#had to change the formatting of those

[titenoute]

Meme redraw OG Rayman prefers to choose kindness whenever he can...

V.2 :

But sometimes, you gotta send a message.

[voidmetal-alloy]

Some very rough concepts for soul core Bass and Proto, with some extra things under the cut like how Bass' buster works and some helmetless ideas for the two of them.

[sweetmeaty]

quick oc refs.

[chidoroki]

June 14th, 2025 - Chapter 181's 5th Anniversary

(celebrating with one Emma + one quote from almost every chapter)

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕

[buwheal]

I !!! Think!!! I’ve finally finished the key frames & inbetweens!!!! Kinda was hoping itd be done today but oh well. All thats left to do is rendering, pacing, and text!! Or,, well,, just the first two because im not doing text aha. Its visually carried :-3 should be fast because its not too complicated

Oughh still have to finish storyboarding the next one though aha.. and then the one after that.. because i have no idea what im doing for that one and i PROBABLY should lol

[unnonexistence]

i am just going to have to get used to ambiguously-defined variables and bad documentation, aren't i

[the-acid-pear]

today's prompts are spiders and self insert so i've been thinking of drawing nembone and a uh, bunger. but Im still thinking around the uh. ? i cant remember the word HELP the fucking COMPOSITION there.

[tchaikovskym]

I need to learn how to make gifs so I can make sets of tma fears in moomin, because I know no one even on this site is as weird about it as I am

[mbat]

decided to rank all the world of warcraft zones. !! not by quests or story !! literally just by looks and how much fun i have there. the fun part is important for the lower ones lol, especially the last 2. i Do Not like the goblin starting... everything about it

its almost entirely sorted by alphabetical order except for the top rank and the first 3 of the second rank lol (also the bottom 2). can you tell i love draenei stuff?

also this list DOES NOT take the cities into account, which is why durotar and elwynn are so low for example. im gonna rank cities separately lol

[criterionhead]

an essay where i treat Head like season 3 of the monkees.

[khioneee]

tap out. pt ii.

warnings. mentions of death, emotional distress, grief and loss, pregnancy.

a few years later, another tap-out ceremony arrives, but this time, the air feels different—heavier, somber. simon’s been gone for over a year, his deployment unexpectedly extended due to an incident overseas. you’d been told he couldn’t come home for a while, but that didn’t make the waiting any easier.

today, you stand among families who aren’t just here to tap out their loved ones but to say goodbye to those who didn’t make it home. tears stream down faces as loved ones gather around caskets, grieving the soldiers they’d lost. the sight fills you with a mix of dread and relief, knowing simon is still out there, waiting.

simon stands in formation, rigid as always, but he has a sense for you. before you even appear in his line of sight, he knows you’re near. but imagine his surprise when he catches a glimpse of you in his peripheral vision, a small bundle wrapped securely in your arms.

his heart hammers in his chest, quickening as he realizes what this means. his breath catches, his eyes fixed on you as you approach. you look up at him, your eyes sparkling, a knowing smile on your face as you watch the subtle changes in his expression—the slight twitch of his eyebrows, the way his breathing picks up as it dawns on him.

both of you had been trying for a baby before he left, and now, standing before him, you hold that precious life in your arms. it had been a struggle going through pregnancy without him, feeling his absence during every kick and every sleepless night. but seeing him now, looking more than ready to meet your child, all the pain fades away, replaced by a joy so profound it fills every inch of you.

‘daddy’s home,’ you whisper softly, tilting the blanket so simon can see her tiny face, fast asleep, a perfect mirror of him in miniature. she’s got his nose, his quiet strength already etched into her tiny features.

with tears in your eyes, you reach up, your hand finding his cheek, tapping him out in the gentlest of touches.

the moment your hand connects, simon moves, breaking formation as he pulls both of you into his arms, holding you close as if he’ll never let go. his voice is thick with emotion, barely a whisper as he murmurs, ‘my loves.’

you knew your husband had a reputation in the military—a man as cold and unyielding as steel, a fortress no one could break. but as he held you and your newborn in his arms, that carefully built facade cracked, revealing a vulnerable side of him that only you ever saw. the tough soldier was gone, replaced by a man whose heart lay entirely with his family.

‘do you want to hold her?’ you ask softly, watching his eyes light up with a blend of surprise and joy.

