#god what is my writing tag

[reticent-hush]

Chapters: 1/1 Fandom: 呪術廻戦 | Jujutsu Kaisen (Manga) Relationships: Fushiguro Megumi & Gojo Satoru Characters: Fushiguro Megumi, Gojo Satoru, Fushiguro Tsumiki Additional Tags: Stalking, Pre-Canon, Minor Fushiguro Megumi/Itadori Yuuji Summary:

Being a sorcerer comes with risks, not all of them curses.

[lucabyte]

monologue

[wolfythewitch]

It's up wahhoo

[mumblesplash]

🌴⌛️🐚🌊

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[aofikofi]

/ suggestive mavbo making out art and uhh god sex dynamic thoughts ?

under the cut , read right to left

ok so, talking abt "oh my god"s do yall think if someones doing a parkour jump and says god evbo could somewhat hear it, bc he 'is parkour' or whatever, and just general people praying for god or for him and he could kinda, feel? the prayer, so like mavbo getting it down and emf saying oh my god without thinking abt it but evbo actually felt something from within him being called and he could feel how arroused and how desperate emf is in that moment, and its effecting him so bad.... he feels this push this need to make sure emf gets all of these fulfilled and–

[randomminty]

Five billion octopath 2 scribbles i feel sick

[narikill]

aughdhshfjjsjcjdjfjsbgsknfjs <- leshy in this art probably

[liauditore]

Equally Invalid

[geomimetry]

suggestive monster stuff under the cut

i havent posted art in almost a year and this is what i decide to break the ice with hi

go big or go home amirite

[funkyplantguy]

grian gets saved by hotguy and then pines over him <3

so this "au" (if you can even call it that when it exists exclusively in my brain and now in this ask) is mostly crack and comes from me joking around a couple days ago with some friends so...don't take it too seriously. that being said...

-

you have (3) new comments! view now?

click.

areeongreenday: hey! so this is insane.

click.

h0tguysnumber0n3fan: i guess i kind of understand where you're coming from with this - scar goodman and hotguy do share a similar sense of humor, and i sort of see what you're saying at 47:03 when you compared their voices (more specifically, the inflection they use on specific words) but...i guess i'm having a hard time imagining scar as a superhero. don't get me wrong - he's plenty cool, but...didn't he say that he's a full-time content creator now? i don't know that he'd really have the time to record, edit, and post videos on top of saving the city on a near-daily basis. interesting theory, though! admire the dedication.

click.

scargoodman: ;)

and there it was, taunting him - that damn winky face, yet again, commented nearly instantaneously each time grian uploaded a new video about the man itself. scar goodman - known to many as the man who had risen to sudden fame in the video essayist community with his charming good looks and boisterous personality. scar goodman, whom grian suspected was secretly none other than the city's beloved superhero. after all, they'd both made their debuts within a week of each other and shared not only a similar path of success but a similar sense of humor, a similar speaking style, a similar body type, a similar laugh...sure, there were things that didn't quite line up, but...for the most part, they appeared to be the exact same person.

okay - maybe grian was a little obsessed. but what was he supposed to do, not point out the obvious?

what made matters worse was that nobody seemed to believe him. no matter how many videos he posted, no matter how much proof he gave...nobody was willing to hear him out.

nobody except scar goodman himself, who seemed intent to drive him absolutely insane.

grian grumbled something to himself, pocketing his phone and continuing down the long, narrow sidewalk to his apartment complex. he'd lost track of time at work yet again, and as a result, the sun had long set. this wasn't unusual for him - he often opted to remain late in the office to "finish up a few things" (ie take advantage of the functional wifi his workplace offered instead of trying to upload videos on his crummy home network), so he was...fairly comfortable tracing the path back to his apartment in the dark of night. the street lights in this part of town didn't work exceptionally well, but with the familiarity of it all and the dull light of the moon, grian typically fared well enough.

tonight, however...well, call him paranoid, but...something felt...off. something about the way all the buildings around him were dark, indicating that their inhabitants were either asleep or out (and entirely unreachable if grian were to call for help). something about the absence of the various stray cats that he often crossed paths with. something about how the complete and utter silence made his ears ring.

