#goes a very very long way for comic making

[bleaksqueak]

lol due to the pose of this tarot card i'm being forced to draw the front facing panel of the reaper uniform completely by hand for the first time in (probably two years now...hahahaha) oh, assets, you are great and wonderful and save me so much time Until not even Warp and Transform can lift you high enough. Then I must replicate these complicated designs Wholly Anew. like some sort of "art" "doer" (I hate that I have to add this disclaimer but this is the hell world we live in: the assets in question are ones I painted by hand at flat angles with the intent to be used over and over again. like a shoujo transformation sequence. it's not Aye-Eye BS or anything of the sort) with that disclaimer out of the way.... at the very least it means I can save the flats for this specific pose and thus it can then be re-used later when the comic will inevitably call for it. WORK SMART! WORK ART SMRT

[pineappical]

hugs! no idea why i decided to color this. it took WAY too long to do 😵

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[sforzesco]

you know that post about how scholars talk shit about each other when they write the phrase 'one might be tempted to assume,' or however it went. the entirety of crassus scholarship is like this.

[irishbreakfst]

Is it valid to get mad at your significant other for something they didn't do but that you feel could realistically happen or do I need to calm down

[ruporas]

wait. wait. wait. ive been staring at ur latest comic for awhile now and i think i've noticed something about the colors? which are amazing, first of all- just gotta get that out there cuz i adore that soft pink and deep green combo

but i just realized that throughout most of the comic u use both in equal parts it seems. to separate bg + fg and such, to highlight characters/objects, etc.

but then when vash gets back to their room, all the walls are that dark green. and, bit by bit, the pink totally falls off. by the end, it's nothing but constant dark green as vash starts to cry

but then wolfwood slams in and he's backed by that soft pink. and suddenly the comic is nothing BUT pink. soft lines and whites and gentle pink tones EVERYWHERE to just. SO tastefully highlight the little details.

LIKE. WAS THIS INTENTIONAL?! i almost wanna guess that it wasn't since all those green panels w vash crying are all closeups focused on his expression so it makes sense to just put the simple green behind it and all attention on him so the pink just isn't Needed

BUT AT THE SAME TIME THE EFFECT IS SO MASTERFUL THAT I WANNA BELIEVE IT WAS ABSOLUTELY INTENTIONAL

HEHE..... first of all, thank you for looking at my comic so closely, THAT'S LIKE... REALLY SWEET and a huge compliment to hear, thank u thank u

and yes, it was intentional, especially more towards the end!!! in general, the colors are meant to serve as a mood indicator, so a balance of them in a scene would just mean a neutral "okay-ness" and have a functional serve to separate background / foreground / subject matter... deep green signifies introspection or incoming sadness (especially on pg5 when vash cries), and pink signifies wolfwood, which, not an emotion but he is happiness, someone that helps vash lose his doubts in a matter of seconds -- which is why those last few pages are just pink white and lines, and the panels are gone for the majority of it. i wanted to show their unity and togetherness!

while vash still has his issues of just Not saying anything about his loneliness, his feelings are alleviated temporarily with wolfwood's presence and he's just grateful that his paranoia didn't become true, and that wolfwood is genuine, true to his word, when he means he'll be following vash/staying with him. even though it's mission-bound, vash would probably still feel guiltily comforted by that fact.

I'M GLAD IT WAS PARTICULARLY EFFECTIVE IN THIS COMIC because i definitely could've pushed it more... i figured it was a minor thing that not a lot of ppl would care for, but more ppl enjoyed it and noticed the colors than i thought, so i'm glad it worked out!!!

[asidian]

A little heartbroken by the news, not going to lie.

But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.

I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.

So here we go. The Season 2 in my heart, in no particular order:

Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually

Payneland confession and a first kiss

They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually

Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse

Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem

The boys dance on-screen with some of those skeleton choreography dances

Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that

Tragic Mick saves the day like a big damn hero with a bazooka like in the comics

The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes

Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7

Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold

The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together

Crystal and Niko lay the boys to rest side by side, under the same headstone

[lilybug-02]

𝐓𝐡𝐚𝐧𝐤 𝐲𝐨𝐮 𝐟𝐨𝐫 𝟏𝟎,𝟎𝟎𝟎 𝐅𝐨𝐥𝐥𝐨𝐰𝐞𝐫𝐬!!! 🎉 💐

I've been using this blog since I started college, and now, I'm less than 3 weeks from finishing my Environmental Geoscience degree (with a Minor in Soil Science)! ☺︎ I cannot tell y'all how much I've learned these past few years. About myself and about what I want to do in the world. About how much I've grown, not just as an artist, but as a storyteller.

I like to think this is much more than just an art blog, because if you've followed me long enough, you know I love to go on long tangents about the most random things and post about my many other interests. And I love doing it! I love being myself on this blog and I love the freedom of it all.

And the people on Tumblr! Ha. Never did I think I would be online friends or acquaintances with so many talented artists and creatives. I'm not always able to spur the same energy I could in the past, struggling with depression does that and becoming an adult is it's own can of worms, but you guys make me feel like a hundred bucks despite it all. And I cannot thank you enough.

