#great instrumental

[khiphop-discussions]

이솝

Goi (Naughty 4 Life) song off his new album!

[tehcherrya]

For those of you who never knew as it's a detail one can easily miss (especially depending on which aspect ratio you're viewing in) but a lovely detail at that: Pippin was in the hobbit band in the background!

He's the one playing the banjolele!

These shots I have of the scenes where he is most visible are from the Fullscreen edition (A DvD I own and often watch for the different viewing experience). I believe in the Widescreen edition their heads are cut off by the aspect ratio-- so it's easy to miss!

And for those of you who haven't put it together already, yes! That is our beloved Merry standing next to him as they both watch Frodo dance.

Mind you, Merry is not in the band. A few scenes prior he was actually along the precession line of bringing in Bilbo's Birthday cake. He probably came up to the platform to talk to Pippin, give him a mug of something to drink and inevitably snatch him away for some mischief. Because after this brief scene, Pippin is then absent from the stage-- he and Merry are going to go swipe some fireworks!

[tiredandoptimistic]

Bad news for the haters of the world: Clary Fray is based as fuck. Literally everything she does is justified, and frankly I would have been worse.

[starikiss]

2025 goals: find someone to yap about shadowhunters like crazy

[insane-in-the-brain]

CAN WE PLEASE NORMALISE LISTENING TO ALTERHUMAN ARTISTS THAT ARE NOT AUTUMN J PLEASEEE

I DONT LIKE THEIR MUSIC BUT THERE'S NO OTHER MAINSTREAM ALTERHUMAN ARTIST AND I NEEEEED MORE SONGS LIKE HERS BUT JUST... MORE PUNK/WEIRDCORE/ROCK

PLEASE

[helenofblackthorns]

kinda bothers me that so many people misinterpreted Malec break up era as Alec being biphobic (therefore the books are Bad). does Alec does say things to Magnus that are biphobic? yes. but i feel like it's very obvious that he's not saying them because Magnus has dated many people of both genders in the past but because he outright refuses to tell him anything about them. like Magnus won't even tell him how old he is, he just brushes him off & makes jokes about it. and that would make anyone a bit of an asshole I fear

[banfiyunna]

Uhhhhh teehee :3

I took your advice and tried taking inspiration from songs I’ve been into recently hehejdh (it’s still a wip sorta because my tablet’s about to die but shhhh)

The song was My September by Nastyona

HOOOOOOOOOOOOLY SHIT BABE THATS SO AWESOME HE LOOKS SO FUCKING COOL I LOVE HIS EMPTY STARE BIBLICALLY ACCURATE SUN MY BELOVED

SHAKING YOU

[hesgomorrah]

trapper john + his ukulele (3x01, 3x09, 3x14)

+ bonus

[classic-art-favourites]

Frederick the Great Playing the Flute at Sanssouci by Adolph von Menzel, 1852.

[oktaviaslabyrinth]

Colgera // The Legend of Zelda: Tears of the Kingdom (2023)

[jinxedshapeshifter]

I've probably talked about this before but Kazuma's themes fucking kill me.

Samurai On A Mission and Kazuma Asogi: Nocturne are both in a major key. Samurai on a Mission feels happy. It makes you excited. Nocturne's slower, and it's more bittersweet. But it still fills you with optimism. It still feels good to listen to. It gives you the feeling that even if Kazuma's gone, this isn't the end. There's still stuff Ryunosuke needs to do in Kazuma's place.

Compare them to His Glorious Return and A Prosecutor, Reborn, and it's the complete opposite. The opening to His Glorious Return feels just slightly off. Like I don't think it's in a different key than Samurai on a Mission, but it's different enough to just feel off. I think it might be the instruments honestly. His Glorious Return is closer to Nocturne than Samurai on a Mission (obviously it's the same motif but His Glorious Return is closer to Nocturne than Samurai on a Mission because it's slower).

And THEN you get to A Prosecutor, Reborn. How fucking dare they. At this point in the game, not just is Kazuma prosecuting Barok, but his motive is made clear to be revenge (iirc). A Prosecutor, Reborn is basically just Samurai on a Mission with different instruments and in a minor key. A Prosecutor, Reborn specifically has fairly prominent harpsichord in it. The same also applies to Barok's theme. You get the vibe that something is seriously wrong here.

You can literally understand Kazuma's arc before The Resolve of Ryunosuke Naruhodo from his themes alone. That's. impressive. Like just to be clear this isn't the first nor the only time Ace Attorney does this. It was also done with Eustace's themes, Winning Deductions and Winning Independence. But it's so impressive that they gave Kazuma four unique sounding themes using the same motif and made it easy to tell how his story goes just in music. Like just listening to his themes, it goes happiness and positivity > oh actually this is kind of bittersweet. there's still work to be done so we must go on > triumph but also a little bit of "something's off here" > wow what the fuck happened here

It's so impressive to me?? But also the fact that Kazuma has four unique sounding themes that use the same motif is incredibly impressive. All four are basically the same song but different depending on the vibe needed for the part of the game they're featured in. Doing that with anything is hard.

