in their stead.” In that case, I felt very afraid that other people will be forced to fight instead of us, with the idea of “those aren’t people, but drones” justifying this and everyone just allowing it {to happen}.

MS: As written in Volume 1’s Afterword, looking back at history, it. is true that racism and racial exclusion existed to no small extent. So, why did you decide to incorporate “racism” into your work?

ASATO: Ever since I started writing novels, I have repeatedly written about boundary lines between “human beings and those who are human but not treated as human beings”, with 86--EIGHTY-SIX being in a similar vein. One of the bases for this is probably the class discrimination found in Final Fantasy Tactics [12], for example. A character there, Argath, who is an aristocrat, tells a commoner character: “But the gods have no eyes for chattel! [12]” This line has stayed with me ever since. After that, I continued to write with the motifs of “human beings and livestock in human form” and “human and those considered not humans”. I think BLACK/MATRIX+ [13] influenced me as well. This game deals with ethnic discrimination, set in a world where black-winged people are ruled over by white-winged people. In there, those who were discriminated against were treated harshly. They were treated like livestock, with the game having this line of, “Why is a mere slave like you wearing clothes?”

MS: Do you often play games?

ASATO: When my gaming consoles weren’t connected yet to the Internet, I used to play a lot of RPGs. I’m not good at action games. I did play a lot of Final Fantasy, like Final Fantasy VI, Tactics, VIII, IX, and X [14].

MS: Are there other works which influenced you? I wonder if there’s something similar like the war situation in Knights of Sidonia [15], which was mentioned in Volume 1’s afterword.

ASATO: I often watch a lot of robot shows, Knights of Sidonia included. In addition to the Gundam series mentioned earlier, I also watched Full Metal Panic [16] and Gunparade March: A New Song for the March [17]. It’s not a robot series, but I also have read Battle Faery Yukikaze [18] over and over. I like {literary} structures where the protagonist side is overwhelmingly inferior while the antagonist side is the superior one. I want to see the flow of emotions from the characters more than the fight scenes themselves. I think emotions such as fear, resignation and desperation show more in situations where {characters} are hopelessly in a big disadvantage. Winning a battle by domination can be exhilarating, yes, but those other emotions don’t show as much during that. That’s why I prefer for the protagonists to win through unrefined and tenacious means, rather than them winning by outsmarting {enemies}.

The work’s influences from horror films and in-depth military research

MS: The Legion are getting more ominous, and the deteriorating situation for Shin and his group is putting them on a very big disadvantage, if I’m not mistaken.

ASATO: 86--EIGHTY-SIX has been influenced more by horror movies than robot anime, with it being based on movies such as The Mist [19] and Screamers [20]. Mist is a horror story where the protagonists get trapped in a supermarket due to a mysterious fog and monsters, and the people gradually lose their ability to make rational judgments as they are unable to defend themselves or escape, without any rescue in sight. This horror movie has a great ending, so I’m inviting you all to watch it without further spoilers. 86--EIGHTY-SIX was initially set as a novel about a fog of nanomachines covering the walls outside of the Republic, and the “Legion” being an aggregation of said nanomachines. However, that kind of thing couldn’t exactly be defeated by conventional weapons, so it was rejected at the setting phase. These elements from this setting, however, were retained in the form of Volume 1’s final boss character and the appearance of those electromagnetic jammers clouding the sun.

MS: It’s rather surprising this came from a horror setting.

ASATO: The other {inspiration mentioned earlier}, Screamers, is a sci-fi horror film where autonomous war weapons evolved on their own and went out of control. In 86--EIGHTY-SIX, the Self-Propelled Mines, which look like wounded soldiers, are based on Screamers. The work is rather interesting as one has no ideas who their enemies are and everything else looks suspicious.

MS: So you have a situation like this, and you applied what kind of emotions you want to be shown in that situation, correct?

ASATO: Yes. Looking back, I think I was strongly influenced by the novel Chaos Legion [21] {in this regard}. Shin’s Personal Mark, which has a shovel on it, was influenced by his special ability as well as his role being the “Undertaker” responsible for collecting the fragments of his comrade-in-arms’ {Feldreẞ} units.

MS: The more I hear about it, it seems this work is really packed full of things {you} like.

ASATO: While I was writing this, I played the Black Hawk Down [22] movie repeatedly instead of just background music. It’s also a favorite {movie} of mine.

MS: I would like to ask you about military-related matters. What kind of material did you use for your research?

ASATO: I borrowed all relevant materials I use from the library, so I don’t have any specific references… About racial discrimination, I read materials about Nazi Germany [23], the internment camps in US as well as the 442nd Infantry Regiment [24] and Scroll of Agony: The Warsaw Ghetto Diary [25]. As for the weapons, the Juggernaut and the Legion are based and patterned from tanks, so I’ve read materials dating back from World War II [26] as well as the Gulf War [26], where 120mm tanks were the main weapons used. The Juggernaut’s 57mm cannon wasn’t used very often, so I had a difficult time finding research material for it. The unit itself is based on the M551 Sheridan [27]. This airborne assault tank has aluminum alloy armor, but the Juggernaut reflects the pitiful aspect of said flimsy armor which explodes upon impact by any stray attack.

MS: Why did you make the Juggernaut and the Legion multi-legged tanks?

ASATO: Because it’s romantic! I love multi-legged tanks! My first exposure with them is the X-ATM092 [28], a spider-shaped mobile unit from FFVIII. The loud, resounding footsteps it produced as it chased you away was very scary, and it left this impression of being a symbol of a very powerful weapon. I also like Ghost in the Shell’s Tachikoma [29] and the Tobigumo from the Swallowtail novel series [30]. In reality, multi-legged tank units aren’t really fast enough, and there is too much ground pressure for those to actually carry a 120mm cannon… but I make up for it with my imagination (LOL)

A character that embodies the idea of “to be human” walks alone

MS: Concerning those people called “Eighty-Six”, what do you think it means “to be human”, which you tried to depict in Volume 1?

ASATO: What I tried to depict in this work is “to respect other human beings, and to live without regrets.” However, I don’t think everything I wrote in this main part is actually correct. I think this is the answer the “Eighty-Six” came up with due to the environment they lived in. In Volume 2, the stage now shifts to the Federacy, so the theme there is now what will happen if said environment has changed.

MS: In Volume 2, I see this as a story where the “Eighty-Six”, who managed to get safety for the time being, nevertheless still returned to the battlefield. I think this sentiment was portrayed very well.

ASATO: Volume 3 will focus on what happens inside {Shin’s head} after he made that choice, so please look forward to that. After all, they don’t feel safe even after coming to the Federal Republic of Giad. And the war against the Legion isn’t over yet. Since the Eighty-Six think they will not survive if they don’t fight, I think they will continue to fight until the Legion disappeared. Then… what will they do after the Legion are eventually gone? …They will certainly have to think about that in the future as well.

MS: Do you have a favorite among all the characters?

ASATO: It’s Raiden. Of course, I love the two protagonists, Shin and Lena, but Shin isn’t really a very cooperative character with me, so I have a certain attachment to Raiden, who provides much support. Instead of simply just crafting the plot, I write in a way that captures how each character would act in line with {the type of} world I've created. That’s why I do not know what the characters think, what goals they have, or what pasts they bear unless they “talk” to me. Shin is not the type {of character} to talk about anything in particular, and he doesn’t even say anything much except for his name. It wasn’t until I finished writing that climax of a battle in Volume 1 that I realized what he was fighting for. After I wrote it, I was like, “Huh?! So, this is it?!” and was surprised as the author (LOL).

MS: So, you didn’t think about Shin’s background at first?

