#god this image is so crunchy

[dailykeiji]

today's keiji is: small...........

[5mind]

trust me i think its fun when ppl ask abt intimacy related things for antares but half the time it just feels like im answering like this 😭

[quippso]

[the-white-snake]

nobody's gonna slow me down〜♪

[curtain-caller]

The Parallels Between Korsica and Roquefort

So, when I was setting up my plans for Fly-High Rush, things were a bit one-sided in terms of group numbers, so instead of keeping Korsica the same, I decided to swap her and Roquefort. I figured they were similar enough to make a switch work.

But then I realized they were... really similar. Like, very, very similar. The comparisons just kept coming and they didn't stop.

So here we are. Welcome to my Ted Talk.

1. WIND ATTACKS:

Let's get one of the bigger comparison out of the way: both of them fight with wind. Korsica uses it all the time, from turning off generators to putting out fires to kicking Chai's ass. Then there's Roquefort, who throws out little tornadoes during his fight and tries to send Chai flying with his Big Bad Wolf attack several times. That move also requires Korsica specifically to hold it back with her own wind gust. Yeah, not much to say here.

2. Connection to a Vandelay Sibling:

See, this is the point that really got the gears turning in my head. Both of them have a close connection to a Vandelay sibling who saved their lives: Roquefort to Kale, and Korsica to Peppermint.

"I was on my deathbed when Kale saved me. I was smart, but weak. He fixed that." - Roquefort

"Your wound was really bad...We didn't have a choice." - Peppermint "You... saved my life." - Korsica

Not to say Peppermint saved Korsica single-handedly (shout out to Mac and CNMN, the true mvps), but then again, I doubt Kale painstakingly upgraded Roquefort's body piece by piece on his own, so my point still stands. Both Vandelay siblings had a hand in saving their lives respectively, and because of that, you can see the bonds formed between these two duos.

Peppermint tries to be welcoming and reassuring to Korsica when she first comes to after Kale's murder attempt, and Korsica returns that reassurance later on in Mimosa's level. She hasn't even been with the gang for a full mission yet, is probably still getting used to these changes, and she still tries to comfort Peppermint, especially during her "Kale's my brother" reveal.

Not to mention, during the optional conversations in Roquefort's office before you face Kale, Korsica's dialogue is slightly different in terms of topic. Everyone has something to say regarding their own specific character arcs and motivations, but part of Korsica's dialogue is specifically her worrying about Peppermint.

"But I'm a bit worried about Peppermint. This is personal for her." - Korsica "After all we've been through, it might not be easy... but I think she can handle it." - Chai "You might be right about that, but we need to be there for her when she needs it." - Korsica

Now going back to Kale and Roquefort, while their interactions are brief, you can tell that both of them have at least some respect for each other, which is a hell of a lot more than they give to most of the other Department Heads. Especially Kale.

"Zanzo, Stop. Just stop. Even you jumped the shark on this one. IN THE EYE? What the shit?" - Kale to Zanzo (via SPECTRA Hub vlog) "Only one of of four, Korsica? That's not a passing grade." - Kale to Korsica "It better! No slip-ups! And no defects." - Kale to Mimosa and Rekka Versus...

"Why not? I want to see just how angry you can get, if those punks make it in here." - Kale to Roquefort Sure, Kale still lashes out at him, he's not nice all of a sudden, but it feels like such a massive difference. Kale questions why he ever hired Zanzo, he tried to straight up KILL Korsica, and he's harsh enough to Mimosa and Rekka to the point that they flinch. Hell, REKKA of all people flinches twice. But here? Kale trusts Roquefort to handle things, even if he is a bit dismissive with the "you're just a number cruncher" line.

And on the other side of things, Roquefort is not only loyal to Kale, but surprisingly calm and casual around him. Casual enough to correct him and talk back.

"We...shut down the cafe." - Roquefort "When I said close the campus down, I didn't mean THE CAFE!" - Kale "You said close down everything." - Roquefort

The casual tone of voice is palpable. I genuinely think that's the least angry we see Roquefort, except maybe during the Boss Zoom meeting.

And if you want to go the shipping route, yes, shout out to my lesbians, not much to prove there, but... Hey Kale, do you want to explain why you, a confirmed dog person, gave Roquefort a robotic wolf fursuit? YOU WANNA EXPLAIN THAT??? HUH???

3. Similar Personalities:

They're cold, they're direct, and they're aggressive, and despite their rare goofy moments, I feel comfortable saying they're the most serious of the Department Heads.

Excluding the visual aspects (because this point would be null and void thanks to Roquefort fursuit), these two are by far the least hammy of the bosses. Unlike the others, who provide witty banter, plenty of cheesy lines and over-dramatic reactions, the dialogue for these two is rarely comedic or high-energy.

Here's some examples for comparison:

"I like defects. I like how they taste." - QA-1MIL

"So let's get ready to crumble!" - Rekka

Do I even need an example for Zanzo?

"Let's raise the stakes, and turn down the lights!" - Mimosa

"You've had a few hits, but I think it's time we break up the band." - Kale

Compare that to...

"Caught you off guard." - Korsica "I'll make sure you stay down this time!" - Korsica "You cocky LOSER!" - Korsica

"You sure made an entrance, lad. If you've come for me... I'd walk away." - Roquefort "Where's your confidence now, kid?" - Roquefort "I put my stock in futures, but not yours, kid." - Roquefort

The other bosses are willing to taunt and even go along with Chai's goofiness, but these two? Oh, they don't have much time for that. They barely hesitate, and are not holding back in the slightest. Korsica fucking yeets him down a slope, puts him in a headlock, knocks him out, does whatever she can to hold him back from getting to her office, and only pauses briefly to gaze upon his stupidity before whipping her batons out when he busts in. Even after she gets knocked out and sustains, like, 3 different flavors of concussion(5 if you count Chai and the vent hitting her), she gets RIGHT BACK UP! In a way, Roquefort is a bit more lenient, letting Chai into his office once he gets that far... but the "I'm not fucking around" energy is still there. He's like "Oh, you're really that determined? I respect it. Come at me, kid, I'm not fucking scared." And then he proceeds to back that up. He doesn't even bother attacking Chai with his regular form at first (or at all, frankly), he goes from 0 to 100 and refuses to fall somewhere in the middle. And finally, there's one similarity between them personality-wise that gets its own section, that being how...