A similar thing is done with the Dance of Deduction tracks. Partners ~ The Game Is Afoot! feels more complete than the initial Joint Reasoning tracks. Listening to the initial Joint Reasoning tracks and then listening to Partners ~ The Game Is Afoot! makes it incredibly obvious to me. In this case, it goes from "this is fun and upbeat!" during Joint Reasoning [TYPE A], then goes to "we're getting a little more intense" during Joint Reasoning [TYPE B], then to "oh now we're getting INTENSE" during Joint Reasoning [TYPE C], then to "shit just got REALLY serious" with Partners ~ The Game Is Afoot! Even the backstage tracks (the ones that play when you either fill in the blanks or correct one of Sholmes's deductions) are like this. It feels more intense and high energy during Sholmes and Mikotoba's Dance of Deduction.

Anyway my point is TGAA is genuinely the best video game soundtrack ever in my opinion and even tops most movie soundtracks for me. I'm almost completely convinced this is because they made the soundtrack sound like music you'd get in Victorian England. I don't think the soundtrack would be nearly as good without the Victorian sound. Anyway back to drawing I go

[love-3-crimes]

BUT THAT DON'T MEAN SHIT IN A TOWN THIS SMALL!!!

[tiredandoptimistic]

What I really enjoy about Luke and Maryse's interactions in City of Ashes is that they clearly grew up separate from each other. Both of them are in their late thirties, but they hold this image in their heads of who the other was when they were teenagers, when they were enthralled by Valentine's hateful rhetoric.

From how he describes them to Clary, it's clear that Luke looks down on the Lightwoods. He says that they were Valentine's closest lieutenants and the most dedicated to his doctrine, and yet he ignores the fact that he was Valentine's second-in-command for most of the Circle's existence. He knows that he had doubts at the time and then grew into a kind and accepting adult, but Robert and Maryse appeared dedicated to Valentine from the outside and have been separate from Luke ever since, so to him they must still be as cruel as they ever were. He sees himself as superior because he got out first, but forgets that he stuck around until Valentine literally told him to kill himself, while Robert and Maryse surrendered to the Clave voluntarily.

Then there's Maryse, who's still bitter over Luke's betrayal. Not because he turned against Valentine, but because he and Jocelyn set a trap that ended with every member of the Circle (other than the Lightwoods, Hodge, and Michael) being killed by the combined forces of the Clave and the Downworlders. Of course Maryse is being pretty hypocritical here, since she was fully in on the plan to murder a bunch of unarmed diplomats, but she does have a point that Luke and Jocelyn did nothing to protect their former friends. Their plan saved lives in the long run, but it resulted in far more bloodshed that night than Valentine's simple massacre.

After Valentine's supposed death, Jocelyn, Luke, Robert, and Maryse all went into a sort of retirement in New York City. For Luke and Jocelyn it was their mundane employment and for Maryse and Robert is was their place as Institute heads, but both couples spent fifteen years raising their kids and learning to be better people. By the time we see them in TMI, all four former circle members had come to terms with how atrocious Valentine had been and dedicated themselves to doing better with their adult lives, but since it happened in relative isolation, they all still remember each other as they were at age twenty. To Maryse, Luke is still the man who left his friends to die, and to Luke, Maryse is still the woman who stuck by a murderer until the end.

I just think it's very interesting that there are so few survivors of the Circle left in 2007, and barely any of them communicate with each other at all. Amatis was left alone in Idris, Hodge felt so abandoned by the Clave that he went back to Valentine, Robert and Maryse trapped themselves in a loveless marriage rather than give up the illusion of stability they'd built for their kids, Luke and Jocelyn denied their past until it came to find them, and Michael was killed with his family in a scheme that would never have worked if a single person came to check up on him in the ten years Valentine inhabited his life. They could have found a community through this common experience, but instead they saw each other as monsters for the things they all did.

[kasirose]

Happy happy birthday to the resident high warlock of glitter and our hearts, Magnus Lightwood-Bane!

[daemon-is-perfectly-unhinged]

Rhaegar: We're trying to make you feel peaceful. Blood, killing, war, those are all non-peaceful things. Isn't there anything else you like?

Jon: Weapons. I like weapons.

Rhaegar: I'm starting to think we have a problematic issue of personal philosophy here.

[helenofblackthorns]

love all the tmi couples POST tmi but in every single case the early relationship was in shambles like why is everyone pretending they cannot see red flags come on now. if they had friends who were actually involved and NOT each other they would be holding interventions and telling y'all to break up at every given opportunity. but no they're surrounded by people who spend their time making objectively worse romantic decisions so they do too. and yes this applies to everyone