ASATO: Yes, that’s right. During that climax, I finally understood {everything} concerning Shin, so I went back on that part and wrote the details that I then added. 

MS: So even at the plotting stage, you haven’t put together the {setting and background} for each of the characters?

ASATO: To begin with, when I wrote Volume 1, I haven’t even made a plot. I didn’t even have a story structure in particular, and just wrote while letting the characters act. The first time I finished this volume, the last two pages were still missing, but Shin brought them to me, saying, “Sure enough, write up to this far.”

MS: What happened after Volume 2?

ASATO: I have submitted the plot… but stressed on the important scene that “I won’t know everything until I write it” then submitted it. As a result of this, only the boss character from Volume 3 remained in that plot I submitted. {I caused} my editors a lot of trouble.

MS: How did Frederica (the character) come to be?

ASATO: Frederica is a character with a part further on in the series, so I intended to debut her in Volume 2. As I was writing her, however, it seemed she and Shin have similarities on what they carry on their backs. Since then, she acts as a mirror to Shin. As Shin is a character who is not very good at grasping his own emotions, {I had Frederica} serve as the one who verbalizes those emotions. I wondered then, what does it mean to have a 10-year-old verbalize {another person’s feelings}? (LOL) I simply wanted to show a little girl. In Volume 2, the heroine, Lena, is absent, but I can’t have another girl the same age as her as this volume’s heroine… and so, under this pretext, I brought out {Frederica as} the little girl heroine.

MS: For some reason, I thought there’s other many works featuring little girls in the battlefield.

ASATO: If this were about a real battlefield, it would have been filled with old men. I like older men soldier characters, so that would have been fun to see, but I don’t think readers would find that interesting. Cute little girls adding a touch of color {to a work} is important (LOL).

MS: Did you decide on the setting from the start?

ASATO: The setting was generally decided from the beginning. The scenes were written out as needed. For example, regarding the battlefield, the Legion are ground-based weapons, and it would be troubling if they’re easily eradicated by aircraft weapons. That’s why {I had} the Eintagsfliege, a Legion unit which has jamming, and restricted the use of aircraft and communication devices. This, however, would have prevented Shin and Lena from communicating with each other, so I then devised the special communication device called the Para-RAID.

MS: How deeply did you think about this world’s setting on itself?

ASATO: The necessary scenes have been chosen in detail, otherwise, the rest of the details aren’t fixed. For example, it’s not in the main story, but the Republic’s population has already been decided upon. It’s the reverse with the countries on the edge of the continent that aren’t scheduled to appear, as they might have a Chinese-like culture… that’s all I thought of it right now. There’s also this “sensory tuning”, which hasn’t been written in the setting yet, but is scheduled to be involved in the future part of the plot. However, as I said just a short while ago, the story {as a whole} is influenced greatly by how the characters act, so it depends on them to make the best use of the setting. From this point on, who will survive and who will die… is something that I still don’t know.

MS: Is it still unknown how the war against the Legion will move forward?

ASATO: The basic points {for that} have been decided, with the foreshadowing being built onto step by step. However, it is up to those two, Shin and Lena, if they will follow suit. (LOL)

MS: What about the Legion, then?

ASATO: About the Legion, the setting about them has been solidly established, including the future boss characters. However, I can’t say anything about them yet. Details about them have been foreshadowed little by little. I write hoping the readers will be surprised by this later.

The love for garter belts explodes! A talk about eroticism

MS: Changing the subject, what it is about your particular fixation towards garter belts [31] and pilot suits [32], both of which you spoke so passionately about in your Afterwords?

ASATO: About the pilot suits, on the outline for volume 2, I wrote "I don’t want men’s pilot suits paired with ground-based armaments!!!" using half of the A4 outline paper and submitted that (LOL). I’ve wondered whether pilot suits are really necessary, apart from space or aircraft or even ground battles. I’ve my doubts about it, and with said doubts I don’t want {characters} just wearing pilot suits, even in a robot thing. I do agree with the editor-in-charge about “Female pilot suits are justice!” so Lena wearing a pilot suit is scheduled to appear in the future [32]. After all, the garter belt shows a good place between sexy and cute. I think the eroticism {from the garter belt} dwells in its self-contradictory element: it’s just one additional item {in a set of clothes}, and somehow manages to show more skin―I think that’s the charm of the garter belt. In particular, if the color {of the garter belt} contrasts strongly with the skin color {of the wearer}, the impression of bare skin is more emphasized in spite of the wearer. Because of this, I think it’s wonderful that Shirabii colored the belt part {of Lena’s garter belts} black.

MS: It’s amazing the garter belt drawn by Shirabii has the functions of both a belt and a ring, isn’t it?

ASATO: Furthermore, Lena’s military uniform, a garment that is very much seen in public, has garter belts, which are usually private items, and I think that adds further to her ambivalent charm even more. As a matter of fact, at first, I argued that it would be better if {her} thighs were not visible all the time but could be glimpsed at occasionally, but after a 2 AM discussion with the editors-in-charge while looking at the rough draft of the cover art, they convinced me that “That ‘occasionally’ should be now!”, and we settled on its current form. The ideal situation {we have} was when {Lena} lifts her legs up and a glimpse of the black lace garter can be seen through the slit of {her} dress. However, as Lena is a prim and proper lady, the only situation I can think of where she lifts her legs while wearing a dress is when she is about to wear heels… I’ll have to ask Shin to do his best on this one.

MS: Rather a difficult situation, isn’t it?

ASATO: It’s Shin, after all. Also, a military uniform with pretty boy shorts + sock garters is also cute, and as Theo hasn’t appeared with his military uniform yet, I’m thinking to add that to his outfit now… (LOL). However, middle-aged soldier uncles shouldn’t show their bare legs with shirt garters! (Editor’s note: Please Google “shirt garters” for more info)

MS: Are there any {role/inspiring} models for your characters?

ASATO: Basically, none. However, as mentioned earlier, Shin is partly inspired by Sieg Wahrheit [33] from Chaos Legion, while Lena is partly inspired by General Garrison [34] from Black Hawk Down. In the film, {Garrison} is placed on a situation where he could do nothing but only communicate with his subordinates in adverse circumstances, and this inspired Lena’s position {in the series}. In Black Hawk Down, many characters died before we even understood them, and I think that influenced 86--EIGHTY-SIX as well.

MS: That’s right. They die when the chapters change. When you are writing, you’re writing without knowing who is going to die, isn’t it?

ASATO: There are some characters whose manner of death came to mind as I was writing them. I think they’re good kids, but I have no choice but to let them face their fates (oops).

MS: If the names of the Eighty-Six characters were names of Japanese people, would they still make good names?

ASATO: Yes. All their names can be written in kanji. For example, Shin’s surname, “Nouzen” is from the kanji of the Chinese trumpet creeper (凌霄花) {pronounced as “nouzenkazura”} [35].  I actually like the arrangement of the kanji {from that plant} within the kanji for “surpassing the sky” (霄を凌ぐ) {pronounced as “sora wo shinogu”}. If you use the same kanji and put the honorific (君) {pronounced as “kun”} on it, you can form the characters for the Eurasian goshawk (凌霄君) {pronounced as “ryoshoukun”} [36]. This is also a reference to Shin’s image, as he does resemble a hawk.

What’s next for this series? There’s so much more to write about!

MS: What will happen in Volume 3 of 86--EIGHTY-SIX? [37]

ASATO: It will be properly connected to Volume 1’s Epilogues, so please don’t worry about that. The battle scenes, which were limited in Volume 2, will be much increased here. It might be even tragic.