4. They're Fueled by Anger:

Basically every boss is aggressive in some way, throwing all kinds of things at Chai as he consistently grinds their 30 day chips from anger management to dust, but here's the thing... When I say "fueled by anger", I mean health-wise. These two heal themselves on-screen because of their anger. With Roquefort, this is pretty well established. He constantly says that all Chai is doing is making him angrier, and that so long as he's mad, he won't be stopped, to the point that thousands of pounds of gold getting the drop on him was the only thing that could take him down. During the verse/phase changes, you can see his health bar quickly refill itself each time, and his wolf form model viewer description wraps this all up in a nice, neat little bow with this line: "Powered by Roquefort's own anger, attacking it will only make it more aggressive and powerful." Now, getting to Korsica... I'll only say this one thing. Can we just acknowledge she went from THIS:

TO THIS:

ALL BECAUSE CHAI CALLED HER OBLIVIOUS??? SHE'S OUT FOR BLOOD, SHE WANTS THAT TWINK OBLITERATED. "That's it! Now I'm mad!" - Korsica Anger Management? More like Angry Management, am I right?

5. Chai is Out of his Element:

*Holds Chai up by the scarf* Get his ass, you two (I say this affectionately)

Yeah, Chai is severely out of his element with both of them. These two fights are especially humbling for him, albeit for opposite reasons. Korsica is the one boss Chai can't just run in and beat the crap out of, so we see him struggle a lot as he constantly rolls nat 1s on charisma. He and the gang go through, like, three different plans in the span of the whole boss fight; first going with Peppermint's plan to state the facts and stay cool, followed by Chai's plan of trying to tire her out until she's willing to listen, and finally ending with "Fuck it, let's just kidnap her, we'll work on a plan D later". And to top it all off, Korsica throws an entire new addition to the parry mechanic at Chai in the middle of all of this, and he just has to keep rolling with it. For Roquefort's fight, I think it's pretty clear that Chai is TERRIFIED of him. He goes in all cocky and confident, thinking Roquefort's a pushover, and gets humbled QUICK when Roquefort reveals his true nature. You only very briefly see his confident attitude resurface during this fight, like when he knocks Roquefort through the glass pane to his money vault. Otherwise, he's either terrified or exhausted, especially at the end, gritting his teeth and getting ready to keep fighting because he has no other option. Not to mention the others are constantly reassuring and being protective of Chai during the fight via their call-in dialogue. Chai is straight up NOT having a good time. At least he got an unintentional nap after Korsica's fight, dude needs a rest after dealing with Roquefort. Where's SMIDGE when you need him, dude needs an energy drink, stat.

6. Boss Music:

Okay so I am NOT well-versed in musical vocabulary so like... bear with me on this. Hopefully this is coherent. Anyways, Negotiation and The Fizzith just... have the same vibe to me. Yes, I'm mostly focusing on The Fizzith, I believe in Streamer Mode Supremacy. First of all, I guess I can start off by saying that they're the only bosses with pure instrumentals for their tracks, with everyone else having lyrics in theirs. Second of all, both of their song formats just sound so... similar to me? Idk how to describe it, but like... They both start with a dramatic build up as they instill the fear of God in Chai, with Roquefort having that iconic classical music "DUN DUN DUN DUUUUUN" intro and Korsica having a shorter, but still just as powerful, build up as she jumps up and whips her batons out. This is then followed by, like, a slightly softer and steadier follow up as it proceeds with the rest of the intro cutscene, as Roquefort leaps over Chai and Korsica turns down Chai's offer to talk. Then the tension gradually grows as the fight goes on, with each phase adding another instrument or two to make things more intense. The Fizzith is already a lot more intense than Negotiation at the start, but you can still hear the build up with each phase for both. And then finally, there's a small "calm before the storm" section, aka where Chai almost talks Korsica down, and when Roquefort is amping up for his final Big Bad Wolf attack. Roquefort's goes back to a steady sort of beat for a moment, while Korsica's has that quiet clapping and softened tone. This is then followed by an intense, deep, high-energy climax as Korsica starts throwing everything she has at you, and as Roquefort sends this lengthy tornado sound-wave barrage at you. While this format is by no means an original one (hell, I noticed a lot of this in Mimosa's fight too), there's just something about their music that just... feels interconnected to me. Like, if I had to sit down and imagine any other boss having a parry-based boss fight like Korsica's, just going by their boss fight music, I'd go for Roquefort (with Mimosa as a close second). And genuinely, I have actually sat down and imagined it, and it's almost perfect. I'm connecting the two dots, motherfuckers (I'm not connecting shit) I'M CONNECTING THEM-

7. Control Over Security:

And with that, we're now arriving at the much smaller points that I don't have as much to discuss about. So I don't really need to say much about Korsica during this section, for obvious reasons. But as for Roquefort, he IS the one who takes over once Korsica's out of the picture and shit starts to hit the fan. "Kale, I prioritized shielding the tower. Reallocated the budget so not a bug will get in." - Roquefort And both of them are damn good at holding Chai and the others back. Korsica takes 3 whole stages to get to her, keeping you on your toes the whole time with lasers, brakes, and enemies galore. I imagine it would've been difficult as hell to get into the Security Department in the first place if Chai didn't get knocked out and held for questioning. And while his segment is pretty short, all things considered, Roquefort gives it his all to shield Vandelay Tower, locking it down so well that even the smartest members of the TEA-m are stumped. Chai's the only one with an idea, and even that had several hurdles. The second they started connecting to the cannon to launch Chai, security comes rushing in, and he probably would've gotten caged in if SMIDGE didn't unintentionally hold the door open for him. Let's also not forget the big-screened wanted posters, the whole Invaders Must Die cafeteria fight, and that one specific fucking bird that threw Chai around like a hacky sack. THEY. WANT. THIS. TWINK. OBLITERATED.

