#haley bishop

[lowkeyed1]

stills from flashback on netflix with amar chadha patel and haley bishop

[brokehorrorfan]

Sinphony: A Clubhouse Horror Anthology will be released on DVD on November 29 via Dark Sky Films. Conceived entirely on the social media platform Clubhouse, the 2022 horror anthology is currently available on VOD.

It consists of nine segments directed by Haley Bishop, Jason Ragosta, Sebastien Bazile & Michael Galvan, Mark Pritchard, Kimberley Elizabeth, Jason Wilkinson, Nichole Carlson, Steven Keller, and Wes Driver.

No special features are included. Read on for the trailer and more details on each segment.

The Keeper - Writer: Gregg Green; Director Wes Driver - USA

A small-town innkeeper's growing concern over domestic abuse between his new guests takes a horrific turn as he stumbles upon their monstrous secret.

Ear Worm - Writer/Director Steven Keller - USA

A young contractor hired to remove mold from a house, inhales strange spores, causing hallucinations and murder.

Tabitha - Writer/Director Jason Wilkinson - USA

After a botched robbery, a young woman bleeds out in her car, while being terrorized by a ghostly figure.

Do Us Part - Writer/Director Kimberley Elizabeth - Canada

A recently separated couple comes to terms with the fact that one of them is a ghost.

Mother Love - Writer/Director Jason Ragosta - USA

A witch must summon the power of her coven to defend her child from a crazed killer.

Limited Edition - Writer/Director Mark Pritchard - UK

Intent on capturing an original moment in time, a woman faces a deadly battle when the moment fights back.

Forever Young - Writer/Director Haley Bishop - UK

In a desperate attempt to preserve her youth, a 30 year old woman engages in a social media dance craze that may have dire consequences.

Maternally Damned - Writer/Director Nichole Carlson - USA

The anxiety of a woman unplanned pregnancy intensifies as her body goes through a series of unexplained changes.

Symphony of Horror - Writer: Sebastien Bazile; Directors Michael Galvan & Sebastien Bazile - USA

A parasitic brain infection causes by a cursed song when heard, sends ordinary people into a killing frenzy.

Pre-order Sinphony: A Clubhouse Horror Anthology.

[chrisnaustin]

If only I were she!

[roseshavethoughts]

Host (2020)

31 Days of Horror My ★★★★★ review of Host #FilmReview #Film

Host (2020) Synopsis – Six friends hire a medium to hold a seance via Zoom during lockdown, but they get far more than they bargained for as things quickly go wrong. When an evil spirit invades their homes, they realise they might not survive the night – Host. Director – Rob Savage Starring – Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward Genre – Horror |…

[olivierdemangeon]

HOST (2020) ★★★★☆

[sergeant-angels-trashcan]

Clint and Kate undercover at Dick's circus, thank you for your time

[paceypeternathanslawyer]

💕💕My OTPs + A calm domestic vibe 💕💕

Nathan & Haley (One Tree Hill)

Pacey & Joey (Dawson's Creek)

Olivia & Peter (Fringe)

[pawsitivevibe]

As a kid I really wanted to name a dog after an X-Men character because I was really into the comic books ... Anyway I'm reading the new Excalibur right now (loved the old one as a kid) and it occurs to me ... Maybe if I get a puppy from Arthur one day I can combo some themes for a registered name and do something Excalibur related. Then I can kinda have a dog with an X-Men related name AND stick to the King Arthur theme.

[gold-onthe-inside]

How do you think Haley reacts to Piper dating Spencer after believing Piper liked Chris?

... well, i never thought about that. i think she never really thought about it, but when she finds out they're dating, she's not really that surprised. i think she could tell piper was still unhappy when she was with chris.

[asagaciousmind]

TOUR THOUGHTS

Saw the Les Miserables Tour at the Princess of Wales Theatre in Toronto on May 21 2024; here are my thoughts (Long read, sorry I have a lot of feelings)

Prologue/Look Down/Valjean's Soliloquy

We got like, holographic waves crashing and the men are rowing a boat LIKE THEY'RE SUPPOSED TO BE it's awesome

Oh my god the pipes on the background actors were so good. THE SUN IS STRONG ITS HOT AS HEEELLL BELOW

I miss Javert's stupid guard hat. Was bareheaded as he gave Valjean his yellow ticket

PETIT GERVAIS?????????? Valjean steals a little boy's coin when he's roaming the countryside 😭

Randy Jeter as the Bishop blew me away. Not just his voice but his acting was FANTASTIC every single movement was like. I am an old bishop. This is how an old bishop moves. Idk idk it was really good

Nick Cartell did a great job w Valjean overall, but I totally loved him as pre-MsurM Valjean the most. He acts like a feral animal, grabbing the wine out of the nun's hands and the bread from the priest all hunched over and practically snarling - very very cool and awesome

At the End of the Day

Not a negative but when we went to At the End of the Day there was very minimal lighting and my first thought was Oh no the lighting broke hope they fix it and we don't have to have a brief intermission but then when they went 'At the end of the day there's another day dawning' the lights went up and I was like OHHHHHHHHHHHH so that's just me not understanding lighting direction

Foreman killed it, so did all of the factory workers I love all the interactions and ad-libbing in the background it makes me so happy to see

Every time I saw a tall graceful ensemble member I was like '"That's Kyle Adams" and 8/10 times I was right. Otherwise it was Daniel Gerard Bittner

I Dreamed A Dream

OKKKK VOCALS???? Haley Dortch has such a beautiful, clear, emotional sound and she left not a dry eye in the house. Literally the second intermission hit my parents and myself were like. Holy shit dude what about that Fantine

I got her autograph after the show and she was so so sweet 🥺 She accidentally messed up her signature and had to redo it and was apologising to me and I was like GIRL you brought the house down you could stab me right now and I'd be like 'Thanks have a good one'

Lovely Ladies / Fantine's Arrest

Bamatabois (David Andino) was a standout performance, really chewed the scenery and I adored every second he was on stage (Plus his costume was fantastic)

The other girls defending Fantine 🥺

I like that after the police show up and they basically arrest all of the ladies and pimps, regular well-off citizens come out to witness Valjean defending Fantine from Javert. Thought it was a nice touch

Fantine's Death

My first and only cry of the evening, Haley Dortch no one does it like you

The Confrontation

If you've heard me talk about the confrontation you'll know that I absolutely hate the new chain choreography, HOWEVER. I really really liked it this time. Preston in particular gave it a lot of physicality that I enjoyed

Nick Cartell is a little guy and I don't really believe that his Valjean managed to knock out Preston's Javert

For some reason the percussion was really loud and I could barely hear the vocals so I don't have many thoughts on them

Master of the House / Waltz of Treachery

MATT CROWLE YOU WILL ALWAYS BE FAMOUS

Both Thenardiers were fantastic, not a crazy amount of ad-libbing but when they did they made it count ("BYE, BAGUETTE")

Madame in particular was hilarious

Master of the House is very busy in a good way, everywhere you look interesting things are happening. Another number where the ensemble shines and you can tell everyone is having a blast

The Bargain was funny as hell, Thenardier tells Cosette to die in his arms and she goes limp when he's saying she's 'often been ill'

Valjean gives Cosette Catherine!

