#s2 poster details

[fuckyeahgoodomens]

The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. 

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists�� leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤

[jollymalt]

so... ekko's hair accessory huh?

[rosifire]

Obligatory “I don’t have a problem with CaitVi” but I think, for me, their story (separate from their own personal character arcs) would/will be more compelling if it ends up being irreparable between them.

I think Arcane is good at subverting expectations and tropes; the most memorable example I can think of is in S1E3 where Powder follows after Vi and the boys to save Vander. We’ve all seen the “friends are in trouble, but the plucky young hero comes in at the nick of time to save them against all odds” plot twist—but Arcane subverts that. In fact, Powder’s involvement and her monkey bomb finally working is the thing that, tragically, leads to Claggor and Mylo’s death, Vi’s injury, Vander’s death(?), so on and so forth. It worked, but it didn’t work. And to me, that's the tragedy of it. That good intentions weren't enough.

So, personally, I see a setup between Caitlyn and Vi: the Romeo and Juliet archetype, two initially-begrudging people working together amongst classism and prejudice, and finding companionship against all odds. Class, wealth, opportunity separates them; Caitlyn is a scion of one of Piltover’s most influential and powerful families, and Vi is… a nobody from the Undercity, wrongfully imprisoned, when they first meet. It’s a way for them to both see that the “other side” isn’t as bad as they’ve always been told. That there are Good People on either side of the bridge. That, hell, love can be found, too.

But oftentimes, I believe this trope in particular ignores a lot of the real-world factors that could come into play with a friendship or relationship that “defies” station. The fact is, Caitlyn does come from a world of privilege, and Vi is treated differently by Caitlyn’s peers. The whole of Season two, Vi has been referred to as one of the “good ones”. Maddie explicitly says that it's good to know that there are still "good ones" around. The implication that you’re not like them. Time and time again, Vi is treated like an Other. A “good” other, but an other all the same. She's welcome in Piltover, but only just - and only when Caitlyn vouches for her. And at the climax of their story thus far, Caitlyn outright says to her, “I keep telling myself that you're different. but you're not. It's [Jinx's] blood in your veins”. I'm sure grief and anger are a part of why she says this, but that's becoming a catalyst for the discrimination she seems to be steadily believing in more and more. Whether or not she ends up meaning this, it's a ghastly thing to say.

And with the way things are developing with Caitlyn, who is actively weaponizing her privilege and power, and who is very quickly going down a very dangerous and fascist path, I don’t know if their relationship could — or should! — be rectified. She's a cop, and a very privileged one at that. I don’t know if this is a love that could “defy all odds”, and in my opinion, I think it would be more interesting, and more compelling, if it didn’t.

[threewaysdivided]

Hey ! i'm a longtime follower of your blog and I've read a lot of your YJ analysis and why the latter seasons totally flopped. I haven't seen you comment on Young Justice Phantoms, although I guess your opinion remains the same. However I'd love to read it one day.

PS : I do think Greg Weisman is a decent writer, but not that good at characterization and desperatly needs editors and not enablers *sigh*

Hey nonnie!

Glad you’ve found my YJ writing critiques interesting. 

The reason why I haven’t commented on Young Justice: Phantoms (or the final Targets comic) is that I haven’t watched it, haven’t read a synopsis and have no plans to ever do so.  My interest in the series went pretty cold as far back as Invasion but at the time I was willing to give the showrunners good faith on their claims that they had a plan to bring things together and that the problems were mostly production issues.  However, after how bad Outsiders was (and having seen similar awfulness from Greg Weisman in other franchises) I don’t have any good faith or trust left to give them.