EDITOR KIYOSE: This paperback series will, of course, continue to be serialized, and the series will also be expanded into various adaptations such as comics [38] and other various media. This work will have a lot of side stories, so we hope you will all appreciate this series as a whole.

MS: Can you please tell us about the future developments of 86--EIGHTY-SIX?

ASATO: The stage has shifted to the Federacy from Volume 2, and as the war situation gets more violent, the environment surrounding the Eighty-Six and the others is about to deteriorate further. There will be new enemies for mankind to face, and their own numerous personal conflicts standing on their way one by one. However, they have survived far difficult circumstances up until now, and since Lena will join them in earnest by Volume 4, I think they will still survive, stubbornly, shamelessly, and boisterously. However, I really wouldn’t know what would happen unless I write them. (LOL)

MS: How many volumes does this series will have?

ASATO: Currently, I'm thinking of around 13 volumes. The war against the Legion has a general flow and an ending in sight already, so I'd like to get to that point first. In addition to that, I’d like to like to write a side story about Raiden and Shin when they just first met, if I have the opportunity [39]. There’s so much more I want to write about. From Volume 4 onward, countries other than the Federacy will be related, and there’s plans to stretch out the stage even more. The Queen's Knights [40], led by Lena, will also make their appearance. I think there might be some slight surprises about Shiden, who first appeared in Volume 2.

MS: Lastly, any message for the readers who have supported you and the series?

ASATO: I was never active on the web at all, and I was totally an unknown newcomer writer. I believe the reason why I and the 86--EIGHTY-SIX series have come this far is due to the readers who picked up the books and supported us. So, everyone, I will do my best to write bringing Shin and Lena and the Eighty-Six’s battle to conclusion, so from this point on, I look forward to your continued support!

{End of Interview}

Translator’s Notes (Most of the blurbs here are taken from respective relevant Wikipedia articles, and the notes also include the Magazine Notes from the actual interview):

[1] Kono Light Novel Ga Sugoi: Kono Light Novel ga Sugoi! (このライトノベルがすごい!, lit. This Light Novel is Amazing!) is an annual light novel guidebook published by Takarajimasha. The guidebook publishes a list of the top ten most popular light novels according to readers polled on the Internet and votes from critics, influencers, and other people related to the light novel industry. 86--EIGHTY-SIX ranked 2nd and 5th in the bunkobon category here in 2018 and 2019.

[2] Lena is the class president of Class 2-E in the 86--EIGHTY-SIX Operation High School spin-off side stories and the manga. This is probably among the first references to said spin-off.

[3] Space Battleship Yamato: one of Japan’s most influential sci-fi/mecha series, a Japanese science fiction anime series produced and written by Yoshinobu Nishizaki, directed by manga artist Leiji Matsumoto, and produced by Academy Productions.

[4] Mobile Suit Gundam: The first series in this very popular Japanese military science fiction media franchise, it was re-released into a film trilogy in 1981.

[5] The Brave Police J-Decker: The fifth installment in the Barve series.

[6] The Brave Express Might Gaine: The fourth installment in the Brave series.

[7] The Brave mecha and sci-fi series: a Japanese toy and anime franchise Brave series made by Takara and Sunrise, and currently owned by Bandai Namco.

[8] Magic Knight Rayearth: a mecha, fantasy and isekai shoujo manga series made by the all-female manga artist group CLAMP.

[9] Kadokawa BEANS Bunko Award: The contest launched by Kadokawa’s female-focused light novel imprint, Kadokawa Beans Bunko.

[10] Dengeki Novel Prize: a literary award handed out annually (since 1994) by the Japanese publisher ASCII Media Works for their Dengeki Bunko light novel imprint, spearheaded by parent company Kadokawa. It is among Japan’s largest light novel contests, with more than 4500 entries submitted annually. 86--EIGHTY-SIX won 1st place in the Rookie Awards category in 2016, launching it to the spotlight.

[11] Dengeki Bunko: a publishing imprint affiliated with Kadokawa’s ASCII Media Works. Many anime adaptations from light novels were published by Dengeki Bunko, including 86--EIGHTY-SIX.

[12] [Magazine Note 1] Final Fantasy Tactics: A tactical simulation RPG released in 1997. The socially conscious storyline, which tackled friction between nations and the gap between the rich and the poor, became very much a hot topic during its time.

Please take note I used the Final Fantasy Tactics: The War of the Lions translation here as contextually I believe this translation has more in line with EIGHTY-SIX than the translation of the actual game Asato played, which is the original Final Fantasy Tactics. Also, Argath vs Algus :3

[13] [Magazine Note 2] BLACK/MATRIX+: A tactical simulation RPG for Sega Saturn, with the PlayStation port released in 1998. It has a unique setting where virtue and vice are said to be reversed.

[14] Final Fantasy: a fantasy anthology media franchise, first and mainly developed as RPGs, owned, published, and distributed by Square Enix. Currently this franchise has 16 main series game releases. One of these games, Final Fantasy VIII, has its main soundtrack (“Eyes on Me” by Faye Wong) featured on the Afterword of 86--EIGHTY-SIX Volume 7: Mist.

[15] Knights of Sidonia: A sci-fi/mecha seinen manga, made by Tsutomu Nihei and ran from 2009-2015 in Kodansha’s Monthly Afternoon magazine. Its anime adaptation, which ran for two seasons, was produced by Polygon Pictures and aired from 2014 to 2015.

[16] Full Metal Panic!: a series of mecha light novels written by Shoji Gatoh and illustrated by Shiki Douji, published by Kadokawa’s Fujimi Fantasia Bunko and ran from 1998-2011. Its anime adaptations were produced by Gonzo, Kyoto Animation and Xebec respectively, from 2003 to 2018.

[17] Gunparade March: A New Song for the March: The anime adaptation for the Playstation video game Gunparade March, produced by J.C. Staff and aired in 2003.

[18] Battle Faery Yukikaze: a Japanese military science fiction novel series written by Chouhei Kambayashi. Its five-episode OVA adaptation ran from 2002-2005.

[19] [Magazine Note 3] Mist: A 2007 film based on the award-winning science fiction horror novella by Stephen King.

[20] [Magazine Note 4] Screamers: A 1995 futuristic science fiction horror film, based on Phillip K. Dick’s novelette “Second Variety”.

[21] [Magazine Note 5] Chaos Legion: A mixed-media action RPG released in 2003, getting a novelization by Tow Ubukata.

[22] [Magazine Note 6] Black Hawk Down: A 2001 war movie. Based on a non-fiction work about an actual urban war between international forces and guerillas that occurred in Somalia. The film depicts how a UH-60 Black Hawk​ gets taken down and this being dragged into a war situation.

[23] This is a very extensive subject, so please feel free to check out Nazi Germany on Wikipedia to get at least an overview.

[24] Another extensive subject, so feel free to check out 442nd Infantry Regiment on Wikipedia to get an overview.

[25] [Magazine Note 7] Scroll of Agony: The Warsaw Ghetto Diary: A diary kept by a Jewish teacher, {Chaim A. Kaplan}. It described the persecution and pillaging by the Nazis, as well as the three harsh years of {Kaplan’s} life.

Printed in Japan as (ワルシャワ・ゲットー日記―ユ���ヤ人教師の記録 or “Warsaw Ghetto Diary: A Jewish Teacher’s Record”), with Kaplan implied to have died in 1942 when he was sent to the Treblinka death camp along with other Warsaw Jews.

[26] Another extensive subject, so feel free to check out World War II on Wikipedia to get an overview. Feel free to also check out Gulf War on Wikipedia to get an overview on this topic.

