#gonna go through my drafts and try to sort some stuff out. and then idk add new posts hopefully!

[whosthere54]

Ok ok ok Royal au Royal au ararararah

now to yap about my Royal au cause I’m normal. (Longer post- I just infodump about my AU basically-)

So what I have in drafts is all mainly brothers or prison duo centric, as if you know my fics I usually write from Icarus’s perspective on things. The main ships I would be focusing on are ghaae, nightingstar, Wolftross, and then prison duo- but I have cameos of all of the cannon ships of course. I’m gonna kind of just go through and explain roles of my main guys tho- so hope you like this as a sort of starting summary? I guess?

Icarus is the crown prince of the gilded kingdom. Basically the other full representative of the overworld who’s not Fable. Basically, they are heir to the throne, have to maintain a public image, help Fable out with royal duties and pretty much prepare to be the next monarch to ensure a smooth transition if “mortal king Fable” passes away. (He can’t die- I’ll get to that maybe- but yknow. God.)

I’ll talk about Isla and things later in this post, so I won’t mention it now- but yeah. Icarus is the only heir to the gilded kingdom.

Centross is Icarus’s bodyguard (yes I’m going down that road for the prison duo content. I’m so unpredictable /silly/sarc/lh) Royal guard? Close enough probably. Which- idk if I have to get into what he does. I think you can assume. Protection stuff. He was a former assassin, having used to work with Enderian. I’m doing a cliche maybe- but- yknow- he was sent to kill Icarus, ended up unable to do so… so now he’s a bodyguard for them instead of going back to Enderian. (There’s probably a promise of mutual protection somewhere- I’m sure Icarus would not have let Fable give them a bodyguard before then, and when he did they’d make it everyone’s problem- instead wanting to prove they could protect themself. There’s something there. Yeah.)

Wolftross is yes a thing, I think they were probably together for a while- maybe not long after he first became a royal guard. At Icarus’s request, he can visit Fenris whenever he wants probably. Easton replaces him when he’s gone (even after he became blind- at Icarus’s request he will continue that role. They trust him- and he’s capable.)

In the one thing I wrote, I gave him end features as well. I’m moreso debating on that- but I think it’d be a cool thing as a byproduct of being one of Enderian’s closest advisors and trusted assasin. Or- I give them to him later when he gets to be god. He gets them at some point- for me.

Rae is the crown prince of the end kingdom- full representative of the end that is not Enderian. I’d think she gives him more freedom than Icarus gets from fable, her being the end mother she is. She did have the same I guess cruel past that she does in cannon- I’m trying to figure out how I’m translating s1 into this AU still, and maybe you’ll get a oneshot of that eventually. Atleast the prison arc- of course. He left the gilded kingdom (either with Isla, or later on his own I have drafts for. But- probably with Isla) and lived with Isla for a bit- she runs for help from soul and things like in cannon and she helps hide them for a bit. Though- Isla ends up having Rae stay with Enderian. She probably stays as long as she can without compermising Rae’s safety, but maybe gets caught by Fable eventually.

Fenris is Rae’s bodyguard. He is a former general for the Nether’s army, just like in cannon. (I have to rewatch some of his lore before confidently talking about how he gets to become Rae’s bodyguard, so I’m sorry I won’t have too much info at the moment <3)

He becomes Rae’s bodyguard later- Enderian probably heard of his reputation as “the wolf” and hired him. (May try to include the wolf arc- but am again, trying to figure out how to integrate it.)

Now- basic plot summary? Something of the sort? Yeah. Some random details too cause I have no one train of thought ever and am just writing whatever I think of down. /lh

So for some backstory- Islas story is basically the same as in lore. But it changes for that bit after Rae was born just to adhere to the different circumstances Royal AU brings to the table. So, Rae grows a bit before Isla takes him and runs in this AU- he’s older, couldn’t tell you how old (age is a lie/silly/j) but just. A child. She notices how he’s being treated by Fable, takes him and leaves. She doesn’t take Icarus. There’s a lot of consideration for that fact- of course there is. Their her child. But- they’re not close, Fable makes sure of that. They spend most of their time with him, and their his heir after all. Their disappearance would be the worst to explain. So she doesn’t take them with her.

She takes Rae, and over the course of a few years- stays in a sort of safe house like in cannon, learns the things she does there, goes to soul for help, all that stuff. But she ends up taking Rae to Enderian, he becomes crown prince. She stays with them until it compromises Rae’s safety. Fable finds her, she doesn’t give away that she’d stayed with Enderian and that stays secret for a long time. Fable finds her, messes with her memories and things (he’s messed with Icarus’s too at this point- probably erasing Rae entirely) end she goes into a coma. He locks her away, Icarus doesn’t even know she’s here- and ends up having no memories of her anyways. Only fable knows where she’s locked away. Some tower in the castle sleeping beauty style probably.

Rae grows up in the end kingdom, Icarus grows up in the overworld.

Rae meets Caspian in the end prison- advocating for his freedom and things. He gets him a place in the end kingdom, and they get together at a peaceful festival in the overworld. That is an annual festival- Rae meets aax and takes her there too. He and Cas talk- and probably end up asking Aax out there too- making a whole day out of it probably. It’s a tradition for them, after all.

Aax lives with Cas, and Rae stays with them on weekends? Mayhaps? Something like that. He’s allowed to visit them whenever.

I like to think maybe Cas helps Athena and Bruin run the bakery on occasion. Bed and breakfast. Idk. Rae is definelty still the taste tester on Aax safe foods. And also a waiter on opening day for multiple reasons- one, it’s funny- two, yknow. Royal press. Media(?) purposes. Yknow what I mean hopefully.

Also- end kingdom I think had parts in the overworld and end? Like- overworld has the stronghold portal as the center and then made a kingdom around that, and then there’s an end part of the kingdom. This was probably a result of a peace treaty Isla had led years before between the realms after the war. Because badass mother deserves it. But to explain that- yeah. I think the Nether doesn’t- but has a trading hub spreading through portals and things. Yknow. Just not kingdom- I think the overworld is still more cold to people from the nether so. No kingdom. But portals can be made anywhere instead of having just one like the end, so that makes sense.

Gilded kingdom is just the biggest kingdom in the overworld areas we know- as Fable is the god of creation. I just have cool ideas for kingdom designs. May build them in Minecraft actually who knows- (if I do I will in fact post the pictures)

The Aether kingdom was a thing for souls and stuff as it was in cannon, but fell the same way. Alerion and Will live peacefully in one of the overworld kingdoms living normal lives away from everything, as they deserve.

A lot of the fable characters probably lives in the overworld, and just travel between realms.

Athena’s house probably has an area like his lab, where half is in the overworld and half is in the nether. If not, maybe their bed and breakfast- or atleast she has some nether bakery locations maybe with nether specific treats! Cause I think they deserve it and I just think it’d be cool.

Will has a cartographers shop in his village- like a cartographer villager type thing.

Rae has his archives he runs in his kingdom, there are two- one in the overworld part and one in the nether.

Starbarks definelty exists, does Fenris cannonly in this AU run all of the businesses he runs in actual cannon? Probably not. Do they exist? Probably.

Ven works as a close advisor for Fable, and Ari is hired as a knight or general of a sort for fable. Maybe more like a spy. Cat scratch records exist probably.

The world sisters do exist, most likely- (logistically if this was like a alternate “fable raises Icarus AU” they probably wouldn’t but I can do what I want and I say they’re here cause I love them- /silly)

Addie- Addie idk- maybe they work on like a night shift for the archives? Or like as an intern.

Ulysses- idk where to put Ulysses. Oh you silly fish man you. I will incorporate all the telchin stuff, definetly, I think just think of the cannon lore for that one.

Also- Quixis is there somewhere. Probably not in the same way for plot- but gotta include them in every au somehow /silly

Yeah. Royal AU. I’m eepy so I shut up- but hope you like my rambling ig idk-

I didn’t realize y’all enjoyed this au that much- I appreciate all the excitement about it /gen tehe <3

[cranberry-jam]

ID: A digital drawing of two original characters, Minos and Leo. Minos is a short Black man with dark brown short hair. He is stood beside a kitchen counter, holding a mug. He is wearing a black t-shirt that reads "my emo phase will die when I die" and has tattoos up his visible arm. Leo is a brown-skinned person sat on the kitchen counter, wearing a yellow t-shirt that reads "I'm a happy ray of fucking sunshine". She has long black hair which is hanging over her right shoulder, and a small bee tattoo on the inside of her left elbow. Leo is resting on her left hand, and her right leg is pulled up slighly. Minos' arm is wrapped around Leo's waist and they are smiling at each other.

[momonyu]

the one that (almost) got away

roronoa zoro x fem!reader

it takes him 12 hours to realize

3.6k words

a/n: ok listen, i think i started writing this like 6+ months ago and it’s just been sitting in my drafts bc idk how to commit to endings so y’all are gonna have to take this as it is. also i have no concept of how sailing works or how long it takes oops

9:00 pm

“y'know, there's really no point to a farewell party if the one leaving isn't there.”

you look up from your spot on the library floor. your eyes land on the green-haired swordsman leaning against the doorframe and you smile.

“i’ll be there in a second. i just have some more stuff to go through.”

zoro eyes the mess of books surrounding you, recognizing a few of nami’s atlases and robin’s textbooks. “you haven’t finished packing yet?”

“i’m mostly done. i’m just trying to decide which books i want to keep.” catching his eye, you joke, “why? you want me gone that bad?”

crossing the room, a scoff leaves his lips. nothing could be further from the truth.

“you got me. i am so sick of you,” he says with a grin. “can’t wait to get rid of the annoying librarian invading my napping spot.”

zoro plops down on the bench behind you, catching a whiff of your shampoo as he lies down. you sit with your back to him, sorting through your piles, but zoro can hear the smile in your voice when you speak.

“you’re such a pretender, eh?”

zoro puts on a look of overdramatic offense, a hand on his chest. “me? you’re talking about me?”

at his poor acting, you turn around. you rest your chin on the bench, your face so close to zoro’s that one could only describe it as a kissable distance.

“you act like i'm all in your space, but nami told me that you never used to spend any time in here at all!”

“pfft, why would you ever trust what that con artist has to say?” zoro pokes your forehead. “you see it with your own eyes. am i or am i not here every day?”

you purse your lips as you think back to the last few months; he’s right.

you’ve spent most of your days in the ship’s library, and zoro has almost always stopped by. in the beginning, it would be for a few minutes, but over the last little while, he’d be in here as long as you were.

zoro smiles as he watches you think, eyebrows furrowed as you replay the last few months in your head. little do you know that this is exactly why the library is his new hideout. watching your pretty little mind work — doing what you love, thinking and studying and reading — is a far better use of his spare time than anything else he could be doing.

“anyway,” he says. “i guess your silly star stories have been a good trade-off.”

now it’s your turn to be mock-offended.

“silly star stories? you’re the one who asked about the constellations in the first place!”

“only because you kept talking about these fictional gods like they actually did something important.”

“says the guy who's completely enthralled by hades,” you roll your eyes.

“king of hell, god of the underworld,” he grins. “that’s my kinda guy.”

zoro laughs when you shake your head at him. he’ll never tire of teasing you; you are far too adorable with your little sigh and a ghost of a smile on your lips.

“did you know,” he says with a playful look. “that you still owe me about ten more constellation stories? d’you think you could squeeze in one more before we head up?”

zoro smiles at you, and you can't help but smile back. 

you have so many treasured memories with zoro in this library; ones of just the two of you (him napping while you studied), ones with nami and robin (and sanji until nami kicked the boys out for their incessant bickering), and ones where the night listens in as you recite the history of the stars.

whether you were telling the story of another righteous deity enacting justice, or the tale of mere mortals who insulted the gods, zoro would listen with his eyes closed, lying across the bench as he is now, and you’d sit in front of him as you are now.

everyone’s waiting for you upstairs and you hate to disappoint, but some things are more important — like telling a silly star story to a silly swordsman.

“of course i can.”

12:00 am

raucous laughter and cheering that’s loud enough to deafen anybody; empty plates, once piled high with food, now scattered around the room; bottles on bottles of sake and rum and whiskey and every liqueur that one would hope to find on a pirate ship.

these are zoro’s requirements for a good time, and suffice to say that your farewell party has them all in spades.

zoro watches his friends’ tomfoolery from his spot at the table (currently, luffy’s trying to get franky to see how far he can slingshot him) when you plop yourself into the seat beside him.

“this,” you say as your arm knocks against his, “is the best party i’ve ever been to.”

zoro takes a swig from his glass, “you haven’t partied until you’ve partied with pirates.”

“seriously! you guys are insane!”

as if to prove your point, franky chooses that exact moment to show off a juggling sequence involving a barrel of whiskey, a giant potted plant, and a squealing chopper.

you gasp at the spectacle but quickly dissolve into laughter when nami saves chopper, and it’s with both awe and pure excitement that you turn to zoro. laughter is etched into your lips, your cheeks are flushed, and zoro can’t help but marvel at how you’re even cuter when you’re having fun.

“what, you’ve never seen a cyborg man toss a speaking reindeer in the air before?”

you nudge him with your elbow, “well, excuse me for leading such a mundane life where animals don’t speak and men don’t tinker with their bodies.”

“ah, but that’s where you’re wrong.”

you look at zoro quizically.

he takes a sip of his beer, “most men do tinker with their bodies.”

it takes you a moment to catch his innuendo and zoro roars with laughter when the realization hits you. embarrassment tinges your pretty face and you shove him with a loud “ew, zoro!” but he can’t stop cackling.

“you’re disgusting!”

you make to swat zoro across the chest but he quickly catches your hand. he leans in to waggle his eyebrows at you, “but i’m not wrong, am i?”

you groan loudly, which only makes him laugh again.

perhaps it’s the alcohol that let his inhibitions go, or maybe it’s the fact that he doesn’t have much longer with you, but when you hastily change the subject and there’s no longer a reason for him to still be holding your hand, he doesn’t let go.

when nami joins you two, his fingers slips between yours and to his surprise, yours do the same. sanji joins your threesome, then franky and robin, and in no time at all, it’s no longer just the two of you at the table.

but zoro doesn’t care.

drunk, carefree, and more content than he’s ever been, zoro closes his eyes and smiles. he lives in the moment, and in this moment, he’s happy — happy with a full stomach and a full glass, happy to be surrounded by his favourite people, and happy that, under the table, you’re still holding his hand.

3:00 am

“and what’s that one?”

hands swinging between you, you and zoro dodge the tide as you roam further and further from the thousand sunny. the sand is cool under your feet and the tide kisses your toes with each step. your other arm is stretched above you, pointing at a constellation in the distance.

“what is this - a pop quiz?”

you smile, “i want to make sure you don’t forget about my ‘silly star stories.’”

zoro groans, “has anyone told you that holding grudges isn’t healthy? keeping going and you’ll turn into a bitter old thing some day.”

you stick out your tongue, “you’re just afraid you’ll get it wrong.”