I talked at length about how Outsiders left the show with no compelling narrative as part of this big Invasion breakdown (grumpier TL:DR version here), but here are the most relevant sections:

In terms of the Central Conflict, the Light are proved utterly correct: by Outsiders the Original Team are callous, hollow husks of their former selves, who have replicated a worse version of the same status quo the Team originally formed in response to. Dick, Kaldur and M’gann’s Anti-Light are a new upper echelon of older heroes who keep even more secrets from the next generations, who exclude the new generations far more strongly from knowing their plans, who give them even less reason to trust or communicate with them, and who do so for less just, less honest and less narratively justified reasons than their own mentors’ understandable (if condescending) desire to shield the proteges from the parts of the Life they may not yet have been equipped to face. Not only that but their constant lying with the intent to control others, and refusal to hold themselves accountable for those actions goes directly against both the League’s stated heroic ideals of “Truth, Liberty and Justice” and Red Tornado’s conclusion that caring is “the human thing to do”. By the end of Outsiders, even the existence of the Team itself is undone; decommissioned into the exact kind of safe training space that the Season 1 characters were desperate for it never to be. […] With Outsiders, any actual narrative set by Young Justice Season 1 is over. By their own standards the Team have lost, and lost entirely.

The meta-narrative of Young Justice Animated is that of a show that started with a promising initial season and strong sense of narrative identity, only to discard every part of that identity.  With Invasion the show discarded its original characterisations, themes and ideologies; replacing them with contradictory and often antithetical ones.  Outsiders would then shed even the surface trappings of its aesthetic (in favour of the more generic “modern DC” art-style) and mission-based narrative structure.  There is nothing left, save for some superficial proper nouns and call-back references: the textbook definition of an In Name Only Sequel.

I didn’t bother with Phantoms (and am frankly a little artistically insulted by its existence) because I knew it was doomed from the start to be a narrative stillbirth.  Having actively abandoned its original identity, Young Justice was left desperately scrambling to forge a new one, by clawing at the one thing it had left: people’s nostalgic attachment to the Season 1 iterations of the cast.  But this could never work because every season since has been engaged in a performative pretense of not acknowledging the character-breaking contradictions and hypocrisies forced upon the original cast by the poor writing decisions.  Phantoms would have to thread an impossible needle: wanting to be about the “journey” of the original cast for nostalgia reasons, while not being able to acknowledge that the last two seasons (and attaché comics) have resulted in all of them either actively failing or being tragically soft-locked out of their explicit character arcs without breaking that kayfabe of performative ignorance.  And, in trying to tell a story without engaging with that story's content or how broken it had become, what would they have left but to fall back yet again on canonical filler, sidequests and references held loosely together by contrivance? 

It could only ever be a zombie-fic of itself: having long-since concluded or abandoned any remaining character or plot threads, driven forward solely by the stream-of-consciousness compulsive-writing of a production team desperate to remain present, relevant and profitable.  And from the feedback I’ve heard from the general community and fandom friends who kept watching, it seems like Phantoms did indeed pull down the curtain on that empty, directionless, hollow-automaton-filled narrative for a lot of people.

As for Greg Weisman himself, while I agree that he is a particularly poor character-writer, I will respectfully but firmly disagree that he’s otherwise decent.  I think the fact that we have to caveat “he’s a decent writer” with the condition “so long as he’s surrounded by a team of strong editors and directors to keep him from being awful” kind of reveals that he isn’t.   I also don’t really accept the premise that the main fault lies with the people around him for not stopping that.  They certainly haven’t helped but he’s a grown adult who can make his own decisions. Enablers don’t generally induce behaviours; they simply amplify or become complicit in the behaviours that are already there.

In the video Plagiarism and You(tube), Hbomberguy did a great job of laying out the difference between “honest mistakes” – which can be easily cleared up by good-faith apologies and explanations – and “dishonest behaviour” – where the person(s) is aware that what they are doing is not appropriate and falls back on reputation-protecting deflections and “non-apologies” to avoid consequences when caught.  Weisman would not so-frequently disrespect his colleagues’ work with contradictions, or write patterns of misogyny, queerphobia, casual racism/ableism and abuse apologism into his stories if he did not fundamentally feel entitled to do so, was not comfortable and in agreement with those beliefs, or did not think he could get away with it.  And the way he has routinely responded to even gentle, good-faith comments by fans expressing frustration/confusion with inconsistent characterisation/structure indicates someone who knows he has done the wrong thing but resents being questioned or held accountable.  And then we see him continuing the same behaviours.  A “decent writer” should not need an editor to hold their hand and explain why directly contracting explicitly-stated characterisation is bad practice.  A “good ally” should not need someone to tell them that disproportionately subjecting queer/non-white characters to shock-value violence, writing minority characters to be dirty/dangerous/less valid in their identities, erasing/demonising/misgendering AFAB trans and bisexual identities, rewriting strong female characters to need motherhood or men to “tell them who they are”, writing gay men to be secretly misogynistic/racist, and framing victims as being equally responsible for their abuse is offensive.  All of which he has either directly done or tacitly allowed under his lead.  Multiple times.  Across multiple series.

