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mattnben-bennmatt · 6 months ago

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Matt Damon and Ben Affleck's interview w/ Premiere (January 1998)

Boston Uncommon

Bean Town natives Matt Damon and Ben Affleck return home to shoot Good Will Hunting, a tale of growing pains, friendship, and dazzling talent. It might just be the story of their own lives.

By John Brodie

Ben Affleck pilots a Jeep Cherokee through the backstreets of Cambridge, Massachusetts. July twilight turns the red brick buildings around Harvard Square a fiery shade of orange. The Mighty, Mighty Bosstones play as Affleck, with his younger brother, Casey, and Matt Damon, gives a guided tour of their childhood haunts: Rocco's Place; the One Thousand and One Plays video arcade; the spot near the Weld Boathouse where a teenage Damon stripped and swam across a river famous for its dirty water; and Hi-Fi Pizza, which was always closing just as Damon and Affleck would show up for a late-night slice. "I was there a few days ago, and the guys behind the counter were, like, 'You're Chasing Amy! You're Chasing Amy!' " says Affleck, doing his best impersonation of the counterman's Indian accent. "And so I say, 'Yes, yes. I am. Now how 'bout a slice?' And they say, 'No, sorry, Mr. Chasing Amy, we're closed.' "

Tree-lined streets give way to the gray stone of the Cambridge Rindge and Latin School's modern campus. As Affleck parks the car by their high school theater, Damon can no longer contain himself. "Say, Ben," he taunts, "why don't you tell us about the time you played the caterpillar in Alice in Wonderland?"

"Yup, I was the zany, hookah-smoking caterpillar," Affleck says, gearing up for a cutting contest. "I chose to play the role wrapped in garbage bags held together by Scotch tape. Now, if I were to play that caterpillar today, I might do it another way."

"It was an underrated performance," says 22-year-old Casey. "Those trash bags were a bold choice."

"So, Matt, why don't you favor us with your version of 'Morning Glory' from Pippin?" says 25-year-old Ben, letting loose a left-right (Bob Fosse-Stephen Schwartz) slight to Damon's virility. Damon holds in his comeback until the Jeep is in motion and they pass his childhood home. Affleck's house is two blocks away, and as boys, he and Damon often walked to school together — even though Damon was two years older.

"Ben used to ring my bell and then cower on the other side of the street, because he was afraid of the little kids at this school right next door," Damon says and flashes a toothy smile as Affleck stops him midsentence.

"This was a delinquent school and all the kids were smoking cigarettes," Affleck says, as he quickly pulls around the corner and arrives at his mom's blue townhouse on Cottage Street. He is hoping to point out his birthplace and be on his way when he is waylaid by his mother, who, unimpressed by the presence of a journalist, wants to know when he plans on returning her Jeep.

"Are you going to be home for dinner?" the sixth-grade public-school teacher asks her son. "Mom, you're banned from talking to the press since you told the story about how I used to play with a Wonder Woman doll," Affleck warns, striding into the kitchen for a hug and a sample of freshly prepared guacamole.

Damon and Affleck could be any pair of twentysomething slackers enjoying a late summer idyll, but by the weekend, the hookah-smoking caterpillar will be heading west to costar with Bruce Willis in the megabuck asteroid movie Armageddon, and Mr. Morning Glory will be on a plane to England, where he will play the title role in Saving Private Ryan, opposite Tom Hanks, adding Steven Spielberg's name to the list of directors (Francis Ford Coppola, Gus Van Sant) with whom he has worked over the past year.

This summer has been a last gasp of childhood for the pair. They recently finished production on Miramax's Good Will Hunting, an ensemble drama Damon and Affleck co-wrote before leaving Harvard and Occidental College, respectively, roughly four years ago. The movie, due out at Christmas and directed by To Die For's Van Sant, is already being touted as Oscar bait. Damon stars as a South Boston juvenile delinquent who works as a janitor at MIT and just happens to be an unschooled mathematics genius; the Affleck brothers play two of his Southie pals; and Robin Williams plays it straight as the shrink who helps Damon's working-class hero realize his potential.

That this pet project should come to fruition with such strong Hollywood backing reflects the sudden industry heat on the young actors' careers. But Damon and Affleck have been together every step of the way — and they depend on each other to keep things real. "There's an emotional core to Good Will Hunting that came from Ben and Matt," says Williams, who plays therapist Sean McGuire with a gravitas similar to that of Dead Poets Society. "They have this unspoken twins thing. They care for each other, yet they bust on each other. And that was a great bass line to work with. I'm very proud of this movie. It has a resonance."

On November 13, 1994, the Good Will Hunting script became the object of an intense bidding war in Hollywood. Damon was living in a shabby two-bedroom house with a buddy from high school. Affleck was sleeping on his sofa, having fled a busted engagement back East. This was long before the actors' careers would simultaneously pick up speed — Affleck's thanks to Chasing Amy and Going All the Way, Damon's with Courage Under Fire and The Rainmaker.

Never during their shared childhood had they imagined that November day's outcome. "When the phone started ringing, we were ready to take the first offer, which was $15,000," Affleck says. "After each call," Damon says, "we were yelling at our agent, Patrick Whitesell, 'Take it! Just take the offer!' Then there was this moment when the phone rang and Patrick picked it up. It was for my roommate, and it was this girl he had dated in college, and my roommate was, like, 'Hey, how are you?' And we were, like, 'Hang the fuckin' phone up!' He was really bummed, because they hadn't talked in three years."

By dusk, Chris Moore, a friend with whom they had developed the script, burst through the door with a bottle of Cristal under his arm — a bottle he had been given when he left agenting and told not to open until his new life as a producer started. Moore popped the cork when Castle Rock's bid came in that evening: The studio offered Damon and Affleck more than $1 million for their script as well as their services as actors. They spent that night drinking at Damon's house.

Getting Good Will Hunting into production was less of a party: The script, director, and studio would all change before it reached the screen. The plot at the time of the sale was more of a thriller, with Will's mathematical powers attracting the unwanted interest of evil government agents. In the beginning, Affleck and Damon also talked about such movies as Ordinary People, Searching for Bobby Fischer, and Midnight Run as touchstones. Castle Rock partner Rob Reiner told them to lose the thriller element and concentrate on the relationship between Will and his psychiatrist. William Goldman, a sachem of the screenwriting trade, coached them as well. Even reclusive director Terrence Malick (Badlands) came out of his shell for a meeting and suggested ways in which Will's love interest, a Harvard med student named Skylar, could become a catalyst for his decision to leave Boston.

Then came the sticking point: Damon and Affleck heard that Castle Rock bigwig Andrew Scheinman wanted to direct. Considering that Scheinman's oeuvre consisted of Little Big League, Damon and Affleck were loath to turn their baby over to him. Rather than force the actors to work with Scheinman, Castle Rock's senior executives took the high road and gave them 90 days to set up the project at another studio. If they failed, the movie would go forward with any director Castle Rock dictated.

Affleck and Damon gave the script to Kevin Smith (director of Clerks and Chasing Amy), who pressed Miramax's cochairman Harvey Weinstein to look at Good Will Hunting as a possible producing vehicle for Smith's View Askew production company. After reading the script, Weinstein made one of Miramax's most expensive purchases at the time, paying Castle Rock slightly more than $1 million for the rights to Good Will Hunting.

Somewhere outside Needles, California, Christmas 1995, Ben Affleck's car phone started chirping. Damon was taking it easy in the passenger seat — still recovering from dropping 40 pounds for his junkie scenes in Courage Under Fire. Affleck, who dreads flying and frequently drives cross-country, was all poise when the voice on the other end said, "You have a meeting with Mel Gibson . . . in New York . . . in two days."

They spent much of the next 48 hours pounding coffee and quoting lines from Mad Max to each other as the Nevada desert faded into the Manhattan skyline. "We got to Miramax's offices just before our lunch," says Damon. "And Harvey tells us, 'Mel Gibson is a great director. You can see that from Braveheart.' And I said, 'Harvey, Ben and I have been working. We haven't seen it yet.' So without missing a beat, the head of Miramax sits there and says, 'Okay: Scotland, William Wallace.' And he told us the whole movie."

Gibson's involvement had a catch: He was just starting Ransom and would not be available for nearly a year, so Good Will Hunting would have to wait. Recalls Damon, "Mel was totally understanding when we said, 'This movie is our life. And we know you're, like, the biggest star in the world. But we need a decision.' '' He shudders now at the cockiness of it all. Gibson bowed out after two weeks.

Meanwhile, Van Sant had gotten his hands on the script and contacted Damon through Casey Affleck, who had appeared in To Die For. "I was attracted to the notion of Will trying to create a family," Van Sant says, observing that his movies (Drugstore Cowboy, My Own Private Idaho) have often depicted street kids struggling to forge an alternative home for themselves. Van Sant also started talking about the project with Williams, whom he knew slightly from years before, when the two were developing a biopic about slain gay San Francisco politician Harvey Milk.

Cambridge's Bow and Arrow pub has been dutifully re-created in a forgotten Toronto gin mill on a June morning. Affleck and actor Cole Hauser, who worked together in Dazed and Confused and School Ties, are in character as Chuckie and Billy, two Southies who have invaded a Harvard bar for the night. They play pop-a-shot basketball in one corner. "Brick!" yells Hauser in his best Bean Town accent. "Larry," coos Affleck as he emulates the last white Celtic legend's jump shot. Damon, as Will Hunting, sits with Casey Affleck, whose character, Morgan, completes the quartet of friends. They stare as Skylar, played by British actress Minnie Driver, approaches Will for the first time. The scene is meant to be a little cool, but neither Damon nor Driver can suppress grins. They furtively hold hands between setups. Damon, who in his brief career has earned a reputation as an on-set smoothie (after hooking up with The Rainmaker's Claire Danes), has struck again. The camera rolls and Skylar offers Will a crumpled piece of paper. "Here's my number," Driver says. "Maybe we could go out for coffee sometime?"

"Great, or maybe we could go somewhere and just eat a bunch of caramels," Damon says. "It's just as arbitrary as drinking coffee." Their eyes meet. The actors beam.

"Matt wasn't prepared for such a powerhouse acting against him," says producer Lawrence Bender of Driver, who auditioned by reading a love scene with Damon at New York's Soho Grand Hotel. "It was a scene where Will tells Skylar, 'I don't love you.' Matt literally had to stop the audition, apologize, and start over. There were five guys in the room and nobody wanted to look at one another because we had tears in our eyes."

Regardless of the extracurricular role she plays in Damon's life, Driver has become an expert at infiltrating close circles of male friends; she worked with Stanley Tucci and his screenwriter cousin Joseph Tropiano on Big Night, and played the chick-of-the-flick in Grosse Point Blank, which John Cusack wrote with longtime friends D.V. DeVincentis and Steve Pink. "[Being the girl] in these groups has meant that I've been allowed to do whatever I like," Driver says in her trailer as Damon and Affleck make catcalls from the curb. "Because all of these men have said, 'We've never got her quite right. We need you to fill in the blanks.' " Minnie and Matt — their names could be the title of a forgotten Cassavetes script — were together during the summer while she was shooting a period drama in England and Scotland called The Governess and Damon was soldiering for Spielberg in England. But it's hard to tell whether a Bogart- Bacall To Have and Have Not kind of magic filters onto the screen in Good Will Hunting.

"There's a rosiness that comes through, but that can be deceiving," Van Sant says. "A lot of times if you are told something before you see the film, you might convince yourself something's there when it actually turns out to be the opposite."

Stars' personal lives are a squeamish topic for the director, but not nearly as squeamish as the donnybrook he got into with Good Will Hunting producer Bender, a longtime Quentin Tarantino associate who was handed the movie by Miramax. Since Damon, Affleck, and Van Sant had already gelled by the time Bender came on the project, the tight-knit group viewed him as an interloper. And according to several of the principals, Van Sant told Bender during a preproduction meeting, "You don't have a creative bone in your body, and I just want to punch you in your face." Van Sant then called the leads into his hotel room and demanded that Bender make assurances to the group about creative control. Van Sant and Bender agree that the contretemps was mostly about staking out territory. "Yeah, it happened, then it blew over," Bender says. Van Sant, however, cut Bender's cameo out of the film. And according to the stars, they see Bender's top billing as the only blemish on what was otherwise a dream come true. "The first thing onscreen is a Lawrence Bender production," says one. "It makes me want to puke."

No one recognizes Damon or Affleck as they cajole a janitor into unlocking the doors to their high school theater, and now they're back on the proscenium stage where Damon performed "Burning Down the House" in a school talent show. Casey and Ben are telling horror stories about Damon's slovenliness. The clincher for Affleck was when he showed up at the pad he shares with Damon in Manhattan's Chinatown and found his friend watching TV seated next to an old box of sushi being devoured by maggots. "I can forgive him," Affleck says, "because I know in my heart that he was using all his energy to figure out how he was going to play Will Hunting."

The two actors arbitrarily decided five years ago that Damon would play Will and Affleck would play Chuckie, a supporting role. Damon, as a consequence, gets the girl and a chance to shine with Robin Williams. As solace, Affleck penned himself a pivotal scene, in which Chuckie grants Will permission to turn his back on his friends and rise above his working-class roots. "Every day, I come by to pick you up," Chuckie says, "and we go out and we have a few laughs. But you know what the best part of my day is? The ten seconds before I knock on the door, 'cause I let myself think, I might get there, and you'd be gone. I'd knock on the door . . . and you wouldn't be there. You just left." It's an understated moment of male intimacy, one that almost overshadows the emotional pyrotechnics between Damon and Williams.

When asked whether he ever thinks about how things might have been different had they switched roles somewhere along the line, Damon insists that on the next movie he and Affleck write together, Affleck will star and he will provide the comic relief. "The biggest sadness I have," Damon says, his voice breaking slightly, "is that I look at my role and I think that Ben could easily have played it. I think he let me do it because, literally, he's my best friend in the world and he's that selfless." Catching himself getting mushy, Damon adds, "But, hey, don't feel bad for Ben. He's saving the world. Didn't anybody tell you there's an asteroid the size of Texas headed toward Earth? And if it weren't for Bruce Willis and Ben, God knows what would happen."

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dontirrigateme · 7 months ago

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Hi! :D 3, 5 and 14 from this, please?

Hi to you! 🙃 And thanks for the ask! Can't talk about this stuff enough!

3. I think I said somewhere else that it's not really a single episode, but moments. The two that stood out were Smokey getting hit (but more on him later lol) and Jackson dying. But I left out Skip and Penkala getting hit. It's such a jolt, even when you've seen it before and you know it's coming, you're just sitting there watching them call out to George and then they're gone. A moment that wrecks my emotions in another way is Dike leading the assault on Foy. If there's anything we've learned from the episodes leading up to that moment it was that you keep moving, and when he tells them all to stop...I'm getting all worked up just thinking about it. I'd like to think I'd have been all "nope" and just run right past him at least to get cover or something. And Winters never hears me when I yell at the TV to just send Speirs and keep Dike back. I think he's ignoring me.

5. I said more on Smokey later, and we've reached Later. The smokestack is my absolute favorite, but I also looooooooove McClung and Alley (I would list others, but they're all background characters too lol). I don't know why I do it to myself and pick characters that are all background, but I also claim that I didn't pick them, they picked me. Smokey sounds like a blast with all his shenanigans, and McClung and Alley have some great stories, I don't know how they weren't included in the show more. Like how McClung went after the sniper that got Smokey, and when they were on the Island he would swim across to the other side in just pants and a shirt with a knife to see what he could hear. And I would give anything to see Alley and Shames linking up with what they thought was an American tank in Foy until a German stuck his head out of the top (because he thought they were German soldiers) and they were all...very surprised. I'm convinced all of the deleted scenes are just the characters I like being too awesome and it would distract from the overall story. I just gotta keep telling myself that...

14. Actually, and people please don't hate me for this, I tend to stop watching when it gets to the baseball scene at the very end. It's all just so final. There are some great moments in the episode, but the whole thing just has that feeling of wrapping things up, and then when the baseball scene starts I usually let it go for a bit and just wind up stopping it myself because it ended too soon dammit. I thought all these guys understood that they were going to live as these characters for several years to tell the complete story to placate my need for more content. Honestly. These Hanks and Spielberg guys are a couple of amateurs, I don't know where they found them.

Thank you for the ask!

#dontirrigateme #dontirrigateanswers

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phantom-le6 · 1 year ago

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Ramble of the month August 2023: 90’s MCU Phase 3 (2000-2003)

Back in May I posted my ideas for phase 2 of my hypothetical 90’s-based Marvel Cinematic Universe, having outlined phase 1 last year. Following some recent frustrations with some superhero fan groups I recently joined on Facebook, I’ve decided to go back to this alternate film universe just as a way of talking about my superhero special interest without jumping through a bunch of idiot rules monitored by some truly moronic bots. When AI can’t grasp concepts that are simple to an autistic mind like mine, you have to wonder why we’re trying to advance it when it’s clearly going to just adopt human stupidity over human intelligence anyway.

So, first let’s recap the key differences between the 90’s MCU and the one we know. First, Marvel sold film rights to its characters in 1995 to avoid bankruptcy, and many of these were used by other film studios. As a result, a 90’s MCU would have a wider range of characters to use if it started pre-1995 (mine starts in 1992). In addition, there are differences between the source material created by the 1990’s and the source material used by the real MCU. The Ultimates continuity didn’t exist until at least the year 2000, so there was no source material to justify a Black man playing Nick Fury. Also, no Winter Soldier, no present-day Guardians of the Galaxy, no Civil War and so on. My hypothetical MCU takes all this into account where the 90’s MCU memes of the internet do not.

Second, let’s recap the first and second phases of my 90’s MCU that were covered in the previous rambles;

Phase 1:

1992: Fantastic Four, Hulk, Iron Man

1993: Thor, Spider-Man, Ant-Man & The Wasp

1994: Captain America: Fantastic Four 2, Iron Man 2

1995: X-Men, Avengers, Daredevil

Phase 2:

1996: Spider-Man 2, Thor: Land of Enchantment, Silver Surfer

1997: Hulk vs Wolverine, Fantastic Four: Doomsday, Iron Man 3

1998: Captain America: Society of Serpents, Daredevil 2, X-Men 2

1999: Avenger 2, Spider-Man 3, Doctor Strange

The first phase is about introducing the initial characters and setting up for the creation of the Avengers late in the phase. Phase 2 is more about expansion, continuing to develop the existing characters while adding some new ones and starting off the general MCU rule of loss experienced in a third film; the F4 lost their original headquarters and Ben a chance at living a normal, human life, Tony Stark has lost his sobriety and the Iron Man mantle and Spider-Man has lost Gwen Stacy. Phase 3 will follow all of this up with more losses for others, plus more development of existing characters and addition of new ones. Unlike the real MCU, however, these early phases are not about building up for Infinity War, but rather for an adaptation of the original Secret Wars story of the 1980’s. So, here’s a quick overview of my 90’s MCU phase 3 slate;

Phase 3:

2000: Fantastic Four: World War III, Thor: Ragnarök, Daredevil 3

2001: Hulk: Rise of the Leader, X-Men: Fall of the Mutants, Avengers: Under Siege

2002: Doctor Strange 2, The Captain, Spider-Man 4

2003: Captain Britain, Fantastic Four: Enter the Negative Zone, Ghost Rider

As you can see, phase 3 is similarly sequel-heavy to phase 2, but includes two new heroes, of which one (Ghost Rider) is set to have multiple solo films while the other is kind of a one-off ahead of involvement in an ensemble film in phase 4. Now let’s look at each of the phase 3 films in turn;

Fantastic Four: World War III (2000) Directed by Steven Spielberg

Reed Richards/Mr Fantastic = Tom Hanks

Susan Storm (Richards)/Invisible Woman = Meg Ryan

Johnny Storm/Human Torch = David Spade

Ben Grimm/Thing = Bryan Cranston

Alicia Masters = Heather Graham

Namor McKenzie/The Submariner = Christian Bale

General Krang = Tim Curry

Lady Dorma = Katie Holmes

T'Challa/Black Panther = Chadwick Boseman

Shuri = Tatyana Ali

Ramonda = Alfre Woodard

T'Chaka = Courtney B. Vance

W'Kabi = Chiwetel Ejiofor

Okoye = Nia Long

Zuri = Joseph Marcell

Black Bolt = Pierce Brosnan

Medusa = Elizabeth Hurley

Crystal = Dina Meyer

Gorgon = J.G. Hertzler

Karnak = Alexander Siddig

Triton = Orlando Bloom

Maximus = Willem Dafoe

Falcona = Amy Yasbeck

Leonus = Karl Urban

Timberius = Adam Baldwin

This fourth film in the Fantastic Four franchise is an attempt to honour the fact that the F4 reintroduced Namor the Sub-Mariner and introduced Black Panther and the Inhumans all through their comic. The basic plot is that Atlantis is attacked by what appears to be Wakanda, resulting in Namor staging a retaliatory assault on the Wakandan embassy in New York. T’Challa is visiting said embassy, having recently assumed the Wakandan throne, and a massive battle ensues, with the F4 being first on the scene. What initially follows is the F4 trying to end and then investigate the conflict. Eventually, the team finds some of the attackers are part of the hidden race known as the Inhumans, and go to find their hidden city, with T’Challa and Namor now acting as their allies.