"aw, what's this? a cute guy? well, pretty boy, you've just entered the wrong part of town at the wrong time. unfortunately, loose lips sink ships, or...uh...however the saying goes, so...sorry, i can't let you leave this visit alive."

before grian could even register the words being spoken (where were they even coming from?? above him? below him? behind him? everywhere, all at once?), he felt hands gripping the back of his shirt. in another moment, he was on the ground, his breath clawing its way out of his chest. above him stood a figure, shrouded in darkness and the billowing, starry cape draped across their shoulders. in their hands was something glinting, something sharp, something deadly -- something that grian's frazzled, spinning mind was unable to put a name to. or maybe it refused to - refused to name the tool that would be his doom. maybe it was better that way, he mused idly, as the figure raised it high above their head. maybe it was best to not know.

"hey! there you are - what did i say about running off?"

and just as quickly as he'd accepted his death, the threat of it was gone, vanquished by the appearance of the tall, costumed man on the rooftop adjacent. grian felt his breath return to his chest in one fell swoop, filling his lungs and sending a wave of sensitivity to his throat. he coughed, hard, tears welling helplessly in his eyes, and the newcomer's attention snapped to him in an instant.

"oh - and you've made a friend! how nice. unfortunately, there are no plus ones in prison."

"hotguy," grian's would-be murderer snarled. "i thought i'd lost you."

"nah. i may have gotten lost, sure. but you didn't lose me. there's a difference."

"you'll wish that i'd lost you when i'm through with you."

"oh, that was lame!" the man cried, hopping over the low rooftop wall and landing neatly on the ground below (how he did it, even grian wasn't sure. by all intents and purposes, his legs shouldn't have that level of shock absorption, even if he had been fed some chemical cocktail by a mad scientist at a young age as he boasted). "listen - we've got to get you a better catchphrase."

hotguy strode forward, his eyes glinting behind his tinted visor. he glanced to grian out of the corner of his eye, then back to the villain - then back to grian again, his mouth going slack in surprise. grian met his gaze - took in his appearance - and let out a bark of laughter, one not missed by either scar goodman or the cloaked figure in front of him. scar returned his laughter, throwing his head back and planting his hands firmly on his hips.

"well, what a coincidence," he giggled, after a moment. "my new catchphrase just so happens to be "subscribe to my youtube channel."

"what?" their third demanded, glancing between the two. "what are you talking about?"

"oh my god. there's no way. there's no way. how - how am i the only one who knows? how am i the only one who suspects?? it's obvious - it's so obvious."

"what's obvious?"

"i know, right? i make it as obvious as possible, and still...still, nobody puts two and two together. well...nobody except for you, apparently. i guess that you're just...special."

"why don't you just come out and say it?" grian mused, propping himself up on his elbows and ignoring the sputtering from their newly acquired third wheel. "i feel like if you said it - either as scar goodman or hotguy - people would have to believe it, no?"

a strange look came over hotguy's face, but it vanished as quickly as it had arrived.

"ah...i don't think that would change anything. plus, i have this thing with this cute guy where he tries to tell everyone my identity and i egg him on to get him to make more silly videos. i would hate to give that up."

he winked, and grian felt warmth climb his cheeks. gone was the fear, gone was the panic, gone was the darkness and the creeping, crawling sense of unease - instead, there was only curiosity, burning brightly in his chest. he wanted to talk to scar - hotguy - for hours, wanted to pull the object of his obsession apart to see what made him tick, then put him back together again, just to see what would happen. he wanted to get to know who hotguy was underneath the suit - and who scar goodman was with the suit. he'd wanted (he'd wanted for so long) and it felt like maybe...just maybe...he'd get to have.