[27] [Magazine Note 8] M551 Sheridan: an American tank developed to be amphibious, airborne tank. Its body was made of aluminum alloy to help reduce weight, but this made it vulnerable to anti-tank weapons and land mines, and it could explode when the shells it’s equipped with are triggered.

[28] X-ATM092: A spider-like robot boss enemy found in Final Fantasy VIII.

[29] Tachikoma: a blue-colored AI walker/roller tank that looks like a spider in the Ghost in the Shell cyberpunk media franchise.

[30] Swallowtail series: The sci-fi novel series written by Chitose Touma and published by Dengeki Bunko in 2008. The series is about artificial fairies, androids created in the form of humans, to be companions to still-living humans after parts of Tokyo’s population were wiped out in a pandemic, and one of these fairies, Ageha, is investigating a serial killer causing destruction. The work also has this multi-legged armored tank called “Tobigumo”. So far as I know this mecha doesn’t have official art, however, a fanart can be found in Pixiv here.

[31] [Magazine Note 9] Garter: They’re suspenders of sorts. “Garter belt” is the term for {a fabric strap which} which is clipped on over-the-knee socks or stockings. Having no shorts above garters is righteous! between the rich and the poor, became very much a hot topic during its time.

Asato’s interest in garter belts is not only shown in the novels, but also in the anime, which is noted to have a lot of thigh shots of Lena wearing said garter belts.

[32] [Magazine Note 10] Pilot suit: In this case, this is the type of suit that sticks really close to the body. As it shows the body lines quite clearly, it’s considered quite fetishistic. 

In the current time, 86--EIGHTY-SIX Volume 5: Death, Be Not Proud, has already been published, and Lena did wear the Cicada, which is Asato’s homage to pilot suits.

[33] Sieg Wahrheit: the protagonist of Chaos Legion.

[34] William F. Garrison: a retired major general of the United States Army who commanded United States forces during Operation Gothic Serpent including the Battle of Mogadishu, which served as an inspiration for the novel Black Hawk Down.

[35] The Chinese trumpet creeper, a native flowering vine species found in East Asia, usually in China, can mean “fame”, “honor”, “glory”, “abundant love” and “life filled with flowers” in the flower language.

[36] Eurasian goshawk: a medium-large bird-of-prey found in Europe and Asia and is among the species considered as “true” hawks. The kanji used in the article actually just refers to how Shinei Nouzen looks like a hawk, but upon further examination of said kanji in this reference, it pertained to that goshawk as well.

[37] Volume 3 of 86--EIGHTY-SIX was just about to be released in Japan around the moment this article was published, serving as a promotion of sorts.

[38] Several manga adaptations of 86--EIGHTY-SIX have been published as of current time. For more information, please check out this 86 Reddit Manga FAQ for further details.

[39] Besides Volume 1, Eighty-Six’s Interlude: Headless Knight II, Asato has managed to write this in the side stories Volume 10, Fragmental Neoteny Chapter 8: The Banks of Lethe and Alter.1: Claymore Squadron.

[40] The Queen’s Knights, formally known as the Brísingamen Squadron, was the squadron Lena became the Handler with after the Spearhead Squadron was sent on the Special Reconnaissance Mission. It was led by Shiden Iida and was pivotal in the Republic of San Magnolia’s defense during the 1st Legion Large Scale Offensive.

[shenrickyz]

﹙ 𖤐 ﹚. . . a quick soloist deep dive !

ONCE UPON A TIME, there was a star, and though the star couldn't grant wishes, the star brought euphoria to all who took a glance its way. a swarm of astral deities debated on what to do with said star, what kind of star serves no purpose besides entertainment? what use is there to make people happy? advancing across the milky way and barrages of nebulous asteroids in the hopes of finding a place among the celestial rings, the star came to be known as the astral nova . . .

i'll be right your side tonight 💫 ! ─── ASTRANOVA ( 아스트라��바 ) is a south korean-american singer, songwriter, and producer under EUNOIA CO. with a stellar stage name quite literally just meaning " star ", he aims to wield the novas in his palms as he spreads irresistible elation through catchy, occasionally amusing, and sometimes melancholic music which has captured the hearts of many since his debut in january of 2021. having simply started as a former trainee who then became a silent producer for his labelmates, the transition to.. well— artist, was pretty " unconventional " in his own words.

ASTRANOVA made his formal debut on january 10 2021 with the mini album ‘NOT MY MEMORY’ which was headlined by the single ‘AMNESIA’, a song meant for an entirely other group, but eventually given to him after his original demo of the song went viral. he wasn't a new face, not exactly anyway, he was actually a face people had been begging to hear from for years. of course, before he became ‘ASTRANOVA’, he was just EZRA KWON, a tall, loud mouthed, hilarious sm entertainment trainee who seemed to have a good future ahead of him. before his abrupt departure from the company, he was suspected to have stolen a spot in NCT DREAM, but then he just suddenly disappeared from the company and went silent for five years. where did this sudden 2021 debut come from? and what's with the new name?

so let's talk about it then, the guy is quite literally a star after all. though having a sister formerly apart of a famous group and once being in the lineup for one, it seems it was never all that easy for him. hopefully after this, he becomes just a little bit more understanding to those full of confusion.

﹙ 21:29 ﹚. . . the basics !

﹙ 𖤐 ﹚ BIRTH NAME . . . astro ezra kwon ﹙ 𖤐 ﹚ KOREAN NAME . . . kwon eunwoo / 권은우 ﹙ 𖤐 ﹚ PREFERRED NAME . . . astro / 아스트로

﹙ 𖤐 ﹚ NICKNAMES . . . ez, rozi, asty, eunie, nunu, wee woo ❪ his family , his close friends ❫. tokki, white rabbit, snow bunny ❪ his close friends , his fans ❫. gentle giant, a tall softie, astro long legs, reaching for the stars, cell tower, tall woo ❪ his family , his friends , his fans ❫. little hye, baby lux, moon sibling ❪ his fans & his sisters' fans ❫. #1 amnesiac ❪ his fans ❫. star-boy, little star, astral angel, lumi, baby nova ❪ his fans ❫. 7/11 addict, keeping convenience stores open, slushies forever, twix crazy ❪ his close friends , specifically dakota & kihyun , his fans ❫.

﹙ 𖤐 ﹚ BIRTH DATE . . . december 20 2000 ﹙ 𖤐 ﹚ ZODIAC SIGN . . . sagittarius ﹙ 𖤐 ﹚ CHINESE ZODIAC SIGN . . . dragon

﹙ 𖤐 ﹚ BIRTHPLACE . . . juneau, alaska, united states ﹙ 𖤐 ﹚ HOMETOWN . . . juneau, alaska, united states ﹙ 𖤐 ﹚ RESIDENCES . . . juneau, alaska, united states ❪ 2000 — 2011 , 2016 — 2018 ❫. seoul, south korea ❪ 2011 — 2016 , 2018 — present ❫.

﹙ 𖤐 ﹚ NATIONALITY . . . american ﹙ 𖤐 ﹚ ETHNICITY . . . korean

﹙ 𖤐 ﹚ SPOKEN LANGUAGES . . . english ❪ 100% , standard english ❫. korean ❪ 100% , gyeonggi dialect ❫. spanish ❪ 100% , castillan spanish ❫. cantonese ❪ 70% , hong kong dialect ❫. tagalog ❪ 45% , unspecified dialect ❫.