“wrong?” zoro scoffs. “i’ve gotten the past six right.”

walking along the beach, you and zoro fall in step with each other and your footsteps match the ebbing waves in perfect rhythm. you smile in his direction and his chest is flooded with a warmth that has nothing to do with the copious amounts of alcohol he’s consumed.

“alright, let’s see what we got here.”

zoro follows your gaze at the cluster of stars you’ve chosen, and he grins when he sees the constellation. “really? at least try to make this hard for me, please.”

his cocky attitude leaves you speechless, making zoro laugh. 

“you’re so annoying!” you shove him with your free hand and the force of his stumble pulls you along, and you shriek as he drags you into the ocean with him. he doesn’t let go of you, not even for a second — not when water splashes your legs, not when zoro’s pants get soaked as he spins you around. 

your laughter is warmth in its purest form, the kind that you can feel all the way down to your cold toes. when he sets you back down, you give his hand a little squeeze, to which zoro answers back with a tender smile.

now with wet feet and a distance between you that’s even smaller than it already was, zoro continues to walk alongside you.

“moving on from your pathetic distraction attempt,” — you let out a dramatic gasp — “i’ll tell you exactly who we were looking at.”

pointing at the starry zodiac sign, zoro speaks with complete confidence.

“virgo the maiden, otherwise known as persephone, wife and muse of the best god of them all, hades—”

“fanboy much?” you tease but zoro pretends not to hear you (the little tug of his lips tells you that he does).

“—who snuck her a pomegranate seed because he couldn’t bear for her to leave him.”

zoro puffs his chest with pride, relishing in this one niche study of which he is now an expert. it’s incredibly endearing how pleased he is with his answer and you almost feel bad for correcting him.

almost.

“good answer,” you grin. “but you left out the little detail about how she was kept in hell against her will.”

zoro gasps, “are you accusing my idol of being a kidnapper?”

“your idol!” your cheeks already hurt so much from smiling but another giggle slips out. “first of all, these aren’t my accusations. historians have told their love story this way for years—”

“slander is what this is.”

“—and secondly, why would you want to look up to hades? he’s literally the antagonist in every story.”

“he’s the king of hell! that’s so bad ass.” zoro winks at you, “don’t be surprised if you hear them calling me ‘zoro, king of hell’ some day.”

“what’s wrong, demon of east blue doesn’t go hard enough for you?”

embarrassment rushes to zoro’s face and he’s never been more grateful for the night. “who told you that? was it usopp or nami? i bet it was nami.”

“i might hold a grudge but i don’t snitch,” you flash a mischievous smile. “anyway, let’s get back to how you want to be just like devil who tricked a poor girl in returning to the underworld.”

“come on, can you blame a man for doing whatever it takes to stop his beloved from leaving him?”

it sounds like an innocent question — harmless banter, really — but something in the way he says it makes you stop dead in your tracks. a silence falls and in its wake, all you can do is stare at the man you’ve spent the last several months with, the same man that you have to say goodbye to tomorrow.

moonlight falls unto the both of you and bathes zoro in soft light. it illuminates his eyes and when you meet his gaze, you see a sense of longing there that you feel in your chest. a longing for what, you don’t know — or rather, you don’t want to know.

at least, not yet.

so you hold his hand a little tighter, and underneath the watchful eye of the gods and constellations, muster a smile,

“i guess not.”

6:00 am

if this was any other morning, zoro would be awake and working out already. he'd be done his fourth set of bicep curls or, at the very least, working on his form. he could even be in the middle of deadlifts (because he knows not to skip leg day), but he definitely wouldn't still be in bed the way that he is right now.

the thing is though, if this was any other morning, he wouldn't have you sleeping next to him, curled into him like you were made to be a perfect fit.

he's never been more glad to still be in bed.

your breath matches the rise and fall of zoro's chest, perfectly in rhythm with the waves outside his window and the beat of his heart, like the universe meant for all these things to be in harmony at this one singular moment in time.

your lashes flutter in response when he shifts his weight.

he takes a peek at you, “psst, are you awake?”

eyes still closed, you manage a noncommittal grunt but your body says otherwise.

zoro can’t help but smile as he watches you start to wake up. your toes wiggle beneath the covers and you rub your eyes before looking up at him with an adorably sleepy look that he would love to wake up to every day. 

if only he could.

you focus your gaze on zoro like he’s an anchor in a sea of slumber. the way that you look at him, as if he’s the only thing that you see, fills his chest with a golden warmth akin to the breaking dawn.

you offer him a soft smile, and zoro wonders if the sun knows that you glow brighter than it ever could.

“why are you up at this ungodly hour?”

he chuckles, low and tender, “’m used to it. i’m usually up by now.”

“freak,” you mutter. zoro laughs, and you can’t think of anything else that sounds more beautiful at six in the morning.

you’re not usually up this early but what you notice is that, at dawn, time has a habit of moving slowly. it’s as if the morning casts magic upon those who rise with the daylight — and you’re so thankful for that.

because if time moved any faster than this, you’d have to say goodbye that much sooner.

“are you going to miss us?” zoro puts his arms around you.

you murmur into his chest, “of course, i will.”

“who do you think you’ll miss the most?” 

you give pause and zoro’s almost certain you can hear his heart beating a little louder — he can definitely hear it. he doesn’t typically get nervous like this but, then again, nothing about the way you make him feel is typical.

you seem to have come to a conclusion because you look up at zoro and he holds his breath. 

“sanji.”

he blinks.

“wait, are you serious?”

you’ve never seen zoro looks so wonderfully scandalized before, and you burst into a fit of giggles. as soon as you start, he knows he’s been had. he scowls but only for a moment; for who could be upset in the presence of such twinkling laughter?

 “silly man,” you snuggle closer, "of course i’m not serious.”

“okay, good.” you can hear the smile in his voice. “i don’t know if my ego could handle losing to him.”

zoro holds you close, his thumb tracing circles on your skin. his movements are slow, steady, comforting — ‘round and ‘round, in the same spot, like he’s drawing an invisible mark that is only known to the two of you.

"but, you know,” you hum, careful not to disrupt the peace. “you wouldn’t.”

“wouldn’t what?”

“lose.” and after a beat, you quietly add, “you wouldn’t lose to anyone.”

and just like that, zoro’s on cloud nine, airborne and weightless. he’s always known that he has a place in your heart, but this is the first time that you’ve ever hinted about where that place may be. if he allowed himself to be hopeful, it almost sounds like a confession. 

but almost isn’t good enough for him. zoro wants more — wants to find out exactly where he belongs in your life, wants to know if he can make himself at home there. 

it’s a shame that he’s out of time.

you interrupt his thoughts with a whisper, barely audible above the sound of the ocean and his aching heart,

“will you miss me?” 

more than anything.

9:00 am

surely, zoro’s dream to be hades has been granted. otherwise, why would it feel like he’s in hell, standing on the deck, all alone and watching your dinghy sail away from the thousand sunny?

zoro’s had his fair shares of farewells while aboard the ship, and to be honest, yours wasn’t any more emotional than anyone else’s. you left with a smile as beautiful as the morning sun and with far less tears than he expected (which he’s thankful for because he would hate to see you cry). as far as bittersweet goodbyes go, yours was definitely more sweet than bitter.

and yet, here zoro stands, with a bad taste in his mouth that he can’t explain. he can still see you from where he stands, and watching your little boat in the distance is the only thing that seems to settle his uneasy heart. 

should he have bid adieu privately? maybe he should’ve left you with a memento of some kind? should he have done more than offer you a quick hug? was it his imagination, or did you hold onto him just a beat longer than you needed to?

zoro’s so occupied by these messy thoughts that he doesn’t even hear sanji approach him.

“well?”

startled, zoro can only stare at the blond cook. ignoring the dumb look on his face, sanji continues.

“what’d she say when you told her?” sanji nods in the direction of your boat.

“told her what?”

“that you love her,” sanji takes a drag of his cigarette, looking at zoro directly now.

he speaks so frankly, so matter-of-fact and candidly, that it takes zoro a second to really register what it is that he’s saying. 

he loves you.

and as soon as he thinks it, the truth comes barreling through all the doubts clouding his head. clarity floods his chest as he comes face-to-face with what his yearning, pining heart has been trying to tell him this whole time.

he loves you. he loves you. he loves you. he loves you. he loves you-

fuck.

he loves you.

and he never told you.

epilogue — 9:30 am

sails closed, your boat floats with the current and the salty breeze reminds you that your adventure with the strawhats has come to a close. compared to the never-ending bustle of the crew, it’s almost too quiet being at sea alone. the silence lends itself to your overactive mind, working full time to unravel the tightness you feel in your chest.

you’re lost in thoughts of what could’ve, should’ve, and would’ve been — so much so that you don’t even hear the commotion behind you. it’s not until you hear zoro call your name that you hear the frantic swimming and you whirl around.

“zoro! what-”

“can you help me first?” he splutters.

you pull yourself together long enough to run to the side of your dinghy, pulling a sopping wet pirate on board. zoro leans back, trying to catch his breath as you rummage through your things.

“are you crazy? do you know how far we are from the sunny?” you throw a towel over him before reaching for another. you start drying off his hair, frantically fussing over him.

“you think that just because chopper gives you the clearance that you can push yourself over the limit-”

“y/n.”

“this is why you’re always on house arrest! you’re actually insane, you know that?”

“y/n.”

“i know you work out, but for goodness’ sake, zoro, you’re only human-”

“y/n.” zoro holds your wrists, forcing you to stop with a start.

in all your worrying, you didn’t realize that you’d been gravitating closer to zoro until you’re staring into his dark, obsidian eyes. there’s clarity in the way that he looks at you. his eyes are shining with a fierceness that you’ve only seen in his worst fights, and you brace yourself for whatever comes next.

because you know that this will change everything.

“hades and persephone.”

“huh?“ you blink at him. “did you hit your head-”

“ask me if i think hades loved persephone.”

you stare into zoro’s eyes, desperation reflecting back at you. there’s a hidden question there and you understand immediately.

quietly, you ask, "do you think hades loved persephone?”

“i do,” he whispers. “i think he loved her and he would've been stupid to let her go.”

your breath catches. zoro places a hand over yours, surprisingly warm as his fingers find their home between your own.

the heavens watch on as the two of you finally open your hearts and give way to the stuff that myths and legends yearn for — a connection that can only be described as fated, destined, purely and resplendently magical.

the gods smile at the two lovers who find themselves falling into each other, laughing as you confess, over and over again,

i love you.

[knickynoo]

I don't know if you've done this before: headcanons on Marty Junior and Marlene?

I'm almost positive I have done some sort of Junior and Marlene headcanon post, but I can't find it, so here are some off the top of my head. Gonna go with the versions of them that I imagine for the timeline that's fixed—where the Rolls Royce accident never happened—and Marty and Jennifer aren't miserable, lol. I think both Junior and Marlene would be more well adjusted in that one (especially Junior!)

• The difference in their personalities is evident to Marty and Jen pretty much from the start, with Marlene being the louder, more demanding of the twins and Junior being a much "easier" baby.

• They're extremely close, and Marlene naturally takes on the role of Junior's protector. Often, Marty and Jen have to remind Marlene to take a step back because she's being a little too much of a mother-hen to her brother, and they want Junior to learn to stand on his own two feet.

• Fixed-timeline Junior is quite different from the version of him in the 2015 we see in the movie. He's been raised in a more stable environment with a father who hasn't been defeated by life, so he's not the wimpy, scared little greasy guy who's easily pushed around. He's more sure of himself, not so easily frazzled, and is every bit as big-hearted as his father.

• Junior is not neurotypical. (How can he be? Look at Marty and George) I don't have a specific diagnosis in mind, but I know a draft of part II made reference to him being in a remedial school (and failing) so there's likely some learning disorder at play. In one of my Doctober chapters that include two-year-old versions of the twins, Clara's excited to learn that Junior has picked up a few new words—meanwhile, Marlene is using full sentences—so I do headcanon him as having been delayed in some areas.

[Side note: in that same scene, Doc tells Marty not to worry about Junior's progress, since Jules didn't start speaking until three-and-a-half, lol]

• Marty loves, loves, loves Marlene so much, but sometimes he thinks that she will be the death of him. Especially when she's young and full of sass and always getting into everything and he's struggling to keep up with her. He and Jen 100% lose Marlene in the mall on more than one occasion, and when they find her, she's just like, *shrug.*

• The twins have a special bond with Doc and Clara. Clara dotes on them but is especially close with Junior while Doc is closer to Marlene. When the kids are little and Marty and Jen feel like they're about to collapse from exhaustion, they dump Junior and Marlene at the Brown home and know they'll be well taken care of.

• As Marlene gets older, she's really into fashion, so she's close with her Aunt Linda. I can see Marlene being popular, but she's the type of popular girl who's liked by everyone. She has attitude, but she's not mean.

• Junior is just...Junior. He loves life and is out there doing his thing. He's the type who has a new hobby or interest every week, and Marty and Jen just have to roll with it. He walks in from school one day and goes, "I'm going to be a famous dancer, I decided" and then a week later says, "I want to learn to build a car" and they're just like, "Oh. Okay."

• I think they'd both try to learn an instrument at some point (likely guitar taught by Marty) but I can't decide if either of them would stick with it long term. Somehow, I don't see them being musicians.

• There's a part of me that wants to say an older Marlene eventually learns about time travel and all the wild stuff Marty went through. Idk how it would happen, though. Maybe she overhears something whispered between her parents in private or maybe she's just very perceptive and notices her father being weird about certain events in his life, so she corners him and is like, "Okay, Dad, spill the beans." Perhaps she's also put together some clues in all her time spent with Doc.

Thats about all I've got for now. Thanks for the ask!

[fairyxkisses]

☼ cove holden comforting his s/o headcannons ☼

a/n: two things: one, cove is typically somewhere between step 3 and 4 in my work unless stated otherwise. two: i do plan on writing a fic with this in it, but i wanna get something out before i do that so like... yeah? i get ideas for shit and then i forget to finish the other stuff that's half way done i have like six drafts rn that are all half done content overall: cove trying his best, sad!gn!reader, comfort?, idk i'm shit at this warnings: uhhh, swearing? is that even a warning anymore?

☼ cove is super duper good at telling when something is wrong

☼ like, cove can take one look at you and just tell. cove has known you since y'all were children, and he knows you very well.

☼ like, once you two move in together, if you come home sort of down after a hard day at work, cove can tell the minute you walk into the room

☼ mans asks if you're alright first, and if you aren't but say you are he doesn't make you tell him what's wrong but he does call you out on it. cove never makes you tell him what happened, ofc he asks but he makes sure you know that you don't have to tell him.

☼ no matter whether you tell him or not, cove is ready to do whatever you want to do. he's down to just watch your favorite movies, he's down to just cuddle, he's down for anything.

