#happened before true as hell ;_;

[inkskinned]

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.

in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.

[shrimpricebowl]

oh thank god

[accirax]

a collection of DCAS memes so far

[kit-screams-into-the-future]

jesus christ, doc, i thought you were a goner! warn a guy next time, will ya? jesus christ, doc. jesus christ

bonus doodle post-extra-long-hug:

(listen im a sucker for the forehead kisses alright. whenever it happens in a fic i eat that shit UP. it's the cutest thing ever idc)

[disposal-blueeee]

doodles

edgar vargas and squee by johnen vasquez

scriabin by zarla-s

[stairset]

I think the portrayal of Spider-Man 2099 in Across the Spider-Verse is in-character in that aside from like Shattered Dimensions he's always been portrayed as a bit of an asshole who slips into anti-hero territory at times and generally has a "needs of the many over the needs of the few" mindset and given his specific circumstances in the movie it's not unreasonable to think he could take the actions he does. However it does kinda suck that since like 99% of moviegoers had no idea who he was before the movie came out their first impression of him is when he's in an antagonistic role and people think "antagonist" and "villain" are synonyms so now I'm gonna have to listen to people who've never read a comic saying he's a villain or isn't a real Spider-Man for the rest of time or at least until he inevitably changes his mind in the third one.

[funkbun]

if i start thinking about Hector too hard they start beating me over the head with every weapon on earth ever

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!��

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[thesmokinpossum]

Didn't felt like mentioning it immediately but shoutout to my sick and twisted brain for getting so triggered by an unexpected Christmas parade that I ended up havin the absolute worst panic attack of my entire life (potentially the only real one? I've had a couple other episodes I thought of as panic attacks but they were not even close to that so who knows) to the point where I spent the very last day of my 30th year on this earth in the ER, good times, good times 😊

[laugtherhyena]

Playlist listened to while writing; https://spotify.link/WzxvdTKBCJb

Holy shit dude, the ceo of rei angst wrote some rei angst what the HELL!! We have to kill her guys she cant keep getting away with this.

Anyways im gonna be writing about a lot of these nerds. I just love rei. This is really rushed and I am really sleepy so it is not my best writing.

Also i cannot write teruya so you will habe to ppppUT UP WITH IT.

Warnings for like. Violence and my attempt at writing a breakdown.

-

Rei held the rusty pipe like a baseball bat, swinging for a homerun as she smacked off the head of someone she once knew. Someone who had abandoned her long ago.

The rotting head of what used to be her mother rolled on the ground, sickly green skin squishing against the ground and stared up at her with lifeless eyes.

“I didn’t want to see you again like this,” Rei hissed as her chest heaved, “i wanted to see you staring with regret as you saw your daughter on top of the world. I didn’t want to kill you or see you dead.”

That had been the second time she had run into her zombified mother. The first, she had been a coward, unable to kill her and her father– the two people she hated most, the two people who had abandoned her and left her on the streets.

Where had all her rage gone that time. When had she become soft.

-

Midori clung to Ryutaro with all the strength in her frail body. “My brother,” she whispered, “i saw my brother’s corpse down there. Kakeru… he… they got Kakeru… they killed Kakeu…”

He didn’t say much in return, but he did pat her hand briefly– the only comforting action he could manage while carrying her.

“I see a store up ahead. Let’s stop by there for supplies.” Keisuke pointed out to the leader of the bunch.

Setsuka patted the clown on the back and gave him a smile. “Sounds good, lead the way. Maki, do you need me to carry Yamaguchi for a bit?”

Midori wrapped her arms and legs around Ryutaro a bit tighter at the suggestion, very much attached to the guy who had found her and saved her from zombies.

“I’ll be fine until we reach the stop.” The blonde nodded his acknowledgement to the bluenette, forcing a smile as he struggled to catch up.

The group walked in silence for a bit, the only sounds being the orchestra of distant zombie groans.

“Miss Yamaguchi,” Hikaru said after bit, his tone fatherly like usual, “may I check your pulse soon? And may I check if the swelling on your ankles has gone down?”

“Yeah, that… sounds good. Thank you, Uncle.”

-

Kanata removed the bandages from Ayame’s arm gradually.

“There isn’t any sign of infection, Hatano. Kinjo and Maki are still out, so… uhm… can I get you something to eat?” The surgeon spoke softly as she stared at the sprinter.

“I’m not hungry…” Ayame mumbled.

“Inori!” Tomori slammed the door open, her eyes sunken from lack of sleep, “i think i got bit. Check! Check, please!!”

Kanata bit back a sigh of exasperation and forced out her cheerful smile. “Of course. Where do you think you were bit this time?”