﹙ 𖤐 ﹚ GENDER IDENTITY . . . demiboy ﹙ 𖤐 ﹚ PRONOUNS . . . he / they ﹙ 𖤐 ﹚ SEXUALITY . . . gay

﹙ 𖤐 ﹚ HEIGHT . . . 188 cm ❪ 6'2" ❫. ﹙ 𖤐 ﹚ WEIGHT . . . undisclosed ﹙ 𖤐 ﹚ BLOOD TYPE . . . b

﹙ 𖤐 ﹚ NATURAL EYE COLOR . . . dark brown ﹙ 𖤐 ﹚ NATURAL HAIR COLOR . . . black ﹙ 𖤐 ﹚ CURRENT HAIR COLOR . . . blonde

﹙ 𖤐 ﹚ BODY MODIFICATIONS . . . 2 piercings ❪ left ear ❫. 4 piercings ❪ right ear ❫. 4 tattoos.

﹙ 𖤐 ﹚ FACE CLAIM . . . choi soobin / txt ﹙ 𖤐 ﹚ SPEAKING CLAIM . . . choi soobin / txt ﹙ 𖤐 ﹚ VOCAL CLAIM . . . lee jinki / shinee ﹙ 𖤐 ﹚ DANCE CLAIM . . . kim jongin / exo ﹙ 𖤐 ﹚ RAP CLAIM . . . kim jongin / exo

﹙ 21:29 ﹚. . . the career !

﹙ 𖤐 ﹚ STAGE NAME . . . astranova / 아스트라노바 ﹙ 𖤐 ﹚ EXPLANATION . . . he picked it himself, it's derived from the title of the first ever song he wrote and produced which was 'the astral nova', a song that was more of a personal dump of his issues as a moody sixteen year old than an actual collection of lyrics, fit with music. of course, the song has never been released, but the name stuck with him (the song also sort of made him appreciate his first name more).

﹙ 𖤐 ﹚ REPRESENTATIVE EMOJIS . . . 🐰 / 💫 ﹙ 𖤐 ﹚ EXPLANATION . . . the bunny is pretty self explanatory, literally everyone thinks he looks like a bunny when he eats. the star is also pretty fitting because his name, stage name, and literally everything about him is stars. this man has an obsession, really.

﹙ 𖤐 ﹚ FANDOM NAME . . . estrella ﹙ 𖤐 ﹚ EXPLANATION . . . again, star obsession. estrella is the spanish word for star, the fandom name still would've been related to galaxies or stars anyway, so he didn't pay it much mind. ﹙ 𖤐 ﹚ FANDOM COLORS . . . ocean blue ❪ #4f42b5 ❫. periwinkle ❪ #ccccff ❫.

﹙ 𖤐 ﹚ AGENCIES . . . sm entertainment ❪ 2012 — 2016 ❫. eunoia co ❪ 2018 — present ❫. ﹙ 𖤐 ﹚ OCCUPATION . . . singer, songwriter, dancer, producer. ﹙ 𖤐 ﹚ TRAINING PERIOD . . . 9 years 4 months. ﹙ 𖤐 ﹚ DEBUT DATE . . . january 10, 2021. ﹙ 𖤐 ﹚ DEBUT AGE . . . 17 ❪ producer ❫ 20 ❪ singing ❫ ﹙ 𖤐 ﹚ YEARS ACTIVE . . . 2015 — present

﹙ 𖤐 ﹚ SOCIAL MEDIA . . . ─ instagram ⨟  @ astroproxy ❪ 2409 posts , 2.3m followers , 22 following ❫. @ newstar ❪ 1099 posts , 5.5m followers , 0 following ❫. ─ twitter ⨟  @ astrodotcom ❪ 347 tweets , 991k followers , 27 following ❫. ─ youtube ⨟  @ astranova ❪ 6210 videos , 7.7m subscribers , 2 subscribed to ❫.

﹙ 𖤐 ﹚ KNOWN FOR . . . hating when he's compared to his sister. having an inactive twitter page. keeping his local convenience stores in business. his underrated singing voice. deeming himself "not romantic" yet literally having a discography full of love songs. sleeping.. all the time. his overwhelming little caesars addiction. freaking out his team with literally everything he does. crying when he got the opportunity to sing an ost for a kdrama. technically being an original nct dream member. lightly shading sm with big smiles on his face. just falling off the face of the earth for five years until he randomly debuted. his sheer "platonic soulmatism" with kihyun of neverland. having so many friends in the industry despite his introversion. being cool with everyone. his impeccable comedic timing. being the mastermind behind a lot of his labelmates' music. his former history at sm. being the younger brother of nebula's luxury neriah. being a human air conditioner. ❛ well i'm from alaska not the arctic you fuck ❜. his complicated memory. getting a social media ban every other week for swearing at his team. turning his team into celebrities of their own. his silent chaotic energy. saying he would never adopt any pets but then getting twin cats. ❛ okay but they're my babies so ❜.

﹙ 21:29 ﹚. . . the personal !

﹙ 𖤐 ﹚ MBTI TYPE . . . istj-a / defender

﹙ 𖤐 ﹚ STRENGTHS . . . supportive, reliable, observant, enthusiastic, hardworking. ﹙ 𖤐 ﹚ WEAKNESSES . . . overly humble, too sensitive, repressing feelings, too altruistic, struggles to stand up for himself.

﹙ 𖤐 ﹚ PHOBIAS . . . atychiphobia, fear of failure. aquaphobia, fear of deep open water. ﹙ 𖤐 ﹚ STRUGGLES . . . standing up for himself, being too nice, talking about his feelings, taking proper breaks.

﹙ 𖤐 ﹚ FAMILY . . . father, paternal grandparents, older sister, godmother, and a plethora of aunts. ﹙ 𖤐 ﹚ FAMILY DESCRIPTION . . . compared to how most people may envision it, astro's family is much more different. his family consists of many members, his father, his older sister, his paternal grandparents, his godmother, and his many aunts. his father was a man who struggled throughout life, raised in a foreign country and having had his first child at seventeen, then went on ten years living in a cramped apartment with his parents, his young daughter, and his partner. it got especially bad when astro's mother passed away, he sunk into his depression and then that turned into substances. when it all got bad, his parents (astro's grandparents) stepped in, anaiah (his older sister) was also a comforting figure in the early days after mom's death. his godmother, who is his father's childhood friend, was also there to be a person of solace whilst dad was ignoring everyone's existence and work was taking time away from everyone else. as for his aunts, they aren't actually aunts on the related side, his aunts consist of his older sisters group members, who, funnily enough, all treat him as their own.

where do i begin with this story? the beginning of the story almost seems like the middle, but i guess a good tale is one those would love. the story of ASTRANOVA technically begins in 2015, when he coined the name which he would eventually become known for, yet the story also begins in 2011 when he joined his first company, or in 2007 when his sister debuted and became extremely well known, at this point, we could start at any point, but let's just start from the semi beginning.

in 2007, his older sister anaiah made her debut as the maknae, center, and main vocalist of girl group nebula. better known by her stage name ‘luxury neriah’, she was a power tool in the industry. though private, somewhat irate, and still secretly coping terribly with the death of her mother, she charmed the hearts of south korea up until the groups disbandment in 2019. he hung around in the background and watched everything, just silently there in a tiny seoul apartment as his sister experienced the ‘idol life’, something so intriguing to him that he wasn't sure he'd be able to do it as flawless as she did. she was the figure who inspired him to do it all, watching her be an idol made him think he could make it, and the constant encouragement gave him the hope he so desperately needed.

after a grueling six years, six years in which these events transpired in his life: he joined sm, he became apart of sm rookies, grew a sizable predebut fanbase, was on the korean mickey mouse club, got put into nct dream, got pulled out of nct dream, and left sm because his father got into a car accident and he couldn't stand not being at home with him. he then found his first calling, producing. through journeys with his barely hanging on laptop and free soundcloud beats, ASTRO coined his name ASTRANOVA as a cute little pseudonym that he conjured up in the first song he ever created when he was fifteen. seemed producing worked, as after scouting from several companies (who only wanted him for the connection he had to his sister), he took up an opportunity with eunoia co because they were actually giving him something he wanted.. not idoling.

it's cliché yes, but ASTRO had given up on the idea of being an idol, he instead devoted his time to university work and producing for his labelmates. he made his production debut on the track ‘LOVE BOMB’ which was given to his labelmates AVIIX. over the course of two and a half more years, he would go on to participate in creating hits like: ‘PANTOMIME’, ‘THIS TIME’, ‘LOVE IN SPACE’, ‘THE RAINY NIGHT’, ‘FLICKER’, and, of course, ‘AMNESIA’. there are definitely more songs but his catalog extends a long while, we'd be here forever seriously. he was making sure to keep himself busy even without the idol life on his back.