Look Down / The Robbery

Gavroche was super charismatic and confident, really great child actor (Milo Maharlika)

Eponine tosses Marius' book across the stage and he goes "I like the way you always ... tease 😐" They're such cute friends together

After Enjolras and the boys are done their preaching Enjolras gets stopped by a policeman and is told off 😭

During the robbery Montparnasse keeps Marius away by brandishing his little knife at him which I thought was cute

Also! Montparnasse is the only member of Thenardier's gang to escape during the Robbery!!! Which is a nice Brick reference

After Thenardier's 'In the absense of a victim' spiel he does this exact pose

Gavroche's little 'Clear the streets' 🫡moment is so cute

Stars

God I love Preston Truman Boyd

His Javert is so stalwart and reserved and dedicated, he's kind of robocop and it really really works, and you get to see just a smidge of vulnerability peek out in this song

ABC Cafe / Red and Black

I DON'T REMEMBER A LOT bare with me

Grantaire was absolutely the standout. Slapped Marius' butt with his coat. Stuck his wine bottle dick in Enjolras' face. Offered Combeferre a sip of his wine (who reluctantly accepted). Blew a kiss at Enjolras

Kyle Adams physicality is probably my favourite aspect of his Grantaire - he moves very assuredly, like a cat, in a way that is like okay he's drunk but he's so used to being drunk that his stumbling is more like dancing. I remember reading a fic that described Grantaire's movements in a similar way and I wonder if that was one of the fics Kyle took inspiration from?

OOH they did the wine bottle keep-away thing with Grantaire and Marius which I didn't know they still did so that was exciting

J.T Wood is such a cute Joly I love his voice

In Do You Hear the People Sing Grantaire grabs a gun and holds it at arms-length like it has cooties before handing it off to another student

Combeferre waves the flag both times (Here and in One Day More) and I'm not sure if it's always Combeferre who does that or if it's because Andrew Marks Maughan is clearly the most physically strong of the Barricade Boys

In My Life / A Heart Full of Love

Delaney Guyer is a really good Cosette in that she has a gorgeous voice and also has a lot of personality and actually reacts to things going on around her

Marius (who was played by Christopher James Tamayo for this performance) is such a cute little nerd. You can see him try to figure out what he's going to do, then he throws a rock at Cosette's window and kind of cringes at the noise - he's so unsure of himself and awkward

Cosette is very excited that he's here and closes the window right away, which prompts Marius' 'I'm doing everything all wrong!' until she reappears downstairs and they get to be cute dorks in love

Attack on Rue Plumet

I don't remember a lot but I DO remember that Eponine was really good here

When Valjean is like 'Tomorrow we'll away' Cosette goes 'WHAT? NO!'

David Andino is so good as Babet he is a chronic scene stealer at this point

One Day More

If you know Another thing about me you know I hate the One Day More box-step but it actually did not bug me this time. They put Grantaire next to Enjolras for the marching portion which is cute

On My Own

Holy shit Mya Rena Hunter delivered the most heartbreaking and powerful rendition of this I've ever heard

The Barricade

Loved Feuilly in his little part

Javert is a good spy. If I didn't know the plot of Les Mis I would've been like Holy shit that's Javert? Crazy. I love him drawing the 'plans' he'd overheard into the ground with a stick

Gavroche flipping Javert off >>>>>

Buff Combeferre is one of the two to drag Javert away to be tied up lol

A Little Fall of Rain

The only version of ALFoR that actually made me feel something

Marius and Eponine get a lot of time to be cute together before the barricade actually notices that she's dying - and Gavroche is the first to notice and gets a front row seat to her death which is heartbreaking

The First Attack

Grantaire's "AND SO THE WAR WAS WON!" was sooo scathingly sarcastic

Javert waited, like, 30 seconds to leave after Valjean freed him, with his back almost against the barrel of Valjean's gun as if he were hoping to be shot

When the gun went off the entire barricade abruptly snapped their heads to look at Valjean and the audience laughed 😭

Telling Valjean 'Well done' for shooting a tied up hostage is a strange choice

Drink With Me

I still hate 'For certain as the eagle flies' I think it's the dumbest line in the entire musical

Grantaire's part was very grand - His voice has like noticeably changed at this point in the musical to give it a sort of hoarse hopeless quality to it which absolutely hits you in the feels

Enjolras comforted him and I swear Grantaire let his hand linger on his cheek for a few seconds longer than normal before pushing him away

Gavroche hugged Grantaire from behind and Grantaire couldn't even turn around at first because he was so distraught and kind of blindly reached for him 😭

Chris Tamayo's Marius is such a poor little meow meow

Bring Him Home

Absolutely jaw-dropping performance from Nick Cartell

He sings Bring Him Home like it's a lullaby - which it's supposed to be

I don't exaggerate when I say that the applause went on for about a minute straight, and was the loudest of the night by far

Death of Gavroche / The Final Battle

Oh poor thang

Grantaire near the end of Gavroche's singing was turned away facing the audience like he knew Gav was going to die and couldn't bear to watch 🥺

Later on in the final battle Grantaire spends most of the time next to Gavroche's body in like a catatonic state

The SPOTLIGHTS representing BULLETS as Les Amis died almost made me lose it

Grantaire dies last, I'm sure he said something before he started climbing the barricade but I couldn't hear it 😭He and Enjolras still have their moment over Marius' body

The Sewer

Javert comes across Enjolras' cart-carried body (Still hate the cart but I can learn to appreciate it) and looks a bit uncomfortable

Then he stumbles upon Gavroche's corpse, kneels, and does the sign of the cross over him

Almost made me cry ngl

DOG EATS DOG WAS SO GOOD I LOVED IT

Javert looked like he wanted to shoot Valjean as he walked away with Marius

Javert's Suicide

HOOOOOOLYYYY SHIIIIITTTTT

It was so good

Preston Truman Boyd you will always be famous I fully believe that Javert had completely lost his mind at this point in the play

I don't have many thoughts on the rest but I loved Marius and Cosette reading Valjean's confession as he walked away with Fantine - and the Bishop hugging him as he arrives in heaven

Also Kyle Adams as Major Domo mincing about the stage in The Wedding was an absolute delight

Am very sleepy now but overall 10/10 I love this cast so much

[youremyheaven]

Uttara Bhadrapada & Revati: Psychic Insight, Time Travel & Dreams

In my last post about Punarvasu & Swati, I had briefly gone into their association with time travel but in my research since I have found that Pisces rashi (0-3 degress Purvabhadrapada, Uttarabhadrapada & Revati) is also connected to time travel, as well as with psychic powers and using these abilities to solve crimes, prevent disasters or save others. This is an important distinction because not everybody uses their paranormal/supernatural powers to do good necessarily.

The word spirituality has been so over used in the last decade or so that it has now kind of lost all meaning as most people don't understand it in its true sense of transcending the material but instead as a way to play around with crystals or tarot or astrology, engaging with these tools in the most shallow way possible and using it as a balm to remain in the loop of earthly attachment.

