#got together at the end

[hinamie]

in spite of everything, I had fun <3

[biggest-gaudiest-patronuses]

not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)

[ryllen]

[ x ]

[kittykatninja321]

People who write Jason calling Sheila a bitch in his internal monologue don’t understand him I’m sorryyy. I don’t think he’s ever actually said a word against her in canon at the is point. He spent his last moments trying to protect her from the blast even after her betrayal. He is insane in ways you can’t even begin to fathom

[tampire]

♪ Everyday, it's a-getting closer ♪

♪ Going faster than a rollercoaster ♪

♪ Love like yours will ♪

♪ Surely come my way ♪

♪ A-hey, a-hey-hey ♪

Gabriel and Beelzebub eventually survive the consequences of The Metatron and Satan

Bonus:

[babacontainsmultitudes]

He's a used car salesman. He has a heart of gold. He can't parallel park. He has two gay witch italian dads. He chops the wood. He has a magical talking cat mom. He's an assassin. He isn't an assassin. He's actually the cat from earlier. He's trans (female cat to male human). He's been shot through the heart. He was in Dewar. He was not in the war. He was in Dewar. He's on his last of nine lives. He just had a marble shoved down his throat. He's even bisexual. I didn't say his name, but he popped into your head, didn't he?

[ruporas]

post rescue

[clouvu]

Save me french yuri... Save me

[terriblygrimm]

[hairmetal666]

Steve has this bar he loves in Chicago. It's a little bit dive-y, a little bit dirty, but it's quiet. A good place for when he needs to clear his head.

Only, tonight, the place is packed. Music pounding from the jukebox, no space at the bar, patrons at the dartboard and pool table. In three years he's never seen it like this.

He has a second to wonder what's going on before he sees exactly who is going on, and for him to catch Steve looking.

"Stevie!" Eddie Munson cries. He leaps from the bar top, the people below scrambling away from the stomp of his big black boots.

He hasn't seen Eddie in years. Can't actually remember the last time. Max and Lucas's wedding? Robin and Nancy's baby shower?

Steve considers booking it out of there, escaping in the crush of the crowd. By the time he has the thought, though, Eddie's already pulling him into a hug.

He's excited to see his friend. He is! Really. He loves Eddie. But that's kind of the problem.

Steve fell in love and Eddie left town.

Well, maybe it wasn't so dramatic as all that. It wasn't until six months after they packed the last box in the back of Eddie's van that Steve could name his feelings for what they were. And by then, Corroded Coffin were building buzz and Eddie had a huge whole life outside of the people he saved the world with.

Over the years, as Eddie's fame grew, he came around less and now they hardly see each other. They still talk from time to time, Steve still buys all the band's records, and Eddie's still close with all the kids, Nancy and Robin too.

Eddie releases him, those big eyes bright, a pure and genuine smile stretching his face. Steve's stomach twists, heart skipping a beat.

"Gotta be honest with you, man. Never expected to see Steve Harrington in a place like this."

Steve snorts. "There's lots of place I go you wouldn't expect."

Eddie's smile wobbles, Steve thinks. It's gone in a blink, though, and Eddie laughs. "I'm sure you do, sweetheart. Have time for a drink with me?"

Eddie navigates to the bar, returns with two beers in hand. He presses his palm to the small of Steve's back, directing him to the single empty table in the corner as far from the jukebox as possible.

"How's life treating you, Stevie?" Eddie asks after a sip. "Nance told me the store is doing really well."

"It's good, yeah. Finally turning a profit. Wasn't sure about Dustin having us add a game section, but he was right. It's really taken off."

"Oh, he told me," Eddie smirks.

Steve rolls his eyes. "I'm sure that he did. He hasn't let me hear the end of it."

"That tone," Eddie says, voice soft.

"What brings you to Chicago?" He asks to hide the way all the fucking love he feels for this man is bleeding out of him.

"Not really supposed to be," he laughs. "Flight got diverted to O'Hare, can't get another one until tomorrow. Have to make it to LA in time to play a show."

They both know Eddie loves it; the rush, the adrenaline, that comes with performing, to making it to shows at the very last minute. It's how they got here in the first place.

"Working on new music?"

Eddie leans back, dimples popping with the pleased lift of his lips. "Oh, Harrington, you don't even know what we have in store." He leans over the table and launches into tales of rehearsals and writing. Steve drinks his beer and can't take his eyes off his friend, Eddie the sun Steve orbits around, helpless to his gravitational pull.

"So, Stevie," Eddie says, once there's no more to tell about music. "You seeing anyone?"

Steve hides his cringe with a chuckle. Picks up his beer to buy time and finds it empty. "Not anyone of note."

"C'mon, how is that possible? You're easily the hottest guy in this place."

He grimaces. "That's a low bar."

"Oooh, still bitchy after all these years." Eddie snickers, takes a swig from his bottle.

"Shut-up."

"Seems like it's been a while since you dated."

"You interrogating my love life now, Munson?"

"No, not at all. Just curious."

"Okay, who are you dating? Still that guy from People?"

