#god as my witness...

[rika-mortis]

Bonus:

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[hyunpic]

SKZ VLOG: HYUN.E’S HOELIDAY 9

[leporellian]

every worst warrior cats characters list is a combination of “most interestingly written nuanced characters in the series”, “male characters who don’t think women are people”, and of course “women who just have like 1 or 2 realistic flaws”. these are all placed on the same level of bad as each other naturally

[p4nishers]

i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down

[dizzybizz]

mingling memeing for today 🥰

[daynascullys]

how to say "I love you" in x-files [37/?] ⤷ 5.14 — “The Red and the Black”

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[raconteur-wanpi]

A pre-timeskip Usopp doodle for nooooo reason. No reason nothing happened just wanted to draw pre-ts Usopp. Nothing prompted this.

[eluminium]

Pearl: Oh we'll make a mail system! So we can be more connected as a community! Yayyy!!!

Keralis: mails pieces of Impulses sick now dead horse Tyler Swift straight to him. Urn, ashes, leather, lead, head and all.

Pearl:

[turtleblogatlast]

I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.

And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.

It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:

“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”

And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.

[macaronichewtoyz]

BOYFRIEND REVEAL LOL!!!! Lil gift of Kyro (they/he) for @muppetofamasc <333

[thorough-witness-enjoyer]

I love it when Destiny takes time to show the smaller moments of the universe.

Eido nerding out over preserving culture, people celebrating the Festival of the Lost, baking cookies when the temperature drops, Zavala knitting, Osiris and Saint being tender, random guardians and their friends that we might never get another lore entry on, guardians who we get a handful of lore entries for their shenanigans, conversations about beliefs between characters we know and love, and so, so much more.

In the face of tremendous loss and pain, there are always moments of unconquerable joy and love, even if they are brief. Love can be found in every tale, every crevice, and every event in Destiny despite despairing circumstances and it wins. Maybe not immediately, maybe long after the lovers have perished to their situations, but it always triumphs. It’s seeds always burst through an inhospitable soil to grow into the shade others will lay under, resting their heads upon a person they would propagate a whole forest for.

It is the small moments like finding unlikely companions, enjoying a deeply brewed tea, or collecting candy on holidays that keeps people fighting for the ability to experience such delights.

Destiny is about a universe of people who will choose to survive and endure no matter the cost. It is the assuring sight of different species of children playing in the streets of the Last City that people will suffer time and time again to protect. It is the thought that there will always be a precious experience in life awaiting in the future that makes people want to even keep the very POSSIBILITY of suffering.

Eris has saved the universe to bring justice to her fireteam, protect humanity, and save the ones she loves like Ikora, Mara, and Drifter. That is enough.

Misraaks has helped us in our endeavors to protect Sol for his people and Eido, to see them prosper and grow. That is enough.

Some guardians may fight just to bring in enough glimmer to enjoy a drink at a tavern. That is enough.

Some people right after the Collapse may have continued on because they didn’t know what else to do, they didn’t know why they had it in their spirit to continue on upon a charred Earth. That is enough.

These are all enough to warrant the continuation of a universe that allows for these possibilities. These are enough and more to fight for with bleeding callouses and busted knuckles.

It is moments so fleeting and small that leave such an impression on us that we will fight against odds so enduring and large. We fight for justice, for hope, for good food, for the smell of blossoms in Spring.

We will do it over and over again for it is our right to determine our fates, no matter the indifference we receive from the universe itself and no matter the wants of those who equate the small to be inconsequential.

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[monkesupreme]

Maybe i SHOULD draft out my ‘Clark is a SuperPlant’ propaganda post

[shorthaltsjester]

there is something so, so devastating to me about imogen having spent the past weeks utilizing how much like her mother she appears to be as a way for the hells to gain intel and slip past different situations but how significantly her like . relvin vibes have increased in the past couple episodes. and of course we only have the one interaction with him but the temult dynamic is one of the ones that spins my brain around in knots. there is something very juicy to me about an imogen who can’t escape her mother’s fate because she looks like her spitting image and has her same powers and who can’t escape her father’s fate because she’s also powerless watching the woman she loves disappear.

like relvin in that visit is of course walled off and he’s decades down the road of having seen the woman he loves disappear into the unknown of her powers and what we got of his response to liliana and the idea of helping imogen save her wasn’t unlike imogen’s recent response to laudna. his comment that he always figured that liliana would realize gelvaan wasn’t the place for her, he just also hoped they’d go together when she left is like the domestic small town mirror of imogen’s illogical but real griefguilt about leaving laudna alone by fighting against predathos. i mean relvin specifically brings up that he doesn’t know if liliana was lying to him the whole time about her powers or if she didn’t know either, “it’s a lot to take in at once. you think you know someone, there’s a whole part of their life that they just been keeping secret from you. i was angry. i’m still angry. but you know, a little part of me wants to believe she was just doing it to protect you.“ a sentiment echoed by imogen’s responses to laudna the past few episodes.

and at the end of that gelvaan visit, relvin speaking up enough to tell imogen to “tell her…” but not having anything to say. because liliana made her choice and he knows his words didn’t mean anything before. imogen just watching as laudna shoves a dagger into her own chest, imogen telling her “i’ll always love you, laudna. i just don’t know what to do with it.”

god, in general, imogen who grew up knowing that love isn’t enough. that love is important and it’s a lot, but not enough. relvin and imogen standing with a chasm of grief and a silver locket between them and “i never want you to be afraid of me, daddy” “me neither.” and laudna’s “i don’t like people being mad at me.” and imogen’s “i know.”

because imogen is her father’s daughter. like absolutely with anger at him and complexity in that relationship but silly little cowboy jokes aside, the values imogen expresses are ones that — when not ones born of her experiences with her powers — seem very much contextualized by her upbringing. i mean the ideal life that she dreamt of and dismissed with laudna someday when the apocalypse is over is a small cottage with some horses. relvin lives in a farmhouse furnished for one.

i’ve talked before about how For Me the most fruitful lens for viewing imogen’s story is one of generational trauma, and i think the reasons for that re: liliana are obvious. but i also think that being raised by someone who isn’t privy to the intricacies of whatever haunts their spouse enough that it’s been passed down is another sort of fucked up legacy and i am truly delighted/sorrowed by how messily and interestingly imogen sits at the intersection of these dual temult legacies; one of leaving and one of being left.