8. Their Affection Towards Cats:

Korsica has a folder on her computer labeled "CAT Gifs", and Roquefort fawns over 808 when she uses her Steal the Show ability. I rest my case.

9. Accidental Puns:

Okay, so I would've titled this "both like puns", but the jury's still out on Korsica in my opinion. Yeah, Chai says she's lying about hating puns, but to me, she seems like she's... on the fence of liking them. Like, she's hesitantly annoyed by them. But I CAN say that they've both accidentally made a pun. "You think you can strong-arm ME?" - Korsica "Hey, YOU chose to fight-...Wait, you like puns too?" (points at his arm) - Chai "What? No!" - Korsica "Roquefort here. Shut this place down! Protect Finance at all costs! (Heh, I said "costs!") - Roquefort "Ughhhhhhhh." - Peppermint

10. Probably Awakened Something in Players:

It's no wonder how thirsty the fandom is when these two have some of the most charged lines in the game... "You broke my concentration. So how 'bout I break you?" - Korsica "Let's take this somewhere a bit more secure. So we don't disturb the neighbors." - Roquefort Welcome to Hi-Fi Rush, where they appeal to both the "I love the kind of woman who could kick my ass" community and the furry werewolf boyfriend sugar daddy community.

11. Visual/Dialogue Similarities:

Finishing this off is a section dedicated to miscellaneous visual or dialogue similarities that I couldn't fit elsewhere.

(The camera zooms in before I can get a good shot of Korsica actually ON her desk, so standard shot it is.) TOP 10 WAYS TO ENHANCE YOUR LEADERSHIP SKILLS IN THE WORKPLACE #1: Jump onto your desk to establish dominance

Smug little losers...

GET FUCKING YEETED

Man, they even intimidated the camera man, they can't keep it straight.

Spiky, anime-ass hair/fur. Triangular.

Of course they have blue eyes and nails and pronouns (ft. Chai living the dream) Also, speaking of blue... maybe it's because both of theirs glow blue, but some of their cybernetics have the same vibe to me.

Mostly just the chest and the arms (since that's all Korsica's got). Maybe I'm just looking too hard but like... the blue tubes connected to the arms, the glowing chest... Okay, I'm running out of red string for my evidence board, moving on. Anyways, not as much to bring up about remaining dialogue similarities, but I still have a few. "Is that a floating cat? Ugh, nothing about you even makes sense!" - Korsica "The numbers are in... and YOU are OUT!" - Chai "Wow. That makes no sense, you idiot!" - Roquefort Behold Chai's natural ability to deal psychic damage by not making any sense whatsoever. And finally... mission plan dialogue. "Mission report. Just...go up." - Peppermint "Up?" - Chai "Up." - Peppermint "That's it?" - Chai "Looks like Korsica's in her office, and it's on the top floor. Hence, "up"." - Peppermint

"Chai, you're doing it! The Tower is unguarded. We're headed your way." - Korsica "Chai! Roquefort's office is a couple floors above you. Get up there and kick his ass!" - Peppermint When in doubt: go up.

So in conclusion...

[kandicon]

HI I FOUND MY ART TABLET PEN!

THREE AM MECHS DOODLES BE UPON YEE!!!!

[plague--of--locusts]

Genloss is so back baby Ive cracked it

[textmel8r]

[ DRABBLE + SMAU ] 𝐒𝐔𝐆𝐀𝐑 𝐁𝐀𝐁𝐘 ! ( seventh installment ) in which you find toji fushiguro’s number off a sugar baby site .

୨୧˚ part; one. two. three. four. five. six. seven. eight. nine. ten. eleven.

୨୧˚ incl; toji fushiguro

୨୧˚ cw; sugar mommy! reader , sugar baby! toji , masturbation , angst , profanity , descriptions of violence , toji being a pathetic little sicko :D

୨୧˚ an; sorry this part is on the shorter side😅😅 it’s more of a filler chapter but i still like it!

It’s well past midnight when Toji slips his way back into his motel room. It’s dingy and drab, the once-white walls twinged a sickly yellowish tint from chain smoking guests. Ugly bedspread details different flowers that Toji couldn’t name, the same aged pattern clinging to the drapes that were pulled shut over the front window, never to be opened. It smells of heady sweat and open wounds, though maybe that’s just him. No, it definitely is him. He’s hyper aware of the grimy layer of filth that acts as a second layer of skin. It’s gritty and uncomfortable.

The bathroom cubicle is claustrophobic; if Toji were to stand in the center of the room, he could easily touch all four walls that boxed him in. He sits on the closed toilet seat lid, staring at his hands. They’re huge, intimidating. Trembling, spattered in blood that’s long since crusted into a dark concretion, cracking at the hinges of his fingers. His hands that took the lives of two innocent men just hours prior. Toji didn’t want to kill them, but they wouldn’t cooperate. Oh, how they shrieked and hollered for their lives as he dragged them into that alley. They just kept fucking screaming. 