Some people are born with an inherent understanding of what it means to be connected to the spirit. Due to the way religion & belief are often structured, not all of these people will identify their own beliefs as spiritual ones but you've got to admit that some people are just naturally intuitive and capable of understanding things in a way that goes beyond education or any taught knowledge. What is intuition though? Is it just a profound inner knowing? Usually, it is a combination of several things, including observational skills, the ability to be perceptive and understand what lies beyond the surface, deduction etc. Intuition isn't always knowledge from the beyond but it can also refer to the ability to read a room or a person and be emotionally intelligent enough to behave accordingly.

I am by no means suggesting that all Pisces natives are this way. They are not. But I have noticed several Pisces natives possessing a heightened sense of perception & intuition. This is just water sign culture tbh and as you'll see in the post, also extends to other rashis/nakshatras.

Derren Brown, the British magician & mentalist is a UBP Moon. He's a skeptic himself and has repeatedly said he does not possess any psychic powers but he's never really gone into his methods either. You could say that he has astute observational skills that makes his performances truly one of a kind but its pretty incredible to train yourself to do what he does; you can only build on the natural acumen you possess.

The Sixth Sense is a pretty iconic film in the "child has visions" genre and it stars Haley Joel Osment, Revati sun & mercury as well as Bruce Willis who is UBP Sun

Bruce also starred in a movie (also directed by M Night Shyamalan) called Unbreakable where his character has psychometric powers.

Psych is detective comedy drama series (very underrated imo) that features a guy who possesses eidetic memory and great observation skills and uses it to convince the police department he is a psychic.

James Roday Rodriguez who plays this character has Revati sun & mercury, Venus in Pisces (2 degree Purvabhadrapada )

Patricia Arquette stars as a psychic medium in the show Medium (honestly the police department x psychic consultant is one of my fav tropes of 2000s television). She has a Revati stellium (sun, saturn & rahu) and UBP mercury and venus.

Salma Hayek, UBP Moon, plays a psychic medium in House of Gucci (based on a true story)

Devon Sawa who played the main character on Final Destination (he has premonitions and tries to help others avoid death) has Ketu in UBP

Joan of Arc, UBP Moon went to King Charles at the age of 17 as she was guided by visions from the archangel Michael, Saint Margaret, and Saint Catherine to help him save France from English domination. Convinced of her devotion and purity, Charles sent Joan, to the siege of Orléans as part of a relief army. After several military defeats in which Joan played a role, she was put on trial by Bishop Pierre Cauchon on accusations of heresy, which included blaspheming by wearing men's clothes, acting upon demonic visions, and refusing to submit her words and deeds to the judgment of the church. She was declared guilty and burned at the stake on 30 May 1431, aged about nineteen.

Baffled is a movie about a race car driver who has psychic visions. He is played by Leonard Nimoy who has UBP Sun, Mercury in Revati (amatyakaraka) & Rahu and Swati Rising (Swati is a nakshatra that is associated with ESP but more on that later).

The Dead Zone is about a man who wakes up from a 5yr coma and learns he has psychic abilities. Christopher Walken who plays this man has Revati sun & UBP mercury (being in a coma/waking up from sleep is also a very Pisces theme a la Sleeping Beauty)

In Doctor Sleep, a sequel to The Shining, Ewan McGregor plays Danny Torrance (who has psychic abilities). He has UBP Sun

Harry's ability to see things is kinda overlooked (in Goblet of Fire for instance when he makes those predictions in Trelawney's class). We know that he sees a lot of stuff due to his connection with the Dark Lord but still. Harry's intuition has saved his ass on more than one occasion. Daniel Radcliffe has UBP Moon.

The Initiation of Sarah is a movie about a nice girl who is bullied by her sorority sisters and then unleashes her psychic powers to get even. Kay Lenz who plays her has Mars in Revati atmakaraka, UBP mercury (swati moon & rising)

Nostradamus who had prophetic visions of the future (many of which have come true) had Rahu & Rising in UBP

This brings me to Pisces' connection to time travel because if you think about it having premonitions and making prophecies is tied to an ability to see into the future; you are mentally time travelling.

I have noticed that in several instances Pisces natives are cast in time-travel movies.

Nathan Fillion who was in Firefly & Serenity (time travel series & movie) had UBP sun, Revati moon atmakaraka

Bliss (2021) a movie about alternate realities accessed through drug induced hallucinations??? (i dont know for sure the plot is kinda dense) stars Salma Hayek, UBP Moon and Owen Wilson, Swati Moon with Saturn in Revati atmakaraka

Predestination is a time travel movie starring Sarah Snook who has Revati moon & jupiter

Joseph Gordon Levitt, UBP rising stars in the time-travel movie Looper as a hitman from the future who has to kill himself.

The Girl Who Leapt Through Time is a movie about a girl who can travel through time, its directed by Mamoru Hosoda who has UBP Moon and Saturn

La Jetee is an experimental French short film about a man who travels through time to understand the past/present/future of WW3. Its directed by Chris Marker who has Ketu in Revati

Pisces is kind of obviously connected to the story of Sleeping Beauty (I'll explore this more in a separate post) but I think Pisces and dreaming (not sleeping but dreaming) are also connected.

Joseph Gordon Levitt, UBP Rising stars in Inception a movie about dream thieves essentially

Werner Krauss, Ketu in Revati starred in The Cabinet of Doctor Caligari (1920) as a hypnotist who uses a somnambulist to commit murders.

Eternal Sunshine of the Spotless Mind, The Science of Sleep etc was made my Michel Gondry who has Venus in Revati amatyakaraka (he is also Punarvasu Rising but I'll discuss more in my post about Surrealism)

Dreams (1990) is a movie by Akira Kurosawa and is based on 8 dreams he had. He is UBP Sun & Punarvasu Rising

Dreams That Money Can Buy is a surrealist film about a guy who sells his dreams to others. Its directed by Hans Richter who has Revati Sun

All of Miyazaki's movies have a dream-like quality and one is literally a dream (won't spoil by saying which one hehe). He is UBP Moon.

I have noticed many Shatabhisha natives be drawn to similar themes and tropes in their work.

Dreamscape is a movie about a psychic who works for the President of America. Its directed by Joseph Ruben who is Shatabhisha Sun & Jupiter (he also has Venus in UBP) and stars Dennis Quaid (Punarvasu Moon) as the psychic.

Firestarter is a movie about a child with psychic powers and stars Drew Barrymore who is Shatabhisha Sun & Punarvasu Moon

Jennifer Love Hewitt, Shatabhisha Moon starred in The Ghost Whisperer as a person who can communicate with ghosts.

Sissy Spacek starred in Carrie about a girl who has supernatural powers. She has Shatabhisha Moon

Scott Bakula who starred in Quantum Leap, a TV series about a scientist stuck in time, has Shatabhisha Moon

I hope this post was interesting and informative, pls lmk if you have any other examples!!

