#god. i should rewatch this.
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patroclusdefencesquad · 1 year ago
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the thing about bringing merlin back is that you have to bring it back exactly the same i don't want them to fix the plotholes or the cgi or the costumes or the writing or the
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stil-lindigo · 1 year ago
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your favourite arach-narchists 🕷️
prints
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martuzzio · 10 months ago
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POV he's on his way to defend you from a spider
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purrvaire · 7 months ago
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this show has it all btw
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sigmalaussene · 8 months ago
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Guess what I did
my art
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dykemarcille · 3 months ago
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watching leverage with my mom and it's really like. damn this show is so good. i miss procedurals. nothing like an episode of the week format and some deeply closeted bisexual characters.
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moongothic · 4 months ago
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Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives
Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy
Madoka made that promise and became the very embodiment of it
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skrunksthatwunk · 10 months ago
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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winged-bat · 2 months ago
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Watching your sister slowly deteriorate before your very eyes and desperately chasing after a way to make things better to the point of damning yourself to the very thing causing all of this (werewolfism). Ending up killing her then slowly losing it trying to escape the same fate with only the figment of her memory following you (hallucinations). Being trapped and not being given the relief of death because you are nothing but a thing to be used. Stuck in a way that will forever haunt you.
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zsbrainrot · 15 days ago
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Happy Birthday to Miri!! 🧡
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benevolenterrancy · 3 months ago
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@doctorbluesmanreturns so true, so true!
The Big Bad Wolf and his commitment to self-improvement!
book titles all courtesy of @meso-mijali who is funnier than me:
Mirror Mirror: 10 Steps to the Fairest You 7 Dwarves' 7 Steps to Romance, by Doc Red Riding Hood and You: Finding Your Inner Child and Learning to Trust Again Into the Woods: CPTSD and the Self Gnolls, Trolls & Wolves: It's what's inside that matters
(+ "Meyers Briggs: we aren't astrology for STEM, honest!" which didn't quite make it in, but assume it's one of the untitled books u.u)
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asteralley · 5 months ago
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thinking a bit too much about this
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keii · 9 months ago
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JJK (Toji & Mahito) x I Saw the Devil (K-Movie) Crossover
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goldenpinof · 9 months ago
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"who is the real Dan Howell?" or dnp talking about blowing each other for 14 mins
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monstermoviedean · 1 month ago
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so chuck's original ending was low-jeopardy, uninspired, lacking cas. but because becky "gave notes," chuck wrote a new, worse ending out of spite. "awful, horrible, hopeless." then he killed becky's family in front of her and then he killed her too.
i generally do not believe the people who worked on spn had active contempt for the fans. but it's hard not to take this personally, especially given 15x20.
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puppyeared · 6 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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