#got me sick in the head
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Killing me that Mitsuba and Kou should just be two teenagers who get up to dumb shenanigans as they stumble around things they want to say to each other and awkwardly show affection
but have been cursed to be doomed by the narrative no matter what timeline
#even in the present timeline they got to be normal for a bit but look where we are now#AidaIro were sick and twisted for showing me them actually happy and friends without angst#got me sick in the head#tbhk#jshk#toilet bound hanako kun#jibaku shounen hanako kun#tbhk kou#tbhk mitsuba#kou minamoto#minamoto kou#mitsuba sousuke#sousuke mitsuba#mitsukou#jshk kou#jshk mitsuba
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Keep thinking about that one scene in secret life
#it was so silly i've had this visualised in my head for ages#actually sick of this comic now tho the colouring made me question tf I've been doing for 10 years#anyway#the sillies#not set on any of these designs btw and Scott isn't in his band outfit BC he isn't part of it yet in the series#which is the excuse I'm using bc I haven't solidified that design yet#tag time#secret life#life series#scott smajor#smajor1995#trafficblr#jimmy solidarity#goodtimeswithscar#this probably the second comic I've ever finished ever so#IM LEARNING OK#fandumb fanart#ALSO ALSO guess where I got the death messages the
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this is the moment that broke me
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 12 spoilers#twisted wonderland book 7 part 12 spoilers#gif warning#gifs that will drop a beat so sick that your head will come off warning#admittedly i nearly lost it thirty seconds into 7-12 because of the mohawks#but mixmaster dj riddle just absolutely destroyed me#i have got to stop playing the updates at 2 am because i genuinely woke up and had to check if i had dreamed this or not
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What a lovely family portrait👨🏻👨🏻👦🏻🖼️
Enhanced image of A-Yuan's first sword flight.
#Modern AU WWX is a pro skateboarder who got vestibular damage after a head injury and-#-has such bad vertigo he can never skate again. But has to keep finding excuses to not reveal his affliction.#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#a-yuan#ask#I honestly have no idea if A-yuan would have flown via sword before this point.#But I can absolutely see him being 1) So delighted and 2) Very Unaware of the danger of hieghts.#At the age he is - it's also likely that he just trusts that these adults will keep him safe.#This is all to say: A-yuan's danger sense is not yet developed and flying is the coolest thing that has happened to him. Maybe ever.#The discussion in the comic tags/comments about how sword flight got me thinking about how it works when someone had passengers#If using a sword requires having a goldern core - what about riders who don't?#I have to imagine it is like currents and magnets. And LWJ is the only one who is magnetized to the sword.#WWX is but a unpolarised clown on a swiftly moving object with a low friction quotient.#He's not the untamed anymore. He's the untethered. He made it through the trip through sheer force of will and hand strength.#The only equivalent I have is#He keeps refusing to get in cars/buses because he 'loves to walk'. He mourns his days of sick drops. Chenqing is his walkman.
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I honestly don't think lucanis would have gotten much gentler training than most of the other crows -- if anything I expect he got more direct and intensely focused/constant attention on and control exerted over him than most of them might, since caterina has so much bound up in him both emotionally, politically and (ultimately, as the case always is with the crows lol) financially. she does not seem the type to as it were risk spoiling the sole viable heir by sparing the rod (derogatory). she has too much on the line here leave stuff like that to chance. where the 'first talon's favourite kid' privileges DO likely enter into it for me is that he can every so often make the move to spare a target based in nothing but his own conscience and not be killed for it himself.
which also has me wondering like... did caterina know she was sending him to kill a child, with that one target he mentions to davrin? or was it a surprise to her too? from what he says, she is the one who picks the contracts for him. was that contract how she realized there are things she could ask him to do, uses she could try to put him to, that would just break him (which would be such a waste at this point she's invested so many years and so much of herself in this knife that rests perfectly in her hand)? was it a test?? did it turn into a test both ways??? did lucanis know she wouldn't have him killed for refusing to do it, or is that one of the few times he came back and looked her in the eye to see what she would do, as the closest he's ever gotten to actually telling her 'no'???? 'you have every right to kill me for it, but this is one thing I can't do for you' with his hands not dripping with blood... and for whatever reason or set of reasons you might choose to believe, she doesn't kill him. what an absolutely nuts relationship this is
(how does illario feel watching that go down. knowing lucanis can gamble on love or sunk cost logic or whatever it is that stays her hand to hold on to having a soul, while illario could surrender his whole soul unquestioningly every time to her and still not have the love.)