‘her?’ he whispers, voice catching on the single word, as if it’s almost too much for him to believe.

you nod, smiling through a haze of happy tears. ‘her.’

with slow, reverent movements, you pass your daughter to him, watching as she looks impossibly tiny cradled in his strong arms. simon looks down at her with a mixture of wonder and fierce protectiveness, as though he’s already memorizing every detail of her face.

as if sensing her father’s gaze, the baby yawns, a soft little sound that makes simon’s eyes shine with awe. you catch the faintest smile pulling at his lips, a rare, tender expression that he reserves only for moments like this.

he leans down, pressing his lips gently to her forehead. ‘never gonna let anything happen to you,’ he murmurs, voice thick with love and quiet promise.

while simon was lost in his quiet moment with your daughter, a loud shout cut through the air, breaking the peaceful silence.

‘is that our baby i see?!’

simon’s head snapped up, his expression immediately shifting to something harder. he turned to see soap grinning widely, practically bouncing with excitement. with a sigh, simon reached over and smacked the back of soap’s head, though his movements were careful not to jostle the sleeping baby in his arms.

‘there’s people grieving, you idiot,’ simon muttered, but soap only snickered, completely unfazed.

‘and what do you mean, ‘our’? she’s y/n’s and mine. you’re not part of this relationship, mate,’ simon added, his tone dripping with mock irritation.

but soap, undeterred, just ignored him and held out his hands, wiggling his fingers in a display of exaggerated excitement. ‘oh, come on! let me hold our child!’

simon groaned, looking down at you with a glance that seemed to ask, ‘do i really have to put up with this?’ but he couldn’t hide the tiniest hint of a smile tugging at the corner of his mouth as soap’s enthusiasm filled the air around you.

reluctantly, and with another sigh, simon finally leaned over, carefully passing your daughter to soap, though not without a low, ‘if you don’t keep her calm, you’re not holding her again.’

soap just grinned, taking her into his arms as if he’d won the lottery, cradling her gently and cooing softly.

soon after, the rest of task force 141 gathered around, drawn by the excitement, each member eager to catch a glimpse of the new addition to the family.

you and simon stood to the side, watching with cautious eyes as they took turns holding her, each one adopting a careful gentleness you wouldn’t have expected from hardened soldiers.

price held her with a proud grin, murmuring something about ‘training her to be the next captain,’ while gaz made her giggle softly with his gentle cooing. even the usually reserved roach softened as he held her, a rare smile tugging at his lips.

you glanced up at simon, watching his face as he stood beside you, arms crossed in a show of casual indifference.

but you knew him too well. beneath the mask of stoicism, there was something warmer, a subtle softness in his gaze as he watched his team, his family, sharing this moment with him. this gruff, unbreakable soldier, who had once thought he’d lost everything, had found a new family among them, one that shared in his joys and sorrows alike.

reaching over, you took his hand, giving it a gentle squeeze. he didn’t say anything, just gave your hand a quick squeeze in return, a quiet acknowledgment. but you could see it in his eyes, that gratitude for a family he never expected to find—a family that had now become part of yours.

[exculis]

used to be a ton of miso soup posts on the dash like i dunno a year ago or maybe longer. probably longer. my sense of time is bad. anyway im definitely looking forward to it bc ive heard such good things basically lol.

[kuiperblog]

Where Star Wars went wrong

Quoting Jason Pargin, who articulates it better than I could:

"In any kind of a sane world, The Mandalorian should have run for 150 episodes at least. They had a formula here that could have worked forever.

"It's a formula that has always worked: a heroic stranger wanders into a strange new land and meets a bunch of colorful characters, usually under the thumb of a powerful threat. The threat is usually in the form of a villain who's played by a famous actor just chewing the scenery. He uses hits wits and his courage to get out of it and then he moves on.

"Have Gun, Will Travel" ran for 225 episodes from 1957-1963. It's where Gene Roddenberry of Star Trek fame got his start.

"The sci-fi space adventures we had years and years ago used to run forever. Star Trek TNG had about 180 episodes, Deep Space 9 had about the same number, even Voyager -- the show that we think of as being a "lesser series" -- had 172 episodes. And here's the thing: most of those episodes were really good!