☼ cove genuinely just wants to make you feel better, he doesn't care what it is. if it'll make you feel better, you bet your ass he's gonna do it

☼ if you do decide to tell him what's got you down, cove will listen to you as long as you need. cove will sit there for hours as you just rant to him about whatever it was that made you upset.

☼ it could be about literally anything, he'd sit there and listen to you no matter what. maybe it'd seem like something stupid to most people, but to cove if it made you upset then it's worth listening to what exactly happened

☼ cove definitely tries to lighten your mood through jokes. like, he fully listens to you dont get me wrong. but, if appropriate, cove will try to make you laugh via a joke.

☼ but that's only if it's appropriate to do so. cove is well aware when a decent time to do that would be think the whole "we'll sell pretzels for the rest of our lives" thing

☼ cove also will do a shit ton of reassuring you. like, he does a lot of reassurance. "it'll be okay", "you know i love you", "i'll always be there for you", etc. etc.

☼ when you're upset, cove will definitely offer cuddles for hours. like, mans will hold you in his arms for hours and just give you love.

☼ he doesn't care where if you're upset, mans will just hold you and love on you endlessly.

☼ cove will definitely give you top of the head kisses, if you cry he'll just let you. if you get his shirt wet, he could care less. he spends an hour comforting you at some event? okay and? like, if you're upset his top priority is making you feel better. you're one of the most important people in his life, he doesn't give a flying fuck if he misses something bc he's comforting you

☼ if you need space, cove will definitely give it to you. it's not exactly something he enjoys doing, but he does it. cove understands that being alone is sometimes better, and that people need space. he's not going to deny you of that

☼ he just doesn't like doing it.

cove loves you very much and he'd literally give the world to make sure you're happy.

[felassan]

Some DA trivia and dev commentary from Twitter

There’s a lot of different tweets, so I’m just pasting and linking to the source rather than screencapping them all or making several different posts or something. Post under cut for length.

User: Was dragon age 2 your favourite in the franchise?

David Gaider: DA2 was the project where my writing team was firing on all cylinders, and they wrote like the wind- because they had to! Second draft? Pfft. Plot reviews? Pfft. I was so proud of what we all accomplished in such a brief time. I didn't think it was possible. [source] DA2 is, however, also where the goal posts kept moving. Things kept getting cut, even while we worked. I had to write that dialogue where Orsino turned even if you sided with him, because his boss battle had been cut and there was no time to fix the plot. A real WTF moment. >:( [source]

Mike Rousseau: I remember bugging that! And then being told it wasn't a bug, and being so confused. Doing QA for DA2 was an experience. Trial by fire. [source]

DG: So I think it's safe to say DA2 is my favorite entry in the DA franchise and also the sort of thing I never want to live through ever again. Mixed feelings galore. [source]

User: (I personally blame whoever it was for ruining most romance arcs in other games for me; they don't live up to Fenris's romance storyline)

DG: I wrote Fenris, so uh - me, I guess? Or maybe his cinematic designer, who put in the puppy dog eyes. [source]

User: If DA2 had just been an expansion, do you think it would have been better received? There was a lot of great stuff in there, and I think my initial dislike of it was because of the zone reuse. If it hadn't needed to be a full game, would that issue not have arisen?

DG: Hard to say. It was either going to be an over-scoped expansion or an under-scoped sequel. If it had stayed an expansion, it might never have received the resources/push it DID get. [source]

User: I'd love to visit the universe where you had an extra year or so to work on it. You did a very good job as it stands, but it definitely had rough edges. Not just the writing team either. The whole game had hit and miss moments, that just a little more dev time could have fixed.

DG: On one hand, DA2 existed to fill a hole in the release schedule. More time was never in the cards. DA2 was originally planned as an expansion! On the other, if we had more time, would we have started doing that thing where we second guess/iterate ourselves into mediocrity? [shrug emoji] [source] 

Jennifer Hepler: This is what I love about DA2. Personally, I greatly prefer something that's rough and raw and sincere to something that's had all the soul polished out of it. Extra time would have helped for art and levels, but it would have lost something too. [source]

DG: Right? I think we could have used some time for peer reviews (and fewer cuts), but I think the rawness of the writing lent a certain spark that we usually polished out. [source]

JH: Definitely. I think the structure (more character-driven) and the tightness of the timeframe let each individual writer's voice really come through. Polish can be very homogenizing. [source]

DG: I should add I'm not, by any means, against iteration. Some iteration is good and necessary. The problem that BioWare often had is that we never knew when to stop. Like a goldfish, we would fill the space given to us by constantly re-iterating on things that were "good enough". [source]

Patrick Weekes: I appreciate your incredibly diplomatic use of the past tense on "had". :D [source]

User: DA2 was my gateway into the series and I’m so happy it is. I love the game the way that it is. It’s one of my favorites of all time. But I am also aware of everything that was said here. If it were remastered, do you think it would change?

DG: I'd be surprised if it was ever remastered. If it was, do you really think they'd change things? Do remasters do that? No idea. [source]

User: Both sides got undercut as I recall. Didn't that whole sequence also end with the mage leader embracing blood magic? It was very much "a plague on both your houses" moment, at least for me.

DG: Yep. Orsino was supposed to have his own version of Meredith's end battle, which only happened if you sided with the templars. That got cut, but the team still wanted to use the model we'd made for him. So... that happened. [source]

DG: I would personally say that DA2 is a fantastic game hidden under a mountain of compromises, cut corners, and tight deadlines. If you can see past all that, you'll see a fantastic game. I don't doubt, however, that it's very difficult for most to do that. [source]

PW: I love DAI with all my selfish "I worked on this" heart, but DA2's follower arcs and relationships are probably my favorite in the series. [source]

User: As I've expressed many times, I love the game, especially it's writing and characters but, for me, the most impressive aspect of it, in consideration of it's lack of time for drafts and revisions, is the 2nd act with Arishok.  What amazingly complex character and fantastic duel

User: Just played it again and I have to agree. Though he is bound by the harsher tenants of the Qun, he makes valid points about free marcher society. Though it is obvious that he and Hawke will come to blows eventually, the tension builds gradually and understandably

DG: Luke did such a fantastic job with the Arishok I found myself sometimes wishing the Qunari plot had just been THE plot. [source]

User: What do you think would have changed, story wise, if you had more time for DA2?

DG: I would have taken out that thing where Meredith gets the idol. It was forced on me because she needed to be "super-powered" with red lyrium for her final battle. Being "crazy", however, robbed her side of the mage/templar argument of any legitimacy. I hated hated hated that. [source]

User: I deeply lament that there wasn't/couldn't be some sort of DA2 equivalent of Throne of Bhaal's Ascension mod.

DG: I'd have done it, if DA2 had allowed for anything but the most rudimentary of modding. ;) [source]

User: I mean, and I think I understand where you were trying, but how much legitimacy did the Templars and her as top Templar have after they're keeping the mages locked up against their will in the old slave quarters? Feel free to not reply.

DG: I think it's the kind of discussion which requires nuance, and which discussions on the Internet are not prone to. [source]

User: Was a compromise that the quest lines don’t branch? It felt like it was supposed to be that way but then you end up in the same place later regardless of what you pick. Like I hoodwinked the templars so good to help the apostates escape but in Act II they were caught anyway.

DG: I remember us having a lot more branching in the initial planning yes. Most of this got trimmed out in the first or second wave of cuts, in an effort to not cut the plots altogether. [source]

DG: "If you could Zack Snyder DA2, what would you change?" Wow. I'm willing to bet Mark or Mike (or anyone else on the team) would give very different answers than me, but it's enough to give a sober man pause, because that was THE Project of Multiple Regrets. [source] I mean, it's the most hypothetical of hypotheticals. It's never gonna happen. I wouldn't be surprised if EA considered DA2 its embarrassing red-headed stepchild. We'd also need to ignore that in many ways DA2 was as good as it was bad BECAUSE of how it was made. But that aside? [source] First, either restore the progressive changes to Kirkwall we'd planned over the passing of in-game years or reduce the time between acts to months instead of years... which, in hindsight, probably should have been done as soon as the progressive stuff was cut. [source] I'm sure you're like "get rid of repeated levels!" ...but I don't care about that. All I wanted was for Kirkwall to feel like a bigger city. Way more crowded. More alive! Fewer blood mages. [source] I'd want to restore the plot where a mage Hawke came THIS close to becoming an abomination. An entire story spent trapped in one's own head while trapped on the edge of possession. Why? Because Hawke is the only mage who apparently never struggles with this. It was a hard cut. [source]

User: I would LOVE to hear more details about this! I don’t suppose there’s any chance of a short story?

DG: I don't even remember the details of the story, sorry. There was a fight, and you caught the bad guy and then realized none of it was real and woke up idk [source]

DG: I'd want to restore all those alternate lines we cut, meaning people forget they'd met you. Or that they knew you were a mage. Or, oh god, that maybe they'd romanced you in DAO. So much carnage. [source] I'd want to restore the Act 3 plots we cut only because they were worked on too late, but which would have made the buildup to the mage/templar clash less sudden. Though I don't remember what they were, now. Some never got beyond being index cards posted on the wall. [grimace emoji] [source] As I mentioned elsewhere, I'd want to restore Orsino's end battle so he wouldn't need to turn on you even if you sided with him. And I'd want an end fight with the templars that didn't require Meredith to have red lyrium and go full Tetsuo. [source] Heck, maybe an end decision where you sided with neither the mages nor the templars. Because it certainly ended up feeling like you could brand both sides as batshit pretty legitimately, no? That was never planned, tho. No idea how to make that feel like an actual path atm. [source] Maybe an option to go "umm, Anders... what are you DOING?" 👀 [source] And, of course, a Varric romance, because Mary took that "slimy car salesman" character we'd planned and did the impossible with him. I can feel Mary glaring at me for even suggesting this, tho. [source] Lastly, the original expanded opening to the game which allowed you to spend time with Bethany and Carver BEFORE the darkspawn attacked. And, um, that's about it off the top of my head. Zack Snyder, WHAT PANDORA'S BOX HAVE YOU OPENED. [source] Shit, I remembered two more things: 1) Restore the "Varric exaggerates the heck out of the story" at the beginning of every Act, until Cassandra calls him on it. Yes, that was a thing. 2) Make DA: Exodus. Yes, I am still bitter. [source] God damn it, I meant "Make DA: Exalted March". The DA2 expansion, NOT Exodus since that was DA2's original name and makes no sense. Because the expansion ended with Varric dying, and that will always be on my "things left undone" list. [source]

User: Whaaaat?

DG: Well, you know that scene in Wrath of Khan where Spock goes into the dilithium chamber because he's a Vulcan? Well, imagine that but with Varric and red lyrium and because he's a dwarf. ;) [source]

John Epler: I distinctly remember referencing the bit from MGS4 where you crawl through the microwave corridor in the split screen, while cinematic battle rages on the other half. [source]

DG: It would have been glorious, John. Glorious. [source]

JE: I don't think I've ever been so certain what a shot should look like as I did Hawke coming in and finding Varric in the broken throne, just like when he was telling Cassandra his story. [source]

DG: It would have come full circle! Auggghh, it still kills me. [source]

User: Lord, you folks are a little too good at this.

JE: The true secret behind videogame narrative is knowing how to make yourself seem a lot more clever than you actually are. [source] 'Oh, we TOTALLY planned that.' [source]

User: Ok, this thread [the DA2 regrets thread, which is the big chunks above] but Inquisition.

DG: My regrets about Inquisition are, more or less, the normal kind. Nothing so dramatic, I'm afraid. [source]

User: You can keep your Varric romance, I want a Flemeth romance goddamnit!

DG: I would allow for one flirt option, and then a recording of Kate Mulgrew laughing for three minutes straight. [source]

User: I had a hypothesis about the repetitive caves in DA2. They're repetitive because it's Varric telling the story and he didn't consider them important.  They're like sets in a play.  (Okay, I really suspect it was a time/money/resources thing but I like my fake explanation better.)

DG: Hang a lampshade on it, maybe? Cassandra: "But that's the exact cave you were in last time?" Varric: "Whatever. They all look the same, I'm not THAT kind of dwarf. Can we move on?" [source]

User: that makes sense, hypothetically to make Varric romanceable and keep his arc—that had to happen for the main plot—I imagine you would have to make double the content (or more)? which would've been a tall order given the time/budget constraints the game was under

DG: Right. When it comes to "romance arc" vs. "follower story arc", we generally only had time to do one or the other. Never both. Romancing Varric would have meant not getting the story of his that you did. [source]

Mary Kirby: The one exaggeration I really, REALLY wanted, that we never got to do was Varric narrating his own death scene with Hawke weeping over him, then cutting to Cassandra's pissed off glaring at him. [source]

DG: Haha! The one I wanted was Varric's plot where he takes on the baddies single-handedly, sliding across the floor like Jet Lee, action movie-style, until finally Cassandra gets irritated and he has to admit Hawke & the rest of the party showed up to help. [source]

MK: We did that one! (He didn't do any Jet Lee moves, though.) Jepler gave him letterboxing to get The Good, the Bad, & the Ugly showdown vibes while he shot a ton of mooks single-handed. [source]

DG: Wow. Shows how much I remember. [source]

JE: I found it! I remember seeing this sequence as my treat for doing a bunch of much more challenging work. It was fun to see how far I could push our limited library of animations. [link] [source]

DG: Heh awesome. I could have sworn it was cut, honestly. I think I was even in that meeting. [source]

User: no disrespect but that’s surprising and rich of Mary “Hard in Hightown” Kirby to think DA2 shouldn’t have had a Varric romance when she wrote an entire book of Varric’s self-insert character pining over his Hawke insert character… HIH is the reason we had VHawke Summer 2018

DG: I can't *really* speak for Mary, or how she feels about it now compared to back then. I only know how she felt about it back then, and I'm not sure it was as much the concept of the romance but that Varric's entire story would be bent to "romance arc" ...a very different thing. [source]

JH: I remember pushing to have the first DLC start with Hawke having an option to ask Varric, "Did you tell Cassandra about us?" and if you picked it, Varric would answer, "Of course not, baby. I told her you were sleeping with X..." and then proceed as if you had had a full romance. [source]

DG: I still wonder how that would have gone over. x) [source]

JE: Okay, one more DA2 thing. Putting together the cinematics for this scene was a blast. [link] [source]

MK: These lines are my greatest legacy. I want "Make sure the world knows I died... at Chateau Haine!" inscribed on my tombstone. [source]

JE: I was so glad no one said 'no' to the crane shot. [source]

MK: It needs that crane shot. It's the perfect icing on that cake made from solid cheese. [source]

DG: The designers were all "we need more combat" and I think we were all "I think you underestimate just HOW interesting we can make this dinner party". [source]

JE: And finally. I think @SherylChee wrote the one-liner. I think we had a collection of like, 20. [link] [source]

Sheryl Chee: Yeah! Something like that! I remember submitted a whole bunch and Frank said you only needed one. Wish I'd kept the other fifteen. [source]

JE: A random chooser where, each time through the scene, you get a different one-liner. [source]

JE: DA2 is the project I'm the proudest of. I also absolutely get that it didn't land for a lot of people. But I don't think it's inaccurate to say that, in a lot of ways, DA2 defined my career. [source]  Everyone spent a year working at their maximum ability. I was a fresh cinematic designer and was given all of Varric's content, as well as the Act 1 Finale mission. It was a lot for someone who had been doing the Cinematics thing for literally 6 months. [source]  There's some stuff in there I can't look at without wincing. And there's some stuff I'm genuinely proud of. Not to mention, it was my introduction to most of the writing team. Several of whom I'm still working with today! Albeit in a different capacity [source] Also, weirdly, one of my most enduring memories of Dragon Age 2 is how much Bad Company 2 we'd play at lunch. It was a LOT. [source] Every game I've worked on has a game I played attached to it. ME2 is Borderlands. DA2 is Bad Company 2. DAI is DayZ. I, hmm. There's a progression there. I don't know how I feel about it. [source]

User: Is DA4 going to be tarkov then?