Art has always been a way for me to express myself. Whether i'm feeling like a soggy sad puddle or feeling I'm at the top of the world. And being able to so freely draw whatever I want without judgment is something so very very special. It's a passion that I am very lucky to have kept with me in life. I wouldn't be the same person without it.

To all those who've followed me for the Chara Timeline, my heart goes out to you all in gratefulness. I know having a comic on such a long hiatus may be disappointing, but it's given me so much time to live my life and I appreciate every comment i've ever gotten on it.

And for the crazy amount of people just joining in from my Hollow Knight Comic, GOLLY. There's so many of you!! And all of you are so sweet and supportive too! It's so amazing.

And to those who are just here for my blog and art and silly antics. Thank you. From the bottom of my heart ❤️

[daydreamerdrew]

it's been very compelling to me how Tony Stark has already been characterized in so many different ways just up to the point in his comics that I'm at, early 1972.

Tony’s always vacillating between like ugh finally I get to be Iron Man and get a break from being Tony Stark… ugh being Iron Man is taking over my life and preventing me from being Tony Stark… ugh Tony Stark is a terrible person and I need to go be Iron Man to make up for being Tony Stark… ugh I’m sick of being Iron Man but my heart condition means I can never live a normal life because I can't pursue certain things knowing I could die at anytime so I’ve got to make the most of the time I have by being Iron Man even if by doing so I’m putting my health at risk and making it more likely I’ll die… wait ugh being Iron Man sucks I’m going to abandon that and commit to being Tony Stark and yay this is awesome but oh no tragedy has struck proving to me that I have to always be Iron Man! and etcetera

that he's a playboy has been portrayed as something that he is unabashedly and naturally and is frustrated that being Iron Man takes him away from it. it's also been portrayed that he feels disgusted with how he's wasted his life being a playboy and frames it that being Iron Man is what makes up for that. that he's a playboy has also been portrayed as something that he does just as an act to protect his secret identity as Iron Man by making Tony Stark seem like a less serious person. and that he's a playboy been portrayed as an act that he puts on to push women away that he would want to have a serious romantic relationship with but feels that he can't for various reasons.

sometimes he feels trapped behind the mask of Iron Man and calls it a prison for how the role dominates his time and takes him away from being a regular person as Tony Stark. but he also often thinks that he doesn't have the option to live a regular life because of his heart condition meaning that he could die at any time, making it so that he can't really enjoy his life and making it so that he feels it wouldn't be right for him to form a serious romantic relationship with someone because how likely it is that he would die on them. and he's also before questioned whether or not he could do more good as Tony Stark and so if being Iron Man is really selfishly only just for the thrill of it. he's also framed his Tony Stark identity as also another prison that he's stuck behind and that prevents him being a regular person in the sense of emotionally connecting to others, he instead has to be this cold businessman. but Tony Stark has also been portrayed having a reputation for being a really compassionate businessman. but also sometimes he wishes that he actually was that unfeeling machine because it would be easier than dealing with his emotions. and he's also wondered if the beliefs that he it wouldn't be right for him to form a serious romantic relationship because it could pull him away from the responsibility of being Iron Man or because of his heart condition are really only excuses to avoid uncomfortable emotional vulnerability.

it seems to that he has constructed these different identities for himself but cannot determine what is natural to him and what is acting and so is always shifting based on how well it's working for him between that a facet of these roles is who he actually is or that it's not who he is but who he thinks he has to be for various reasons, but can never settle on that something is an act because he has such a limited understanding of himself, but also enough of an understanding to articulate that the way he's acting is unnatural to himself, but what I haven't yet figured out is when I would think that construction process would have taken place.

in Tony's first appearance he was presented as pre-Iron Man being an uncomplicated playboy millionare inventor that had a perfect enviable life. after he became Iron Man he was presented as essentially still being that except with the secret that he's actually a deeply tragic character because of his heart condition. him being a playboy was maintained and then later was characterized as an act, but it's tricky because that's not a characterization change that just moved in one direction but legitimately shifts back and forth.

the idea has been presented that being Iron Man has prevented Tony from being a playboy because it takes up so much of his time. but the idea has also been presented that Tony thinks negatively of him having been a playboy in the past and so at some point in time genuinely changed to not actually be a playboy at heart. what hasn't been presented is that that change of opinion occurred during the events of his origin story as Iron Man and I don't find that at this point in time to be a viable reading because of how him being a playboy was played straight in his origin story's aftermath.

when Tony talked about Tony Stark being a mask he was stuck behind, that he couldn't show compassion because that wouldn't be Tony Stark, he says nothing that gave any clues as to when and why people would have formed the idea that Tony Stark wasn't compassionate in the first place or even why he can't disprove that.