It turns out the Inhumans are being manipulated by the villainous Maximus, and events go fairly close to comics from there, ending with the seemingly permanent separation of Johnny Storm and his Inhuman love interest Crystal. While the F4 and Alicia Masters are castings retained from previous three films, all the other characters are new to this film. I’ve also retained Spielberg as director from film 3, as I feel his work on both Jurassic Park and Saving Private Ryan lends itself to the idea of a film about the F4 trying to stop a third world war from breaking out.

Thor: Ragnarök (2000) Directed by Kenneth Branagh

Thor = Dolph Lundgren

Loki = Gary Oldman

Odin = Anthony Hopkins

Frega = Glenn Close

Fandrall = Cary Elwes

Hogun = Tony Leung

Volstagg = Thomas Haden Church

Sif = Demi Moore

Heimdall = Keith David

Balder = Sean Bean

Jane Foster = Courtney Cox

Amora the Enchantress = Charlize Theron

Skurge the Executioner = Jean Claude Van Dame

Hercules = Arnold Schwarzenegger

Surtur = Clancy Brown

Hela = Cate Blanchett

Karnilla = Angelina Jolie

This is our third Asgardian visit, and unlike the main MCU, I’ve kept Ken Branagh directing the Thor films in this hypothetical run to avoid the tonal inconsistencies that have plagued the Thor films of the real MCU. I’ve also decided that while this MCU will have the same title on its third Thor film, we’re not going anywhere near the pseudo-Planet Hulk plot. Instead, the film begins with Loki, Amora and Skurge attacking Earth with the aid of some Asgardian trolls. Thor and Hercules are aided by a visiting Balder and Sif, and Balder is badly wounded. Thor enlists the aid of Balder’s admirer Karnilla to heal him, but her spell inadvertently triggers the release of Surtur, threatening the coming of Ragnarök.

Thor then leads an expedition to the realm of Hela, who in this MCU retains her position from the comics and original Norse lore as Loki’s daughter, not his and Thor’s sister. In Hela’s domain lies the means to defeat Surtur, but Hela demands a soul, and ultimately Thor has to agree to remain in place of the artefact. This puts an end to Thor solo films for a while, and also creates an interesting spin on the third-film-losses rule of the MCU. In this case, Thor loses his “life” and his freedom in order to save his homeland, and also loses his romance with Jane Foster.

Daredevil 3 (2000) Directed by Quentin Tarantino

Matt Murdock/Daredevil = Christian Slater

Foggy Nelson = Jon Favreau

Karen Page = Denise Richards

Wilson Fisk/Kingpin = Bruce Willis

Bullseye = Colin Farrel

Elektra Natchios = Leonor Varela

Mary Walker/Typhoid Mary = Drew Barrymore

J. Jonah Jameson = J.K. Simmons

Joseph “Robbie” Robertson = Denzel Washington

Ben Urich = John Spencer

Turk Barrett = Gary Dourdan

Lt Nicholas Manoli = Paul Ben-Victor

Glorianna O'Breen = Tiffani Amber Thiessen

DA Blake Tower = Bradley Whitford

Yes, folks, this third (and final) Daredevil solo film would have Quentin Tarantino in the director’s chair. This is because I’d be curious to see how Tarantino might do on a film like this. In this case, it’s an amalgamation of the ‘Death of Elektra’ and ‘Born Again’ story arcs. In effect, Karen Page has become a drug addict and trades Daredevil’s real identity, resulting in the Kingpin dismantling Matt Murdock’s life. However, in this version, the release of that information also results in the death of Elektra, and that of Karen Page as well. This leads to a major clash between Daredevil and his key adversaries, after which his life will never be the same again. This is another example of third-film loses being enacted. Many of the roles are reprised from the previous Daredevil films or incorporated from the Spider-Man films, with only the last three roles being new to this film.

Hulk: Rise of the Leader (2001) Directed by Sam Raimi

Bruce Banner/Hulk = John Cusack

Betty Ross = Jennifer Connelly

General Ross = Sam Elliott

Major Talbot = Steve Guttenberg

Rick Jones = Tobey Maguire

Emil Blonsky/Abomination = Sam Neill

Dr Leonard Samson/Doc Samson = David Duchovny

Sam Sterns/The Leader = John Shea

Jennifer Walters/She-Hulk = Lucy Lawless

Carl "Crusher" Creel/Absorbing Man = Michael Chiklis

Diana Davids/Ogress = Terry Farrell

Louis Lembert/Hotshot = Chris Evans

Jessica Harrison/Jailbait = Katrina Law

Here we have our third solo Hulk film, and this time his allies aren’t going to be from the world of the X-Men as in phase 2’s Hulk vs Wolverine. Instead, this film brings the Hulk’s long-time foe the Leader into the fray, at the head of a group of gamma-powered villains. Aiding the Hulk this time, we have his cousin Jennifer Walters/She-Hulk and gamma-powered psychiatrist Leonard “Doc” Samson. In this film, Samson has helped Banner to develop some control over the Hulk, but thanks to the Leader’s actions, that is lost, along with the life of Betty Ross.

Having had Tim Burton direct the first two Hulk films in this MCU, direction is handed over to Sam Raimi on this instalment. Now it occurs to me I haven’t specified how the Hulk would be realised in a pre-mo-cap era of the MCU. Well, that’s down to a combination of animatronics/puppets akin to the early Jurassic Park films, combined with a bit of CGI and some careful editing. That way, you can have an actor like John Cusack play Banner without needing a painted body-double, and that’s assuming Hulk films wouldn’t drive a development of mo-cap technology.

For the Leader, I picked John Shea based on his performance as Adam in the Mutant X TV series, as well as knowing that he played Lex Luthor in Lois and Clark: The New Adventures of Superman. Other new actors include Michael Chiklis (the Thing in the 2005-2007 Fox F4 films), Terry Farrell of Trek Fame, Katrina Law of Arrowverse and NCIS fame, and of course Chris Evans, the real MCU’s Captain America. Lucy Lawless, in turn, takes on the role of She-Hulk while David “Mulder” Duchovny gets to play Doc Samson (assuming he's willing to build some muscle for this role).

X-Men: Fall of the Mutants (2001) Directed by Jonathan Frakes

Professor Charles Xavier = Patrick Stewart

Cyclops/Scott Summers = Patrick Swayze

Jean Grey = Milla Jovovich

Warren Worthington III/Angel = Neil Patrick Harris

Storm/Ororo Monroe = Halle Berry

Beast/Hank McCoy = Alec Baldwin

Banshee/Sean Cassidy = Liam Neeson

Polaris/Lorna Dane = Jeri Ryan

Havok/Alex Summers = Kevin Bacon

Robert Drake/Iceman = Michael Weatherley

Kurt Wagner/Nightcrawler = Daniel Brühl

Wolverine/Logan = Tom Cruise

Mariko Yashida = Shu Qi

Kitty Pryde = Selma Blair

Sam Guthrie = Paul Walker

Roberto Da Costa = Mario Lopez

Tabita Smith = Anna Faris

Senator Robert Kelly = Robert Hays

Henry Peter Gyrich = David Caruso

Senator Graydon Creed = Joshua Lucas

Cameron Hodge = Bruce Davison

Calisto = Carrie-Anne Moss

Sunder = Kevin Nash

Ape = Gotz Otto

Annalee = Rosemary Harris

Plague = Gates McFadden

Caliban = Joe Pantoliano

Healer = Brian Cox

Sally Blevins/Skids = Amy Smart

Magneto = Ian McKellan

Fabian Cortez = Jason Flemyng

Chrome = Victor Webster

Sabretooth = Tyler Mane

Pyro = Hugh Jackman

Title aside, X-Fans shouldn’t expect any kind of like-for-like adaptation of the X-titles crossover event of the same name. Instead, this film is about the X-Men being split apart and not getting back together for a while. After an opening clash with Magneto and his new followers, the Acolytes, the X-Men return home, only for the mansion to be attacked by an anti-mutant terror group lead by Cameron Hodge and secretly backed by Senator Graydon Creed. In the confusion, the “original” X-Men pursue those members of the terror group that abduct Professor X and a few students, Nightcrawler and Banshee escape to Muir Island with Kitty Pryde and most of the other students, while Storm and Wolverine lead the remainder down to the Morlock tunnels.

The Muir Island evacuees aren’t much covered during the rest of the film, with the focus being on the attempt to free Xavier and a further battle in the tunnels that decimates the Morlocks, something Magneto then turns to his advantage by recruiting Morlock survivors to his Acolytes. We also finally get Pyro done correctly as an Australian mutant, and hints are dropped regarding the use of the proper Horsemen of Apocalypse in phase 4. Director-wise, I retain Jonathan Frakes from my version of X-Men 2 since I think Trek alumni would have a great sensitivity to the messages and themes inherent in X-Men lore.

Avengers: Under Siege (2001) Directed by Roland Emmerich

Steve Rogers/Captain America = Brad Pitt

Thor = Dolph Lundgren

Janet Van Dyne/Wasp = Catherine Zeta Jones

Hercules = Arnold Schwarzenegger

Clint Barton/Hawkeye = Kevin Costner

Natasha Romanoff/Black Widow = Famke Jansen

Vision = Casper Van Dien

Sam Wilson/Falcon = Will Smith

T'Challa/Black Panther = Chadwick Boseman

Scarlet Witch/Wanda Maximoff = Kate Beckinsale

Quicksilver/Pietro Maximoff = Robert Sean Leonard

Edwin Jarvis = Mark Rylance

Col. John Jameson = Daniel Gillies

Michael O'Brien = Tony Curran

Bill Foster = Laurence Fishburne

Fabian Stankowicz = Tom Sizemore

Heinrich Zemo = Til Schweiger

Helmut Zemo = Sylvester Groth

Dr Karla Sofen/Moonstone = Peta Wilson

David Canon/Whirlwind = Colin Cunningham

Mark Scarlotti/Whiplash = Jason Lee

Donald Gill/Blizzard = Robert Duncan McNeil

Constrictor/Frank Schlicting = Stephen Dorff

For this film, I’m trying to see the Avengers story arc of the same name adapted to the big screen. The basic plot is that Baron Heinrich Zemo, son of the original Barom Helmut Zemo, assembles a group of anti-Avengers villains known as the ‘Masters of Evil’ and lays siege to Avengers Mansion. It then falls to a mix of escaped current Avengers and some past/reserve Avengers to save everyone else. In a sense, it’s kind of the Avengers equivalent to something like White House Down, hence my selecting of that film’s director for this one. The film is a mix of existing casting and new stuff, and I’m not going to go into a lot of detail on who falls into which category.

Instead, I’m just going to quickly answer the question I’m sure many of you will be asking; how can Thor be in this if he’s been trapped in Hela’s domain after his last solo film? Simple, she sends him to aid the Masters of Evil, but a hex bolt from the Scarlet Witch frees him for the big fight at the end.

Doctor Strange 2 (2002) Directed by Tim Burton

Dr Stephen Strange = Johnny Depp

Wong = Will Yun Lee

Clea = Keira Knightley

Dr Nicodemus West = Alan Rickman

Dr Christine Palmer = Helena Bonham Carter

Nightmare = Jonathan Pryce

Our second Doctor Strange film is quite a stream-lined one compared to the first, as it involves Strange teaching his apprentice/love interest Clea for a bit and then having to wade into mystic conflict with the dream-demon known as Nightmare. This film is very much about developing the Strange-Clea relationship while also serving up a bit of mystic superhero horror, hence Tim Burton remaining my choice to helm the film. Except for Nightmare, all casting is carried over from our first Dr Strange film in this 90’s-based MCU.

The Captain (2002) Directed by Tony Scott

Steve Rogers/Captain America/The Captain = Brad Pitt

Sam Wilson/Falcon = Will Smith

Barbara "Bobbi" Morse/Mockingbird = Rebecca Romijn-Stamos

Diamondback/Rachel Leighton = Neve Campbell

Clint Barton/Hawkeye = Kevin Costner

Jack Munroe/Nomad = Alessandro Nivola

John Walker/Captain America II = Aaron Eckhart

Lemar Hoskins/Battlestar = Michael Jai White

Johann Schmidt/Red Skull = Hugo Weaving

Brock Rumlow/Crossbones = Ron Perlman

Mother Midnight = Sela Ward

Dr Faustus = Brendan Gleeson

Henry Peter Gyrich = David Caruso

There are at least two notable occasions where Steve Rogers has given up his Captain America persona over multiple comic issues. The first, in the 1970’s, led to him temporarily assuming the Nomad identity. The second, in the 1980’s, led to the US government appointing a new Captain America while Rogers kept on fighting as the Captain. This film is an adaptation of the latter arc; in this case, Rogers begins a romantic relationship with reforming snake-themed criminal Diamondback, which prompts NSA operative to investigate Rogers. Trumped up charges based on circumstantial evidence then enables Gyrich to force Cap out of the uniform in favour of a new candidate.

At the same time, a neo-Nazi terror group is acting within the United States, and when the new Captain America refuses to look into it, Steve has to go back into action, aided by those closest to him, and this puts him at odds with his successor. All this then leads to a clash with Cap’s resurrected arch-foe, the Red Skull. Director-wise, I mainly know Tony Scott’s work from Beverly Hills Cop II and Unstoppable, but I know he also did Enemy of the State and one or two similar films at least, which would make him a good choice to do this particular Cap story.

Spider-Man 4 (2002) Directed by Martin Campbell

Peter Parker/Spider-Man = Wil Weaton

May Parker = Marg Helgenberger

Flash Thompson = Ben Affleck

J. Jonah Jameson = J.K. Simmons

Joseph "Robbie" Robertson = Denzel Washington

Betty Brant = Parker Posey

Ned Leeds = John Barrowman

Randy Robertson = Taye Diggs

Harry Osborn = Ryan Phillipe

Mary-Jane Watson = Alison Hannigan

Dr Otto Octavius/Doctor Octopus = Alfred Molina

Herman Schultz/Shocker = Patrick Muldoon

Aleksei Sytsevich/Rhino = Jake Busey

Mac Gargan/Scorpion = Brian Bloom

Sergei Kravenoff/Kraven the Hunter = Gerard Butler

Adrian Tombs/Vulture = Richard Dreyfuss

Ben Urich = John Spencer

Captain Jean DeWolff = Jessica Biel

Detective Stanley Carter = James Marsden

So far, we’ve had two Spider-Man films from John Hughes and a third from Frank Darabont in this alternate MCU. For the fourth instalment, Martin Campbell of Goldeneye and Mask of Zorro fame is my choice to take the helm. In this instance, we’re going into our first Spider-Man film post-Gwen Stacy, and in this one, new adversary Doctor Octopus assembles a group of old enemies from the previous films, creating the ever-classic Spider-Man vs. The Sinister Six match-up. The film also brings in Jean DeWolff and Stanley Carter to set up for elements of the Venom story-arc to be adapted, and that being on the horizon hints in turn at the impending Secret Wars film adaptation. In addition, I’ve brough Ben Urich over into the Spider-Man films to maintain the sense of shared continuity in terms of Daily Bugle reporters being in the lives of more than one hero of the MCU.

Captain Britain (2003) Directed by Christopher Nolan

Brian Braddock Jr./Captain Britain = Jamie Bamber

Betsy Braddock/Psylocke = Lena Headey

Mordred = Angus MacFadyen

Morgan Le Fey = Catherine McCormack

Dane Whitman/Black Knight = Ioan Gruffudd

Meggan = Sienna Miller

Courtney Ross = Rosamund Pike

DI Dai Thomas = Mark Lewis Jones

Detective Kate Fraser = Kate Winslet

Brian Braddock Sr. = Jeremy Irons

Elizabeth Braddock = Imelda Staunton

Jamie Braddock = Ewan McGregor

Merlin = Terence Stamp

Roma = Rachel Weisz

Much in the same way that Wonder Woman had a female-led production crew and Black Panther was similarly led by Black film makers, I honestly believe you could only ever get a great Captain Britain film if you put some great British talent into things. As such, I had to go for a British director of great quality, and Christopher Nolan is certainly one of those. Plot-wise, it’s very much about creating a more consistent version of what Captain Britain was over the years in first Marvel UK comics and then in the Excalibur off-shoot of the X-Men. Brian Braddock is supposed to be the Champion of Britain, chosen and tried by Merlin, and while originally created with a lot of US superhero sensibilities by Chris Claremont, much of what he later became was due to a massive ret-con by Alan Moore. However, the Merlin element and the hero being of Britain means a good origin film would probably feed some Arthurian legend in, and this is something also relevant to Avengers member the Black Knight.

As such, the plot of this film would establish the Black Knight as a modern-day hero who needs help against the returning evil of King Arthur’s illegitimate son Modred and his mother, Morgan Le Fey. To that end, Merlin and his daughter Roma seek out Brian Braddock and cast him into the role of Captain Britain. He and the Black Knight, further aided by Brian’s mutant twin sister Psylocke and the mutant shape-shifter Meggan, battle Mordred and Moran, as well as errant elder sibling Jamie Braddock. Also included is Detective Inspector Dai Thomas, a Welsh-born Scotland Yard policeman who hates superheroes ever since his wife was killed when the pair visited the US.

In terms of casting, I’ve tried to honour the idea of Brian and Betsy being twins by aiming for actors that look similar and are of similar age, as I don’t think anyone makes any effort in this respect of fan-casting. With Jamie Bamber being my choice for Brian, I then had little hesitation casting his old Hornblower co-star Ioan Gruffudd as Dane Whitman. Everyone else has then been about just trying to get the best British actors that I think match the roles at hand. Frankly, I hope that someone at Marvel sees this some day before they start on a Captain Britain project and take heed, because somehow, I suspect they might not and would mess things up somewhat, especially if they try to put Psylocke into their X-Men films with no ties to her twin. Bad enough having that in the Fox X-Verse films due to film rights issues without the MCU repeating that error.

Fantastic Four: Enter The Negative Zone (2003) Directed by Ridley Scott

Reed Richards/Mr Fantastic = Tom Hanks

Susan Storm (Richards)/Invisible Woman = Meg Ryan

Johnny Storm/Human Torch = David Spade

Ben Grimm/Thing = Bryan Cranston

Alicia Masters = Heather Graham

Black Bolt = Pierce Brosnan

Medusa = Elizabeth Hurley

Crystal = Dina Meyer

Gorgon = J.G. Hertzler

Karnak = Alexander Siddig

Triton = Orlando Bloom

Maximus = Willem Dafoe

Annihilus = Eric Bana

Blastaar = Colm Feore

This is now our fifth Fantastic Four film, and it’s an adaptation of the first Sue Richards pregnancy storyline from the comics. Sue is pregnant, but the cosmic radiation that has given her powers may interfere with the birth. To ensure it won’t, Reed determines to find a remedy, and discovers one can be found in the parallel universe known as the Negative Zone. At the same time, the Inhumans manage to free themselves from the confinement imposed on them by Maximus, and Crystal substitutes for Sue on the quest into the Negative Zone. This quest, however, brings the team into the middle of an on-going war between the empires of Annihilus and Blastaar, and it becomes a battle of long odds to find their prize and escape before it’s too late to help Sue and the baby.

In light of the alien setting, I figured that Aliens director Ridley Scott would be a good choice to take over the direction, and we add Eric Bana and Colm Feore to the array of actors already cast in past films.

Ghost Rider (2003) Directed by Tim Burton

Johnny Blaze/Ghost Rider = Connor Trinneer

Roxanne Simpson = Jessica Alba

Craig "Crash" Simpson = Jeff Bridges

Mona Simpson = Julianne Moore

Barton Blaze = Nick Nolte

Blackheart = Wes Bentley

Mephistopheles = Jeffery Combs

Much as I enjoyed the 2007 film version of Ghost Rider, I always felt it had its flaws, including a lead actor with the wrong hair colour and an over-simplified origin story. This film, which is helmed by Tim Burton for relatively obvious reasons, seeks to fix those errors. First, we have Connor Trinneer of Star Trek: Enterprise fame taking on the lead role. Second, the film sticks to the idea of Johnny becoming the Ghost Rider because he wanted to honour a deathbed promise to his foster mother, hence why the family of Roxanne Simpson plays into the cast. After the origin part plays out, the film then goes into the matter of Johnny having to tackle Blackheart for Mephistopheles, with Roxanne being as much ally as love interest in this version.