JE: I've kind of churned out of Tarkov for now. Probably Hunt Showdown, at least right now. [source]

User: I think people also don't take nuance into consideration -- like I FULLY acknowledge the flaws in my favorite games and will openly criticize them, but that doesn't mean they're not my favorite games anymore??? You can like and thing and still be critical of it.

JE: A lot of my favourite shit is deeply flawed! I acknowledge it and I think it's interesting to dissect the flaws. [source]

User: I still wish Justice was an actual character in DA2 rather than a plot point.

DG: There was a moment during DAI where we *almost* put in you running into Justice with the Grey Wardens, and he's all "Kirkwall? I never went to Kirkwall" [source]

User: Does that imply that Justice was shoehorned in to DA2?

DG: Nah, it was an in-joke where we thought it'd be fun to suggest that "Justice" was simply some demon that tricked Anders in DA2. Wooo those tricky demons! We didn't do it, though. [source]

User: [about templars]  except, I don't think it had very much legitimacy to begin with. keep in mind, we interact with other characters with the same argument. The one that comes to mind is Cullen, a sane templar in power. The templar's side of the argument is inherently flawed.

DG: I don't doubt that many people agree with you, and yet people can and do argue on behalf of the templars as well. My place isn't to pick a side, but to provide evidence that players can interpret for themselves [source]

User: Can you shed some light for us on how DA was able to do multiple same-sex romance options for different genders but the Mass Effect team treated them like the plague? What process existed for your team that just wasn't their for the other tentpole franchise?

DG: Different people making the decisions, almost different cultures. I don't know what it's like now, but for many years the Mass Effect team and the Dragon Age team were almost like two different studios working within the same building. [source]

User: It truly boggles the mind. Kudos for doing demonstrably better on consistent queer representation than the ME teams. Y'all never needed us to make petitions to try to get the studio's attention and ask them to do better by us. That's the fight we're once again embroiled in now.

DG: Honestly, I don't feel like tut-tutting the Mass Effect team. They did their part, and if they were a bit later to the show than the DA team they certainly did more than almost every other game out there -- and willingly. [source]

Updates begin here

User: So what was the reason for naming Dragon age 2 "Dragon age II" and not using a subtitle?

DG: As I recall, that was purely a publisher decision. I think they wanted to avoid the impression it was an expansion. [source]

User: Is there no chance of ever remaking DA2 under better circumstances? -Somehow remove the repetitiveness of gameplay by making changes and updating the tech and adding much more to the storyline. It could almost be a new very exciting game.

DG: I'd say there's zero chance of that. Let's keep our hopes up for the next DA title instead. [source]

User: I am a little confused here, help me out here please! How exactly was the cut boss battle with Orsino supposed to work out? How it would've kept him from turning against the player?

DG: It means that, if you sided with the templars, the entire boss bottle at the end would have been against Orsino and the mages. No fight against Meredith. The end decision would have been more divergent. [source]

User: I do remember that one of the reasons going around for that, was that resources were going to the transition to Frostbite. I'm still not fully sold on that having been a good choice. I felt that more time should have been given for that transition considering it was made for FPSs

DG: We didn't transition to Frostbite until DAI. Given our time frame for DA2, I don't think we *could* have transitioned to a new engine. [source]

User: Since your talking about the what could have been for DA2. Could you say what your script was for Anthem? Cause I remember reading that you wrote the plot on that game.

DG: I created a setting for Anthem and scripted out a plot - but, as I understand it, almost none of that ended up being used. So it's a bit pointless to talk about what I'd planned, as that'd be for some completely different type of game. [source]

User: [in reference to the exchange above where DG said “Being "crazy", however, robbed her side of the mage/templar argument of any legitimacy. I hated hated hated that.” re: Meredith] except, I don't think it had very much legitimacy to begin with. keep in mind, we interact with other characters with the same argument. The one that comes to mind is Cullen, a sane templar in power. The templar's side of the argument is inherently flawed.

DG: I don't doubt that many people agree with you, and yet people can and do argue on behalf of the templars as well. My place isn't to pick a side, but to provide evidence that players can interpret for themselves. [source]

If I missed a tweet, got the wrong source link or included a tweet twice, feel free to let me know and I’ll correct.

Edit / Update: Post update 22nd April

[likeshipsonthesea]

dex, team bicycle

the following bullet fic has been in my drafts for over a year now and tonight i remembered it existed, read it, and decided to post it. why? who knows. don’t ask questions. just ~enjoy~

so i got an ask about how anon trusts me implicitly when it comes to writing bc they believe that dex is the team bicycle and eventually ends up with nursey and thinks i’m down with that too and tbh they ain’t wrong so like

here’s a bullet fic instead of me doing any of the work i SHOULD REALLY FUCKING BE DOING okie

first things first here’s the dealio this is crack-ish but also not so crackish that my dumbass couldn’t see it happening so let’s just suspend some disbelief and have a good time

first time dex hooks up with a teammate it’s not at a kegster

maybe a little later he’s a little too tipsy at a kegster not really knowing his own tolerance for tub juice yet and he’s dancing, a little more white boy than maybe one would like but he’s having fun with it and that’s half the game, and he’s sweaty and maybe some glitter from other dancers has rubbed off on him and he’s glittery and shining and he catches someone’s eye across the room (holster, i’m thinking holster) and holster sees him and thinks fuck and dex is maybe really into how big holster is and just like follows him up to the attic when holster grabs his wrist and pulls because why not--

but this is not about that (at least not yet) this is about how dex, new to samwell and ncaa hockey and everything, wants to be the best he can be in everything so naturally he goes to the best person to help him with every thing (for school he gets tutors and goes to tutorials and goes to all the profs’ office hours, for social stuff maybe he trails ransom around idk (that’s for later)) but for hockey he obviously goes to the person you go to when you need help with hockey

jack

LOOK OKAY I GET IT ZIMBITS FOR LIFE BUT HEAR ME OUT

jack likes hockey. jack likes people who like hockey. jack likes when people are really into hockey

so when the little angery frog that seemed real appreciative of his butt on hazeapalooza comes to him with this frowny face determination asking how he can be the best player he can be, a part of jack’s brain that’s very quiet and seldom acknowledged goes “huh.”

and maybe they start meeting up for their own practices, practicing drills and plays so dex can get his speed up and reaction time down and just get better and jack’s benefiting from it too in a way, like trying to help a defensive player makes him have to switch up his thinking about things a bit and it’s helping his defensive play on the ice

and so this goes on for a bit and maybe they build up some inside jokes in between all the intensity and maybe there’s some playful moments in the locker room when they bump arms or throw a few chirps around and it’s cute okay and not too serious, jack isn’t in love with the kid (he’s a kid, lord, okay a lil problematic but if y’all know anything about my oc luke dex has Problems with Authority figures so whatever)

but the truth is jack doesn’t really have many people he’d be comfortable “relieving some stress” with, like there’s shitty but he’s ridiculously straight, and Camila went and got herself a girlfriend so that’s no longer a thing, and dex is there and eager and fun and

and long story short they end up fucking in the locker room oops

it doesn’t happen too many times after that, maybe once on a roadie, a few times at the haus. it’s fun, not in a laughing way or whatever, but it’s casual and it’s nice to get off and it doesn’t make jack any more anxious and dex is probably working through some issues he has with tall dark haired captains and they both get something good out of it, which is the point, anyway

and it ends maybe before winter break, either jack decides to focus on the nhl and his thesis and dex totally understands or dex realizes that maybe his thing with dark haired captains isn’t completely healthy and ends things but either way it’s nbd and no one on the team ever really knows, though it’s not like they lie about it either but who’s gonna ask, right?

and so dex and jack were fuckbuddies. for a time. noice.

now let’s return to that kegster scene, hmm?

so the way i picture it is dex hooks up with holster at a kegster, realizes it probably wasn’t the smartest idea he’s ever had but doesn’t completely freak out because holster’s a relaxed kind of guy, dex is sure it won’t get nuts

meanwhile holster wakes up freaking out because he just fucked ransom’s frog and that is so not cool so then he panics and avoids ransom and dex for like a week and then decides okay okay it’s not a big deal he just won’t tell anyone, it won;t happen again, it’s fine

and then he walks in on dex hooking up with ransom and he’s like Wow Okay So the Fine Thing Didn’t Work Out Huh

turns out while holster was freaking out ransom was really mopey about it and dex, not really knowing how to fix it, tried to comfort him and ended up... in bed

look this version of dex is a little thotty and knows like two ways of comforting people and he didn’t think getting drunk in the middle of the day was a good idea

and so long story short after some brief HUHs going around dex ends up hooking up with both ransom and holster for a bit (sometimes both at once!) and eventually the both-at-once-stuff makes ransom and holster actually acknowledge the feelings they’ve mostly been ignoring since their frog year and they explain this to dex who’s like okie bc he’s really only there bc they’re both hot and so ransom and holster get together and dex sometimes helps them out on date nights and that’s about it

lbr tho they never tell anyone how they actually got together bc they would never live it down so they say nothing and dex doesn’t either bc it’s not his relationship and the world goes on never knowing

so now we’re getting into the middle of spring term dex’s frog year and he’s kind of maybe sort of acknowledged that he has some kind of emotions about nursey that aren’t helpful so he’s attempting to repress real hard, but he’s also learning to repress less about other things, specifically his enjoyment of baking.

yup. you guessed it.

Bitty.

so he starts helping bitty in the kitchen A Lot, and sometimes they talk and sometimes they don’t and sometimes they talk about important things but most of the time they don’t, but at this stage in bitty’s life he is crushing very hard on a certain dark haired captain and that’s kind of really apparent in, like, everything he does so it takes dex maybe two weeks to realize what’s going on

and okay so it’s a little awkward bc 1-the fuckbuddies thing but also bc 2-dex knows how it feels to have feelings for a friend and it kind of sucks like a lot and he wants to make bitty feel better and yeah maybe this is another case of dex being bad at comforting people with his clothes on

but maybe also one day they’re talking about relationships/being gay idk something and bitty maybe casually (southern euphemistically) mentions that he’s never, erm, never quite, uh, never  done the dirty with a boy and maybe he sounds a lil embarassed about it idk and dex’s I Can Fix That brain switches on and he says, “I can help.”

and bitty’s like. what.

dex blushes and clears his throat and says it again. “i can help. i’ve, uh, done it before, and i can, like. show you.” then he pauses and, very uncasually, says, “casually.”

bitty, also pink at his point because he’s a sweet southern boy who doesn’t speak of such things, asks, “you’d be willing to do that?”

dex nods. he does not say that he’s done something like that before. he very pointedly does not say that.

and bitty, well, he’s pining and he’s been at college for a year and a half and the most action he’s ever gotten was with that boy who puked on his shoes and, you know, he came to samwell so that he could be who he is and maybe this is a way he can prove to himself that he is being true to himself.

it also doesn’t hurt that dex is v pretty, okay, bitty loves a boy with big shoulders and freckles.

and so dex and bitty start hooking up.

it’s somewhat like my The Arrangement fic where dex is sort of “showing bitty the ropes” but bitty, lbr, he’s a quick learner and he did his research so it very quickly just becomes hooking up for the sake of it

and it’s good. like. really good and both of them are benefiting from having someone to escape from their ~feelings~ in and bitty’s more comfortable in sexuality (like, his sexuality not his gayness ya feel me?) and everyone’s having a great time

then they lose the playoffs and emotions run high and bitty realizes how decimated he’s going to be by jack leaving and they don’t really have a conversation about it (let’s be real, neither of these boys talk about their feelings, at least not at this point) but dex goes home that summer with the understanding that he and bitty are no longer doing the thing, and that’s okay with him, really, because maybe now his feelings for nursey are becoming More of A Thing Than He Was Hoping They Would

of course bitty gets with jack at this time, so he’s kind of through the roof, and if, maybe, they have a conversation about their ex’s/past lovers and find they have.. more things in common than expected, well, at the least it’s a bit of a laugh and at the most well. let’s just say sometimes a ginger is mentioned in their bed WHATEVER OKAY MOVING ON

dex comes back in the fall ready to suppress the fuck out of his emotions and play some damn good hockey and who appears but this super eager tadpole

this now plays out as the first two chapters of my The Arrangement fic, though i guess now for canonical reasons whiskey ends up with lax bro and not tango, but that’s alright, we’re good at working on our feet here

for those who haven’t read the fic, dex shows whiskey how to gay sex while simultaneously gaining his trust and encouraging him to bond with the team and for personal reasons whiskey is a little shit but not as much of an asshole as he was in canon (look i love the guy but he’s a dick) and anyway go read my fic it’s good i promise #selfspon moving on

the latter half of dex’s sophomore year is spent mostly Not Pining for nursey and getting closer to him, friend wise, until the whole dib-flip, living together situation occurs, dex has a Freak Out, and ruins things a little

..this is getting off track, but long story short, his captains kiss each other on live tv and dex’s family starts to suspect that all those rumors that drifted around him in high school may have more truth to them than they’d been hoping and dex has a less than great summer break, coming back to school in the opposite of a good mindset

nursey also has a not great break (his parents are fighting, then he comes to school and breaks his wrist and can’t play hockey) and well we all know where this ends up

this leaves dex in a very mopey gross state and who to help someone feel better in their time of need than the sweetest little waffle you’ve ever seen in your life?

yes, it’s time for Hops.

now, this is a rather short lived affair, but over thanksgiving break, the entirety of the haus goes home to their families except for dex (who says he can’t deal with bus fare, and begs off any offers of help) and hops, who technically isn’t in the Haus, but stays there for the break while his parents are on a work trip during the holiday

dex ends up finding out just exactly how College Hockey Boy hops is when he almost burns the kitchen down trying to make a grilled cheese and dex decides then that he has to help this boy learn how to human, so they spend the first two days together with dex teaching hops all the basic skills dex thinks someone should know

this is included but not limited to: how to cook without making fire, how to change the oil in your car, how to hotwire a car, how to fix various different appliances, how to take the optimal notes, how to basic code, and how to sort and do your laundry

hops is enjoying the crash course (kid is just grateful to finally know where the detergent goes in a washer) but also, like, lbr. watching someone be competent in a thing--esp a thing you are yourself not good at--is a giant turn on, and so after two days of watching dex be really good at adulting, they settle onto the couch after doing the dishes and hops just gets on his knees and--

we aren’t smutting here on good christian tumblr but boy. hops is an eager kid.

anyway they spend a week fucking and then stop because hops falls in love with a girl in his intro class and then spends the next two months asking dex for advice on how to woo her, even though obviously chowder would be a better bet.

then comes the playoffs and everything is heating up and they’re on roadies nearly every weekend, still keeping up with their coursework, and it’s A Lot, and dex is really feeling it this year, especially with all the shit bitty’s been getting, and one night, on a roadie, he and bully get back to their room and dex collapses with a groan on the bed and bully, chill as anything, is like. “you seem pretty stressed. wanna fuck?”

and, you know what? dex is still his thotty (though more mature) self and he’s like, life sucks a little right now, why not get off

and so he does.

he and bully hook up through the playoffs and into the post-season (that post-final game sex is A Lot my dudes lemme tell you) but then dex gets elected captain and something twisty in his chest tells him that he should not be fucking someone on the team, especially not an underclassman, when he’s got that authority over him, and so he breaks it off with bully

who is pretty chill about it, since he’s bully, though he does miss the sex. the sex was p good.

and, to be quite honest, that’s it. dex wouldn’t fuck any of the baby frogs for the same reason he broke it off with bully (also ngl the senior-freshman thing doesn’t do it for him anymore) and so dex goes through his senior year of college without having any fuckbuddies--his first year of college so far, actually, where he doesn;t

the end

.