so it's not suggested if he had once been that way and then changed because of the experience that made him become Iron Man but then felt he couldn't let people know that he'd changed because it would give away that he's Iron Man. or if he had never really been that way but adopted the guise after becoming Iron Man and made people think that he was, perhaps just leaning into it and sticking with it when the assumption was made once when he ran away and seemed to abandon people in need so that he could put on the Iron Man armor and come back and save them, so that they wouldn't connect him with the heroic figure of Iron Man. or if it had been a guise that he had adopted before he became Iron Man because of something to do with his upbringing and the world that he was a part of.

which is not even getting into the fact that Tony Stark had actually been portrayed as compassionate before that specific story without it being a problem. and Tony Stark not being allowed to be compassionate wasn't connected to that Iron Man is but was intertwined with how he was stuck behind cold masks in both identities and there was no way for him to ever be tender. he's deeply unhappy about it but doesn't see it as something he could do anything to change, he was just trapped.

but he doesn't come across as trapped all of the time! he's not conflicted about things in every single story. he's also got standard straightforward superhero stories, it's just that over time that's been interspersed with stories of him being very conflicted about it all.

and that's also not even getting into that there are stories where Tony's problem is that he's not differentiating between Iron Man and Tony Stark enough. like when his heart problems got so bad that he needed to full Iron Man armor to stay alive and so was trapped inside it and he just told everyone that Tony Stark went on a trip and left Iron Man in charge and then tried to resume his life as normal, not realizing how that would come across to other people and not realizing that he couldn't just maintain his relationships with Pepper and Happy exactly as they were before without them getting upset, which ultimately ended up with them suspecting that Iron Man was trying to steal Tony Stark's life and getting him made a suspect in Tony Stark's mysterious dissapearance.

[psychronia]

I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.

We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.

What's important here, though, is Zuko's introduction to the Southern Water Tribe.

Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.

Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.

He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.

Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.

And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.

And then...

He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.

And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."

This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.

It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.

Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.

And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys". He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.

[bleaksqueak]

Insomnia is letting up off and on, but I'm still super jelly brained from it case in point, I want to continue back with posting WIPs for the aired pages, but I can't remember what page I left off on now lmao (guess I'll have to dig through my blog to check... eesh. at least it's decently organized by tags?) Not a result of goo brain, really, but equally "AUGH" is that I let my screen protector go for too long without replacing it and now it's slick as snot and I don't have a replacement handy to put on it. This isn't a resulting consequence of goo brain but it does mean I'm going to be trying to draw without any traction while I'm already loopy. Good times ahead!

[hyperfixatinator]

Where is the line?

In the comics, Tim Drake's moral code is an enigma to me, particularly his stance on the Batclan's no-kill rule. For all the fans who say he's always one step away from full blown villainy, there are even more saying he's a strict goody two-shoes who could never stoop that low.

Then there's the different takes on where Tim draws the line between these two extremes. Personally, I find that line hard to pinpoint. Digging for canon demonstrations of his morals has lead me to more questions than answers. My biggest question right now is:

What counts as breaking the no-kill rule in Tim's eyes?

Luckily, the Robins 2021 comics shed some light on this. In issue #3, "Tim", or rather an imposter of him, said that choosing not to save someone isn't the same as killing them, and that letting a villain die can be a way to get justice. Normally, this point would be moot since it's not Tim himself who said it. However, at the end of issue #6, the real Tim clarified that what the imposter said WAS his real opinion on the matter.

Not only that, but Tim has shown this belief through his thoughts and actions before. Twice.

The first time goes all the way back to Robin 1991 #5. During the fight against King Snake, Tim kicked him through a nearby window, fifty stories above the ground. As King Snake's life hung in the balance, Shiva appeared and commanded Tim to kill him.

Tim refused. He walked away, leaving King Snake entirely at Shiva's mercy.

What gets me is that Tim made no move to save King Snake from falling. And he made no effort to stop Shiva from committing the murder, either. His only thought as he heard the man's scream was "Fifty stories is a long way to fall."

The second time was in Red Robin 2009 #26. Tim orchestrated a whole plan to manipulate Captain Boomerang into getting killed by Mr. Freeze. The whole time, Tim blamed Captain Boomerang for making all those bad choices, despite Tim being the one raising the chances of them being made. Tim believed he was innocent because he wasn't directly participating.

Tim then stopped that plan, but not for any noble reason. He decided that he couldn't let anyone else kill Captain Boomerang but himself.

Tim couldn't bring himself to do that, either. So he had to spare his father's killer in the end.

This seems pretty cut and dry so far, right? Tim believing that letting villains die is alright as long he doesn't do the deed himself? I'd think so too, if there weren't other moments contradicting this.

In Robin #35, Steph insisted on leaving an enemy who got buried under the snow to die. Tim chastised her for it.

Neither of them were responsible for the snow, or for the enemy getting trapped in it. Plus, that guy tried to kill them with a chainsaw moments prior, so he's not exactly an innocent damsel in distress.

Maybe it was because this enemy wasn't a big enough fish to fry. We didn't really get confirmation that this guy has actually killed before, and he's around goon status at best.

But then in Robin #46, Tim chose to save another enemy who got himself into a deadly situation. That enemy was a murderer known as Young El. This time, Tim wasn't telling anyone else why they should save a murderer's life out loud. These were his private thoughts.