‘AMNESIA’ started it all. it was in mid–2020 when he wrote it for NEVERLAND on a whim, but the song was a mixed bag for management, who couldn't decide if the song fit the groups concept, they kept it on the back burner for a while. then, someone released the demo without the company knowing, and.. it went viral. it was only ASTRO's second time doing the demo for a song he created, yet it seemed that so many wanted more. considering the idol dream had been long gone for a few years, he found it funny how people wanted for him to debut, but at the same time, it also boosted his ego in just the slightest.

the company gave him an ultimatum, he could simply remain a producer, or, he could use the chance he'd been given and finally make his idol dreams possible whilst remaining with just less creative power than before. considering the song was created by him, he could just release it himself. so he decided to take his chances, after sort of disappearing for five years and even getting a new stage name which was cool as shit (his own words), ASTRANOVA debuted on january 10, 2021, and a true star he is indeed.

there are definitely issues that need to be worked through, but with a team full of ‘just the sweetest assholes’ (- ASTRO 2022), broken promises healed, friendships rekindled, and many many songs saved in his files, it seems that he's always two steps ahead. the story doesn't have a surefire happy ending, but he's determined to get there, don't give him a challenge, he'll crush it.

[xieyaohuan]

If you have a subscription to The Economist or advanced piracy skills, you should consider listening to one of my favorite people in my field interviewing one of my other favorite people about his 1000+ days of detention in China as a political hostage.

I remember vividly the moment he was taken. It was December 2018. For several years, my friends and colleagues had been expecting something like this to happen. We'd also discussed the very small (but potentially life destroying) odds if anyone in our circle happened to be that first person to get snatched. So when it happened, it hit hard.

I was in Cambodia, about to go to sleep, when my friend texted me. "They took Michael." She'd just met with him a few days prior and was in shock. Within 2 minutes, so was I. The news had not yet broken, so I couldn't read up on the case, but my friend texted me everything she knew.

This is a great podcast. I knew most of Michael's story because he's been sharing it privately. Still, it hits hard. This story has a happy ending. Other friends of mine had the wrong nationality and therefore did not have such luck. Their lives are ruined forever. Some of them are dead.

Anyway. I was just invited to China for the first time in two years. (I haven't actually been since 2018 when Michael was taken.) I was really, really tempted to try and see if they'd let me in. I miss China. So I made myself listen to the podcast.

[firthbetterorfirthworse]

Marrying Mr. Darcy (2018)

Remember that last Hallmark movie? I'm hate watching the sequel now. Buckle up, you will not be spared.

TL;DR: Woman makes herself miserable by choosing what other people want without telling them her desires, over and over, until she breaks down. When she finally tells people, they give it to her. The end.

The movie begins with them having a picnic in the park with the dogs, and Donovan pulling out a ring box. Fakeout! It's a new collar for her dog. Double fakeout! There's a ring on it.

(also they got caught in the rain, we're already getting the wet data)

Apparently Bitch Aunt Darcy never comes around anymore and Zara (the teen sister) doesn't know why. Liz encourages him to patch things up for the wedding. Honestly she does seem genuinely contrite and apologizes to not only Darcy but Liz too.

Liz finally has a job interview! (also she made the wedding march her ringtone? I'm a total asshole but I hate that)

Darcy's friend is encouraging him to not assume that Elizabeth will attend events, and instead ask her and have her be involved (good job Henry)

Aunt Violet complains to Zara in the hall, but when she sees Liz and Darcy dancing together she gets shiny eyed and says she hasn't seen Darcy so happy in years, and even gives her a necklace that belonged to his grandmother. She seems really genuine.

Liz and Darcy want a small, simple wedding. Her mom owns a bridal shop. Aunt Violet is invited to plan as well, since she organizes most of the foundation's events. I sense that there will be issues.

And they're already happening! Aunt Violet pulled some strings and got them into the church that the last 4 generations of Darcys have been married in, even though it's normally booked years in advance. Only snafu is that the only date they have is in 2 months instead of 7. Liz agrees even though she was secretly hoping for a garden wedding.

They're reminiscing about a moment in the first movie (gag) "You thought I was pompous," he says. "You thought I was rude!" she says ("you were," I say) "No, I thought you were smart and charming and exactly the woman for me." "How convenient! I thought you were exactly the man for me!" she cries (bitch you hated him and went out under duress)

His idea of a small wedding is 250 people. Her idea of a small wedding is like 30. They compromise at 150 and Liz surprises him with having to tell his aunt, who came up with a guest list on Darcy's side of 400.

She found a dress she likes, but then Aunt Violet is like "hold up I know the premiere dress designer in the country as a favor to me she can see you at 10". Liz feels torn, which is insane, because why wouldn't you meet with this dress designer and see what she says and honey your mom owns the bridal shop, she would probably happily put that other dress aside for you just in case? This is not an issue?

Also Darcy shows up and is like uh surprise, I forgot to tell you, there's a board meeting tonight. Also I forgot to tell you, you're on the board now. She's like hey I'm excited about this opportunity but in the future you absolutely have to talk to me about things like this first, especially since she was super unprepared for this meeting.

Darcy has admitted a couple of times that he works for Darcy Enterprises, his family company, out of obligation and tradition even though he would rather spend all of his time at the foundation.

Aunt Violet is telling Liz she won't have time to go back to teaching. Liz is upset because teaching is who she is! Liz continues to be upset even though Darcy is immediately like ridiculous, you're a teacher be a teacher.

As my bestie, who I am hate ranting to, said - NONE OF THESE ARE REAL PROBLEMS

Especially since Darcy talked to Aunt Violet and she immediately capitulated.

Liz is meeting with the designer, who shows her two designs. One Liz clearly likes, one she clearly doesn't. None of us are shocked when she chooses the one she doesn't like, even though we all throw up our hands in disgust.

Aunt Violet can't get the guest list below 200 and talks them into it.

Darcy wants to make the honeymoon all about the two of them and take them to historical places and have it be for a month instead. His friend is like cool see what she says. He wants to surprise her.

He gets stuck in a traffic jam and can't make it to cake tasting.

Hey she got the job!

OH THANK GOD she FINALLY made a decision for herself with the flowers! And it convinced her to put her foot down and make decisions elsewhere, standing up to Aunt Violet (who is not even upset, she's surprised but says "well done")

We get to see Darcy interact with kids, which is supposed to be adorable but ends up playing very flat.

We as the audience know that Darcy is working hard on getting an incredible European tour honeymoon including a private after hours showing at the Louvre, and prepping for a month away from business, but Liz is certain he's just pulling away from her (again against the advice of everyone around her)

She sees herself in her dress and she hates it. She talks to Darcy about maybe eloping.