.

.

lol jk he and nursey start hooking up and it’s a Whole Bundle of emotions

in keeping with the rest of the fuck buddies, dex thinks that this is just like all the other times and nursey has no reason to think dex wants anything more and like. the sex is good, like very good, and neither of them are complaining per se but they’re also in love and haven’t said anything, and i imagine there are some ill-timed confessions prior to the final game of the playoffs and then they win another ncaa championship title and have sex in a janitor’s closet (but like,, emotional sex) and they live happily (thottily) ever after

i also like to imagine that there’s a point somewhere down the line when they all meet up for a reunion and something happens-- probably ransom and holster get a lil tipsy and finally tell the truth of how they got together-- and everyone basically does the spider-man meme but with “wait-you had sex with dex? i had sex with dex” and nursey--who knows bc dex told him when they finally got together-- is just sitting there all smug with his arm around a steadily reddening dex bc he’s fucking proud of the fact that everyone knows exactly how good his boyfriend is in bed

[s-fellows-art]

Simplified tips on how to improve your art.

.putting under cut because its long but thats cause i explain these and not just list stuff. 

1)  Flip/mirror  your canvas when working. - it allows you see anatomy and other errors you may overlook. 

2) before uploading look at the image on a different screen or the next day. - this give you time away from it, and as tempting as it is to upload as soon as your done, if you wait  you will see stuff you can improve on and be able to look at it with “ fresh” eyes. 

3) Stop shading with black or grey scale colors- shading with inly these colors make the imAge look muddy, if you shade with a color that is a darker hue of the same color your adding shading to it one in the same tempters ( warm= R Y O cool = B G I V  on the Rainbow ) you get more vibrant art and you don’t muddy what your working on. 

4) Learn to grey scale BEFORE coloring as a draft p2- learning how to shade in black and white can help you identify lighting points and details. When digital painting simplifying something out to a grey scale can help you keep track of what your doing. 

5) Use the tools you have access too- References to learn anatomy , taking time to learn amniotomy will help you a lot in the long term, but doing everything off the top of your head your bond to get something wrong early on, or even later on in art.  Use the sharpen tool around highlights if your program offers it. It saves time. Also play with your filters and line art colors. These will ad detail to your work and takes less time. If you mess around with the brushes in your program and stuff before starting it will help you later on. Its not cheating professionals use it all the time. 

6) practice drawing random stuff- it teaches you the shapes and trains your hand ti make the strokes/motions needed for basically everything. Art studies can be very helpful. Even if it feels stupid drawing 500 eyes on a note pad, it helps. 

7) Simple is good, complex is chaos- over complex art is hard to look at because your not sure what to focus on so the areas you want the eye to go to is where you should focus your details rather then make every single little thing detailed. Another way to do this is to brighten the colors where you want the eye to go at first glance in an image, but make the other areas muted in color, or blurred slightly.  

8) Don’t be afraid to look up tutorials and take breaks if you get stuck - I personally only learned how to shade faces from watching makeup tutorials. And there is nothing shameful in not knowing how to do something and needing to look it up or ask, its how you learn you can just power you way through it all the time, and somethings your wasting your time if you do for something not worth it in the end run. Also the act if stepping back and away to go do something else is sometimes all you need, sometimes looking at the same file over and over again can be mentally exhausting. Take a break. Drink some water. Stretch your wrists. Look away from it for a while then come back. 

9) Stretch your wrists before working- save your self years if pain trust me. I regret not doing this. Also draw from your shoulder not your wrist unless detailing, less stress on your arm and more precision. 

10) Use different line thicknesses - i find using thicker lines for areas that touch the outer parts of your drawing or more important areas, and using thinner for detailing adds a bit of detail and quality to your work even if the line art isn’t clean. Inner face  parts (other then the top bracket of the eyes), lines between fingers, lines marking clothing folds, and things like that should be done in thinner lines then eyebrows and what not. 

Next two some will role your eyes at but honestly makes a huge difference, even if you got to force it at first. Its hard to break a bad habit.

11) don’t look for flaws in your work, look for what you like about it,- if your constantly pointing out what is wring with what you are doing your not gonna go any where, bare minimum go “ okay im not too happy about this, lets see how we can improve it” instead if “ this looks like garbage I hate it”. If you stay in the mentality of I don’t like this , your never gonna be happy with what your making or improve because subconsciously your telling you self you can’t. This slight change in mind set of trying to find at least one thing you like will make a big difference in the long run because slowly you will be moving towards finding a style your comfortable with and going from there, you will be finding things you

12) don’t compare you self to other artist- its one thing to want to take influence in your fave artist, its another to constantly out yourself down because your not like them. Everyone art started as shit. Everyone. We all were that crappy 1 year old can barely hold a pen person at one point. like learning how to read and write or ride a bike....  No one starts as a perfect artists, its something you learn, so comparing your self to people around you is not gonna help you improve and putting yourself down just because your not perfect yet. Even if its something as little as “im happy I finally finished this” is better then “I wish i was like _”. You are slowly moving towards a goal, some people just move quicker then others because they learn different techniques, instead if putting energy into hating everything you do why not try to learn how the people you like the art of got there by learning some techniques your self? 

13) Ignore the notes enjoy the journey-  Regardless , you making art is amazing in itself . Its something only you have made. There may be other things like it but its not like how you did. Your unique and honestly ignore the notes, if your constantly pushing yourself based off of numbers, your gonna burn your self out and give your self impossible expectations to try to complete. Everyone has different tasted and are not always gonna like what you do the same way, if at all, there is nothing wrong with what you made you simply just can’ please everyone and its not your job to. The notes are a bonus, not a goal, you don’t have to try to compete for them the only person you have to create for for is you. Do what ever the hell you want and if people like it, great, if they don’, then they like a different cup of tea then yours, don’s make it bad tea.  Edit 1 as i thought of more : also the reason your sketch looks better then your line art is because your line art is too neet. If you use difrent thicknesses in lines (thicker for outter areas and important areas) and thinner for areas with more movment (bottom crese of eyes or outline of area around puple inner part of mouth clothing inner parts or what ever u feelis needed) it will look better because it will show your brush strokes which is what makes your sketch look good. -You can also add a 3d effect woth the red and blue outlines on areas that are not the central focus of the peice. Blurring has the same sort of effect to where it forces the eye onto the clearer area if the photo and makes it more visually intresting. Having this effect everywhere however can make stuff hard to focus on and diffcult to look at so only keep it on non focus points (most common focus point is the face so wouldnt put it there) .

Idk how helpful these will be but they made a big diff in my progress over the past year. The last bunch made a significant difference for me, though it was really hard to force myself into that mentality. And i still skip doing some of these in occasion ill admit but i hope this helps none the less. 

[notachair]

The role of Mobius and reflections of the viewer

Okay so I’ve had this bastard in my draft for forever but since there’s just a few hours left before the Loki series releases I’ve just tried to make this mess of a post a little *less* of a mess just to have the thoughts out there. Since from almost the beginning I had this thought, and I’ve seen others post similar ideas touching upon it since. Also excuse me for all the "we"'s cause that's an assumption I shouldn't make about all. I have no idea what's gonna happen, but here is me trying to explain why I’ve felt uncomfortable about Mobius’ character. Here we go---

Ok so. You know how:

1. Mobius have been referred to as Loki’s biggest fan?

And

2. Mobius is apparently the all-knower of all things Loki?

Also

3. The Loki promos (as far as I watched them and what I’ve gathered from the ones who *have* watched all the promos) seems to be taking TVA’s perspective?

Well, what came to mind is all of this...

That fanfic trope

You know how we in fics often times have other characters learn some about Loki’s past either through actually talking to Loki, by connecting some dots or through a vision, time travel or literally seeing a movie of his life? How we write and read these things cause we see how there are so many things unaddressed and we want the character who’s been so utterly villified (not an excuse for their actions but a commentary about how the hero/villain coding have affected the treatment of the character both in-universe and by the audience/fandom) to be *seen* in their complexity, and have things questioned and not just buy into the coding in the narrative.

We want to explore how in-universe characters would react if they had all that information they’ve been clueless to. It’s one of the reasons at least I assume. Personally I’ve been waiting for someone, just someone that knows or knows of it. Perhaps Thor could bring it up and they could finally have a proper conversation about things that have been mostly brushed over. But there has been no one. Not even one he could truly talk to. Not even one person asking “what happened?”. Personally that’s something I’ve been desiring, and a character with a role like this has been a big trope within the Loki fandom for good reason. Like how do you move forward with the character making meaningful bonds with people and tackling A1 Loki's current issues without *tackling* the past?

We’ve kept seeing Loki being described and moralized through the lenses of someone else. Not through himself (or themself/herself) without the coding taking the side. Someone being able to see these things like as if a movie, is not something in-universe characters have the ability to do. Really that’s the viewers main ability, and here we have a series and a character who’s conviniently been given that ability and power. I feel like that’s the role they’re putting Mobius in. An in-universe character, outside of the Asgardian drama family, who’s very easily gotten access to the same things as us and even more.

The key of this sentence is *more*. Cause that means he’s someone who more or less *knows* all there is to know, he knows more than any other character in the mcu and the audience. And therefore as the Loki-knower, he’ll have the most credibility in his claims. So when we see this character who claims to have studied most of Loki’s life… we see him reacting in ways unexpected and claim things that contradicts what we’ve gathered from people’s hours of dissect and analysis… the negative weight of so many of the interactions I have personally seen... It’s worrying. Since the trailers so far is coloured by Mobius’ lens, this is what the viewer sees, through the coloured lens. He may not feel included to be kind, but marvel should know how the use of that lens is gonna affect people’s views on Loki. It personally feels like I’m being put in my place like «Oh silly, you don’t know Loki as much as you think you do. Mobius is their biggest fan and the all-knower of all things Loki, and he says you’re wrong in your assesment! Loki is really just some shit, even if he’s smart!»

Mobius (/TVA) and Loki

Obviously as humans (?) they won’t feel inclined to be friendly to Loki. Does Mobius think it’s the right way to treat Loki to manipulate him into doing what they/he wants through goading and other means? I don’t believe Loki will feel too inclined to willingly work with people who sees him as untrustworthy, violates and threatens to kill him (deletion, does TVA have the power to like, throw that variant’s paper in the trash and *delete* him from existence that way? I also thought they were earth’s protectors?). But ye I haven’t liked how he’s (and TVA obviously) treated Loki so far and he better change if they’re really supposed to become buddy-cop friends as they say. And referring to him as "the biggest fan" makes one expect more positive takes than the demeaning vibes I had gotten. Their relationship arc was described as «a love story» so that gotta mean they’ll get quite well along in the end won’t they? Btw… they really gotta find other ways to describe those sort of arcs when it’s not actually gonna involve romance…

Also, when I say I don’t like how Mobius talks about Loki, this is not as a “oh no don’t talk bad about my innocent baby;-;-;” and I shouldn’t have to say that. I’m asking for some nuance, something they have afforded others before, but never really seem to allow properly for Loki. I’m asking for the context of the situations to be acknowledged. I mean since the series is gonna take an exploration of self identity and all that, and how they’ve literally been shown to watch moments from Loki’s past (and future in a different time line) and all those papers that had to be signed? I’d expect the past to be addressed in one way in another, and I’m not gonna be happy if context is just fully ignored.

And just a few more thoughts. You know how those papers were everything Loki had ever said? And how that didn’t include what others said or did? I’m wondering in what way Mobius studied most of Loki’s life. Like with both the papers and the Loki cinema, it’s not like he’s actually privy to Loki’s thoughts and motivations? And if Loki didn’t really have any friends or others he felt he could confide in, then :/// to that perspective. Also, do you think Loki’s life is the longest he’s ever had to review before? How long did that take him to view/read *most* of Loki’s life?Even if the TVA is a place out of time, it must have taken him forever! Perhaps it pissed him off so much he idk skipped from the beginning to the most recent stuff.

Apparently the series is gonna be a little bit of a mix between things, and I read a review saying the lense is more neutral? But… yea not trusting some random reviewer.

THIS POST IS A MESS AND I KNOW THAT. BUT I HAD TO GET IT OUT NOW SINCE I’LL SLEEP THROUGH THE RELEASE AND THIS HAS BEEN IN MY DRAFTS FOR MONTHS AND I JUST NEEDED TO GET IT OUT. If you read this far, many kudos to you!