Notice how Tim's inner monologue sounded kind of on-the-fence. He contemplated justice finally catching up with Young El as the floorboards gave way, bringing a support beam down on him in the process.

However, Tim immediately switched gears to rescue Young El from under that beam before the water rose too high.

But Tim, as he told Young El the reasons he's saving him, asked himself "Do I even believe what I'm saying?" He could be asking this about two different things he said here. A) "Maybe it's not too late for you to learn something, Young El.", or B) "Death's easier for you when it's the other guy. Death's never been easy for me."

For Tim to doubt his belief in either of these statements is very interesting. He could be questioning if Young El is already too far gone for redemption, or he could be questioning if seeing someone die has never been easy for himself. For all we know, it could be both.

Unfortunately, Tim never got to see if his choice to save him would pay off. Tim wasn't strong enough to lift that beam, and Young El drowned.

There's a question on my mind as I read these pages. What makes this murderer's death different from when Tim let King Snake fall to his "death"? Sure, King Snake didn't actually die, but Tim didn't know that until later when the man came looking for revenge in Gotham.

Tim was once able to simply walk away from what he was certain would be a killer's demise. But then he's consumed by guilt over not being able to prevent a different killer's death down the line, to the point of hallucinating.

On top of that, what changed Tim's mind later? Red Robin #26 and Robins 2021 #3-6 still happened in the future. The only significant difference I can tell is that these two comics involved the killer's of Tim's parents, making it personal. But if the Imposter from Robins 2021 got his beliefs from his profile before his mother's killer got involved, then does that still hold up?

Maybe we should put a pin on it for now. There are other things Tim's done that brings the details of his no-kill rule into question.

Such as that one time Tim actually killed someone with his bare hands.

In Robin issues #51-52, Tim accidentally killed Lady Shiva while drugged on amarilla, a plant that enhances the user's speed beyond human limitations.

It may be argued if the amarilla altered Tim's mind enough to excuse him of fault or not. However, I want to focus on what happened after Shiva was revived. Here's another question to go with the first one:

Does Tim believe the kill still counts if the victim was revived afterwards?

From what I've gathered, yes and no. It's kind of complicated.

After Tim killed Shiva, he was understandably distressed about it, about how he can never take it back.

But after Shiva came back to life? Nothing. He didn't dwell on the fact he broke the vow to never kill. For something that devastating to happen in his life, it's odd that Tim didn't bring it up ever again, privately or otherwise. Especially considering what happened later in Robin #123, when Tim thought he killed Johnny Warlock.

Tim was utterly inconsolable. He lost all faith in his abilities as Robin, and in himself as a whole. It also contributed to his decision to quit being Robin after his dad found out. In general, he seriously dwelled on that "kill" for a much longer time than he had after killing Shiva. The difference being that he knew Shiva was resuscitated immediately afterwards, while Tim didn't know Johnny survived until issue #141.

But there's the fact that Shiva really did die. Her heart and breathing both stopped. So are we to believe Tim moved on from that so easily because she's alive now? What happened to never getting that back?

Come to think of it, not long after Tim killed and revived Shiva, there was someone else who landed in that same boat. Dick.

In Joker: The Last Laugh #6, Dick brutally attacked the Joker after believing he killed Tim. Dick ended up accidentally killing Joker instead, before the clown was resuscitated.

Here's the thing. While Tim was trying to comfort Dick, saying that it's ok because Joker's alive now, Dick didn't believe so. He was still distraught that he killed someone. The fact Joker came back to life afterwards didn't matter to him. To Dick, it still counted. So what does that say about Tim?

Before we move on, there's another person Tim knows who also died and came back from the grave. Jason.

Tim openly acknowledged Jason was killed before coming back, too. Multiple times. For example, when they met up in Red Hood and the Outlaws 2011 #8.

Tim hadn't shown any signs that he thinks Jason's murder doesn't count anywhere, except for maybe once.

In Knight Terrors: Robin #2, Tim and Jason had a heart-to-heart, and Tim said something strange.

"You survived."

Except Jason didn't survive. He died. To say Jason survived that night would've meant he never died to begin with. Him being alive now doesn't change that. Was this Tim telling a white lie to make Jason feel better? Or does Tim see being revived after death as "surviving"?

Ok, now we can move onto the next question. Or rather, bear with me as we go back to the first question. It's a broad topic with plenty more to talk about.

What does Tim count as breaking the no-kill rule?

We already asked how Tim feels about bringing villains back from the dead after killing them. And we asked how Tim feels about leaving a villain to die without getting directly involved. However, we still don't know how much involvement Tim needs to have in an enemy's death before he'll take responsibility for it.

We can confirm he won't mercy kill in Red Robin #21, even if it means giving someone a fate worse than death. No exceptions.

Tim also doesn't allow anyone he's actively teaming up with to kill, especially if he's the one in command. He's been amicable with known killers before (Huntress and Pru, for example), but only when they remain non-lethal while working alongside him.