These are not isolated incidents of “good-faith mistakes” from a newcomer learning the ropes (if they were, it wouldn’t bother me like this).  Weisman has had multiple seasons - multiple franchises even - and decades to show himself to be the kind of sincere ally and visionary artist of integrity that myself and his fans wanted him to be… and that he has so benefited from presenting himself as.  He has chosen not to. Say what you want about their stories, but you can’t claim that marginalised creators like ND Stevenson, Rebecca Sugar, Dana Terrace and allies like Neil Gaiman didn’t push back hard against their own publishers and make a lot of careful compromises in order to tell those stories in a way they felt was respectful. Weisman is in a very privileged position, with a resume that carries a decent amount of clout. He could have held himself to the creative standards he publicly expresses; could have worked improve his craft, could have examined his own biases and actually learned from the communities his stories speak about/over.  But he didn’t – because obviously it's easier and more comfortable to keep being lazy, keep relying on his colleagues to carry him, to not question his own biases/privileges and then lie when caught.  And with the money he makes, and all the second chances and new jobs he keeps getting handed, what incentive does he have to change that behaviour? 

So, personally I don’t buy his attempts to position himself as an UwU Nice Guy Ally whose haters are taking him out of context and whose nasty publishers keep forcing him to do incoherent bigotry.  He’s a grown-up, who can own his own behaviour.  And, even with a generous reading, this is at best the behaviour of a fair-weather sell-out who is willing to abandon his principles at the slightest hint of pressure from above.  That is not what respect looks like.  I wanted to give him good faith, but in light of all this, I find I can no longer trust him to keep his word or be honest about his intentions.

This is kind of the other reason why I choose not to support or engage with YJ Phantoms (or the revival in general): on top of being utterly disinterested, I just don’t want to incentivise this kind of creative behaviour with more money or attention.  I also can’t ignore what could be a pattern where Weisman makes grand promises that he likely never has a plan or intent to fulfill, then deliberately leaves holes/timeskips/inconsistencies in his narratives in order to generate ongoing demand for separate-purchase side content which promises to “fill those gaps”… but which never does because there isn’t actually a plan to facilitate that (thus creating an endless cycle of demand and profit).  To me that cuts a little too close to the potential for a privileged creator to be exploiting their clout and the good-faith belief of their fanbase in order to grift those fans out of their time and money.  I don’t find that acceptable.

So, yeah.  Not to deploy the GIF again but:

It'll be a big, fat doughnut on YJ Phantoms content from me 🍩. Sorry!

[cauldron-of-oddities]

Is that shadow to the left of Vi Victor? (or just background?)

It looks like a mask and a coat, but it's too streamlined for Ekko's.

[fuckyeahgoodomens]

The rings again! :)

It looks like there is a set of magician's linking rings near the window, on top of the books. The Amazing Mr. Fell is back?

[skinsharpenedteeth]

concerning the BOC 2023 announcements....

that could've been an email.

[boorrger]

ah yes the two sisters in law 💗💗💗😁💓 what could go wrong am I right?

cait is gonna be the s2 main villain I'm afraid. she'll be OBSESSED with taking down Jinx.

THE DETAILS ON THE POSTER?!? THE WAY THE THREADS LOOK LIKE A CAGE THAT SHE LOCKED HERSELF INTO BC SHE'S GONNA GIVE HER EVERYTHING CHASING JINX JSGDGSJWH VI IS GONNA SUFFER 😭😭

[fuckyeahgoodomens]

R. Mansel Jones?🤔

[venusdebotticelli]

Sorry, I just need to reblog my own tags from this post where it's only the bearded Stede pic

Because it absolutely is a fantasy he's built in his head about what a dashing pirate he's become just because he left his fortune behind lmao 😂 On the other pics you can see that the scrap of silk he's got around his neck is the same fabric as the sash, and that dusting of stubble on his face is totally a full beard, oh yes, I hear it's extremely piratey to have a beard :p

New promotional stills of Rhys Darby from Our Flag Means Death season 2!

