You guys ever think about how funny it is that the whole reason why Cale did not have try at all to impersonate the original Cale, was because no one actually knew anything about him, despite the fact that everybody knew about him? On an international scale, even??
Cale: (doing an absolutely terrible job at being trash)
Everybody else: That doesn't sound right, but I don't know enough about Cale Henituse to dispute it
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Submitted by @saberamane
All these ‘Desmond as …’ asks with him as dangerous animals. This would be his reaction to a Templar trying to move him from somewhere. Or an Assassin he didn’t like…
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short snippet by teecup
I made it vague what kind of animal/creature Desmond in this one so if you want him to be Mr. Tunnel Fluffball, go ahead XD
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“My lord… the excavation team cannot proceed with digging deeper underneath the temple.”
Maria stood quietly as Robert glared at the poor messenger who had the misfortune of informing Robert of the unfortunate news.
“What’s the problem now? We already paid off everyone to let us dig in peace and to stay quiet. This should not have gotten to Saladin’s ears.” Robert growled.
“It’s not… it’s not the Saracens, sire.” The poor messenger gripped his hat tight enough to crumple it as he tried to explain, “They… they say that the only route we can take is blocked.”
“Blocked?”
“Yes, sire.”
“And they can’t just dig around the blockage?”
“No, sire.” The poor messenger shook his head and Maria wondered if the messenger was already saying a silent prayer in fear, “They say that this is the only route. Any other places would weaken the foundation and we risk the temple collapsing above us.”
Robert was not a brute.
He was quite a reasonable man.
A wise man.
But this entire expedition had put a strain on him. They do not have complete control over Jerusalem so simply being here, digging underneath Solomon’s Temple was a danger all by itself.
But he had just received word that left him in a very bad mood and everyone was walking lightly, hoping they wouldn’t be the one to step on broken glass.
“And we can’t just… unblock it?”
The messenger hesitated.
“What is blocking it?” Robert asked with a frown.
“I… I believe it is better if you come see for yourself, sire.”
With that ominous words, the messenger led them deeper into the tunnel they had been digging. Maria did not know just how deep Robert wishes to dig nor did she know what they were digging this much more.
All Robert said was that a treasure that can change the entire world nestled deep underground.
Maria believed that Robert was talking about a holy artifact, perhaps the grail or the ark.
Something that will show to everyone that this Holy War is necessary.
That they are doing what is right and what God has intended.
As they reached the end of tunnel, Maria froze.
As the entire tunnel echoed the roar of the beast impending their holy mission.
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I don't know how I'd ever convey this in art but. Thinking very deeply about how in boy king au, a very crucial part of characterization is that Seb is a wolf in sheep(or lamb more specifically)'s clothing and Fernando is a sheep in wolf's clothing.
Seb is very unassuming, very delicate, seemingly very vulnerable and malleable. But, deep down, he can be very ruthless. It's in the the way he hesitantly declares war, with a spark in his eye and a suppressed smirk. In the way he challenges someone to a card game or a horse race, proclaiming that he's not great, but winning every round and prancing around the room and mentioning it ad infinitum. The way he's able to instantly turn the tide in a debate in one fell swoop. By showing all his cards constantly and letting himself be vulnerable, he's making himself invulnerable. No one would ever consider him to be able to make big moves, so he wins every single time, because no one even thinks to expect it from him.
Fernando on the other hand, is constantly committed to having a looming presence and harsh reputation, but deep down, he's soft. He knows what happens to people when they're vulnerable, and he's not going to let himself be taken advantage of. The way he keeps a brave face when being informed of the marriage proposal, but goes back to his room and cries. The way he proclaims that he was always going to be the rightful ruler of Spain, but confides to Flavio that he never thought there was any real chance of it ever happening. The way he takes himself so seriously in public, but inside feels so giddy whenever he can make someone laugh. Everything to him always feels unstable and ready to crumble at any moment, and he's not willing to contribute to that by letting himself relax.