“Fuck…” The man sighs grimly, letting his head dip forward to rest in the cups of his filthy palms. His bangs feel matted and crunchy with remnants of sweat. Disgusting self-pity blooms at the base of his hollow chest, and suddenly Toji has the urge to ram his skull into the drywall. Or dislocate his finger. Or do anything to punish himself for that feeling of defeatism. The nerve to possess such a shameful victim mentality, as if he deserved sympathy. He’s a killer; the best he deserves is a fucking electric chair.

Toji showers. A long, scalding shower that singes him to the bone. Water stained red cascades down the rippling wall of muscles that was his body and swirls down the rusty drain. These post-slaughter showers used to be blank canvases of his life. Ones where Toji’s brain would shut off and try to forget the atrocities committed by his hand. He would scrub his flesh raw, scrub scrub scrub mindlessly until he ached all over. But now, he only thinks of one thing.

You.

Maybe it’s some sick coping mechanism, turning to thoughts of you in times like these. In a pathetic form of self comfort, he reminisces. Your hands holding his face, your know-it-all smile, your way with words. God, your fucking way with words. 

“My sweet boy,” Toji whispers under his breath, touching himself. As if he could replicate the delicate way in which you spoke to him. His eyes shut, desperately clinging onto the mental image of you beneath him in his bed. Your arms outstretched, reaching for him like you want him. Like you love him. “My sweet…” Toji tries to fade into the warmth of the spray, imagining it to be your body heat encapsulating him instead. But the water is far too hot, it hurts; you wouldn’t hurt him like this. He tries so damn hard to disassociate into the pleasure, as if his hand would magically dissolve into yours. Yeah, right. His hand is too big to ever compete with yours. Too fucking rough and gritty and mean.

The flat of his palm finds the greasy tiles of the shower wall. Toji fucks himself with all the roughness he deserves, lower lip staked between two rows of teeth to cease its quivering. He’s going to cum. Your face appears in his psyche once more, but this time, it’s from the first time you visited him in the hospital all those months ago. He can see the picture so vividly, it scares him: you seated at his bedside, poking and prodding over his obliques, muttering a stream of concerned questions. But you were never upset or angry. No, despite the worries, you were still smiling. At him. 

Fuck, he’s really going to cum.

Toji grits his teeth, climaxing with a harsh shudder and a broken gasp of your name on his lips. Small jolts force him into a twitchy state, and he leans forward to rest his forehead against the tiles beside his hand. Semen paints the wall below, too far to the left for the shower spray to rinse it off. He doesn’t bother to clean it off. He’s too repulsed by himself to do much of anything. 

The plasticky sheets stick to his skin. Sleeping in just a pair of boxers was probably a stupid idea, bed mites were a real cause for concern, or so Shiu had told him. But it’s hot. He’s hot. And restless. And uncomfortable. He always had trouble falling asleep in foreign beds. Lidded eyes peek over to the alarm clock perched on the side table, its cherry digits splaying 2:47am. You were asleep. 

He reaches for his phone anyway, wracked with guilt all the while. The tension in his thighs still persisted, still succumbed to the aftershocks of his orgasm he fucked himself to with your face in his mind. He’s fucking gross. This is gross.

She’s sleeping, jackass. Don’t wake her up because you’re lonely.

Be a fucking man and lick your own wounds. That’s what his father would say.

He texts you anyway.

He presses the call button. It only gets through half a ring before the line cuts on and he hears a groggy “hey” filter through the receiver. How long has it been since he’s heard your voice? Not that long, only three days and yet it feels like it's been three lifetimes. And that’s truly the moment when Toji knows you’ve fucked him for life, because when did he start thinking such sappy shit like that?

“Hi,” he answers, melting back into the stiff mattress. His gaze wanders along the waterlogged ceiling, tracing the abstract damp stains that have settled in its popcorn surface. He thinks offhandedly that one of them vaguely resembles a rabbit. “Sorry for waking you.”

“You already apologized, silly. I told you it’s okay.” There’s a pause. “It’s nice to hear your voice.”

It’s nice to hear yours, too. “Go to sleep.” 

“Yeah, okay.” The sound of sheets stirring crackles, Toji assumes you’re tossing in bed. “You’re sleeping now, too, right?”

He paws at his stomach, the pads of his rough fingertips tracing the gutters of his abdominal plates before he sinks his blunt nails into his own flesh. “In a bit.”

“Soon. It’s late, Toji.” You order him to bed like a mother would her child.

He nods as if you could see the gesture. “Soon, then.”

You bid him a good night, turning once more into bed before settling back into the depths of the slumber Toji had interrupted. He clasps his cell between his ear and shoulder, basking in your gentle breaths. It’s the same sounds you made the night you fucked him. He slept upon your chest, head over your heart, listening to its beats. You drooled on his pillow, he gave a quiet scoff at the memory. Are you drooling now?

Toji never sleeps.

likes and reblogs are appreciated !

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[empty-movement]

IS IT A COINCIDENCE THAT REVOLUTIONARY GIRL UTENA FEATURED ON THE FRONT PAGE OF WIKIPEDIA AND THEN HENRY KISSINGER IMMEDIATELY FINALLY BIT THE DUST???

I mean, yeah. But that doesn't make me less eager to celebrate the best way I know how: a fuckin' t-shirt! This started as a play on the 'Utena was on the front page of Wikipedia and all I got was this lousy t-shirt' except YOU DIDN'T JUST GET THE LOUSY T-SHIRT. You got a dead war criminal!

So I just fought with Printful for hours to get this very timely, very cool, excellent, based t-shirt! I haven't had it printed yet, so I'm only 99% sure of the image and such, but honestly if it were crunchy, wouldn't that be some of the charm? Anyway it should be fine:

COME GET, IN MANY COLORS AND SIZES. Get a shirt so specific in nature that it won't make sense anywhere at all outside an anime convention! You'll support us at Empty Movement, as a cool bonus! (We will get about $2-4 per shirt!) Have fun, love, and oh god let the drop ship gods be good - Vanna

[utilitycaster]

Are you satisfied with the main cast playing gods those specific cast members know very well or would you have preferred everyone played gods that haven't been explored as much?