[the-bi-library]

Happy pride month!! Here are bisexual books out in June! 🩷💜💙 Books listed: Saints of Storm and Sorrow by Gabriella Buba The Fall of Elijah Gray (Moonlight Falls, #0.5) by Colette Rivera The Bound Worlds (The Devoured Worlds, #3) by Megan E. O'Keefe Pole Position by Rebecca J. Caffery Digging for Destiny (Dragon Circle, #2) by Jenna Jarvis The Ballad of Jacquotte Delahaye by Briony Cameron But How Are You, Really by Ella Dawson Shadows Dark and Deadly (Red Society Series Book 1) by Andrea Marie Johnson Hot Summer by Elle Everhart All Friends Are Necessary by Tomas Moniz Where Willows Weep by Luna Fiore Dandelion by Merlina Garance One Killer Problem by Justine Pucella Winans Napkins and Other Distractions (Teachers in Love, #3) by M.A. Wardell Bi-Partisan (District Love #1) by Dallas Smith Furious by Jamie Pacton and Becca Podos Blame It On The Stars by Elle Bennett Ballad for Jasmine Town by Molly Ringle Old Enough by Haley Jakobson (paperback edition) Accidentally Dominating the Vampire's Assistant by Cat Giraldo Running Close to the Wind by Alexandra Rowland Breaks Volume 2 (Breaks, #2) by Emma Vieceli and Malin Rydén

Only Fan Service by Cat Giraldo Something to be Proud Of by Anna Zoe Quirke

Heirs of Destruction (The Crownkiller Saga, #1) by T.N. Vitus London on My Mind by Clara Alves The Pecan Children by Quinn Connor A Divine Fury (Cesare Aldo, #4) by D.V. Bishop The Unrelenting Earth (Rages, #2) by Kritika H. Rao

[queenpiranhadon]

- Love Like You, Rebecca Sugar

I...write for pretty much anything! You can check my fandoms list through the main navigation on my intro post!

Here are the ones I'm most comfortable writing for though:

ᴀɴɪᴍᴇ ➜

› My Hero Academia / Boku No Hero Academia

› Jujutsu Kaisen

› Spy x Family

› Demon Slayer

ʙᴏᴏᴋꜱ ➜

› Harry Potter

› Riordanverse (check my fandoms list to which series I've read)

› The Inheritance Games

› Keeper of the Lost Cities

› The Hunger Games

ᴛᴠ ꜱʜᴏᴡꜱ + ᴍᴏᴠɪᴇꜱ ➜

› MCU

› Avatar the Last Airbender & Legend of Korra

› Lego Ninjago

ᴠɪᴅᴇᴏ ɢᴀᴍᴇꜱ ➜

› Stardew Valley

› Genshin Impact

ᡣ𐭩 = romantic pairing; ✩ = platonic pairing, ✿ = x another character (usually canon ship)

ᴀɴɪᴍᴇ ➜

› ⎸ Bakugou Katsuki ᡣ𐭩 ⎸ Kirishima Ejirou ᡣ𐭩✩ ⎸ Takami Keigo / Hawks ᡣ𐭩✩ ⎸ Todoroki Touya / Dabi ᡣ𐭩✩ ⎸ Aizawa Shouta ✩ ⎸ Hitoshi Shinsou ✩ ⎸ Todoroki Shouto ᡣ𐭩✩ ⎸ Midoriya Izuku ᡣ𐭩✩ ⎸

› ⎸ Eri ✩ ⎸ Ashido Mina ᡣ𐭩✩ ⎸ Jirou Kyoka ✩ ⎸ Asui Tsuyu ✩ ⎸ Yaoyorozu Momo ᡣ𐭩✩ ⎸ Usagiyama Rumi ᡣ𐭩✩ ⎸

› ⎸ Gojo Satoru ᡣ𐭩 ⎸ Sukuna Ryomen ᡣ𐭩 ⎸ Itadori Yuji ✩ ⎸ Fushiguro Megumi ✩ ⎸ Nanami Kento ᡣ𐭩 ⎸ Geto Suguru ᡣ𐭩 ⎸

› ⎸Kugisaki Nobara ✩ ⎸ Maki Zen'in ✩ ⎸

› ⎸ Anya Forger ✩ ⎸ Yor Forger ✩✿ ⎸

› ⎸ Loid Forger ✩✿ ⎸

› ⎸ Kamado Tanjirou ✩ ⎸ Hashibira Inosuke ✩ ⎸ Agatsuma Zenitsu ✩ ⎸ Tomika Giyu ᡣ𐭩 ⎸ Uzui Tengen ᡣ𐭩 ⎸

› ⎸ Kamado Nezuko ✩ ⎸ Kanroji Mitsuri ✩ ⎸

ʙᴏᴏᴋꜱ ➜

› ⎸ Sirius Black ᡣ𐭩 ⎸ Fred Weasley ᡣ𐭩 ⎸ Remus Lupin ✩✿ ⎸ James Potter ✩ ⎸

› ⎸ Hermione Granger ᡣ𐭩 ⎸ Luna Lovegood ✩ ⎸ Ginny Weasley ✩ ⎸ Nymphadora Tonks ✩✿ ⎸

› ⎸ Percy Jackson ✩✿ ⎸ Grover Underwood ✩ ⎸ Nico DiAngelo ✩✿ ⎸ Will Solace ✩✿ ⎸ Jason Grace ✩ ⎸ Leo Valdez ✩ ⎸ Luke Castellan ✩ ⎸ Frank Zhang ✩✿ ⎸ Carter Kane ✩✿ ⎸ Walt Stone ✩✿ ⎸

› ⎸ Annabeth Chase ✩✿ ⎸ Piper McLean ✩ ⎸ Thalia Grace ✩ ⎸ Hazel Levesque ✩✿ ⎸ Reyna Avila Ramírez-Arellano ✩ ⎸ Sadie Kane ✩✿ ⎸ Zia Rashid ✩✿ ⎸

› ⎸ Jameson Hawthorne ✩✿ ⎸ Grayson Hawthorne ᡣ𐭩 ⎸ Nash Hawthorne ✩✿ ⎸ Xander Hawthorne ✩ ⎸

› ⎸ Avery Kylie Grambs ✩✿ ⎸ Libby Grambs ✩✿ ⎸

› ⎸ Keefe Sencen ✩✿ ⎸ Fitz Vacker ✩ ⎸ Dex Dizznee ✩✿ ⎸ Tam Song ✩✿ ⎸ Kesler Dizznee ✩✿ ⎸

› ⎸ Sophie Foster ✩✿ ⎸ Biana Vacker ✩✿ ⎸ Marella Redek ✩✿ ⎸ Linh Song ✩✿ ⎸ Juline Dizznee ✩✿ ⎸

› ⎸ Finnick Odair ᡣ𐭩✩ ⎸ Peeta Mellark ✩✿ ⎸ Haymitch Abernathy ✩ ⎸ Coriolanus Snow ✩✿ ⎸

› ⎸ Katniss Everdeen ✩✿ ⎸ Rue Barnette ✩ ⎸ Cressida ✩ ⎸ Lucy Gray Baird ✩✿ ⎸ Johanna Mason ✩ ⎸

ᴛᴠ ꜱʜᴏᴡꜱ + ᴍᴏᴠɪᴇꜱ ➜

› ⎸ Bucky Barnes ᡣ𐭩 ⎸ Stephen Strange ✩ ⎸ Tony Stark ᡣ𐭩✩✿ ⎸ Peter Parker ᡣ𐭩✩✿ ⎸ Steve Rogers ✩✿ ⎸ T'Challa ✩ ⎸ Peter Quill ✩ ⎸ Thor ✩ ⎸