The only casting retained from the 2007 Ghost Rider film is Wes Bently playing Blackheart; everyone else is newly cast. As for why I didn’t retain Eva Mendes as Roxanne, the source material had her as white, and I prefer to either create new characters or use existing ones for purposes of adding diversity. Since Roxanne Simpson doesn’t fit either method, I’ve cast Jessica Alba in that role, and I’ll hopefully have more diversity to showcase in later phases of this alternate MCU. So, that’s everything outlined for phase 3 of our 90’s MCU for now. Next month, I plan to outline phase 3 of my alternate DC film universe, and then with some luck I might be able to do something more topical/general interest after that. Anyway, until the next ramble, ta-ta-for now.

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criticalbennifer · 1 year ago

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By: John Brodie

"It was an underrated performance," says 22-year-old Casey. "Those trash bags were a bold choice."

This summer has been a last gasp of childhood for the pair. They recently finished production on Miramax's Good Will Hunting, an ensemble drama Damon and Affleck cowrote before leaving Harvard and Occidental College, respectively, roughly four years ago. The movie, due out at Christmas and directed by To Die For's Van Sant, is already being touted as Oscar bait. Damon stars as a South Boston juvenile delinquent who works as a janitor at MIT and just happens to be an unschooled mathematics genius; the Affleck brothers play two of his Southie pals; and Robin Williams plays it straight as the shrink who helps Damon's working-class hero realize his potential.

That this pet project should come to fruition with such strong Hollywood backing reflects the sudden industry heat on the young actors' careers. But Damon and Affleck have been together every step of the way -- and they depend on each other to keep things real. "There's an emotional core to Good Will Hunting that came from Ben and Matt," says Williams, who plays therapist Sean McGuire with a gravitas similar to that of Dead Poets Society. "They have this unspoken twins thing. They care for each other, yet they bust on each other. And that was a great bass line to work with. I'm very proud of this movie. It has a resonance."

On November 13, 1994, the Good Will Hunting script became the object of an intense bidding war in Hollywood. Damon was living in a shabby two-bedroom house with a buddy from high school. Affleck was sleeping on his sofa, having fled a busted engagement back East. This was long before the actors' careers would simultaneously pick up speed -- Affleck's thanks to Chasing Amy and Going All the Way, Damon's with Courage Under Fire and The Rainmaker.

By dusk, Chris Moore, a friend with whom they had developed the script, burst through the door with a bottle of Cristal under his arm -- a bottle he had been given when he left agenting and told not to open until his new life as a producer started. Moore popped the cork when Castle Rock's bid came in that evening: The studio offered Damon and Affleck more than $1 million for their script as well as their services as actors. They spent that night drinking at Damon's house.

Somewhere outside Needles, California, Christmas 1995, Ben Affleck's car phone started chirping. Damon was taking it easy in the passenger seat -- still recovering from dropping 40 pounds for his junkie scenes in Courage Under Fire. Affleck, who dreads flying and frequently drives cross-country, was all poise when the voice on the other end said, "You have a meeting with Mel Gibson . . . in New York . . . in two days."

"Great, or maybe we could go somewhere and just eat a bunch of caramels," Damon says. "It's just as arbitrary as drinking coffee." Their eyes meet. The actors beam.

Regardless of the extracurricular role she plays in Damon's life, Driver has become an expert at infiltrating close circles of male friends; she worked with Stanley Tucci and his screenwriter cousin Joseph Tropiano on Big Night, and played the chick-of-the-flick in Grosse Point Blank, which John Cusack wrote with longtime friends D.V. DeVincentis and Steve Pink. "[Being the girl] in these groups has meant that I've been allowed to do whatever I like," Driver says in her trailer as Damon and Affleck make catcalls from the curb. "Because all of these men have said, 'We've never got her quite right. We need you to fill in the blanks.' " Minnie and Matt -- their names could be the title of a forgotten Cassavetes script -- were together during the summer while she was shooting a period drama in England and Scotland called The Governess and Damon was soldiering for Spielberg in England. But it's hard to tell whether a Bogart- Bacall To Have and Have Not kind of magic filters onto the screen in Good Will Hunting.

Stars' personal lives are a squeamish topic for the director, but not nearly as squeamish as the donnybrook he got into with Good Will Hunting producer Bender, a longtime Quentin Tarantino associate who was handed the movie by Miramax. Since Damon, Affleck, and Van Sant had already gelled by the time Bender came on the project, the tight-knit group viewed him as an interloper. And according to several of the principals, Van Sant told Bender during a preproduction meeting, "You don't have a creative bone in your body, and I just want to punch you in your face." Van Sant then called the leads into his hotel room and demanded that Bender make assurances to the group about creative control. Van Sant and Bender agree that the contretemps was mostly about staking out territory. "Yeah, it happened, then it blew over," Bender says. Van Sant, however, cut Bender's cameo out of the film. And according to the stars, they see Bender's top billing as the only blemish on what was otherwise a dream come true. "The first thing onscreen is a lawrence bender production," says one. "It makes me want to puke."

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sweaterkittensahoy · 6 months ago

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Hanks and Spielberg didn't ignore the PTSD to be shitty or to better sell their "propaganda" (I honestly don't consider any of the Hanks&Speilberg collabs to be military propaganda, but that's a different conversation). Their goal was to tell the story of Easy Company as told to them by the men who lived it with Dick Winters at the center of decision making. Hanks and Spielberg have both talked at length how much they let Winters direct the action of what made it to screen. I believe the only thing they disagreed with him about was he didn't want the sex scene, and they kept it because it was true to what men were doing during the Occupation phase of the war.

No one's PTSD is mentioned in the end monologue because Winters likely said no. Given that he knew all the living members's medical issues when they started planning the Normandy showing, I absolutely believe he was the one to decide not to discuss the PTSD in the outro. The story wasn't about what happened after the war, it's about what happened during. We saw the trauma, pain, and despair the men went through during their service. We can extrapolate it wasn't easy for them, and in fact, some of Dick's final words about Nixon and Webster point that out. He says Nix struggled. He talks about how Webster vanished. He mentions Tab just disappeared for a long time.

Liebgott never showing up to a reunion is incredibly sad. It likely would have helped him so much. But odds are, Dick didn't know WHY Lieb didn't show up, or he DID know, and he was not going to share his late friend's private pain like that.

shipping goggles and shitposting asides. It's very tragic to know what happened to the real Liebgott when you hear this 'what i'll do after the war' monologue

and quite shitty for hanks and spielberg to cover up the ptsd of the vets because it doesn't serve their propaganda

#band of brothers #ptsd #dick winters #dick wanted to show the world the boys he loved so much #and to protect them while he did it

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introvertguide · 4 years ago

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Saving Private Ryan: Hollywood’s Who’s Who of White Male Actors Between 25- and 50-Years-Old from the 90s

After rewatching Saving Private Ryan (1998), I realize that there is a true parade of great actors that only Spielberg could have pulled together. The director likes to keep his movies historically accurate and the army was still segregated at the time, so it would have been predominantly white male soldiers that landed on the beach at D-Day*. Due to the focus in the film, there was a casting call for actors who could play the part of a white soldier between 20 and 40. The result is extraordinary. I want to make a list and see if you can remember where each of these actors shows up:

*Let it be noted that there was an all black battalion that landed (the 320th Barrage Balloon Battalion) and I invite people to learn more about them at https://airandspace.si.edu/stories/editorial/protecting-beaches-balloons-d-day-and-320th-barrage-balloon-battalion

Tom Hanks: One of the main characters searching for the titular Private Ryan. Hanks was perhaps the biggest actor of the early 90s with Philadelphia, Apollo 13, Forrest Gump, and Toy Story. I had grown up with this man being a comedic actor so I was always shocked when he played a serious role. This movie wrecked me and it was largely due to the part of this man.

Matt Damon: Not going to spoil anything, but know that Damon’s character is important. Fresh off of Good Will Hunting (1997), this role basically cemented Matt Damon as part of the Hollywood elite. He would go on to be part of the rebooted Ocean’s franchise as will as the action drama Bourne trilogy. He is on the walk of fame and this role is part of the reason why.

Vin Diesel: This was actually a major acting breakthrough for Vin Diesel. He is part of one of the most intense scenes during the search for Private Ryan. Diesel had only been in his self produced movie, Strays, at this point. He actually became known for his tough voice, which was eventually used as the character of Riddick and in the Fast and Furious films. Diesel is now considered one of the sexiest men alive and a major theatrical draw.

Edward Burns: Another actor that had only done personal projects before this film, Burns had written, directed, and starred in The Brothers McMullen (1995) and She’s The One (1996). Burns was actually accused of selling out somewhat since he was known more for his independent projects. He continued to act in romance roles as well as make indie films.

Tom Sizemore: Well...although Mr. Sizemore does a good job playing a “tough” in films like Born on the Fourth of July, Heat, Black Hawk Down, and Pearl Harbor, it has become apparent that he will take just about any role offered to him. He has since played in some of the most horrible films I have ever seen. It has also become apparent that he had substance abuse problems and was accused of domestic abuse. Back in the 90s, however, he was the man to call to play a tough as nails soldier.

Giovanni Ribisi: Never really a leading man, Ribisi was perfect for an ensemble cast. The characters he plays tend to either be dumb or sneaky while pretending to be dumb. What can I say, he has a certain look and sound that translates to “unintelligent.” American audiences knew him from TV shows Friends and My Two Dads as bumbling. His role in Saving Private Ryan was exactly what I expected as well.

Ted Danson: This one came out of nowhere. Danson had played Sam on Cheers in the 80s and was dealing with some issues in the 90s. He had cheated on his wife with Whoopi Goldberg and then done a strange movie promotion for Made in America where he dressed up in black face. He was actually not very popular in the late 90s and this was a first step (being part of a widely recognized ensemble cast) to getting back into Hollywood’s good graces.

Nathan Fillion: Since this is Tumblr, I probably don’t need to tell who this is, but I generally have to explain a little background in real life. Fillion is a nerd culture icon due to his role in the show Firefly and the film Serenity. He was also in perhaps the greatest internet series, Dr. Horrible’s Sing Along Blog, of all time. His small and rather funny part in Saving Private Ryan was really his big break since he had only been known for a role in the soap opera One Life to Live until that time.

Paul Giamatti: One of my favorite actors from his roles in Sideways, American Splendor, Cinderella Man and 12 Years A Slave, Giamatti had pretty much done small character roles before Saving Private Ryan. Thinking about it, this was a small character role as well. But after this he went on to be an Academy Award nominated and Golden Globe and Emmy Award winning actor.

Adam Goldberg: More of an all around artist, Goldberg is a character actor, filmmaker, musician, and photographer. He plays a slick talking soldier that gets into the absolute worst situation in a scene that I sincerely cannot watch. Well, I have seen it but generally find myself busily looking elsewhere on my last couple of watches.

Barry Pepper: This man is a very interesting actor for me because he has been in some of my favorite movies (The Green Mile, Saving Private Ryan, We Were Soldiers, and True Grit). He has also been in some of the worst movies ever made including Battlefield Earth, Seven Pounds, and The Lone Ranger. He plays a very interesting religious sniper and he seriously rains down the pain from above. Pepper’s good roles outweigh his bad ones (and his role in Battlefield Earth is hilarious) and this movie is great.

Bryan Cranston: This was back when Cranston was just an unknown character actor, long before he was Walter White on Breaking Bad and even before he was Hal on Malcolm in the Middle. He shows up at the very beginning for about 30 seconds and was cast more for his authoritative voice than his acting chops.

This is truly an ensemble cast since there really could be no lead. The follow up show called Band of Brothers really focuses on the idea that these soldiers all had to be strong and any weak link could result in extensive casualties. Saving Private Ryan is an intense film with many powerful roles. I talked to my mom after she watched with my dad and she really emphasized that it was a good movie. I agree with her completely.

#ensemble cast #war film #saving private ryan #matt damon'#bryan cranston #paul giamatti #tom hanks #nathan fillion #90s movies #introvert #introverts

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waywardodysseys · 5 years ago

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Victory - Oneshot

Pairing: Pedro Pascal x female reader

Warnings: cussing, teasing

Requested?: Yes from this ask by @bloggerchic14 - I was hoping if you can do one where reader is nominated for best director at the Oscars and she didn’t expect to win but when she does ends up in shock and Pedro ends up walking up stage with her. They then end up at the Vanity fair party and reader parties hard and teases Pedro. Thank you ☺️

Author’s note: none

~ ~ ~

You’re jittery as you sit in the limo. You breathe in and out trying to calm your nerves. Your hands running over the simple black strapless gown you are wearing.

The man sitting next to you places his hand on your arm, trying to calm you.

“We haven’t even walked the red carpet,” your dad whispers.

You swallow, “you aren’t the one nominated for an award. Talk is I could win. I won at the Golden Globes, the BAFTAs – which was still surprising, the Critics’ Choice Awards. An Oscar would complete the shelf of the other awards.”

He laughs wholeheartedly, “they aren’t on a shelf. You use them as bookends or paperweights.”

You shrug and laugh, “you know what I mean.”

You had taken a family member or a close friend as your date to each awards show. You took your mother to the Golden Globes (your mom nearly fainted when she met Tom Hanks), your best friend to the BAFTAs (this included a well-deserved girls trip), your sibling to the Critics’ Choice Awards (which they found dull, but they got to meet their celebrity crush), and your father’s now going with you to the Oscars.

Your father and mother had bickered about what awards show they would attend with you. You had picked the Golden Globes and the Oscars for them because those award shows meant the most to you.

They eventually drew straws. Your mother getting the Golden Globes, and your father getting the Oscars.

You knew they couldn’t be more prouder of you when you had told them you had been nominated for directing your first movie.

“We’re ecstatic for you honey!”

“Over the moon!”

“Proud of our baby girl!”

“We knew you could do it!”

They both had exclaimed when you called them to tell them the news of each nomination.

Now with three awards under your belt you were ready to claim the fourth but also feared you weren’t going to get it. You’re up against some big names – Steven Spielberg, Martin Scorsese, Quentin Tarantino, and David Lynch. You are the newcomer, the first timer. It would be a rarity for the Academy to award you when they could easily go with an oldie tried and true person who has been directing nearly their entire life.

The door opens and your father looks at you, “ready?”

You smile weakly, “I guess. Let’s do this.”

-------

Inside the Dolby Theatre celebrities are mingling as you and your father are escorted down one of the many aisles towards your seats. The usher pauses at the fifth row up from the stage.

“Miss Y/L/N,” the usher smiles, “here are your two seats. Enjoy!”

“Thank you kindly,” your father remarks as the usher disappears.

You breathe a sigh of relief at being on the aisle. You didn’t want to parade down an entire row of people in case your name was called when they announced the winner.

Several people were familiar to you as you looked around, most of them your cast. They all greeted you with smiles and hugs.

Sarah Paulson pulls you into a tight embrace.

“I’m betting big on you tonight,” Sarah whispers as she pulls away.

“Please don’t tell me that!” You laugh.

“They’d be wrong not to give you the damn award. You’re the first female director to be nominated in a few years and your first nomination ever!” Sarah retorts.

“Thanks for the vote of confidence,” you reply as the lights begin to dim and brighten which indicated five minutes to show time, “no Holland?”

“She’s working. I brought Pedro,” Sarah looks around the theatre, “he’s here somewhere. Hopefully he’s here before the show begins.”

Right before the orchestra begins playing you hear a light “excuse me” from beside your father, who took the aisle seat.

Your father stands then you do.

The man nods at your father, “thank you.”

“You’re welcome,” your father whispers as he sits.

The man then looks at you and smiles, “thank you.”

You nod your head and smile in return. You hadn’t met Pedro Pascal prior to this evening. He was someone you were wanting to work with because of seeing him in Narcos. Sarah had even praised him when you two were discussing your next movie one day.

“Pedro would be fantastic!” Sarah had exclaimed.

“I’ve seen his work in Narcos, nothing else.” You had remarked.

“He’s versatile. Done plenty of stage work, movies, T.V. shows. If you are wanting to do a modern reimagining of The Lady Eve, I think you should reach out to Pedro’s people. You won’t regret it.” She had leaned in and whispered, “he loves that movie. One of his faves.”

Now you glance at Sarah as you take a seat. She gives you a sly smile. You know she remembers your conversation as well. She wants you to meet Pedro and show you he deserves to be directed by you.

“Pedro this is Y/N,” Sarah remarks a couple of hours into the show.

Pedro smiles at you and holds out his hand, “I know who she is Sarah. Yet I haven’t met her.”

You take his hand and shake it. “Nice to meet you Pedro.”

“She wants to direct a modern reimagining of The Lady Eve,” Sarah implies with a smile towards you.

Pedro turns his dark brown eyes to you. Their opened wide and his face is a look of seriousness. ��Really?”

You blush and smile, “yes.”

“How would you tell it?”

“I’m thinking of having the man play the con artist,” you reply.

“Are you working on a script? Or have someone working on one?” Pedro asks eagerly.

You laugh, “Phoebe Waller-Bridge and I are working on a script together.”

“I’d love to read it! Even audition!” Pedro smiles widely.

You glance at him, “I’ll keep you in mind.”

“Oh, come on!” Pedro laughs.

“Y/N,” your father whispers, “your category is up next.”

Right, you think as your heart begins pounding loudly inside of your chest.

Pedro squeezes your hand and whispers, “good luck.”

You smile in return then move your eyes to the stage.

Natalie Portman smiles brightly for the camera as she reads the teleprompter, “the nominees for best director are: David Lynch, Y/F/N Y/L/N, Martin Scorsese, Steven Spielberg and Quentin Tarantino.”

Your eyes are on the screen as small clips from each of the movies are played. You shrink in your seat as you watch a cameraman kneel beside your row and place the lens on you.

“You’re okay,” your father whispers as he leans over, “breathe.”

You try but you know one of the men will get it. They’ll go with the tried and true who have won before. Not the debut director, not the newcomer.

“The Oscar goes to,” a pause as the envelope is opened, “wow! The Oscar goes to Y/F/N Y/L/N!”

Natalie Portman said my name, you think as tears flood your eyes. My name? My name!

Everyone around you stands and applauds. The whole theatre stands to their feet and applauds.

Your father leans down and touches your shoulder.

“You have to go get it,” he says with a smirk.

You nod as you stand.

Sarah’s right there and embraces you tightly, “told you!”

Pedro’s pushed back against his folded seat as he lets Sarah hug you. He winks at you as you pull away from Sarah and turn towards the aisle.

The thundering applause fills your ears as you begin to take a step up the stairs towards Natalie and the Oscar. You’re focused on making sure you don’t trip yet you do.

You laugh as you sit up and smile. Pedro’s right there with a hand to help you up.

“Thank you,” you whisper.

“You’re welcome,” he whispers in return.

He tries to let your hand go but you’re gripping it tightly. Your nerves are getting the best of you.

Pedro smiles as he hooks your hand in the crook of his arm. He guides you up the remaining stairs, escorting you towards Natalie and the microphone. The Oscar statue you are about to claim as yours.

Once Natalie embraces you and hands you the award, Pedro takes a step back and lets you have the spotlight. The applause dies down as people take their seats and you wring your hands around the Oscar you now have in your possession.

You wipe at your tears, “Um, there’s so many to thank. I apologize beforehand if I forget anyone,” you pause, “I’d like to thank the Academy. Paramount Studios for taking a chance on me and this movie I love. Plan B productions for a chance as well. The amazing crew I was placed with, thank you. My wonderful cast – Hugh Laurie, Katie Holmes, Emily Blunt, Sterling K. Brown, and Sarah Paulson. Thank you. As well as to the other amazing cast members I appreciate you all. To my close friends and my dear family I can never thank you enough for loving me for me, and supporting me for when I wanted to come out here and start directing. From T.V. shows to the big screen, directing will always be my passion. To all the girls out there wanting to direct, take a chance and follow your dreams, follow your heart. I will be your biggest supporter.” You smile widely and raise the Oscar in the air, “thank you again!”

The entire theatre erupts in applause as you walk off the stage with Natalie and Pedro.

You’re grinning from ear to ear as Natalie releases you from the hug she gave you once you were in line to make your way to the media room.

“Congrats again!” She smiles.

“Thanks,” you smile in return.

Your eyes watch her walk away then land on Pedro who was stopped by Kit Harrington. You had hoped you’d be able to talk to him more. You wanted to talk to him more. You wanted to thank him properly for being there to help you up the stairs.