"But because of the way the business works now, and because of 'corporate synergy,' by season 2 of the Mandalorian, they were brainstorming "how do we get this back to Luke Skywalker and the Death Star?"

"By season 3, fans were lost, because some huge plot events had occurred in a completely different series, because they needed it to connect to their Boba Fett show. And now, the Mandalorian is dead. They're gonna wrap up the story in a movie, and that's it.

And the crazy part is, this was always the perfect format for Star Wars: it always should have been a short form serial! That's what George Lucas was ripping off when he made the film back in 1977: serials like Buck Rogers and Flash Gordon.

These were little 12-minute long episodes that played as one continuing story, but each one was its own little lighthearted adventure that usually ended on some kind of a cliffhanger.

"This is why so many of the most hardcore Star Wars fans who are old like me only like two of the movies, because by the third film they were already just repeating beats: they were attacking yet another Death Star.

They ran out of ideas so fast, because this is not the ideal format for this universe. The Mando and Baby Yoda Show is the ideal format! This should have run for the next 20 years! They even set it up so that the star wouldn't even need to be on set for most of it, because he wears a helmet!

"I think some fans object to this, because they think of it as making Star Wars smaller, that you're reducing it to 'just a TV show.' But it's the exact opposite: it lets you expand the universe, because you're forced to to keep coming up with new places for him to go, and new people for him to meet, new villains for him to face -- you're not forced to just keep coming back to the Death Star again and again, and the Sith, and the Jedi.

In Episode VII: The Force Awakens, the Starkiller Base destroys five planets. That's mathematically five times more tragic than the destruction of Alderaan.

"And if you want evidence, just look at Star Trek! It's the show that expanded the universe. The Star Trek films were just action movies that are very forgettable. But I guess the world has changed, because they don't even do Star Trek that way anymore.

Picard ended its run after 30 episodes. Discovery concluded after 65. Hopefully, Strange New Worlds marks a return to form for the franchise.

"I don't get it, because it seems like a version of this show that runs until the year 2040 would have just printed money. The merchandise sales alone would have covered the production costs. Instead, it's 24 episodes and a movie that I think everyone has already stopped caring about."

[nereidprinc3ss]

hi!!! here for a request. can we have a imagine where reader has a wound from surgery or whatever on like in a rib and she hides to change the bandages but then spencer sees her and he’s like ‘lemme help you’ and…

you do you for the rest!

in which spencer helps BAU fem!reader change her bandages in the bathroom at work. it's intimate, and he's adorable and awkward, and it only fuels her terrible, terrible crush.

warnings/tags: fluff, talk/description of wound, brief talk of being stabbed (does not actually occur in this fic lol), reader wears a bra, spencer undoes said bra but not sexually, lots of suggestive humor and teasing, a TINY sprinkling of angst but not really, idiots in love

a/n: i'm picturing early seasons spencer and it is filling me with so much unbridled joy. I. LOVE. HIM. thank you for the request!! and lets not talk about how inconsistent my formatting for requests is pls and thanks!!

It’s not like you meant to bend down so quickly that your wound reopened—but here you are, suffering the consequences of your actions in the women’s bathroom at Quantico as you try to assess the injury before you re-bandage it. And your shoe is still untied. 

Unfortunately, the fact that you had quite literally been stabbed in the back last week makes it hard to reach said injury—especially when you’re at work and so can’t take off your shirt like you normally would. And all this struggling means it’s taking longer than it should, so now you’re focused on the wound and its scabby, wet edges and all the things it’s secreting rather than hurrying to give another statement of the entire event to Hotch since the first one had apparently been too sparse on the details. 

A knock sounds on the open door. Spencer calls your name. 

“You in there?”

The angle of your neck has your voice slightly strained as you call back, “yeah, what’s up? Is it Hotch?” you pause to hiss as you accidentally scratch at the wound with a nail. You don’t even want to know how much bacteria you just introduced to it. “Tell him I didn’t forget our meeting, I’ll be there in—”

“It’s not Hotch. I just wanted to make sure everything was okay with your back? I know you said you were going to check on it, but you’ve been in there a while.”

You sigh, dropping your sore arm as you continue to hold up your shirt with the other and regarding the reflection of your back in the mirror. 

“Actually—could you come in here?”

There’s a pause. 