Apart from that, though, it becomes less clear. However, I think this is a good place to expand on when Tim blew up a lot of League of Assassins bases in Red Robin #8.

I'm not going into whether or not those explosions actually killed anyone. I've seen evidence supporting both sides of this debate, so I'm just going to say it's up to interpretation. What I AM talking about is whether or not Tim would've felt responsible if they had killed someone.

Before overloading every generator in the LOA database, Tim gave a warning to the Wanderer. He told her that he couldn't be held responsible for what would happen to her if she didn't leave.

After initiating the explosions, Tim warned the White Ghost that they had fifteen seconds to leave before it was too late.

Fifteen seconds. That explanation on the mistake of letting him in might've taken roughly another fifteen to twenty seconds. Did the other bases even get a full minute head start? The way some of the people were already running away could imply they at least got a warning, but it's possible they might not have.

Even if everyone in every base received a warning, would that be enough for Tim to avoid holding himself accountable if they didn't make it out in time? Tim's the one who rigged the bases to explode, but I guess giving someone a warning means it's now their fault for not heeding it?

We can't be sure he even considered the possibility of those explosions killing anyone. Tim knew they were dangerous enough to bring the whole Cradle down, and the other ones we saw looked pretty powerful (except the ones in Ra's hideout). But Tim also called Ra's a murderer right after that happened, which would've been very hypocritical if Tim himself thought he committed murder.

So, my guess is either A) Tim relied on sheer luck for those explosions not causing any casualties and chose to believe they hadn't, or B) Tim didn't believe the deaths of anyone caught in them would be his fault.

Again, this isn't about whether or not blowing up the LOA bases killed anyone. It's about how willing Tim was to take that risk, and if he would've blamed himself for anyone getting killed from it.

Either way, it's canon that Tim had no guilt for the explosions he caused, or for anything he did before Red Robin #22. Just ask the Sword of Sin.

This is an exerpt I got from the Fandom DC Database on the Sword of Sin:

"The Sword of Sin can be ignited with the mind of the wielder, if the person is powerful enough. The sword has the ability to conjure in the mind its victims all of the sins for which they are guilty or have not atoned for."

When Tim was stabbed with this sword, he was immune. The Sword of Sin decided he was innocent. Although, I have to ask how reliable this sword was in making that judgement. If the sword is judging others based on its own set principles, then something's not right here.

The Sword of Sin was also used on Dick, and he wasn't immune. It dug into Dicks subconscious and unearthed memories he'd long since repressed. Memories of himself watching a boy get beaten to near death, and then doing nothing. He just walked away.

Now, tell me why the sword brought this to light, but not the time Tim left King Snake to die!

It wasn't an accident. Tim deliberately chose to leave instead of trying to save this man from the murderous Lady Shiva. Sure, Tim was no match for Shiva and he might've not been able to stop her, but the same could be said for an eight year old Dick not stopping a group of much older kids. Neither of them tried to stop the attackers.

Tim didn't atone for it, either. When King Snake returned in Batman #469, Bruce told King Snake that it wasn't Tim who left him to die. We know that's a lie, but Tim never corrected this. He let Shiva take all the blame.

We have two instances of a boy choosing not to prevent someone from having a near death experience. One guilty, and one innocent.

Did the Sword of Sin think Tim was justified because King Snake was corrupt? That doesn't sound holy to me.

Was it because Tim didn't feel any guilt over it, while Dick did? Can the sword's judgement be thrown off by the victim not feeling any shred of guilt over their actions, even subconsciously?

That could make sense given what we know Tim did in the past: King Snake falling, the vandalism (explosions), and ALL the lying over the years (Tim reviving Shiva might count as atonement, so I'm not including that). If the sword based its judgement on God's will alone, then odds are high it would've picked up on one of these.

Even so, I'm not going to sit here and say this is definitely the case. I'm not familiar enough with how the sword effects other characters to make that call.

If this is indeed false, then did the DC universe's version of God decide to pardon Tim of his sins when he prayed earlier that same issue, despite him not believing he had any? I mean, who knows, right?

You can probably see why there's more questions than answers. The point is Tim didn't have any guilt for the things he did before Red Robin #22. Tim was canonically convinced he had nothing to atone for.

So then why did he say the opposite later in Knight Terrors: Robin #2?!

In the heart-to-heart between Tim and Jason, Tim tells him this:

"You have a lot to atone for...We all do..."

Tim knows that the words "we all" include him, right? By saying this, Tim admitted to also having things he needs to atone for, right?

Is this another white lie to make Jason feel better? Is it one of those slight changes the New 52 made to the canon? If not, then why did he change his mind? Did his no-kill rule change and make him feel guilty for some past actions? Is it not the no-kill rule, but something else?

What changed?!

Where does Tim draw the line?

I don't know. We've narrowed it down to a general area, but it's kinda hard to see a line when it's so blurred it could be a gradient.

Tim baffles me. He acts as a steady moral compass for others when he can't even seem to stay consistent with his own. You're free to call it poor writing (and honestly, fair), but I find his hypocrisy fascinating.