I covered this briefly here! I am glad that Abubakar is playing Corellon, whom I've always found interesting and has only shown up in small ways, and I'm hoping we do get some of Erathis via the Emissary, but ultimately yes, I think the array of gods we have is important and the fact that Taliesin, Laura, and Ashley are playing gods they have likely been thinking about off and on for 5-10 years is a good thing.

I think Sarenrae/Raei/The Everlight, who in many ways is remarkably similar in her story to Zerxus, should be shown as a deity very willing to take on mortal form and I think it's crucial to have the goddess of mercy involved (and arguing for saving Aeor) and having someone who played her cleric will understand those nuances.

I think the Raven Queen's perspective as, quite recently, a mortal wizard is also incredibly important, and the other gods defer to her for that precise reason. I also found the distinction the gods had to make regarding her ascension vs. the Aeorian weapons very relevant: she did kill the former god of death, but she assumed his domain and station. The Aeorians wish to destroy the gods without taking on their responsibilities; this is only as a show of power.And I think having Laura, who's played a character with complicated feelings about the Raven Queen (Vex's feelings about Vax's service) do this means she won't shy away from the, well, lawful neutrality of it all and the coldness, but also the fact that she is in a way even closer to mortals than the kinder Everlight.

Finally, I think the portrayal of the Wildmother in Critical Role is heavily influenced by Taliesin having chosen her as specifically a death god. I'd love to hear from Matt and Travis re: the influence that had on them, because the aspects of the Wildmother we've focused on have been that wildness and inevitability less so than, as Laura mentions in cooldown, the crunchy granola nurturing image. I think Taliesin, who played Caduceus as a frequently gentle character to a god he openly admitted could be violent can capture that idea.

(I do want to quickly note: really glad Nick chose Pelor as well; this excellent post covers that a lot of people do not understand Pelor at all and having someone play him in this story permits some underscoring of the points perhaps more subtly made elsewhere.)

[dearmahiru-archive]

wasn't sure if i should bother posting some of the memory loss theory but i was fortunately able to find six images out of the eight part theory. except, as you'll see below, it's in terrible quality and there's no free image enhancer that could salvage it. the images are also super tiny, like 100 x 300 small. regardless, i figured i might aswell post it though and simply translate the text. credit to @otums on twitter although as of now they've deactivated.

(1/8)

Alt: Why doesn't Fuuta + Muu provide more details? They could just blame someone. Instead, answers are vague...

Theory: Each prisoner only has half their story + memory and their opposite parallels the half (applies to other pairs too imo)

Their story has 3 main characters:

- Fuuta + PHG

- Mu + Magic

- Friend A (leader/cause)

(2/8)

Alt: Red = Fuuta, Yellow = Mu, Gray = Missing

Fuuta: (bold means memory)

Betrayal -> Friend -> Backstory

Fuuta -> Retaliate -> Victim (Magic)

Magic = Killcheroy/Magic-chan

Mu:

Betrayal -> Friend -> Backstory

Victim (PHG) -> Retaliate -> Muu

PHG = purple haired girl

So the story of the prisoner pairs have to be combined.

(3/8)

Alt: Fuuta + Mu story guess

A group of four friends form. Muu wants to fit in, and Friend A exploits her. Friend A's the leader, appearing in every bullying scene.

The Dark Triad had a leader too, Rumerie (Friend A). Fuuta looks to him in almost every battle scene.

Friend A wants a new "game"

(?/8)

Alt: Fuuta + PHG joins. The group grows to 9 people.

Muu + Magic copies Friend's pose.

Friend B gets harassed. Fuuta + PHG react with "justice":

(?/8)

Alt: Fuuta + PHG act like a "hero"

Friend B thinks harassment is from Muu + Magic

Friend A thinks Fuuta + PHG should be removed

Friend B (harassed) tells Fuuta + PHG that Muu + Magic is responsible. This is a misunderstanding caused by Friend A

Fuuta + PHG callout Muu + Magic

(8/8)

Alt: Fuuta + Muu get persecuted

(1st Class scene = dnd, because Muu has a pink sweater and board says "criminal/juvie)

There's many other parallels! And more!

initially when i wrote this post i only found three images but after digging i managed to find more! i'm going to try finding the additional two i'm missing but i hope you're able to get the gist of the theory.

TW: discussions of suicide and hanging

Just had a terrible realization.

There's this wonderful theory that prisoners only have half of their memories involving their crime and you need to use their other pairing to understand the full story. I'd link it but unfortunately the creator deactivated. Everyday I mourn not archiving it because it was amazing.

They only explained how it related to Fuuta and Mu but I was thinking about what it meant for Shidou and Mahiru. After thinking about it, a horrible question hit me: Did Mahiru intend to commit a lover's suicide with her boyfriend?

IT SOUNDS CRAZY and I don't think I necessarily believe it because it'd make her crime way too sympathetic, right? Like, unless she was a terrible person no one would guilty her! But like... it's there and it's not leaving my mind.

Ofcourse, what I'm proposing is that Shidou and Mahiru intended to die to be with their loved ones but Mahiru was stripped of her memory. Both pairings would have to share the same memory, afterall. This means I'd have to convince you Shidou wants to die—

—Which is distressingly easy to prove. First thing out of his mouth upon meeting Es. Massive focal point about his character, harder to miss it honestly.

As for Mahiru, you know how her crime took place in Aokigahara, the suicide forest?

