#good omens resurrectionist

[beebopboom]

i don’t know why it didn’t register till now that when Aziraphale goes to the Resurrectionist pub the guys that works there refers to Gabriel and Beelzebub as masons, as in freemasons, and that there is a lodge next door (probably because i don’t know a lot about them - and i still don’t. Just did like a basic google search but just saying it might be worth it to look into it more)

and it got me thinking about the sign out front that has Jesus on one side and Mr. Dalrymple on the other and how maybe it is for both the pub and the lodge - a kind of duality where both men deem a resurrectionist one celebrated the other condemned for their actions - the parallels between them and maybe a look into how Jesus is going to act next season and his moral standing

perhaps the lodge is symbolizing Heaven and the pub is symbolizing Hell - could be another way to look at it

so it’s interesting they ended up back in the pub together - learning that things aren’t so black and white and they have in common than they think - in the same place doing the same thing Aziraphale and Crowley did years (centuries) before

[snek-eyes]

The fact that Aziraphale emerges from this flashback

Makes this face

and then with a ginormous gap on the right side of the screen, proceeds to be like "I must call Crowley right now immediately."

[aduckwithears]

Ok so I know I posted the whole set, but I keep coming back to this particular moment-

Because look at this whole situation. Aziraphale steps forward, directly into Crowley’s shadow. Not only is he getting closer, right into his personal space, but suddenly Crowley's face is going to be a lot clearer, not backlit anymore. At the same time the Crowley's hand retreats just a little from almost grabbing and dragging Aziraphale's cravat to doing a pointy finger. And then we have-

Where the eye contact is basically the most indecent thing I've ever seen. It's just... a lot.

[itsscottiesstark]

Here's some of my favorite Crowley on laudanum moments, just because:

1. Death is "just wrONGGG", Crowley said so. No more dying.

2. Because if you don't get high and improvise the unofficial anthem of Scotland (it's canon, Crowley improvised it), what are you even doing with your overly long life?

3. This lil dance is the best, I swear.

4. Reminder, he's looking at a graveyard, at night.

5. Find me someone cuter, I'll wait.

6. It was dark, he was wearing sunglasses, and he was high. Leave him alone.

7. I am petrified.

And bonus points because I will never get over this:

No, don't be shy, get closer.

[fuckyeahgoodomens]

The New S2 Poster Details

Terry's hat and scarf ❤ With an ook pin! ❤

Crowley's old glasses on the statue. The statue itself is the Marly Horses by Guillaume Coustou the Elder.

Aziraphale's bow tie on the floor 👀

The cardboard box - long ago Neil shared on his instagram: Game on! There are mysteries, histories, secrets revealed and Something Too Terrible To Be Revealed on the way. Also a cardboard box.

Three feathers. One white, one blac and one white with a bluish/grey tinge (if it's not a shaddow)?

The angel mug is back 🥰

'The Resurrectionist' matches with skull and crossbones. In the previous poster there was a The Resurrectionist leaflet.

Again the Eccles cakes (already were in the previous poster)

Feather duster with dark gray/black feathers

On this shelf there books also in the previous poster, but at different place 🤔: The Crow Road, Catch-22.

And: The Curious Incident of the Dog in the Night-Time by Mark Haddon, from wikj: mystery novel by nritish writer Mark Haddon. Its title refers to an observation by the fictional detective Sherlock Holmes in the 1892 short story The Adventure of Silver Blaze

And: No Woman No Cry: My Life with Bob Marley by Rita Marley a memoir of Bob Marley by wife, Rita.

Also heard the people say that the right one of the Catch-22 they see Gabriel García Márquez on the spine (I can't read it :)).

Lord Jim and Treasure Island have also been identified in the previous poster but now are in a different place 🤔👀.

Three books by Jane Austen: Persuasion, Pride and Prejudice and Emma. We have already seen Pride and Prejudice in the previous poster but it was a different edition so Aziraphale has more than one :).

Candy?

Again geckos! :) 🦎 (there were three in the previous poster)

The Buddy Holly Everyday was also in a different place in the previous poster. And there is a note on it

The Ressurectionist, 66. Goat Gate, Edinburgh 👀.

[fellthemarvelous]

Do you ever really think about what happened in The Resurrectionists?

Aziraphale spent that entire time trying to save Elspeth's soul from being damned to Hell.

Every questionable choice he made was done so because he was trying to help Elspeth and also trying to find new ways to decrease human suffering.

He was working really fucking hard to do his job, but he made mistakes along the way because he is constantly struggling with the knowledge that the rules become a lot more convoluted as life becomes more complicated.

Digging up bodies is wrong, but Elspeth was poor and acting in desperation to take care of herself and Wee Morag so they wouldn't have to continue living on the streets.

He is the one who encouraged her to dig up another body because he realized that Mister Dalrymple was trying to help teach those learning to become doctors so they could do better to decrease human suffering when it was their turn to help others.

He wasn't able to save Wee Morag after she was shot by a grave gun, and watched in dismay as Elspeth sold her body to Mister Dalrymple so she could get off the streets.

And when that didn't work the way she'd hoped, she decided that her life meant nothing anymore and decided she was better off dead.

Aziraphale had been spending that entire minisode trying to save Elspeth's soul from Hell, but he ultimately realizes that he made things worse even though he was trying so hard to do the right thing.

Heaven didn't care that he failed. Heaven has already said "we're the good guys, we're just not doing anything to stop the bad guys". Aziraphale was doing the job given to him by God. He made a mistake, but he thought he was doing the right thing because he cares about human souls. He still wants to protect humanity from Hell. That's literally his job.

