#good omens interviews

[captainfantasticalright]

Sir Terry Pratchett: on writing Good Omens with Neil Gaiman

I love the whole interview but this little snippet most of all:

Terry: “You can usually bet, and I’m sure Neil Gaiman would say the same thing, that, uh, if I go into a bookstore to do a signing and someone presents me with three books, the chances are that one of them is going to be a very battered copy of Good Omens; and it will smell as if it’s been dropped in parsnip soup or something in and it’s gone fluffy and crinkly around the edges and they’ll admit that it’s the fourth copy they’ve bought”.

You can never own enough Good Omens copies.

[abiiii-ineffable]

Good omens nycc full panel 2018

[samd1o1]

My experience with queer media lately:

[fuckyeahgoodomens]

From the Neil Gaiman: Dream Dangerously 🥺❤ (you can watch it here in US or with US vpn :) <3) (or just this bit on youtube here :))

Neil Gaiman: I miss him most when I get stuck. You know, I'll just be working on something and I'll go, "Oh, this isn't quite it," and all I want to do is just call Terry, tell him what's going on and have him say, "Ah, grasshopper, the answer is there in the question." And I'd go, "Oh, for fuck's sake, Terry, just tell me."

[Terry Pratchett laughing]

[ineffableriddlebird]

Fuck, Marry, Kill

[nerd-elf]

Always ❤️

PS: Feel free to tag your favorite gays here

[alexwilltellyouthings]

Hi queer fans of queer stuff! How are we feeling with today's TV industry? How about really bloody angry?

Look, the recent cancelation of Dead Boy Detectives is obviously personal for its fandom, but it's also one more nail in the coffin and I think we have to start doing something about it together.

I went through this with Sense8. With Our Flag Means Death. With smaller but also amazing shows like The Bastard Son and the Devil Himself. Not to mention when it's not cancelled yet but it's boycotted with seasons cut in half or zero marketing. *I am tired*.

If you are too, I ask you to join the campaign. This is specifically about increasing views and attention, not because Netflix is necessarily going to change their minds (we know that's unlikely), but because we want to prove that we exist as a group.

So even if you don't feel like actually watching right now, we ask you to give it a stream if you have a Netflix account, with headphones connected or low volume. If you don't have a Netflix account, and honestly good for you, you can help by boosting us in social media.

I do recommend Dead Boy Detectives for real, it's REALLY good, but this is more about joining forces. They want numbers, so we give them numbers in the most petty way: after they cancelled so that other networks will get interested. At the very least, the crew and creators might get some royalties and they deserve it after busting their asses for years to give us this season.

TL;DR: stream dead boy detectives as a community to shove it in their faces

[vamplire]

me consuming every piece of queer media instead of having a social life:

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[cuntfan]

2000s queerphobia era, 2010s queerbaiting era, 2020s queer break-up era

[captainfantasticalright]

Another Sir Terry Pratchett interview on the details of writing Good Omens with Neil Gaiman. (More about this process x).

Question about how he goes about collaborating with someone else .

Terry: “You make them do what you want”.

Gary Cornell came up with something very apposite talking about working together, he says : It’s not that (each) of you does 50% of the work, each of you does 90% of the work.

Um. The way we did it then, and I can’t really speak as an expert because it's the only time I’ve ever done it and other people do it in different ways, it wasn’t a case of, the way the Americans tend to do it, um, is one person writes a draft and the other person goes in and noodles with that draft. We did the whole thing from the ground up; each was doing bits. The ad hoc way we had of working, it’s simple: I’ve got a track record writing novels, Neil hadn’t. So I became like the editor, the taskmaster. Because the other thing is the practical problem about two people 120 miles apart doing something, is that, um, it would be different now, but in those days we had no reliable means of electronic communication. We could connect computers together with modems and then spend the whole evening at cross purpose and ringing each other up and saying “I’m getting lots of little faces and shit like that all over..”

Three quarters of an hour and about eight phone calls, you actually managed to transmit about 2000 words you could have actually phoned and sneezed in a morse code.

[w]hen we were doing the first draft of the film script, we were both members of CompuServe so crappy our BT rural lines that the quick efficient way was for me to go into CompuServe and leave the work I’d done in Neil’s mailbox on the computer in Ohio or someplace and later that evening he would dial CompuServe in America and download it from Ohio or wherever it was.

So in order to get the script 120 miles, electronically it was doing about 10000. This is from the global village.

What we would do is I would hold the master copy and sometimes work would have to stop for 24 hours because stuff was in the post, because the nightmare, the absolute nightmare which I knew would happen if we let it, was that somehow we’d end up with two master copies in existence with little, minute changes, and we’d never be able to spot which was which.

So the last thing we wanted was two master copies, and we worked on the phone who did what. I did a bit more than Neil, of that anyway. But, it also felt to me to be an awful lot of the glue that no one wanted to do because it was easy to do set piece scenes and written on a kind of, on the kind of plot somewhere you get A and B to F and X and Y across to C T. And that really is like 3000 words where you have to move people around and then,you know, shove extra bits in; so I ended up probably doing near 75% of the book.

I would probably say because it’s, because had we’ve done it any other way it would’ve been like three months longer to do.

Also part of the process from another interview with Terry Pratchett:

Q: Let's talk a bit about the book you collaborated with Neil Gaiman on: Good Omens. That was before email, so how did it work on a practical basis? What was the most challenging aspect of writing with someone else?

I'm sure what I have to say will echo what Neil has said. When two people work on a book, it isn't a case where each one does 50% of the work. Each one does 100% of the work. There are some bits in Good Omens which I know are mine. There are some bits in Good Omens which I know are Neil's. There are some bits which were Neil's idea which I wrote, and there are some bits which were my idea which Neil wrote. Some bits we no longer know exactly whose ideas they were, or who wrote them. By the time we'd gone through all the drafts, it had been written by some sort of composite entity. We wrote it in the 14th century. We each had one phone line and a 1200 baud modem. We'd work it out: "OK, you send, I'll receive." Sometimes it would take 20 minutes to half an hour before we could send the stuff. It would have been cheaper and easier to have rung each other up and sneezed out the text in Morse Code. I was the Keeper of the Disks. I insisted that there should only be one official version in existence at any time. The moment it split into two, we would be in dead trouble. But Neil would sometimes send me a disk with 2000 words, saying " This is the scene with so and so -- insert it here." It more or less worked. It took us about six weeks to do the first draft. I think it worked because, at the time, we were each making a name for ourselves in our respective fields. It's not that we didn't take it seriously. But we were relaxed. We thought we would earn some holiday money by doing it. The nice thing about collaborating is that there is one other person in the world who is thinking about the exact same thing that you are thinking about. We both have a similar reading background, I suppose. It was quite rare when one of us came up with something that the other guy didn't know about. So we could bounce ideas off one another quite easily.

[rpftourney]

Best RPF Ship - Round 2 Match 1

[ilikebooksmoviesseriesandanime]

I think I've seen this film before

And I didn't like the ending

[fuckyeahgoodomens]

From the Neil Gaiman: Dream Dangerously :) (you can watch here in US or with US vpn :) <3) (or just this bit on youtube here :))

Terry Pratchett: Neil once said, 'Your fans all look jolly. And my fans all look as if they're about to commit suicide. Wouldn't it be nice if we could get them to marry?'

[thatonequeeraunt]

An alignment of shows with queer themes (imo)

[ineedhjalp]

oh honey i have rewatching capabilities you couldn’t dream of