That's what it is, isn't it? Tim's a hypocrite who's completely oblivious to being one. And it's not like this was never mentioned in the comics before. Damian called him out on it!

In Batman & Robin 2011 #10, Damian confronted Tim about his near-murderous reaction when Fist Point killed Artemis (Teen Titans Vol 4 annual #1). Damian then accused Tim of constantly rejecting him because they have more in common than Tim's willing to admit.

It's debatable how accurate that accusation was, but Tim had a pretty volatile reaction to it.

"I believe in every choice I make!"

Does he? I don't think someone who's so sure of what he believes in would contradict himself to this extent. Especially if he wasn't doing it on purpose.

He wouldn't vehemently push Bruce's no-kill rule onto others and berate them for bending that rule, only to go and bend that same rule himself when the Batclan isn't around. He also wouldn't exploit what he thinks are loopholes, decide later that those loopholes broke the no-kill rule, and then earnestly claim he never broke it.

Why is he like this?! He's had arguably the most normal childhood out of the whole Batclan before becoming Robin! What could've made him so fickle about this?!

Where does he draw the line? And how will he know when he's crossed it?

[bonebrokebuddy]

honestly? I love that. As someone who has multiple siblings, I respect that take heavily

What if I lived in a reality where Wally and Bart were close

[ssentimentals]

seventeen members as love tropes: yoon jeonghan

fake dating

'and if only you looked me in the eyes, you'd see the truth - i'm hopelessly in love with you'

jeonghan is cool about this. he goes through his checklist: suit? check. nice bouquet of flowers? check. car keys? check. his logic? gone since the moment he agreed to accompany you on this event as your 'boyfriend'. painkillers for a splitting headache you're going to have by the end of this night? check. his sanity? gone, long gone. in all honesty, jeonghan doesn't think he's ever been sane since the moment he realized his feelings for you. you know, the ones that are very fit for a 'boyfriend' type but don't really fit for a 'good friend' type. anyways, jeonghan is cool about this.

'i am insane,' he says out loud, looking at his reflection in the mirror. he looks good because of course he does, this event is important for you and he'd rather eat shit than fuck up anything for you. 'this is insane.'

he spends next twenty minutes on his way to your house by assuring himself that everything is going to go well. so what that just the thought of having his arm wrapped around your waist has him squealing like a five years old boy? that hearing you call him your boyfriend has goosebumps breaking out on his skin? that having an opportunity to take care of you in a more romantic, intimate way has him shaking a little? and so what that when you walk out looking gorgeous his heart stops for a second? he is cool. jeonghan is cool about this.

'you don't have to do anything that makes you uncomfortable,' you say, taking his hand when he opens the door for you. 'i'm so sorry for dragging you into this, hannie.'

'you owe me,' he jokes, throat tightening when you let him pull you closer. 'feel free to kick me in the balls if i say or do something wrong there.'

'noted!' you agree cheerily and god, he can just kiss you right here, right now. how is this not a crime for being so cute?! 'let's go then, my boyfriend.'

jeonghan's heart doesn't skip a beat at this because he is cool about this. and he tries his best to be there for you for the whole evening, turns on all of his charm to be liked by all the guests and poses prettily for all pics. your hand in his feels right, you leaning on his side for support feels right, him as your boyfriend feels right. you two fall into this 'fake couple' thing surprisingly easily, everything goes without a hitch - you glow, jeonghan stays right next to you and if anyone dares to tell him that it is not right, he'll commit murder.

'hannie, i never thought it'd be that easy with you!' you exclaim in his car, getting comfortable on the seat. your relaxed posture like you belong here, the way wind plays with your hair - jeonghan has trouble focusing on the road ahead. 'you are the perfect fake boyfriend, my friend.'

and that shouldn't hurt, right? only it does. a lot. jeonghan gulps, speeding through the streets. 'should i be offended that you thought i'd be anything less than perfect?' he asks, going to a familiar trope of jokes and laughs with you. 'you know me!'

'i know,' you agree, turning over to look at him properly. jeonghan notices how you frown a little and he points at the armrest. 'what?'

'painkillers are there,' he answers, watching you light up. 'you always forget to take them, silly. you know you get headaches from being exposed to loud voices for too long and yet i'm the one who always has your meds with me.'

you chuckle, grabbing water bottle from backseat. 'i know-i know! you are a life savior, hannie. really, you're so thoughtful, you'd make someone so happy one day.'

there it is. jeonghan thinks once, twice and- he's cool about this, remember? 'it can be you.' it's a red light, he stops and turns to you, calling out for all bravery he only has. 'that someone can be you. if you want.'

you don't say anything in the first tree minutes and jeonghan has half a mind to jump out of the car, but then you hiccup comically and bubble of tension bursts, making you both laugh. 'i-' you start and then shake your head in disbelief. 'wait, is this how am i getting my confession?'

jeonghan fears his heart will burst if he looks at you right now. instead, he grips the steering wheel tighter and mutters: 'you'll get a better confession if you tell me right now that you're going to accept it.'