#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#caterina dellamorte#illario dellamorte#dellamorte brainrot hits different I've got to tell you. I feel weird and sick every time#to be clear I don't think lucanis minds doing his job in general#he clearly enjoys the work even! as long as it fits into his head right#and his understanding of 'innocent' is probably hm.#not entirely the most widely recognized one lol. but it makes so much sense to me that he needs some way to keep it 'clean' in his head#boundaries he's drawn up of things he just can't do. and he does have a little bit of parley power with caterina in that he's uh#pretty much the one card left in her hand in some ways lol
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Baseball dies and get reincarnated as the lotus flower: the musical
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#inanimate insanity#ii baseball#he makes me so sick in the head#Song is cloud nein - man man#Currently 2 am I got work in 30 minutes#FAWK
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🌌
#finished mgs1 i love driving off into the sunset to find a new life’s purpose with my new life partner of like five hours#it was so fun#i had a really great time tbh#just started mgs2 but it will be slow going bc of finals T-T#show me the yaoi motherload#theyve got me so sick in the head#solid snake#otacon#hal emmerich#otasune#snotacon#metal gear solid#metal gear#mgs#ok bye
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so, would you?
nothing important under the cut, you don't need to look haha
#inspired by the random youtube short i saw about how these types of questions are not really about logic but about emotion and reassurance#doesn't matter if the question doesn't make sense. you say 'yes' because you love them no matter what. not because its a worm or a bug or#or anything. its a way of saying 'i will love you when you've changed and when you're different. because it's still *you*.'#idk something about it just felt so gentle and genuine. like a pure display of affection through a silly question...#and of course fnc was the first thing i thought about because i got brainworms#jrwi fish and chips#jrwi riptide#jrwi chip#gillion tidestrider#my art#sketch#also im back from a vacation! and i feel so awful i got sick the first day home and im sitting here at 6am drawing fishes and chips#the dialog feels a little ooc but i cant figure out if it really is or if its because my head hurts and i cant think#tbh it doesn't really matter.......... but it matters to me augh#ALSO yes the under the cut bit is about episode 109. i dont know if its clear or not
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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Saw a twitter post about Near and L with the "do I look like him?" caption and it got me to feel so viscerally sad because... he does. He does look like L. The similarities are so uncanny that, had I not known they're not related, I would have guessed they are. And not just appearance too... some of his mannerisms, the way he speaks and reasons... all of Near is haunted by the traces of a man he has never even met.
It's not really surprising: he was groomed by Wammy's to be just like L. He never really rejected that notion, either; he just embraced it as something that has always been part of him, because how could he refuse something that was there from the beginning? He was just a kid. A very young one at that.
But someone who did reject that was Mello. Or, rather, he felt rejected by that system, so he turned his back on it -- at least partially. The effects of it are still felt even in its rejection - his visceral hatred of Near being a lampant example. But I wonder if that rejection, that search for individuality, is what made Near so endeared to Mello in spite of the other very openly hating him.
Mello became his own person and Near, forever bound to be one of two parts of L, admired that. Because he couldn't do it.
#death note#near#mello#near death note#mello death note#death note near#death note mello#dn near#dn mello#mihael keehl#nate river#l lawliet#{<- mentioned#lowkey sick in the head abt wammy's kids...#as usual#mello IS my favorite but as I grow up my appreciation for near grows more and more#i picked up death note when i was 15... mello's age when he left wammys. i guess thats also what endeared me to him#i guess it didnt really click how heavy of a role near had to substain at such a young age until i got to 17 myself#and then 18... 19.. 20#looking back i see him for what he is. a boy#i think he turned 18 during the story but i cant exactly remember when his birthday is#still. very young#nobody was there to cradle him after all of that. he just had to go back to work#he was just a boy...#sick. sick in my head}#carols.txt
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admiration for his muse or whatever!!1 thank you BoB for the mental illness <3
#gravity falls#gravity falls fandom#gravity falls stanford#gravity falls ford#gravity falls bill cipher#bill cipher#gf bill cipher#gf stanford#stanford pines#billford#gravity falls fanart#gravity falls stanford pines#god how do i tag!!!#ANYWAY. CRAZY ABOUT WHATEVER THESE TWO HAVE GOT GOING ON BETWEEN THEM MAKING ME SICK IN THE HEAD OR WHATEVER...#bless fords little heart he was down BAD#bill was too but just. worse. in worse ways. all the worst ways LMAOOO#everybody point and laugh the dream demon can't cope with BLEGH WEAK MORTAL FEELINGS!!! what a LOSERRR#ford pines#love you ford pines
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um!
#fnaf#five nights at freddy's#springtrap#y/n#fnaf springtrap#william afton#purple guy#springtrap x y/n#um!!!! um....#uhmmm yum uyum uujmmmyeah#*dies cutely*#I WISH THAT WAS ME BOIS!!!!!!!!!!! HAHAHAHA HPOU ALREADY KNEW THAT#i was originally gonna do more but i got pooped out#look forward ta that later bois new spacie era incoming#GOD I FUCKING LOVE HIM SO MUCH#I WANNA KISS HIM SO BADDDD FUCK#im sick im sick im sick and twisted im sicjk in the head and i will never get better#GRRRR OIUUOUOUGOUGOHGOHHG FUCKKKKKK FUCK FUKCUFKC#FUCIING EXPLODES AND DIES#spacie scribbles
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arin from last nighttttttttt
#im sick im ddying crunblingmy heads gonna explode#i aint drawing the dragon im not crazy#ninjago#ninjago dragons rising#ninjago dr#arin ninjago#ninjago arin#ninjago fanart#venezuelan wukong#ILL DRAW OTHER CHARS I SWEAR#he got me hooked#haha get it becausr..#he has a grappling hook.. forget it
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Lego gay people ……..