"hey! what the hell is going on?"

"oh, right," hotguy chuckled, turning his attention to the third member of their party. "sorry - didn't mean to ignore you. here - sit tight, for real this time. the police will be here soon."

"dude, i'm just going to leave again. do you really not have handcuffs or something?"

"who needs handcuffs when you have a cub to design fancy gadgets for you?"

"a...a what?" the figure asked, then yelped, startled, as something exploded out of the cuff on hotguy's wrist. a net, affixing itself neatly to their body, wrapping them up in a cocoon of their own folly. grian stared at it, humming in approval.

"nice."

"thank you! it's new."

"i know."

"i bet you do," scar responded, and grian flushed further at the teasing edge his tone took on. "i bet you know almost everything about me, at this point. obsessed, much?"

"i could say the same," grian huffed back, pulling himself to his feet and brushing off his jeans (there was a rip in one leg, now, he noticed with a frown). "you recognized me, like, immediately. it's pretty dark out, too - sounds like you're the one obsessed."

"what can i say - you're pretty and smart. i happen to like my men pretty and smart."

grian sputtered incoherently in response, all confidence gone out the window. oh god - he was even more charismatic in person, even in costume. and god, was the costume more attractive in person, as well - baggy cargo pants and a tight, fitted top that exposed his tanned midriff. not the most tactical, sure - but damn was it hot.

"you can't say that," he moaned, covering his reddened cheeks with his hands. "oh my god. i hate you. i've known you for five minutes and i already hate you."

"sure you do," scar responded, grinning. "i - oh, hold on."

he raised his hand and tapped the earpiece affixed to the side of his head, concentrating. after a moment, he sighed - and for just a second, grian thought that his shoulders drooped in exhaustion. as quickly as they sagged, however, scar was straightening, turning back to grian with an easy smile.

"sorry, handsome, duty calls. are you alright to get back home on your own? i doubt this guy will be giving you any more trouble. those nets are pretty sturdy."

"wait!" grian sputtered, his heart hammering painfully in his chest (no, no, he couldn't let scar slip through his fingers, not now, not when he was finally so close). "don't go - i...can i see you again?"

scar's smile wobbled around the edges, and any panic grian felt was replaced with guilty - heavy and suffocating (though he wasn't sure why)

"ah...isn't it more fun, this way? don't you like the chase? isn't that exhilaration enough for your pretty little head?"

"i mean...it's a fun hobby, yeah, but -,"

"then we'll stick to the status quo. after all, i'd hate to rob you of your favorite hobby. goodnight, grian. can't wait for your next video."

and with a wink, he was gone, disappearing back into the shadows so quickly grian could have sworn he was made of them. and grian...well. he had an apartment to get home to, a cat to feed...and a chase to continue. and maybe, someday, if he was fast enough...he'd catch up.

[thresholdbb]

I'm a Kai Winn apologist but not because I think she's a good person. She's a compelling tragic character

[doverstar]

can't express accurately how happy it makes me that c.s. lewis did not leave room for many interpretations in narnia. it's christian and you can't get around it. susan chose to care more about worldly things than what matters and he said what he said. the lion is Jesus. evil is evil and good is good and people have to choose. and that makes some readers angry because it's nearly impossible to ignore and they want to ignore it. they want it to be something else and they can't make it something else without making it not narnia. love that. that is doing it right

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[yaekiss]

𝑴𝒖𝒄𝒉 𝑵𝒆𝒆𝒅𝒆𝒅 𝑹𝒆𝒍𝒂𝒙𝒂𝒕𝒊𝒐𝒏

꩜ Room Content: GN! Dom! Reader x Sub! Kaveh, no gendered terms for reader, no mention of reader's anatomy, handjob & blowjob (Kaveh receiving), praise (Kaveh receiving), lmk if I missed out anything ! ꩜ A/N: I've been thinking about writing something for Kaveh again lately so thank you pringles for sending in this prompt!! Also a huge thank you for waiting! Hope you enjoy the fic !! <3 ꩜ This was written for @xxpringlesxx as part of my Care for a Fic fundraising event for Gaza! If you would to request a fic of your own, do check out the event post above ^^

As he busies himself with washing the dishes after dinner (it’s his turn today), Kaveh hums along to the tune of that catchy love song that’s been popular in Sumeru lately, one that’s been stuck in his head all week. 

