#guns are for the weakest

[x-heesy]

​𝖆𝖌𝖊𝖓𝖙 𝖕𝖗𝖔𝖛𝖔𝖈𝖆𝖙𝖊𝖚𝖗

Pᴜʙʟɪᴄ sᴄʜᴏᴏʟ, ʙᴀᴛᴛʟᴇ ɢʀᴏᴜɴᴅs

Tᴡᴏ sᴛᴜᴅᴇɴᴛs, ᴄᴏᴍᴇ ᴀʀᴏᴜɴᴅ ʟɪᴋᴇ

Lᴏᴀᴅᴇᴅ sᴏʟᴅɪᴇʀs, ᴘᴀᴄᴋɪɴɢ ʜᴇᴀᴛ

Iɴsɪᴅᴇ ᴀ sʜᴏᴛɢᴜɴ, ɢᴜɴ ᴄʟɪᴄᴋ

Tᴏ ᴛʜᴇ ʙᴇᴀᴛ, ᴅᴏᴡɴ

Wᴇ sʜᴏᴏᴛ ʏᴏᴜ ᴅᴏᴡɴ

Wᴇ ᴄᴏᴍᴇ ᴀʀᴏᴜɴᴅ

Aɴᴅ ᴡʜᴇɴ ᴡᴇ ʙʟᴏᴡ ᴏғғ ᴛʜᴀᴛ ᴛʀɪɢɢᴇʀ, ɢᴇᴛ ᴅᴏᴡɴ

Wᴇ sʜᴏᴏᴛ ʏᴏᴜ ᴅᴏᴡɴ, ᴡᴇ ᴄᴏᴍᴇ ᴀʀᴏᴜɴᴅ

Tʜᴇ ɢᴜɴ ɢᴏᴇs ᴄʟɪᴄᴋ, ᴄʟɪᴄᴋ, ᴄʟɪᴄᴋ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs ɪs ᴡᴇ ‚ʙᴏᴜᴛ ᴛᴏ ʟᴏsᴇ?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs, ʜᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs ɪs ᴡᴇ ‚ʙᴏᴜᴛ ᴛᴏ ʟᴏsᴇ?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs, ʜᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs?

Nᴏ ᴠᴇɴᴅᴇᴛᴛᴀ, sᴇᴇᴋɪɴɢ ғᴀᴍᴇ

Bᴏᴍʙs ᴀɴᴅ ʙᴜʟʟᴇᴛs, ɪᴛ’s ᴊᴜsᴛ ᴀ ɢᴀᴍᴇ ᴡᴇ ᴘʟᴀʏ

Bᴀʙʏ sᴏʟᴅɪᴇʀs, ʙᴀsᴇʙᴀʟʟ ғɪᴇʟᴅ

Iɴsɪᴅᴇ ᴀ sʜᴏᴛɢᴜɴ, ɢᴜɴ ᴄʟɪᴄᴋ

Tᴏ ᴛʜᴇ ʙᴇᴀᴛ, ᴅᴏᴡɴ

Wᴇ sʜᴏᴏᴛ ʏᴏᴜ ᴅᴏᴡɴ

Wᴇ ᴄᴏᴍᴇ ᴀʀᴏᴜɴᴅ

Aɴᴅ ᴡʜᴇɴ ᴡᴇ ʙʟᴏᴡ ᴏғғ ᴛʜᴀᴛ ᴛʀɪɢɢᴇʀ, ɢᴇᴛ ᴅᴏᴡɴ

Wᴇ sʜᴏᴏᴛ ʏᴏᴜ ᴅᴏᴡɴ, ᴡᴇ ᴄᴏᴍᴇ ᴀʀᴏᴜɴᴅ

Tʜᴇ ɢᴜɴ ɢᴏᴇs

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs ɪs ᴡᴇ ‚ʙᴏᴜᴛ ᴛᴏ ʟᴏsᴇ?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs, ʜᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs?

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Hᴀᴠᴇ ғᴜɴ

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs ɪs ᴡᴇ ‚ʙᴏᴜᴛ ᴛᴏ ʟᴏsᴇ?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs, ʜᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs ɪs ᴡᴇ ‚ʙᴏᴜᴛ ᴛᴏ ʟᴏsᴇ?

Gᴇᴛ ᴜᴘ, ʀᴇᴀᴅʏ, ᴍᴀʀᴋ, sʜᴏᴏᴛ

Hᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs, ʜᴏᴡ ᴍᴀɴʏ ᴠɪᴄᴛɪᴍs?