“Miss Y/L/N?” Someone with a headset on their head draws your face back around.

You hum and raise a brow.

“The press is ready.”

You smile, “thanks.”

The person opens the curtain and the cameras start flashing as you walk in. You take one glance back at Pedro hoping he’s going to the same after party as you are.

-------

The Vanity Fair after party is in full swing after the limo driver took your father home. He didn’t want to spend all night out on the town, which you preferred because you were going to party hard for as long as you could before returning in the wee hours of the night. And there was someone you needed to cross paths with again – Pedro.

Inside you are swarmed by actors and actresses congratulating you, wanting to know what you’re doing next, wondering if they could give you a call about auditioning for anything you do in the future. They give you glasses of champagne. Toasting you over abundantly, making you sip on the frothy and bubbly liquid. It’s all overwhelming until you feel a hand grasp yours and pull you away.

“Give her a chance to breathe!” Sarah nearly shouts as she drags you away from the horde of people.

You giggle as Sarah pulls you away and into a corner. She swipes two glasses of champagne off a tray from a passing by waiter.

Sarah clinks her glass to yours, “congrats!”

“Thanks,” you smile not bothering to take a sip. “I’ve had too much of this.”

“Understandable,” Sarah pauses as she gulps down her glass then takes yours, “so, Academy Award winner director Y/F/N Y/L/N directing a remake of The Lady Eve starring Pedro Pascal…”

You giggle, “where is he by the way?”

“Oh, your rescuer?” Sarah giggles loudly. She’s had a little too much alcohol already. “He’s here somewhere. He saw you trip, and zoom did he go to rescue you. When he got back to the seat I whispered, ‘her dad’s right there Pedro.’”

“What was his reaction?”

“’Well at least I scored brownie points with him.’” Sarah laughs.

You giggle as the alcohol courses through your veins. You place a hand on your stomach when it growls. You realize it’s empty, and you’re starving.

“Is there food here?” You ask absentmindedly.

“Yeah but it’s mostly finger foods,” Sarah smiles, “here he is!”

Pedro smiles as he hands Sarah a napkin, “food.”

“Share with the lady,” Sarah points at you as she swallows a couple of cheese cubes.

Pedro smiles at you and holds out another napkin. It’s filled with cheese cubes, crackers, even a chocolate covered strawberry.

“Hey,” Pedro pouts, “the strawberry was mine!”

You smile as you bite a small piece, “have the rest.”

“You may the whole thing. It’s not like I fought a swarm of people to get just one!”

You finish the decadent dessert. Not sure if it’s the alcohol or not, you lean over and brush your lips across his.

Pedro inwardly moans as he tastes the chocolate strawberry on your lips. He swipes his tongue across your lips. He tastes the champagne once you let him in.

You pull back breathlessly and look into Pedro’s deep brown eyes. “I, uh, I…”

Pedro smiles, reaches out, and runs a finger down your cheek, “it’s okay.”

Sarah is able to tell she’s no longer needed. “I’m gonna leave you two to it. Goodnight.”

“Night,” you and Pedro say in unison. His eyes and your eyes are one another.

“Thank you for coming to my rescue,” you say after seconds of silence.

Pedro grins lopsidedly, “you’re welcome. I do hope at least it scored me some brownie points.”

“Why?”

“I want to be a part of The Lady Eve.”

“Script’s not done. And I’m currently working with Netflix on a series.”

“I’d like to be forefront and center when you go to producers. Tell them Pedro Pascal needs to be in this movie, will be in this movie,” he remarks with a laugh.

“Are you desperate for a role where one sees your face?” You ask.

Pedro raises an eyebrow, “I was informed you’ve only seen Narcos from my long resume.”

“I see you and Sarah have talked.”

Pedro shrugs, “I inquired about you on the way here. She’s the one who worked with you. She even raved about you while you were filming. Said you were extremely kind and knew what you were doing, what you wanted and needed from the cast and crew.”

“Glad to know at least one person likes me,” you jokingly laugh.

“Everyone likes you Y/N,” Pedro remarks. “You’re kind, sweet. A great kisser.”

You inwardly laugh then run your hand up Pedro’s arm. “You’re too kind Pedro, too sweet.”

Pedro holds in his moan as your hand runs up his arm then over his chest and down his stomach.

You lean forward and brush your mouth against his. You feel his arms wrap around you and pull you close, deepening the kiss. You moan as his hands travel up and down your back, occasionally touching your bare skin.

Heat rises in your body as you move your hands across his shoulders down his chest. You finally loop them around his neck and run your fingers through his hair.

Pedro pulls faintly away. He looks into your Y/E/C eyes. He leans down and nuzzles your neck. Your skin is delicate and warm.

“Pedro,” you moan lowly as his mustache tickles your skin.

You snake a hand down his chest. You run it teasingly over his crotch and find him hard.

Fuck, your mind screams as pleasure intensifies inside of you.

Pedro hisses as he pulls back, “you’re a tease too. A wicked tease.”

“You are too Pedro,” you remark as you press your body against his.

You want Pedro, need Pedro. Your body is aching to have his mouth and hands all over it.

You would never have the courage to be this blunt, but with the alcohol pumping through your veins you do. You look at Pedro in seriousness, “please get me out of here Pedro. I need you in more ways than one. If you know—”

Pedro kisses you soundly and grabs your hand as he pulls you towards the exit, “I know what you mean Y/N. I want to get us both out of here so we’re able to enjoy each other fully especially with our clothes off.”

You knew this was going to be a night you’d never forget – you won your Oscar, and you had the ultimate lap of victory when you and Pedro finally made it into his bed - sans clothes.

Tags: @pascalisthepunkest, @cosmo-bear, @kaelyn-lobrutto24, @knight-of-heart44, @caitlincat-95, @random066, @readsalot73, @arrowswithwifi, @halefirewarrior, @x-wingwarriorbbpoe8, @stardust-and-starlight, @behindmyeyes-insidemyhead, @longitud-de-onda, @jokersdoll, @earl-01, @ezraslittlebirdie, @bonkybaaarnes

#victory oneshot #request #pedro pascal #pedro pascal fanfiction #pedro pascal x you #pedro pascal x reader #oneshot #sarah paulson #oscars

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jasonfry · 4 years ago

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Winter rolls along! No baseball! That means catching up with more classic movies everybody’s seen but me!

The Sugarland Express (1974)

This is Steven Spielberg’s first big-screen feature (1971′s Duel was made for TV), and it’s amazing to think it arrived just a year before Jaws, which would change American movies forever.

It’s impossible to watch The Sugarland Express without analyzing it in terms of Spielberg style, which is too bad, because it can be enjoyed perfectly well if you don’t know who the director is. Yes, there are some trademark long takes and inventive camerawork -- the most famous bit is a tricky 360-degree shot inside the getaway car that’s particularly impressive because it’s so easy not to notice -- but this is also a great character movie.

Goldie Hawn’s Lou Jean is simultaneously conniving and childlike, ruthless and clueless, and Hawn brings a frantic intensity to the part. Her husband Clovis is doomed the moment Lou Jean puts her half-assed plan in motion, and William Atherton (of Die Hard fame) does a superb job with an understated role, in which Clovis’s real tragedy is how timidly he navigates the constrained possibilities of his life. They’re joined by Michael Sacks as a kidnapped state trooper, and the three make for a compelling ensemble -- people who understand each other and grasp that their circumstances could easily have been switched around by a chance here or there.

The movie’s ambitious and thoroughly modern -- it’s a chase movie and a marital comedy and a slice of social commentary, and it switches lanes with skill and self-confidence. Maybe it doesn’t quite stick the landing -- there’s a little too much movie blood and the sun-soaked last shot feels like a stylistic departure -- but the ending is gripping even though it unfolds the only way it could, and that’s a hard trick to pull off.

Extra credit because even a relatively uninformed movie fan like me will have a blast moving both forward and backward from The Sugarland Express -- it wouldn’t exist without Bonnie & Clyde, but Raising Arizona wouldn’t exist without it, to identify just two beads on an intriguing string.

Rio Bravo (1959)

Westerns are my comfort food -- give me the right proportions of dusty streets and swinging doors and cacti against sunsets and I’ll overlook a fair number of cinematic/narrative sins. And Howard Hawks�� Rio Bravo whips up the classic ingredients with the nonchalant skill of a veteran short-order cook in a beloved diner -- a tumbleweed even rolls into one of the leads in the first reel, as if to say, “What? It’s a western!”

Rio Bravo is usually framed as a rebuke to High Noon and 3:10 to Yuma, which Hawks and John Wayne despised because those movies dared to depart from the western tropes of flinty-eyed, self-reliant sheriffs and frontier folk banding together. The film Hawks and Wayne made in response is rock-ribbed in its values, unfolds at a languorous pace, and is often mawkish. (It also jerks to a halt for back-to-back duets with Dean Martin and Ricky Nelson, while Wayne stands there and smiles.) It shouldn’t work -- and, to be clear, I don’t think it’s nearly as interesting as the movies it’s arguing with -- but it does.

For one thing, there’s immense skill brought to the storytelling and filmmaking. There’s a self-confidence behind that languor that draws you in, and while the characters are hoary stock figures, their interactions rarely if ever ring false. The actors are solid, too: Martin is a lot better than you might guess as Dude, the deputy with an alcohol problem; Nelson holds his own as a young gunslinger who doesn’t want to get involved but of course eventually does; Walter Brennan has a grand time bouncing off Martin and Wayne in their shared scenes; Angie Dickinson brings some shade and nuance to the role of a gambler’s widow trying to extricate herself from a checkered past; and the bit players are all threatening, comedic, hapless and helpful in the proportions you expect and want.

But unsurprisingly, Wayne is the secret weapon -- the story treatment for Rio Bravo didn’t bother giving his character a name, just calling him “John Wayne.” Imitations of Wayne focus on the swagger and the tough-guy talk but miss that his performances turn on the moments when his characters’ weaknesses undermine their strengths. Wayne’s Sheriff John T. Chance is gentle with Dude’s struggles, knowing well-chosen nudges are the best way to keep his troubled deputy on the right path, and he’s utterly at sea navigating his feelings for Feathers, Dickinson’s character. The Wayne-Dickinson pairing is yet another of those May-December romances that movies of the era were always foisting on actresses, but Wayne wisely leans into the problem, letting Chance be tongue-tied and awkward as the more confident Feathers steers him through uncharted emotional terrain.

Wayne became more cranky and reactionary as he aged, but he never lost the insight that strength is only interesting if paired with weakness. That dynamic sells Chance and Rio Bravo wonderfully. And hey, the Martin-Nelson duets are actually pretty good.

Hawks and Wayne would essentially remake Rio Bravo two more times, first as El Dorado and then as Rio Lobo, and while I’ll tell you now that I don’t feel the need to see either one, jump ahead a couple of years to a late night where I think, “a western would be fun right now,” and I’ll probably wind up watching one of them. Because I bet they’ll work.

That Thing You Do! (1996)

The story of a one-hit wonder band, written and directed by Tom Hanks. The cast is terrific, particularly the luminous Liv Tyler; the title song (written by Adam Schlesinger of Fountains of Wayne) is not only good but also pitch-perfect for its era; and the giddy whoosh of the Wonders’ sudden rise to fame carries the movie along effortlessly for quite a while.

There are only two problems -- but unfortunately, they’re pretty big ones.

First of all, the movie jumps the track completely in its last 20 minutes or so. Tyler’s big speech to her self-obsessed boyfriend feels completely out of character; Tom Everett Scott’s drummer hangs around the most accommodating studio in music history and has a miraculous chance meeting with the jazz musician he idolizes; the hotel’s magical concierge uses the same gag twice and then breaks the fourth wall ... and all of this happens in such rapid succession that I thought I’d hit my head. The movie’s humming along pleasantly enough and then WHAM! everything stops making sense and it never regains its footing.

Second, after a couple of hours it’s already fading from memory, leaving behind the title song, the fun of life on the road and Tyler. I think that’s because while That Thing You Do! is invariably pleasant, it’s also utterly bloodless.

Nothing is played for any stakes. Giovanni Ribsi breaks his arm and loses his spot in the band to Scott, but never seems bothered that he missed out on his friends’ rocket ride. The Wonders’ first manager excuses himself with nary a peep once Hanks arrives to take over. The veteran bands on tour with the Wonders brush the newcomers off at first, but pretty soon they’re all friends. The Wonders’ bassist is infatuated with a Black singer, which would have raised eyebrows in 1964, but the relationship barely makes a ripple. Despite ample warnings that it’s coming, the conflict in the band is mild at worst. Even the love triangle involving Tyler is resolved simply and with no particular fuss -- the Wonders’ lead singer breaks up with her, the drummer takes up with her, and all is well.

The movie presents an attractive surface -- despite all of the above, when I heard there was an extended cut I thought, “I’d hang around with these characters for 40 more minutes” -- but there’s absolutely nothing underneath it. Given the talent on both sides of the camera and the obvious care with which it was made, that’s a shame.

#movies

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mirkwoodshewolf · 6 years ago

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Lessons from Ben Cardy; Ben Hardy x reader ft. Joe Mazzello

*Author’s note*

Hey guys well this idea had been buzzing around in my head for months. I kid you not months on end since a certain video of when Joe Mazzello not only did the Ben Cardy but also included the real Ben Hardy himself. So I decided to do this little fic since I managed to FINALLY get some free time in my hectic schedule but this will be the last update for awhile cause I’ve got a convention this weekend, my sister’s wedding the next weekend and then finals the following week but hopefully by the summer I’ll be back to do tons more updates and work on those requests to the anons who sent them back during my winter break. I PROMISE!!!

So in the fic you will literally find no warnings just PURE FLUFF AND GOOEYNESS OF MORE FLUFF!!! Hope you all love this cause I sure as heck enjoyed writing it :)

___________________________________________________

The sun peered in through my curtains of my bedroom. I let out a groan and turned to the side of my bed and saw the infamous cutout of Ben Hardy laying on my bed.

“Oh Joe I’m gonna kill you!” I hissed under my breath. I shot out of bed and grabbed the cardboard and trudged out of my room and banged on Joe��s room and cried out, “Joseph Mazzello III you get your ass out here right now!!” The door soon opened and as soon as Joe saw me with Cardboard Ben he said.

“Whoa (y/n) long night?”

“Shut up you little shit! I know you implanted this thing in my bed.” He gasped and took the cutout back and said as he stroked it’s head.

“How dare you? She didn’t mean that Benjamin. She’s just cranky in the mornings, you’ll get used to it.” I shook my head at him and said.

“Joey, it’s a piece of cardboard that looks like him.”

“You’re hurting your boyfriend’s feelings (y/n)!”

God how I’ve put up with Joe Mazzello after all these years I’ll never know, but again my life would’ve been boring without him. As a kid while most girls wanted to be pop stars, princesses or movie stars, I had an interest in fashion. By the time I was in high school, I got involved with my school’s theatre department and always got involved with the costume department.

In college I majored in fashion and got an internship at the best shopping centers in New York City. Soon my works got viewed by magazines and Hollywood that I had actually been offered to do the costumes for an upcoming B movie. I worked my way up until finally I was called up by Steven Spielberg himself to do the costume work for his and Tom Hank’s new project “The Pacific”.

I think that out of any decade that I would say would be my favorite is the 1940’s just because of the simplicity of their fabric and designs. Plus I’m a sucker for a man in Marine uniforms. And it was through The Pacific that I met and became friends with both Joe Mazzello and Rami Malek.

Every day with those two was an adventure and full of laughter and stories. Joe had told me how he worked with Stephen back when he was a kid for Jurassic Park, of course me being me I freaked out because I practically grew up on that movie and watched it religiously.

Even after the show wrapped, I kept in contact with both Joe and Rami and I soon got involved with bigger film projects, hell if you’ve seen Guardians of the Galaxy, I helped design the Ravagers, Gamora’s, Ronin’s and Nebula’s costumes. Then one day I was on break after doing the 2nd GOTG movie, I had gotten a call from Graham King the Producer of a new Queen biopic that he was planning to do and asked to see me.

I agreed because this was a once in a lifetime opportunity. Along with the 1940’s, I always loved the outfits that the actual band members of Queen wore. They just gradually changed with the era and it was just amazing to see them evolve with it. I met with Graham, even got to meet with Brian May and Roger Taylor themselves and they were impressed with my work and happily welcomed me on board as the head costume designer.

So I flew out to England to where we would be filming and as I was getting myself set up, I actually gotten a big surprise that day. I was at my station pulling out and organizing all my sketch books and labeled to which band member would be in which book, when suddenly I felt something tickle my waist.

I let out an almost inhuman shriek and when I turned around I saw two very familiar faces. It was Rami and Joe. I gasped and let out a cheer as I hugged Rami who was closest to me. He picked me up and spun me around laughing joyously before setting me down when Joe piped in.

“Oh I see how it is (n/n) good to know where your loyalties lie.”

“Shut up you little shit and get over here and hug me.” I had told him. He then picked me up and spun me just like Rami did. They told me that they had gotten the led roles as Freddie Mercury and John Deacon respectively, and when I told them I would be the head designer for the project, they were so happy for me just as happy as I was for them.

The three musketeers reunited at last.

As the filming went on, I also got to get close with the two other gentlemen playing Roger and Brian. Gwilym and I had a lot in common in favorite authors and plays since I had done some Broadway work before being signed up onto Hollywood, and Ben…..

Ahh Ben Hardy. That loveable man. I mean it was hard to not get along with Ben, he was sweet, kind-hearted, a great listener, and had a great personality. And it seemed that the more time I got to spend time with Ben, the more my feelings began to develop for him. And of course with Roger’s well-known wardrobe choice, it made it so hard to stop a blush from beaming on my face, especially when it was an outfit where it would show his chest.

Of course Joey being Joey knew immediately of my little crush on Ben and every day would tease me about it while in his John Deacon get up, either dropping the accent or using it.

After filming ended and I went back to the states, Joe had actually invited me to stay with him for a while. Since living in New York was so expensive, he offered for me to stay in his home. He says it was because he missed his ‘bestest friend in the whole wide world’ and wanted to spend time with me, but I think he just wants more opportunity to torment about my feelings for a certain blonde Brit. He even went as far as to buy a cardboard cutout of said Brit and bringing it back after the press tour in Tokyo.

Of course he spread the ‘Ben Cardy’ all over Instagram and the fans were going nuts over it. After having to do two big projects back to back I’ve decided to take a year off work so I guess it’s good that Joe offered me to come live with him, cause if I hadn’t I’d probably be evicted out of my apartment.

Now back to the present, I rolled my eyes and muttered.

“You’re so annoying.”

“Aww you know you love me.”

“Do I know that?” I teased as I headed to the kitchen. As I got me a bowl of Coco-Puffs, Joe came into the kitchen and said.

“C’mon (n/n), why can’t you just say?”

“Say what?”

“You love Ben.” I dropped my spoon into the bowl and said.

“Why must you be so nosy about my love-life Joey?”

“Because I want my two best friends to get together and name me the godfather of their future children.” I shook my head at him and that’s when he said, “But seriously (y/n), you’ve been pining over Ben since the start of filming. Anytime he was even mentioned you’d blush like a lobster.”

“But Joe…..even if I did confess, you know that I’d…..how would I go about being a good girlfriend? This is whole new territory for me. And I’m ashamed.” I felt Joe come up behind me and wrap his arms around me, hugging me from behind.

Yeah it’s true. In my 26 years of living, never once did I have a boyfriend. It just seemed that no guy ever wanted to go out with me, meanwhile all my friends were losing their V cards by the time they were 16. Then I guess I got so involved with my growing career that I just didn’t want to go into the dating scene.

“There’s no need to be ashamed (y/n). You just needed the right partner. And I think Ben’s that partner. He’s your lobster.”

“Did you really just quote Phoebe Buffay?”

“Damn right I did. Wait here for a second.”

“Oh my god Joe can’t it wait till I have my cereal first?”

“Nope!”

“Ugh! Then you owe me breakfast for this when it gets soggy.” It was then Joe came back with Cardboard Ben in tow. “No, no, no! I’m not practicing with a cardboard cutout of him!”

“Too late chickadee, now come into the living room and sit on the couch next to dear old Benjamin.” I groaned but followed his order and sat down a couple inches away from where Joe had Cardboard Ben sitting.

“I can’t believe you’re making me do this.”

“Trust me it’ll help you for when the real day comes. Now talk to him.” Joe ducked down behind the arm of the couch but kept Ben adjusted. I faced Ben and said.

“Hey Ben,”

“Yes love what is it?” Joe spoke, mimicking Ben’s accent and that’s when I broke and said.

