#hannibal web weaving

[kuroshika]

[lucidloving]

Emily L., Marguerite Duras // Bertrand Russell, What Desires are Politically Important? // Octavio Paz, "The House of Glances" // Mitski—Francis Forever // Chen Chen, When I Grow Up I Want to Be a List of Further Possibilities // VIVINOS and QMENG, Alien Stage (Round 6) // Bryan Fuller, Hannibal (2013) // Richard Siken, "Little Monster" // Christa Wolf, Cassandra: A Novel and Four Essays // Mitski—I Bet on Losing Dogs

[ivynightshade]

fatima aamer bilal, excerpt from moony moonless sky’s ‘i am your mould, but the shape of you is true absence, leaving me purposeless.’

[intezaarlily]

fathers and what they make of their children

[sicknessinmotion]

ON HANNIGRAM & SICK LOVE

karman verdi // tory adiksson // @sunsbleeding // alice oseman // @rbhvleo // ocean vuong // kiki nicole // @atreebreathing // emily palermo // nicole homer.

[asoftepiloguemylove]

YOU'RE IN MY VEINS, YOU FUCK

Henry Miller from a letter to Brenda Venus Dear, Dear Brenda: The Love Letters of Henry Miller to Brenda Venus // boygenius We're In Love // Francisco de Zurbarán Agnus Dei // Katie Maria I used to be a hole in the ground (via @heavensghost) // Rafael Nicolás Angels Before Man // Céline Sciamma Portrait de la jeune fille en feu // Kate Moss in a text message to Pete Doherty // Sophocles Antigone // Joan Didion South and West // Richard Siken Editors Pages: The Long and Short of It // Japanese Breakfast Boyish // VIVINOS Alien Stage; "ROUND 6" // Li-Young Lee I Loved You Before I Was Born // Hannibal; "Secondo" dir. Vincenzo Natali // Hozier Francesca

[woundposting]

wound, eroticism and subjectivity

the holy wound, attributed to jean le noir / the incredulity of saint thomas, guercino / the body of signification, elizabeth grosz (in: abjection, melancholia, and love: the works of julia kristeva) / hannibal nbc / the incredulity of saint thomas, caravaggio / saint catherine drinks the blood of christ, francesco vanni / the body of signification, elizabeth grosz / crash, david cronenberg / side wound of christ (england, 15th century) / the terror amc / the terror of pleasure: the contemporary horror film and postmodern theory, tania modleski (in: the horror reader)

[daisies-on-a-cup]

Norwegian Wood, Haruki Murakami //@danielcalmdown//So What's Wrong?, What Love Comes To, by Ruth Stone//dog thoughts, Anna Haifisch (@/anna_haifisch on twitter)//love without witnesses, by s.s. @pendulum-north//Addie Bundren, As I Lay Dying by William Faulkner//eclipse, 2013, @wiktorjackowski//Secondo, Hannibal 3x3//Gift, by Melissa Houpert//Ghismonda with the heart of Guiscardo (Detail), Bernardino Mei//Oculus, Sally Wen Mao

[emiliosandozsequence]

hannibal (2013-2015) dv. bryan fuller / saints pierced by thorns (c. 1450)

[huntd0wn]

[kuroshika]

[omegawolverine]

happy pride from the genre of horror

Body of Water, Florence Welch / Ana Teresa Barboza / Leash, Sir Chloe / I Am The Dog, Sir Chloe / Walton Ford Gleipnir / Desire, Clementine von Radics / War of the Foxes, Richard Siken / Speeches For Doctor Frankenstein, Margaret Atwood / UNKNOWN / Be Nice To Me, The Front Bottoms / Wayward Son, Rainbow Rowell / Planetarium, Adrienne Rich / @/aliyafatima / Conception of Merlin, Maître d’Adélaïde de Savoie / I Don’t Smoke, Mitski / For Your Own Good, Leah Horlick / Killing Eve (2018-2022) / Hannibal (2013-3015) / Scream (1996) / Jennifer's Body (2009) / Yellowjackets (2021-) / Chucky (2021-)

[persephonesque]

sharp objects, interview with the vampire, & hannibal + yumi sakugawa

[it-was-real-for-me]

yes dog motif, yes pomegranate symbolism, yes fig tree metaphor, I hear you, but when are we going to talk about a walnut? you lower yourself to pick it up, knees wet and dirty with mud, you hold the earthly pebble coated in a layer of skin, scalp like, and you think if you just break it open with one sharp sting of the hammer that there would be a sweet reward in the centre, a fruit of your labour, but it is bitter and sad, and shaped like viscera, and your fingers are stained a yellow brown that will never wash out. when

[intezaarlily]

home as a haunting

[craqueluring]

Claudia Durastanti, Strangers I Know / NBC’s Hannibal (2013-2015)

"Every crime of yours feels like one I am guilty of. Not just Abigail's murder, every murder stretching backward and forward in time. Freeing yourself from me and me freeing myself from you, they are the same. We're conjoined."