I explained it in this post but it's likely Mahiru's crime was indirect to parallel Shidou who directly killed his victims. Along with the imagery of Mahiru wrapping his hands around her victim's neck and their shoe falling off, I think it's likely he died by hanging. Initially, I thought he died while Mahiru was at home cooking dinner, hence her horrified expression towards the end.

Few things we'll need to establish. When Mahiru's boyfriend dies it's on Day 16. I'm assuming this because why else would she wear the birdcage outfit and look horrified at the end? Then, there's also this shot in Undercover where Mahiru's hands are laying ontop of her victim. I think this must be in Aokigahara because no other entry before this takes place in a forest. The closest is the outdoor cinema in Day 13 but, and I checked, the cuffs are different. Instead, Mahiru's birdcage outfit matches up the best.

Obviously, the cuffs between the two jackets are different so they belong to different people. Mahiru must have went with her boyfriend to Aokigahara.

However, like I did, you might be thinking, "Oh but Mahiru doesn't have the motive to go. She isn't suicidal." To which I say:

The fact she laughs after saying the first few lines as if that's a teehee :3c thing to say. This isn't funny Mahiru. I'm distressed over your mental health.

Bringing up the shoes again, there is a scene where Mahiru takes her shoes off. Specifically, when she's calling her boyfriend and then when she dives headfirst into the feathers.

Initially, I had brushed off this off but it's a weird detail to include, right? Noticably, the shoes only come off when she's unhappy in her relationship: slamming the phone down after arguing with her boyfriend and then staring wistfully outside of the birdcage. They're on again after she wakes up from her nap, and her boyfriend has already died. Even if it doesn't necessarily mean she's suicidal, it's still linked to her unhappiness.

Adding onto this, there's these lyrics from This Is How To Be Inlove With You:

"We fought sometimes, I was happy to get hurt Let's have matching pain, this sickness is pretty bad."

"This is a claim of responsibility From the two of us with matching love Wanting to know everything about you, but wanting to die because it can't come true It's all because of love."

These lines are sung over Days 9-12 after Mahiru confesses and starts dating her boyfriend. Along with the lines about matching pain, it's when she takes off her shoes, so she's really not happy in this relationship. Over the course of this relationship I think they're both having a negative impact on eachother's mental health. Mahiru is consistently taking up her boyfriend's time (waking up him up in the morning to call, begging him to take her out on dates, etc) and then potentially manipulating/guilt-tripping him. For Mahiru, she's putting a large amount of effort into being a good girlfriend and not receiving anything in return. Not once does Mahiru ever mention something her boyfriend has does for her, and she's very easy to please.

Despite how cute it's portrayed in her MV, atleast one of their fights got nasty. In the 2nd trial teaser, Mahiru screams "Don't say you love me so easily!" Which is likely directly at her boyfriend. Concerning implications since this is only voiceline where she says anything like this. Her first MV, first voice trailer, and second voice trailer are all saying she loves this guy but she's screaming at him to not tell her the same? Despite being in the chorus of This Is How To Be Inlove With Love You's lyrics? A fuck-up has occurred here.

I should also note, Mahiru has only expressed anger towards her boyfriend. Kotoko threw her on death's door and Es, accidentally, put her in that situation and she still loves them both. At most Mahiru's upset with Es but it's only empty sadness. Seriously, what could her boyfriend have done that's worse than literally attempting to kill her?

Now, I tried to write to all of off by saying Mahiru would've remembered if she tried to commit a lover's suicide and there'd be more hints. However, if you remember the beginning of this post, if Mahiru had her memory erased then she doesn't know how her boyfriend died.

I think this is most apparent in her interrogation answers and voice drama. Mahiru always refers to her lover in present tense, saying things like "I've never smoked before, but I might copy him if who I love smokes." There's also the way she speaks about her crime, she "supposes" she killed her boyfriend. There's several reasons why she'd act this way but I'd say this aligns with her having a fuzzy memory.

(Also pretty suspicious for Milgram to ask her "Are there people you’d be leaving behind after you die?" Why would we, the audience, need to know that.)

Ofcourse, this theory isn't perfect! You could come up with all sorts of reasons why x evidence actual something else entirely different. I'm not convinced of it entirely myself but I think it does make sense? I Love You can't come soon enough to confirm everything.

[salty-lemon-shark-from-the-sea]

Maya and the Three + (Reader) Incorrect quotes (Part 2)

Chimi: Ugh, crushes are so dumb.

Rico: I know. Whenever I’m near the person I like I just start acting stupid.

Chimi: But you’re always acting stupid?

Rico: …

Rico: Yeah, don’t think about that too hard.

●◦●◦●◦●◦●◦●◦●◦●◦●

Chivo: Pick a card, any card.

Bone: Fine.

Chivo: Wait, that’s my credit card!

Skull: You said any card.

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Xtabay: I scare people a lot because I walk very softly and they don’t hear me enter rooms. So when they turn around, I’m just kind of there and their fear fuels me.

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Chimi: Everyone knows that Santa is an international designed by the big five corporations to sell tinsel and video games to an unsuspecting public.

(Reader): The whole “childhood wonder” stage just blew right past you, didn’t it?

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Rico: Why is Picchu crying?

Chimi: They saw a leaf on the sidewalk and-

Picchu: IT LOOKED SO CRUNCHY!

Rico: Please don’t say what I think you’re gonna say-

Picchu: AND WHEN I STEPPED ON IT THERE WAS NO CRUNCH!

Rico: NO, NOT THAT!

●◦●◦●◦●◦●◦●◦●◦●◦●

Camazotz: Wow you and Cabrakan are home early from the movies. What happened?

Cipactli: We got kicked out because Cabrakan wouldn’t stop yelling diving scores as people jumped off the titanic.

Cabrakan: That last guy had a solid 8, I’m telling you!

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Maya: I regret nothing!!!

Zatz: I regret everything!!!