“Gah I can’t do this Joe!”

“Yes you can, pretend I’m not here keep going you’re doing great.” He said as he peeked his head out from the couch.

“Joe—”

“Don’t chicken out you wuss!” He demanded which led me to sigh heavily. “Ben?”

“Yes darling?”

“There’s—well I have uhh……lately I…..”

“It’s okay (y/n), you can tell me, you know I’d never laugh at you.” I looked up at the cutout and could almost swear that it really was Ben speaking to me. I took a deep breath in before exhaling out.

“Imighthaveharboredacrushonyousincefilmingstarted.” I rushed out.

“Love I couldn’t understand you, what was that?”

“I…..might have….harbored…..a crush on you Ben. No I—I like you Ben. I mean really, really, really like you.” I felt my face burning up and that’s when Joe spoke up in Ben’s accent.

“Wow (y/n) I’m honored that you feel that way about me,” oh god why did I feel like there was a but coming in. “But,” I knew it. “I unfortunately have another waiting for me.” I lowered my head when I heard Joe say, “A strong, handsome brunette man with an American accent, not Welsh of course. He’s the man of my dreams.”

“Joey!” I whined out.

“Sorry I had to. Gwilym and Ben are having their little buddy-bromance story all over Instagram and I’ve gotta do better.” He said as he got up from behind the couch.

“Nice to know your relationship with Ben is more important than mine.” I snapped at him. I felt Joe sit beside me and wrap an arm around me and he said.

“I’m sorry, but you know Ben will love you. I mean how can someone not fall in love with someone like you? From day one since Rami and I met you all those years ago, we knew you were someone special. You’re smart, you’re beautiful, the youngest and most fashionable fashionista that I know. And if Ben can’t see that, then he’s a dick.” I felt Joe tuck a strand of hair behind my ear and I smiled softly.

“Thanks Joey, what would I do without you?”

“Be all depressed and focused solely on your work.” I slapped his arm making him cry out in pain and collapse onto the floor crying in pain in such a dramatic way.

“That didn’t hurt.”

“Yes it did, you’re so mean!”

“Oh get up yah big baby.” I pulled him up and that’s when I was suddenly thrown over his shoulder like a sack of flower. “Gah Joe put me down!”

“Nah I don’t think I want to.” He then spun around and I gripped onto the back of his shirt tightly and said.

“Joseph Mazzello I swear I’ll hurl all over you if you don’t put me down right now!” He set me down and I adjusted myself trying to make myself more presentable. “Remember you owe me breakfast now because I’m betting you $20 that my cereal’s gone bad.”

“Fine lets head over to Dunkin Doughnuts and get us something and I’ll even throw in a Starbuck for you.” He said as he extended his hand out.

“Deal.” We shook on it and then went to our rooms to get dressed and head on out.

A week later, the BoRhap cast was back together for a little reunion just before the award seasons start. We all decided to head to the best karaoke bar this side of New York had. We reserved our table and ordered our meal and looked through the song book to see what kind of songs they were allowing.

“Oh guys check this out they have an entire section of Queen songs.” Gwilym said.

“Ohh what all do they have?” asked Lucy.

“They’ve got pretty much everything.” He answered.

“All except Bohemian Rhapsody.” I replied.

“Aww why don’t they have it?” whine Lu.

“I think I read somewhere the reason they banned it was because last time a group of guys tried it, a fight broke out as a drunk man tried to stop it and the person who was the front man started a fight with the guy. But then again it could also be because they don’t allow six minute songs.”

“Well I pity their wives if they think six minutes is forever.” Answered Rami. We all laughed and the inside joke and Joe and I high fived Rami for speaking up about that.

As the night got late, some of us like me were a little tipsy while others were completely wasted e.g. Joe. Joe had just gotten done singing “Purple Rain” by Prince and of course he dedicated it to Ben. I couldn’t help but film the whole performance and hearing him screech out the lyrics, it was hilarious and now I had some blackmail on him because during one point of the song, he had actually tripped on the wire of the mic but still kept singing.

Lucy and I did a duet of Rick Springfield’s “Jessie’s girl” I sang a couple lyrics of the first verse before she finished and we both did the chorus together. Jumping up and down to the beat and leaning up against each other and then we’d flip roles for the next verse and it continued to that formula.

As Alan was singing “Love of my life” to his lovely wife, I was sitting at the bar getting my next drink when I heard Ben’s voice say.

“Wonderful performance up there.”

“Please it was all liquid courage. I hadn’t done karaoke in years. In fact ‘Somebody to love’ was my first Queen karaoke song back in what was it—middle school? No High school, no wait definitely middle school cause I had a bunch of kids looking at me weird because they had no idea who it was that I was singing to.”

“Seemed your middle school was clearly uneducated in the music department.”

“Tell me about it. All they listened to was their rap music.” Ben laughed softly and there was a bit of silence between us till he finally spoke up.

“Do you remember during the second week of shooting, the day Joe dared me to try and dip him?” I laughed and said.

“How could I possibly forget that?”

*Flashback*

I had just gotten Joe’s jacket on him for the scene where Freddie tries to reconcile with the band in Miami’s office.

“Thanks (n/n) you’re the best.”

“Anytime Joey.” I walked out of the set and watched from behind the camera as the boys ran their lines. But for some reason one of the records that hung up from the wall kept falling down. I was surprised that no one had broken character cause I was about to die laughing.

It was then Graham decided to call a break while they tried to fix the falling record.

“Hey Ben, I wanna try something!” Joe cried out.

“What is it Joe?”

“Dip me.”

“What?”

“Dip me, you know the dance dip. I’ve never been on the dipping end of it and I want to try it.”

“And why must it be me to dip you? Why not Rami or Gwil?”

“Rami’s too deep in character and Gwil’s twiggy arms might break.”

“Thanks mate.” Gwilym pipped in sarcastically.

“C’mon Benny please, just this once.”

“Alright, alright come here then.” And it was there that Ben took Joe in his arms, wrapped one arm around him and bent him backwards. Joe let out a playful swoon.

“Ohh Benjamin you’re such a divine dancer.” I rolled my eyes at him as he looked straight at me when he said those words. As Ben lifted Joe up it was then Gwil said.

“Wait, I’ve got a better idea to make this a bit more interesting.” It was then he grabbed an apple from the concession stand and held it up.

“No, no, no that’s too much!”

“Aww c’mon Joe it’s no different than a rose.” I teased him.

“No because he’ll just focus on the apple and drop me on my head!”

“Mate I promise I won’t drop you.” Ben assured him.

“You promise?” Joe asked skeptically.

“I swear it.” Ben vowed. Joe turned to Gwil who still held the apple. His brow quirked up as he extended his arm out to Joe and Joey took the apple and placed it in his mouth and got back to position one with Ben.

With our phones, Gwil and I took pics of the progression and once Ben took hold of the apple, he set Joe back up before taking the apple out of his mouth.

“Please tell me we got some good shots of that?” proclaimed Joe.

“I got you.” I proclaimed as I handed him my phone and he browsed through the pics.

“Send those to me.” I gave him a thumbs up and that’s when I heard him say, “Okay your turn.”

“Wait what?”

“Go on it’s your turn to be dipped by Ben Hardy.”

“Joe that’s really not necessary—”

“If I can do it, then so can you. Hey Ben care to take on a new partner?” I was then shoved towards Ben who steadied me. I looked at Joe who gestured for us to get on with it. I turned to Ben and he said as he took my hand in his.

“I promise not to drop you (y/n).” My heart raced as I stared at Ben’s face. Even with the famed “Roger Taylor” shades blocking his green eyes from my view, it still made him look absolutely handsome. And the shoulder length blonde wig (although I do wish they had given him the same hairstyle Roger did have during this time, I saw a quick glimpse of it from an album cover they recreated and he looked handsome with the mullet look Roger had at the time). I gulped and nodded to Ben as I tried to calm myself down but that’s when Joe proclaimed.

“Wait! Wait I’ve got a better idea!” He then went over to one of the flower pot props and pulled out one of the fake flowers and held it out.

“No! No, and no Joe! Absolutely not!” I proclaimed.

“Aww c’mon (n/n), it’s no different than an apple.” He reversed my words and threw them right back in my face. He grinned at me wagging the flower in front of me.

“I could strangle you right now.” I grumbled.

“I’d still haunt you in the afterlife dearie.” He mocked. I growled and took the flower and placed the stem between my teeth. Oh god I can’t believe I’m doing this; god Joe is always a little shit and I swear he’s going to—

Oh, oh my god here we go Ben’s dipping me. Wow he has such a strong grip. Not even some of my old friends could dip me like this without complaining. Feeling his hand sprawled out along my back and his hand gently gripping mine made my stomach churn and my heart jump from my chest to my stomach.

I then saw him lean closer towards me to grab the flower. ‘Oh my god he’s leaning forward to grab the flower from my mouth. Oh shit c’mon (y/n) just be cool, keep calm keep calm!’

As he reached for the flower, I could feel just a graze of the blonde wig tickle my cheeks and soon I was no longer holding the flower but Ben was as it lay there between his teeth and he gently set me up right. Even after bringing me back right-side-up, he forgot to let go of my waist. The two of us looking at each other but it was soon broken by Joe’s voice.

“Okay that was hot I’ll admit that.”

“Too pure and yet passionately erotic.” Stated Gwilym.

“Okay guys we’ve got everything reset. Hopefully that record will stay for the take. Let’s wrap this scene up.” Graham called out. It was then the guys left to go back into Miami’s office set. Ben handed me the flower and I took it as he walked passed me.

“That boy has some skills even I didn’t have, I’ll admit that.” I jumped and turned to see Roger standing behind me.

“God Roger no wonder why Brian hates it whenever you sneak up on him like that. You’re like a freakin cat, we’ve gotta get you a bell or something.”

“That would ruin my look, so when will you finally admit it to yourself darling?” I turned to the legendary drummer and said.

“I’ve got nothing to say. Ben and I are just good friends, that’s all. Strictly platonic.”

“Uh-huh sure keep telling yourself that, love. But I can tell you this, he definitely doesn’t shut up about you. Always asking me for advice on how to woo you into his arms.”

“No he doesn’t.”

“Give yourself more credit dear, you’re a beautiful young woman. Hell if I was 50 years younger I’d definitely try to ask you out.” I laughed and said as I turned to face the old drummer.

“I’m flattered Roger, really I am. But from what I’ve heard he just got out of a nine year relationship. And I doubt he’d rebound to someone like me.”

“(Y/n) we need some help! One of the newbies screwed up the measurements for Freddie’s officer uniform!” I heard one of my assistants call out to me.

“Duty calls, see yah later Rog.” I then rushed over to help re-measure the uniform and re-worked on it just before Rami had to get into costuming with it in.

*End of flashback*

“That was probably the most interesting day on set.” I admitted.

“Yeah, but it was also one of my favorites.” He said.

“Because you and Joe got to make the fandom go crazy over the Hardzello shipping?”

“Well partly.” I looked up and saw that he had moved a little closer to me. His arm was placed around the bar behind me, if he wanted he could’ve placed his arm around me and pulled me close to him but he didn’t. “Truthfully (y/n) I never thought that I’d get the courage to do this but I might as well do it now while I still got the nerve.”

“What? Ben I’m confused what are you talking—”

“I love you.” At that point my heart stopped. “I’ve been in love with you since the day I got to know you. I mean Rami and Joe have told Gwil and I loads of stories about you, but getting to actually know you face to face. Their stories don’t do you justice at all.”

“Ben you’re drunk you don’t know…..”

“No I do. I’m still sober enough to know what it is that I want. And what I want is you. To hold you, to kiss you, to make you breakfast in bed. I love you (y/n) (l/n).” I swallowed and lowered my head feeling the tears in my eyes. “You don’t feel the same way do you?”

“No, no Ben it’s not that. Hell even Roger himself saw how crazy I was about you. I love you too Ben it’s just—” I sighed heavily and lowered my head in shame.

“What?” I felt his index finger and thumb raise my chin up so that I was forced to look into his hypnotic green eyes. “What is it love?”

“You and your ex were together for almost a decade. Meanwhile I’ve never once had a boyfriend in my over two decades of living. Hell I’ve never even kissed anyone. I feel like such a loser and you shouldn’t be exposed to someone with no experience in the dating spectrum.”

“I’m not looking for experience (y/n). It doesn’t matter to me whether you’ve had a relationship in the past or not, all I want is you.” His forehead touched mine and I almost collapsed to my knees right then and there. “And I’d be honored to be your first everything. Now and in the future to come.”

I smiled happily and allowed a few tears to slip down my face but they were immediately caught by Ben’s thumbs as he wiped them away as he said.

“I love you (y/n).”

“I love you too Ben.” He leaned in closer toward my face, his nose brushing against mine. His lips faintly grazing mine as he whispered.

“May I kiss you love?”

“What if I screw it up?” I couldn’t stop myself from blurting out.

“Don’t think of it, just do what your heart tells you to do, okay?” He looked directly into my eyes and I tried to calm myself down before nodding. Ben’s lips once again grazed over mine with the lightest of pressures until finally he kissed me.

My stomach exploded into knots and mad moths, I felt this tingle shoot up my spine and my toes curled as I just went for it. I wrapped an arm around his neck, stroking my fingers through his sleeked, blonde hair. After giving me one final peck he muttered.

“How was that?”

“Is it normal to feel like your stomach’s going to just explode when you have your first kiss?” Ben softly chuckled and said.

“Yeah. Cause I felt it just now.” I smiled and that’s when Ben kissed me again.

This time the kiss had a little more passion to it as I felt one arm wrap around my waist bringing me as physically close to him as possible, while his other hand cupped the side of my face stroking my cheek with his thumb.

“YAAAAAAASSSSSSSSS BENJAMIN!!!!” We heard the drunk scream of Joe scream out into the microphone. “IT’S ABOUT DAMN TIME YOU TWO GOT TOGETHER!! DO YOU KNOW HOW LONG I’VE BEEN KEEPING THIS SECRET OF YOUR BOTH!?! FOR FUCKING EVER!!!” Ben and I looked to Joe and he said to him.

“You happy now Joe?”

“Just know this Benjamin Jones. You break my girl’s heart, I’ll kick your ass so hard, you’ll be as flat as Ben Cardy. At least he treats her well.” Ben turned to me and I explained.

“He’s been putting your cutout in my bed for the past several weeks. He even had me practice confessing my feelings for you by practicing with him.”

“But let me assure you something darling,” he cupped my face with both his hands and leaned towards my ear and whispered huskily, “Cardboard Ben will never be able to dip you like I can.” Suddenly I was dipped just like on the second week of shooting. I let out a series of giggles as Ben leaned forward and kissed me doing that famous kiss dip pose.

*Extended ending*

I rubbed my eyes and stretched my arms out before turning to my right and felt the familiar piece of cardboard lying beside me. My eyes shot open and I let out a groan as I muttered.

“Oh you’ve gotta be kidding me.” I clicked my tongue once before saying to Cardboard Ben, “Hi, yeah hi, yes. I know you always gotta come back here. But listen up okay, you listen to me mister.” I pointed to him. “I get it, okay I know you must feel some kind of physical chemistry for me, for whatever reason and we’re only human…..Well I’m only human. But this can’t happen anymore, okay? I’m sorry, goodbye.” I turned to my left and that’s where the real Ben Hardy was lying.

Both his hands resting behind his head, the top of my head just barely grazing his strong bicep.

“Oh my god—” I squeaked out.

“Hey baby girl.” He cooed out.

“Hi.” I said bashfully. I hummed awkwardly before saying, “You good?”

“Yeah I’m great.” He said as he pulled me closer to him, my head now resting on his chest. I felt my face heat up and I’m pretty sure I was blushing as red as a lobster if not a rose right about now.

“Good.” I squeaked out. Ben kissed my forehead and hummed as his nose stayed at the crown of my head. “Uhh Ben,”

“Hmm?”

“What about umm…..” I gestured towards Cardy B. Ben looked at the cardboard cutout of himself and said.

“Sorry mate, she’s taken.” It was then reached over and flung Cardy Ben out of the bed. I looked up at him and he looked down at me. I grabbed the top of the sheets and as Ben bit his lip, I pulled the sheet over us covering us from view and that’s when we heard Joe say.

“Did you have to fling him off the bed?”

“He was eyeing her for too long.” Said Ben as he pulled me closer to him and we kissed each other.

“Alright keep it PG you two.”

“You started this Joe, and now you must suffer by letting it run its course!” I cried out. Ben and I then began to ruffle the sheets making it seem like we were fooling around as I let out a few lustful moans.

“Augh gross! I’m not continuing with this anymore!” We then heard the door shut and both Ben and I poked our heads out from the blanket and I said,

“Think he bought it?”

“Well one way to find out.” He pulled me close to him and I felt his face bury into my neck. I giggled as he began to kiss up and down my neck.

“Ben…..that tickles!”

“Oh really? Does it tickle when I do this?” I then felt his fingers dig into my sides which made me squirm even more. He got on top of me still continuing his ticklish assault as I begged him to stop while trying to shove his hands away from my sides. He ceased his attack and said with a grin, “Say please.”

“Please.”

“Now say uncle.”

“Uncle.” I giggled out. He smiled down at me before capturing my lips with his in a soft and loving kiss. I wrapped my arms around his neck bringing him closer.

Our kiss got deeper and more passionate until the need for air became a problem. As we separated, we stared into each other’s eyes and I said breathlessly.

“How did I ever get so lucky?”

“I should be asking you that my love.” He kissed my brow and lay back down on his back. I crawled up onto his chest and lay my head over his heart while his arms wrapped around me and I felt his hand stroke down my hair. I felt him kiss the crown of my head and I heard him humming “Somebody to love” I smiled and said.

“You know that’s Joe’s song right?”

“Yeah, but it’s also your song. You did say that Somebody to love was the first Queen song you sang at your school’s karaoke.”

“How do you remember that? We were drunk when I confessed that.”

“Even shitfaced I’d still remember what you’d say.” I awed at him and nuzzled into his chest and felt him kiss my head again. “I love you (y/n).”

“I love you too Ben.” We pecked each other’s lips gingerly and just stayed in bed for the rest of the day cuddling, watching Netflix and of course Ben had to start another tickle fight the sneaky bastard.

But I’m happy to finally say that all because of getting lessons from a cardboard cutout and the persistence of a true friend, I finally got the man of my dreams.

#bohemian rhapsody #bohemian rhapsody movie #bohemian rhapsody imagines #bohemian rhapsody x reader #borhap boys #borhap cast imagine #joe mazzello #ben hardy #ben hardy imagines #ben hardy imagine #ben hardy x reader #joe mazzello imagines #joe mazzello x reader #joe mazzello imagine #gwilym lee #rami malek #queen #queen fanfic #queen imagine

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wecomrades · 4 years ago

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I was wondering if you managed to finish the Pacific and if you changed your mind about it :D I find it a really well done series, maybe even more than band of Brothers

Hi! Yes, I finished watching it a few nights back, and my thoughts are quite the same as before.

It’s not that I don’t like it, I think they did a good job - we’re talking about Spielberg and Hanks, here, together once again - and I must say this time I forced myself to not grab the phone whenever I was feeling bored, like the last time, so I paid much attention to the characters and to their stories.

I think maybe the problem for me it’s here: the characters. I tried, I swear, but I wanted to strangle them all - just a few exceptions. With Band of Brothers I couldn’t help but fall in love with everyone, I’m positive the major strengths about that tv show is the characters and their development. I watched BoB so many times, I know it by my heart, and I probably will continue watching it over and over again bc I love the stories and I love them as people. With The Pacific the struggle to like them was real; the only ones I liked were, let’s say, Leckie’s squad, so Chuckler, Hoosier, Sid and the other one who I can’t remember the name, sorry man. They were a strong group and I liked that. Basilone, ouch, I started liking him the moment he met Lena and then he died two seconds after that. Sledge... omg please, I wanted to slap him in the face since episode one, he and Snafu are the worst in my opinion. I just couldn’t find them likeable, like, ever. There was just one I liked in their group but again I can’t remember the name - he also was in Hacksaw Ridge, tho, ha!

So, yeah, all in all it was more likeable than the first time I watched it but I don’t think I’m going to watch it again anytime soon.

I’m so sorry if I hurt anybody’s feelings, but that’s life, we all have different opinions thank god! 😉

Ps, the main them of TP is STUNNING! I’ll give you that!

#ask #anon #the pacific #pls dont hate me haha

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josephmozzerellaswife-blog · 6 years ago

Text

Expecting the Unexpected Part 4

IM SO SORRY FOR THE DELAY! I have been slammed with school and work so I’ve barely had time to write! Luckily I was sick for the past couple days and finally got to finish it. I hope you all LOVE it as much as i loved writing it for you all.