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Rᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ-ᴛᴀ

Cᴏʟᴜᴍʙɪɴᴇ (ғᴇᴀᴛ. Bɪʟʟ $Aʙᴇʀ) ʙʏ SKYND

𝖄𝖔𝖚 𝖘𝖍𝖔𝖚𝖑𝖉 𝖓𝖔𝖙 𝖐𝖎𝖑𝖑 𝖒𝖔𝖙𝖍𝖆𝖙𝖗𝖚𝖈𝖐𝖆𝖟

[duffslut]

Slash at the opening of Halloween Horror Nights 2024 in L.A.

[undercooked-spaghetti]

We don't talk enough about the part near the end of Lost Judgment where Higashi is in danger of getting shot and Sugiura saves him by jumping from his safe spot, kicking the gun away from Soma, and risking getting stabbed by the man in retaliation.

Sugiura took a bullet at the end of Judgment, lives, and then stops Higashi from potentially having a worse fate because the gun is pointed directly at him. It's also not Higashi's first time at the bad end of a gun.

The power couple we deserve in the Judgment series. 😤

[variousqueerthings]

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

[amplexadversary]

Honestly, I think if Rain Mikamura's issues were explored more rather than sanded down by both the show and fandom when they aren't convenient for a joke, she might have had a chance at being one of my all-time favorite characters.

I've alluded to the idea that bringing her jealousy issues to the forefront would thematically strengthen the back end of the show, and tackling her communication problems on the same level as Domon's would have made them work much better as a pairing.

(they have polar opposite issues where Domon needs to be told "hey, people would like to know this, so say it," while Rain expects people to read her mind) (I'd still ship her with Schwarz though tbh)

Also, she owns multiple guns and threw a wrench at Domon's head at one point. This woman is violent and repressing it.

FInally, there's the fact that Rain seems to think that she can, and is expected to, control the behavior of other people. Her meltdown over her father's actions where she concludes that she is equally responsible kind of suggests this, and she spends a lot of time trying to control Domon's behavior even when he's not doing something reckless. I would have really liked if the final arc had some kind of element of the inherent horror in taking that to it's logical conclusion, since we know the DG can literally control people.

I really think my biggest gripe about her is that most people follow the writers in pretending that the flaws they gave her don't exist, and without them, Rain is kind of a boring, can-do-no-wrong type that I really cannot stand, so as a result I can go between really liking her and avoiding the hell out of her.

[thelomlisfictional]

Had a dream about being a naval aviator last night… chat am I cooked?

[compacflt]

i'm so curious: what's your favorite thing you've written? something that makes you nod and go, "yeah, that's it right there. i did that." just the best combination of words you've ever churned out in your personal opinion. it makes you proud just Thinking about it. could be a sentence, a paragraph, etc.

very cute ask anon, thank you. im going to assume for your benefit that you mean specifically my icemav writing—obviously I write outside of top gun and am very proud of that stuff but it wouldn’t make sense out of context.

There’s a lot of more recent stuff that I’m extremely extremely proud of on a technical level, but I’m prouder of this paragraph below on a deeper more existential level.

This paragraph was one of the first parts of WWGATTAI i ever wrote—august 12, i think, well before I had fully realized the characters’ voices or their attitudes towards life/each other; I only had about 5k written of what is now a 300k+ project (at the time of writing this paragraph i wanted it to be 10k max) and had no real outline, didn’t know who or what I was dealing with, hadnt seen TGM in two months, had done no research (so it’s not at all politically/militarily accurate or anything, why the FUCK is ice going to fucking GUAM)—and STILL this wound up being my favorite paragraph in the entire fucking series. not to suck my own dick or anything. I’m STILL so proud of this paragraph, 9 months and 275k+ words later, even though i Absolutely Would Not write it this way now.

[americanrecord]

do u ever watch an album reaction video and click out halfway through because they're reacting wrong

[denjispinalcordsword]

Genya: *is the only human character in the entire series with a real, tangible super power*

Absolutely everyone in the whole series, including Genya: wow it would be great if Genya wasn’t so weak and shitty

[cyarsk52-20]

he could have been arrested 100 times and murdering him is STILL WRONG!

Go to hell if you justify it! I will even burn y’all myself!

[x-heesy]