[straighttohellbuddy]

World building is the best tbh. I’m forever world building and now I have several worlds to play in and my neurodivergent brain cannot stay still enough to focus on one lmao. SLOWBURN ROMANCES ARE MY LITERAL JAM LIKE PLS!!! I LOVE THEM!! Also!!!! Concepts!!!! Pls share!!!! I love learning about the worlds of my fave fics and I can hands down say right now that this fic will literally shoot to the top of my list of favourites which means you’ll occupy the top three spots. Sorry to hear that ur feeling rough, so am sending u the biggest hug. I’m not okay but I’m taking care of myself today so that I will be 🧡-🐈‍⬛

alsjfsldkjf i have too many worlds TBH, literally one of the best parts of my 2020 was writing for the classic rock fandom and writing one of my good friend’s ocs alongside mine, like there’s so many different worlds that our two characters have now, i’m like 26k deep into a high school au that i need to get back to at some point, and then i wrote a oneshot abt the high school au but they’re adults, and then there’s also the original timeline, and then there’s the present day in the original timeline where they have kids and i probably care too much about people who aren’t real...... hahaha

OKAY OKAY OKAY HERE WE GO I’LL GIVE KIND OF AN OVERVIEW OF THE ALBUMS AND A FEW SONGS BUT IF U WANT ME TO GO IN DEPTH ON ANY OTHER SONG JUST ASK!!!

yes i have a playlist for each, if you wanna hear how i interpret the vibes of the songs. if you interpret them differently, thats awesome!! i’d love to hear y’all’s opinions on them!!

testing one two - the first ep they release, the song titles are mostly themed (fast forward, press play, pause, rewind), but are mostly things y/n has been working on for a while but never got around to finishing, things they are rather proud of. i see you shiver with... is the first song they wrote specifically for the album, and it’s the last song on the EP because it’s a Rocky Horror reference; i see you shiver with...

a n t i c i p a t i o n - first full album!! the vibe is Hopeful But Hesitant it has all the songs from the ep, plus some new ones!! collabs with youtube musicians troye and dodie, and y/n’s label sets up a collab that turns into a genuine friendship. the breakout dance hit is what else is there to say ft. Troye Sivan, which is about not knowing what to make content about when it feels like you’ve already told the world everything. it featured the prechorus and hook

You, know, ev-ery-thing about me / gave it all for free / my life in HD / So, let’s dance, let me see your hips sway / we’re gonna be okay / what else is there to say?

So say that you love me, say that you love me, say that you love me / let’s die hand in hand. / I’ll tell you I love you, tell you I love you, tell you I love you / supply and demand. 

personally, i also conceptually enjoy srs bsns which is a really upbeat song about how they don’t care if people don’t take them seriously because they know in their heart that what they’re doing is good

hyperfocus - 2nd EP, a pretty substantial departure from their usual style, but also happens to quietly be Corpse’s favourite, and is actually y/n’s most polarising, because it has both the Grammy award winning HEARTBURN and the o brother where art thou which was written partially as a joke to capture a fond moment of them and 5SOS dicking around together in a hotel. written while on tour wit 5SOS, im writing the reader as having ADHD (because I have ADHD and i can do what i want), and the backstory is that they’d changed the medication/dosage they were taking, and as it’s their first full tour, they were under a lot of stress and were in a weird place mentally and emotionally, and hyperfocus is the result of that. i’m going through some stuff has HUGE agoraphobic vibes. 

HEARTBURN has the same vibes as Florence + The Machines’ Howl. It’s about being a demon without saying that or directly implying that unless you know demons real well. This is when the pressure for them to confirm their identity got real bad, and it was their way of working through those emotions.

tear in existence in the shape of a person / when i’m seeing clearly i can’t see myself / world can’t swallow what it can’t get it’s teeth into / got everything i wanted but i ain’t got my health

Got heart-burn--- / I’ll tear me apart / I’ll tear you apart / I’ll tear me apart. 

SCREAM gets rereleased as a remixed single featuring Fall Out Boy the following year. It won the MTV music award for best collaboration in 2018. 

In the time between hyperfocus and working on it, Y/N releases several singles, including a cover of Tell Him by The Exciters to be featured in To All The Boys I’ve Loved Before. They also take time to sort out their health, do a little bit more YT stuff, and travel internationally to do festivals. 

working on it - is kind of a middle ground between their original stuff, and hyperfocus, like pop-punk meets horror-pop meets whatever you’d classify halsey as. the first three songs were mostly written before the fic starts, so before they’re getting back to YT, but the last three, nightmare scenario, designed to hurt (touch me), and not scared were all written after they’d started hanging out with sykkuno and corpse. 

in-universe, imposter syndrome was originally something else, along the same lines of tired that they’re hiding that they’re a demon, but after meeting corpse nd sykkuno and having people who know, and lowkey being influenced by corpse’s music, the song changes directions, and YO OKAY YO::

I literally am so fucking flattered, my darling friend @bingusmode​ wrote lyrics for imposter syndrome and I’ve been yELLING about them ever since i’ve read them!! (also bunnie is fantastic and lovely in general 10/10)

if you thought you saw me 

i’d think about it twice

cuz while i know i’m naughty

everybody thinks i’m nice

cutest giggles get me

places that i long to be

but it’s not long before

everybody hates me

when you figure out i’m fucked up

you’ll probably think that can’t be right

but babe my image runs to save me

cuz i’m ugly day and night

nothing good about me

not the angel that i seem

cuz i’m a piece of shit

and i’ll ruin your fuckin dreams

i’m an impostor babe

you better run for your life

cuz there’s a bloodlust runnin through me

and you’re dripping off my knife

there’s no one here to save you

cuz you ate up all my lies

so beg me while you can

and draft up all your goodbyes 

if any of y’all are inspired by anything i put out, feel free to take it and run!! you have my blessing!! i am so overwhelmingly flattered by people who like my stuff enough to create because of it, directly or indirectly! lyrics, art, songs, anything!! legit! I love you!!

okay so designed to hurt (touch me) has big House of Memories by Panic! At The Disco vibes, and YES it’s about Corpse. YES it sends mixed messages. YES it has greek myth imagery and YES that imagery is confusing. not sure if any of these sets of lyrics actually go after each other but also idk??

will my fall from grace be graceful / as each move i see you make? / propped up on pedestals side by side / beneath our feet they shake / i’m the only one to hear you ask  / “What have they done to me?” / My boy, your wax throne is sun-drenched / you’ll fall in the name of your legacy.

eyes like yours watched rome burn / while hands like mine lit the pyre / we both heard me say we’d go down in flames / now you’re turning me into a liar / since you smile like that, like you can’t feel the sting / and we both know i can’t feel the fire

been telling myself i’m designed to hurt / but, baby, aren’t we a sight? /

check your reflection, your angles, apollo / you’re icarus in the right light /

we’re on the edge, i’m not scared to fall / we’ll take refuge in the night /

been telling yourself you’re designed to hurt / but, baby, doesn’t this feel right?

also, albumtouralbumtour is a reference to Bohemian Rhapsody.

OKAY AND FINALLY

n o s t a l g i a - the album the reader’s working on during the fic.

literally as i was writing this, bunnie sent through some FIRE lyrics for how the light gets in, (@bingusmode) i am going to be thinking about these on REPEAT for the next MONTH BRUV

little bit of darkness, treat me like a toy 

i got my hopes up and got them destroyed

bitter taste of regret sitting heavy on my tongue

can’t believe i let you convince me that you were the one

sitting here in silence, fabric running thin

petals burning in my lungs and stealing oxygen

embers from a cigarette falling to the floor

god i can’t take anymore

so i stumble to the window and pull the shades

and the moon pours in like you threw a grenade

i can’t understand why

i keep trying

cuz i never seem to win

but having any hope is how the light gets in 

from there, moment before impact ft. Billie Eilish is a club anthem along the lines of bad guy or COPYCAT, bass heavy with a drop that’s out of this world.

powdered pain, i’m in your veins / i’m the sting, the drip, the thing / you’re craving, but you hate to see me misbehaving / i heard my breakdown got you high / it’s true, but baby i can’t lie / i never got that rush, that burn / that makes you feel alive, i had to learn / to pick the slippery slope down which i fell / plan my pitstops on the way to hell / to pick my padding before i spiral / so if i break it’ll be in style

watch my misdirect, now freeze, / notice you can’t see the forest for the trees / you’re so desperate for my demise / but baby, i’ll make you watch me rise.

this is the moment before impact

controlled chaos, crash land / take a breath, trust the plan / i know you hope i’m not okay / you get off on my audio misery

controlled chaos, crash land / take a breath, trust the plan / i need you to know i want it this way / my breakdown won me a grammy

and this is the moment before impact

ur my favourite - interlude ft. sykkuno is probably one of my favourites, it’s just really soft, just a snippet of a conversation between the reader and sykkuno, maybe one of them told a joke and they both just sound real happy and sweet. its nice. it’s a nice moment.

means something is also for sykkuno!! it’s about how good-strange it is to be open and honest with friends, and how they usually aren’t but they’re glad they can be open and honest with him!!

meanwhile, i don’t think about u - interlude ft. CORPSE is a phonecall between corpse & the reader right after they announce they’re going to feature on acting like that, where corpse asks if they do this sort of thing to spite him, to which the reader responds ‘do i consider you when i’m making decisions about my career? no, corpse, actually i don’t think about you at all’ which then directly contrasts the song that ends the album, which is (how it feels to be) beautiful fireworks, which is essentially ‘i know how hard it is to exist like this, to be the centre of attention, to give off light and bring people joy, even when you’re in pain. i’m here for you. i love you.’

okay, i swear im done now, i’ll get back to writing the fic! (also i cannot BELIVE i managed to figure out how to embed those playlists but im so happy) edit: it didn’t actually work when i posted the ask, so anyways im sorry but y’all are abt to be spammed with playlists because i care too much abt this fic

[stranger-who-writes-fiction]

I had a whole list of stuff I liked about Supergirl Ep. 6x07 “Fear Knot” typed out and then accidentally hit the keyboard command for ‘select all’ and THEN accidentally hit ‘b’ so.

A list! That will...be much shorter than the original! Because I’m very tired and don’t wanna type it up all over again! XD

Spoilers!

Okay, rapid fire highlights, HERE WE GO!

Space Dad was the true MVP here! Just wonderful J’onn content throughout.

The Danvers Sisters hug! I wanted exactly one thing from this episode and that was it. 

Interesting BTS info revealed about the hug: Originally, it was supposed to be the main trio (Kara, J’onn, Alex) but they trimmed it down for time so it ended up being just a Danvers Sisters moment AND, AND! Chyler’s ‘I got you,’ such a LOVELY callback to the Pilot, was ad-libbed!

Fine. Just. Make me feel feelings, show. Geez.

The Tower is a MARTIAN SPACESHIP!

Alex, re: the Tower reveal - “I love Martian technology.”

Same, Alex. Same.

 The ENTIRE* GANG OF SUPERFRIENDS got meaty character bits that build on all of the stuff introduced in earlier episodes! 

*Save for M’gann, but I appreciated they at least had a line about how she was staying behind to hold down the fort. 

Anyways, back to character stuff, in particular! We see Kelly grapple with feeling out of her depth as the lone ‘normal’ one in a group of heroes/vigilantes, introduced in...was it 6x03? AND we see the set-up for GUARDIAN, WOO!

The thing I love about the Guardian mantle, for James and as we’ll no doubt see for Kelly, is that it’s about protecting people; their weapon of choice isn’t really a weapon at all, but a shield.

:D

J’onn and Alex’s stuff more directly ties into how they’ve been handling the ‘save Kara’ mission

Obviously Alex’s fears in particular speak to the larger, ongoing stuff about how so much of Alex’s identity is wrapped up in protecting Kara, but this mini-arc of seven episodes has sort of...laser focused that? A little?

This made a lot more sense in the first draft I swear. XD

And J’onn gets to come full circle with successfully completing the mission by being both a dad AND a strategic leader.

And then poor Nia is still struggling with insecurities regarding her dreaming powers, a thread that looks like it’ll carry over into the next set of episodes.

BRAINY AND THE BALLOONS????

J’onn:

The Lena portion...occurred!

Not really gonna comment on it beyond the very good sci-fi references they packed in there. Of course, we have the Alien 3 reference (which I've opted not to include b/c it’s a pretty gross image that could be upsetting if you’re not expecting it? Also I’m sure it’s all over twitter.)

But the Kelpie also had an Abyss vibe, IMO:

J’onn’s Space Dad montage was EXCELLENT.

J’onn: “NOT TODAY SATAN”

Oh, also, the red Phantom eyes and in-synch talking in Kelly’s fear vision was very creepy.

The different pairings of various characters was cool! I really liked Brainy and Kelly chatting.

And then poor Kara! 

AT HER LOWEST!

WITHOUT HOPE!

FEELING LIKE A DANGER AND A BURDEN TO HER LOVED ONES!

Oh, that meaty character work, we LOVE. TO. SEE. IT.

And shock of all shocks, it is PAPA ZOR?!?!?! WHO SNAPS HER OUT OF IT!??!?!?!

BUT! Papa Zor-El is only able to snap Kara out of it because HE HIMSELF was snapped out of his funk by Kara!

And like. I’ve seen the complaint that this relationship has not been built up enough for us to really care but...IDK. I’m a sucker for the moment where he like, gently touches her face and delivers that hope speech and

GUH! FEEEEEELINGS!!!!

And you know what? I’m glad. That Kara’s dad is not The Worst in this particular adaptation.

I mean. He’s done some incredibly sketchy things still, but. Not quite ‘experimenting on your own child, sending her to a foreign planet WITHOUT ANY CLOTHES and brainwashing her into murdering her cousin’ levels, you know?

“That’s my family. They’re really here.”

AWWWWWWWWWWWWWWWWW!!!!!

And then the hug! THE HUG! It’s so quick but it’s so good and I can’t WAIT. UNTIL AUGUST 24th! 

I also love that we got a teaser of the next episode?! That was awesome and wholly unexpected.

(OFFICE SHENANIGANS! AAHHHH LOOKS SO GOOD!)

Oh, also, Nyxly (Nixly??) lives! And catches a ride to Earth Prime, which I’m sure will go over well. XD

As always, some OVERALL THOUGHTS!

ROUND OF APPLAUSE FOR DAVID! An interesting but no doubt tricky episode to direct! It came together so nicely, though, and had some genuinely neat set-ups in terms of how they used the cast and set.

(Also round of applause for Chyler’s episode last week, totally forgot to give her props in my list. FOR SHAME. For shame.)

In terms of season 6 thus far as a whole...I’ve just really liked this front half, here.

The Supergirl folks have had to work around some incredibly challenging extenuating circumstances during the final season of their show--I mean. They didn’t have their LEAD ACTRESS until several months into filming! DURING A PANDEMIC!

And while...yeah, I’ll admit I found some of the exposition in various episodes to be. Trying? And still pretty packed because they’re juggling so many characters...that they’ve managed to have such nice character bits throughout is just. GOOD. IT’S VERY GOOD. I LIKE IT A LOT.

As I mentioned above, this mini-arc of seven episodes has done such a solid job of setting up and developing internal conflicts for the characters that are exacerbated by the external conflict that is Kara’s absence. Like, everything is pretty tight! And connected! There’s such a good through-line EVEN WITH the two time travel episodes!