Warnings: fluff, angst, childhood illness, SMUT (at the end)

Word Count: 6500+

Summary: When Joe gets back from his recent business trip he notices something is up with your new little one. Can an urgent ER trip change your lives for good?

That night was even worse. Every couple hours Scarlet’s walling would jolt you both out of your sleep, her cries crushing your hearts with each beat. You turned to your phone for the time, 3:47 am.

“It’s my turn, I’ll go try to calm her down again.”

Joe was so strong through all of this and you never understood how. He had his breaking moments, but never let you feel like you were alone, his constant reminder that you all were going to get through this. Scarlet was going to win this battle.

He was persistent about you staying in bed. Not only did you watch Scarlet constantly during her treatment the day before but Joe knew that you weren’t eating because of your anxiety. His worries only grew as you continue to push aside your health for Scarlet. Of course he understands why you’re doing it, you can’t help, it but he just wants you to be healthy.

The last thing you remember was Joe crawling back into bed as he wrapped his arms around your waist, placing a light peck against your forehead.

“I love you Y/N. It’s crazy how much I love you, you know that?”

“What’s crazier is that I love you even more.” you whispered in a daze, your eyes quickly getting heavier by the minute.

“Not possible my love. You are my everything and more. The both of you.”

He kissed you passionately against your lips, his soft lips melting into yours, each time falling deeper and deeper into him. He was such a tease but you were both so tired that this was all you needed. Each other. Him holding you. Falling asleep in his arms.

The warm sunshine woke you from your well needed rest. The only thing missing was Joey but you figured he just went to check on Scarlet. A quick buzz of your phone drew your attention as the screen lit up.

“Joe Mazzello leaves Oscars in a hurry. What’s actually going on and is there another “hospital visit” in store?”

Normally you would be furious at the press but your worries were easily redirected to the bigger picture. Scarlet. You always knew that dating Joe would bring unnecessary attention to your life but you could care less about the media. Joe was your true love, your soulmate, he was everything to you and more. A little press wasn’t going to change that. Then came marriage and little Scarlet. Everything was falling into place and the media was there to share it the whole time. Even when the press angered you, Joe was there to remind you that nothing else mattered to him but you. Only you.

After browsing through the various press releases about your husband and his ‘dramatic’ exit, you finally brought yourself to stumble out of bed. Not so gracefully throwing on one of Joe’s hoodies, you made your way down the hall to Scarlet’s room only to find your adorable husband asleep while swaddling your precious little one. Their snores, although cute, bounced off the walls into an echo. You couldn’t help but laugh. Scarlet was a perfect mix of you both but she has the best of Joe’s personality. You threw on a fuzzy blanket over Joey’s legs and cracked the door open ever so slightly, trying to avoid waking your sleepy family.

You threw yourself into your husband’s spot on the couch and clicked on one of the movies Joe always kept in the dvd player, “It’s a Wonderful Life”. It was always one of your favorites but Joe opened a new view of the movie to you. His experience with film making and acting always made movies so much more magical to you. Visiting on set, dress rehearsals, press tours, everything that went along with the movie was a new experience. You always tried your best to have these experiences with Joe. Undrafted was the first time you both got the chance to do it together as a married couple. He always took you with him for interviews, showings, even most of the filming days.

A familiar buzz took you from the memory as you glanced to the coffee table, it was Gwilym.

Morning Y/N, I tried to reach Joe but didn’t get an answer. We were all just wondering if you all would like to go out for some tea later, say about noon? We both know how much Joe loves a good afternoon tea, or literally anytime he can have it. It’s just a little something for us to show our support, plus it’s been a while and we’d love to catch up! Kisses to Scarlet for me! X

You were very quick to reply. Whenever you could hang out with the gang, you always took the invitation. Plus Joe could use some quality time with his friends and you really just wanted to take your mind off of things and talk with Lucy.

Of course Gwil! We’d love to. The Huntington Rose Garden Tea Room is our favorite in the area! Please tell me you’re bringing that lovely fiancé of yours, Lucy and I need another girl to talk with.

Yes she is! I take her everywhere after all. She’s dying to meet the little one! Hopefully she’s not feeling to bad. I am so so sorry about everything that’s happened. Just know that we are all here for you guys if you need anything!

Thank you Gwil that’s very kind of you all. See you at noon!

Time felt like it flew by. It was about 10am when you heard footsteps coming from around the corner.

“Good morning my love. Someone felt a little ill so I slept in the rocking chair last night.” he mumbled, rubbing circles into his eyes.

“I saw. All I have to say is how did I get so lucky to have a sexy, multi-talented husband who cares for his child and wife while dropping everything to be with them. You really are my knight in shinning armor Mazzello, you know that?”

His eyes couldn’t leave your face, your body. His gaze grew deeper into yours, falling in love with you more than he ever thought possible. He inched closer to you by the second, his lips soon locked to yours. Joe set the sleepy child into her portable crib he assembled the day before. He swiftly twirled you back into his arms, your lips interlocked again. You pushed him into the couch, quick to hover over him as your touch remained constant. His hands sliding down your back as you inched closer to each other.

“You drive me absolutely insane Y/N.”

“Funny, I was about to say the same thing as you.”

Your touch never left his body, the distance from each of you nonexistent. If it weren’t for the little one right across the room you knew for sure it would have been more than a steamy make out session.

“You’re such a tease Mazzello.”

“I am? Speak for yourself.”

You both fell into simultaneous giggles, your head leaning against his chest as he stroked your hair.

“I could do this everyday. Just you and me. On this couch. But a little more-“

“Watch it Joe. Baby in the room.”

His gaze grew deeper into yours as a smile creeped along his face.

“Well, you already know then don’t you.”

“I have an... idea I suppose.” you said, a wink shooting in your husband direction.

“God the things I could do to you.”

“Joey!”

“What. It’s true.”

“Ugggh, you tease.”

His playful smile soon fell to yours in a slow, passion filled kiss. It was true that Joe always felt like home. Even if it wasn’t New York, whenever you were with Joe you always felt safe. Nothing was ever gonna happen to his favorite girls after all.

“I almost forgot. Gwil texted earlier, invited us to afternoon tea with the whole gang.”

“Your joking.” he said, barely hiding the excitement in his eyes.

“Am not. Told him we’d bring the whole fam. After all, it’s been a while since we’ve taken Scarlet out and it could does us all some good to get out of this apartment.”

“I love you.”

“I love you to Joey.”

He placed a kiss against your forehead as he continued to rub your arm.

“I’m glad you’re here. With me. I don’t know what I would do if I never meet you all those years ago. Tom really did do his magic didn’t he.”

You giggled. Tom Hanks was originally the one who introduced the two of you. You weren’t an actress but he was a family friend and knew about your love for film. He insisted you come to set and even offered you a role as an extra for the end of the shoot.

“I couldn’t Tom. I’m not even an actress.”

“Come on Y/N I know you’d love it!”

As much as you wanted to say no a cute, fiery redhead walking this way had other ideas.

“Oh you have to take the part. A gorgeous girl like you can’t just be sitting on the sidelines. You’d be perfect!” he said, his eyes fighting to stay on yours.

“Y/N this is Joe Mazzello. He plays Eugene.”

Your face instantly flushed a deep shade of pink as you saw Tom’s smile grow from ear to ear out of the corner of your eye.

“I’ll leave you two to talk.”

“So what’s a gorgeous girl like you saying no to Tom Hanks?”

“Oh Tom is just a family friend. I’m no actress.”

“I beg to differ. With that personality you could do anything.”

“Anything?”

He smiled. You could tell that even though he came on strong, deep down he was really shy and judging by the group of men whispering from a far, this seemed to be a big step for him.

“Well I was wondering if uh- you wanted to uh-“ he stumbled over his words, the confidence he had quickly turning into his shy persona again.

“Get coffee sometime?” you giggled.

“Really? You want to go out with me?”

“I don’t see why not. You are very sweet.”

He blushed before your turned to give him your number. Little did you know, that the part Tom has planned for you was to dance with Joe’s character at the end of the final episode. Even though it was cut from the show, Tom had planned for you to meet Joe the whole time. When he spoke at your wedding along side Steven Spielberg, they mentioned how one day they were talking about the two of you and noticed how similar of a chemistry you both had. Ever since then you’ve been together and you both owe it all to those lovely men.

Joe noticed how you were day dreaming. He could only wonder what you could possibly be thinking about. He loved how that intelligent brain of yours worked. When he looked at you again he noticed you dozed off. Considering that you were laying on top of him, he just held you tight, never letting go. He always felt the need to let you know how much he loved you.

You were both soon woken up by the small cries of your ill child from across the room. It hurt you to see Scarlet in such discomfort. Even though she wasn’t throwing up anymore and most of the hard side-effects had worn off by now, you could still tell she wasn’t her best. You grabbed her medicine off the counter and swopped her up to breastfeed. It was only a few more hours before you left and you didn’t want her to be cranky considering it would be the first time you all hung out in a while. You quickly swaddled her before laying back next to Joe to feed her.

“You’re amazing. I honestly don’t know how you do it.” he smiled.

He always knew you would be a fantastic mother. He could tell just by the first time you both spoke about having children, the tone of passion and excitement in your voice.

Joe offered to finish cleaning up Scarlet so you could go and start to get ready. Bless that man. You decided to go with something simple and just throw on some jeans and a comfy sweater. You were just about to leave the bathroom when you looked in the mirror,

“Yikes. Looks like I didn’t get very much sleep last night after all.”

You quickly powdered your faces and threw on some sloppy concealer just to cover your under eyes before heading down the hall to Scarlet’s room.

“Joey honey go get ready, I can get her dressed.”

“I’d love to but you know this is my favorite part.”

You both laughed in unison. It was true, Joe was quite the fashionista when it came to baby clothes.

“Ok well I’m on baby duty when you’re done Mazzello. We are running late.”

“Yes ma’am.”

God he always knew just how to make you laugh.

You swooped the baby from his arms as you pointed to the bedroom door, obviously trying to hold in your giggles. You slowly rocked your little one as you sang one of her favorite songs, trying to get that cute little smile out of her.

I was born to love you

With every single beat of my heart

Yes I was born to take care of you

Every single day of my life

It didn’t take very long for her sweet, gentle eyes to light up across her face.

“How did mommy ever get so lucky to be blessed with you and daddy?”

Little did you know, Joe was standing in the doorway all jazzed up and snapping pictures of the two of you.

“Have you been there the whole time?”

“Most of it. We’re gonna be late but I could stand here and watch you all day.” he giggled, a tear running from his eye.

“Aww love, don’t cry.” tears were quickly forming in your eyes.

“You both are just so incredible. I don’t know who i’d be without you.”

He encased you in his arms, his chin resting on your head while one hand wrapped around your waist and the other on Scarlet’s head. You wish the moments like these could last forever. While you rushed out the door and got Scarlet all situated in her car seat, Joe made sure that everything you might need was in her diaper bag and quickly followed you.

It was about a 45 minute drive to the tea room and Scarlet slept for most of the car ride, although both Joe and your singing might have woken her up a few times. Thankfully she was in a great mood.

“I’m so glad we get to do this. I know how much you’ve wanted to do something like this since the diagnosis.”

“I’m just glad I get to do it with you. I couldn’t have asked for a better partner to spend the rest of my life with.” the tears slowly began to fill your eyes.

“Aww baby don’t cry. I know it’s been tough but I will always be here every step of the way, through everything, not just this.”

“I love everything about you Joey. Even your snores no matter how many times I have to nudge you at night.” Your tears soon turned to laughter before you both got out of the car.

The paparazzi had been following your car for the past 15 minutes so you already knew what to expect. Joe had quickly unbuckled Scarlet and swaddled her in the blanket before he came around the car to grab your hand. Thankfully Ben had come outside to help escort you both past the outrageous amount of cameras.

“Seems like you three are quite the popular bunch.” Ben joked.

“To bad it’s just to find out about if we are doing our jobs as parents right.” you muttered.

Joe placed his hand against your low back, slowing rubbing up and down.

“Are you crazy? Obviously you both are the best parents. Everyone knows it, even the paps.” Gwil chimed in.

“Uggh it’s just frustrating. I know i’m not supposed to care what they think but this is mine and Joe’s child they are talking about.”

Joe could tell you were getting upset just by the way you were holding his hand.

“Why don’t we go find our table yeah?” Joe implied, looking to Ben.

Ben noticed what Joe was trying to do.

“Hey Y/N/N, you mind if I pull Joe aside really quick.” Ben asked.

“You don’t have to ask silly.” you smiled, taking the baby from Joe’s arms.

“Besides I think everyone is dying to see Scarlet anyway.”

As you walked away from the two handsome men, you were greeted by Rami, Lucy and Gwilym’s fiancé who you had met a couple times before.

“Oh my gosh Y/N has she grow already since the last time we saw her? It’s only been a few weeks!” Lucy exclaimed.

“I know she is growing like crazy lately. It makes mommy a little sad doesn’t it sweetie.” you say, as you direct your attention to your daughter who Gwil was now holding.

“She better stop growing, otherwise I won’t get to call her my little squirt anymore!” Rami laughed while Lucy nudged his arm playfully.

You noticed that Joe had been gone for a while now and it was starting to worry you. What could he possibly be planning? Was he ok? Your anxiety was starting to get the best of you after the encounter you had not long before.

“Excuse me for just a moment, I’m gonna go to the ladies room. Lu do you mind watching Scarlet for a minute?” you said as your worried expression was painted across your face.

“Sure love! Scarlet loves her auntie Lucy time huh little one?” she said as she let your little one hold her finger.

As you got up Gwil noticed a tear running down your cheek. He looked to his fiancé with a concerned look on his face,

“Love would you go check on her? I think she’s having a rough time with all of this.”

Gwil had told her about everything Joe had said the night before so she was somewhat caught up to speed.

“Of course, I can’t imagine any of this being easy for them.”

Just as she began to walk away Joe and Ben had entered the private room to join the rest of the group. Joe scanned the room for you after noticing Scarlet was with Lucy.

“Where’s Y/N?”

“Oh she just went to the restroom, she should be back in a second.” Lucy said, but something still seemed a little off to Joe considering the way you stayed close to him earlier.

“Joe-“ Gwil whispered, trying to get Joe’s attention.

He looked to Gwil instantly. Maybe he knew something?

“I noticed Y/N starting to get upset before she left so my fiancé went to check on her. Is everything all right?”

Joe hesitated. He didn’t know if he should tell him or not but Gwil was one of his best friends and Rami and Ben already knew.

“She’s been having a rough time. Her anxiety hasn’t been the best lately and it’s been hard for us with the whole diagnosis and all.” He looked to Scarlet, holding in whatever tears he had left.

“Joe I- I had no idea man. I’m sorry.” he could tell Gwil felt bad for asking, it was a touchy subject after all.

“No Gwil it’s ok. We appreciate everything all of you have done for us. It’s been hard and it’s not going to get any easier but with all of you supporting us it’s been very helpful. We can’t thank you guys enough.”

He smiled resting his hand on Gwil’s shoulder.

“I’m gonna go check on Y/N and see if she’s alright.”

Joe couldn’t get up from his seat any faster, his worries about you growing with every step.

You heard a knock on the door as you were crying into Gwilym’s fiancé’s shoulder.

“Who is it?” she said, trying to hand you more tissues.

“It’s Joe. Honey are you okay?”

You looked up from her shoulder.

“Baby please come in.” you managed to spit out between sobs.

He swiftly opened the door encasing you in his arms.

“Love oh no. Are you alright?”

“I’ll give you some privacy.” she said before leaving the room.

“Joe I thought I could do this. I really did. It’s just so much all at once and with the paparazzi and all eyes are on us right now. It’s just a lot. I don’t want to leave, I want to be here with our friends but I just needed a minute. I’m sorry i’m such a mess, you shouldn’t have to deal with this.”

“Y/N/N don’t you ever say something like that. Don’t apologize for something you can’t control love. I want to be here for you. I want YOU. You are the only thing I care about right now.”

His words comforted you along with his warm touch. You needed him so bad right now and you couldn’t understand why. It only took you a couple more minutes to calm down from your anxiety attack. Joe always knew how to help you through them. You pulled yourself together and Joe held your hand as he guided you both back to the table.

“Sorry for that. Just needed a moment.” you apologized.

“No need to apologize Y/N. We’re all here for you guys.” Ben explained.

It was obvious that everyone knew what was going on by now and an instant relief flew through your body. Everyone important to you both knew. Now the only thing left was the world but it’s definitely not the time for that. You smiled over to Gwil’s fiancé and mouthed a quick ‘thank you’ as she smiled.

“So how has everyone been? I know everyone has been quite busy lately.” you pointed out.

“Well 6 Underground has been a blast! We’re almost wrapped too! One production is finished you bet i’m gonna be at your house all the time to watch that little one of yours.” Ben winked to you, something seemed a little suspicious but you couldn’t quite put a finger on it yet.

“And I’ve just done a finally press tour for Top End Wedding! Movie weddings are fun and all but I can’t wait to experience the real thing soon.” Gwil smiled as he wrapped his arm around his fiancé.

“Rami and I have been doing a lot of traveling lately. See the world together. It’s been great fun.” Lucy turned to kiss Rami on the cheek.

“That’s fantastic! We’re glad you all are doing so well. We missed you guys like crazy.” you laughed.

“We missed you guys too. Especially last night.” Rami explained.

“Congratulations by the way Mr. Academy Award winner.” Joe nudged his shoulder.

“You could say that. I couldn’t have done it without all of you. Even you little squirt.” Rami smiled, looking to the small child resting in his girlfriends arms. He tickled the little girl until her giggles flooded the room causing everyone to laugh along.

You adored how much everyone loved Scarlet. There was never a doubt in your mind that they wouldn’t love her even if she was born right before BoRhap’s big premiere.

The rest of the afternoon was wonderful. Everyone chatted about what was going on in their lives and all the new upcoming projects. Scarlet was definitely getting all the attention no doubt. Everyone insisted on holding her and giving her all the cuddles in the world. It was way past her nap time so when she fell asleep in Ben’s arms he looked a little scared.

“Uhh Joe mate. What did I do?”

“Nothing Ben.” he said while everyone continued to laugh,

“She just fell asleep. It’s way past her first nap.”

Joe took her from Ben to relieve him of his baby duties while everyone else finished their tea and conversations.

It wasn’t long after that when everyone said their goodbyes and loved on your little one for the last time. Except for Ben. Something was definitely going on. Maybe this was what he pulled Joe aside for?

As the paparazzi scrambled to photograph everyone leaving, there was one in particular trying to catch shots of your little one before Ben got into the car.

“Hey buzz off mate. Don’t you know what boundaries are?” Ben threatened the man still shoving his camera towards your child’s face.

Joe was quick to step in, keeping you close behind him before helping you into the car after Ben had Scarlet situated.

“Babe what’s going on?” you questioned, puzzled by the blonde sitting directly behind you.

“I may have a little something up my sleeve planned for tonight.”

Your puzzled expression quickly grew into a smile. He always planned the best surprises.

“Oh is that so?” you teased, having an idea of what might happen tonight.

“What can I say. I’m full of surprises.”

“You don’t fool me one bit Mazzello.”

He smiled at you placing a kiss to your lips before getting into his side of the car.

On your way home, you noticed that Joe had missed the exit to go back to Ben’s hotel. You figured that was on purpose based upon the quiet giggles and smirks the two men had exchanged while passing it.

“What in the world are you two planning?”

“What are you talking about Y/N? I just asked Joe if he could drive me back to your apartment because I forgot some stuff there.” Ben explained, but something still seemed suspicious.

If Ben really had left something there, wouldn’t he have texted Joe about it before we left?

“If you say so.” you smirked.

This left the boys with a puzzled look on their faces. Did you already know what they had planned?

By the time you drove into the driveway, Scarlet was already asleep for her late nap so Ben had no problems switching her from the car seat to his arms. Joe helped you out of your side of the car and his hand quickly interlocked with yours as you both followed not to far behind Ben and the baby.

When everyone went inside, you noticed a suitcase had already been packed and was sitting by the front door. Trying to avoid anymore questions you simply just plopped down on the couch and flicked on one of your favorite tv programs.

“Babe I’m just gonna uh- grab something really quick i’ll be back.” Joe fumbled over his words as he looked to Ben.

He swiftly stammered down the hall and Ben day himself next to you on the couch.

“Any plans for tonight?” he said with an anxious tone to his voice.

“Nothing that I know of. Just another night in.”

Ben was quick to react to your words, a smile plastered across his face just as you said them.

You hadn’t even noticed Joe had come back into the room until you felt his warm touch slide across your arm.