› ⎸ Natasha Romanoff ᡣ𐭩✩ ⎸ Yelena Belova ᡣ𐭩✩ ⎸ Kate Bishop ✩ ⎸ MJ ✩✿ ⎸ Pepper Potts ✩✿ ⎸ Shuri ✩ ⎸

› ⎸ Aang ✩✿ ⎸ Zuko ᡣ𐭩✩ ⎸ Sokka ᡣ𐭩 ⎸ Iroh ✩ ⎸

› ⎸ Katara ✩✿ ⎸ Toph ✩ ⎸

› ⎸ Cole Brookstone ᡣ𐭩✩ ⎸ Kai Smith ᡣ𐭩✩✿ ⎸ Zane Julien ᡣ𐭩✩✿ ⎸ Lloyd Garmadon ᡣ𐭩✩ ⎸ Jay Walker ✩✿ ⎸

› ⎸ Nya Smith ✩✿ ⎸ Skylar Chen ✩✿ ⎸ Pixal Borg ✩✿ ⎸

ᴠɪᴅᴇᴏ ɢᴀᴍᴇꜱ ➜

› ⎸ Sebastian ᡣ𐭩✩ ⎸ Sam ᡣ𐭩✩ ⎸ Alex ᡣ𐭩✩ ⎸ Krobus ✩ ⎸

› ⎸ Haley ᡣ𐭩✩ ⎸ Leah ᡣ𐭩✩ ⎸ Sandy ᡣ𐭩✩ ⎸ Maru ✩ ⎸

› ⎸ Diluc Ragnvindr ᡣ𐭩 ⎸ Zhongli ᡣ𐭩✩ ⎸ Kaeya Alberich ᡣ𐭩 ⎸ Tartaglia ᡣ𐭩✩ ⎸

› ⎸ Beidou ᡣ𐭩 ⎸ Klee ✩ ⎸

You are totally fine to request for any of the characters in the fandoms listed, but these are the ones I'm the most comfortable with :)

ᴀʟʟᴏᴡᴇᴅ ➜

› ⎸ x reader ⎸ fem, gn, male readers ⎸ gore/blood ⎸ AU's ⎸ family relationships - ex. Dad Aizawa, brother Megumi ⎸ character x character ⎸ friend relationships (you and Haymitch are best friends) ⎸ character x character family relationships (Weasley twin shenanigans) ⎸ poc readers ⎸

ɴᴏᴛ ᴀʟʟᴏᴡᴇᴅ ➜

› ⎸ smut ⎸ racism in a positive way ⎸ homophobia in a positive way ⎸ incest + stepcest ⎸ sexism in a positive way ⎸ slander to any religion or culture in a positive way ⎸

ᴏᴛʜᴇʀ ➜

› If I don't answer a request- I promise I don't hate you I'm super slow I'm sorry 😭

› I will not write any requests I am uncomfortable with.

› Happy requesting ~

[todaysdocument]

Telegram to President Woodrow Wilson from Jane Addams and Other Women Regarding the Deportation of Emmeline Pankhurst

Record Group 85: Records of the Immigration and Naturalization Service Series: Subject and Policy Files File Unit: Appeal of Mrs. Emmeline Pankhurst for admittance for visit, English Suffragette

This telegram petitioned the Department of Labor and their decision to deport Emmeline Pankhurst, a British suffragette. The authors wanted the board to reconsider and maintain "America's devotion to liberty."

Telegram The White House, Washington 6 PO.FD. 283 139 extra 10:25 p.m. Sa, Chicago, Ill., October 18, 1913. The President. Whereas, the Associated Press reports to the American public that Mrs. Pankhurst's deportation has been ordered by the board of inquiry at Ellis Island and, Whereas, such action is in direct violation of the traditions and customs of the United States which has always been hospitable to the political offenders and revolutionists of all nations, and, Whereas, our sister republic, France, is at the present moment sheltering Christabel Pankhurst, Now, therefore, be it resolved: That we, the undersigned women of Chicago, protest against this flagrant violation of our long established public policy, and, Be it further resolved: That we respectively petition the Department of Labor in reviewing the case of this distinguished English woman to reconsider the decision of the Board of Inquiry and to admit Mrs. Pankhurst; thus maintaining the high traditions of America's devotion to liberty and right of free speech. (Signed) Jane Addams, Louise DeKoven Bowen, Mary Rozette Smith, Mary McDowell, Margaret Dreier Robins, Harriet Taylor Treadwell, President Chicago Political Equality League; Margaret A. Haley, Business Representative Chicago Teachers' Federation; Ida L. M. Furstman, President Chicago Teachers' Federation; Mrs. Harriet S. Thompson, Director Chicago Political Equality League; Edith A. Phelps, Anna Nichols, Laura Dainty Pelham,

Telegram The White House, Washington 6 PO. Sheet 2- Chicago, Ill., Octo. 18, 1913. to the President. Stella Miles Franklin, Kathleen Hamill, Mary Foulke Morrisson, Anna Monroe, Edith Wyatt, Caroline Packard, Leonora Pease, Secretary Socialist Women's League; Mrs. L. Brackett Bishop, Marion M. Griffin, Margaret B. Dobyne, Mary E. Galvin, Judith W. Loewenthal, Agnes Nestor, E. Beatrix Dauchy, Belle Squire, Anna Willard Timneus, Emma Steghagen, Grace Wilbur Trout, Florence Holbrook, Catharine Goggin, Mary Anderson, Sophonisba Breckinridge, Edith Abbott, Esther Dresden, President Young Women's Suffrage Association; Amy Walker, Francis Harden, Anna Harden, Catharine Goggin, Mary V. Donoghue, Wilma Rhinesmith, Julia Donoghue, Serina Hayes, May E. Brown.

[enjolrasling]

I saw the Les Miserables US tour on Tuesday and am still IN MY FEELINGS about it, so here’s a random assortment of somewhat coherent thoughts/rambles/write up/review.

(Note: I saw the entire principle cast except Randy Jeter (who was out) and two ensemble swings. Andrew Marks Maughan was pulling double duty as both the Bishop and Combferre.)

• I didn’t know anything about Nick Cartell going in, but holy fuck, that VOICE. Tone is immaculate. Lungs of fucking steel.

• “Another story must beGINNNNNN” are you kidding me Nick. Who gave you the right to be this talented. Why is this man not more famous?!

• Preston Truman Boyd as Javert - voice is great, nice deep baritone. I wanted a smidge more from him acting wise though (this improved over the course of his performance).

• Nick and Preston sound phenomenal together, their voices work SO WELL.

• Haley Dortch has the voice of an angel and I loved her portrayal of Fantine.

• I appreciated that when Fantine was attacked/arrested all of the lovely ladies kept trying to stop it/help her. A nice staging touch.

• The whole transition into the courtroom was fantastic. Nick with that ending note of “Who Am I?” 🤯 I feel like I heard a few nods to Colm’s Valjean throughout Nick’s performance, this being one, which I appreciated on a cellular level.