Bonus:

Backstreet Boys of Nassau!

[youryurigoddess]

The summer that was never supposed to end

You’ve probably noticed how in Good Omens 2 Crowley’s eyes are brighter, more saturated, as if glistening with liquid gold. We’ve already covered his hair. And it’s not only the visual aspect of him — even in objectively stressful conditions, Crowley appears mature and put together, way cooler and more protective than before. Even his faults are heavily romanticized in the past and present scenes, reminding of the S1 body swap, when Aziraphale projected his love to him on the way he played the demon in Hell.

It’s not just the demon. The whole season is more vibrant, bolder, filled with sunshine. Just like a summer that was never supposed to end. Like a memory of a loved one seen through the eyes of someone who thinks of them every day until the end of the world.

S2 seems ridiculously saturated, whimsical, and full of red and gold, just like a certain demon. Aziraphale not only painted his bookshop in his image, but literally colored the whole world in Crowley’s colors. It was such lush and saturated and blooming with warmth and hazy light.

It’s either that all the newest events are just another memory seen through a certain angel’s eyes, or said angel actively made it appear this way — as in, his feelings grew so strong that they’ve started to warp the reality around him. And it’s a well-known fact that Aziraphale has a tendency to affect his surroundings, either unconsciously, when his presence in the bookshop literally lightens up the sky seen through its windows, or very much consciously, when he takes over the position of a master puppeteer and manipulates people with or without the help of his miracles.

S1 was more dramatic and apocalyptic, but not particularly gray — at least not as much as the color grading typically used in portrayal of similar apocalyptic narratives. S2, at least as seen through Aziraphale’s own La Vie En Rose lens, is vibrant and saturated. And those colors drastically fade in the heavenly light of the elevator during the credits, suggesting that they won’t be as visible in the course of S3.

But I don’t want to ramble about the apocalypse sandwich and the three-act structure here, so let’s circle back to S2.

Good Omens 2 was really set in a summer that was never supposed to end. But it did, autumn crept in, and there was no chance of hearing the nightingales sing. They all had left by the time an angel and a demon finally kissed.

In the most literal sense: the very last nightingales usually migrate from the UK to their wintering grounds in Sub-Saharan Africa in the first days of September.

Aziraphale was right that nothing lasts forever — and the passage of time on Earth is marked by subtle details invisible to the immortal eyes.

The main thing about autumn migration is how sudden and hard to predict it is. The birds start disappearing gradually, often without notice, until at some point they are no longer here. Much like the angel leaves the bookshop — their shared nest — to spread his wings and fight.

And it was basically announced on the poster.

Can you see the migratory formation of birds up in the sky? It looks like Aziraphale is the last one to get off the ground and fly.

[foxtriestobiteandmaimandkilland]

piece based on the idea that Dakota might've started learning guitar to play along with Ashe's drums ^_^ Ambigiously timed but was originally gonna be post s2 (tho their designs here look more s1)

Extras under the cut, as usual :3 AND a VERY detailed ID since this piece is a big one

Detailed ID: a drawing of Dakota Cole and Ashe Winters from Just Roll With It: Prime Defenders, sitting in Ashe’s dorm room.

Ashe is sitting on the bed, with one arm behind her head and the other rested on her stomach, while Dakota is lying on his back on the floor holding an electric guitar, legs kicked up on the bed next to Ashe.

Ashe has white skin, long curly white hair, a few freckles, and is looking down at Dakota with an open mouthed smile. She is wearing a dark purple beanie with pins of Madeline from Celeste, the Welcome to Nightvale logo, and the knight from Hollow Knight partially covered by her hair.

She is also wearing a shirt with the album cover of I'm Wide Awake, It's Morning by Bright Eyes. Over the shirt is Dakota's red flannel. She's wearing black jeans, one black and green sock, and one purple and black sock with cat ears at the top and cat paws at the toes.

Dakota has mid-brown skin with a few moles, and medium lengthed, curly, bright red hair thats splayed out across the floor. his eyes are shut tight and his eyebrows are furrowed, whilst hes smiling widely.