(And, okay, I’ll indulge in one targeted bit of ‘c’mon fandom, really?’ - I’ve already seen complaints of, ‘I thought this show was about SUPERGIRL’ re: this particular episode and like...did you miss? The whole previous episode? That was such a nice Kara showcase? And I say again: LEAD ACTRESS. WAS UNAVAILABLE. AND HAD TO PLAY CATCH-UP. ALSO, PANDEMIC.)  

(And in fact, the whole Phantom Zone plot has been a BRILLIANT bit of efficient storytelling--you not only have an in-universe reason for your lack of a lead, but also, it creates this space for the other characters to really miss Kara.

I guess the way I would describe it is like...going back to Kara’s original death in Crisis--yeah, it sucked that she died, but the entire DC Universe came together to talk about how heroic and great she was. And in a final season? Of a show called Supergirl? If you can’t have your lead on screen, the NEXT BEST THING is to have the character’s presence really felt via the OTHER characters.

With stuff like, having her inspire them! And reflecting on what she means to them, as a friend and family member!

...Again, this made more sense in the original draft? XD)

...Anyways.

My only nitpicks: I miss Will! But understand why he hasn’t been around, from a story standpoint. Also, the dialogue in some of the earliest episodes didn’t always...gel? But these last three in particular have been much improved in that regard.

IDK if I’ll keep these li’l positivity lists going throughout the remainder of the last batch of episodes--the move to Tuesday night has been tough. XD But either way, SUPER (ha, ha) excited for the back half!

[mego42]

Hi!! Was just wondering if you have any Brio fic updates you’ll be posting soon? Obsessed with your writing!

ahhhhh thank you!!! you are too kind!!!

I guess it depends on your definition of soon? I have a lot of stuff I’m working on and am pretty far along into, it’s just been going a bit slowly for life reasons (we’ve been temporarily short-staffed at my job which has unfortunately coincided with bringing on some big new clients so I’m working crazy hours and then also took on a p big freelance project at the same time bc I make questionable choices but also bc it’s a v awesome project and I’m hoping to be able to brag about it soon)

THAT SAID I’ve got a lot of stuff p far along including:

ch 2 of swear! fully drafted, def in need of another major editing pass though. there’s a tension/tone through-line that’s not quiiiiiiite right and I’ve been trying to sort it out by writing Rio POV outtakes bc why not

ch 3 of swear! I’m trying really hard not to post for this fic until I have a chapter banked both for accountability reasons and also bc I’ve got a lot of threads woven into the fic that I’m trying to keep track of and it’s helpful to be able to bounce back a chapter and tweak things to properly set up stuff in the next chapter. I’m about a quarter/third or so into it but I’ve lowkey dropped it for now to focus ooooooooon...

the last chapter of song!! at last! it’s happening! highkey inspired to jump back in by a truly lovely comment @whiskeyjack left me and @xenalovesoq and her group chat’s unflagging enthusiasm, I am about 15K into the draft and *laugh nervously* a third of the way through my outline so that’s gonna be a monster

I’ve also got a bunch of other projects in various stages of outlining and drafting that are v much on my mind but def not a current priority like the others (Beth POV for listening, buffyverse if I can detangle the plot, the pacific rim AU I add a sentence or two to whenever I’m stuck on something else, the sex pollen I wrote half of and then paused to write swear).

so yeah, lots of stuff happening but nothing close enough that I’m comfortable predicting a timeline I’d inevitably fail at anyway. I’m not sure what’s going to get posted first tbh, I’d say probably song because that’s what I’m focused on rn but editing is going to be a bit of a thing given how long it’s shaping up to be (jfc oh god what am I doing) so idk!!

I wish I had a better answer but here! have a (rough, unedited) snippet from song for your troubles!

"What are you doing here," she hisses.

Her eyes dart from Rio's face to over his shoulder, sweeping the midway to see if anyone's watching them, and then back. The corner of his mouth tugs up like he knows what she's doing and it's funny. She locks onto the motion, the shrieking sounds of the carnival around them falling away. Midday sunshine giving way to deep, dark midnight blue in her mind’s eye.

Between her kids and then Rio having Marcus for a few days, Beth hadn't seen him since that night at the bar a full week ago. After she'd explained her plan to his satisfaction, she'd realized it was getting late, and she had to get home. He’d walked her out to the van and the unexpected gallantry of the gesture caught her off guard, and something bloomed, warm and sparkling in her chest. Then, alone in the parking lot, he'd pinned her up against the side of it, burying his face in her neck and pressing his hips into hers. Her moan when she felt him hard against her mingled with his answering one when she rolled her own hips right back, echoed together through the still, silent night. 

Beth thought about yanking open the door of the van and tugging him inside. She knew he wouldn't object from the nearly frantic urgency of his hands gripping her waist, shoving up under her shirt, hot and rough against her skin. He'd cupped her breasts, his thumbs swiping across her nipples and pressing down. She'd gasped and arched against him, her nails digging into his shoulders through his shirt when he'd bit down on her neck in response. 

A part of her wanted that—him—quick and furtive in the back of the van, too desperate for each other to wait. But another part thought of the reality of Emma's Barbie's digging into her back, the graham cracker crumbs she’s pretty sure the seats spontaneously generate at this point embedding themselves in her skin, the smell of apple juice and kid sweat that never entirely dissipates hanging around them and that isn't—she doesn't—

This thing between them feels different now. New and precious and somehow heavier and more fragile than it ever has before. It's a beginning, and Beth wants more for it—them—than a rushed hookup in a parking lot before they go their separate ways. 

So she’d gently pushed him away and he'd let go of her immediately, even if he'd taken a beat to inhale deep against her skin before stepping all the way back. 

When he'd met her eyes, Beth had known she didn't need to explain, and when he reached out a hand, pinky extended, her own had fluttered closed as he'd gently nudged her hair back, tucking it behind her ear.

"Next time."

Impact against her thighs snaps her back to the present, and Beth realizes she's swayed forward into the table between them. She can feel her blush flare, heating her cheeks and chest, but can't bring herself to be too embarrassed when she sees the way Rio's eyes have gone dark and hooded. 

His lips part, and Beth can see the tip of his tongue pressed lightly against his teeth. She imagines leaning in, closing the distance, and sinking her teeth into his full, lush—

“Jesus Christ!” 

[nightswithkookmin]

hi goldy, idk if you're choosing to ignore some asks/keeping them for later or there's way too many of them and some don't even get noticed but I've sent like two/three asks in the past iirc (I asked for clarification about jk's gay club scandal, one was an observation I made on jikook's intimacy during an interview where JK massages JM and maybe a third one but I can't remember what it was about). I really hope you're not ignoring them and just keeping them for later because I would love to have my asks acknowledged lol. (btw I saw people coming at you in recent asks and I don't really get their complaints either because after all this is your opinion and you're just sharing it with us. i also have differing views on stuff sometimes but certainly don't waste my time screaming in your asks just because our opinions differ) it's always interesting to read other people's views on jikook and you certainly have made many good observations so so keep up the good work!

I did an Oopsie again didn't I?

I'm truly sorry about that😔

You deserve better from me😔

I do have some Asks saved in drafts for later. Some are great topics that come at bad timings. Usually when I get several Asks on the same topic, I go with one that sort of encompasses the points the others made in their Asks and address those issues there instead.

Often too, I don't get the point some Asks are trying to make and there's no way to contact them for clarification so I let it go.

Then there are those that I feel I've already answered or addressed. Or those that I actually love but are worded 'badly'- as bad as you think certain Asks are, trust me those are the less rude ones. Lol.

Others are cute and funny and I get a good laugh out of those but I feel they are more comments than questions and so I wouldn't have much to contribute to them if I answered them. A myriad of reasons basically- none of which is an excuse to sideline your Asks. Lol.

Honestly, I had no idea what I was doing when I started this blog or when I turned on the Ask function. I thought people were gonna write their own opinions in response to certain posts so I could read through and compare notes on but I was in for a rude awakening. Lol. People just use it to chat shit and stuff instead. Lol.

I'm learning to not lend my platform to certain energies. I don't think it's the energy I want y'all to absorb.

They don't affect me as much as before though because while I'm used to Tuktukkers toxicity and rude remarks and is barely affected by the buzzing noise they make in here, I had a shock with Jokers. It took me a while to realize we are not on the same team and are very different shippers.

I think Jokers have caused me the most harm because I just wasn't prepared. Know what I mean? They are worse than the Tuktukkers. In my opinion.

I think I need to lend my platform to wholesome conversations hereinafter. I would do better. Henceforth, I'm gonna be intentional about the Asks I choose to answer.

It doesn't help that certain Asks that belong to the comment box or DM or even submission box always end up in Asks. I would have to sort through all of that I think.

My point is, I suck. You deserve better and I'm sorry to you and everyone else whose Ask has been Over looked and ignored in place of not so 'positive' and 'educational' ones. Yea, I've seen all those comments about 'not fair' 'mispresentatives' lol.

Can I interest you in apples? 🍎🍏🍎

I purple you and thank you so much for this. It means a lot to me 💜💜💜💜

Signed,

GOLDY

[yoursummerfrost]

Would you be willing to talk about your writing process? How many drafts you go through, how early on you run something by a beta, do you outline or not, etc.? I'm really curious to get a feel for how folks write!

Sure!! Not sure how coherent this will be but let's see lol. Also you'll notice that certain pieces vary a lot. Writing process under the cut! 

Getting an idea: Most of the time, I get my fic ideas from either songs or random conversations with friends, and they're typically a sort of precipitating event or premise that leads to a character exploration. (Examples: What if Geralt was a ghost haunting Jaskier's house? What if Dan actually stayed for that drink Lucifer offered him?) But sometimes I look for a plot on purpose (e.g., I had been DYING to write a time loop for literal years before I finally worked out how I wanted it to look by brainstorming ways to subvert the conventions w/in the trope). 

It's hard to like, delineate this tho because in reality it's sort of messy and mushed bc of how my brain works. Like, the truer to life approximation of deciding to write and yet so far from death was more like: receiving comfort as the reminder you are lacking it -> ooh ghost love story as ultimate yearning -> who would be more fun to write as a ghost? -> Jaskier as ghost = inversion of dynamic / Geralt as ghost = extension of dynamic -> Geralt as ghost sounds fun -> why would Jaskier be stuck in a house with a ghost? -> he's retiring from a life on the road -> what Jaskier is lacking is permanence/stability -> ghost story as paradox of permanence and impermanence -> okay but on the plot level what would happen if Geralt was haunting Jaskier's house?

Outlining: I usually start writing without formalizing an outline, just to get a feel for the story itself, but I tend to have an idea for the major beats/the thesis statement living amorphously in my brain. Then partway thru the fic I type out an actual outline tracking major occurrences and functions of scenes; occasionally I'll write a whole fic without an outline tho, especially if it's shorter (<16k).

Drafting/Editing: I do somewhere between 1.5 and 2 drafts, depending on how you define a distinct draft ig? I've never completely rewritten a whole story like some schools of writing suggest, but I will definitely go back and make edits. I usually self-edit as I go and then do a full re-read/edit at the end of draft completion. For the as-you-go stuff, I typically re-read everything I wrote the day before which helps both 1) get me into the mood for writing again and 2) make any small tweaks etc + catch typos. When I do the big edit at the end, I try to change something about how I physically read the draft (e.g. read on computer instead of phone, change the font) which helps shake up my brain I guess?

Betaing: I am deeply spoiled by my friends and endlessly grateful for them, lol. At minimum, I like having someone I can excitedly flail about my ideas with while I'm writing (usually multiple someones) and talk through stuff that might be stumping me (e.g. idk if it would be funnier if X or Y happened, hey do you think vampires can feel the cold), and then someone--often the same person but not always--do a full read-through after the fic is done. A lot of times, especially for longer stuff or when I'm feeling down on myself, I'll ask someone to beta and/or cheerread along with me while I write. And I bug them with lots of questions like "Is this landing for you? Do I need to slow down the dialogue here? Am I funny even a little bit?" and they offer feedback and/or encouragement. But also sometimes I get impatient and/or cannot tolerate concrit so I just fling it into the void without beta lol

Other stuff: it's also worth noting that I daydream about my projects constantly? Showering/laying in bed before or after sleep/driving places is all prime fic plotting time. If I'm listening to music, whatever song I'm listening to will probably become related to a fic. This isn't like, a conscious ~dedication~ thing: it's pure, unadulterated neurodivergent hyperfixation. Also, I rarely read other people's fic if I'm writing any of my own, bc for me the writing and reading circuits are quite different, but I re-read/re-watch the source material a lot.

I do also re-read my own fic a decent amount, partly because I genuinely enjoy my own writing and partly because I like noticing my own trends/recurring themes/etc which is easier to do if you take in your work later, at more of a distance. Reading people’s comments about what they enjoyed is also helpful, because it gives me a sense of what things land and what things don’t (or don’t get commented on as being a stand-out, at least). I don’t enjoy getting concrit outside of beta I’ve specifically asked for, but I very much enjoy hearing what people did like so I can do more of it.

Titling/Summaries: Usually I come up with a title partway through writing based on a song I've found to take inspiration from. I get really excited when I find a title, lol. I hate summaries very much except for when I love them? I semi-recently converted to the school of using a snappy quote from the fic to make the summary, which makes my job easier lol. I usually like picking quotes that are 1) relatively brief, 2) encapsulate the tone of the fic, and 3) not huge spoilers. Sometimes I'll write a line and go, "yup, that's gonna be the summary," which is fun.

[ranvwoop]

TALK ABOUT AMERICAN HEALTHCARE I HAVE AN IDEA OF WHY IT'S THERE BUT I WANNA HEAR THE EXPLANATION ALSO THE ONLY HOUSE THAT"S NOT ON FIRE (YET) FOR THE SAME REASON I JUST WANNA SEE THE ANALYSIS:TM: IF U WANT I WANNA SEE IF I GOT IT RIGHT :D

Hi :DDD. Thank u for asking,,,, I have many thoughts. I am sorry in advance. This is one of those things I will put under a readmore because I am into rambling. IT GOT A LOT LONGER THAN ANTICIPATED IM SORRY. Like. a lot. It was 4 pages in google docs because i dont trust tumblr to save my drafts

Okay a lot of my Ranboo thoughts are about the syndicate / boreal trio / peerpressure duo. But you’re probably aware I am a Them enthusiast first and both a dsmp enjoyer and person second. Because. I really like the syndicate. I also don’t have too too many thoughts on the more recent lore past the experiments. Once the in character monologues stopped, so did my brain. I communicate through monologue to monologue communication.