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Zatz: Name a more iconic duo than my crippling fear of abandonment and my anxiety. I’ll wait.

(Reader): You and me!

Zatz: *tearing up* Ok.

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Queen Teca: So, what’s for dinner?

King Teca, staring at the food they burnt: Regret.

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Vucub: Being half asleep and feeling someone gently plant a kiss on your forehead is one of the purest kinds of love in the world.

Chivo: Unless you’re home alone.

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Chimi: This date is boring!

(Reader) This isn’t a date. I said I was going to the store.

Chimi: Then why did you invite me?

(Reader): I didn’t, I specifically said “don’t come with me,” then you said, “fuck you (Reader) I’ll do whatever I want!”

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Rico: *very seriously* You need to stop doing weird things to cope with the stress. Going outside might help.

Chimi: I went to the park today.

Rico: There you go! I hope you got something from that.

Chimi: *opening their coat* This duck.

●◦●◦●◦●◦●◦●◦●◦●◦●

Acat: Zatz is playing hard to get.

Acat: Little do they know, I’m a master at playing hard to get rid of.

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Lord Mictlan: What are you doing tomorrow?

Any god/goddess: Having my day ruined by whatever you’re about to ask me to do.

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Lady Micte: If I ever had a child, I image they would be a lot like you.

Lord Mictlan: Aww, thanks—

Lady Micte: Which is probably why I’ve never reproduced.

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(Reader): Did you get the eggs like I asked?

Maya: Even better!

(Reader): What the fuck did you—

Maya: *holding up a chicken* Her name is Fluffy.

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Lord Mictlan: What have I done wrong?!

(Reader): Everything. For your entire life.

●◦●◦●◦●◦●◦●◦●◦●◦●

(Reader): Chivo… Why did you draw a pentagram on the floor?

Chivo: Your text told me to satanize the house before you returned.

(Reader):

(Reader): I wrote sanitize Chivo.

●◦●◦●◦●◦●◦●◦●◦●◦●

Rico: (Reader) that's disgusting. You’re only giving free stuff to beautiful people.

Chimi: Yeah, you should be ashamed of yourself.

(Reader): Oh yeah? *gets really close to Chimi* How about a muffin on the house baby?

Chimi, giggling: I’m pretty.

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Acat: Please! Pretend I’m useful!

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Camazotz: Oh Zatz, we have a visitor!

Zatz: Don’t tell me it’s (Reader).

Camazotz: It’s (Reader).

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Zatz: There’s no way they like me back.

(Reader): Maya would throw herself in front of a moving car for you.

Zatz: Maya would throw herself in front of a moving car for fun.

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(Reader): I have so much energy, I want to run a marathon or commit a crime… which should I do?

Barbarian Princess: Please don’t get arrested.

(Reader): No promises! <3

Barbarian King: Why not both? Get creative!

(Reader): Wonderful suggestion, thank you.

Barbarian Princess: Please don’t encourage them, Papa.

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Lord Mictlan: Love is weakness and an evolutionary mistake.

Camazotz: You are literally making a Valentine’s Day card for Lady Micte.

Lord Mictlan, pointing their hot glue gun towards Camazotz: You’re on thin fucking ice.

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King Teca: Don’t mansplain this to me!

Queen Teca: Wh- I’m a woman! I can’t mansplain anything to you!

King Teca: … Well, I’m a feminist, and I believe a woman can do anything a man does!

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Skull, at (Reader): Would you like to stay for dinner?

Bone, from the kitchen: Would you like to stay forever!?!

●◦●◦●◦●◦●◦●◦●◦●◦●

*Acat is telling a story*

Hura: Wow, Acat, this story has everything! Action! Adventure! Romance!

Can: *grunting* Romance?

Hura: I have a crush on them.

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Xtabay: How do I make a date really romantic?

Vucub: Be mysterious.

Xtabay: Okay.

*Later, while on a date with (Reader)

(Reader): So where are we going?

Xtabay: None of your fucking business.

[foldingfittedsheets]

Aspiring artist here and super new to it, and absolutely no pressure, but I was wondering how you go about sizing your comics for best quality + sharing? Your art is always so CRISP and gorgeous what's ur secret to defeating the Compression Gods *eyes emoji*

Hahaha, I don’t really have a lot of Hot Tips but I’ll do my best.

When I’m laying out my canvas for a comic I’ll usually go by pixel and start with 850X9000. When I tried doing a little Webtoon for a minute the images they let you upload are 850x1100, and that’s really close to phone screen size so it’s a good starting place to make art for that size specifically.

I draft the comic by just handwriting and sketching out panels without worrying about spacing. Once I have a draft I’ll go through and organize it better, I start with speech bubbles cause they always take up a ton of room. Then I add panel frames and often I’ll move the sketches around to accommodate the speech bubbles.

Finally I go through and chop up the comic by cropping down on the panels I want to include for each image and saving it as a png which is a lossless format. I’ve varied the size I crop to depending on how long a comic is. Sticking around 1100 pixels tall is best because again it’s close to phone screen size and your art won’t get too crunchy.

Then I post it!

For non comics I make things very pixel dense, like 6000x6000 or more and always try to save as PNG. JPEG is a format that will always lose some data every time you copy and paste it, so some artists post those on purpose to make sure people can’t easily make off with their art. I’m a ding dong and I just post the high resolution most of the time cause ¯\_(ツ)_/¯.

Once I have a finished piece I’ll make a blank black panel at 850x1100 to position over the art and that’s what I crop down to to make closeups.