• Confrontation sounded sooo good. It is a little goofy looking because Nick is so much shorter/smaller than Preston, which made the whole Valjean-as-stronger-man thing a bit silly. The blocking here didn’t do much for me. But what can you do. However! The “you’ll wear a different CHAInnn!” *cue Present with the chain hitting the stage floor* was fierce.

• It took a minute but Matt Crowle really won me over as Thénardier. Acting choices were 💯 without going over the top.

• There was a lot going on during “Master of the House” and it was a lot of fun, but also hard to catch everything.

• Gavroche was delightful. As usual.

• I’m not sure why Enjolras’ blonde wig was so bad, but it was really distracting. Devin Archer does a very decent Enjolras, but man that wig was not doing him any favors.

• Marius’ entrance was forgettable. I think this was more a staging issue than a reflection on Jake David Smith maybe? All the students kind of looked the same at this time. I had a hard time telling Les Amis apart all night, honestly. Except for Enjolras and Grantaire, obviously, which brings me to….

• Kyle Adams. You freaking fan-servicing national treasure. Cards on the table, seeing reviews of Kyle’s Grantaire was the single biggest reason I decided to catch this tour, and I was really, REALLY hoping to see him in the role. I did not think anyone would ever come close to eclipsing Hadley as my R of all time, but Kyle is right up there in his orbit. Omg that scene stealing little shit. He really put his all into “the drunk one”. Blowing the kiss to E at the end of Red and Black. Continually slapping people with his coat jacket. The dick-bottle in Enjolras’ face. Constantly goofing around with Gavroche. It was all gold. I really appreciate an actor who’s done their homework, and Kyle is very obviously well versed in both the source material and the rabid E/R fan fiction. His performance is a love letter to the fans - to those of us who have cried over the brick, who have watched every musical version we’ve been able to get our hands on over and over again - and I love that for all of us.

• Anyway, back to “Red and Black”. Devin is great, really brings the sassy Enjolras energy. Marius is….kind of forgettable again. Sorry, Jake. Enjolras when he grabs that flag…Devin is really serving.

• “Do You Hear the People Sing” was wonderfully rousing, as always. One of my favorites forever. The transition to the streets was very pleasing. Again, Devin with that damn flag. I might end up shipping Enj with the flag as much as E and R, he’s that passionate with it 🤣

• Delaney Guyer was a perfectly pleasant Cosette. No criticisms, I just haven’t really ever cared about Cosette much as a character. Her songs do very little for me. But Delaney was lovely.

• Mya Rena Hunter as Eponine was somewhat “meh” for me. Her vocals are killer and “On My Own” got one of the biggest ovations of the night, but I didn’t love her acting choices. Or maybe lack there of, it didn’t seem like there were any. I dunno.

• The staging/choreo for “One Day More” was really entertaining. Much better than the underwhelming marching I saw in the 2012 production. Devin serving sassy, dramatic Enjolras with flair and a rifle is a whole ass mood.

• I fucking love the barricade set. Seeing Les Amis climb all over that thing is such a moment. Enjolras literally leaping off the set multiple times. Dude gets AIR.

• Gavroche flipping off Javert was an audience favorite.

• “A Little Falls of Rain” was underwhelming. The staging was a bit awkward and there was no scene chemistry between Jake and Mya. I really wanted to feel something. I didn’t. Just eh.

• “Drink With Me”, on the other hand, was so wonderfully emotional. Kyle’s stying of R’s verse is an angrier, grittier interpretation and I’m sooo here for it. Enjolras goes to console him and R pushes him away. The pain feels so real.

• “Bring Him Home”….Nick. Fucking. Cartell. I have no words. He cast an absolute SPELL over the theater. His breath control is super human. His last “home” note went on FOREVER. Absolutely phenomenal. Hands down best version I’ve ever heard live. Biggest ovation of the night.

• Gavroche’s death 😭 So sad, so well done. It was very striking how he was shot just as Enjolras’ hand reached up for him as he returned. The timing, the lights, sound everything was excellent. Then he crumpled onto E’s shoulder. E handed his lifeless body to R, who was just devastated. I love the relationship they created between Gavroche and R this production. The entire build up of their interactions made this moment so poignant and believable.

• Christopher Robin Sapp really took his 5 seconds of National Guard Officer/Loud Hailer time and absolutely slayed it. I want to see more of this guy in the future.

• The choreo of the final battle was very satisfying. I totally missed Marius getting injured and just mistook him for another student because again….Marius was just not catching any of my attention this tour, lol. The frantic moment between E and R in this scene was so raw and well done by both actors. R reaching for E’s face, clasping hands so very briefly. Ugh.

• Then E with the flag again. This scene is so striking and Devin gives it EVERYTHING. Then R climbing up after E once he gets shot and falls off of the barricade. The way it takes a few moments for R to die after being shot and Kyle freaking Adams makes sure the audience knows it…

• I was lucky enough to see a production with the revolving stage back in the day and I’m really glad I did, because the reveal of Enjolras’ body hanging upside down off the other side of the barricade with the flag is one of those theater moments that will haunt me forever. Enjolras’ lifeless body in the cart just doesn’t have quite that same punch, but it’s timed very nicely with the music swell, and the way his body shifts/almost falls out of the cart when it’s carried away again is quite effective.

• Ok so the sewers. That was cool. I felt like this production used just enough of the screen to really assist the set design without relying on it too much. It worked really well for the orchestration and gave depth to Valjean just dragging Marius across the stage 3 times.

• Thénardier dragging in that corpse by his ankles for “Dog Eats Dog” lol. Matt really showed up for this scene. I think he did a good job of dipping into the “comedic” aspects of Thénardier as well as balancing the really rotten parts - this was a really great rotten part. I thoroughly enjoyed his turn as the infamous innkeeper.

• Javert is such a little drama queen.

• “Stars” was A++++. One of my forever favorites anyway, but Preston took this song to church. Also, I do NOT remember this staging, if it’s what I saw in 2012 (I don’t think so?!) and holy shit. I was not expecting what they did, which got quite a few gasps from the audience. The falling/floating/reaching while holding that last “ONNNNNNN” was a fucking MOMENT. Props to this production set up. Major props to Preston. Just wow.

• The transition from “Turning” to “Empty Chairs at Empty Tables” was beautiful, and I love love love the candle choreography. When Les Amis blow their candles out….ugh 😭 This number was a bit of redemption for Jake David Smith, who until now had kept slipping into the background. I found his Marius to be a bit uninspired and unrecognizable for the most part. He did not bring much of a presence to the role until this moment. But his vocals were great here, and the anguish felt genuine.

• I don’t have much too say about “Beggars at the Feast” because I was too busy watching no one but Kyle Adams as Major Domo for the entire scene 🤷🏻‍♀️

• But omg the change of Thénardier’s lyrics from “this one’s a queer / but what can you do?” to “this one’s a queer / I might try it too” and then he dips that random wedding guest dude was a giant yes from me.

• Finale left a touch to be desired blocking/staging wise. I remember feeling that way with the 2012 production as well. Les Mis is just such a powerful musical, I feel like it deserves a bigger ending than basically everyone just standing in two lines behind Cosette and Marius. The cast’s vocals made up for the lack of production though. Truly so, so good.