American Healthcare is actually gonna be the main reason why this is so long bc it works Very Much for like three different reasons. One sorta niche and abstracter reason is a stream that was basically never elaborated on back in March, either the day after or very close to the peerpressure Egg confrontation stream. The egg called him a coward (for some reason my brain can Only come up with the “stop saying i look like chicken little. he’s dumb, and a coward, and i am NOT a coward” vine), and he is not a coward, so he decided to make an action plan to bring the server together by acting as a mediator for all parties and try to make sure that everyone is happy, because he’s the only one that can see all sides, or something. This was where he said the big happy family™ line but other than Ranboo Become Dream?? analysis nothing else really happened and everything went along as normal.

(I also always held a little bit of suspicion on this stream actually and thought it might be the influence of the egg, because it says it can give one whatever they want, and ranboo wants to make everyone happy and this was a totally foolproof way of doing that. Sort of in a similar way that BBH is convinced that his plan will totally make Skeppy happy. But also Ranboo is just like that, but this felt a little more on the nose than usual and he did fall into the egg and made his decisions after being egged on by it, buT WE’LL NEVER KNOW, WILL WE?

… also I really wanted to see more egg conflict at the time. Peerpressure rlly got involved in the egg plot for cameos at the banquet and nothing else. I do not blame anyone and respect the ccs for all of their attempts to weave plots together but also. also…. we.. we coulda had so much…)

That was a little off topic from the point, but… he really just thinks he can save the sick… he can see that everyone on the server is unwell and is wrong but, y’know, look inwardly, the unwell is coming from inside the house. And an inherent problem of the way that the server runs. And if this is still lowkey in effect or not (idk man a) ranboo has monologued a lot I simply chose a one off from march to grow emotionally attached to and b) i think that my brain has shut off once ranboo stopped solo lore streams), it would probably go the way that most choosing to change the system from the inside goes. Which is the point of the song and stuff! He will inevitably decide what’s too far, whether he will either admit it’s a choice or just feel that it’s what he has to do. The, uh, dealing with the devil, to be polite.

in conclusion (but we are not close to done here i’m holding you for a bit longer), i think a lot about that stream and i think that shows what he wants to be, at the very least, and continuing down that path would definitely go into being far more trouble than just a noble goal of wanting to help people, from negotiating with corruption (The lobbyists, the Congressmen and lies bit) and that the server can’t really be brought together and saved like that (When things are more and more this way / Sometimes it's like they'd rather die)

THE LESS. vwoop why have you written an unnecessarily long post about one stream in your playlist character analysis reason is both more literal and piece by piece and also Syndicate, My Beloved, you know the drill. We are going line by line because I have a lot of feelings about American Healthcare, apparently.

This also comes back to that everyone on the server is doing Really Badly, all of the time, but mostly his time in L’Manburg. For one, he is pretty complacent in everything and doesn’t really accomplish much in terms of actual change, so like Well people die every day / I wouldn't have it any other way / I just think they should feel good while they are alive. An example of this is Exiled Tommy — who I’d also metaphorically put as the dead man just for funsies, since Tommy’s whole exile thing was one of the first things Ranboo experienced on the server—as he did try to be friends with Tommy and keep him company with his letters, but he still has no power over the actual issue at hand. Just trying to make it a bit more bearable. Similarly is Techno, while Ranboo still participated in the butcher army that was trying to kill him, he helped in the meantime until he “died”.

And then it’s the Realization that participating in the system doesn’t really help much, and the subsequent Everything. It could be getting mad at the whole government system and that he didn’t mean to contribute to the harm, or how he fought with Fundy using hs ideology but not in the way that Ranboo thought. It could also be standing up to his hallucination Dream, in that he doesn’t try this hard to be a good person just to be accused of helping with all of the things that he may or may not have helped with. (That is… a discussion for not right now, I don’t know.) And I think this sort of area is also where it’s like they’d rather die is also relevant, cause Doomsday. Nobody could just set aside their governments and just get along, though Ranboo had his own solution to fighting and things.

And then he joins the Syndicate! And the lyrics of the song are directly Government Bad, because government bad. Canon anarchist, has done things that he’s not proud of as a part of the government. The lines it was the government / … It got louder over the years / Until all that I could hear was flies and all.

But honestly I think in the Syndicate he’s still trying to “save the sick”! Because the Syndicate don’t All fit eye to eye either. He’s the token pacifist, and a vote against violence whenever it comes down to it. Not all anarchists are violent but Techno and Phil will probably react strongly when provoked, due to All the past events, and I live in a world where their trauma and issues get talked about as much as everyone else’s. Since everything is decided by vote it’d probably be split between them and Ranboo + Niki, who is in her healing/no longer resorting to murder arc. He’ll help them negotiate and then everything will Be Okay, ideally.

(Also I just like the idea of Ranboo believing that he is helping the people he’s living with because canonically cc!Ranboo has said he just really cares about his family and the syndicate are included in his family shut up but they also just believe they’re helping him and yes it’s self indulgent. I care them. Particularly Endduo, actually, or whatever they're called, I am not bold enough to think Ranboo looks at Techno and thinks I Can Fix Him, but. Philza Minecraft will one day talk about his feelings. One day.)

There’s also radioduo and beeduo as of recent— really I’m just saying I think that Ranboo constantly has a Need To Help People, believes he can do it, and it will come back to hurt him in the end (except for the Syndicate because I’m in denial. The Syndicate can’t fall out if they never stream together :) ).

THIS CONCLUDES THE AMERICAN HEALTHCARE PORTION OF OUR SHOW.

The Only House That’s Not on Fire Yet !! I like this one. This is also blatantly there cause Syndicate. They are the only faction that is not actively falling apart, and this could absolutely be because they never stream together. But I do not care. However we are also going to go through this one piece by piece because we’re nearing 1500 words here and I might as well embarrass myself more. I am writing an incredibly informal essay about Ranboo My _Beloved (i assume his middle name is My, and he’s just one of those people who write his full full name) and this is the third page. If you’re still reading this, I’m sorry. Here we go.

There are lines that just seem like an unwell but recovering person, and I like to sort of think that way about Ranboo in the arctic during the down time. “I feel knotted up today / But in a most exquisite way” and “I feel strangely regular / But honestly I prefer it to / The usual bizarre” are just! He’s just hanging out. He’s doing good. There is the acknowledgement that he’s usually not doing well, and all of the episodes that he’s had in the past, and it’s probably strange to be doing well in the midst of everything, and there’s probably something impending, but now? He’s doing good!

The verses directly after both of those ones are about uncertainty and trust and such, and I feel like that’s not necessarily about just One relationship but all of them. Will cause problems as long as he has an accomplice. He is not confident but he trusts and loves people.

“This suit doesn’t fit me / I made it conterfeitly” I just like to think about Ranboo in his fancy suit, but it’s just a little wrong because he actually has no idea what he’s doing. I also like to think about Ranboo in a cape to fit in with boreal trio and later the syndicate, and emerald duo had matchy blue outfits from the Antarctic Empire… and trying to fit in with them…. or maybe They make him something.. You know. Much to think about.

“Killing me with déjà vu” I think is like. A little less fun, because despite how well things are going, the enderwalk is still not resolved and he had even less answers when I started thinking “this is a ranboo song”. Just as it relates to having a strange sense of reality and stuff, which goes into specifics of enderwalk headcanons, which would make this far longer. Even though I’ve framed it as a negative, there is also the more positive note of “Oh! I just thought of how to change all the hate / Into love with the old switcheroo / Dancing in my déjà vu / You'll be dancing too” which I’d rather explain broken up but I feel like as it’s a full verse it should be together. The first part is connected to my general thoughts of him explained earlier tbh, he’s trying Very Hard to make everyone happy and fix things. And adding the second part to it is just like! He is trying to make sense of everything, and it’s not so scary as time goes by. Since the experiments where he’s been (questionably) trying to be more comfortable and get more answers.

This was very long. I am sorry. I am ending it here and probably not going to do much formatting to make it readable because it is very late o’clock and also this is four pages and 2000 words I am so sorry. But if you read this far then. Uhhh thank. ^v^.

[mychemicalaromanticism]

things ive already established r on this post

besties this got so fucking long but heres a giant ramble about cherri

okay so. there are huge differences betwn cherri as a hyperviolent drac hunter and cherri as a friend of the four and cherri as the girls mentor. with the first one he was 17 and desperate to distance himself from his upbringing so he went all in on Being A Killjoy. he was always one of the first ppl to rush into a fight and he fought hard. he blew up his fuckin hand with that attitude. and all the while he was just racking up more unaddressed trauma and eventually he ran away from that, too. giving himself radiation poisoning was more appealing than facing his problems.

so as a teenager/young adult hes kind of constantly in a panicked state. hes scared the people from his past are going to find him and drag him back with them. so he lashes out and he runs away over and over again.

i said in another post that he has some past life shit goin on which usually would give him a connection to the witch that manifests early in life, but with all the stuff hes gone through he has been Preoccupied. he can become oblivious to almost anything that doesnt apply to whatever hes focused on. not in a hyperfocus way its likeeeeee. when u live on survival mode during prolonged periods of stress. hes immune to magic bullshit bc hes too tired and scared.

anyways around his mid-20s he finally has a little more stability (as much as the average person living in the zones can have, that is) and he finally notices that Weird Stuff happens around him. basically: out of my list of Powers People Connected To The Witch Have he has the prophetic dreams/enhanced intuition as well as a form of sensing ghosts where he can see auras and kind of like, echoes of past events in ppls lives. that look like auras. itz complicated and not of utmost importance so im leaving it at that.

anyways thats what makes him start writing poetry. just 4 funsies he'll describe his weird experiences and embellish them to make em pretty. just as a casual hobby n all that.

he would forget fun ghoul in between the times they ran into each other but its pretty easy to be reminded of who fun ghoul is. the most insane 10 year old cherri has ever met. cherri isnt a brother figure to ghoul. hes just. his friend that happens to be more than twice his age. its whatever lmao

to cherri, ghoul is kinda like a stray animal he keeps seeing. which is hilarious. ghoul actually goes and finds him to introduce him to jet when they start running together, and cherri meets party and kobra (spark and birdie at the time) when he drives the four of them to a party. because he has a truck hell yeah. so now instead of one stray animal he has, like, a feral cat colony that he drives around occasionally. i have no real-life human relationship equivalent to them because irl if some guy that is not related to any of you and isnt even a childhood or family friend and theyre hanging out with you? they are usually not a safe person lmao. but this is my fantasy land and im too stubborn to change anyones birth years even though ghoul being born in 2004 makes everything really hard to make not creepy.

so yeah hes a casual somewhat friend of the fab four. hed probably get more and more concerned as they got famous. the beginnings of any sort of protective feelings, awww :) that sets him up for becoming the girls mentor.

OH FUCK. THE GIRL..... i think if i was in my late 20s and i heard that the gang of 13-17 year olds had adopted a 5 year old kid i would go bananas. what the fuck. it is a LONG while before cherri meets her. but he has the strongest affection for ghoul (if you could even call it that) and ghoul absolutely adores the girl and swings her around under her arms like a cat to show her off to cherri and its very endearing and the girl is sweet and funny so its easy to be around her. and (unfortunately) she is somewhat used to interacting with weird easily agitated people so she kinda gives him space. cherri isnt quite the uncle figure the fandom usually makes him (i luv uncle cherri sm but he simply cannot exist in the universe ive created, f), but hes a little similar.

and then the four had to go and pretend to die. lol.

when the girl was kidnapped, fucking everyone who knew her was ready to storm the city then and there. like regardless of how little you knew her, if you had ever met her you would fucking die for her. she is pure childish charisma and shes precious. i love the girl. so cherris immediately on board with whatever plan the four make to get her back. ive already talked abt how it fucked up the girl tho; there was no way to tell her that the four werent actually dead, she sees the building collapse and she shuts down. and cherri has to fight against his instinct to leave the radio station and never come back when he sees an eight year old girl sitting dissociated on the couch. that fucks everyone up.

i just realized i havent talked about literally anyone else at the radio station. i think cherri started lingering around the station bc it was safe and sheltered while also not being a popular spot. there are less kids there (people pass through but its not a hangout spot). he was kind of just hanging around to get away from the heat and noise and dr d took notice. because that man can see ur soul and no one knows if thats literal or not. so theyd chat a few times a day and show pony was the one 2 get him out of his shell a little and also was the first one he mentioned his poetry hobby to. im making this all up right now as im writing bc i dont know anything about LITERALLY any of the ppl associated w the radio like im not even going 2 try with chimp n newsie i do not have the willpower to tackle all that. justttt. cherri pony n D become bros and live 2gether there.

back 2 the regular timeline. the rescue mission happens in 2019. the girl lives at the station until 2023. during that time she is very much depressed and withdrawn and is only happy when the four come to visit. none of the Adults know how to help her so they just keep her safe and cared for and hope she'll open up to them.

she does not. she takes the weird cat thats been hanging around and she runs away.

cherri does not see her for three years. shes still worse for wear in the mental health department and he can see all kinds of visions of what shes been through since the last time he saw her and he fucking hates the ultra vs bc they remind him of his past. he does not want her going down that path but its obvious that she isnt crazy abt the ultraviolence thing either so thats a relief.

they have a kind of tense relationship throughout the comics. he feels like he failed her and that spirals into feeling like he failed the four for not being a good adult to them and fun ghoul for not helping enough when his commune was bombed and all kinds of shit and that irrational thinking mixed with plain old, yknow, caring about the girl, is what makes him take a bullet (laser. whatever) for her.

i was trying to figure out the timing of each of their ghost experiences, but i want both of them to talk to the witch and im just gonna make it like dreams where a whole buncha stuff happens but irl its been like seconds. so its like barely a second while the girl has her Witch Convo and cherri FINALLY gets a straight answer, yes there is weird shit going on with him having powers. he doesnt have any story-significant past lives because im lazy, hes just an old soul. like really fuckin old. the amount of latent life experience and stuff his soul/energy/whatever has picked up along the way makes him VERY noticeable to gods n stuff. he fuckin lights up all the alarms like what the FUCK is that over there. she wasnt rly able to get to him or even properly notice him while he was a kid and a young adult so shes happy to finally see him again. he has a STRONG sense of familiarity with her. they know each other on a wild ass level that he cant really comprehend.

welp thats some more lore I'll have 2 think abt. anywayz

post canon is when he and val get to have the most awkward spiderman meme moment of realizing that they have the same trauma SOOOOO thatz fun lol /s sorry kings i thought it would be fun to give u something fucked up to bond over <3

not much changes in his personality. he has a better understanding of Weird Magic and delights in freaking out the ultra vs but for the most part he returns to his life at the radio station. i love him

THIS GOT SO CRAZY LONG I DID NOT MEAN 2 GO THROUGH EVERY PART OF HIS LIFE LIKE SOME WEIRD CHARACTER STUDY but here we are. this is basically a first draft like almost all of this is subject to change but u gotta start somewhere. so heres my start i love this guy. its probably obvious but i have not read ANY twitterverse killjoys stuff </3 maybe i will someday idk