Crowley saw someone digging up a body in the graveyard and immediately realized he didn't need to do anything.

Instead he watches.

He listens to Elspeth and finds it easier to sympathize with her plight because he's in the same boat in many ways. It doesn't matter what he does because he won't be able to climb his way out of Hell.

He listens to Aziraphale and he challenges the angel when he disagrees with some of the things he's saying.

He doesn't interfere with Elspeth or Aziraphale though.

The discussion that he and Aziraphale have with Mister Dalrymple teaches Crowley something just as much as it teaches Aziraphale.

Before he learns the reason that Mister Dalrymple cuts open dead bodies in the first place, he's cheering to the idea of more murder.

That tumor that Aziraphale hugs to his chest is just as much of a learning moment for Crowley. He hadn't considered why someone might have a good reason to cut up dead bodies, but Crowley and Aziraphale both love children and they both just learned that a child died with a tumor inside of him.

Crowley didn't realize anymore than Aziraphale did just how much danger Wee Morag and Elspeth were in from digging up bodies of rich people.

It was when Crowley saw that Elspeth was about to kill herself that he realized he could no longer sit back and do nothing.

As a demon, it should have been easier for Crowley to accept that Hell was winning another soul, but the truth is that the entire time Aziraphale was working so hard to save Elspeth's soul, Crowley was able to act as a spectator because she was already headed down the path towards Hell.

Crowley had just watched Aziraphale work so hard to save this human soul, this soul who had just lost the woman she loved who was wanting to end her own life so she could see Wee Morag again, and he realized he couldn't sit back and watch anymore. He knew Elspeth wouldn't see Wee Morag again if she killed herself because Hell cares just as little about how complicated human life is as Heaven does.

He used Aziraphale's money to bribe Elspeth into being properly good so she could go to Heaven. He saved her knowing that he was offering the win to Heaven just so she could see Wee Morag again.

It's important to remember that neither Heaven nor Hell give a single solitary fuck about humanity or the complications that arise as life becomes more problematic. Humanity exists within all shades of grey.

Heaven does nothing to stop Hell. Hell spends eternity torturing humans and other demons. Neither side is good. Neither side is ideal.

And in the end, Crowley did what he did because Aziraphale was doing the right thing by trying to save Elspeth's soul from eternal torment, something she doesn't deserve because she was simply trying to survive in a system that has always put poor people at a disadvantage. Aziraphale learned this too. He learned that there is no inherent virtue behind poverty.

To shades of grey.

[marvelmaniac715]

Wait, traveller! It’s dangerous to go alone, take this…

*I hand you tiny, high on laudanum, 1800s Scottish Crowley*

[dee-morris]

Aziraphale's Decision

The Resurrectionists is a great minisode that shows us a significant little piece of Aziraphale's character arc, his realization that things on earth are never as black and white as they seem in heaven. But I just want to take another look at this heartbreaking moment here.

This was the turning point here, when he realized the practical need for dead bodies and how they're used. You can almost watch the switches flickering back and forth in his mind as he readjusts his world view.

After staring at this gif for a long time (and only crying a little), I've decided that it's not just a turning point in that specific narrative. It's also foreshadowing.

Check it out.

I don't have a gif unfortunately, but I know you see it too. This is his face after Metatron says, "We call it the second coming."

Once again, click-click-click go the switches. Initially (imo) he was going along with the Metatron to appease him and protect Crowley. This is the moment where his perspective shifts from "Protect Crowley" to "Protect EVERYTHING" and from that point on his path is clear.

He might have thought, just for a moment, that maybe Crowley was right and they really could just be themselves with each other and screw everyone else. But not with the second coming on the horizon. My dude collects books of prophecy, he knows EVERYTHING that's been foretold, and he knows that there will be no Alpha Centauri, no "us," no safety or freedom anywhere in the universe once shit gets real.

Whether or not he made "the right decision" at the end of season two is irrelevant. He made the only decision possible. Running away was never an option; it's not who Aziraphale is.

[ducks-love-peas]

It was this free-will thing, of course. It was a bugger.

[bowtiepastabitch]

Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3

[thenwethrowitonthefire]

Good Omens 2x03 - The Resurrectionists

[melbatron5000]

More minisode connections:

Right here.

All of the minisodes are on this matchbox.

The matchbox is from the Resurrectionist pub.

It has a quote from the Book of Job on it.

The quote is 41:19, or, if you flip that, 1941.

What is up with these intense minisode hints??

[aduckwithears]

I don't think we're talking enough about how the premise for the 1827 meetup in the cemetery was a date, pure and simple. There was no "uh oh, Aziraphale is in trouble again", no big point in history that both sides needed them to attend, no Arrangement at all... nope, it was an invitation and an accepted invitation. It was literally Crowley saying "hey angel, I saw a thing that you'll find funny (I was thinking about you), come and hang out with me about it" and Aziraphale does.

And I wonder what would have happened next if they hadn't stumbled across grave-robbing Elspeth and her moral dilemma.

[itsscottiesstark]

Thinking about Crowley having the time of his life walking around Edinburgh with his husband and Elspeth, making jokes and teasing Aziraphale while also helping him realise the world is much grayer than he thinks.

Bonus points, these looks he's throwing Aziraphale, cause fuck me.

Extra bonus points, him also almost throwing an f-bomb when Wee Morag gets shot.

(Tumblr is absolutely destroying the quality, so please tap on them to clear them up, I worked hard on these 😭)

[fuckyeahgoodomens]

[ilove80z]

Detective Aziraphale is on his way! 🔎🤍✨