• In conclusion: Nick Cartell has an otherworldly voice and Kyle Adams is the Grantaire we all deserve. I am so, SO glad I got to experience this cast.

[breadvidence]

Les Misérables 6/9/2024 at the Fox Theater, GA

Sometimes purchases made on two too many glasses of wine are the wisest buys of all: saw the musical live for the first time, which seems like it oughta have come before at least three other adaptations I've watched at this point, and is an experience that gets into your guts in a way any film will struggle to match. I was in the mezzanine in the cheap seats which lost me a back corner of the stage and hearing whatever Kyle Adams was getting up to, but still gave me a solid view. There are so many ways in which this is the best adaptation of Les Mis, and finally experiencing music live that I've been listening to for decades—there are no words. So, since I can't express the profound side of the experience, I'm gonna write up a li'l commentary of mostly jokes:

"Overture": I notice the playbill does not list "The Confrontation" among the numbers and feel surprised no Valvert fan has had a public meltdown online about this change. Shrug it off, because people are starting to go uhhhUH on stage and Broadway will hardly give me my money back because they didn't deliver on the expected level of homoeroticism.

"Look Down": Oh, we're doing the boat? Are we going to dock the boat before Valjean gets his papers and—? Ambiguous? Missing scene: Valjean has to swim to shore because the cruelty of state punishment means when your time is up they simply force you to walk the plank to "freedom". Also, this iteration of Javert outsources his violence to underlings, which is an interesting choice. Boyd comes across solid and straightforward, even dignified, which is not the bared-teeth nasty energy I personally thrive off of from a musical Javert, but I have no comment on his technical skill.

"On Parole": Cartell masterfully handles the most important line in the Les Mis musical, Valjean's sippy of freedom water. He moves throughout this sequence with a cautious, loose, sometimes hunched body language, feral. If adaptations were about fidelity as such I'd bellyache about the violence, but it works fine visually, I'll go with it. At some point, I oughta mull on why musical Valjean is such a more violent character than in the novel. On the other hand, the Petit Gervais reference I will simply call clumsy and bad, if you don't know the book it just makes Valjean look like a dick and if you do it jars even worse. Cartell's rendition of "fliiiIIIIIIIⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱⁱght!" is solid, all my ears want from that line is to feel like the actor is making a weird noise they will not elsewhere be repeating.

"The Bishop": Randy Jeter is a distractingly attractive Myriel. I would fall on my hands and knees and put my ass in the air too, Valjean. Hot fuckin' damn.

"At the End of the Day": Coming off of 3.1.12 in Les Mis Letters had me primed to view the opening moments in which we see the "the Poor" as dehumanized figures, shrouded, moving strangely, almost monstrous, to consider the political implications of that, but it's bomb visuals so I don't much care. Haley Dortch is a fuckin tree of a person and I mean that in the best way, really interesting physical presence to be cast as Fantine. They seemed, from my distance, to be not insignificantly taller than Cartell, which I'm unduly delighted by. Speaking of Cartell: I believe the word the kids would use for his outfit as Madeleine is "cunty", those coat tails have so much swish.

"I Dreamed A Dream": The crowd howled for Dortch at the end of this song, and well-earned too. Briefly distracted by wondering what the theater theory is behind actors doing little runs around the stage—just sayin', I promise I will not lose interest like a leopard gecko presented with unmoving prey if they stay in one spot.

"Lovely Ladies": My awareness that I should feel badly about this depiction of sex workers vs eye-catching costuming and choreography, oh no. Boyd continues to be solid and uninteresting in this scene, but that's fine. At the end, the constables take Dortch under the elbows and drag them offstage backwards with their heels bumping along the floor, which prompted a totally inappropriate laugh from me, sorry to everyone.

"Who Am I?": Another case of end-of-number unintentional comedy as a gendarme holds out the handcuffs for Boyd to snatch when he runs after Cartell.

"Fantine's Death": I've seen the staging before where Valjean gets ready to dip partway through and has to be called back to the deathbed and—I'm sorry, this is a very moving duet, Cartell and Dortch did admirably, but that bit was funny.

"The Confrontation": The playbill lied! Unfortunately Boyd continues to do nothing for me and I'm neutral at best on the handcuff/chain choreography. The very brief choking laying him out has me dubious about his stamina.

"Master of the House": My awareness that I should feel that the use of the Thénardiers as comic relief cheapens their role in the novel as a complication of the inherent goodness of humankind and the redemption of the 'criminal class' vs eye-catching costuming and choreography, oh no. I enjoyed the hell out of this number, sometimes despite itself. There was a pegging joke, can I be blamed? Also, someone in the audience exclaimed in distress over the gag of a parrot being thrown into a meat grinder, bless them.

"The Well Scene": lay me out on the ground and cover me in dirt because I perished, I am too invested in these characters and Cartell brings such warmth to this scene.

"The Bargain": If you need me I will still be under my dirt over the continued sweetness of how Cartell plays his interactions with the little Cosette actor. It's my understanding he has children, and I'd be curious to know if his performances prior to becoming a father had this depth. I have always appreciated the impulse behind adding "Suddenly" to 2012, and I know that there are fans who feel it calls back to the novel meaningfully, but this production did fine with the material from the original libretto communicating the sense of Valjean's immediate devotion to this child.

"Look Down": Over twenty years listening to this musical and only at this moment do I realize that the meaning of the lines is "Lamarque is the only man who speaks for the people here below" and not "Lamarque is the only swell who runs the show". Shame. Because my brain is a Rat King of adaptations, Devin Archer's Enjolras reminds me distinctly of Yūji Kishi's.

"The Robbery": It didn't take more than hearing here you can always catch me out to know there was going to be a fucking killer rendition of "On My Own" in my future. It is difficult to sell me on Javert's line in this number without some bitchin' guitar as back-up, and honestly—I'm writing this two days later, I do not remember Boyd's clearly. Unfortunate.

"Stars": The crowd didn't trumpet quite so loud for this number as it did for "I Dreamed a Dream" and, later, "On My Own", but there was a big response, and—I don't know, I don't hear the vision. The use of street lamps in place of star imagery makes me wonder whether someone involved in constructing the set has been following @everyonewasabird's thoughts on the connection between those and police surveillance.

"Éponine's Errand": Half the theater was convinced at this point that we were at intermission o' clock, maybe because the most forward piece of stage machinery that closes had closed up? People stood up, we shuffled about, there was a surprised and flustered resettling when Mya Rena Hunter emerged with Cosette, now I remember!

"The ABC Café": Kyle Adams and the directing choices around Grantaire are both delightful and a distraction—like, sorry every other student, I didn't even try to keep track of who's who. There's something very lovely about being in a time and place that allows an explicitly gay reading of this story to be acted out on stage, that there's trust on the part of the cast and creative team in the audience feeling a connection to one man being a comedic tender mess at another.

"In My Life": Even if Brick Valjean never found his way to being honest with Cosette, Cosette would have been a healthier psyche were she able to express this level of frustration with her father, and I grant the slim chance he might've listened to her, some day. This exchange marks one of the big gaps between the musical and the book, IMO. None of which is relevant to this specific performance, they all have this. Cartell does an interesting thing here, either he was tired this night or a little off-balance or he was deliberately playing the character as having a limp or he'd forgot which bit of the play he was in and was moving like pre-Digne Valjean or he had not forgot at all and wanted the character to be, for a minute, like when he was feral and weary, in the beat between Delaney Guyer exiting and his following her off-stage.