“My ankle. They went after my ankle so I couldn’t run! They’re going to eat me. I’m going to die, aren’t I? Oh, god, I’m going to die!” The cheerleader’s words were jumbled together and practically nonsensical. She grabbed onto Kanata’s shoulders as she spoke, her nails digging into the other’s lab coat and pressing her skin uncomfortably.

“Miss Tomori,” Kanata winced, “please let go of me. I will check your ankle, but I am sure you are fine.”

“I’m not fine!” Kizuna wailed before glaring accusatory daggers at Ayame. “If you… if you hadn't gotten yourself bitten! If you had just seen that bitch for what she is! We wouldnt be doomed! You’ve doomed us all!”

Ayame took the words without fighting back. What had been the point in fighting anymore? Kizuna was right. She had doomed them all.

“Miss Tomori, please… Taira had us all fooled… if Miss Hatano is to blame, then so are the rest of us…” the blonde murmured. “Please sit down so I can check your ankle…”

-

Mindless. Kinji was mindless. His faith had only been able to spare him for so long.

His teeth were decayed now. His skin was green and purple and yellow. His eyes were dull. His cheeks were sunken.

It was incredible that his mind stayed intact long enough for him to bury as many as he did. The only bodies he didn’t put 6 feet under, the only bodies he couldn’t handle burying, were those of the people he knew.

But what was the point?

-

Yuki held his stomach as he choked up and spat out the last meal he had, beans that had barelt even begun to digest.

“Urgh… gross…” he mumbled to himself.

Shinji was away at the moment, scouting out for the next safe place for them to go and likely trying to find his family in the process.

The lucky student fought back envious tears. At least they knew there was a chance that Shinji’s family was alive– they found his mother, Aiko, brutally murdered in the Maeda household. Her corpse was bloated and rotted when they found it.

The sight still haunted his dreams. He couldn’t even keep.meals down since he saw it.

-

Mikako peered into her brother’s lab. He hadn’t eaten in quite some time, nor had he slept.

“Yamato…” she whispered hesitantly.

He spun around with a dart ready in his hand. He only lowered it after he registered it was her.

“Mikako, I’ve told you to leave me alone. I need to find a cure, or no one will be safe.” The inventor turned back to his work and threw a crumpled up piece of paper to the side.

“I’m sure someone else is searching for a cure, Yamato. Why not try to make a vaccine? Some sort of immunity would help while someone else finds a cure.” The exorcist suggested.

Her brother didn’t seem to have heard. That, or he was ignoring her.

“Ah… nevermind.” She straightened her back and spun on her heel to hunt down their other classmates.

For the newcomers, Satsuki was putting on a performance– juggling empty bottles and broken gadgets whilst telling jokes. That could not be safe, but Haruhiko seemed to have his eyes on her.

The bunker door heaved open, and Teruya’s team came in, carrying boxes full of food and other supplies.

“We’re back with dinner!” The merchant shouted.

Mikako rushed over to take the box from him.

“Thank you, Otori, this should be good for at least a week. You and your scavenger team did good.”

He grinned at her and handed his box over. “Thanks! We uh…” he hesitated, “We saw Taira and Maeda… err… Utsuro? On our flight back… they looked like they were heading somewhere… dunno where…”

She bit her tongue and nodded thankfully at him. “Thank you for telling me.”

-

Thats it. Im hungry good bye.

Aw yeah infection Au moment! I do remember you saying a while back that you wanted to write something about Rei in this Au and MAN her part has gotta be my favorite out of these little snippets.

I really like taking a look at how a bunch of the cast is doing, seeing the way you wrote them in those situations was pretty fun! It reminded me how much i like the idea of Setsuka's like group with the 6.5 cast and how Kanata probably wishes she has a degree in psychology to properly deal with Ayame and Kizuna (she may feel as if she's not doing enough for them seing as her kindness can only bring her so far when dealing with their turmoil)

[queers4years]

Indigenous Hawaiians really had a good system going: wake up reaaally early and do most of the days work while it's cool and by the time the sun was up and it got hot the work was done and you're free to surf and socialize. I wish the white people realized they themselves could work smarter and not harder and get time to relax. Instead of calling Hawaiians lazy (and being genocidal about it)

[loveryoushouldvecomeover-mp3]

yk what it was never that serious oh my god

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[pride-of-storm]

on the one hand 'i get to put up whatever shower curtain i want' is kind of a stupid hill to die on, but on the other hand i have acknowledged your claim on every other hill i could have picked, so fuckin acknowledge my claim on this one

[missmouse43]

6 weeks of breathing clean air, I still miss the smoke…..

🏝️🤙🏄🏾‍♀️🏄🏼‍♂️💔

[variousqueerthings]

*sighs in post mildly broke containment again* there's nothing wrong with reading willow as a lesbian, this is a piece of fiction, and the post I made took on a jokey tone for a reason and is ultimately more about underlying bi-erasure on tv than anything else kaybye ✌