“You want me to come into the women’s restroom?”

“Yes, Spencer. It’s fine. There’s nobody else in here. I just… I need some help, I think.”

The last part is admitted quietly, with an air of defeat. To admit to needing help, is, by your standards, the same as failure. Spencer knows this, which is probably the only reason he puts aside his hesitations and shuffles uncertainly into the tiled room. If you’re asking for help, it’s because you really need it. 

“What do you need help with?” he asks, sweeping his gaze suspiciously around the lavatory as if you were lying about there not being any other women present and this whole thing might be a trap of some sort. 

“It’s gross, and you can totally say no.”

He raises his brows expectantly, before spotting the weeping wound on your back. Unconsciously he steps closer, leaning forward. It’s not your fault, and the gore is not specific to you—anyone’s body would react this way to being stabbed. But you still feel embarrassed by the close attention to such an ugly marring, which nobody besides you and your doctors has actually seen up close.

“That doesn’t look good,” he mutters. The expression on his face is irritatingly familiar—the drawn brows, tightened eyes, barely parted lips—but it takes a moment before you realize what it is. 

“Reid,” you complain. He’s still stooped over slightly to examine the wound, and looks up at you through dark lashes with those infuriatingly warm puppydog eyes.

“What?”

“You’re looking at me the way you look at a dead body on the slab.”

His nose scrunches.

Some might say it scrunches adorably. 

“No, I’m not. That’s just my face.”

“Okay, well stop. It’s freaking me out.”

He pouts—actually pouts. Subtle, but bottom lip jutted out and all. It’s ridiculously endearing. 

“My face freaks you out?”

“Wh—no! That’s not what I said! You have—you have a great face! I didn’t mean—” 

You manage to claw yourself out of the hole you’re digging when you see the dopey smile growing on his face. 

Oh. He was fucking with you. 

He never used to do that. It’s unnerving to be the fucked with instead of the fucker for a change. Especially when it’s Spencer. 

“What did you need me for?” Spencer asks by way of peace offering. You close your eyes and sigh, attempting to collect your thoughts without his presence re-scrambling them.  

“Um—I just need you to put this bandage over it. I can’t reach without taking my shirt off.”

And now you’re forced to wonder if he’s thinking about you shirtless as much as you’re thinking about you shirtless.

“Yeah—don’t do that,” he says absentmindedly, stepping again closer to get a better look before turning to the nearest sink.

For some reason, this offends you. 

“Why not?”

Spencer pulls another face as he washes his hands—you love the constant flow of expressions he always seems so unconscious of. Even when they’re not pleasant and directed at you.  

“Are you asking me why shouldn’t you take your shirt off?” he clarifies. 

“I know why I shouldn’t take my shirt off, but I want to know why you think I shouldn’t take my shirt off.”

“Because we’re at work?” he observes astutely. You frown deeply at his completely logical reply. Spencer chuckles as he dries his hands and approaches once more, taking the square of gauze pre-lined with medical tape from your hand. “I mean, I can’t stop you. But it would be kind of a weird choice.”

“Oh, so me shirtless is weird?”

Cool fingers meet the comparatively hot skin of your back—where everything is still sensitive because the wound wreaked havoc on your nerves there. You flinch slightly. 

“Sorry,” he murmurs gently. Though his touch is so incredibly light it doesn’t really hurt—it hurts much less than when you’re tending to the wound, anyway. It’s almost soothing. After a moment he continues, a bit louder. “And that is not what I was saying. But I am completely comfortable asserting that it would be weird for you to be shirtless at work.”

The gentle touches contrast with his teasing words and serve to disorient you as you’re shaken back in to your usual dynamic. Which is markedly more sarcastic. 

“Well—”

Before you have to think of something to say, Spencer interrupts you. 

“Your, um—I think your… brassiere… is in the way.”

As soon as he says it you burst out laughing. It echoes through the room. 

“My brassiere? Are you actually 70 years old?”

His brows knit even tighter and his face gets very pink very quickly. He can’t meet your eyes over your shoulder. 

“That’s what it’s called.”

“Spencer, you may be the first person to use that word since 1952. Say bra.”

“I don’t want to,” he complains. Your laughter only grows as your head tips back. 

“Why? How is brassiere better than bra?”