From where you’re seated, you can hear the water run and plates and glasses clink as he washes them and puts them away on a rack to dry. However, interspersed between the mundane noises and his light humming, you pick up frustrated huffs. 

Concerned for your lover, you crane your head over to look at him, and you see the problem. He’s constantly rolling his shoulders back and sharply tilting his head to each side, probably trying to pop a stubborn crick in his neck.

Making your way over to the kitchen, as you get closer, you can’t help but notice that his posture looks tense as he hunches over the sink. Mind processing, you recall him complaining about his latest commissions to you over dinner.

(“Can you believe the client even suggested that?” He sighs before lifting another spoonful of soup to his mouth.

“And don’t even get me started on the deadlines, dearest! I don’t know how I’ll survive this one without pulling a few all-nighters,” Kaveh all but wails. The soup doesn’t really make it into his mouth since he just sets the spoon back into the bowl so his hands are free to tug at his hair.

You laugh lightheartedly, take his hands out of his hair gently, then pick up his almost empty bowl of soup so that you can refill it. 

“You’ll need all the energy you can get then, I’ll get more soup for you. And I hope you’d still get some rest though, beloved,” you chide him softly.)

He hears you pop into the kitchen and he turns around to face you.

“Hey, just finished the dishes, do you need something from the drying rack?”

You shake your head, “Nope. I was just wondering if you wanted a massage, since you’ve been working hard and your shoulders are tense, is all.” 

Kaveh answers as he wipes his wet hands on a clean dry cloth hanging by the wall, his tone chipper, “That’ll be nothing but heavenly, thank you so much, dearest. Ugh, you don’t even want to know how much my shoulders have been killing me lately.” 

He allows you to lead him into your shared bedroom, where he promptly faceplants down onto the mattress, a tired muffled sigh leaving him. Reaching over to the bedside table, you pick up the tub of lotion in the drawer. Opening it, you look back down at Kaveh who’s still sprawled out prone on the bed and you sigh.

“Come on, don’t you think it’ll be better and easier for me without your shirt in the way?” He doesn’t answer but you know he heard you because of the way he kicks his legs, as if throwing a fit. 

“But I just got comfy,” he groans, his grumpy tone muffled by the mattress under him. Ultimately, he sits back up, pulls his shirt over his head, folds it quickly and sets it to a side, then flops back down onto the mattress, all in quick succession.

Clambering over him to straddle his lower back, you scoop a nice dollop of the lotion and spread it across the expanse of his back so that your hands can smoothly glide over his skin. You start from between his shoulder blades, where you rub it into his shoulders and take note of how tense his muscles are. While you work at the knots in his muscles, he relaxes more and more until he has practically melted and become one with the bed. 

Then gradually, your hands make their way down to his waist. When your thumbs dig into the area around the small of his back, he shivers under you, along with a low hiss. 

Unbeknownst to you, your beloved Kaveh lays pinned and squirming beneath your hands as he desperately tries to muffle the moans that itch to make their way out of his throat. He fights back the urge to buck his hips downwards, you were nice enough to help him wind down from a busy couple of days and yet here he is getting hot and bothered under your touch.

It’s not his fault that you’ve been running through his mind, who wouldn’t be enraptured by you? You’re the only thing keeping him sane in spite of his growing workload, his thoughts wandering to his dearest lover throughout these hellish days as a balm to soothe his weary soul.