"I thought I was marrying Darcy, not his work. Is it always going to be 'see you tomorrow'?" even though they JUST had a conversation about how he was sorry he was so busy and he promised it wouldn't be like that after the wedding.

Now we're 3 days out from the wedding. Liz is afraid they're rushing into things and needs time to herself to think. Darcy is literally begging her to talk to him, knocking on the door and calling for her, and she is just standing on the other side crying.

His best friend Henry is talking to Jenna and being like hey wtf is up?? He admits to her that he's been at work so much trying to get a month long honeymoon together and he wants it to be a surprise. Jenna is like this is misguided, but sweet.

So Henry goes to Darcy and is like, tell her. Darcy is like I WOULD IF SHE WOULD TALK TO ME

Aunt Violet of all people goes to Liz and is like Darcy is devastated. I'm sorry if I upset you in any way, it was from my manner and not my heart. They have a great heart to heart but STILL she doesn't go talk to Darcy??

He texts her and is like I will wait at our spot in the park, I'm begging you to come talk to me. She FINALLY shows up and he tells her about what he's been trying to surprise her with.

"I wanted a tiny garden wedding" she tells him, FOR THE FIRST TIME EVER

"You know, for a while there we stopped communicating," she says (BITCH WE? "WE"???)

They compromise by giving her the tiny garden ceremony she's always wanted but never told anyone about, and also having the big grand wedding. Darcy decides to step away from the company and work for the foundation, as his heart desires. Zara gets to go to Montreal. Everybody gets a happy ending.

Thank god it is over.

This had nothing to do with Pride and Prejudice.

I have to watch three more of these Hallmark movies

[this-daydream-is-dangerous-13]

Happy Central Park “first date” anniversary 2012 and Victoria Secrets Fashion Show2014 filming/after party anniversary to all who celebrate:

Let’s all listen to Pick You Up, in advance of Gemma’s birthday tomorrow. Hopefully H isn’t in charge of her picking up the cake this year!!

It was written 4-5 years after the incident in question. During the writing of Fine Line. I am still gobsmacked that he left in specific, traceable details.

I have no idea if anything will ever happen between them again, but they were quite the pair, and we have been given so, so many amazing tunes as a result.

[sphero-official]

Since the beginning, our robots have always had multiple uses. From game controllers to teaching tools, our orbs, spheres, and balls have always had fun, security, and quality packed in from the start.

In 2010, we were founded as Orbotix and released our first robot, Sphero, in 2011.

In 2013, we released a revamped, faster, brighter, and better ball, Sphero 2.0.

In 2014, we released Ollie, the fastest app-enabled robot that we, or any other company, has ever made, using new Bluetooth Low Energy technology.

In 2015, we partnered with Lucasfilms, Ltd. to make BB-8 a reality in your home.

In 2016, we released SPRK+, an education-focused version of Sphero. We also released the Force Band, a new way to drive your robots like never before that same year.

In 2017, we made Mini, the smallest robotic ball ever*. *that we know of, at least!

In 2018, we released BOLT, our most advanced and feature-packed robotic ball yet.

In 2019, we released RVR, our most hackable, flexable, and creative robot yet.

That's why today we're happy to announce Sphero® Roboboobs™.

Breast implants are currently available through invitation only, but may become more widely available later on.

Connect with the app to track your sleep, heart rate, steps, and more. Record videos and take photos in stereoscopic 3D. Light the way in over one million colors. Control your other Sphero products without needing your phone. Find north, east, south, and west with the internal magnetometer. More features coming soon.

From balls to breasts, we're the leading innovators in today's field of robotics.

Sphero®. Inspiring the Creators of Tomorrow.

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[have-you-heard-of]

Have You Heard Of?

“A man who would be intimidated by me is exactly the kind of man I would have no interest in.”

Chimamanda Ngozi Adichie b.September 15, 1977

Chimamanda Ngozi Adichie is an award-winning author and an influential advocate of feminism. She has captivated people worldwide with her powerful storytelling and her outspoken campaign for gender equality. She was born in Enugu, Nigeria, and was raised in an academic environment that surely nurtured her passion for writing. As one of six siblings she grew up in the university town of Nsukka, her Mother was the first female registrar at University of Masuka and her father was Nigeria's first professor of statistics, and later became Deputy Vice-Chancellor of the same university. She attributes her success in part to her parents for, encouraging her self-confidence and being supportive by always showing that they had confidence in her. She began studying medicine and pharmacy at the university school her parents worked at; though, writing seems to have called to her, as she also edited the magazine created by the medical students. She left her medical studies after a year and a half when at nineteen she gained a scholarship to Eastern Connecticut State University in America, where she graduated summa cum laude (with highest honours) with a degree in communication and political science and continued her passion for writing by producing articles for the university journal. She went on to gain her master’s degree in creative writing from Johns Hopkins University, become a Hodder Fellow at Princeton University, earned an MA in African Studies from Yale University, and she was awarded a fellowship by the Radcliffe Institute for Advanced Study, Harvard University. During this time, she has released numerous novels, including A Feminist Manifesto in Fifteen Suggestions. She holds strong feelings regarding gender equality and is proud of her femininity, taking pleasure in fashion whilst grappling with the knowledge that she will be judged for the way she chooses to dress. Her belief is that you should be happy to be who you are, without being forced into a mould society has decided fits your gender. Refusing to conform to a female academic stereotype, she loves make-up and has been the face of Boots No7 cosmetics. Now married with a daughter, she splits her time between Nigeria, where she teaches writing workshops, and the United States. All in all, Chimamanda Ngozi Adichie is a world-renowned writer, acclaimed academic, fashion icon, beauty queen and a feminist warrior we all should have heard of.

“If you criticise X in women but do not criticise X in men, then you do not have a problem with X, you have a problem with women.”

Books and Novels

Notable Awards and Honors

35 awards, 21 are literary awards, including: Future… Award (Young Person of the Year category), 2008 Global Hope Coalition's Thought Leadership Award, 2018 Action Against Hunger Humanitarian Award, 2018 UN Foundation Global Leadership Award, 2019 Africa Freedom Prize 2020 Business Insider Africa Awards, 'Creative Leader of the Year', 12 April 2022 Influential people lists including: The New Yorker's '20 Under 40', 2010 '100 Most Influential Africans 2013', New African '100 Most Influential People' by Time Magazine, 2015 Fortune Magazine's List of 50 World Leaders, 2017 'World's Most Inspiring People in 2019' by OOOM Magazine Forbes Africa's '100 Icons from Africa', 2021 'Changemakers: 100 Nigerians Leading Transformational Change', 2022

“Teach her to reject likeability. Her job is not to make herself likeable, her job is to be her full self, a self that is honest and aware of the equal humanity of other people.”

Trivia

Her childhood home was one formerly occupied by the Nigerian writer Chinua Achebe

Beyoncé's song, "Flawless," features excerpts from Adichie's TED Talk.

Adichie thought she had invented purple hibiscus & was shocked to receive a call from her editor telling her they existed in America!

[apple-salad]

Mary Magdalene Faltetto (Farutetto) Dress Unboxing + Details

2023 edition, navy (sample) and mist (2017) colorways.

Please keep reading under the cut for more detail pictures, descriptions, waxing poetic etc.

Note: This dress is commonly translated as "Farutetto", but I will be calling it Faltetto from here on as Mary Magdalene has previously translated it as such.

Other note: If the video isn't loading on my blog, you can view it on my instagram, but the quality is a lot worse and it's split into parts.

Words cannot describe how elated I am to own these two pieces, which I have had quite the history with! And, I feel incredibly lucky to have obtained not one but two pieces from Mary Magdalene's sudden update.

