#gotta see if it would make sense

[dungeons-and-dragon-age]

what if Veilguard but Addie is Rook

[chloesimaginationthings]

You're version of Elizabeth is really sassy lol

At the end of the day, she’s still Michael’s little sister

[egophiliac]

LEON

LEON YOUR EYEBALLS

[krysmcscience]

The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.

Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.

Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)

[poorly-drawn-mdzs]

Having the Pool Dream again, handsome?

[allthatmay]

So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."

And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.

Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.

In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?

(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)

This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.

If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?

Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.

[pixlokita]

I feel like ? I gotta remind people it’s ok to unfollow a blog when it upsets you in any way >> like if I ever do that sure, you can let me know if it was anything I did personally I’d appreciate it but if you just don’t enjoy something it’s ok to unfollow ;w; can’t stress enough how important it is to put your mental health first 👌

[xxplastic-cubexx]

sequel to this ramble cause the way james talks bout the reduced cherik scenes throughout the xmen films in this video is making me want to kill people. 'we'll always have paris darling' what if we all blew up.

[syn0vial]

reading the boba fett junior novels as a kid: mace windu is the bad guy!!!! >:(((

reading the boba fett junior novels as an adult: jango fett i'm coming for your fucking kneecaps

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[egophiliac]

some more episode 7 stuff! Mal's UM poster is being uncooperative, so here's some dumb shit in the meantime.

I have been genuinely trying to draw his OB better, but it's hard. :( why does he hate me.

[dhmis-autism]

ID LOVE TO SEE YOUR HUMAN RED GUY BTW

well gosh if you're gonna be so enthusiastic about it sure. here's a drawing i did of him a while back. if you really want i'll show you the others but ah, im shy.

[shallowseeker]

Re: the latest string of anons, I want to capture this thought before it flees, but it's not wholly formed yet. I'll try to tread carefully, and with gentleness.

Firstly, I want to invite you to grab onto this line from The Rupture:

CAS: "You used to give me the benefit of the doubt. Now, you can barely look at me."

You can take this lovely line and apply it as a challenge to the entirety of season 15, I think.

The thing with season 15 is that it challenges Dean in a way he hasn't quite been before: it's a full-on, nihilistic, Michael-coded existential crisis.

Cas has had psychological breakdowns like this on multiple occasions. So has Sam.

Throughout the series, Dean is wrong a lot, but this time, he's wrong about more things than usual, even when he's (like Cas with Raphael, and like Sam with many villains) still "a little bit right."

Everyone's a little bit wrong, a little bit right, and that's the beauty of it.

But the consequences are unfairly heavier than usual, and that chafes for Dean.

It chafes for his fans, too.

///

In season 15, at first Dean can't even say Jack's name. He sidesteps it, using coded communication, like his reference to "Bel" in 15x09 The Trap. (That's about Jack, y'all. If you tuly think he's talking about Bel in that scene, then you haven't been paying attention to Dean's character's values OR his communication style.)

I think at a lot of its core, Season 15 is asking you what happens when you're not spoon-fed a character's reactions. Do you look at their history and take the least charitable assumption, or do you work from what you know of that character's loves/morals/values and root for them to try and work through it?

Throughout the series, we see Dean cry and apologize more than most characters. For example, we are explicitly shown Dean's regret (on-screen!) for beating Cas in season 10, and so we know he feels guilty. On the flipside, we are NOT explicitly shown Cas's regrets for his beating on Dean in either seasons 5 or season 8.

But we give Cas the benefit of the doubt.

Why?

Well, truthfully, it's because Cas is a character that commands our respect, and this authority/respect extends to giving him dignity in a way some other characters aren't afforded. But mostly, it's because we trust in what we know of Cas. Again, it's those loves/morals/values that inform how we parse Cas's mistakes.

///

So, back to season 15. What are we going to do here?

Sam chooses grace. Will the audience choose it, too?

Crucially, Sam is a character who has had nervous breakdown after nervous breakdown. He sees what is happening with Dean, he understands Chuck's pressures, and he approaches Dean with (imperfect) grace.

So does Cas, for that matter, which makes a great deal of sense here. Cas is the character who has undergone the most severe existential crises regarding Chuck and Heaven. "Getting out of the game doesn't change the game," Cas says. He's grown tremendous, somewhat terrifying resilience as far as this is concerned.

But anyway. Dean's family sees that he's struggling and tries to help him through this because they too have gone through so many complicated meltdowns.

///

I think season 15 is tough, too, because it challenges you not to be spoon-fed all of Dean's grief and reactions.

Think back to Dean breaking down in the forest clearing after Mary died. Do you REALLY think there was none of that for Jack--for Rowena--for Jack's body being eradicated and ruining the hope of getting him back--for Cas leaving--for Amara--for the Jack rib-bomb?

I think to say yes would be dishonest. Personally, I think there's a well-argued case that Dean grieves almost everyone.

///

Season 15 is also tough because it invites to look upon some of Sam's worst moments (*cough* season 8) with renewed grace.

It even challenges you to frame the villains' struggles (John, Lucifer, and whoever the Hell else) in a stronger shade of gray.

///

Anon, I hope you find this soothing somewhat. :-)

Basically, the TLDR; is that we give our loved ones the benefit of the doubt because we've grown to know and trust their hearts over time, even when they're in the wrong.

-love from shal

[sanasanakun]

Jimithon Mouthwashing is such a good representation of untreated, enabled NPD like it makes me want to squeeze the life out of him. I'm endlessly fascinated when watching him interact with his crew, surroundings, and himself because he's so fucking lost in his own sauce. It's insane. If I'm being real, it makes him my favorite character in the game.

It's a little scary to say, but watching Jimmy is like seeing a mirrored version of myself two years ago before I truly committed to treatment for my NPD. He's like a shadow. The opening line "I hope this hurts," which I believe comes from Jimmy right before the crash, is such a poignant statement. It's a simple line, but I can tell you from experience that the desire to hurt others when in a narcissistic rage is overwhelming. It's such a good line to sum up Jimmy's character in that moment. Luckily, in the real world, I had my friends and family there to catch me when I hit my lowest, even though I'd hurt them so many times. Jimmy probably could've used friends to force him into therapy (cough cough Curly cough cough)

[carcarrot]

its important to go see a low stakes concert sometimes

[strawbubbysugar]

Ough as the end draws near I’m seeing more and more comments that are making me nervous that the ending won’t live up to all the hype & expectations aaaa aa