'what a silly boy you are,' you say and it should be offensive, but you say it with so much fondness that he can't find this comment hurtful. 'of course i will accept it, hannie. you don't think i would've asked anyone else for this 'fake boyfriend' thing, right? i would've just gone alone.'

and it's -wonderful. sense of relief floods his system and hope bubbles in his stomach. 'i'm about to pull over and kiss you right now,' he announces, turning to look at you seriously. 'blink if you agree.'

you laugh and flowers in his chest bloom. 'i'm blinking twice just so you could be sure.'

jeonghan is very cool abut this situation, so he pulls over in the first corner and kisses you like a boyfriend would've kissed you. like he would've kissed you because he thinks title of 'boyfriend' is his for now and for ever.

a/n: squealing, kicking my feet. this is for all hannie stans, who are having hard time due to latest news. i'm here for you! 🫡 - nini

my other works are here

[e-vay]

Hey E-Vay ! Before I say anything, LOVE your work.

Okay, so I know that you're in the process of showing us how Sonic and Amy's wedding and proposal is planned out (no pressure). BuT, just curious, how did Knucks and Rouge get married? Or even how did he get to propose?

Thanks for seeing this!

Thank you so very much! 🥰 I’m so happy you like my work! 

I will not be doing a full comic or even a full fic of how their wedding goes down just because I have too many other projects I want to do (I’m only one person! 🥵). But I will give you a breakdown of how the Knuxouge wedding goes in my AU! And if anyone wants to do fanart or a fic based off it, I’d love to see/read it!

During the events of Boom!Baby, Knuckles and Rouge finally get engaged. I don’t have the exact proposal in mind, but I like to think that the two of them have been aggressively/playfully putting it off for awhile, with Knuckles constantly joking “As if I’d ever want to be married to HER” and Rouge jabbing back with “Please, you’d need to offer me the Master Emerald on a ring for me to even consider it!” But with Sonic and Amy taking this next major step in their lives, Knuckles is inspired and does end up popping the question (with a CONSIDERABLE ring full of gems that he scavenged himself!).

Knowing Rouge is an absolute diva, she’d have the most extravagant, over-the-top, dazzling wedding you could imagine. And it would definitely be a “no-kids-allowed” event. Have you seen the movie “Crazy Rich Asians”? Picture that. The wedding would be a spectacle that would last for DAYS! But, the wedding date would be expedited super fast (I headcanon that Rouge is actually very insecure and puts out a bold front to hide that about herself. She’d want to rush the wedding because she’s secretly afraid Knuckles will want to back out. She shouldn’t worry about that, he loves her very much and really wants to marry her!).

In my AU, Shadow is off-world during Boom!Baby, so though Rouge would have obviously asked him to be her “Man of Honor,” she wouldn’t be able to find a way to reach him and get him back in time for the wedding. Because of this, Omega gets pushed to the role of “Man (Mech?) of Honor” and Rouge asks Amy to be a bridesmaid instead. Note, Amy is nearing the end of her pregnancy at this time haha. I always write Rouge and Amy to have a very tense “friendship;” that’s just my personal preference. So Rouge asking Amy to be her bridesmaid was because Amy is her closest female friend, but also because she thinks it will make herself look extra fabulous when standing next to a very pregnant lady haha. She even picks out an awful yellow bridesmaid dress for Amy to wear (because Amy is still very beautiful, pregnant or not). Though Amy does agree to be a bridesmaid to support her friend, she’s actually quite upset and very self-conscious and it initially puts a damper on her enjoyment of the wedding festivities (Her feet hurt like hell, she feels like a bowling ball, she thinks she looks horrendous in this color!). Don’t worry though, Sonic cheers her up and reminds her just how radiant she is 🥰

[Sonic seeing Amy in her bridesmaid dress] S: “Wow!” A: “This yellow dress is awful. She did this on purpose.” S: “Well if she was trying to make you look bad, she failed miserably. You look like the sunshine!” A: “I look VERY pregnant!” S: “Sure, pregnant with MY baby. There ain’t a thing more beautiful than that 😉” [Rabid kissing ensues hehehe]

I picture Rouge having many outfit changes for every event that happens during their week-long wedding extravaganza, but for her actual wedding dress I imagine something super sleek, super sexy, and made up entirely of diamonds! My drawing doesn’t even do it justice. Just picture that as she’s walking, every single facet of every single diamond is sparkling! All the men would have to wear 3-piece black tuxedos complete with trousers (Sonic hates this), except Omega obviously. But he’d still wear a dapper bowtie and Sunflower & Iris boutonniere like the rest of the wedding party. (I chose Irises because Rouge seems to like the color purple and they’re a very elegant flower, and I chose sunflowers because they remind me of Knuckles for some reason. Maybe because they’re big and tall. Idk, I can see Knuckles really liking sunflowers and yellow pairs beautifully with purple). Sonic and Tails are Knuckles’ groomsmen, but Team Chaotix are also among honored guests so Vector and Espio (and maybe even Mighty) would attend all the groom-related events (like the bachelor party) leading up to the wedding.