The more he tries to tear his traitorous mind away from you, the more it conjures up increasingly scandalous fantasies of how this current situation could play out. What would you do to him? Tease him until he’s begging for his release, a full-body blush painted across his skin? Or perhaps the inverse, where you’d wring climax after climax out of him until he’s mumbling nothing but utter nonsense, limbless in your arms? How’d he love for your hands to drift further down his body, trail under the waistband of his pants to where he needs you the most.

Your voice snaps him out of his daze and drags him out of his daydreams.

“Done with your back, beloved. Flip around for me?” He hears you coo from above him as you move to sit on the bed so he can change his position and yet, hesitates to turn upwards and face you.

Mainly, due to the tightness in his pants right now.

“Hmm, Kaveh? What’s wrong?” The concern in your voice is evident and he tries everything to will away his hard-on until he’s confronted with the fact that he has no choice but to do as you say, lest he causes you to worry even more.

Slowly, he peels himself off the mattress on shaky hands while the tips of his ears are burning red. But before he flips over completely, he manages to mumble out a weak, “Um. Uh. Just don’t look down too much…”

When he’s finally done shifting positions, you’re able to see just how bright of a blush has settled on his face, his brows knitted together as he quickly moves his hands to the front of his pants. However, it’s too late and you’ve already caught a glimpse of what he’s trying to hide. (And really, the rumpled state of his pants aren’t helping his case.)

Kaveh knows that you’ve realised when a mischievous look flashes across your face, “Aww, why didn’t you just tell me? Just an innocent little massage and you’re already so worked up?” He didn’t know his face could get any hotter but it does when he recognises that you’re teasing him.

Fortunately for him, it seems like you’re in a merciful mood tonight as you drag your fingertips down past his navel, goosebumps rising on his skin along the path you trace out. When your fingers go to hook under his waistband, you ask, “Do you want this?”

Kaveh thinks he has never nodded this hard in his life.

Prying him free from the confines of his clothes, he’s already almost fully erect, to which you quickly fix. Wiping your hands of the remaining lotion still clinging to them, you procure a different container, a water-based lubricant this time, and slather it generously on your palms and fingers to bring it up to your body temperature. 

Wrapping a hand around his base, you stroke upwards in a fluid motion, making him jerk his hips up into your fist. Eyes squeezed shut, Kaveh hisses sharply when he feels your other hand snake up to his chest and flick at one of his sensitive nipples. 

Filthy slick noises fill the room as you take the time prying moan after moan from his lips and he looks utterly debauched lying under you. A messy halo of golden blonde hair frames his face aflame with colour and you sear this image of your beloved into your memory.

“Are my hands really that good?”

“Hnn… Ye-yes! More, please…!” He slurs, half out his mind.

The combined onslaught of pleasure proves to be too much for him as the telltale sign of his thighs tensing signals his oncoming release. Yet, just as he tips over the edge, you instantly stop your ministrations, pulling your hands away from him.

But before he can whine out in disappointment, you take him into your mouth. The sudden replacement of your hands with the warmth of your tongue takes him off guard and it rips a drawn out keen from the architect. Your hands rove around his body, alternating from pinching and toying with his chest to kneading at the muscles of his thighs and ass.

“Absolutely lovely, beloved. I’m so lucky to have such a hard worker, someone so kind and earnest in everything that he does,” he moans unabashedly at your praise, head pressed back hard against the bed as he tries to hold himself back from coming too soon. Unshed tears cling to his eyelashes as he blinks rapidly at the overwhelming sensations.

“Going to… hah! Need to-!” At this point, Kaveh’s mind has been reduced to mush, his fingers tangled in the bedsheets as he begs and babbles in between breathy pants.

“Go on, beloved, anything you want,” you coo, pressing a kiss to his inner thigh. When you lick up the underside of his shaft and take his drooling tip into your mouth, a hand twisting at the base whilst the other toys with his balls. His muscles lock up as his back arches off the bed and he cums with a shout. 