"At the Barricade" (?): The bit where Éponine delivers the letter—return of the violence inherent to musical Valjean; this isn't the first one I've seen rough up Éponine a little, startled to find her outside the door, amped up by the awareness there's a threat lurking, and it's both outside the book character's nature and markedly more normal as human behavior. Cartell's voice pitches up all incredulous and alarmed on now that I know that you love me as well?, which got a cute audience reaction.

"On My Own": I thought the audience had demonstrated its greatest, loudest excitement over "One Day More", and I was VERY incorrect. Wailing whistling whooping excitement for Mya Rena Hunter, the roof near came off. By far the most intense reaction of the night even if not the longest.

"Javert's Arrival" / "Little People": I continue to be perplexed by the Grantaire & Gavroche side plot, but godspeed, I guess, I have no opinion one way or another for how that impacts reading any of the characters involved. It feels like this staging decided to put all its eggs in the Grantaire basket, so far as giving any of the Amis a reason to hold the audience eye.

"A Little Fall of Rain": There are so many people involved in producing and staging and acting Les Mis who know the theory and technique of theater better than I can ever hope to grasp, but: pulling the tied-up Javert back on-stage during the final moments of this number, disruptive movement and noise in the corner of the stage, feels like, hm. A decision being made that I do not understand.

"The First Attack": Boyd continues to have the erotic energy of an off-brand Ken doll, I don't in the least understand how tied up and manhandled and with Kyle Adams queening it up all over him that I get nada. Even Cartell tossing him up against a wall did nothing for me. More interestingly: the hesitation as the students decide how they feel about a restrained man being shot, the quiet before one of them thumps the butt of his gun on the ground and says—more or less, I forget the line—good job, is a curious, tense choice. The consensus among the Amis in the novel appears to be that Javert, as an agent of the state, a spy, has earned his execution just as much as Le Cabuc—and, given his capacity to inform against those who did leave the barricade, it's not unreasonable. All the same, it's uncomfortable, as a modern reader, and this production is giving us plenty of space to feel that emotion.

"Drink With Me": This was a crime against me personally, a gay not prepared to feel so strongly about Grantaire/Enjolras. Devin Archer reciprocates the care and attention Adams put into the dynamic to a degree that makes it read a lot more like a strained relationship than one-sided pining, which I'm fine with.

"Bring Him Home": As Cartell shivered through his last note, someone in the audience member lost their grip, they whooped like a hyena, brought me back to being a person and not just ears hanging on the climb and drop of the song. As a kid I always skipped "Bring Him Home" while listening to the soundtrack, put off by the softness, the pitch, and while I've grown to appreciate the skill that goes into it and feel far more deeply the summers die one by one, damned if I've ever got the song to the degree I get it now, having experienced it in person. & once the rest of us had got caught up with the hyena in the audience, worn ourselves out clapping and whistling, into the silence he gave another whoo whew!!, which prompted a laugh I think we all very well fucking needed.

"The Sewers" (?): Boyd took his hair down and now he's wild, good for him. Frantic, agitated, his scurrying bolting searching across the stage, the frustration with the sewer grate, he's lost his shit—I didn't expect him to bring any energy into the role, given I found him bland up to this juncture, but apparently he was saving all the interesting for the breakdown stage of being Javert.

"Dog Eat Dog": Low-key a favorite song of mine, probably for the same reasons that I listen to folk punk. Matt Crowle dropped the comedy utterly from the harvest moon shines down—it resonated, gave me a shiver.

"Javert's Suicide": Boyd redeems himself some—I will not be swayed, and unsteady on his feet. The aching vulnerability that Philip Quast brings to this number has not yet been unseated in my heart, and I've seen a clip of Tam Mutu in hysterics that was interesting and impactful, but this wasn't a bad take. There was an undignified quality to how he kept his knees bent after climbing up onto the parapet, a mimicry of that caution and fear of falling that is absurd in the context of a jump to death, that felt human and exactly as embarrassing as I want Javert's life to be. Now, unless you're going to break the actor I don't think there's a way to play the suicide that I'm not going to find comedic—I'm an unforgiving watcher—but they did their best.

"Empty Chairs at Empty Tables": Somewhere around here it was they lit the flame I began to hear sniffling and by oh my friends my friends forgive me it escalated to outright weeping. Big ol' butch bald man there with his girlfriend was two seats down from me and he utterly lost his shit during this number, bless him, and no wonder: Jake David Smith, who was a very charming Marius, you forgave him the stalking, but not particularly noticeable, all a sudden demanded our attention. I do wonder whether that audience member had lost friends, whether something about this spoke to him personally.

"A Heart Full of Love (Reprise)" / "Valjean's Confession": Throughout I debated whether Cartell's gait was a little odd, if I was misreading, if he was dragging his left foot, but here there's no doubt here, he's playing it up like he miscalculated his fluid intake and worked out hard, he's bodily fucked, Marius please lend this man your cane.

"Beggars at the Feast": Delaney Guyer pauses, uncertain, a flicker of fear, as she crosses close to Victoria Huston-Elem, and—listen, Hugo sure as hell doesn't ever give Cosette the space as an adult to so much as think about the Thénardiers, I don't know that I've seen it in any film adaptations, I hope it's out there in fandom but I'm in the wrong corner to know for sure (with one exception offhand), and it says how much I'm hungry for that deep-dive that seeing it acknowledged for ten seconds on stage has me writing in this tone about the topic.

"Epilogue: Valjean's Death": Cartell embraced Randy Jeter and I shed one (1) tear. Then he stopped, pulled away from being led to paradise to turn back around to Delaney Guyer to love another person is to see the face of God and—it's a cheesy line! it's absurd! it's not even Hugolian, goddamnit! the lyrics borrow a suspicious amount from Gillenormand! I refuse to provide you the tear count at this juncture.

"Finale": Dissociation! at the Broadway. Too fucking good for my brain to stay present.

In conclusion, were I to write the fic based off this one specific performance, which I have definitely not considered: I would proceed as firmly rooted in the musical as possible, and let be for the moment all those many Brick details in preference of saying: what are these characters doing? What did it mean for Cosette, to sometimes see from the corner of her eye her father with his sore leg dragging, his shoulders hunched, a feral dog light in his eyes? Was part of the strain in Grantaire and Enjolras' relationship that lingering attention Enjolras has for Marius, and does Marius ever think about the man whose ghost hesitated so long with his attention fixed on him? Do the Thénardiers circle back around, and how does Cosette reckon meeting her childhood nightmare as one woman to another? If I had no other context, I would say that Javert's breakdown is half at least about being held captive, with Jean Valjean a wretched complication—as he stood on the parapet, could he still smell the brandy on the breath of the murderous drunk who clutched arms around his chest, weighed down his back, all around them the gunfire and the smoke? Does Jean Valjean get to screw around with incredibly hot Myriel in the afterlife? This is not a musical experience that inspired fix-its; the dead are dead. It would have to be a story about ghosts.