❗️

𝗙𝝠𝗡𝗖𝗬 𝗗𝗜𝗦𝗖𝗥𝗘𝗣𝝠𝗡𝗖𝗬 ⚛️

𝗗𝗘𝗟𝗨𝗫𝗘 𝗠𝗘𝗠𝗘𝗦 ☣️

𝗠𝗘𝗠𝗘𝗦 𝗠𝗬 𝝠𝗦𝗦 ☢️

𝗠𝗬 𝗠𝗘𝗠𝗘𝗦 👽

𝗣𝗨𝗡𝗞𝗦 𝝠𝗥𝗘𝗡’𝗧 𝗗𝗘𝝠𝗗 ☠️

𝗠𝝝𝝝𝗗 𝗕𝝝𝝠𝗥𝗗 / 𝗣𝗨𝗡𝗞𝗦𝝠𝗥𝗘𝗡𝗧𝗗𝗘𝝠𝗗 / 𝗟𝝝𝗩𝗘 & 𝗟𝗘𝗧 𝗟𝝝𝗩𝗘 / 𝗟𝗜𝗩𝗘 & 𝗟𝗘𝗧 𝗟𝗜𝗩𝗘 / 𝗞𝗘𝗘𝗣 𝗜𝗧 𝗦𝗜𝗠𝗣𝗟𝗘 𝗞𝗘𝗘𝗣 𝗜𝗧 𝗥𝗘𝝠𝗟 / ​𝗡𝝝 𝗚𝝝𝗗𝗦 𝗡𝝝 𝗠𝝠𝗦𝗧𝗘𝗥𝗦 / 𝗣𝗥𝝝 𝗟𝗜𝗙𝗘 𝗠𝗙𝗭 / 𝗣𝗛𝗨𝗖𝗞 𝗧𝗛𝝠 𝗦𝗬𝗦𝗧𝗘𝗠 / 𝗙𝗟𝗨𝗙𝗙 𝗬𝝝𝗨, 𝗬𝝝𝗨 𝗙𝗟𝗨𝗙𝗙𝗜𝗡 𝗙𝗟𝗨𝗙𝗙 / 𝗜 𝗗𝝝𝗡’𝗧 𝗚𝗜𝗩𝗘 𝝠 𝗣𝗛𝗨𝗖𝗞 / 𝗣𝗛𝗨𝗖𝗞𝗜𝗧𝟰𝗣𝗛𝗨𝗡 / 𝗙𝝝𝝝𝗟𝗜𝗡𝗚𝝠𝗥𝝝𝗨𝗡𝗗 / 𝗧𝗥𝝠𝗦𝗛𝗠𝗘 / 𝗧𝗥𝝠𝗦𝗛𝗖𝝝𝗥𝗘 / 𝝠𝗡𝗗𝗥𝝝𝗜𝗗𝝠𝗥𝗧 / 𝗘𝗘𝗞 𝗣𝗘𝝝𝗣𝗟𝗘 / 𝗚𝗟𝗜𝗧𝗖𝗛 𝝝𝗥 𝗗𝗜𝗘 / 𝗚𝗟𝗜𝗧𝗖𝗛 & 𝗖𝗥𝗬 / 𝗚𝗟𝗜𝗧𝗖𝗛 𝗠𝗬 𝗟𝗜𝗙𝗘 / 𝗕𝝠𝗟𝗖𝝝𝗡𝗬𝝠𝗥𝗧 / 𝗘𝗡𝗘𝗥𝗚𝗬𝗦𝗨𝗖𝗞𝗘𝗥𝗭 𝗡𝝝𝗧 𝗪𝗘𝗟(𝗟) 𝗖𝗨𝗠

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Soundtrack: Where Do We Go From Here - Tricky Remix by Yoko Ono, Ima, Tricky

[phvnthom]

Every single time I see one of those stupid posts that's like, "Being in your 20s is the worst decade of your life, you're not a person yet, oh you're such a baby still, stop glorifying youth, being in your 30s and 40s is where it's at, etc." Older people are not a pinnacle. Being older is not the great thing you think it is and it just sounds super infantilizing on top of it. Just absolutely rage inducing. Sorry, but worry about yourself and how your 20s lacked bc of your own personal failures and stop equating that to some profound realization.

[blingblong55]

Ghost would 1000000% teach his wife how to fire a gun. How to fight, give her the location of the second home he has if something bad happens, would teach her that if she happens to get kidnapped, there are three main points, A, B, and C, B is the weakest and she has better luck running away. He would also teach her how to fight anyone in any situation. He would create a word that she could use if she is in danger.

He has secret compartments around the home they live in, codes she knows about and he even built a room where she can hide in if someone breaks in.

Yes he trusts her but he doesn’t trust the world and to him, it’s just them both against whatever fucker decides to mess with her or him. Yes he does trust his teammates, but he has her safety at best interest. He doesn’t carry any sign of him having a romantic partner, not even a ring or a tattoo that symbolises her being apart of his life. He knows if he ever gets caught, someone will look into reading his tattoos.

Now, he makes her carry a knife, something he advises to carry everyday. He ordered her a knife that she customised the design to, he didn’t understand why but anything she wants he gets. He’s that kind of husband.

He also reminds her of the safe house he has in case shit hits the fan and if it does, there are people that owe him favours so him and her will be safe.

[divorciada]

whoever said the spear is the weakest weapon in the game is a bitch because I'm having a ball

[devotedlystrangewizard]

valerian has definitely tried to punch emet-selch at some point. i dont know when. i dont know if he succeeded. i just know he tried

[fellthemarvelous]

It pisses me off to see the way some Star Wars fans are so dismissive of Reva, Third Sister.