Stars dancing behind his eyelids, he moans when you press your lips to his and he tastes himself. His hand scrambles to find yours, fingers entwining as his thoughts fill with nothing except the love he has for you. 

When you break away from him, Kaveh sighs against your cheek, plastering kiss after kiss across your face. But you’re not done pampering him for tonight yet, and he knows this when you nibble at his ear.

“Looks like you’re still tense, how about we continue your massage, hmm?” 

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[harrytheehottie]

JUNO

WORD COUNT: 2K MASTERLIST this is a part of the short & sweet fic challenge @harry-on-broadway let me know what you think 💘 hope you enjoy!

The sun was casting a warm golden glow through the windows of your living room as you sat on the couch. Harry was in the kitchen making your nightly tea as you rested on the sofa. It was a peaceful evening, like many that you have shared over the last three years. This familiar feeling and routine was something you cherished especially with the hectic schedule Harry’s life could bring.

A year ago, he finished his two year long world tour. It was an incredible feat and one that was an emotional roller coaster since it began. He had his entire life planned from the minute we all went into lockdown to the final show in Italy and these last seven months were spent just making up for lost time. He was always home when you came back from work, he was the one that was traveling on your schedule and your terms. It was a great change from how your relationship was before. You didn’t have to anticipate the day that he was going to go away for weeks at a time because you were a part of that decision making now and it only made the two of you stronger as a unit. 

You glanced at the framed photos on the mantel: you and Harry in various stages over the last three years--goofing around backstage at Coachella, the night he turned his green room in MSG into a home theater and begged security to let you two spend the night after you just got off a six hour flight to surprise him for his last show. It was the simple moments that were your favorite, the picture of you walking through the Heath, a cup of coffee and pastries in tow for your favorite weekend tradition of a Saturday morning picnic. 

This was the first year that you were able to think about the future just as it pertained to you and Harry. You didn’t have to think about how your life decisions factored into anyone else's. You always knew you wanted to have a family. He was always going above and beyond for the children in his life not just by spoiling them with gifts but checking up on them and making sure they knew that he was always there. And this became more apparent when he became an Uncle. He was always the first to offer up babysitting so his sister and her partner could enjoy some quality time, even making the trek up to Cheshire to watch his cousin's children if they asked.

So, when Harry walked back into the living room with a cup of tea for you and snacks for himself you sort of blurted it out before you had the chance to second guess the right time for this conversation. 

“I’m ready to have a baby.”

Harry’s eyes widened, completely caught off guard, “What?” almost second guessing what you just said. 

You take a deep breath, your heart racing realizing that you are not going to be able to take those words back. “I’ve just been thinking, we have talked about the future a lot as this far-fetched idea but we’re here now and…” you paused looking up at him, his expression shifting from the initial shock, he leaned closer, taking your hands in his. You knew how Harry worked and the subtle shift in energy was all you needed to continue, “I know not to think, I know I’m ready… for that next step.” 

A moment of silence stretched between you as he processed your words “You really mean that?”

“More than anything,” you admitted, looking into his eyes. “I can’t imagine going through that journey with anyone else. And it just feels good right now, us, we are so good right now and there is just no reason to wait.” 

Harry’s expression softened, and you could see the wheels turning in his mind. “It’s a big step, probably one of the biggest steps we will ever take together.” 

“Will we ever truly be ready?” You chuckled softly, trying to lighten the mood. “Life is unpredictable, but I want this with you.I want to build a family together.”

He was quiet for a moment, his gaze drifting to the window. “I’ve thought about it too,” he finally said, turning back to you. “I want that. I’ve always wanted it honestly. I remember the first time you met Ruby and the way she was instantly drawn to you. S’probably when the thought first crossed my mind.”

