#gustavo santaolalla

[zurdo-machete]

CERRARON LA SECRETARÍA DE DERECHOS HUMANOS, EL CENTRO CULTURAL HAROLDO CONTI Y EL ARCHIVO DE LA MEMORIA

Le llegaron los telegramas de despido a todxs.

Pero lo más grave es que tienen secuestrado todo el trabajo, el archivo del CONADEP, todo. Es gravísimo lo que ocurre, y es absolutamente un estado de excepción de todas las normativas internacionales de protección de derechos humanos.

LAS ÓRDENES DE TODO ESTE PROCESO LAS RECIBEN DIRECTO DE LOS PABELLONES DE LESA DE EZEIZA Y MARCOS PAZ.

Quería compartir con ustedes lo que ocurre porque no sale en los medios y es necesario y muy importante que lo sepan todos.

Esto no es la dictadura, es como explica el filósofo Agamben un "ESTADO DE EXCEPCIÓN" en democracia, una dictadura blanda. Pero son ellos. Los mismos que esperaron 40 años y ahora volvieron.

Como insistía Rodolfo Walsh:

“Reproduzca esta información, hágala circular por los medios a su alcance: a mano, a máquina, a mimeógrafo, oralmente. Mande copias a sus amigos: nueve de cada diez las estarán esperando. Millones quieren ser informados. El terror se basa en la incomunicación. Rompa el aislamiento. Vuelva a sentir la satisfacción moral de un acto de libertad"

via gustavosantaolalla (instagram)

[gael-garcia]

Pedro Páramo (2024)

directed by Rodrigo Prieto cinematography by Nico Aguilar, Rodrigo Prieto

[popclture]

Celebrities thanking their moms in award speeches

[azertyrobaz]

Wounds

Every time Gustavo Santaolalla’s theme “Wounds” is heard throughout the season.

[whump-tr0pes]

Least surprising news of the year. Let's goooo

[da-da-sk]

Iguazu · Gustavo Santaolalla

[no-life-without-music]

Got back in collecting CDs, decided to scan some of my fav ones I've gotten so far.

[thishadoscarbuzz]

327 - On the Road

With I'm Still Here garnering praise in this year's awards race, we thought it would be a great time to talk about Walter Salles- and, well, things turned out great with a surprise Best Picture nomination for Salles and company. After earning stateside honors with films like The Motorcycle Diaries and Central Station, Salles took on an ambitious and long-gestating project: an adaptation of Jack Kerouac's On the Road. With a starry cast and impeccable craft team, the film received a mild-to-dismissive reception at its Cannes premiere and struggled throughout the season to regain traction.

This episode, we praise the work of Salles (including in this divisive film!) and mention the many names that were previously attached to bring the landmark book to the screen. We also talk about Kristen Stewart during the height of Twilight, Salles' reedit of the film before its fall release, and the supporting cast that includes the likes of Amy Adams, Viggo Mortensen, Elisabeth Moss, Alice Braga, and Kirsten Dunst.

Topics also include IFC Films, the 2012 National Board of Review Top 10 Independent Films, and other beat generation films.

The 2012 Academy Awards

Vulture's Movies Fantasy League

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[fancypantsrecords]

Gustavo Santaolalla & David Fleming - The Last Of Us: Soundtrack From The Series Season 1 | Milan Records | 2023 | Black Translucent with Silver Swirl

[yourstrulyray]

did you guys know?

in the original score soundtrack, the demo for I Love You Too Much had maría duet with manolo.

(the female singer doesn't sound like maría, but it most definitely were a placeholder for her actual voice actor!) sad it didn't make the final cut 😞

[toointojoelmiller]

Not gonna lie I’m bummed I didn’t get an artist message from this 72 year old man

[n1ckelpistol]

[sigelfire]

Diego Luna at the NALIPs Latino Media Awards 2018

Here's with Gustavo Santaolalla:

And here's a video:

[diegothemenace]

@mexopolis: Ten years ago on from the day Diego Luna recorded The Book Of Life’s “The Apology Song” with Gustavo Santaolalla at his home studio in Echo Park. (x)

[azertyrobaz]

Forsaken > You & Me

Throughout the season, Gustavo Santaolalla’s haunting theme “Forsaken” slowly morphs into “The Last of Us (You and Me)”, which becomes Joel & Ellie’s theme during their journey.