“It’s—it’s too colloquial! I’m trying to be professional!”

“Call it a bra or I’m going to rub my dirty hands all over my back,” you threaten, adopting a poker face so he knows you mean business. His eyes widen immediately. 

“Oh my god! Bra! Do you want to introduce staph and meningitis and g—do not do that!”

“See? How hard was that?”

“I hate you,” he mumbles, face still flushed and adorable. “And you still have to take it off.”

“Excuse me?” you grin, pretending to be affronted because you know he didn’t mean it like that but it’s fun to pretend he did. Fun for you, of course. Not so much for him. He's utterly flustered by this point.

“Or at least undo it! It’s in the way.”

With a deeply bored sigh, you go to unclasp your bra—but as you go to do it your shirt drops down. You grimace, humor briefly forgotten as the fabric brushes the damaged skin. 

“I can’t—”

“Okay, just—I’ll do it,” Spencer says. “Just move your shirt again.”

So you do, watching his reflection as he works.

And you have not one joke to break the heavy silence with as you feel his knuckles gently pressing into the middle of your back, as he unclasps the bra with his characteristic tenderness and a surprising amount of agility. It’s quiet except for your pulse in your own ears as he carefully pushes it out of his way, holding it down with a hand to your rib cage and fingertips slipping just under the fabric of your shirt—unintentionally and certainly non-sexual, no doubt, but skimming under your heart in a way that still feels so intimate you’re realizing how touch-starved you are. 

“You do that often?” you find yourself asking, because you’re stupid, and you need to cool the tension before it chokes you, and you can’t help yourself even though you don’t actually want to know the answer. 

“I,” he begins, voice quiet as rustling paper, tongue darting over his lip and eyes narrowed. The sentence stalls as he focuses on placing the patch just so. “Do not think that is an appropriate workplace question.”

Something aches in the pit of your stomach. 

Something resembling jealousy. 

It was not the timid evasive linguistic maneuver of someone who is insecure about the thing they’re discussing. It was not the awkward fumbling no but I don’t want to tell you that which you were expecting from Spencer Reid. 

Nor is it an easy yes—an admission between friends. He doesn’t want to tell you. 

You swallow and try to act like yourself. 

“Yet here you are, in the woman’s restroom at our place of employment, undoing my bra. I think we’re past professionalism.”

“When you decontextualize it like that it sounds like something it’s not. This is professional, because I’m helping you with a wound you sustained on the job. I’m being a good colleague.”

Your lips twist into a smile he can’t see. 

“A great colleague would kiss it better.”

“It's almost like you want me to file a sexual harassment complaint with HR," he says through a little smirk as he smooths the bandage over. Before you can snip back, he steamrolls over his own teasing—you’ve both been speaking in almost reverent tones since he started but his voice loses the sarcastic edge from a second before and reverts back to concerned and sweet. “Does that feel okay?”

You rotate your shoulders best you can without letting go of your shirt or flashing the good doctor to check if it feels secure.  

“It’s good. And hey—if I were going to sexually harass you I would do a lot better than that. You think that’s my best material? That’s just the tip of the iceberg. I keep so many inappropriate comments to myself. You’d be shocked by some of the things I have almost said to you.”

He laughs, secures the band of your bra and begins fitting it to the clasp you’d had it on—and at that precise moment Emily walks in. 

“H—woah.”

“It’s—I’m—I was helping her!” Spencer panics, immediately removing his hands from you like his palms are burning and holding them up defensively. 

“Oh, you helped me alright,” you tease, pulling your shirt back into place. 

“Don’t say it like that!” And then, to Emily, “I was changing out her bandage!”

“Changing my bandage,” you emphasize, winking more than is advisable. 

“That’s—this is a hostile work environment! I feel unsafe!” Spencer almost yells, half laughs, as he scampers towards the door. “I’m going to HR!”

“Shut up! You love it!”

His laughter audibly travels farther away for several moments as he presumably goes back down the hallway to do his actual job. 

You have the stupidest grin on your face, but you wipe it off when you notice Emily staring. 

“What?”

“Nothing,” she says, shaking her head and looking away, moving toward a stall. “You’re just… you guys are funny.”

“What do you mean funny?” You demand, standing right outside her stall as she closes it. 

“Wh—I mean funny! Are you going to listen to me pee, you weirdo?”