She's complex. She's interesting. She's clever. She's intelligent. She's strategic. She's conflicted. She's traumatized. She's scared. She's angry. She's a survivor.

The Obi-Wan Kenobi series literally opens with her and her friends watching one of her Jedi mentors get gunned down by clone troopers during Order 66.

She was a FUCKING CHILD!!! They were in the middle of a lesson when the clones walked in and started shooting everyone!! These were Anakin Skywalker's troopers and they were executing every single Jedi around them.

These children had NO idea what was going on. They were scared and they tried to run to safety.

We remember this scene from Revenge of the Sith and we all immediately knew what it meant.

These are the same bodies that Obi-Wan Kenobi found when he and Yoda returned to the Jedi Temple on Coruscant after having to kill so many of Anakin's clone troopers just to survive.

These are children that the Jedi Council wasn't there to save.

Palpatine snuffed out the light of the Jedi in one swift act of terrorism and then blamed the Jedi for their own genocide after taking over the entire galaxy.

And in times of war, the weakest among everyone always suffer the most.

This is what Reva, Jedi youngling, remembers most about the end of the Clone Wars.

Anakin Skywalker, hero of the Clone Wars and former padawan of the great Obi-Wan Kenobi, murdered all of her friends and injured her.

She had to play dead amongst the dead bodies of her friends, and that's how she survived. She witnessed Anakin Skywalker murder all the Jedi in the temple with no one there to stop him because the other Jedi Masters were being executed in a war they had never wanted to enter into in the first place.

She blames herself for not being able to save her friends because she wasn't strong enough to fight back. No youngling was ever going to be strong enough to stand against Anakin Skywalker. She wanted revenge against Anakin Skywalker, and she was just as desperate to get to Obi-Wan Kenobi as he was. She wanted to kill Anakin Skywalker just as badly as Darth Vader wanted to kill Obi-Wan.

She was alone in a galaxy that tortured and executed surviving Jedi. She spent ten years plotting her revenge against Anakin. She was angry at Obi-Wan for not being there to stop Anakin, and rightfully so.

The Republic fell. Reva and her friends were left unprotected. She was the only person she relied on because everyone else failed her. She was only a child when she lost everyone.

And it's clear she was conflicted by her role as an Inquisitor. She doesn't have the training the other Inquisitors do because she volunteered to be an Inquisitor while all the others were tortured and terrorized into falling to the dark side. She only wanted access to Anakin so she could get justice for what he did to her and her family.

Unlike Anakin, Reva couldn't find it in herself to harm a child. She was seeking revenge solely against Anakin Skywalker. Luke and Leia are the same age she was when she watched her friends and family die in front of her.

Yes, she was prepared to torture Leia, but she consistently hesitated, and when Tala walked in, Reva turned away. She stopped. Yeah she was mad, but she didn't have to go through with it. She'd already planted a tracker on Lola. She was already planning on allowing them to escape so she could locate their secret base. She just needed to bait Obi-Wan. Her plan worked perfectly, and she didn't even have to hurt this child who was annoying the shit out of her (not realizing she was dealing with Anakin Skywalker's offspring).

She went to Tatooine to kill Luke, but she couldn't. She hunted him down without bothering to kill Owen or Beru. She only cared about one thing. Getting justice for what happened to everyone she had been unable to save at the end of the war. She was only a child, and when she realized she was about to kill a defenseless child just to get revenge, she couldn't do it. She saw her face when she looked down at Luke and cried when she realized she couldn't do it.

She was so horrified by what she had been prepared to do and returned him to Owen and Beru alive. She fell to her knees and sobbed because she thought she failed her family in the end.

Obi-Wan was there for her this time. He reminded her that by showing mercy, she was giving her friends and family peace. She was not going to become the monster that Anakin Skywalker was.

Obi-Wan helped her and reminded her that she gets to decide who she wants to be from this point forward. She refused to become Anakin Skywalker, and a weight was finally starting to be lifted from her shoulders. A weight she had been carrying for ten long years.

She did what she thought she had to just to survive. She had only been a child with no guidance because everyone she loved died. She survived by joining the ranks of the enemy so she could plot her revenge. Obi-Wan showed her mercy at the moment she needed it most. He wasn't angry with her. He was compassionate. She survived Order 66 just like he did, but she had been defenseless when they were thrust into a galaxy that tortured and killed Force sensitive individuals and those who helped them. He had failed Reva during Order 66, and he wasn't going to fail her this time.

She is getting a second chance at finding her path in life despite the bad things she did. Everyone deserves a second chance. She was robbed of her childhood and had to grow up overnight. She had to learn how to survive. And that's exactly what she did. Just not in the way she expected.