#snap chats#the games lego marvel superheroes btw !!!!#i was just gonna upload a video of me flosting around as magneto but i didnt know charles would be here fjOESJSJJS HI CHARLES#i still cant unhear rivals magneto when he speaks it makes me sick#oh but the flosting thing NO LISTEN#I HATE HOW THATS MY FIRST CORE MEMORY OF MAGNETO JUST HOVERING IN CIRCLES IN THIS GAME FJDJSJDJ#ITS SO FUNNY I HATE HIM#i unlocked charles too…….. his x puns make me sick rjeLDJSJJD#why do you get the magneto mobile from his first mission HELLO???#why you got a car for him……. you are not SUBTLE#this games so silyl. why did charles take out a buffer for his bald ass head dOWSNIWOS#the comedy of this game is so silly… i love it i fear…..#also while making this post ive just been watching magneto juggle and charles spin the fuck out fidjOsnsn#ok im gonna keep playing i think im almost done with story mode#i mean im gonna dick around a lil more as mags i finally unlocked him sonOWDNSJSK
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I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
#tumblr polls#hrmm... a little poll perhaps.. about a subject I find interesting.. since this image came across my facebook today#still really not feeling that well. no longer shaking violently and such but I still feel weird and weak much more than usual#They did say my markers for like infection or inflammation were elevated but that they werent sure of the cause so hopefully#it's nothing too serious. they did also say a lot of different things can cause that thing to be higher than normal but didn't go into spec#fics of what. maybe some of them are relatively benign or something. I still havent felt much back to normal since#I got really sick that one time though. I feel fine on and off but then little bouts of feeling weird and sick happen. hrmmm#ANYWAY.. looking for small ways to be productive. such as little doodles on evil ipad or editing game videos#or posting polls or cat pictures or some other like not very labor intensive things#I WISH I COULD FOCUS on writing HHRGGhh... I need to finish my game.. it would be so freeing.. a project that's been looming#over my head for like 5 years even though througouht that 5yrs I've probably spent a total of 3 months working on it lo.. ANYWAY#I still partially really cannot beleive that people CAN see stuff in their heads. There's always part of me that's thinking like. well mayb#e everyone DOES see the same exact thing but we just describe/conceptualize it so differently that we think we're talking about#different things when we're really not. But I have been assured by people I've talked to about it that they can GENUINELY really see#stuff in their heads like as vivid as an actual picture in real life or something. And the other senses are neat too. Like for exmaple I#can hear in my head much better than I can see imagery. I still CANNOT hear vividly like as if I were listening to actual music out loud..#but I think it's developed more than my sight. AND interesting how this varies the creative process. a friend I was talking to on the phone#said they write by literally just watching stuff play before them like a movie. where my process is COMPLETELY different. AND that affects#the content/what details we focus on as well as our individual styles of writing have differences that can be traced back to that.. hrmm
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hey! as the first season of connor bedard gets underway i, your local indigenous hockey fan, have a request of you: please don't let this kid's sure to be marvellous and jaw-dropping rookie season make you complacent with the racism of the blackhawks as an organization. it is beyond heinous that they were able to secure the first overall pick this year for a number of reasons i'm sure we're all familiar with, but i am pleading with the hockey community not to let the racism of this org fall through the cracks.
they drafted connor bedard and handed him a jersey with a giant racist caricature on the front. their mascot is named tommy hawk. they continuously fail to curtail their fans' egregious displays of anti-indigenous racism at games.
i'm not going to ask anyone not to post about bedard. i know he's huge news and i'm bummed as all hell that i won't be able to enjoy the beginning of what is sure to be an incredible career myself. but i am asking, given that his presence on the team is likely to increase the prevalence of people making and reblogging posts about the blackhawks, that you please care, loudly and actively, about the racism of this organization and how much it hurts indigenous fans to see that go unquestioned so often.
consider mentioning it in posts. consider amplifying the voices of indigenous fans and community members about the issues of these types of sports organizations. consider reading up on the history of the person they claim to 'honour' with their hideous effigy of a logo. consider censoring the logo in your posts if you are able to (please do this if you are able to). consider tagging posts so that indigenous fans are at the very least able to blacklist that team and not have to see it.
above all, please just. don't forget about it. don't forget about us. we belong here too.
#gav gab#connor bedard#chicago blackhawks#i jsut. it makes me feel sick every time i see that thing.#this racist caricature of a native man's head on their jerseys on their ice in their locker room#a native man who had his body mutilated in death including having his head removed#it's fucking grotesque and it makes me literally sick#i was really looking forward to see what that little wizard boy could do!#and now it is wholly ruined for me#and i keep seeing people just. posting about it like this team is normal. like it's any other team#no ethical consumption under sports is true but some things ARE worse than others#and there is no justification or excuse for being a blackhawks fan in the year 2023. there just isn't.#and like..... it bums me the fuck out for bedard himself too#like he didn't choose this#he just got like. put into this situation#it sucks#he's a teenager and now he's in the middle of this whole mess he didn't create and isn't responsible for#and i can't expect him to do anything about it#but boy was i excited to see him play#and now it just..... yeah#well.
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