You frown. 

She makes a good point. 

Unfortunately, giving Hotch a more detailed statement is just as bad as you’d thought it’d be. Despite how cheery you’ve tried to remain about the whole situation, despite the way you insisted that the wound was so shallow you didn’t need more than a few days off work, despite the jokes you make about forgetting it’s even there because it’s on your back—it’s hard not to remember exactly how the glass felt twisting under your skin, how you’d felt suddenly so hot and lightheaded and sick to your stomach and the way Morgan hollered because he didn’t know how deep it had gone after you crumpled quick from shock, when you’re asked to describe it all in excruciating detail. 

It only takes ten minutes, but they seem to drag on and on and by the time you’re leaving Hotch’s office you feel utterly drained. You hurry back to your desk, covertly wiping away moisture that you refuse to allow to become tears. Once seated, and having dodged sympathetic looks and avoided any do you want to talk about its, you allow yourself a few deep breaths with your eyes shut. 

When you open them, you realize there’s a fresh cup of your favorite tea on your desk, in the Snoopy mug the team is always fighting over. Now his little black nose is covered by a square of yellow paper. You’re already smiling as you peel away the sticky note and hold it closer. 

On it is an adorably odd smiley-face, and a note in familiar, messy looping scrawl. 

I would never report you to HR beautiful

That would be a stab in the back!

You snort loudly and clap a hand to your mouth—but you’ve already drawn the attention of almost everyone in the bullpen. 

When you turn to look at Spencer, he’s not looking back. Instead, his eyes are firmly trained on his computer screen. But he’s got his chin propped on his fist over the desk, and his knuckles are doing a poor job of concealing a giant self satisfied grin. He is the only person on the team who knows you well enough to make such a distasteful joke. And he also knows you well enough to know that it would make you feel so much better after your meeting with Hotch than all the well-meaning sincerity in the world ever could.

Funny. 

Maybe that is the right word for what you two are. 

[citricacidprince]

Could you draw that "I trust you" scene with Mabel and Stan but with the relativity AU? (The stan twins and pine twins swap ages au)

OF COURSE, I WILL GLADLY DRAW THEM!!! 💥💥💥

I’m gonna post a long winded thesis about my thoughts on this AU, my take on the AU, and two additional arts under the cut because ooooh boy it’s a tad bit long lol. Also, please please forgive the formatting, I’m writing this all on the fly and it’s extremely disjointed, sorry- 💥

I know there’s the ‘canon’ Relativity AU designs and character dynamics, however I don’t really like them that much ngl. I feel like it mostly just ends up with ‘Mabel and Dipper get switched with Stan and Ford with no nuances once so ever’ and that BLOWS!!! There’s so much potential there and no one is playing with it!! YOU GUYS DON’T EVEN HAVE MABEL PRETENDING TO BE DIPPER, WHATS THE POINT????

Not only that but I feel like making Dipper and Mabel’s dynamic just Ford and Stan’s when they’re adults is a HUGE simplification of their characters. Like, Mabel and Dipper fight, but they don’t fight like Stan and Ford, they’re not as hard headed and stubborn. Mabel would commit some crimes yes, but I don’t believe she would get into some of the heavy shit Stan had in his past. I refuse to believe Mr. Dipper ‘Undiagnosed Anxiety Disorder’ Pines would fall for Bill’s flattery as easily as Ford did.

The Pines Twins are very different from the Mystery Twins. Mabel and Dipper didn’t grow up with a father constantly comparing the two and pinning them against each other, outright telling one kid they’ll always be a failure while the other is going to have the burden of making their family rich. They never had that tension. They wouldn’t be walking on eggshells around eachother as adults.

I know that makes the concept sound boring to some, ‘Where’s the fun in the AU if you take away the sibling fighting’. You cowards, you can still have it, young Stan and Ford are RIGHT THERE. During the second half of the show when Dipper comes back through the portal, instead of having the older set of twins, something that doesn’t make sense with their characters, have a building tension that’s going to explode soon and keep it between Stan and Ford, don’t take it away from them. If anything, I think taking away the resentment and anger growing between the two and giving it to Mabel and Dipped is a butchering of all the characters.

Sure that means some of the episodes would have to change or be completely erased, but that’s fine!!! Make up some new ones!!! Get silly with it!!!