I think thats why it's very difficult for them to get along at first, because they have completely different approaches to how they carry themselves and make their way through life. Seb is confused at Fernando because he feels that he's very bland and overly serious at first, but truthfully he's not really seeing the actual Fernando. And Fernando finds Seb to be naive and easily taken advantage of, but that's because he's never seen Seb at his most cruel. Seb really loves when he eventually gets to see Fernando being vulnerable, and Fernando really admires and respects Seb when he sees him being serious. I think it just takes a while for them to show the other their full and complete selves, even the parts they can sometimes be ashamed of. There's this very compelling dichotomy in Seb laying out all his cards, but still being very difficult to read, and Fernando keeping his cards to his chest, but his intentions often being easily seen through.
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Was talking with my mother the other day about the Boeing Whistleblower’s murder being framed as a suicide and she casually drops that the same thing happened to one of the union leaders my dad worked with. Would go on Facebook with a puppet account and a bag over his head documenting the company’s various legal violations. Two weeks before his daughter’s wedding he kills himself. Nobody believed that - he was happily married, healthy, and financially secure with no prior indications of depression or mood swings. But it was still ruled a suicide and everyone just…moved on I guess?
Like, I understand the Boeing whistleblower, but some random utilities union guy? Jfc he gets offed for bad mouthing the company and what we just go on with our lives? How are you not radicalized by this???
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genuinely really frustrating that people will like. choose to accept the age mistake made in assassin as canon for deathbringer when it actively contradicts older material. like. sorry idk if this is me being unfair here but genuinely like. why would you think it's intentional when deathbringer is described in main series as maybe a year or two older than glory at most, and can canonically not be any older than 9 due to stated timeline facts in the main series.
like. I get not liking glorybringer, i really do. no ship is for everyone. hell, even if assassin specifically makes you feel weird about it, so be it, to each their own. i can undertsnad that too. and yes, the glorybringer fans who think the age gap are canon are also in the wrong. they're being really gross, i don't think it's necessary to disclaim that, that feels given, but like... that only comes to my point still of like, i really don't understand taking a spin-off as canon over the main series. i don't really understand prioritizing later content as canon as opposed to the main work over spin-off as canon. why should a spin-off take jurisdiction just cuz it's newer? i feel like the older the canon is, the more likely it is the newer stuff will make mistakes. to me, in the case of a contradiction, the main series should be taken to? a spin-off is meant to supplement the main series, so shouldn't it only supplement canon that doesn't contradict?
like also, i get being frustrated it isn't fixed, but also. like. i obviously have not worked with a publisher before, but if I was writing for fucking scholastic books, no matter how well fucking beloved my series was, I don't know if I could risk being like "hey. can you pull my books from shelves and e-stores for me so that I can edit one line?" Like. I really don't think there's any reality in which I can make a corporation agree to that kind of thing, no matter what that one line may fuck up about my main story. like it's not even the only mistake she makes in the winglets. she calls deathbringer a rainwing in the flip book, but we're not hailing that as canon in retrospect, right? I don't know. I think it's unfair to presume that she's choosing not to fix it as opposed to it being an improbable to downright impossible thing to ask of a publisher. like yes tui is an incredibly successful author but i really don't know if we can presume she has that much actual sway on her publisher.
it's just really exhausting as a deathbringer enjoyer to feel like if I want to talk about and enjoy his character, and yes, that includes context given in the assassin winglet once you ignore the timeline error, i feel like I constantlyyy have to be saying "yes I think the timeline error is an error. no i don't think deathbringer is 13." like. every time i bring him up. i'm a riptide fan I'm used to it but also it's sooooo tiring to go into a character tag for a guy i like and be swamped with hatred for him and it's so much worse for deathbringer than riptide because in the deathbringer tag I have to deal with being actively accused of excusing gross shit for liking him instead of people just saying that my blorbo is boring.
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