Right before the ceremony, Rouge and Amy have a touching heart-to-heart moment and Rouge does thank her for stepping in and helping out, and she apologizes for making Amy feel bad. She admits that she has insecurities that she doesn’t like people to know about, so that’s why she goes over-the-top and sometimes puts others down in the process. Also (at least in my AU), Rouge doesn’t have very many close friends outside of Shadow and Omega, so Amy really is her next best friend. They make up, the ceremony is perfect and romantic, and everyone gets to have an absolute blast at the reception!

Lastly, because Rouge is so over-the-top… after Shadow returns back to their planet 20+ years later, I can AB-SO-LUTELY see her throwing a vow renewal that’s even more extravagant than their first wedding as an excuse to have him as her Man of Honor and also as an excuse to throw another huge bash. Though this one would be even crazier and BIGGER, I think the vow renewal would actually be way more fun because everyone (including kids) can come this time, everyone’s families are bigger (even CC would be there!), and Knuckles and Rouge’s adopted kids (Ruff and Tumble) would get to be part of the ceremony, so it’d be very heartfelt even with goofy antics.

Sorry I’m not going to make this one into a full-fledged comic, but I hope you enjoyed this condensed version anyway! And I hope nobody takes the way I write Rouge as me not liking her character. I just like to add a little spice into why she comes off so proud all the time. I adore Knuckles and Rouge as a couple. Their rivalry and catty attitudes are just a hoot!

[girlwithalotoffeelings]

18+ MDNI

I cant stop thinking about Eren being desperate for you 24/7...

This man is so whipped for you, its actually comical.

He's constantly asking if he can put his dick in you for a little bit. He doesn't even care if you guys are actually fucking he just likes the intimacy.

He gives absolutely zero fucks about what you two are doing or where you are.

"Baby, let me stuff your pussy while you do your make-up please?"

"Come sit on my cock while I play this game."

Like just imagine...

You're on your bed laying on your stomach just minding your business, trying to take a nap, when you hear him come in. There's a few moments of silence until you feel him strip your yoga pants and panties down to rest under the swell of your ass. In your half asleep dreamy haze you feel him spread your ass open wide which makes you stir

"Shhh, just go back to sleep." You feel him stroke your hair lovingly and slip two fingers into your waiting cunt. You whine and whimper as you grow needier. A quiet whisper "Fuckkkk yesss" can be heard as his long and thick veiny cock sinks into you so deep making you feel so amazingly full as usual.

Don't even get me started on how he gets so horny for you doing mundane tasks

"Lift your skirt for me, please." Missing the questioning tone and sounding more like a demand.

"WE'RE IN A FUCKING GROCERY STORE!"

"So? No one's gonna see, I promise." You didn't even get a chance to reply before he has your skirt in hand. Pulling your panties to the side and thrusting himself violently inside you, bottoming out. You choke out a gasp at being fully impaled on him so suddenly. He kisses your temple when he hears you hiss and whimper as tears start to sting your eyes from the stretch with no prep. You shiver as you hear him mumble a soft "Such a good little whore for me," with a sigh of content in your ear. He starts moving in and out of you slowly, only stopping when another person walks into the aisle.

He let's your skirt hang around you as normally as possible, while he goes in as deep as he can and stills. Grabbing something off the shelves and putting in infront of you as if you both were reading the label. His jacket covering both your sides from view while the cart blocks your front.

The man walks past you both and leaves the aisle, without missing a beat Eren starts pounding into you again. "See, no one will know. So just be a good slut for me while I use this pussy to jerk off my fat cock, yeah?" He ended up cumming deep inside you, making both of you moan louder than you should. He pulled out and tucked himself back in his jeans pulling your panties back into place. He cups your pussy pressing his fingers on top of the cotton, and rubbed rough circles onto your fucked out hole. "Keep all of it inside, baby. We don't want people to ask questions if it starts to drip onto the floor."

How he'd just walk up to you on the couch and spread your legs while you watched you favorite show. He is very happy to see his personal fucktoy so ready for him, splayed out on the couch naked. Wordlessly laying between your thighs, taking his time to eat you out hard bringing you to atleast 3 orgasms before sitting up and sinking his cock into your needy pussy.

He whines so loud and deliciously as he buries himself to the base. He lifts your legs and pushes them to your chest, allowing him to go impossibly deeper. The scream that you let out when he starting roughly humping into you was enough to turn him into an absolute mess. He starts POUNDING that pussy so hard that he barley notices the bulge that forms in your lower belly.

But when he does tho.... he goes absolutely feral with the sight of his cockhead poking out under your skin just bellow your belly button.

He forgot what it even feels like to cum anywhere besides your wet and warm holes. Like this man straight up refuses to cum if he can't stuff it deep inside you one way or another. Even if you ask him to cum somewhere else he only agrees if he can push it into you with his fingers afterwards.

This man's moans, whimpers and whines are fucking immaculate. He is so vocal and absolutely unafraid about being heard, he is so pussy whipped he couldn't care any less if he was being too loud.

In conclusion this man has me by the neck and the pussy. I just know he's packing ONG!😫