Mabel and Dipper talk about feelings, Stan and Ford don’t. Mabel and Dipper can’t stay mad at each other, Stan and Ford will try and stay mad for decades because being angry is easier than being upset.

In my idea of this AU that fight at the end of Weirdmageddon HAS to be between Stan and Ford, and Stan HAS to still be the one getting his memories erased.

💥 Post Not-What-He-Seems Relativity AU Rambling Below 💥

Dipper is a paranoid man, fool him once you’re never going to fool him again. He would never in a million years ever work with Bill again. Ford however is an extremely lonely child, both he and his brother are desperate for any type of positive attention. I think Bill would see him as a potential protege, especially since Ford is a ‘freak’ like he is and the kid is extremely smart for his age. He’s malleable, Bill probably thinks he could shape him uo to be the perfect lackey.

Ford, being the lonely kid he is, probably does fall for the praise initially. He craves attention and Bill pushes all the right buttons and says all the right words, tries and gains his trust even if time has proven again and again that he shouldn’t be trusting the demon.

The tension between the Stan Twins would grow after Grunkle Dipper comes back because Ford is upset that Stan didn’t listen to him (even if it was for the best that he did) and that Grunkle Dipper forgave Graunty Mabel so easily because if Ford was in those shoes he wouldn’t have. It grows more and more as Ford becomes distant and Stan tries to connect with his brother to no avail. Which, of course, comes to a boiling point when Ford says he’s going to stay in Gravity Falls and learn under Grunkle Dipper. Stan is rightfully upset. He can’t go back to New Jersey by himself. It’s always just been the two of them, he needed Ford, he couldn’t handle school or their father by himself. He can’t be alone.

Unlike Mabel who just wanted one more day of summer, Stan wishes that he wouldn’t be alone, which indirectly causes Weirdmaggendon.

Stan’s prison bubble would probably be a fake New Jersey-esc town full of a bunch of little Stans running around. Town O’ Stan. A place where no Stan is left behind.

The two don’t even get to have a heart to heart in the prison bubble. Stan was kinda forcibly taken out of the bubble and the tensions between the boys are higher than they’ve ever been.

During the Cipher Wheel fight Stan punches Ford and immediately feels bad when he sees he knocked out his brother’s tooth. He tries to apologize but Ford tackles him before he can, leading to the boys tussling on the floor. The two fight, whining out hurtful words neither of them mean and only stop when Bill shows up and captures them. Graunty Mabel and Grunkle Dipper run off and distract Cipher in hopes that they can keep the attention on themselves long enough that their great nephews could come up with a plan to escape.

The younger twins don’t find a way out and instead, finally, have an actual talk about their feelings, one that definitely ends up in tears as the two talk about the pressure that��s put on them or how worthless they feel. After that the boys get a rush of determination to escape when Stanley has a plan. Ford immediately hates the plan but Stan insists that they do it, in his own words, ‘Let me prove I can do something right for once.’

When Bill comes back and threatens to kill either Mabel or Dipper just for the hell of it, Ford calls out that he’d like to make a deal.

He wants to work with Bill, let Bill into his mind willingly. Bill immediately jumps on that offer. Ford is a promising young kid, perfect henchmaniac potential, not to mention it would absolutely devastate Dipper is his great nephew willingly turned to Bill’s side.

He goes into Ford’s head, revealing Stanley just in time to reveal that he was trapped, panicking as he was erased with a swift left-hook along with a kid who was happy to prove he was good for something after all.

Everyone was devastated after Weirdmaggedon of course, a child had his mind completely wiped. Stanford took it the worst, he just managed to finally break down those words that others built in his head, that he was too good for Stanley or that he didn’t need a knucklehead like him dumbing down his brain, and now his brother was gone. Just like that.

We all know what happens after this, Stan gets his memory back, everyone celebrates and the Stan twins are sent home, promising each other that they’ll never let anyone try and tear them apart ever again. Dipper and Mabel stay at the shack, after all, all they could ever want is there, where else could they possibly go?

Sorry this was… extremely rambly and long, I am extremely tired and can’t think straight I have a bunch more ideas and concepts so if anyone’s desperately wants to hear them just ask I guess, sorry you read this dumb of ass essay haha 💥