He has a black bandana around his forehead. On his neck is a chain, and attached to that is a purple heart with the letter 'A' on it. He's wearing a white tank top, that exposes his shoulder which features a temporary Ms G tattoo of her face accompanied with the words 'Ms G' in a galaxy pattern.

Dakota's wearing beige shorts, and has another temporary tattoo on his thigh which reads 'Teaching Moment' in galaxy text. his socks are white.

The blue and white electric guitar he's holding has a sticker that says 'Prime defenders' in black and white, and another sticker that says 'Just Roll With It' in gold and purple. At the top of the guitar near the tuning pegs, it reads 'Prime'.

They are in Ashe's dorm room. Her bed has a blue mattress and a green blanket that's pushed against the pillow away from Ashe, and draping off the side of the bed onto the floor. On the part of the blanket that's on the bed, there is a plush of Morgana from Persona 5, and another plush of Bacon Man. On the part of the blanket that's on the floor, there is a Nintendo DS, except with the word 'Primtendo' written on it. On the side of the bed there are 3 stickers; one of Hatsune Miku, one of Mae Borowski from Night In The Woods, and one of Tony's Pizza.

On the purple carpeted floor underneath the bed, theres a cardboard box labelled 'Secrets'. There is also an oval rug that Dakota is lying on that has a green, yellow, blue, and red circular design. ontop of this is a pair of headphones with the wire spiralling across the floor, and an amp that Dakota's guitar is plugged into. the front of the amp has the word Prime where the brand name of an amp would be usually

Next to Ashe's bed is a set of shelves. On the flat side facing the bed, there is a My Chemical Romance poster of the album cover of Three Cheers for Sweet Revenge. Under this poster are 3 photos, of Ashe and Dakota ice skating, Ashe and William walking on traintracks, and Ashe and William taking a selfie in bed. Next to these three photos are two school schedules, labelled 'Ashe Winters' Schedule' and 'Vyncent Sol's Schedule'.

On the shelves, the top shelf has a lit candle next to a box of matches. Next to these are 4 books titled 'The Carnival Of Souls', 'Planetary Problems', 'The Purps' and 'Overlord'. The shelf below this has a plant with small white flowers, in a ceramic pot with a blue heart, a red heart, and a purple heart on it. Next to this is a bottle of ibuprofen, and a turned on purple lava lamp. Behind these are more books titled 'The New Generation', 'Island Of Amal- [cut off]', 'Ultraviolent Light', '[cut off] -Don't R- [cut off],' and 'Good Cop, Ghos- [cut off]'

Underneath that shelf is an open drawer with two fairylight chains trailing out. One is in RGB colours and the other is golden. On the closed drawer below that, there is a Welcome to Nightvale sticker.

On the white wall behind Ashe, there is a window to her left. outside the light is golden, and there is a street. Behind Ashe's head is a Thank You Scientist poster of the album Maps Of Non-Existent Places, a Car Seat Headrest poster of the album Twin Fantasy, and a trans flag. There are also messages in smudged ink reading: '[cut off] -ncent was here !!!', 'Ashe. W [cut off] -s here :3', 'DC wus here <3', 'wiwi waz here [ghost doodle]' and 'love u man'

End ID.

[heartbreakprincewille]

My favorite detail about this poster is probably Wilhelm and Simon's sitting positions. Wilhelm is sitting with his back to Simon, his body facing forward, but his face and his eyes are seeking Simon. Something about Wilhelm facing what's to come with all genuineness, but his attention and gaze is towards Simon, who showed him what that genuineness means in the first place.

On the other hand, we have Simon, completely facing Wille. His undivided attention is on Wille. Which is VERY interesting if we think about the S2 posters where it was Wilhelm who was looking at Simon intently. It's like their emotional dynamic will take sort of a turn in this season, and I am here for Simon to be so utterly, irrevocably lovestruck by Wilhelm that any sort of conflict in the story heightens incredibly because both Wilhelm and Simon are too deep in their love for each other.

Something about them sitting in broad daylight, everything illuminated in a crisp, clear hue. Also the shade of their uniforms in the sunlight, something something about both of them having their own scarlet letters- again, probably a major theme of the season.