“Love wanna come with me for a drive? I have to run and go pick something up.” he stuttered.

“Where to?”

“Oh it’s nothing just a few errands. Ben can watch the baby right?”

“Oh sure, I don’t see why not.”

You could clearly see right through Ben. He knew something you didn’t.

“Is love to go babe. After all your next project is coming up soon.”

Joe swiped the keys off the counter as you quickly went over to give Scarlet hugs.

“Momma will be back later ok sweetie. We love you.” you said as you kissed her forehead.

Just as you were walking out the door you noticed Joe grab the suitcase that was still sitting by the front door. He not so secretly threw it in the back of the car before helping you into your seat. He swiftly ran around the car and jumped into the driver’s side before handing you the aux cord.

“Anything you want love.” he offered.

“Anything?” you teased, hoping he might have an idea of the song you would pick.

You clicked on your favorite Elton John song The One and a smile lit up across Joe’s face. You always sing this to him when he is feeling down or upset about something because it perfectly describe what Joe is to you.

When stars collide like you and I

No shadows block the sun

You’re all I’ve ever needed

Baby you’re the one

The whole way to this “errand run” was filled with all your favorite artists and songs. The only thing that confused you was when Joe changed one of he songs that came on, Get Down, Make Love by Queen. He never said changes songs from your playlists ESPECIALLY Queen songs because he knows they are one of your favorites.

“Something wrong love?” you asked, your hand soon laying on his. You couldn’t take it anymore, What in the world was going on?

“Joe what’s going on? You’ve been acting weird since we left the tea room today.”

“Nothing. It’s uh- a surprise.”

Just as he said that, you pulled into the most fabulous hotel covered in golden, bright lights and fancy architecture.

“You didn’t.”

“I told you I had something up my sleeve.” he smirked, shooting a sly wink in your direction.

“So I’m guessing that’s what the suitcase is for?” you giggled.

“I may have called someone to pack us a bag.”

“And Ben? Is this why he pulled you aside earlier?”

“He asked if we wanted a day just for us so I called and made some reservations.”

“Well you did a damn good job of hiding it Mazzello. It’s almost like you’re an actor or something.”

You both flooded the car with laughter.

“Almost huh?”

You both got out of the car and Joe grabbed the suitcase out of the back before grabbing your waist to twirl you around.

“A night all to ourselves!” you screamed.

Don’t get me wrong you both love Scarlet with everything you have but it’s been so long since you’ve both had the night alone.

“After you my love.” Joe said, gesturing you inside as he held the door.

His hand never left your side the whole time, constantly keeping his touch to your body known.

“I have a reservation under Mazzello.”

The lady shot you a quick, jealous look before bringing her eyes back to Joe.

“Of course. Top floor.”

“Top floor! Joe I-“ you loudly tried to whisper to Joe.

“Hey. No ruining the surprise before we get up there.”

“What do you mean? I thought this was the surprise?”

“Oh like all I was gonna do was take you to a fancy hotel for the night. Someone has to make up for this morning.” he teased before placing a sweet kiss against your lips.

“What do you mean-“ Then it hit you.

“Oh so that’s what’s going on here. Let’s just say we’re gonna have a fun night then.” you teased right back.

When you walked into the gigantic room, or should you say suite, your mind was blown.

“Joe this is absolutely gorgeous! How did you even find this place?”

“Let’s just say a friend recommended it to me.”

“Ben?”

“Nooooooo.” he said trying not to laugh, but it was pretty obvious by then.

Then you noticed the bed. Boy was that gonna be some fun later. It was blanketed in hundreds of rose petals, all which were making the room smell incredible.

“You’ve really outdone yourself here Joe. You didn’t have to do all this for me.”

“I did. You’re my wife and I love every inch of you, you’ll find out just how much later.” he winked, god he drove you absolutely insane.

“Oh will I?”

He nodded before swooping you off your feet and pinning you against the bed.

“Why wait?”

He lifted you up before you grabbed his shirt and threw it off his body. His lips pressed against yours, slowly making their way down to your neck.

“You wouldn’t happen to need this would you?” he said pointing to your shirt.

Your face quick to say no as your hands continued to entangle in Joe’s fluffy red hair. His hands make their way down to your waist when you feel your pants become loose as Joe pulls them off.

“Little eager are we?”

“With all the teasing that happened today? Most definitely.” he said, your hot bodies resting against each other.

Your panties became so wet after that comment, that burning sensation you needed from your husband pounding you against the bed. You went to slide them off before Joe stopped you.

“No No. Those are for me.”

His hands soon met your waist again after trailing their way from your breasts, pulling off your filthy, wet garments. His hand brushing the inside of your thigh, the throbbing from your desperate clit increasing. You pulled him closer, his chest against yours.

“Give me your best Mazzello.”

“Don’t I always.” he smirked before whipping out his long length.

He gave it a few pumps before brushing it against your folds, pushing into your chamber. He covered your mouth to hide your loud moans, his soon to follow. He slowly pumped himself into you, easing you into your orgasm. Your nails digging deeper into Joe’s back.

“Babe your so tight around me.” Your moans now louder as he increased his speed, rocking the bed against the wall.

“Joe i’m so close.”

“Cum for me baby.”

His words sent you over the edge as you hit the peak of your high, his thrusts slowing to string you along through it. His lips meeting yours as he made his way down to your neck, sucking a purple mark into it. His hands had you pinned to the bed, his length still pumping into your slick folds. You roll over on top of him, guiding him into his orgasm. You loved the way you felt when his cum filled you up. Both of you breathing heavy as you come down from your highs. You throw yourself back down next to him on the bed.

“That was incredible.”

“Let’s never wait this long again.” he smiled.

“Round two?” you begged as your eyes met his.

“As much as I would love to fuck you all night, I had more planned for tonight.” You smiled as your hand brushed his cheek, your lips placing a kiss upon it.

“You’re absolutely perfect. You drive me insane and I can’t wait to spend the rest of my life with you.” You slowly intertwined your legs with his, your head falling upon his chest as you hear the steady beat of his heart grow quick.

“I don’t know how I ever lived my life without you.” He placed a tender kiss against your scalp.

You pushed yourself off the bed and wandered over to the suitcase that barely made it through the door. Quickly rummaging through it, you found one of your favorite dresses to wear on date night. It was a short cocktail dress that flowed just above the knees and hung off your shoulders, the entire dress then blanketed in a thin lace. Not only was it your favorite, but Joe’s too.

“Such a fancy dress, what’s the occasion?

“You’ll find out.” he smirked before approaching you, twirling you into his arms, his hold on you ever so tight.

You shuffled to the bathroom to throw on your outfit with the strappy heels that were pack for you along with some subtle makeup. You weren’t one to go all out with your makeup but considering how the night was going so far, you wanted to make it special.

By the time you were done getting ready Joe had already changed into your favorite dress shirt of his with black slacks, your clutch in his hand ready for you to grab.

“After you my love.” he gestured towards the door.

You barely made it out the door before he smacked your ass and you giggled like a little school girl.

“Joseph!”

“What? You’re such a tease little lady! I can’t help myself.”

He ended up taking you to The Grove first so you could pick up a few books that Joe had noticed you had wanted over the past few weeks and then to one of your favorite clothing stores in LA.

“Joe this is too much. I don’t deserve all this.”

“Are you crazy! Not only are you the most incredible human being, but you are the most amazing mother and wife through all of these unfortunate events happening to us lately. I owe you the world love.” His words sent you to tears, your head falling against his chest.

“Joe I-“ he left you speechless, his hand gently rubbing your back as the other played with your hair. His lips fell to yours, falling deeper in love with him by the second.

Dinner was next on his agenda and he took you to the most gorgeous and lavish restaurant in town. You hadn’t even noticed that the paparazzi had been following the two of you around until Joe had to tell them off a couple of times while leaving the place.

Your night ended with a steamy shower session and throwing on some of Joe’s pjs before hoping into bed.

“Today was absolutely incredible babe. Thank you so much.” you pleaded, your head deep into one of the new books Joe had bought you earlier.

He plopped himself into the spot next to you, his arm quickly wrapped around you.

“You deserve it my love. You deserve it all.” He turned to place a kiss against your temple before you met him in the middle, your lips pressing against his, falling deeper by the minute. You could have fell asleep lying against him until your phone vibrated against the side table.

“Joe Mazzello and wife Y/N Mazzello seen without the little one. Are they abandoning their sick baby just for a fun night out on the town?”

A tear fell from you eyes as Joe sat up from his position on the bed.

“That’s it! We need to tell the world Y/N. I’m sick of everyone bashing us, bashing you, for something that they don’t even know about.”

“I agree. The world needs to know, but how are we supposed to tell them?” Your words calmed him as you both laid back into the heart shaped bed, your head resting against his chest. You could feel the pacing rise and fall of his chest.

“We are going to figure this out Joey. Everything will be ok.”

He looked to you before breaking down, tears slipping from his cheeks. He wasn’t crying from sadness though, it was almost a relief for him. The world needed to find out, and it was going to be soon.

Taglist:

@onehystericalqueeen @sevenseasofky @queens-n-roses @soberandfurious @toger-raylor @sincereleygmg @mrsmazzello @myfreakydeaky @readdyyfreddie @mr-stank-i-dont-feel-so-dank @misterbrianmay @heartsarecompatible @ixchel-9275 @benmeadowstaylor @slutfordeacy-mazello @winnielinleigh @everybodyplaythegame @radioxtaylor @deakyspuff @okiegirl24 @imagines-xxx @classypaintercolorcowboy @super-heros-are-my-life @brookecarney1 @florenceivy @rogersradio

Thank you all for being so patient!! I have school testing for the next month so I’ve been slammed. I hope you all enjoyed!❤️ Don't forget that my requests are ALWAYS open!!

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thatpleasantnightmare · 6 years ago

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The Pacific - Part One.

• ok so I haven't watched it in a long time

• like 2 years ? Ok no maybe a year and a half

• and I just did my eyebrows so my eyes are tearing up already

• ok so part one here we g o

• the M U S I C

• brings back so much memories

• don't cry already, jesus Clem

• Spielberg and Hanks better give us something new ASAP

• ok here we go. Starting with cutie Leckie.

• better pray for your ass to come back home in one piece

• Vera is so cute. Leckie so smooth

• " Maybe I'll right ya " what a c u t i e

• BASILONE more like BOLOGNA

• Jon Bernthal my precious baby

• Quick stop here. I have to admit I didn't knew much about the war in the Pacific before watching this show bc poor learning about this part of WWII in our history books. My grandpa was in the Marines but fought on the European side ( big part of why I love BoB so much ) in the Free French Army. OK I'll stop there but History is my FREAKING passion and I love realising how much I learned bc of this show.

• Baby Basilic. I'm already crying

• HOLD YOUR LOVED ONE DEARLY

• Italian family clichés™

• John's brother speech has me tearing up

• " Just get the job done and get back to us " I'm not crying you are

• SALUTE

• John's dad grabbing his hand is everything

• You always got the worrying mama but there's this ITALIAN papa saying so much to his son just by looking at him and grabbing his hand

• POWERFUL SCENE.

• Also big difference with Leckie and his dad relationship

• Speaking of which

• This scene angered me so much

• Your son is going to war and all you can talk about is your C A R?!

• I know dads are complicated but jesus a HANDSHAKE ? This one would have had regrets all his life if Leckie didn't came back

• I love the transition between John/Robert/Eugene. Through their relationship with their dads.

• Do I have to say that Joe Mazzello is a cutie ? Nah , you already knew that

• My poor baby don't cry. Here's a cuddle.

• " Gene, Supper is ready " " F U " *Bicycle by Queen starts to play*

• " DEACON you stay " well well well

• *Bicycle starts to fade as Another One Bites the Dust starts*

• Hey Siiiiid

• I Love their relationship. I have a best friend I've known for 21 years and you're wrong if you think that I wouldn't fight an entire country's army if someone lays a finger on her.

• *WHISPERING LOUDLY* IS THAT THE BAD GUY FROM WOLVERINE?

• Japanese clichés™ jesus

• The fear in their eyes wow

• " Welcome to Guadelcanal ! "

• This beach's empty , Y E E T

• Let's share oranges and coconuts

• Can we talk about the island ?

• Tropical paradise

• That's a place for holidays not for war

• Not the perfect weather though

• Makes me think about Forrest Gump in Vietnam?

• First victim of the war , the guy who wanted to pee.

• Comparison with BoB though

• The ship getting bombed at , same colors as that Holland's city getting bombed

• " like the 4th of July " BASTOGNE PTSD COMIN' RIGHT UP

• " Bon Voyage " yeaaah me likey you speak my language

• Strikers looking good

• BOOM

• Can you imagine fighting in the dark though ?

• Can't see s h i t

• All I can say is

• There's a thin line between being brave and being suicidal. That's all about it with the Japanese soldiers

• I HATE that scene with the Americans "toying" with the remaining Japanese soldier. That's just cruelty.

• I mean I don't get war in the first place but messing with someone's life like that.

• This man just lost everything ; his comrades, his company have been e r a s e d, he's the last one standing , but mostly , he just lost his freedom.

• I think I would have done the same as Leckie

• End this poor man's suffering

• " Yes madam I am a Corporal " the nerves

• This picture gets me. The doll got me crying.

• Despite the differences, they all had families and loved one to come back home to

• NCO LASAGNA " Screwing your girlfriend " ooOOOOHHhhh

• " I have a girlfriend ? Lucky me ! "

• " Can I be your date ? " " You are ugly , I want Hoosier " " Hey , take a number " The men's man.

• Eugene's letter awww

• Happy birthday dear Phillipsss

• How fucked are you knowwww

Up to Part Two we go ! Feedbacks?

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midcing · 6 years ago

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okay so i have some New Kids.... they are all trash but some of them are trying their best which should honestly count for something imho... i’ll probably bring some more muses in at some point during this week bc i legit have 25 apps in my drafts right now and i just didn’t apply for all at once bc didn’t want to overwhelm myself... honestly tho? i want all the plots.... so like... pls like this and i’ll im you or come to me throwing ideas at my face so we plot and have some connections and threads ?? love my new trash sons pls ?? thanks !

JAMES WEST looks an awful lot like CHARLIE WEBER. HE is THIRTY NINE and while they’re LOGICAL, they have a tendency to get pretty CONTRARY. You’ve probably seen them around Kola listening to POLARIZE by TWENTYONEPILOTS.

inspired by ;; frank delfino from htgawm, walter white from breaking bad and jaime lannister from game of thrones.

a lawyer

has 2 daughters.

would probably start a war for both of them if they asked him to.

thinks his daughters are angels who can do no wrong. if he saw them murdering someone in front of him, he would probably come up with a reason why they were doing it and defend them which isn’t great bc they are both like wild kids who are not actual angels ( wc ?? anyone ?? i’m trash for families ngl )

sketchy morals at best? ? doesn’t think of himself as someone who would do anything wrong but if something wrong is being done for his benefit he is sure as hell not gonna stop it

got into an ivy league school because his father - criminal known for money laundering, corruption, and fraud - donated a huge sum of money to the college. will die pretending he got in on his own merit

the older brother of my character mark west bc i love families sue me

would probably google ‘how to know if i am a dilf’

says thing like ‘lit’ and ‘on fleek’ to relate to the youth

pretends everything is fine until it blows up in his face

wants to much ! a perfect life, a perfect house, a perfect family, a perfect wife, a perfect job ! pretty good ? nah. not good enough for james west. scratch that and start again. everything must be 10/10

wants to be everybody’s dad even tho he isn’t a great dad to his two kids

will make your life choices for you if you let him

will bail you out of jail but only if he is allowed to give you a 3 hour lecture on Responsibility

will logic his way out of moral conundrums

the kind of person that turns a blind eye to corruption if it benefits him in some way

tries his best, which really honestly can only be said about 5% of my characters, so i would give him some credit

if you ask him a question he doesn’t want to answer he will just straight up ignore the question and change the subject

feels guilty about the way his helps criminals and does wrong stuff for his benefit and the benefit of the people he loves but also doesn’t try to change

aesthetics — watching the sunset through the office window, loud alarms playing an hour later than it should, unrecognizable reflection in the mirror, child laughter and the heavy feeling of stress in your chest, hushed whispers of assertions amidst a crowd, old wedding rings saved away after the divorce, big houses and empty space, thousand dollar watches, the smell of jail permanently stuck to a three piece suit, painfully happy memories, ignoring the way guilt makes it hard to breath, arguing in a favor of a guilty party.

FRANK HAMILTON looks an awful lot like DAVID HARBOUR. HE is FORTY ONE and while they’re DEVOTED, they have a tendency to get pretty UNPRINCIPLED. You’ve probably seen them around Kola listening to SEDATED by HOZIER.

inspired by ;; hank from detroit become human and chief hopper from stranger things

tw: gambbling, alcoholism

a mess trying to pass for a functioning human being

he is a dirty cop that accepts bribes to let people off the hook and gets money from gangs to look the other way when he knows they will be doing something wrong somewhere bc he truly cannot bring himself to care

honestly i have no excuses for his behavior

has a huge problem with gambling.

born in kola. lived in kola for almost 30 years. moved out after his marriage fell apart, but has recently moved back

the kind of human being who thinks blood and gasoline are sexy

the kind of person that goes All Fucking Out for things and then when things don’t turn out exactly how he expected them to he makes a fuss about it and goes like “why did i even bother?”

will call you out on your bullshit and then act like people just throw shit at other’s face like that. stare you in the eye after exposing you and ask ‘what?’

says stuff like ‘i might be a shitty person but at least i’m upfront about it’ and ‘i prefer not to get involved in people’s lives.’

there is no such thing as a acquaintances. frank either loves you with all his heart and would kill a man for you OR he hates you and the fact that you are able to talk annoys him

you’ve heard of overachivers ?? well frank is here to present you A True Underachiever. he tries to do the bare minimum amount of work possible

the personification of /r/notmyjob

would probably go to an underground fighting ring for fun

channels his unhappiness into unhealthy habits. drinks too much, smokes too much. doesn’t do anything to change the fact that he is unhappy

gambled his marriage away by which i mean he gambled everything owned away and kept trying to find excuses for it until she was done and left . he still loves her but he feels like shit and he doesn’t wanna drag her back into his shitty life ( wc ? pls ? )

moved away from kola when his marriage ended and went to las vegas. lived there until he got in dept there too and he couldn’t find anywhere else to play then came back to kola

at some point was wide-eyed and hopeful and interested in helping people but slowly became unhappy with how he didn’t go anywhere, didn’t become better, greater, didn’t do more and then slowly things just went to shit

aesthetics — casual cruelty in the name of honesty, cigarette buds collecting on an old ashtray, crumbled dollar bills found between couch cushions, falling asleep at three o’clock and waking up the next day, bloody knuckles, handcuffs and police siren, the smell of alcohol in your breath at ten in the morning, unironed shirts and old cologne, knowing something is wrong but doing it anyway, ignored calls from concerned family members, remembering you have to do something just as it is too late to do it, the thrill in heartbeat when you land a punch in someone’s face, drunk steps stumbling out of the bar, begging people for one more chance.

SEBASTIAN “BASH” VANCOOP looks an awful lot like LIAM PAYNE. HE is TWENTY TWO and while they’re CHARMING, they have a tendency to get pretty SELFISH. You’ve probably seen them around Kola listening to PLAY ME LIKE A VIOLIN by JEREMY.

inspired by ;; hakeem lyon from empire and aaron burr from hamilton

that one sort of famous person that is always shirtless in other famous’ people instagram stories

treats people like things he can use and drop when he gets tired of

fake af. will say he likes you and then shit talk about you behind your back

that one person that goes ‘ooooooooooh you are gonna let them talk like that about you ?? ’ when other people are fighting

only wears prada chanel and gucci

can actually be really nice if you get to know him but how ? when there are three hundred walls up ??

thinks people are gonna take advantage of him or make fun of him so he just doesn’t trust anyone. can’t get betrayed if you never let anyone in right ??

doesn’t understand internet culture

was born in an insanely rich family. his father was a famous movie producer and his mother was a famous movie star. picture like spielberg as his dad and kate winslet as his mom

hates when people say like ‘Oh So You Are [ ]’s son?’

the first movie he was ever in was when he was about 5

he was in a bunch of movies from ages 5 to 12 but it was never really anything big. he was just the main character’s kid or that one kid that doesn’t get much screen time in movies like goonies

he never really liked acting but what else woUld he do ?? look at his family !! look at his legacy !! [ cue ‘wait for it’ from the hamilton soundtrack playing in the background ]

when he was 20 his father produced and directed a movie in which he stared. it was like his first Real role in hollywood action blockbuster. before the movie was out there was this whole hype about him and his dad working together and wow it’ll be awesome but it pretty much bombed. picture like After Earth bomb. everyone shit talking about him and the movie and how dumb it is on youtube bomb. the movie doesn’t get money to pay for itself bomb.

despite the fact that his parents said it didn’t matter. it was just a bad movie. everyone making fun of him and people shit talking about how he didn’t have his parents’ talent got to him real bad. he stopped acting all together.

his parents keep telling him to Do Something but he just doesn’t

is living in kola bc LA is a dumb of reminder of everything he thinks he did wrong

aesthetics — the blinding lights of camera flashes, the light feeling of being drunk, loud songs blaring through club speakers, interviews stopped halfway through, rude comments and anger, crowded parties in expensive summer homes, the overwhelming feeling in your chest when someone gets too close to fast, feigned charm and stranger’s company, running out of things to say after you have known someone for a while, wasted champagne dripping off a tilted bottle and loud laughter coming from the other room, the slow but continues pain in your heart that reminds you you are disappointment.

