#great quality too!

[unholyglitch404]

All I'm seeing is... Dipper and Mabel, having been kidnapped, are now highly traumatized, being treated almost like cattle (if the symbols on the neck are anything to go by) and either dealing with crazed scientists or the occult, if not both. Meanwhile, the grunkles, who are big names in the criminal sphere, are kicking ass and taking names, in an attempt to find and save the twins. Maybe the twins were chosen specifically because of their ties with the grunkles, too. Especially if they were taken by a cult surrounding Bill.

Idk what au im cooking.. but Im cooking..

[weaselmcdiesel]

Do You Love The Color Of The 413?

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[galedekarios]

💜

[kimtaegis]

Destination: your heart Estimated Time of Arrival: whenever you need him ➤ for @jung-koook ♡

[goomens]

this kills me. crowley had to stop and look away from aziraphale. his voice was nearly failing him, he kept taking deep shaking breaths. he completely laid himself bare. and then.

[copia]

endless ghifs 2/? ⛧ source — smoking & fighting Ghouls

[4525yaoi]

oh god there's two of them now

[panthermouthh]

The creature reveals himself, and swears revenge.

Clip from the Royal Ballet's 2016 production of Liam Scarlett's Frankenstein

[yeah-thats-probably-it]

A fun fact about "Bertie Changes His Mind" is that Bertie's preferred method of daughter acquisition (viz., adoption) is one he shared with Wodehouse, at least partially. Wodehouse clearly didn't mind the "marriage" part of the process, but he never had biological children and seemingly had no interest in doing so (everything we know about him points to him being very asexual):

Another fun fact is that he enlisted the help of his daughter Leonora on this particular story for the scenes in the girls' school:

The "intimidating headmistress" archetype was also pulled from Wodehouse's real life, and this will not be the last time we see her in the Jeeves stories:

(first and last excerpts are from P.G. Wodehouse: man and myth by Barry Phelps. The letter to Leonora is from Yours, Plum, edited by Frances Donaldson.)

[rainedropsart]

fucking around with an anita design and um. she looks like she’s in a marching band

[emil1863]

Bad days

[syllyism]

just a couple warmup sketches as per twitter requests!

[arcade-gann0n]

guys i made yes man in blender and i rigged him to be poseable what should i make

look at my lovely boy

pls suggest in replies or asks im begginf

[fennethianell]

Spooky season is here 🎃

[hephaestn]

Alexander and Hephaestion in Film/TV throughout the years.

Alexander the Great (Robert Rossen, 1956)

Adventure Story (Rudolph Cartier, 1961)

Alexander (Oliver Stone, 2004)

Young Alexander the Great (Jalal Merhi, 2010)

Alexander, the Great (Terra X, 2014)

Ancient Empires (History Channel, 2023)

Alexander: The Making of a God (Netflix, 2024)