[fuckyeahgoodomens]

Eccles - character in the BBC radio comedy series The Goon Show.

Eccles cakes - yummy thing that Neil told us will be in the show :)

Also recommend this video with Terry Pratchett from 1996 :)

Interviewer: Why in Beaconsfield Library?

Terry: Well, first of all, everybody's got to be somewhere.

I’m sure I know what your answer is going to be but I’m gonna ask anyway. Why are there three geckos on the new GO poster?

Everybody's got to be somewhere.

[emithefrog]

not hbo wanting to make everything revolve around Olivia 😭 she's a good actress and I have nothing but love towards her but this was Emma's nomination, THEIRS. They have their own solo posters as Rhaenyra, why not use those? Besides, the fact Emma always get sidelined is sickening. They are the main character.

Something that always bothered me was the fact HBO wanted to make the dance about Alicent and Rhaenyra when in the book it was 100% Rhaenyra vs Aegon, the leaders of their respective team. Alicent doesn't play huge part in the team and their rivalry with Rhaenyra isn't as strong as the complex relationship Aegon and Rhaenyra have. How come we never had a scene of the two in season 1 asides from the scene of the carriage? Their sibling bond should've been treated with exclusive detail, the heartbreak it feels that after seeing your baby brother smile at you when you two were younger to him usurping your throne? It would've made the scene or B&C a hundred times better.

They've also portrayed Daemon's character as a totally dark one, when in reality he's a gray character just like everyone else. I facepalm everytime I watch s2 tbh

Btw, huge shootout to Emma Darcy for portraying a difficult role with such elegance and raw emotion. As an aspiring actor, I would love to someday develop their great acting skills.

[mimicha-arts]

Just a random post written after a sleepless night. Decided to collect a few thoughts and translate them into a single post for the future, as I'm wondering if the detail from the opening turns out to be what it seems. Mind you, this is all speculation and I'm just having fun.

Spoilers!

About Cheng Xiaoshi … Again. I'm still not convinced that the forest is a literal location. So far, this may be the actual location of the scene, but also a metaphor, similar to the foxes in the forest in the story of the twins.

Considering the theory where Cheng Xiaoshi is dead (or wounded) in some variation of events, although the injury visually seems to be at the same place as Lu Guang's wound, in my opinion, the circumstances were different.

It's still hard for me to guess how time goes by (I still have the idea in my head, given the characters' intros, that s1 and s2 are one long flashback). But whether it's a flashback that has already happened in some of the realities, or further events, in my opinion, the tragedy with Cheng Xiaoshi is connected with a gun. The presence of such a weapon seems to be a critical moment, it's kind of too obvious. 1. OP

Simple and clean. The gun will literally be one of the key items in the further plot, just like the star fox, as of yet unknown diary and 2 photos.

2. Qiao Ling's poster Qiao Ling's shadow (on the poster for s2) is one of the twins. If you look closely, there is a pistol in the right hand.

I'm not too sure which of the twins this is, as we have several diametrically opposed theories... and one of them is body-switching. For myself, I temporarily stopped with the thought that Xiao Hong from s1 is Li Tianchen himself (at least his body), and he is going to be the shooter from the future events. *There is still a room here if there are two time/reality lines, and a shot in "the past" may not match a shot in "the present". There is not enough information about the setting and facts. It could still be a metaphor for the destruction of time or something.

3. Qian Jin's profile As additional suspicious information, we know from Qian Jin's intro that he was an extremely skilled police officer, his profile information also specifically highlights his shooting skills. It seems that now he has ceased to act directly and relies on his people, but why was it necessary to highlight these words (用枪械)? I'll keep that in mind for the future.

So. Regardless of who else was involved in this situation, why do I think the one who was shot is Cheng Xiaoshi? Well, back to the Vortex (literally). When Cheng Xiaoshi (s1 design) enters the red space where two photos and a phone flicker, at the very last moment Cheng Xiaoshi flips over in a small flash of light. I think, with such a sharp penetrating gold line, the subsequent blue splashes, like blood, it is really a shot and a bullet passing through.

I think this is a very possible scenario due to such visual elements. The real question is when, in time and chronology, events occur. Maybe someone can get some new thoughts and insights from this~ Can't wait to see what really happened!