The mist colourway especially had been an item that I had been pining over for a long time and had always regretted backing out of paying a SS to preorder it when advance reservations for this new colourway (which later became "exclusive reservations" when MM failed to open any general reserve to the public after, and to this day) opened to attendees of a Chinese event in Guangdong, in 2017.

And the navy...I had preordered it via a Chinese SS for the Le Panier event in Shanghai in 2018 (announced to be an exclusive colourway, along with a lilac), only for it to be cancelled a year later! So I am very happy to own this sample version which is likely the same one used for the Le Panier event.

I have written a long, rambly post that goes into more detail of the history of where the Faltetto samples might have come from, + Mary Magdalene's activities that I am aware of from around 2017, so please check it out if you like.

Actual worn/coord photos will be in a separate post (or a few separate posts), but following will be some detail photos with a little bit of overlap from the video.

The bedspread I used is super wrinkly in the video and my photos, so I apologize in advance for that.

This was my first time purchasing directly from Mary Magdalene! I'm super thankful to rabbitreverie, who let me know that MM had suddenly updated their website with a message that they were planning to upload a few items the next day (or that night? I can no longer remember), with only a vague time frame given (in the evening). We both stayed up all night refreshing, and everything MM uploaded sold out in about 5 minutes (a lot of the stock was sample pieces, so only one was available, I reckon).

So as it follows, this was my first time receiving a Mary Magdalene branded box. I had the package sent to a forwarding service and asked them to keep the shipping box for this reason!

Unfortunately, the box did get super banged up not only in shipping, but also when it was consolidated, and it's quite misshapen now. Plus, the warehouse clearly opened up the box so I don't get that "freshly cracked open" experience, oh well. At least the pieces inside seemed to be untouched.

Both dresses came in a plastic garment bag with a very ordinary, flimsy plastic hanger, which was then folded into a thin non-woven dust bag, and further packaged in a "Mary Magdalene" logo branded plastic bag (without handles).

Since I'm a terrible hoarder of branded items, it was nice to get some more Mary Magdalene bags. I have just a couple that came with some coats I bought many years ago. I believe there was a point where Mary Magdalene shipped branded wooden hangers with their pieces, but no longer (I am not sure if such a thing was a special novelty for larger items like coats, or if it was commonplace back then).

Here are the hangers--at the point of photographing I had removed the dresses, so just imagine the dresses in there like the video. For whatever reason, the hangers are different, but they are both cheap plastic so it's whatever.

Only the Mist colourway came with a fabric swatch--I assume this is because it was a non-sample and was considered to be the 2017 standard release (so, this is how the dress would have shipped in 2017). One interesting thing is that both tags have the pink tag design, even though I swear I saw a red tag design on the maroon faltetto dresses from last year.

It's somewhat impressive that Mary Magdalene printed a tag for the sample pieces at all, as they really didn't need to bother (I feel like most brands don't)!

On to the dresses! I didn't take any extra photos of the two pieces side by side, so you can reference the very first photo in this post for that.

The colours are just gorgeous. I had wanted the mist for a very long time, but I'd be hard pressed to choose only one out of the two if I needed to. The mist is a lovely blue-toned gray which seems to change depending on the lighting, but the mature dark tone of the navy is also lovely!

Mary Magdalene had noted two differences between the navy sample piece and regular releases of faltetto: first, the chemical lace at the bodice is different; and second, the buttons that secure the neck ties to the bodice are different (regular release have sort of matte textured buttons that match the dress in colour, the samples have plain clear buttons). Both are minor and the construction of the piece seems to be the same as a typical release of faltetto.

I have to personally wonder if the sample pieces are handsewn by the designer (Rieko Tanaka) herself, though!

A closeup of the skirt section. One difference I've noticed between newer faltetto dresses released in 2017 and after is that the rose lace on the tier here is gathered along with the skirt. I don't think I've seen it gathered on the older faltettos (or at least, not on the other ones I own, of which their release year is technically unknown).

Hopefully this photo portrays the difference in lining. Usually faltetto uses a kind of satin textured lining, but the navy lining is a very ordinary polyester lining with a slightly cheaper feeling. It doesn't change the dress very much, but I can see the choice of material adding to the "sample" factor of the dress.

This is the back of the bodice. Part of faltetto's design appeal is the partial shirring panel at the back, which makes its sizing a lot more forgiving than a lot of other Mary Magdalene.

The image might be a bit small, but perhaps you can also see the difference in neck tie buttons.

The bustle ties are tied in bows at the back of the navy! I wonder if tying them is something leftover from when it was worn for the Le Panier fashion show...?

A closer look at the bustle ties and the little loops that you thread the ties through to bustle it.

The fabric of both is a textured chiffon--I think it's sometimes called georgette or pearskin by brands? I was concerned that the fabric would be thin because the chiffon used on my 2017 maroon faltetto is quite thin, but the fabric on both mist and navy seem to match my other faltetto releases.

That was all the mist/navy faltetto photos I took, so while we are on the topic of 2017's maroon, here are more comparison photos between those two. I figured it might be interesting putting them side by side because allegedly both of these pieces were produced in 2017 for Chinese lolitas who had pre-reserved (I bought the maroon secondhand in 2018, so I can say relatively confidently that it is the 2017 release and not 2022).

As far as I could tell, aside from the main fabric used, the construction seems to be pretty identical. The lining on the maroon might be a bit wrinkly from storage, but it has that satin sheen like the mist.

Maybe not the best photos, but hopefully these close-ups express the difference in fabric texture and thickness between the two. The chiffon used for maroon definitely feels somewhat cheaper and common, somehow.

Lastly, here's the washing tag. They also seem identical, except unfortunately it looks like the previous owner of maroon cut the tag and removed the extra button for some reason (the other side of mist's tag has an extra necktie button attached). The navy has no washing tag at all, which I suppose makes sense with it being a sample (however, it does have a "Mary Magdalene" brand tag sewn into the inner facing of the bodice).

By the way, while I was loading petticoats under the mist JSK for photos, I discovered that it had a minor factory defect!

It seems that one of the threads tacking the main skirt fabric to the lining was sewn down to the wrong seam of the lining. There is both a side seam and a side back seam to the lining, with the side back being where the lining's snap is attached (for the bustle). With the skirt fabric attached like this, when you try to raise/bustle the lining with the snap, there is a puckering effect.

Thankfully, it's an easy fix (I undid the thread tack and re-knotted it to the right seam), but not what I expected from the mist colour technically being first-run quality!

Fixed, and now the skirt can be bustled nicely!

That's all for this post, I think! At this point I have all of 5 faltetto dresses, which is...ouch. I never thought I'd end up with so many. I may need to find some way to utilize all 5 at once...

[captainatarime]

✨ Happy New Year! ✨

(Woah... 2023 its over! i can't believe it heheh!)

(This year, it was the 5th anniversary of the blog, I can't believe that 5 years have already passed since I created the blog on April 25, 2018 :'3! but this year, in addition to the anniversary and advancing a little in the story of Splatoon 3, I created a blog for Alternative Future AU :D!)

(I want to thank you all for supporting and following the blog, you all are awesome 🩷)

(Also, I want to thank all my friends for a wonderful 2023!!!)

@manysquidsandoctos @grandpa-cephalopods @sunshinelulusplatoon @acustardduckling @dat-guy-jimmy @mayifox999-blog @secrettps @dexter-the-inkling-boy

(Thank you so much for everything 💕!!!)

(I hope everyone had a wonderful 2023 and i see you in 2024 for more!)

(✨ Happy New Year! ✨)