[neonfretra]

making hockey edits as a total newbie

having completed my first poetry edit its both easier and harder than i thought! which is pretty exciting considering the fact i have a poem in the back pocket that reminded me of the sharks. its WAY longer and i probably dont REALLY want to actualize it. but. fun process! talking about my process below the cut :)

concept

the inspiration was wanting to make a pickles edit and his number is 44 (and there are SO many sharks players that couldnt take 44 because of him. i mean it so seriously i hope they retire his number solely to inconvenience everyone for the rest of this franchises lifespan)

i dont think hes super widely known because:

the sharks are bad

marc edouard vlasic is bad

so i doubt the narrative of the edit makes much sense LOL

long story short, he used to be REALLY good. never got acknowledged for it in the broader scope. fell off with age . makes him super unpopular because hes signed 8x7m (shout out to past gm doug wilson) and hes bad. hes played with the sharks for the second most amount of games (second to patrick marleau who is like. THE shark of all time. hes so shark they call him mr shark. so if you grade on a curve...?) .

i love our shriveled husk!

the first image (the title card) came way before everything else actually, sort of my proof of concept and proof that i could actually make anything its very young pickles! that image is like. 7 years old

collecting images

all images (not including text overlays) were pulled directly from getty images

i got around the watermark kind of stupidly! most of the time, you can get around it by just pulling it from newsites that did pay for the rights to the image (reverse image search is a pal) or by checking social medias for reposts by the photographer or team (harder for me because i dont use any social media, use instagram only when necessary because it CRUNCHES)

i used mspaint.

it shows.

(brian babineau)

yeah it was by literally pasting the thumbnail (upsized by about 334% i believe?) on top of the image which is why its such a mess of pixels . the nice thing about the human eye is that it kind of smooths over the image if you dont look too closely . other times the texture of the image is so crunchy already that it doesnt actually make a difference.

(i DID edit the right image i just. cant see it?????)

(left: kavin mistry, rightt: noah graham)

for simpler shapes i did try to use an airbrush to fix it but its not super noticeable so.

the important thing was not using photos where theres a watermark over the main focus because im not making it look good enough to pass .

are there easier ways? oh god yeah. for sure. am i using them? well if you scroll back up

human centipeding images together

hardest part was the photos that mashed images together:

(man just check the original post for credits)

these were NIGHTMARES (now text free!) i have all the things i edited as separate layers if anyone ever wants quinn hughes disembodied hand or two pickles

making image two

the concept of this one was the second, but i had the final image ready to go second and finished it last. i finished this one second after fighting for my life to compile the images for it

the ideas straightforward enough: pickles on ice with the puck, other prominent defensemen going through the motions of a shot edited in. this is when pickles is like. capital g Good

compiling the pictures were easy enough? the hardest one was actually finding one of pickles HAHAHAHA

fun fact is that i chose a bunch of right shooters by coincidence. actually a miracle that i didnt notice until comparing pickles to them in editing. which i did extremely haphazardly (seriously i was guessing when resizing them

i did all this in an art program that didnt have the ability to select the subject so i hand erased the background. i keep mentioning it but if i had to work around erik karlssons hair i get to complain about it.

first time using the soft eraser if that means anything. the green background was to help me tell what i had and hadnt erased yet

this one took me the longest by far and had me questioning the decisions that lead up to this point the most.

making image three

PAINFUL. there are five different peoples hands on this thing and i spent most of it trying to choose hands that were interesting poses+decorations and in different places. didnt bother removing the watermark on any of the hands because why do i want to make more work for myself. erik karlssons second hand did not make the cut (watermarked)

the nice thing IS that there is a sort of photoshoot they have with consistent angles and lighting. i proceeded to spend way too much time aligning five different photos on top of this to make sure the hands are in the right place and about the right size.

an interesting bit of the editing is that the colors on the trophy photo were actually an afterthought! because it looks kind of nothing.

it looks nice next to the second image because of the cymk coloring but the problem was that the first three images had colorful elements to them and the fourth is just text on the image

adding text

alt title: OH GOD IMAGE FOUR IS SO NOTHING.

image 3 uses my favorite quote about pickles believe it or not ^_^

If you are new to hockey or are newer to the San Jose Sharks fanbase, you will see the withered shell Vlasic is of his former self and think that any conversation about immortalization in Toronto is beyond the bounds of possibility.

insane someone wrote this about another person. quite chuffed that you can read that phrase in the final image!

image four babe im so sorry you are so underbaked. the article on THAT one is literally just about the 1000th game celebration. but also its hella ironic

“I’m still the same guy I was when I came in, just 14 years older,” Vlasic said. “Plays the same way, does the same things, plays against the same players. Just 14 years older.”

whole lotta people want this man GONE because hes flopping so hard. everyone and they momma taking bets on when hes getting bought out. its BAD LMAO i hope they sign him another 8 years

in reflection

edits are way easier than i thought they were to make with zero knowledge of the medium! i had no idea what i was doing but i made something i feel extremely proud of, take a shot at it sometime ^_^

something i kind of struggled with was making something that felt interesting and unique but unified as a whole piece? i dont approach things with a visual "theming" in mind and i more or less tripped up on the colors LOL

give it a shot! a spin, even! oickles.

[witchofthesouls]

When I read "Unicron is a fallen Primus" ask I thought it said Italian Primus and I was just hit with an image of Unicron doing the Italin hand thing at Primus, screaming that cybertronians are made with flavorless liquid(energon) when they could have instead been made with proteins and salt and actual seasonings(like humans are).

... So Unicron is upset that Primus overcooked everything too crunchy and in one established cooking set?

Unicron: Where’s the creativity you coward!?

Primus: I've seen what you did to your oceans.

Unicron: IT'S FUCKING FLAVOR *Angry god noises*

[coolguypluiplup]

(sees lizzies base kinda resembles a pumpkin pie) so your a baker. you bake and wear a flowy apron and that's your sl design now forever. good to know.

Close-ups under cut! (click images for better quality cus oh my god what happened. why are they so crunchy.)