MATTHEW “MATTEO” DECKER looks an awful lot like JON BERNTHAL. HE is FORTY TWO and while they’re WILLFUL, they have a tendency to get pretty BLUNT. You’ve probably seen them around Kola listening to SEVEN NATION ARMY by THE WHITE STRIPES.

inspired by ;; frank castle from daredevil, frank castle from the punshiner, frank castle from the born comics series. ( they are three different people, fight me ) seeley booth from bones in season five

tw: alcoholism, ptsd, mention of army, and war

former us marine

mostly goes by decker. his family used to calls him matteo but when other people do it it’s like .. “no”

you have been heard of resting bitch face ? matteo is here to show you the resting i fucking hate you face

swears too much like Wayy too much

he can be honestly really fucking soft i’m ngl but then you gotta be that one person that breaks down walls and again ? who has the time for that ? in the twenty first century?

wants to take care of everyone but pretends he is not interested in people bc he “Knows” everyone is gonna die or leave so there is no fucking point

actually just pretends he isn’t The Absolute Softest for everyone and tries to keep them all at arm's length but then people say ‘hi’ and are nice to him and he is like ‘Fuck me now i like them’

can actually laugh and make jokes which is Impressive imo

but then goes back to being bitter and angry at life

too straight up about things : could heavenly benefit from learning how to read social cues

you have to Tell him things if you want him to understand it. you can’t go around dropping hints. he won’t get it.

drinks his coffee black and without sugar

enlisted when he was eighteen bc patriotism and american dream and red white and blue stars but then that slowly stopped being the point. then he was just doing it bc He had been doing that for years what else would he do ? and then at some point he just saw too much … and then when he was discharged he just Never came back

after he came back he couldn’t find a job and he didn’t know what else to do and he slowly started getting involved with shady stuff and now he sells drugs to pay the bills

disappointed in who he is right now.

he is honestly Trying his very best.

aesthetics — punching a wall until your hands stings and your chest doesn’t anymore, the pleasant light feeling of holding back laughter, completed tasks and unachievable peace of mind, low chatter in dive bars in dark parts of town, questioning your belief system, roadside motels and failing neon lights, moonlight coming through the bedroom window, leaving the morning after, combat boots, loud honking cars and shaky hands, fighting the urge to shove someone away when you feel their touch against your skin, quiet places and pleasant loneliness, old dusty books and rock music, waking up multiple times in the middle of the night, whiskey mixed with coffee

OCTAVIANUS BRUNO GENTILLE looks an awful lot like FRANCOIS ARNAUD. HE is THIRTY SIX and while they’re ROMANTIC, they have a tendency to get pretty UNREALISTIC. You’ve probably seen them around Kola listening to SOMEONE NEW by HOZIER.

inspired by ;; jay gatsby from the great gatsby, romeo from romeo and juliet, tom hansen from (500) days of summer, a slam poem i saw on youtube once

tw: bullying, mention of learning disabilities and stutter

romanticized every bad thing that happened in his life.

will romanticize every bad thing that ever happened in your life.

the kind of person that says “things happen for a reason…”

goes by his middle name. honestly thinks his first name is the Most Stupid Thing In The World if you call him octavianus he’ll be legit annoyed. kids used to make fun of him at school all that jazz. just call bruno

he is legit in love with italian culture and history. his father was italian and he just highkey Cannot Shut Up About It

art history professor in kola’s college

the kind of professor that just loves what he is doing… you know when the professor like kinda looks excited that he is talking or sharing knowledge or just talking about shit they truly like ? that is bruno

a nerd but pretends he isn’t

could not do a one night stand without catching feelings if his life depended on it

loves people too much too fast with all his heart

there is an argument to be made for him not actually falling in love with people and just with the idea of love that he made up in his mind but let’s get to that when we get to that

will spend the entire lesson arguing with one student about how inaction in our current political climate is just as harmful as supporting people who are doing harm when he was supposed to be talking about impressionism or something like that

thinks people have a soulmate and he is just trying to find his

100% not only Shows up to slam poetry sessions but Helps organize them

real political. the type of person that rallies when things are wrong and gets others to do it

has too many exes

posts pictures with his current girl/boyfriends on instagram and then doesn’t delete them when they break up bc ‘that’s who i was at that moment’

can recite poetry for you in italian but do not let him trick you. he’ll only be around for the honeymoon phase of the relationship then he’ll be like wow this isn’t perfect. time to end it

loves art !! all type of art !! is terrible at all of it : writing, panting, photography. but he loves it and he does it despite being bad and he tells people to do what they love !! and follow their dreams !!

his parents got a divorce when he was 7 and it was pretty bad. his dad was italian and moved back to italy shortly after. his mother was from kola and he stayed with her.

it was as if his world had fallen apart at that. bruno had never even seen his parents fight and then one day his father just moves out to Another Country he was pretty lost and confused

bruno moved back and forth between italy and the u.s. throughout most of his childhood and adolescence. never spending a lot of time in one place.

though his parents tried to remain friends after the divorce for his sake it never really worked out. his father wanted his mom back while his mother moved on and got married again.

growing up, he had a lot of trouble with accents and language. his father used to speak only italian at home. and his mother used to speak only english.

he developed a learning disability and a stutter after his parents got divorced

kids in school used to make fun of him. the way he talked and his name specially.

doesn’t stutter anymore but when he is talking about something that is hard to talk about, he talks really slowly to make sure the words come out properly

aesthetics — ukulele songs playing softly in a room with echo, piano recitals with ten people in the audience, walking around aimlessly, kissing greek statues, being happy that you are sad because it means that you are alive, cheering on others success, lacking ambition and living the present, old songs hummed in the shower, waking up early and staying in bed until 10am, cuddling under warm blankets, failing in love with a stranger, laughing loudly with new friends, white wine, beautiful paintings in an empty museum, admiring something for way too long,

ANTHONY MILLER looks an awful lot like JOSH DALLAS. HE is THIRTY NINE and while they’re PATIENT, they have a tendency to get pretty SELF-RIGHTEOUS. You’ve probably seen them around Kola listening to JACKIE AND WILSON by HOZIER.

inspired by ;; prince charming from once upon a time, ned stark from game of thrones, bob belcher from bob’s burgers

tw: cancer

cannot talk about his feelings . cannot accept his own mistakes . cannot show weakness . at any point. no matter the subject . cannot let anyone take care of him.

Must be the best at all times for everyone and take care of everyone

self-care is a myth anthony does not believe in

works too much

he needs glasses to read stuff but he pretends he doesn’t so he does that squinting and pulling things close to his face thing. at which point you would probably ask ‘anthony if you don’t want to wear glasses wouldn’t it be easier ? to just ? wear contact lenses ?’ and yes it would it definitely would but anthony likes to make things harder for himself

slow to anger but he has that temper that you literally cannot see coming. he looks serious and stoic and then wow thunderfucking storms breaking chairs and stuff

loves beers and american football

the type of person that says this generation is lost

might smoke too much but he doesn’t talk about that

he doesn’t talk about anything actually

although i love him with all my heart. i would not rec

there is a right way to do stuff and anthony as the holder of all the knowledge and morality Must tell you about it

rarely ever smiles bUT when he does ? smiles like a prince. if we had a royal verse he’d be the king of the entire universe honestly.

he was a oldest child in a family of 7. his parents were super wealthy and he was the One favorite child who both parents used to love and cherish and cheer on.

he got his high school sweetheart pregnant. his parents didn’t want him to marry her bc she was Poor and Not up to standards but he chose love over his family and got disowned for that. hasn’t talked to his family since

his dream life was always to have the perfect picket fence house and american dream type of family. it was supposed to be him, his wife, his son and maybe some day he would have a daughter and it would Be great

he and his wife had a son and they named him hendrix bc she loved rock and jimi hendrix and he loved the name even tho he never liked rock. but honestly ? he was so weak for her he would have loved the name lkgjdflajf if she suggested it

a few months after their first son was born tho she was diagnosed with cancer and a few months later she passed away

after that he raised his son by himself. he really threw himself into it. spent most of his life focused on it and work and now his son is going to college and he doesn’t know what to do with himself

the only person he ever Truly dated was his wife and then he just focused on his son and raising him so he never really allowed himself to date bc then he would have to introduce someone else to his son’s life and all that … sO anthony is usually all cool and fine and then you show romantic interest in him and there is like a visible shift ya know? like he goes from anthony to a truly profoundly awkward person trying to pretend it’s cool

aesthetics — organized work tables, color coded to-do lists, trying your very best at all times, mental exhaustion showing through physical symptoms, dad jokes and laughing by yourself, the smell of new books, comfort found in old libraries, forgetting your reading glasses at home, losing your temper and breaking something, old family photos lost somewhere in the attic, pushing someone else on a swing, sundays afternoons lost at the park, working extra hours instead of going home, cold breeze and hugging yourself to your jacket, trying to explain to someone why they are wrong when they don’t want to listen

#fckit:intro #okay i know some of those got really big but i have already played all of them somewhere else at some point so like #i had already developed them a bit

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shiftyskip · 7 years ago

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Albert Blithe

Albert Blithe was born in Philadelphia, Pennsylvania June 25, 1923. His father was a delivery man and his mother worked in a garment district (not THE garment district in NYC but just a garment district). Blithe grew up as a “thug”. He grew up on the rough side of town and was a troublesome child. His family was very religious, most of them missionaries.

Blithe didn’t like religious views being forced on him and later claimed he was agnostic. He would take the offering money and go gamble.

Blithe graduated high school and instantly went to work in a power plant. Blithe eventually got in so much trouble he had to skip out of town. So he joined the Army.

Although Blithe was one of the original Toccoa men, Blithe’s claim to fame is when he went temporarily blind after Carentan. This is called hysterical blindness. Blithe’s wife believed his story to be true. Winters wrote it as fact as well and said Blithe immediately went back to action after regaining his sight.

Blithe liked to gamble. He ran a little business on it (one that Malarkey probably took advantage of).

Blithe was sent to go advance on a house in a small patrol group. The group was near the house, 25 yards out most likely, when a sniper nailed Blithe.

The show and other record tell that it was the back of his neck that got hit but his son says it was his upper right shoulder, where he’d seen the scar.

Blithe was sent home. He was sent to a hospital in Ashland, West Virginia. There he met Flora Mae. They fell in love quickly.Blithe recovered and reenlisted a year later. Flora and Blithe moved to Texas, where Blithe was stationed.

Blithe, while in Texas, got permission to never salute due to his shoulder being torn up so bad.

In 1948, Flora Mae and Blithe had a daughter named Barbara as Fort Bliss, Texas. They went to Germany for a while then came home. Blithe and Flora Mae divorced around the year of 1951.

Blithe married again in 1957, to Sadie (she prefers Kay). She had been previously married and had two daughters, Sandra and Pinky. They had met on a blind date in North Carolina (Blithe was restartioned there with the 82nd Airborne). Pinky had set them up.

Blithe’s son Gordon was born in 1959.

Blithe was a chronic alcoholic, he drank every day, and gambler after the war. He would work on an hour of sleep most days because he was too busy drinking. He was addicted to alcohol but was a happy drunk. Even though he had his issues, he was described as “Good Time Charlie” and was stated to be fun to be around. He loved taking his wife out to go dancing and took his children to carnivals and beaches. Blithe only talked about the war with his wife, and his son only asked him two questions about the war.

“Did you kill anybody?”

Blithe nodded slowly.

“Were you scared?”

“Yeah of course I was scared.”

Blithe ended up serving in Korea. Blithe was rarely seen without his uniform on. His uniform became a part of him. He earned a silver and bronze star for his actions in Korea.

Blithe and his wife divorced a few years before 1967. She has handled the money situation and let him gamble most of it off.

Blithe died when his son was 8 years old in 1967.

While in Fort Lee, as a parachute-rigger instructor, Blithe had a mini stroke. He was forced into temporary retirement. He regained his strength and took his place back. With 18 months left before his retirement, Blithe was sent to Germany in June, 1967. He was dead on December 17. He died after going to an event at Bastogne, Belgium. He came back feeling ill.

He had a perforated ulcer (literally an untreated stomach ulcer that burns a hole into your digestive hole and stomach, letting everything in your stomach out). He went into surgery the next day but died when his kidneys failed on the table. His son writes that drinking killed his father. “He drank himself to death”.

His death affected his wife greatly and she started drinking more and more. She never got over his death until hers in 1996.

When HBO’s Band of Brothers came out, Albert Blither is shown as dying in 1948. This wasn’t accurate and his son fought tooth and nail to get it fixed. His son got letters from Tom Hanks and Steven Spielberg, apologizing for getting the facts wrong. Bill Guarnere and Babe Heffron believed they attended Blithe’s funeral in 1948, but later recalled him serving in Korea. Even Winters corrected the story in his memior. Many people harassed his son and sent him messages demanding proof and then still not believing him when it was shown.

His son never contacted Guarnere or Heffron but got the story changed to it’s true ending.

#albert blithe #band of brothers #profiles

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afternoonspeaker-2021-1 · 4 years ago

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Twist 那個油罐車竟然是實景拍攝

電影

Crew Stories 昨天上午11:41 ·

On this day in 1996 Twister was released "That's no moon, it's a space station!" Tom Hanks was the original choice for the role of Bill Harding. Hanks read lines with the cast and even chose the character's wardrobe, which stayed in the final film, before dropping out. Kurt Russell and Michael Keaton were other possible considerations. Bill Paxton was chosen due to his "southern everyman charm" on a recommendation from director James Cameron. Another James Cameron connection is the name on the tanker truck that pushes Bill's pickup off of the tree is "Benthic Petroleum" which is the same oil company that Ed Harris' crew works for in The Abyss (1989). The base camp (where the crew trucks and equipment are staged) for the end sequence was at a pig farm down the road from the well-house. Every morning the cast and crew were greeted by the smell of a 2-acre pig-waste holding pond in the middle of all the trucks. 2nd AD Richard Oswald shared with us that the legendary Newt Arnold, was the 1st AD would do a loud Tarzan howl when camera was ready! During the hot summer shoot the crew went thru tons of Gold Bond for their “nether region” during dustings at lunch. Crew stories member Jeff Machit shared this anecdote about his experience on the film, my favorite Twister moment. “We’re working in the middle of tornado alley during the middle of tornado season. Many of the crew were concerned about what to do if we were threatened by a real twister. Production brought in the local TV weather man to reassure us. He told us not to worry as we have an on site Doppler radar. The radar would give us a 15 minute warning. He also reassured us that there were two helicopters standing by to evacuate all the above-the-line personnel. The rest of crew should find a ditch to jump into.” Some crew members, feeling that De Bont was "out of control", left the production five weeks into filming. The camera crew led by cinematographer Don Burgess ASC claimed De Bont "didn't know what he wanted till he saw it. He would shoot one direction, with all the equipment behind the view of the camera, and then he'd want to shoot in the other direction right away and we'd have to move [everything] and he'd get angry that we took too long ... and it was always everybody else's fault, never his". De Bont claims that they had to schedule at least three scenes every day because the weather changed so often, and "Don had trouble adjusting to that". When De Bont threw down a camera assistant in a fit of rage, Burgess and his crew had enough and walked off the set, much to the shock of the cast. I just talked to the AC now a operator and he shared this with us. “Looking back on it, I wish I had the self confidence and awareness to make an official complaint to the studio. But I was 32 years old with two young kids and I was afraid it would affect my ability to find work. Obviously, those were different times.” The camera grip and electric crew remained in place for one more week until cinematographer Jack N. Green's crew agreed to replace them. Unfortunately with just two days left of principal photography Jack Green was injured on stage, a warehouse. The set was built so the second floor would drop. It was very hot and there was air conditioning that was very loud. A test of the floor dropping was going to be done. The 1st AD called it out. Jack was underneath and because of the air conditioning didn’t hear the warning. Jack was instructing lamp operator Matt Hawkins to adjust a light and in doing so moved him out of harms way. Unfortunately for Jack the dropping floor hit him injuring his back. Jack spent some time in the hospital. Jan De Bont took over cinematography duties for the remainder of the shoot. Halfway through filming, both Bill Paxton and Helen Hunt were temporarily blinded by bright electronic lamps used to make the sky behind the two actors look dark and stormy. Paxton remembers that "these things literally sunburned our eyeballs. I got back to my room, I couldn't see". To solve the problem, a Plexiglas filter was placed in front of the

beams. The actors took eye drops and wore special glasses for a few days to recuperate. After filming in a particularly unsanitary ditch (for the first tornado chase scene, in which Bill and Jo are forced to shelter from an approaching F1 tornado under a short bridge), Hunt and Paxton needed hepatitis shots. During the same sequence, Hunt repeatedly hit her head on a low wooden bridge, so exhausted from the demanding shoot that she stood up so quickly her head struck a beam. During one stunt in which Hunt opened the door of a vehicle speeding through a cornfield, she momentarily let go of the door and it struck her on the side of the head. Some sources claim she received a concussion in the incident. De Bont said, "I love Helen to death, but you know, she can be also a little bit clumsy. " She responded, "Clumsy? The guy burned my retinas, but I'm clumsy ... I thought I was a good sport. I don't know ultimately if Jan chalks me up as that or not, but one would hope so". To simulate the high speed winds that occurs during a tornado and Ritter fans weren’t enough special effects Legend John Frazier and his effects crew (the real heroes of this production) procured some jet engines from a Boeing 707 and mounted them to flatbed trailer! This crew pulled off some pretty epic stuff on this one from dropping tractors from cranes and helicopters to driving a truck thru the facade of a tumbling house! The instrument package used in the movie, "Dorothy", is an homage to the instrument pack real tornado researchers attempt to place in the paths of tornadoes, "T.O.T.O.". Lois Smith's character is reading Dante Alighieri's Inferno when the twister hits Wakita. The book also features a tornado in the second circle of Hell that punishes people ruled by Lust. After the team leaves Wakita, there is a seemingly impossible helicopter shot in which the camera descends several hundred feet in a matter of seconds, ending up mere feet from Jonas's convoy. This was achieved by having the cars drive slower than usual and then speeding up the film. A recording of a camel's moan was slowed down and used as the sound of the tornado. Although Amblin Entertainment has collaborated with both Warner Bros. and Universal on many occasions (Amblin co-founder Steven Spielberg directed films for both studios), as of 2014, this film marks the only time Amblin collaborated with both studios on the same film. The real town of Wakita, Oklahoma had part of its old downtown area demolished by the film crew for the scenes after the twister passes. The studio then paid for the downtown to be rebuilt. The town also kept the new fire truck used in the film De Bont insisted on using multiple cameras, which led to the exposure of 1,300,000 feet (400,000 m) of film, compared to the usual maximum of 300,000 feet (91,000 m). The 35mm short ends were used to shoot Jon Favreau’s SWINGERS. pre production in Oklahoma was briefly delayed due to the bombing of the Alfred P. Murrah Federal Building in Oklahoma City on April 19, 1995. Many of the crew went to the site to help with recovery efforts. This was the first movie released on DVD, and the last released on HD-DVD. After Bill Paxton died, Spotter Network choreographed 200 storm chasers to spell out "BP" with their GPS tracker blips on a radar display to honor him. This kind of tribute had only been done five times before, and it was the first time it had been done for someone who wasn't a storm chaser. (IMDb/Wikipedia/crew stories) some photos from Sound utility and crew stories member Robert K. Maxfield and Paxtonmobile by Mel Roswell,excerpts from a previous post from Matt Hawkins, Jim Plannette, Richard Oswald If you recognize any crew members comment so we may update. A special Thank you to every crew member that endured this production, you were deep in the suck and it was worth it! These kinds of popcorn movies inspired many of us to pursue a career in the filmmaking process.

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