You remembered that day. You were so incredibly nervous to meet Harry’s close group of friends. It was Ruby -- his God daughter’s 4th birthday. You had only been dating for around three months at that point. You remember stressing about what to buy her as a gift and even though Harry promised no one would think twice if you showed up empty handed. You still scoured the internet looking up every list of ‘best gifts for a 4 year old girl’ and settled on a Peppa Pig Camper Playset with all the characters. And to say it was a hit was an understatement. The two of you still joke about how as soon as Ruby opened her present she demanded that you stay after to set up the toy and play with her. 

Harry remembers watching the way you were interacting with Ruby and how her father, Ben made a comment about how he had never seen Harry so fixated on someone before like he had you. It was still early days but he always went back to that moment and how it led you to where you are now. 

“So, are we ready to do this?” You asked with a mix of excitement and nervousness in your voice. 

“You know, if we really want to be serious about this. We’re going to have to start practicing.” Harry teased pulling you closer to him. The warmth of his body against yours as his lips met yours. The kiss was soft at first, tentative like he was emphasizing the importance of the moment you just shared.  

You pulled away first, a smirk on your face, “Hmm.. practice? I’m feeling a little tired right now,” You teased with a wide yawn stretching your arms over your head. The playful banter that you know drives him crazy. Harry moves his hands to cup your face, his thumb glazing over your lips again, “C’mere” he whispers. He begins kissing down your neck, leaving small kisses along his path from his lips. You move your hands through his hair, as he scoots back on the couch, pushing your shirt up in the process and you help to take it off.

The kisses continue. He’s moving down your neck, between your cleavage and he stops right at the top of your stomach. His hands that were holding yours moved to touch your belly — picturing what was going to happen next. The commitment to a family and how you would be the home for his future baby. You were almost tearing up at the sight of him and just how careful he was already, always putting your needs first and making you his priority. 

“You’re gonna have to use your words, baby,” You whisper as Harry moves his hands to the waist of your pants. You are already ready for him and he knew it just by how much you were wiggling under him trying to get him to move faster.

“I want you,” he says in a low breathy tone before helping you get your pants off. You move your weight onto your forearms to get a good view of him. You watch as Harry slides your underwear to the side, a rush of pleasure washing over the both of you. “So wet for me…” leaving his lips as he moves his fingers up and down your slit. The juxtaposition of the sexyness and tenderness of the moment right as he slid one and quickly two digits in pushing his fingers in and out. The pleasure washing over your body, the whimper of ‘Oh yes’ and ‘Baby’ a moan escaping your lips as you rode out your first orgasm. 

His lips are immediately back on yours as you slide your hand into his pants pushing his joggers off trying to keep every part of your body touching. After being in a relationship for three years you still periodically used contraceptives especially when you are in the thick of it with his work never wanting anything to come in the way of jeopardizing this unspoken tension between the two of you. And tonight, was going to be and feel different, no more trying to locate the last spot you left condoms going on stretches of time of just trying the process. This was intentional and you felt the mutual giddyness as you slid your hand down his length pumping him once, twice, three times before Harry is ready for you. 

“M’not gonna last very long,” he says before aligning your hips before pushing in deep. Taking a couple of deep breaths as you move your hips along with Harry as you adjust to the familiar feeling of him inside you. Harry leans his head toward you leaving kisses all over him, your nails dragging up and down his back. 

“Tell me it feels good,” You whispered the sounds of your mutual pleasure echoing in the room. 

“Feels so fuckin’ good, always s’fuckin good” Harry was moving faste and harder meeting your gaze right before letting himself go inside you. His body collapsing on top of you as both tried to catch your breath from the pleasure. You had your arms wrapped around his body wanting to keep the warmth of his body on you forever. 

You cleaned yourselves up and spent the rest of the night thinking about your future and how you were going to take that next step forward. Harry was your safe space and you were his. You both knew that this next step forward would be unlike anything you’ve done before but you were both ready, as a team to make this next step. 

And one day, you will be in this same living room waiting for Harry to finish making a bottle for your future baby - and boy, could you not wait.