"Gossip," Eddie frowns.

"Anyone else you got your eye on?"

"No one new," Eddie says. He stares at Steve hard for a second, like he wants to dig into his brain, like it holds the answer to all life's question.

"There is someone, then." Steve tries to ignore the jealousy licking down his spine. Eddie isn't his and never will be.

Eddie picks at the label on his now empty beer. "Not--not really." He licks his lips, leaning over the table again. "Is there a reason you don't seem to date anymore, man? It's just--you wouldn't hurt for options, right?"

Steve freezes, trying to figure out a way to answer that won't end up breaking his own heart. "Ah, it's--you know, things got busy with opening the store and everything. Stopped being a priority."

"Are you lonely?"

"Are you?" He snaps before he can stop himself. "Sorry, I'm--sorry."

"Yeah, man. I'm lonely as hell." Eddie answers as though Steve didn't give him an out.

"I--you ever have someone where the timing is always wrong?"

"Think it's a hazard of my profession. Who's yours?"

"What?" Steve clunks his bottle too hard against the table.

"The one that got away?"

"It's--it--I--it doesn't matter."

Eddie's smile is all jagged edges. "Nancy?"

"God, no. Nance and I are good with being friends. No lingering feelings there. Who's yours?"

"Ahh," Eddie sits back a little, eyes glittering with an emotion Steve can't place. "The best boy I ever met. Can't get over him, can't forget him. I think they guys are going to start banning my 'pathetic gay yearning songs'. Gareth's words."

Something in Steve's chest crumbles to dust. There's someone. Has always been someone. Of course. Eddie is beautiful and hot and charismatic and fucking famous. And Steve is--just a guy who runs a struggling bookstore with a couple of his best friends.

"That's--I'm sorry it didn't work out." He's trying to stop his voice from breaking, from giving Eddie any hint of what he's feeling, just knows he has to get out. "Listen, man, thanks for the beer. Great to catch up. You should hit up Robin and Nancy the next time you're in town. I gotta get going."

"Wait, Steve--"

"See you around."

He doesn't wait. He pushes through the people, and races out the door, into the crisp Chicago fall air. He squeezes his eyes closed, practices his breathing exercises, tries to relax the clench of his teeth, ease the screaming in his lungs.

Three steps away from the building is as far as he gets before he hears, "Steve, please wait." A hand catches his hip, holding him in place.

"Eddie, I don't--"

"It's you," Eddie says. His face is pale, stricken. "You're the one who got away, Steve."

"What?"

"I've never been able to work up the nerve to confess. I've been trying for years, but. Too afraid of losing you to tell the truth."

"Years?" Steve's brain is trying to wrap around what's happening. That Eddie has feelings for him? That he's the source of the pathetic gay yearning?

"God, since 1986, at least."

Steve doesn't know what to say; what to do. He's been waiting for this moment so long, and his brain goes on pause.

"It's okay if you don't feel the same," Eddie rambles. "Hell, I'd be surprised if you did, but--"

"You're mine too," the words tumble out.

"What?"

"You're the one who got away. For me. You're mine."

"Steve," Eddie breathes. "Is this--are you serious?"

"Pathetic gay yearning and all."

Eddie's laugh is a bright spot in the darkness, relief and happiness mixed with the hope of what's next.

Steve can't help but giggle. "We're so dumb," he says.

Eddie looks at him with a raised eyebrow before bursting into giggles of his own. "So dumb, Steve, oh my god."

"It's been a decade!"

"Fuck," Eddie cackles.

They collapse against each other, chests heaving with their mirth. As they catch their breath, Steve nuzzles against Eddie's neck, relishing the closeness. It's easy for him to change the angle so their lips meet in a kiss frantic with ten years of longing.

"Your place or mine?" Eddie asks once they part.

Steve laughs. "You think I'm that easy, Munson?"

"Oh, Steve," Eddie smirks. "I know it."

"Asshole." Steve presses a kiss to his jaw. "How many songs did you write about me?"

Eddie smiles so hard his dimples pop. "All of them, baby. Every single one."

Steve rests their foreheads together, body fizzing like freshly uncorked champagne, "Take me home, Ed."

[niinnyu]

Reverie

[popsigills]

I am so normal about him

[aestheticallynotdeerlightful]

I was gonna wait and post these till I had more doodles but I’ll just post them now it’s fine. I’ll just explain stuff in the tags as per usual

Some Raz poses and some Dion and Adam stuff

.

(Please do not use or repost my works anywhere without explicit permission from me thank you)

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[bloomyblemy]

Ok what if…

what if the demons thought that lbh’s a husband snatcher?

listen ok so I’m pretty sure the demons know that LBH’s keeping a dead body in his room BUT they also know that the war god is fighting for said body right?

now I find it funny if they think that LBH just took LQG’s dead husband and the war god is trying to get him back.

there are opposing sides to this one on LQG’s (‘he literally stole the dead body of his husband!) vs LBH’s (‘ maybe THE WAR GOD killed his husband how could you know?!’)

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you